Bellmen at the French Lick Hotel, accessed IndyStar.
Embroidered with resorts and mineral springs, French Lick Valley served as a veritable playground for Americans at the turn of the 20th century. Hotels in West Baden and French Lick offered all the creature comforts money could buy. One could luxuriate in mud baths, bird watch from marbled verandas, and be moved to tears at an opera house. When nestled in the hills of southwestern Indiana, daily responsibilities were but a glint in the rearview mirror. But for some, the Valley was a hotbed of violence and intimidation. In early June 1902, “Friends” penned a letter informing Black waiters, “There is 35 sticks of 45 per cent dynamite in hiding now to blow you up and there is also ammunition at the same place. Every house in West Baden, French Lick, Hillham and in the valley that has colored people in them will be blown up.”[1]
The letter reported that fifty-six locals had gathered in the countryside, plotting to drive out the region’s Black population. The conspirators were likely the same individuals who had recently installed a sign in West Baden bearing “the proverbial skull and cross bones” associated with sundown towns.[2] According to Lin Wagner, director emeritus of the French Lick West Baden Museum, “’The hotels were building and booming in the late 1800s, the south was undergoing reconstruction and a lot of blacks were moving north. West Baden Springs Hotel owner Lee W. Sinclair brought workers up from the south to work as nannies, bellmen, maids, porters and waiters; vital to the day to day operations and success of his West Baden resort.'”[3] As the Black community grew, the “laboring classes among the white people” conspired to dispel its workforce.
Pluto Spring interior, French Lick Springs, Indiana, circa 1910, courtesy Indiana Album, accessed Indiana Memory.
Between 1902 and 1908, newspapers reported on an emergent “race war” in the French Lick Valley. Just days after the letter was dispatched to Black waiters, as well as the property owners who rented to them, Secret Service officials descended on the area.[4] They warned the conspirators, who had appointed themselves the “Committee of Regulators,” that if they were caught with firearms they would be jailed for “inciting a riot.” And while “Uncle Sam” had taken “a Hand,” as the Huntington Weekly Herald phrased it, it is unclear if any of the “ringleaders” actually faced arrest or imprisonment.[5]
Punitive lip service was more likely, as Deputy U.S. Marshall John Ballard reportedly feared arrests would make the situation more volatile. In analyzing the “race war,” historian Emma Lou Thornbrough noted that “although there were no statutory laws forbidding black settlement,” it was “enforced not only by public opinion but also by sheriffs and other local officers, that decreed blacks could not settle in the town or stay overnight.” This aligns with the Bedford Weekly Mail‘s report that “several of the most objectionable” Black residents complied with a “quiet” order to leave the area during the conflict.[6]
Referencing the events in West Baden and similar occurrences in “several towns along the line of the Monon railroad,” Rev. Edward Gilliam wrote to the editor of the Indianapolis News, asking “Where are my people to go? What are we to do?”[7] He argued that these conflicts represented the larger struggle for Black people to support themselves in post-Reconstruction America. Rev. Gilliam wrote, “With factory doors, mercantile opportunities and other avenues of earning a livelihood closed against us,” it was particularly shameful to “be notified that we shall be permitted to choose our fields of labor only upon the approval and consent of a lot of men who defy the laws of the country.” He begged the question “is it not time for those who favor fair play to all men to speak out and emphatically say that Indiana shall not be disgraced by such unlawful proceedings?” Black Americans were barred from employment and subsequently condemned for their destitution.
Group photo at West Baden Springs Hotel, 1906, Bretzman Collection, accessed Indiana Historical Society.
Just after midnight on June 5, 1908, sections of the Valley illuminated with gunfire. A few hours later, the sound of explosions plucked dozens of waiters from slumber at the Jersey European Hotel. “Frightened so badly that they could scarcely speak,” they rushed into the street as sticks of dynamite hammered the west side of the building.[8] Many boarders at the Jersey European—operated by Black proprietor Charles “Champ” Rice—were Black employees of the West Baden Springs Hotel.[9] While no one was physically harmed, the blast damaged the structure and succeeded in driving many residents from the area.
Journalists speculated about the perpetrators’ motive, but generally concurred that the violence was intended as retribution for the dismissal of white waitresses for the West Baden Springs Hotel, known as the “Eighth Wonder of the World.”[10] Reportedly, hotel manager Lee Sinclair had recently fired about forty waitresses and replaced them with Black men from Louisville.[11] According to Thornbrough, “Just as custom and prejudice, rather than law, assigned blacks to certain residential areas, so custom and prejudice decreed that only certain kinds of employment were open to ‘colored persons’—usually seasonal jobs that whites disdained.” U.S. Census reports at the time noted the majority of Black men worked as servants and porters.
Sinclair justified his decision to replace the waitstaff as “trying to better moral conditions.” However, an anonymous writer informed the Indianapolis News that Sinclair was induced by the “jealousy of a woman for the waitresses. She has been trying to make this change for the last year.”[12] It is unclear if the woman was part of hotel staff or had a personal relationship with Sinclair. Regardless of its impetus, the resultant hostility caused many of the waiters and residents to flee the area.[13] On the precipice of a “race war,” Marshall John Ballard returned to West Baden, seeking to identify those who initiated the attacks. He was generally met with silence, especially from fearful Black residents who had chosen to remain in the Valley. A night watchman also had little to offer, as he reportedly fled in search of law enforcement when the shots began ringing.
Tensions were so heightened that the Brazil Daily Times predicted the state militia would be dispatched.[14] The Muncie Evening Press echoed, “Other attacks upon the place are feared unless police protection is furnished in this place. The community has always been opposed to negroes.”[15] Nevertheless, John Felker, owner of a building that housed the displaced individuals, refused to expel them, “even if the alternative is leveling the building to the ground with dynamite.”[16]
Perhaps the war would not be so easily won. The violence seemed to disperse as quickly as it emerged, or at least reports of it ceased to appear in newspapers. And while many Black residents fled, refugees in their own country, others stayed and nurtured the remaining community. In 1909, Rev. Chas. Hunter wrote to the Indianapolis Recorder about the burgeoning Black-owned businesses in the French Lick Valley.[17] He noted that members of the “superior class,” like hotel porter S.C. Pitman and news dealer H.L. Babbage, lived in “good houses, furnished up-to-date.” W.O. Martin owned a tailoring business and Mrs. W.L. Alexander and Mrs. W. M. Scott did “a fine business” as dress makers. James Gibbs, “well known in Indianapolis,” excelled as head waiter at French Lick Springs Hotel. Rev. Hunter concluded his letter to the editor by quipping “my old friend Wiggington plays the ‘devil’ as usual'” in his role as the French Lick Springs Hotel’s mascot, Pluto Water.
Yarmouth Wiggington dressed as the hotel’s Pluto Water mascot, ca. 1910, accessed Indiana Album.
Rev. Hunter’s editorial resonated with a Recorder subscriber, who added in the following issue that George Jones operated a dry cleaning business and tailoring establishment, both of which did “a very heavy summer business.”[18] George’s wife, Myldred, started a music class, hoping to teach “her former pupils and also people musically interested.”
Recreation and the humanities kept pace with business endeavors in the Valley’s Black community. Members of the Ladies Culture Club met that spring to discuss issues of peace. They listened as Mrs. W.O. Martin delivered a talk “On why should we hustle for a living.”[19] Young residents organized a literary society to explore matters of art and culture. In April 1909, the First Baptist Church was dedicated. Hugh Rice and J.P. Cook presented tithes on behalf of their fellow waiters at the West Baden and French Lick hotels.[20] After church, one could watch the West Baden Sprudels (managed by hotel proprietor Champ Rice) play the French Lick Plutos.
Postcard collected by Kevin Pope, showing the Sprudels ca. 1910-1913, courtesy Gary Ashwill, accessed Agate Type.
Rice’s Jersey European Hotel withstood the Summer of 1908. In ads printed in The New York Age in 1912, he promised those “in bad health” the benefits of the Jersey’s spring waters for just $1.00 per day.[21] Indeed, those who hailed from the Big Apple took him up on the offer, as well as those from cities like Chicago, Pittsburgh, Little Rock, Cleveland, and Chattanooga. Providing the Jersey European with competition, the Waddy Hotel opened in 1913. It served Black patrons like noted Indianapolis journalist Lillian Thomas Fox and, years later, famed boxer Joe Louis.
Black communities and institutions continued to grow in Indiana cities during the Progressive Era. In trying to make a livelihood, Black Americans had to contend with displacement, vandalism, violence, and eventually the organized efforts of the Klan. By 1923, fiery crosses stretched across Southern Indiana’s “little valley,” as 100 members were initiated into the hate group.[22] Despite the shadow cast by Jim Crow discrimination, Black Americans continued to answer the questions “Where are my people to go? What are we to do?” through community-building and fellowship.
Sources:
[1] “Race Troubles Imminent,” The Daily Mail (Bedford, IN), June 17, 1902, 1, accessed Newspapers.com.
[2] The Huntingburgh Independent (IN), June 21, 1902, 2, accessed Newspapers.com.
[3] Dawn Mitchell, “Revival at the Last African American Church in West Baden,” IndyStar, September 19, 2018, accessed IndyStar.com.
[4] “Government Takes a Hand,” Fort Wayne News, June 24, 1902, 6, accessed Newspapers.com; “Uncle Sam Now Takes a Hand,” Huntington Weekly Herald, June 27, 1902, 6, accessed Newspapers.com; Bedford Weekly Mail, June 27, 1902, 4, accessed Newspapers.com.
[5] “Uncle Sam Now Takes a Hand,” Huntington Weekly Herald, 6.
[6] Bedford Weekly Mail, June 27, 1902, 4; Emma Lou Thornbrough, Indiana Blacks in the Twentieth Century (Bloomington, Indiana University Press: 2000), 3.
[7] “The Negro in Indiana,” Indianapolis News, June 24, 1902, 6, accessed Newspapers.com.
[8] Quote from “Dynamite Used to Threaten Negroes,” Indianapolis News, June 5, 1908, 1, accessed Newspapers.com; “Attempt to Blow up Negro Hotel,” Richmond Palladium, June 5, 1908, 1, accessed Hoosier State Chronicles.
[9] “Use Dynamite on Hotel Owned by Colored Man,” Muncie Evening Press, June 5, 1908, 1, accessed Newspapers.com.
[10] “Attempt to Blow up Negro Hotel,” Richmond Palladium, 1; “Dynamite Explosion Frightens Negroes,” The Republic (Columbus, IN), June 5, 1908, 1, accessed Newspapers.com; “Dynamite Used to Threaten Negroes,” Indianapolis News, 1; “Race War at West Baden,” Greencastle Herald, June 5, 1908, 1, accessed Hoosier State Chronicles.
[11] Bedford Daily Mail, June 2, 1908, 1, accessed Newspapers.com; “Change to Male Waiters,” Indianapolis News, June 3, 1908, 10, accessed Newspapers.com; Thornbrough, Indiana Blacks in the Twentieth Century, p. 6.
[12] “Dynamite Used to Threaten Negroes,” Indianapolis News, 1; Letter-to-the-Editor, X, “West Baden Waitresses,” Indianapolis News, June 12, 1908, 9, accessed Newspapers.com.
[13] “Use Dynamite on Hotel Owned by Colored Man,” Muncie Evening Press, June 5, 1908, 1; “All Quiet at West Baden,” Indianapolis News, June 6, 1908, 15, accessed Newspapers.com.
[14] “Riot Quiets Down,” Brazil Daily Times, June 6, 1908, 2, accessed Newspapers.com.
[15] “Use Dynamite on Hotel Owned by Colored Man,” Muncie Evening Press, June 5, 1908, 1.
[16] “All Quiet at West Baden,” Indianapolis News, 15.
[17] Letter-to-the-Editor, Rev. Chas. Hunter, “French Lick,” Indianapolis Recorder, January 16, 1909, 2, accessed Hoosier State Chronicles.
[18] A Subscriber, “French Lick,” Indianapolis Recorder, January 23, 1909, 3, accessed Hoosier State Chronicles.
[19] “French Lick,” Indianapolis Recorder, April 10, 1909, 3, accessed Hoosier State Chronicles.
[20] “French Lick,” Indianapolis Recorder, April 24, 1909, 3, accessed Hoosier State Chronicles.
[21] “Jersey European Hotel, West Baden, Ind.,” New York Age, August 8, 1912, 2, accessed Newspapers.com; Ad, “Jersey European Hotel & Baths,” New York Age, October 3, 1912, 3, accessed Newspapers.com.
[22] “French Lick Shows Interest,” Fiery Cross, April 6, 1923, 1, accessed Hoosier State Chronicles; “French Lick, Ind., Has Klan Ceremony,” Fiery Cross, July 6, 1923, 18, accessed Hoosier State Chronicles.
Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
A note on terminology: This post examines gender non-conforming or gender-questioning individuals. This includes those who identified as “cross-dressers [CDs],” male/female “impersonators,” “transvestites [TVs],” “transsexuals [TSs],” and, in modern terminology, “transgender.” When unsure about how individuals identified or what pronouns they preferred, they will be referred to as the name that appears in relevant publications.
For gender non-conforming Hoosiers, the pursuit of kinship and shared identity was often fruitless, if not outright dangerous. Before the connectivity of the internet and the advocacy of organizations like Indiana Youth Group and GenderNexus, many were bereft of social opportunities and emotional support. Beginning in 1987, the Indiana Crossdresser Society (IXE) served these Hoosiers by providing social forums and offering resources to individuals struggling with gender identity. The group also challenged instances of discrimination within and outside of the LGBTQ community.
The Works newsletter provides a bit of insight into early Hoosier female impersonators (at least in predominantly-white areas of Indianapolis), who performed at bars along Virginia Avenue from the early 1900s until World War II. Articles in 1982 remarked on the resurgence in popularity of impersonators, noting that the Alley Cat Lounge and Disco had begun hosting weekly shows. By the mid-1980s, however, The Works reported that the queer community had been gatekeeping gender non-conforming or gender-questioning individuals, approximately 20,000 of whom lived in Indianapolis. In a 1984 Works article, Jim Chaffin—a gay, cisgender man—chastised the “drag queen” mentality among Indiana’s LGBTQ community. He implied that because society considered gay individuals too effeminate “more ‘normal’ acting gays” needed to come out. Couching his criticism in masculine rhetoric, Chaffin alleged of those who kept their identities private: “you guys don’t have the b*lls to just go ahead and say what you are.”
In the following issue, Roy Pershing, also known as LaNora Takie, fired back at Chaffin’s narrow view of queerness and Chaffin’s insistence that masculine gay men live publicly. The author noted that while Chaffin likely had good intentions, it is the “individuals’ business and no one else’s,” that:
‘We are told that we are wrong everyday by straights and others; so is it necessary for this kind of behavior to go on within the community?’ Furthermore, ‘Could you please tell me what your idea of a normal acting gay person is? Is it an overweight, big mouth who runs a male wh*re house or is it someone who dresses in leather from head to toe? . . . To me, a normal acting gay person is a person who is himself and doesn’t run around forcing him or her lifestyle’ on others.’
The author also felt that Chaffin’s use of “drag queen” was derogatory, and that Pershing/Takie considered themself to be an “entertainer” and “impersonator.”
Facing alienation in the Indianapolis area, some Hoosiers like Betty and Lori attended meetings in Cincinnati hosted by Cross-Port, a group that provided support and social opportunities for gender non-conforming people. According to Cross-Port’s newsletter InnerView, Lori was one of the first Hoosiers to attend these meetings, where she “stood close to seven foot in those spike heels, and spent much time ducking the beams in Heather’s basement.” By early 1987, Betty and Lori helped form a similar group in Indianapolis, called Iota Chi Sigma, better known as the Indiana Crossdresser Society (IXE). About thirteen people attended this first meeting, presided over by Chairperson Laura, who “received special recognition for wearing a dress.” In a Q&A published in InnerView, IXE described itself as a “gender group interested in helping gender conflicted persons in the context of a social meeting.” This included a broad range of individuals, who could “be anybody from the transvestite who just wants to wear womans [sic] panties to the transexual person who believes themselves to be of the opposite sex.” Cross-Talk, the “gender community’s news and information monthly,” remarked that IXE members, feeling that the “gender community was always too hard on itself,” sought to “show a ‘happier’ side.”
After their first gathering, IXE met the first Thursday of every month at the 21 Club, and within a year, attendance outgrew that of Cross-Port. InnerView noted that Cross-Port members sometimes traveled from Cincinnati to Indianapolis to attend IXE meetings and Christmas parties. While in town, visitors shopped at Glendale Mall and Stuart’s Shoes, and participated in fashion shows at the downtown Hyatt Regency. One self-conscious visitor reported that they were treated courteously at these shops.
By 1989, IXE had over 100 members residing in the tri-state area—which included Kentucky—helping forge a social network of support for the marginalized community. According to an Indianapolis Star piece entitled “Cross-dressers Seek Society’s Acceptance,” most members were heterosexual men experiencing “gender conflict,” and came from a variety of professions, including carpentry, business, and law enforcement. The paper noted that once a month, about thirty members socialized at a Westside apartment clubhouse, many bringing their spouses. At one meeting, cosmologists gave members make up tips. At another, police officers advised them on how to avoid a “scene” in public.
The Star piece profiled IXE member Sharon Allan, who spent about 30% of his life dressing as a woman, undergoing “painful electrolysis” to achieve smooth skin, perming his hair, and piercing his ears. Sharon married his high school sweetheart, Ann, who knew about his cross-dressing from the beginning of their relationship. On their first date, she removed the choker from her neck and placed it around his. Ultimately, the couple divorced because Ann felt that although Sharon “is a wonderful person . . . his cross-dressing left no room for me as a woman in the marriage.'” Despite this blow, Sharon chose to be transparent about his identity with his young son in order to facilitate trust, stating, “‘I came to decide there was nothing wrong with what I was doing. There was nothing wrong with feeling feminine, inside or out.'”
Adam, a middle-aged health care professional, did not share Sharon’s perspective. According to the Star article, he began wearing women’s clothes as a teenager, but reported, “It’s not something I want to do. I got tired of feeling bad about myself. There were times I couldn’t control it.” Despite undergoing aversion therapy, Adam continued to dress in feminine clothing. His wife divorced him when she found out, and Adam noted, “It felt degrading to her and me as well. The discovery certainly was unpleasant. And it didn’t feel good to me. It was shaming.” Rita could empathize with Adam’s despair, having experienced two painful divorces. The northern Indiana police officer considered ending his life. Unlike Adam, Rita ultimately concluded that, despite having to keep the crossdressing aspect of his life private, “I wouldn’t give it up. If there was a magic pill, I wouldn’t take it.” The Star profile noted that Rita had begun wearing feminine clothing in elementary school. While in the Marines, he was able to shave his arms and legs “without attracting undue attention from his fellow leathernecks.”
Despite their personal struggles with shame and acceptance, gay bars afforded gender non-conforming Hoosiers a degree of shelter from harassment and discrimination. The Star noted that the venues were particularly important to this minority group because they provided a “place where men won’t try to pick them up.” However, these spaces dwindled when the 21 Club and G.G.’s closed, which according to the New Works News, prompted an influx of gender non-conforming patrons to other local gay bars. As demographics changed, some bar owners implemented exclusionary policies, perhaps reflecting the assertion of transgender activist Evan Greer in her 2018 piece for The Washington Post, that historically “the predominantly white, cis, gay, male leadership saw trans people as a threat to their slowly but surely growing social and economic political power.” Perhaps these discriminatory measures were an attempt to safeguard this hard-fought increase in social “legitimacy.”
In 1989, the New Works News reported on the fallout of the bar closings. Articles reported instances in which bar owners refused to serve cross-dressing and transgender individuals like Roberta Alyson and Kerry Gean. Dressed as the “woman I am deep inside of my biological male self,” Gean and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served.
Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. The officer crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. The officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer. Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.”
Alyson received assistance from IXE, of which she was a member. That year, IXE had “joined Justice, Inc., a statewide umbrella organization for support and activist groups working in and with the gay/lesbian community. Justice has a full time lobbyist at the state capital.” Forging such partnerships would prove critical in challenging discrimination. With Justice’s help, IXE initiated a series of meetings with bar owners, excise police, and allies like the Indiana Civil Liberties Union. These gatherings provided a forum to exchange perspectives and to gain a better understanding of excise laws.
The groups initially gathered in July for a meeting facilitated by police officer and community liaison Shirley Purvitis. Remarking on the conflict within the queer community, she noted in the Star profile that crossdressers are “‘professional people with good jobs. They’re taxpayers. A lot of them have families. It’s time we started learning about them.'” As expected, the meeting was tense. Some owners claimed that they implemented policies, like denying entrance to those whose photo I.D.s did not reflect their apparent gender, because they feared breaking excise laws and making their businesses vulnerable to legal issues. Responding to these concerns, Excise Chief Okey reassured that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.”
Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
Other bar owners stated blatantly that they refused to admit these patrons because they intended to “‘preserve the established atmosphere of their bars.’” A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Our Place owner David Morse sympathized with the 501 Tavern representative. He complained at a later meeting that new patrons had filled his bar with “boisterous, outrageous drag queens in double Dolly Parton wigs and that their presence was very disruptive” to the bar’s masculine ethos.
Works writer E. Rumbarger came away from this first meeting with a greater understanding of those who had been excluded from gay bars. Prior to attending, he had mused, “Did they eat their young? . . . Did they have two heads?” However, he was “very surprised and pleased to find that they were simply a group of very relaxed and congenial people who were ‘doing their own thing. . . . These men quite simply looked and acted like women or to be more precise—ladies.” He added that he could not fathom how any establishment would “object to their presence” and urged that “Greater knowledge and understanding is needed (and quickly) in the gay community regarding the wide diversity of groups that make up the community.” Similarly, Stan Berg, Works publisher and owner of the Body Works bath house, addressed Dee Gordon’s editorial, which criticized the push for greater inclusion. Berg opined that Gordon had articulated the:
feelings and actions of another owner of a gay business who, at one time, and for many years, kept out drags. Now, whether old age, an increasing tolerance for gays of all persuasions, or just the realization that bigotry was wrong, actually changed this business owner’s mind, I can’t tell you. But, that business owner is me. The bottom line is that your arguments are bigoted bullsh*t. My own reasons for keeping drags out of THE WORKS for seven years were also bigoted bullsh*t.
While the initial meeting spurred greater understanding among certain individuals, it failed to resolve turmoil within the broader community or result in specific policy reform. Upon IXE’s request, Justice, Inc. conducted a survey of those parties involved in the conflict and hosted a subsequent workshop in September. This workshop provided an opportunity to discuss injustices experienced by various groups within the community. Many voiced their anguish about discrimination within the lesbian community, against persons with AIDS, and along racial lines. At the center of the meeting, however, remained the exclusion of gender non-conforming individuals. IXE vice president Sharon Allan detailed the trials faced by crossdressers and drag queens, noting that they “are currently experiencing problems which the gay community faced years ago.”
However contentious, these meetings led to the reversal of policies at some bars and helped open the door to acceptance for other gender non-conforming individuals in Indianapolis. IXE members reported in September that they encountered less hostility at local establishments. Although bars like The Varsity maintained stringent policies, Tomorrow’s was much more welcoming. And while Jimmy’s did not reverse its I.D. policy, employees were more lenient about its enforcement. Roberta Alyson patronized the bar with a friend, who was also dressed in “female attire.” When the server approached, this friend instinctively searched their purse for identification, to which their server said “’Don’t worry about that, honey, we don’t do that kind of discriminating here.’” The Works noted that this action “on the part of Jimmy’s shows that people can change their mind” and should be commended for doing so.
Booth at Pride Week Picnic, New Works News, August 1989, 13, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
As the 1980s came to a close, the queer community seemed more tolerant—and perhaps welcoming—of gender non-conforming individuals. The Works announced in January 1990 that the owner of the 21 Club was opening 3535 West, which would “cater to all segments of the gay community.” The piece added, “Now that Indianapolis will finally have a gay meeting place where everyone is welcome, perhaps our gay visitors from out of town who have avoided coming here in recent months because of all the discriminatory nonsense taking place in some of the local bars, will once again return to Indy for a renewal of good times shared in the past.”
In 1990, at the first large outdoor Pride celebration, which took place on Monument Circle, people who staffed IXE’s booth reported that they were generally accepted, if not entirely understood. An unidentified member mused in the Works:
‘We all had lots of fun watching and talking. More often than not people would come up to our table and say hello and then look at what was on display and read the titles of the magazines and books, see the word ‘crossdressing’ and then look up at us and then down at the book and then back at us as a look of surprise and realization passed across their faces. . . . One girl was talking with Emily for five minutes before she looked down and saw the title ‘Understanding the Crossdresser’ and said with utter surprise, ‘Oh, I get it! You’re a guy! That’s cool. You know, I never understood why I can wear anything I want and guys can’t wear skirts.’
Similarly, public acceptance of crossdressers increased slightly following media profiles like that published by the Indianapolis Star about IXE. The feature’s author marveled that not only did she not receive vitriolic phone calls from readers after its publication, but got calls asking for more information about IXE. Indeed, Genny Beemyn contended in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged. Beemyn noted that this movement was “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”
Dan Riley, courtesy of Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129, accessed Digital Transgender Archive.
Reflecting this movement, the Louisville Gender Society was formed in 1992, serving people living in southern Indiana and Illinois, as well as Kentucky. At the same time, IXE’s membership notably increased, as gender non-conforming Hoosiers searched for solidarity. In a 1991 Tapestry issue, Gloria C., a 33 year-old “transvestite” who lived in a small town, pleaded “I’m lonely! Please Write.” The auto racing and fishing fan hoped to meet “TV/TS” friends. IXE drew members like Michelle Michaels, a 40-year-old self-described transvestite who struggled with addiction resulting from the “guilt, shame, & confusion” of crossdressing. After getting sober, Michaels—who had three children and a supportive wife—joined IXE because of an ongoing struggle with “acceptance, self-esteem and balance.” Member Vickie Mansfield, “a young 47,” was involved in the Catholic Church, enjoyed “fine wines,” and was only “recently out of the closet.” Dan Riley, a 40-year-old “female-to-male” crossdresser, who enjoyed hiking and t’ai chi, joined the organization, in part, because Dan liked “helping others ‘coming out.’” Indianapolis funeral service supplier Yvonne Cook was not only a lifetime member IXE, but a leader and board member of the International Foundation for Gender Education.
IXE served such members until at least 2005. Although, no longer an organization as of 2023, IXE provided solidarity to so many Hoosiers in distress or suffering from loneliness. Additionally, its members’ activism and willingness to facilitate discussion helped change public perceptions about gender non-conforming individuals and contributed to greater inclusivity within the LGBTQ community. The struggle to obtain societal acceptance and secure civil rights in Indiana endures, as evidenced by recent debates about gender-affirming medical practices. Like the Indiana Crossdresser Society, groups like Trans Solutions Resources and Research, continue to fight, in the words of Sharon Allan, for “‘Life, liberty and the pursuit of happiness. It’s a fundamental right.'”
Sources:
Genny Beemyn, “Transgender History in the United States,” in ed. Laura Erickson-Schroth, Trans Bodies, Trans Selves, p. 28, accessed UMass Amherst.
Cross-Port InnerView (March 1987, June 1987, July 1987, August 1987, December 1987, July 1988, November 1988, January 1991, August 1991, September 1991, December 1992, June 1995, June 1996), Digital Transgender Archive.
Cross-Talk: The Transgendered Community’s Newsletter (September 1991, July 1992), Digital Transgender Archive.
Editorial, Jim Chaffin, “‘Hoosier Gay Boy, Come on Down!,'” The Works (October 1984): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
“Indiana,” Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 78 (Winter 1996): D38, accessed Digital Transgender Archive.
Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, November 26, 1989, 115, accessed Newspapers.com.
“North American Support Groups,” Lady Like (Winter 2005): 44, accessed Internet Archive.
Editorial, Roy Pershing/LaNora Takie, “Darts from a ‘Drag,'” The Works (November 1984): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
JoAnn Roberts, “The Iconoclast,” Renaissance News 6, no. 9 (September 1992): 7, accessed Digital Transgender Archive.
Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129-130, accessed Digital Transgender Archive.
Nicole Poletika, “’Walk a Mile in Their Pumps:’ Combating Discrimination within Indy’s Queer Community,” October 7, 2020, accessed Indiana History Blog.
Draft, Nicole Poletika, “’Walk a Mile in their Pumps:’ Combating Discrimination within Indianapolis’s Queer Community,” 2022 Queer History Conference paper, accessible here.
Panel of individuals working on Indiana projects (L to R): Sylvester Edwards, Facing Injustice & Terre Haute NAACP; Leon Bates, PhD student & local historian; Torri Williams, Marion Community Remembrance Projects; Eunice Trotter, Indiana Black Landmarks Heritage Preservation Program; Sophie Kloppenburg, Mount Vernon 1878 Memorial Initiative.
Professor Rasul Mowatt contended that memory is recollection, reflection, retention, recall, and, perhaps most importantly, a process at this weekend’s Workshop on Antiracism & Community-Based Memory Work. We were honored to be invited to the workshop—sponsored by IU’s “Unmasked: The 1935 Anti-Lynching Exhibits and Community Remembrance”—and found it particularly helpful in thinking about how we present forthcoming markers about racial violence to the public, such as that commemorating the lynching of John Tucker in Indianapolis. It also gave us ideas in ongoing pursuit of markers for the 1930 Marion lynching of Tom Shipp and Abe Smith, as well as Flossie Bailey, who tried to stop their lynching. It is impossible to summarize the many insights we came away with, but we’ll highlight a few.
Across the panels, speakers touched on the emotional toll of doing this work. In fact, Sylvester Edwards, of Facing Injustice and Terre Haute’s NAACP branch, described the Present Traumatic Stress Disorder he and other Black Americans experience in reckoning with this history. Edwards, the great-nephew of prolific activist Fannie Lou Hamer, helped lead efforts to install a local marker commemorating the 1901 lynching of George Ward in Terre Haute. Accused of murdering a white woman, a mob pulled Ward from the local jail, lynched him, and burned his body along the Wabash River. Between 1,000 and 3,000 spectators witnessed the lynching, as they picnicked. Many took the remains of Ward’s body as a “souvenir.” The atrocity caused Terre Haute’s Black community to flee.
A lynch mob watches as the body of George Ward burns. Smoke can be seen in the center of the photo under the bridge, courtesy of the Vigo County Historical Museum, accessed WFYI.
The lynching was quickly buried in the city’s collective memory and was not brought to light until Ward’s great-grandson, Terry Ward, approached the Equal Justice Initiative about doing a soil collection at the lynching site in 2020. He also worked with Edwards and the local NAACP to commemorate the lynching with a local historical marker. The marker dedication ceremony, which drew about 350 people, served as a celebration of life for the man who never had a burial or funeral. Edwards stated that these memorialization efforts helped the Ward family shed the shame association with the lynching. Terry told WFYI that the marker served as:
‘a source of strength, I think, for those of us who look back on our history and realize that we are not what they accused our ancestors of being. That we have an opportunity based on what our ancestors experienced to try to raise ourselves up above that.’
Edwards ended his talk at the workshop on a hopeful note. He was pleasantly surprised to see a number of white students win EJI awards for submitting essays about the lynching.
The work of Marquette University history professor Dr. Robert Smith can be tied back to another lynching in Indiana, that of teenagers Tom Shipp and Abe Smith in 1930. Shipp, Smith, and James Cameron were held in the Marion jail for the murder of Claude Deeter and rape of Mary Ball. Before the young men could stand trial, a mob comprised of white residents tore the young men from their cells, brutally beat and mutilated them before hanging Shipp and Smith from a tree on the courthouse lawn. Cameron narrowly escaped the fate of his friends. Out of fear of escalating violence, about 200 Black residents fled Marion for Weaver, a historic Black community in Grant County. The mob intended to send a message to the Black community that they were at the mercy of white residents.
Robert Smith, with America’s Black Holocaust Museum, speaking about James Cameron, who survived the Marion lynching and went on to found the ABHM museum.
How did the victims’ friends and family process their trauma and sorrow? For James Cameron, survivor of the lynching, it meant confronting local racism through threat of lawsuits and, later, by educating the nation about racial injustice by founding America’s Black Holocaust Museum (ABHM) in Milwaukee in 1988. The site closed in 2008 due, in part, to the recession and operated virtually until 2022. Working with James’s son, Virgil, and local volunteers, Dr. Smith helped open the museum’s new site, which serves as a community center. At Saturday’s workshop, Dr. Smith implored scholars and professors to place more value on the knowledge and expertise of those outside of academia. He stated that a university’s objective should be to inspire dignity, and that scholars must be patient with the process of memorialization, as individuals’ timelines do not always correspond with university deadlines.
Panelist Benjamin Saulsberry, Public Engagement & Museum Education Director at the Emmett Till Interpretive Center, helped with “Emmett Till and Mamie Till-Mobley: Let the World See” exhibit at The Children’s Museum. His insights were especially relevant to our work, as he detailed how historical markers can return stories to the landscape when physical structures no longer remain. He discussed the sad reality of vandalism against markers that commemorate racial violence, something we are mindful about as we prepare to install the John Tucker lynching marker in the heart of Indianapolis. Saulsberry left us with this statement: racial brutality includes not just the act of violence itself, but the lack of accountability from institutions.
Slide about the Scottsboro Boys Museum, which reopened in 2022.
Thomas Reidy, of the Scottsboro Boys Museum, also highlighted institutional injustice. In 1931, nine Black teenagers in Scottsboro, Alabama were found guilty by an all-white jury of raping two white women—one of whom later admitted to fabricating the crime—while riding the Southern Railroad freight train in search of work. Despite no evidence, poor legal aid, and rushed trials, the Scottsboro boys were sentenced to death. This instance of legal injustice generated global outrage, and mass protests resulted in the US Supreme Court overturning the convictions. However, the boys had to endure a series of retrials and reconvictions. Most were convicted of rape and served prison sentences.
At Saturday’s workshop, Reidy spoke about the Scottsboro Boys Museum’s efforts to create social change through education. Sheila Washington founded the Scottsboro Boys Museum in Joyce Chapel in 2010. Through her and Reidy’s efforts, Gov. Robert Bentley signed the Scottsboro Boys Act into law in 2013. This law ensured that all nine boys—Haywood Patterson, Olen Montgomery, Clarence Norris, Willie Roberson, Andy Wright, Ozzie Powell, Eugene Williams, Charley Weems, and Roy Wright—received pardons. Washington told the Montgomery Advertiser that Gov. Bentley’s “decision will give them a final peace in their graves, wherever they are.” Reidy spoke to us about the museum’s ongoing efforts to use history to make more informed citizens. He highlighted the importance of getting into classrooms or bringing them to your institution, especially in light of recent legislation regarding history curriculum.
Sophie Kloppenburg standing at the marker she got installed at the Posey County courthouse grounds, 2022, accessed https://mvwildcats.com/.
Although all of Saturday’s panelists were profoundly informative, we were especially inspired by intrepid Mount Vernon High School student Sophie Kloppenburg. After learning about the lynching of Daniel Harrison Sr., his sons John and Daniel Jr., Jim Good, William Chambers, Ed Warner, and Jeff Hopkins, she made it her mission to bring their story to the public. In 1878, white women accused the men of rape, and as the men awaited trial, a mob pulled some of them from jail, hanging them from a tree on the grounds of the Posey County courthouse. The remaining men were tracked down and murdered. Shocked that she had never heard this history before, Kloppenburg began the process of getting a local marker installed on the courthouse lawn.
She encountered resistance from some community members and the city council. However, the budding historian attended a council meeting and was able to convince its members to approve of the marker. She also worked with locals to install a bench near the marker, inscribed with the names of the victims. Kloppenburg’s memorialization efforts did not stop there. She was able to obtain a National Endowment for the Humanities grant to incorporate the 1878 lynching into local curriculum. In working on this project, Kloppenburg, who is biracial and had no relationship with her father, was able to get in touch with the local Black community and her identity as a Black person in ways she previously had not.
The workshop closed with a heart-wrenching performance of “Strange Fruit,” a poem based on Lawrence Beitler’s photograph of Shipp and Smith swinging from a tree in Marion. The performance of Mississippi activist and jazz singer Effie Burt encapsulated the workshop’s main theme: history is not just something to be learned, rather that it evokes emotion, impacts identity, and can change perspectives. We are so grateful to those who examine and commemorate this history for the sake of collective memory, at the expense of their own mental well-being. We left the workshop with the solemn understanding that we are stewards of history that is sacred. The ways in which we examine and share it has the potential to help communities find reconciliation. Based on the efforts of younger generations, there is reason to be hopeful that the past can spur meaningful change and perhaps even restorative justice.
According to archivist Keenan Salla, John Tucker’s property was located near the intersection of St. Clair and Delaware Streets (Out Lot 37, Lot 3). This 1880 image from a plat map was sent to author courtesy of the Indiana State Archives.
* Sources included in the historical marker application, compiled by historian Leon Bates, were foundational to this blog post.
Long before the Great Migration, Black Americans sought to make a living and secure housing in Indianapolis. The life of John Tucker affords us the opportunity to study the experiences of free people of color living in the city, when it was simply an outpost of the Western frontier. Tucker’s life also represented the many obstacles they faced in the pursuit of unequivocal freedom. In researching a new historical marker about Tucker’s violent death, I sought to uncover as many details as I could about his life, work, family, and experiences as a human. Amongst scant documentation, I gleaned that he was a farmer, who raised two children with his wife in a house near the intersection of St. Clair and Delaware Streets. Prominent orator Rev. Henry Ward Beecher noted that Tucker was “very generally respected as a peaceable, industrious, worthy man.”[1] On Independence Day of 1845, his pursuit of a life of freedom was brutally ended by white violence. Tucker’s death forced his young children into a years-long legal battle over his property and undoubtedly perpetuated generational trauma. The lynching also made overt the indignities and threats Black settlers had quietly endured.
Tucker was born into enslavement in Kentucky around 1800. It is unclear how or when he was freed, but the Indiana State Sentinel reported in 1845 that he “many years ago honorably obtained freedom.”[2] By 1830, Tucker settled in Indianapolis, which resembled “‘an almost inaccessible village,'” lacking navigable waterways and roads. As Indianapolis’s Black population increased, so did discrimination against Black Americans.[3] The Indiana General Assembly passed laws requiring them to register with county authorities and pay a bond as guarantee of good behavior.[4] Black residents were also prohibited from voting, serving in the state militia, testifying in court cases against white persons, and their children were banned from attending public schools.
Sketch of homes, including Overall’s, is courtesy of Indianapolis Remembered: Christian Schrader’s Sketches of Early Indianapolis (published 1987), p. 112.
Despite living in a “free” state, Black settlers not only experienced systemic discrimination, but were marginalized by racial violence. City historian Ignatius Brown described Indianapolis in the 1830s:
The work on the National road . . . had attracted many men of bad character and habits to this point. These, banded together under a leader of great size and strength, were long known as ‘the chain gang,’ and kept the town in a half subjugated state. Assaults were often committed, citizens threatened and insulted, and petty outrages perpetrated.[5]
James Overall, a respected free person of color, land-owner, and trustee for the African Methodist Episcopal church, would become a target of this violence in 1836. David J. Leach, a white gang member, tried to break into Overall’s home, located on Washington Street, and threatened to kill his family.[6]
Overall shot Leach in self-defense. In this tense circumstance, prominent white allies of Overall came to his aid. Despite an 1831 Indiana law that barred black testimony against whites in court, Overall gained legal protection from further attack. In his official opinion, Judge William W. Wick affirmed Overall’s “natural” right to defend his family and property. Unfortunately, Judge Wick’s interpretation of the 1836 law did not affect any change in the actual law and African Americans in Indiana continued to be without legal recourse in cases where only black testimony was available against a white party.
Historical marker installed by IHB in 2016, accessed https://www.in.gov/history/state-historical-markers/find-a-marker/find-historical-markers-by-county/indiana-historical-markers-by-county/james-overall/.
Overall’s home would again be linked to racial violence when Tucker’s body was transported to it for examination by a coroner.[7] The sequence of events resulting in Tucker’s death were generally corroborated by the testimony of approximately forty white witnesses at trial.[8] On the afternoon of July 4, 1845, Tucker was walking along Washington Street when inebriated white laborer Nicholas Wood physically assaulted him. Bewildered, and with few options for recourse because of his race, Tucker sought the intervention of city officials.[9] While Tucker headed to the Magistrate’s Office, Wood again struck him with a club. Tucker retreated up Illinois Street as Wood followed, now joined by saloon keeper William Ballenger and Edward Davis. Rev. Beecher reported that Tucker “defended himself with desperate determination” against the stones and brickbats hurled at him by the three men.[10] The “murderous affray” took place about 100 yards from Rev. Beecher’s church, and “greatly disturbed” the Independence Day celebration taking place that afternoon.[11]
A crowd surrounded Tucker on Illinois Street. Some gatherers tried to separate Tucker from his assaulters, while others encouraged the violence, chanting “kill the n****r!” Rev. Beecher reported that “the fight was at first scattering, and the mayor attempted to quell the rioters, as did several citizens,” but most “surprised at the suddenness and rapidity of the thing, stood irresolute or timid, having no courageous man among them to save the victim.”[12] Within minutes, John Tucker succumbed to his injuries near a gutter on Illinois Street. Although not the result of a hanging, his death is considered a lynching, as defined by the Equal Justice Initiative: “Lynchings were violent and public events designed to terrorize all Black people in order to re-establish white supremacy and suppress Black civil rights.”
Immediately after the lynching, Wood was brought before Mayor Levy, and “being rather uproarious with liquor, and the excitement considerable, the Mayor very properly committed the accused” to jail until the following day. Davis sustained severe injuries from Tucker’s attempts to defend himself, and had to recuperate at home before a court appearance was possible.[13] By the time Wood informed Mayor Levy about Ballenger’s involvement and a warrant was written for his arrest, Ballenger “had already secreted himself.”
Rev. Beecher described the general sentiment felt by Indianapolis’s citizens in the immediate aftermath of the tragedy. He wrote, “I never saw a community more mortified and indignant at an outrage than were the sober citizens of this. Some violent haters of the blacks, the refuse of the groceries [grocery gang to which Wood belonged], and a very few hair-brained young fellows indulged in inflammatory language.”[14] Similarly, the Indiana State Sentinel wrote a few days after the lynching, “It was a horrible spectacle; doubly horrible that it should have occurred on the 4th of July, a day which of all others should be consecrated to purposes far different from a display of angry and vindictive passion and brutality.”[15] Unwilling to intervene in Tucker’s lynching, many citizens donated money to hire attorneys O.H. Smith and James Morrison, who would aid the state in prosecuting Tucker’s assailants. Prominent abolitionist and businessman Calvin Fletcher spearheaded efforts to secure counsel, writing in his diary, “as a citizen I have done all I could to see that the state should have Justice.”[16]
The Indiana State Sentinel reported that “Much difficulty presented itself in obtaining a jury in consequence of the notoriety of the case.”[17] Despite this, Edward Davis’s trial began by mid-August and several witnesses provided detailed testimony, including Tucker’s employer, City Postmaster Samuel Henderson.[18] Expert witnesses like Dr. John Evans, who helped establish the Indiana Hospital for the Insane, explained the significance of Tucker’s injuries to jury members. The Sentinel noted on August 13, “The examination of the witnesses was very laborious and great vigilance and attention given to it. The Court House was crowded to overflowing during the tedious detail.”
General Index of Estates, Marion County, courtesy of FamilySearch, sent to the author from archivist Keenan Salla, Indiana State Archives.
Despite damning testimony regarding his involvement in Tucker’s death, the jury acquitted Davis.[19] This surprised many in the community because days later the jury, hearing much the same testimony, found Nicholas Wood guilty of Tucker’s murder.[20] The Sentinel speculated on the reasoning for the differing verdicts, noting Wood was found guilty because he “commenced the affray, and followed it up to its conclusion.” Convicted of manslaughter, Wood was sentenced to three years in state prison.[21] Although a seemingly short sentence, his conviction was a rarity in an era when Black Hoosiers could not legally testify in court.
Many court records related to the case simply referred to “the Negro,” but John Tucker was a human being, whose death left his children without a father and fighting for a home. It is unclear what became of Tucker’s wife, but his 13-year-old daughter, Mary (also written as Meary), and his 10-year-old son, William, were left to grieve.[22] Because their father was only about 45 years old at the time of his murder, he was still working to pay off his property. Thus, his death pushed his family into insolvency and legal proceedings that would conclude only in 1851. Court records show that the children, appointed a guardian ad litem, were required to appear in court multiple times regarding the property at Out Lot 37, Lot 3. Ultimately, the court ruled that it be sold at a public auction held at the court house, likely leaving Mary and William penniless.
Ruling on the Estate of John Tucker, Saturday, August 23rd A.D. 1851 + 10th Day of the Term, sent to the author from archivist Keenan Salla, Indiana State Archives.
Lynchings in Indiana from the mid-1800s to 1930 intentionally terrorized Black communities and enforced white supremacy. The State Sentinel reported on August 28, 1845 “that many of the colored residents are in the habit, since the 4th of July, of carrying big clubs, &c.”[23] The article’s author admonished:
We assure them that this is wrong. It tends rather to provoke than allay ill feeling. They are as safe from harm, and as much under the protection of the laws as any member of community; and they should be extremely cautious of doing any thing having a tendency to arouse latent prejudice and hatred in the breasts of those who entertain them. Take our advice. Be quiet. Feel safe. Mind your proper business. Behave yourselves like men.
Clearly, this piece of “advice” rang hollow, as Tucker had minded his “proper business” and did nothing to provoke “ill feeling.” Indianapolis’s Black population, which had grown from 122 residents in 1840 to 405 by 1850, remained vigilant.[24] In 1851, the state furthered discrimination against the minority group when a new constitution was drafted, which prohibited migration of Black Americans into Indiana. Preeminent Indiana historian James Madison summarized the many barriers to equality for Black Hoosiers, noting that “Indiana has never been color-blind. For a long time, the state’s constitution, laws, courts, and majority white voice placed black Hoosiers in a separate and unequal place. . . . separation and discrimination, whether legal or extra-legal, were the patterns of public life for African Americans.”[25] As we continue to reckon with discrimination and racial violence, let us remember John Tucker—father, farmer, husband, and Hoosier.
Notes:
[1] H.W. Beecher, “Rev. H. W. Beecher—the Indianapolis Murder,” Indiana State Sentinel, July 30, 1845, 2, accessed Newspapers.com.
[2] “Affray and Murder,” Indiana State Sentinel, July 10, 1845, 1, accessed Hoosier State Chronicles; Gayle Thornbrough and Dorothy L. Riker, eds., The Diary of Calvin Fletcher, vol. III, 1844-1847 (Indianapolis: Indiana Historical Society, 1974), 164.
[3] “Marion County,” Early Black Settlements by County, Indiana Historical Society, accessed indianahistory.org; James H. Madison, Hoosiers: A New History of Indiana (Bloomington: Indiana University Press, 2014), 81, 94.
[4] Nicole Poletika, “James Overall: Indiana Free Person of Color and the ‘Natural Rights of Man,'” Indiana History Blog, July 15, 2016, accessed https://blog.history.in.gov/james-overall-indiana-free-person-of-color-and-the-natural-rights-of-man/.
[5] Ignatius Brown, Logan’s History of Indianapolis from 1818 (Indianapolis: Logan & Co., 1868), 35.
[6] Poletika, “James Overall: Indiana Free Person of Color.”
[7] State vs. Nicholas Wood, William Ballinger + Edward Davis, Box 045, Folder 081, Location 53-S-6, Accession 2007236, AAIS 116220, Reference COURT0012595, Indiana State Archives, courtesy of historian Leon Bates.
[8] “Marion Circuit Court: Criminal Cases,” Indiana State Sentinel, August 13, 1845, 2, accessed Newspapers.com; State vs. Nicholas Wood, Box 045, Folder 081, Location 53-S-6, Accession 2007236, AAIS 116220, Reference COURT0012595, Indiana State Archives, courtesy of historian Leon Bates.
[9] “Rev. H. W. Beecher,” Indiana State Sentinel; “Marion Circuit Court: Criminal Cases,” Indiana State Sentinel.
[10] “Rev. H. W. Beecher,” Indiana State Sentinel.
[11] W.R. Holloway, Indianapolis: A Historical and Statistical Sketch of the Railroad City, a Chronicle of Its Social, Municipal, Commercial and Manufacturing Progress, with Full Statistical Tables (Indianapolis: Indianapolis Journal Print., 1870), 80-81, accessed Archive.org.
[12] “Affray and Murder,” Indiana State Sentinel, July 10, 1845, 1, accessed Hoosier State Chronicles; Testimony of Enoch Pyle, State vs. Nicholas Wood, William Ballinger + Edward Davis, Box 045, Folder 081, Location 53-S-6, Accession 2007236, AAIS 116220, Reference COURT0012595, Indiana State Archives, courtesy of historian Leon Bates.
[13] “Rev. H. W. Beecher,” Indiana State Sentinel; “Marion Circuit Court,” Indiana State Sentinel, August 13, 1845, 2, accessed Newspapers.com.
[14] “Rev. H. W. Beecher,” Indiana State Sentinel.
[15] “Affray and Murder,” Indiana State Sentinel, July 10, 1845, 1, accessed Hoosier State Chronicles.
[16] The Diary of Calvin Fletcher, 165.
[17] “Marion Circuit Court,” Indiana State Sentinel, August 9, 1845, 2, accessed Hoosier State Chronicles.
[18] “Marion Circuit Court: Criminal Cases,” Indiana State Sentinel, August 13, 1845, 2, accessed Newspapers.com.
[19] The Locomotive, August 16, 1845, 2, accessed Hoosier State Chronicles.
[20] “Marion Circuit Court,” Indiana State Sentinel, August 20, 1845, 2, accessed Newspapers.com.
[21] “Murder Cases at Indianapolis,” Evansville Weekly Journal, August 28, 1845, 2, accessed Newspapers.com; Indiana State Prison South, Pardon Book B, page 20, microfilm roll 1, 401-F-2, DOC000690, ICPR Digital Archives, courtesy of historian Leon Bates.
[22] “Affray and Murder,” Indiana State Sentinel, July 10, 1845, 1, accessed Hoosier State Chronicles, 5; “John Tucker,” General Index of Estates, No. 512, July 23, 1845, II-96, emailed to IHB by Indiana Archives and Records Administration Reference Archivist, Keenan Salla; Petition to Sell Paid Real Estate as Insolvent, John Tuckers Estate, George H.P. Henderson, Adm of the Estate of John Tucker, Deceased v.s. Mary Tucker & William Tucker, Infants, Thursday October 16th 1845, and 4th Day of Term, emailed to IHB by Indiana Archives and Records Administration Reference Archivist, Keenan Salla; George H. P. Henderson, Adm. of the Estate of John Tucker v. Elizabeth Frazee, of Full Age, & Meary Tucker and William Tucker (infants), Saturday, August 23rd, A.D., 1851 & 12th Day of the Term, emailed to IHB by Indiana Archives and Records Administration Reference Archivist, Keenan Salla.
[23] “Wrong,” Indiana State Sentinel, August 28, 1845, 2, accessed Newspapers.com.
[24] “Marion County,” Early Black Settlements by County, Indiana Historical Society.
[25] James H. Madison, “Race, Law, and the Burdens of Indiana History,” in The History of Indiana Law, edited by David J. Bodenhamer and Hon. Randall T. Shepard (Athens, OH: Ohio University Press, 2006), 37-59.
Evansville Journal, July 21, 1932, 1, accessed Newspapers.com.
As they awaited the fate of Minor Moon, a legion of anxious men spilled down the stairs of the municipal courtroom, prodded by a “double chain” of Indianapolis patrolmen. Judge Paul C. Wetter had decided: Moon, a Black resident, would pay $50 for trespassing—an almost unfathomable fine for November 25, 1930, especially for a man recently evicted from his home at 409 West North Street. With this sentencing, Theodore Luesse—a white strike-leader in his mid-20s—cried from the front of the court room, “Comrades are we going to stand for this miscarriage of justice?”[1]
His comrades, still lining the stairs, responded, “We want justice!” They rushed back into the courtroom, where they exchanged blows with police officers. The Lafayette Journal and Courier reported, “The raging fighters smashed through the doorways into the corridors. Clubs rose and fell and fists were swung. Everyone was yelling.”[2] Luesse’s comrades, unemployed men attracted by the promise of Communism, eventually fled, leaving Luesse and organizer R.M. Spillman among the “avalanche of blue coats.” Police swiftly escorted Luesse and Spillman to jail, where, from their cells, they cried “injustice!” and “downtrodden proletariat!”
This would be one of dozens of arrests of Luesse for his role in agitating for better living and working conditions during the Great Depression. His actions would eventually culminate in a sentence at the notorious State Penal Farm in Putnamville, known as the “Black Hole of Indiana.” From this bleak environment, Luesse ran for governor on the Communist ticket. While the gubernatorial campaign inevitably failed, calls for Luesse’s release from imprisonment, for what many decried as simply exercising his “freedom of speech,” endeared widespread public support, including from Indianapolis businessmen like Franklin Vonnegut and clergy like Dr. Frank S. C. Wicks, as well as non-partisan groups like the ACLU.[3] His sentence also, to the dismay of judicial and government officials, increased Hoosiers’ interest in Communist ideals and ignited a series of social protests.
Much of Luesse’s inimitable life can be pieced together by pairing his 1995 recollections How I Got Out of Jail and Ran for Governor of Indiana: The Jim Moore Story* with U.S. Census records and newspaper articles, which typically corroborate his memories. The future firebrand, born in 1905 in Batesville to German immigrants, experienced hardship nearly from birth. When his mother died shortly after his first birthday, his father, likely grief-stricken and needing to provide for the family, moved to Indianapolis, where he varnished furniture in a factory. Theodore’s sisters were sent to an orphanage, and Theodore moved in with his aunt on a Batesville farm.[4] The family reunited a few years later, when his father brought his children to the capital city. There, Theodore recalled his father returning from work “full of sweat,” having undertaken grueling labor for pennies. Young Theodore tried to supplement this income with various jobs, like delivering newspapers and selling errant pieces of iron and rags.
The Luesse family, with Theodore in his father’s arms, courtesy of How I Got Out of Jail and Ran for Governor of Indiana: The Jim Moore Story (Oakland, CA: Regent Press, 1995): cover.
This struggle likely informed Luesse’s later work as an organizer, as did attending local political meetings with his father. His experiences certainly cultivated in him a deep empathy for the disenfranchised, which manifested in middle school, when he protested the landing of U.S. Marines in Honduras.[5] Having exploited Honduran plantations for years, the U.S. sought to protect its profits after Hondurans denied access to them. Luesse was taught that the Marines were sent under the guise of protecting locals from “gangsters and guerrillas.” However, he challenged this narrative, telling teachers at his Catholic school that Hondurans were “fathers and mothers just like our fathers and mothers.” He recalled the nuns ridiculing his protestations. This incident, combined with their corporeal punishment, caused him to drop out of school.
In his early-teen years, Luesse found work as a messenger. He hauled boxes from “five and tens” and department stores, recalling, “Oh it was a big wagon with big horses and I was so proud of being able to drive that thing right in the heart of Indianapolis just going down the streets and hearing the automobiles and trucks and everything.”[6] According to Luesse, he then got a job at Western Union, where he led his first strike, demanding “equal work for equal pay, although we didn’t call it that.” He led fellow employees under the age of 16 to demand wages equal to that of older teenagers. Here, he demonstrated his signature mixture of intimidation and organizational prowess, threatening and sometimes employing physical harm against anyone who refused to strike. The tactic proved successful in raising wages.
He then leveraged his job as a newsboy to work for social justice in the 1920s. He and some coworkers obtained an anti-Ku Klux Klan paper published in Chicago called The Intolerance.[7] They distributed copies at Jewish synagogues, Catholic churches, and churches in Black neighborhoods in Indianapolis, hoping to combat the rhetoric and ideals espoused in the Klan’s Fiery Cross paper. According to Luesse, publicizing information about the hate group helped pressure public officials into stemming the Klan’s influence in government.
Curtisville Bottom, Great Depression shantytown located along the west bank of the White River from Oliver Street to Washington Street, May 1935, courtesy of Indy Star, accessed Digital Encyclopedia of Indianapolis.
Around 1930, Luesse joined the Communist Party, learning about local cases of unemployment and evictions through the party’s paper. Giving up a house-painting job, Luesse focused solely on combatting the deprivations wrought by the early months of the Great Depression.[8] He organized “flying squadrons,” groups of men who traveled to welfare and unemployment offices to ensure that the agencies were meeting people’s needs. He and his comrades also distributed copies of the communist paper and delivered speeches at Indianapolis factories. On Mondays and Tuesdays, Luesse visited the Kingan meat packing plant, informing workers about evictions around the city, arguing that, “If they can throw her out, they’ll throw us out tomorrow.” Such speeches attracted a crowd of onlookers, some of whom joined organizers in a parade to houses from which residents were being evicted. They hauled furniture back into renters’ homes, relying on a “security squad” comprised of military veterans, to intimidate police if they tried to intervene.
Luesse helped organize the Communist-based Unemployment Council of Indianapolis because the jobless had received “very little help from these organizations like the Socialist Party, the Workman’s Circle, and the Death Benefit Society. They were evolutionary and we were revolutionary. The Socialist Party believed that you could get everything on a ballot.”[9] The Unemployment Council, however, embraced public demonstrations and confrontations with public officials. Luesse contended that these were necessary in early 1931, as the socioeconomic privilege of lawyers, judges, and lawmakers shielded them from the realities of daily life for the unemployed. He noted, “They didn’t know about people having to pull things out of swill cans to eat, how people had to steal food to eat or things to live, how they had to burn up furniture in order to keep warm.”[10]
Citizens tried on one of the 2,500 pairs of shoes at the Indianapolis Salvation Army, donated by the city’s children via the Circle Theater, courtesy of the Indianapolis Times, November 24, 1930, 11, accessed Hoosier State Chronicles.
According to Bradford Sample’s 2001 Indiana Magazine of History article, Hoosiers received minimal help from local and state government, relying instead on aid from civic and charitable organizations during the early years of the Depression. Espousing traditional Hoosier principles of small government and self-sufficiency, Governor Harry G. Leslie and Indianapolis Mayor Reginald Sullivan refused to authorize relief bonds.[11] In fact, the Republican governor balked at requests to call a special legislative session in March 1932, fearing an unemployment relief bill would be introduced and that it would “‘be hard for any legislator not to vote for it.'”[12] Gov. Leslie opined that “such a procedure would demoralize the relief work now being done in committees. People now giving to unemployment relief would assume that their help was not needed if the state began making donations.'” He also refused to accept federal relief funds, viewing them as “direct threats to the tradition of local autonomy for relief in Indiana,” according to preeminent Indiana historian James H. Madison.[13]
As inaction pitched Hoosiers further into destitution, their public protestations intensified. On January 6, 1931, the Indianapolis Times reported that Luesse and Council members led hundreds of unemployed men, about 60% of whom were Black, to the statehouse.[14] They failed in their attempt to meet Governor Leslie, whom they’d hoped would reconsider his stance on relief and housing. After this, Luesse led the men, desperately in need of warmth, to Tomlinson Hall. The group hoped that they could possibly find work there, as Tomlinson housed the Office of the Unemployed. Leading the delegation with Luesse was J.C. Moon (possibly a relative of Minor), dressed “fantastically in a dark blue uniform resembling that of hotel bellboys, and his head was topped by a scarlet fez hat with a flowing tassel.”[15]
Ephemera, Box 3, Folder 77, American Left Ephemera Collection, University of Pittsburgh, accessed ULS Digital Collections.
As the marchers approached the building, they sustained momentum by chanting “When we see a cop we use him for a mop.”[16] They immediately encountered a police squadron at Tomlinson Hall, which culminated in a clash like that in the municipal courtroom. Banners bearing slogans like “Deliver Us From Starvation” and “To Hell With Your Lousy Charities” soon littered Delaware and Market Streets as some marchers fled and others attempted to occupy Tomlinson.[17] According to Luesse, police officers threw him on top of the gatherers and “motioned for the streetcars and automobiles to cut through the crowd.” After sustaining a blow to the nose, police again hauled him to jail. “My twenty-eighth ride!” he proclaimed.
Such conflicts demonstrated the painful dichotomy between the urgency of citizens’ needs and the inadequacy or unwillingness of governmental and societal structures to meet them. The fraught circumstances are likely why some lawyers continued to aid Luesse and why Judge Paul Wetter was fairly lenient in his punishment of him. In a serendipitous twist, Luesse had dated Wetter’s sister, establishing a friendly rapport with the future judge.[18] During their many courtroom encounters, Luesse and Judge Wetter exchanged perspectives, both seemingly perplexed by the other’s stance. Judge Wetter wanted to know why Luesse engaged in such provocation, and Luesse asked why Judge Wetter sentenced Hoosiers the way he did. Luesse recalled telling the judge:
‘There was this here old man that stole a pig and you put him one hundred and thirty days on the rock pile [penal farm]. You didn’t ask him why he stole the pig. You didn’t ask him about anything, but because of the fact that the law says that he should go to jail for one hundred and thirty days for stealing a pig you sent him. . . Now he’s got four breadsnappers at home. . . . he stole that pig in order to feed those children.’ (p. 47)
Luesse added, “You live in a world of hypocrisy. You go to church. . . . I’m up to here with all your bullsh*t, all your people’s bullsh*t, the priest’s and bishop’s and pope’s and everybody else.'” Apparently he earned Judge Wetter’s begrudging respect because, according to Luesse, Wetter ordered the turnkey to release him.[19] Just one month later, Luesse came again before Judge Wetter for having made “inflammatory speeches to a crowd assembled at a soup kitchen.”[20] Rather than fining or sentencing Luesse, Judge Wetter ordered him to report to City Hall for work digging ditches the following day.
The Unemployed Workers’ Movement Anti-Eviction Committee protesting the eviction of a women and her family of 5 children in Norfolk St, Ponsonby, Auckland, 1931, accessed The Great Depression Riots of 1932.
Luesse employed another tactic to draw attention to the plight of Hoosier families. In How I Got Out of Jail, he described a “Mrs. Allen,” whose husband was unable to work due to tuberculosis. Having four children to care for, Mrs. Allen walked two to three miles to the welfare office for “gold soup,” so called because of the carrots that floated to the top of the broth.[21] She supplemented this paltry meal with rotten vegetables gathered from around the city. Luesse noted:
She was a fighter in every capacity and I loved that. So she was being evicted from her place and I convinced her that we were gonna get her a house. . . . We’re gonna have a big demonstration on the state house lawn and we’re going to have a house built there.
After Mrs. Allen agreed to this plan, Luesse and his comrades transported a dilapidated house to the statehouse grounds and distributed leaflets encouraging people to come “see how the unemployed has to live.” Two sides of the shanty were without walls, so for four days people observed Mrs. Allen care for her children and complete routine tasks with meager resources. Based on the publicity generated by the demonstration, Luesse was able to secure permanent housing for the Allen family.[22]
Throughout the spring, Luesse returned to jail several times for halting evictions and leading public demonstrations. His luck ran out after his thirty-fourth arrest, for which he interfered with the “eviction of a destitute Negro family,” and finally faced legal consequences. [23] Judge Frank P. Baker sentenced Luesse to one year at a penal farm in Putnamville, stating “‘no man has the right to take the law into his own hands. Any such man is a menace to society. I believe this man has tried to stir up resistance against the law and create disrespect for it, which in turn might lead to dangerous riots.'”[24]
“Oh, Goddman, that was a hell of a place,” Luesse recalled about the jail.[25] In a sweltering quarry, he worked alongside men incarcerated for a spectrum of transgressions, including drunkenness, theft, and “social crimes”—meaning imprisonment for the crime of simply being a person of color. One man reportedly died because of the brutal work environment, a tragedy Luesse tried to expose by tying a letter to a kite.[26] For this attempt, he was placed in “the hole” for twenty days, where guards handcuffed and hung him out on a door for hours. Such allegations were confirmed by former prisoners, who presented Governor Leslie with affidavits testifying to such treatment.[27] Glenn Emmett Mulford wrote that after Luesse was released from solitary confinement, he “‘looked sick, worn-out and was bleeding from the nose.'” According to the Garrett Clipper, Governor Leslie dismissed the claims, declaring that Luesse was treated with “‘exceptional kindness.'”
The support Luesse engendered via his activism endured throughout his incarceration, as downtrodden Hoosiers continually demanded his release. In fact, the Evansville Press noted that his “case caused nationwide protests.”[28] At the end of November 1931, hunger marchers en route to Washington, D.C. stopped at the Putnamville prison farm, demanding to see Luesse.[29] Rebuffed, the automobile detachment continued on to Indianapolis, where they attempted to confront Governor Leslie about Luesse’s release and about authorizing war funds for the unemployed. By the spring of 1932, prominent Indianapolis clergymen and business leaders signed a petition for the Hoosier Communist’s release.[30] Indianapolis citizen Samuel Nathanson appealed to the governor after Luesse—who happened to be born with the unique “No. 1 count”—donated pints of blood to his sick daughter in an attempt to save her life.[31] Although Nathanson “was not in sympathy with Luesse’s political and economic beliefs,” he felt that Luesse’s punishment did not fit the crime, and that his generosity demonstrated his fitness as a citizen. He went so far as to offer Luesse a job at The Store Without a Name, for which he was manager.
“News of the Day as the Pictures Record It,” Indianapolis Star, July 20, 1932, 11, accessed Newspapers.com.
After these efforts failed, local women led the charge to free Luesse. In April, they organized a protest of about one hundred supporters at the statehouse and defied police orders to relocate to Military Park. The Lake County Times reported that police had to forcefully remove a number of women “after they had climbed to the top of ornamental urns and had harangued their male companions to remain.”[32] Among the three arrested and charged with “inciting to riot and resisting arrest,” was a “Mrs. Fay Allen.” Described by the Indianapolis Star as a “mother of four children,” she was likely the same woman aided by the home demonstration organized on the statehouse grounds.[33] She appeared to take up the mantle for Luesse while he was behind bars, as she was arrested again the following month for “inciting a riot and interfering with legal process” during an eviction.[34] In July, a similar protest materialized at the statehouse, this time organized by unemployed men from The Region, who sought relief measures and the release of Luesse.[35] Hammond spokesman Wenzel Stocker told legislators that “‘mass starvation and suicide'” would occur in Gary if relief funds were not issued.
Given the apparent futility of such demonstrations, organizers hoped to effect change through electoral politics. In 1932, the Communist Party nominated Fay Allen for Secretary of State, Stocker for Lieutenant Governor, and Theodore Luesse, still serving time at the penal farm, for governor.[36] Luesse reported that some guards were sympathetic to his ideology and even supported his gubernatorial run. The candidates earned the public’s sympathy and respect, but not their electoral support, as born out by the 1932 returns. All three Communist candidates came in sixth out of seventh place, earning just over ninety votes each.[37]
Despite the loss, Luesse and his comrades increased interest among Hoosiers in the Communist Party, which as editorialist Paul B. Sallee noted in 1935, “could not develop a membership sufficient to muster a corporal’s guard.”[38] However, Luesse’s imprisonment—a veritable “miscarriage of law”—and the suppression of free speech wrought by his incarceration helped the Party grow by “leaps and bounds.” Sallee alleged that if the two major parties denied Hoosiers their “political rights and civil liberties . . . it is clear to any intelligent person that the people will throw off such restraint by any method.” While Hoosier voters did not forsake the two major parties, they did signal the desire for change by electing the state’s first Democratic governor in twenty years, Paul V. McNutt. Indiana’s new head of state had apparently been sympathetic to Luesse’s plight and in March of 1933 released him from Putnamville.[39]
Ephemera, Box 3, Folder 71, American Left Ephemera Collection, University of Pittsburgh, accessed ULS Digital Collections.
“Assured that Luesse would leave the state” upon his release, Gov. McNutt likely breathed a sigh of relief. Although progressive in his politics, McNutt surely preferred not having to contend with Luesse’s agitation.[40] But Luesse, dogmatic as ever, returned to Indianapolis the day after he left the penal farm. He stood on the courthouse steps before an audience of 200 women and men, most of whom the paper noted were African Americans, and “urged concentrated action of his followers against governmental officials to force them to favor demands of workers and the unemployed.”[41] Upon request, he made similar speeches in cities like Evansville, Munster, and Hammond in the following months.[42] According to Luesse, after his incarceration he worked with Indiana volunteers to organize a C.I.O. branch, made possible by passage of the National Industrial Recovery Act.[43] In August of 1933, while preparing to speak to a crowd of unemployed residents in Marion, he was arrested and transported to the Grant County jail, where a mob forcibly removed and lynched two young Black men in 1930.[44]
It appears that Governor McNutt could breathe a bit easier by 1935, as Luesse had transferred his organizational talent to other midwestern cities, like Belleville, Illinois.[45] Some time after leaving Indiana, Luesse assumed the alias “Jim Moore” and worked as a machinist. Shedding his association with the Hoosier state, he resided in St. Louis for a time, channeling his revolutionary spirit into protesting the Vietnam War.[46] After decades of activism, Moore joined his son, Stan, in San Francisco around 1967. They circulated 50,000 leaflets throughout the Bay Area, “telling the workers to organize stoppage of work for five minutes, ten minutes or any amount as a memorial to the people that died” in the war. After permanently relocating to the West Coast, Moore fought for equal representation in law enforcement and county government.[47] In the late 1980s, he served as a U.S. delegate to the World Peace Convention in Denmark, relying on young peers to help him travel to Copenhagen, as a lifetime of activism had worn down his body.[48]
Image of Luesse/Moore courtesy of How I Got Out of Jail and Ran for Governor of Indiana: The Jim Moore Story (Oakland, CA: Regent Press, 1995): inside cover.
Moore appeared to have tempered his radical impulses later in life, telling interviewer Claire Burch in 1995, “We’ve got enough anarchy! We don’t need no more anarchy. We need organization. We need discipline. We need to be moved to do things in order to be able to get legislation passed.”[49] Despite a philosophical shift, the nonagenarian continued to work for societal change. An average weekend for Moore meant rising at 7 o’clock, getting in some light exercise (mindful of his pacemaker), and walking over to the local hospital cafeteria for breakfast before folding copies of The People’s World. He then distributed them at the University of California, Berkley and in boxes throughout the city. Some Saturdays he breakfasted with college students to “talk over what is necessary for them to do” and on Sundays attended Humanist meetings or American-Soviet Friendship Society gatherings.[50] He ran a petition drive to convince the Montgomery Ward Company to donate one of its buildings to the City of Oakland, so it could be repurposed as a trade skill training center or housing for those experiencing homelessness.[51] Moore distributed leaflets at local welfare and unemployment offices and attended Bay Area demonstrations almost until his death.[52]
With characteristic resolve, Moore achieved his goal to reach the age of 100, passing away in 2005 just two weeks after the milestone birthday. Despite playing a large role in Indiana’s labor tradition and making an indelible impact on his native state during the Depression, he has largely been forgotten. Crusaders such as himself helped centralize Indiana government and cultivate a new generation of organizers, who demanded more from their government during those tumultuous years.
While some Hoosier leaders disapproved of Luesse’s resistance, it helped catalyze necessary change during unprecedented circumstances. After all, the New Deal was not a foregone conclusion and many state lawmakers were slow to recognize the scope of constituents’ needs. Luesse’s many public protests and his vociferous criticism of Governor Leslie’s inaction infused some Hoosiers with the spirit of reform. Primed for change, voters decided not to elect Gov. Leslie to a second term, instead electing progressive candidate Paul V. McNutt in 1933. According to historian Linda C. Gugin, Gov. McNutt’s “liberal social-welfare programs . . . marked a significant shift in the direction of assistance to those in need” and created a “more centralized, modernized, and professional welfare system.”[53]
Luesse’s unflinching demand for accountability and relief measures may resonate with modern Americans, as they grapple with the current spike in inflation, swelling gas prices, the mounting student loan debt crisis, and pandemic-related housing displacement. Certainly, those who support a social safety net relate to Theodore Luesse’s belief that:
Everybody has the right to live just because they are alive, and in order to live, a person has to have food, clothing and shelter, health and education. When he doesn’t receive that by his own ingenuity it is necessary for the government to help him. That is why we have governments—to help those people who cannot help themselves, not just to make rules and regulations.[54]
* According to this publication, he eventually went by the alias “Jim Moore,” but it is unclear when or why he did so. It appears he employed this moniker after leaving Indiana, so he will be referred to as “Theodore Luesse” during the time he lived there.
Notes:
[1] “Indianapolis Police Battle Riotous Crowd of Radicals,” (Lafayette) Journal and Courier, November 25, 1930, 1, accessed Newspapers.com.
[2] Ibid.
[3] “Governor Believes Luesse Not Ready to Obey State Laws,” (Richmond) Palladium-Item, April 7, 1932, 7, accessed Newspapers.com; “Liberties Union to Champion Prisoner,” Evansville Press, June 23, 1932, 5, accessed Newspapers.com.
[4] “Theodore Luesse,” 1910 United States Federal Census, accessed AncestryLibrary.com; How I Got Out of Jail and Ran for Governor of Indiana: The Jim Moore Story (Oakland, CA: Regent Press, 1995), p. 5-6.
[5] How I Got Out of Jail, p. 5-6; Obituary, “Jim Moore, Press Builder, Dies at 100,” People’s World, January 7, 2005, accessed Peoplesworld.org.
[6] “Theodore Luesse,” Indianapolis, Indiana City Directory, 1920, U.S. City Directories, 1822-1995, accessed AncestryLibrary.com; “Hayes Body Strike Ends in Wage Pact,” Indianapolis Times, April 18, 1930, 1, accessed Hoosier State Chronicles; How I Got Out of Jail, p. 10-11, 13, 26-34.
[7] How I Got Out of Jail, p. 106-107.
[8] How I Got Out of Jail, p. 32-34.
[9] “To Protest Eviction of Tenants,” Indianapolis News, January 5, 1931, 23, accessed Newspapers.com; Quote from How I Got Out of Jail, p. 109.
[10] How I Got Out of Jail, p. 52.
[11] Bradford Sample, “A Truly Midwestern City: Indianapolis on the Eve of the Great Depression,” Indiana Magazine of History 97, iss. 2 (June 2001), accessed IUScholarWorks Journal.
[12] United Press, “Leslie Again Blocks Session: Refuses Plea that He Call Legislature,” Evansville Press, March 26, 1932, 1, accessed Newspapers.com.
[13] James H. Madison, Indiana Through Tradition and Change: A History of the Hoosier State and Its People, 1920-1945 (Indianapolis: Indiana Historical Society, 1982), p. 109.
[14] Quote from “City Police Use Clubs to Halt Rioters,” Indianapolis Times, January 6, 1931, 1, accessed Hoosier State Chronicles; “Communist Agitators Arrested,” Late County Times, January 6, 1931, 17, accessed Newspapers.com.
[15] “City Police Use Clubs to Halt Rioters,” Indianapolis Times, 1.
[16] How I Got Out of Jail, p. 43-44.
[17] “City Police Use Clubs to Halt Rioters,” Indianapolis Times, 1.
[18] How I Got Out of Jail, p. 45.
[19] Ibid., p. 47.
[20] “Court Provides Jobs for Orators,” (Lafayette, IN) Journal and Courier, February 6, 1931, 13, accessed Newspapers.com.
[21] How I Got Out of Jail, p. 41-42, 156.
[22] Ibid., p. 41-42.
[23] “Alleged Red Held Again,” Indianapolis News, April 24, 1931, 37, accessed Newspapers.com; “Hunger Marchers are Home Bound,” Late County Times, May 5, 1931, 1, accessed Newspapers.com; “Trio Arrested at Capital Released,” (Richmond, IN) Palladium-Item, May 5, 1931, 8, accessed Newspapers.com; Quote from “Liberties Union to Champion Prisoner,” Evansville Press, June 23, 1932, 5, accessed Newspapers.com.
[24] “Radical Chief Gets Sentence on State Farm,” Kokomo Tribune, May 23, 1931, 1, accessed Newspapers.com.
[25] How I Got Out of Jail, p. 48.
[26] Ibid., p. 50-51.
[27] “Leslie Denies ‘Red’ Has Been Abused at Penal Farm,” Garrett Clipper, May 26, 1932, 5, accessed Newspapers.com.
[28] “Theodore Luesse Will Speak Here,” Evansville Press, March 12, 1933, 5, accessed Newspapers.com.
[29] “Marchers Denied Visit with Luesse at State Penal Farm by Warden,” Kokomo Tribune, November 30, 1931, 1, accessed Newspapers.com.
[30] “Governor Believes Luesse Not Ready to Obey State Laws,” (Richmond, IN) Palladium-Item, April 7, 1932, 7, accessed Newspapers.com; “Governor Refuses to Release Luesse,” Palladium-Item, October 4, 1932, 3, accessed Newspapers.com; How I Got Out of Jail, p. 57.
[31] “Luesse Gave Blood for Little Girl; Father Asks Release, Promises Job,” Indianapolis Star, April 15, 1932, 10, accessed Newspapers.com.
[32] Quote from “Mob of Reds are Led by Women,” Late County Times, April 25, 1932, 1, accessed Newspapers.com.
[33] “2 Women, 1 Man Held as Rioters,” Indianapolis Star, April 26, 1932, 11, accessed Newspapers.com.
[34] “Two Held at Eviction,” Indianapolis News, May 13, 1932, 25, accessed Newspapers.com.
[35] “Jobless Army Asks Indiana Legislature for Relief Funds,” Chicago Tribune, July 20, 1932, 2, accessed Newspapers.com.
[36] “May Day is Celebrated at Two Meetings Here,” Indianapolis Star, May 2, 1932, 11, accessed Newspapers.com; “Hammond Man is Named for State Office,” Late County Times, September 21, 1932, 3, accessed Newspapers.com; “Townsend for Senate,” Indianapolis Star, September 21, 1932, 12, accessed Newspapers.com; How I Got Out of Jail, p. 52.
[37] South Bend Tribune, November 10, 1932, 13, accessed Newspapers.com.
[38] Paul B. Sallee, “The Message Center: ‘Red Scare’ Law Held Communist Aid,” Indianapolis Times, March 15, 1935, 32, accessed Hoosier State Chronicles.
[39] “Back from State Farm, Luesse Speaks to 200,” Indianapolis Star, March 5, 1933, 9, accessed Newspapers.com; “Theodore Luesse Held at Marion,” Indianapolis News, August 5, 1933, 17, accessed Newspapers.com; How I Got Out of Jail, p. 56-57.
[40] “Theodore Luesse Held at Marion,” Indianapolis News, August 5, 1933, 17, accessed Newspapers.com; How I Got Out of Jail, p. 56-57.
[41] “Back from State Farm, Luesse Speaks to 200,” Indianapolis Star, 9.
[42] “Theodore Luesse Will Speak Here,” Evansville Press, March 12, 1933, 5, accessed Newspapers.com; “Prepare for Luesse Meeting,” Late County Times, March 20, 1933, 10, accessed Newspapers.com.
[43] How I Got Out of Jail, p. 62.
[44] “Theodore Luesse Held at Marion,” Indianapolis News, August 5, 1933, 17, accessed Newspapers.com; “Theodore Luesse Freed from Grant County Jail,” Indianapolis Star, August 8, 1933, 18, accessed Newspapers.com.
[45] “Sewage Plant and Richland Creek Project Placed on List,” Belleville [Illinois] Daily News-Democrat, February 5, 1935, 1, accessed Newspapers.com; How I Got Out of Jail, p. 72, 85.
[46] How I Got Out of Jail, p. 85, 190.
[47] Ibid., p. 151, 182.
[48] Ibid., p. 129-130.
[49] Ibid., p. 184.
[50] Ibid., p. 185.
[51] Ibid., p. 180.
[52] “Jim Moore, Press Builder, Dies at 100,” People’s World, 2005.
[53] Linda C. Gugin, “Paul V. McNutt: January 9, 1933-January 11, 1937,” in eds., Linda C. Gugin and James E. St. Clair, The Governors of Indiana (Indianapolis: Indiana Historical Society Press, 2006), p. 296.
Conference program, a preliminary list of sessions can be found here.
From June 12-14, scholars from all corners of the globe—including Cape Town, New Delhi, Toronto, Berlin, Peru, and Amsterdam—convened at San Francisco State University. Among them were Indianapolis historians Sam Opsahl (he/him), Jordan Ryan (they/them), and myself (she/her). The reason for this meeting of the minds?: the second ever Queer History Conference (QHC). Amidst the surreal beauty of the campus, lined by Muir Woods’s iconic redwood trees, we discussed universal research questions, learned about novel methodologies, and shared valuable resources. Considering how new the field of queer history is, I would be remiss not to discuss the insights gleaned at the QHC, many of which could be applied to various historical projects.
QHC attendees were a uniquely welcoming and curious bunch, although we were slightly intimidated by the number of people who decided to forgo compelling sessions like “Queering Women, Sex, and Youth in Colonial Settings” and “Legal Consciousness in Mid-Twentieth Century Queer and Trans History” in order to attend our panel. However, we felt immediately at ease presenting about those living on the margins of Indianapolis’s queer community, especially because our moderator Dr. Eric Gonzaba gave credence to Kurt Vonnegut’s observation that “wherever you go there is always a Hoosier doing something important there.”* Now an Assistant Professor of American Studies at California State University-Fullerton, Dr. Gonzaba grew up in rural southern Indiana and earned his BA from Indiana University. In his introduction, Dr. Gonzaba aptly noted that Indiana’s place in American queer history has been cemented both by the groundbreaking work of the Kinsey Institute and the controversial passage of the 2015 Religious Freedom Restoration Act.
Jordan Ryan, architectural historian, activist-scholar, and founder of The History Concierge, kicked off our session. Ryan adapted their presentation from their paper, co-authored with Dr. Paul Mullins for the Journal for theAnthropology of North America, entitled “Imagining Musical Place: Race, Heritage, and African American Musical Landscapes.” Ryan focused on the erasure of Black cultural sites along Indiana Avenue, including venues like the Pink Poodle (later the Famous Door) and Log Cabin, which hosted popular drag shows in the first half of the 20th century. Ryan noted that although female impersonators were popular in vaudeville revues, “moral ideologues sometimes resisted openly queer drag performances.” This was reflected in one Indianapolis Recorder editorial about a show at the Paradise that attracted an audience of 2,000. The opiner wrote that “‘fairy’ (fag) (pansy) public stage show and dance . . . was a disgrace to this community.” Ryan concluded that:
Like much of the complex expressive culture that flourished on Indiana Avenue, female impersonators have not found a place in the public memory that has been crafted by ideologues whose representations of jazz have revolved around a very narrow dimension of the Indiana Avenue musical experience.
Following Ryan’s analysis of the built environment and public memory, I presented my work about the exclusion of gender non-conforming individuals at Indianapolis gay bars and the queer community’s effort to grapple with this discrimination. (A draft of my paper can be read here). On separate occasions in 1989, Our Place refused to serve patrons Kerry Gean and Roberta Alyson, resulting in public humiliation and, in Alyson’s case, arrest. Bar employees refused service on the grounds that Gean and Alyson—members of the Indiana Crossdresser Society (IXE)—did not meet dress code and their identification did not match their female-presenting appearance. Our Place was by no means the only Indianapolis gay bar to implement these policies and soon the pages of gay newsletter The Works teemed with editorials about the conflict. The majority of them condemned this discrimination, likening it to the prohibition of Black individuals at Riverside Park, while some agreed that such policies were necessary to preserve the bars’ masculine atmosphere.
Perhaps ironically, it was Indianapolis police officer and community liaison Shirley Purvitis who facilitated a meeting to try to resolve issues between “certain segments of the gay community.” Bar owners, IXE members, IPD vice officers, and members of the Indiana Civil Liberties Union and Justice, Inc. shared their experiences and discussed excise law. Although contentious, such meetings, coverage in The Works, and one-on-one meetings between IXE members and bar owners, led to the reversal of policies at many bars. The conflict illuminated the value of forums and facilitators and demonstrated how amplifying multiple perspectives resulted in greater inclusion.
Sam Opsahl, program coordinator for Indiana Humanities, concluded our panel, presenting a paper adapted from his 2020 thesis, “Circle City Strife: Gay and Lesbian Activism during the Hudnut Era.” He highlighted the work of Justice, Inc. leader Kathy Sarris, noting that she “worked to insert the queer community’s narrative into public spaces by celebrating the gay and lesbian minority in public.” Opsahl positioned Sarris at the center of the local rights movement, ensuring that she will not be forgotten, unlike many lesbian activists whose work has been overshadowed by that of white, male leaders belonging to the middle class.
In 1983, through the Indianapolis Gay/Lesbian Coalition (IGLC), Berg and Sarris secured a meeting with Mayor William Hudnut, where they presented a list of seven recommendations. This marked the first time an Indianapolis mayor met with gay individuals to discuss issues facing the greater community. While the closed door meeting did not produce the results they hoped for, Berg and Sarris left feeling that “at least a dialogue had been initiated that they would continue to pursue should Hudnut be re-elected.” Opsahl contended that:
Mayor Hudnut, Berg, and Sarris contested the space on Monument Circle via protests and community celebrations, which rendered Indianapolis’ queer community impossible to ignore. Hudnut’s visions of an entrepreneurial city were endangered by the public debacles on Monument Circle, police discrimination, and the HIV crisis. Activists established their own dreams for citywide recognition that conflicted with Hudnut’s.
In listening to my colleagues’ presentations, fielding thoughtful audience questions, and receiving feedback from Dr. Gonzaba, I gained insight about Indianapolis’s queer past in real-time. It occurred to me that each of the individuals we studied had had to navigate the internalization of white, cisgender, heteronormative ideals by the LGBTQ community. We were left to ponder questions, like “What makes Indianapolis’s community unique?” and “How do we best document and memorialize queer history in a conservative region, in which anonymity provides safety?” The examination of intersectionality, as it relates to queer history, is relatively new and we hope our panel contributed to this field of study.
With our session mercifully scheduled for the first day, I was anxious to learn about others’ research findings and methodologies for the duration of the conference. I found the “Strategies for Documenting and Memorializing Queer History” panel to be particularly enlightening, as University of Toronto Professor Elspeth Brown’s presentation made me rethink how we conduct and use oral history interviews. Dr. Brown spoke about implementing novel interview strategies, such as utilizing guided meditation in order to engage interviewee’s senses. She found that this practice allowed subjects to both reinhabit and meaningfully relay the past.
Dr. Brown and her team have also given much thought to the question of utility, asking themselves: “Is the main purpose of conducting interviews to create a primary source for future historians to draw upon? Or is their value entrenched in telling relevant stories to modern audiences?” Regarding the latter, Dr. Brown is mindful of a study that found people listen to only half of an oral history interview, regardless of whether it is one minute or three hours long. Therefore, her team tried to think creatively about how to capture listeners’ attention. They hired an illustrator and sound engineer to recreate settings described by interview subjects. Pairing the animated sequences with two minute interview segments provided a multisensory experience. Dr. Brown played one such clip for the audience and I think we were all stunned by how immersed we were in the story.
Slide from Professor Elspeth Brown’s presentation about novel oral history interviewing techniques.
While attention has certainly been paid to illuminating history through social media, San Francisco State University Master’s student Jesse Ataide’s presentation “Imagining the Queer Past on Instagram” probed issues unique to queer history. Ataide initially created his account @queer_modernisms to share interesting images he came across in his research, which focused on the period between 1890 and 1969. However, when the account rapidly grew in followers (it is now up to 26,000), he realized he needed to be more intentional about how he curated content. He became ever-mindful of the question “who and what is queer?,” noting that many images circulated online appear queer to the “contemporary eye,” but can easily be misinterpreted. These include fascist/Nazi images that glorify the male body and “same sex intimacy across different eras and cultures.” Ataide noted that the subjects of such images may have actively resisted the “queer” designation and that “unambiguous self-identification” is certainly the exception, not the norm. So, in order to avoid outing or misinterpreting someone’s sexual identity, he tries to “find mention or evidence of queerness in academic, published, or other authoritative sources before posting.”
He also discussed the importance of representation. Images of white, masculine, middleclass male subjects garner the highest rates of engagement, so he is currently strategizing how to amplify diverse content without losing his platform. Ataide left us with many insightful questions to ponder, especially about how best to create a “useable past.”
Jesse Ataide presenting issues that he grapples with regarding queer history.
My time at SFSU concluded with a roundtable comprised of both academic press editors and scholars whose work has been published by such presses. Larin McLaughlin, Editor in Chief at the University of Washington Press, emphasized the importance of vision when crafting and pitching a book idea. It is not enough that your topic has never been written about before, but you should able to articulate to a publisher how your work moves the field forward. Finding an editor that shares your set of goals is also crucial in executing your vision. McLaughlin encouraged writers to focus on interdisciplinary topics, as they appeal to audiences outside of history. Dominique J. Moore, Acquisitions Editor for the University of Illinois Press, noted that a well-executed introduction chapter goes a long way in convincing an editor to publish your work. She also advised crafting a table of contents that contains a summary of each chapter’s arguments and sources, as well as how the chapters relate to one another. When considering your audience, ask yourself, “What conference do I want to see my book at?” Write for those attendees.
Panelists also articulated the differences between trade and university presses. They noted that whereas trade presses typically have much bigger marketing budgets that can be used to quickly advertise your book to a broad network, academic presses provide longevity, as they continue to publish books long after the first printing. Similarly, trade presses sometimes present more obstacles to publication, as aspiring authors have to convince an agent who then needs to convince an editor about your work. For the self-doubting historian, their reassurance about the peer review process was liberating: ultimately, you can and should push back against critiques that you vehemently disagree with. You are the expert, after all.
Sam Opsahl, Nicole Poletika, and Jordan Ryan at Indiana’s first LGBTQ historical marker, Monument Circle, courtesy of Jordan Ryan.
In a field dominated by stories of stigma, violence, and oppression, the 2022 QHC provided a much needed opportunity to learn about LGBTQ individuals who thrived, helped build community, and furthered human rights. It was invigorating to be around scholars equally humbled and excited to be part of this nascent field. The conference also provided reassurance that I am on the right track in terms of respectfully telling balanced, accurate histories about LGBTQ Hoosiers. Likewise, it revealed to me that people genuinely are curious about queer life in the Midwest. But before delving back into the pages of The Works, this midwestern historian is closing her eyes and revisiting San Francisco’s winding roads, dotted with colorful condominiums and flanked by glimmering beaches.
* IUPUI anthropology professor Paul Mullins was originally slated to moderate our session. Although Dr. Mullins was unable to make it, he was with us in spirit and scholarship.
San Francisco Chronicle, January 14, 1923, p. 10, accessed via Newspapers.com.
The San Francisco Chronicle asked Americans “who have a wide experience and many points of contact with 1922” to predict the trials and triumphs Americans would experience 100 years later.* Probing prominent individuals like a pastor, architect, social reformer, author, film producer, educator, and politician, the paper concluded that there are “plenty of ifs and buts, but in general the prospect for a century hence seems rosy.” As a historian at the dawn of 2022, some of the predictions seem amusingly off-base, like author and critic Henry L. Mencken’s certainty that the U.S. “will be a British colony. . . . The American who will be most agreeably discussed by Anglo-American historians in 2022 will be Woodrow Wilson, the first premier of the United American Colonies.” Notorious moving picture producer D.W. Griffith was equally shortsighted when he stated, “I do not foresee the possibility of instantaneous transmission of living action to the screen within 100 years.” (Inventor-turned reluctant Fort Wayne businessman Philo Farnsworth would transmit the first “electronic television image” just a few years later in California).
Some musings proved surprisingly prescient, like those of architect Thomas Hastings, who wondered, “Will civilization relapse, perhaps through the medium of another world war, into semi-barbarism?” The telephone was only just beginning to be used in households—World Wide What?—when Hastings urged readers to consider “the probability of revolutionizing inventions—even the discovery of forces which we know nothing about now.” Famed birth control activist Margaret Sanger—who reportedly called upon Indianapolis reformer Roberta West Nicholson to help found the city’s first Planned Parenthood clinic—was arguably correct in her belief that access to birth control would result in:
happier homes, greater mutual respect between husband and wife, honeymoons lasting two or three years before children arrive, with husband and wife thoroughly equilibrated to one another, because there has been time for mutual understanding and development before parenthood is entered upon.
The Evening World (New York, New York, February 15, 1922, 3, accessed Newspapers.com.
Among the soothsayers was Mary Garrett Hay, a Charlestown, Indiana native, trailblazing suffragist, and, by 1922, head of New York City’s League of Women Voters. The accuracy of her predictions prompt a look back at her life and career, both of which were far ahead of her time, so to speak. Hay informed the San Francisco Chronicle that in 2022:
The life of even the average woman will be broader and better. Woman’s drudgery in the household will be eliminated, her care of the family will be lessened, as new inventions come in and new methods of work. Women, like men, will do the tasks for which they are best fitted by temperament, gifts and training.
Technological advancements have certainly liberated women from household drudgery. And women have increasingly stepped away from the home and into the public sphere due to a redefinition of the “tasks for which they are best fitted by temperament, gifts and training.” Hay occupied this sphere throughout her life, beginning around 1880, when as a young woman she worked as a drug clerk in Charlestown.[1] Hay later supported herself as a writer, reform speaker, and political consultant in New York City, having eschewed the institution of marriage and accompanying division of labor (Again defying gender norms, she had a long-term relationship with renowned suffragist Carrie Chapman Catt).
Brooklyn Daily Eagle, June 21, 1908, 24, accessed Newspapers.com.
Described as a “born executive,” Hay flexed her entrepreneurial skills when in 1908 she formed the Women’s Travel Bureau. Drawing on twenty years of navigating railroad networks across the U.S. for her suffrage campaign, Hay formed a company that appealed to the unique needs of female travelers, such as featuring safe accommodations and advertising women’s events. Hay told the New-York Tribune that since the 1893 Columbian Exposition, women increasingly used rail travel for a brief reprieve from the demands of family life. This was made possible, she said, because “‘women have for the first time in history begun to earn good salaries.'”[2] The Travel Bureau is one of many examples of Hay carving out opportunities in a male-dominated field by pairing her expertise with public demand.
While Hay’s prediction alluded to shifting gender norms, she made clear in the Buffalo Times that the shift must be more immediate, telling the paper, “‘It is the right of every human to have a career in the home and in the field-and the two are not mutually exclusive.'” She stated bluntly, “‘If men are willing to let their wives go out in quest of careers in the field as well as in the home they are reasonable husbands.'” The paper added that Hay “advocates women taking paid positions even after they are married and employing servants to do the housework far more efficiently than they could ever do it themselves.” In 1926, she argued that not only should women be allowed in the workforce, but that some were better suited for it than the home, noting:
I’ve known many women who were very inefficient mothers but excellent business women. They could manage what we call a man’s job and make a conspicuous success of it, and be absolutely beaten by housework or the rearing of their children.[3]
Of course, in order to work in the professional field, jobs needed to be available. Hay worked to create these as a member of the Committee for Extending Business Opportunities to Women, formed around 1915, because “the entrance of women into various fields of work has been effected with so much difficulty.”[4]
The Evening World (New York, New York), August 25, 1921, 3, accessed Newspapers.com.
In the second half of her prophesy for the San Francisco Chronicle, Hay predicted:
Politically, women will be powerful. They will share with men the real constructive work of government. Many will hold office. If there is not a woman President, the thought of one will shock no one. It will seem natural and proper to elevate women to whatever positions they have the ability to fill. Co-operation will be the magic word in 2022.
Confirming Hay’s point, many Americans in 2016 were shocked not that Hillary Clinton was poised to become the country’s first female president, but that she lost the election in a stunning upset—despite winning the popular vote. The glass ceiling came closer to being shattered when Kamala Harris was elected the first female U.S. Vice President in 2020 and when she briefly became the first woman imbued with presidential power in 2021 when President Joe Biden went under anesthesia for a medical procedure.
In fact, Hay’s own name had been floated as a U.S. presidential candidate in the 1910s. This was, in large part, because of her organizational and political prowess, particularly in recruiting members for the Republican Party.[5] Described as “the big boss of New York,” the G.O.P. appointed Hay to influential positions, soliciting her insight about issues important to women and strategies for mobilizing them to the polls.[6] Friend and fellow Hoosier— and Warren Harding’s presidential campaign manager—Will Hays appointed her chairman of the Republican Women’s National Executive Committee.[7] In this role, she was tasked with organizing “the women in the nation for the Republican Party as she had organized for suffrage. She was sought after at all political gatherings, and was made a delegate to every kind of convention.”[8]
Topeka Daily State Journal, January 29, 1920, 5, accessed Newspapers.com.
From lobbying for Indiana W.C.T.U. branches to heading a West Coast speaking tour organized by Susan B. Anthony to bringing to the Albany legislature “tenement house suffragists to illustrate how much women need the vote on the lower East Side,” Hay evolved from a social reformer to a political organizer.[9] She envisioned women’s influence extending beyond ratification of the 19th Amendment and viewed the political realm as a source of women’s professional fulfilment.
In her “Politics, A Profession for Women” essay for Catherine Filene’s 1920 Careers for Women, Hay wrote that politics “lacks the stultifying effect attaching to most occupations for women. Politics for women means a life of real vitality and worth.” She noted that “women who were trained by suffrage campaigns” were qualified for “good positions” within political parties. Strengths inherent to women, Hay argued, intersected well with those required of the political sector, such as the “ability to judge and handle people . . . sagacity, resourcefulness, power to discern the true from the false, common sense, imperturbability, [and] wide experience with human nature.” Having earned a reputation as an exceptional orator, Hay delivered a speech in 1926 in which she stated governmental work was tantamount to “housekeeping on a large scale.”[10] Because of these convictions, Hay used her sway within the Republican Party to bring more women into politics, although, the Times-Tribune noted, “she frequently found herself a[t] storm center by her insistence that leaders of the party permit women workers to join in the inner councils.”[11]
While she predicted that “Politically, women will be powerful,” Hay wanted not only “political equality between the sexes,” but “equality in every single thing in life.” This sentiment paralleled U.S. Supreme Court Justice Ruth Bader Ginsburg’s belief that “women belong in all places where decisions are being made.”[12] Hay worked for their systemic inclusion, including in higher education, law enforcement, jury duty, and prison reform.[13]
Oakland Tribune (California), November 29, 1927, 28, accessed Newspapers.com.
In this sense, Hay’s approach to equality was unique for the period, as historian William O’Neil argued, “’the postsuffrage feminists failed to see that the woman problem was part of a larger social question involving sex roles in American society and the entire order.’” Furthermore, these reformers “’asked only for legal equality without addressing themselves to the whole range of problems facing women who tried to make a notch for themselves in a man’s world.’”[14] Hay, “one of the best known leaders in the fight for the emancipation of women,” proved the rare exception.[15]
Her 1928 death would exacerbate this void in leadership for women’s equality. But in the nearly 100 years since her passing, her vision has been realized to a meaningful extent, as women increasingly occupy significant roles in the workplace and government. Perhaps she was able to envision the ideals and gender norms that would become fairly commonplace by 2022 because she embodied them herself.
Sources:
This post draws on the research notes for the Mary Garrett Hay historical marker.
* Unless otherwise specified, all material is drawn from the San Francisco Chronicle, January 14, 1923, p. 10, accessed via Newspapers.com.
[1] “Mary G. Hay,” Clark County, Indiana, Census, 1880, accessed Ancestry Library Edition.
[2] Departure of Trains Schedule, National American Woman’s Suffrage Association, New Orleans, March 19th to 25th, 1903, Miller NAWSA Suffrage Scrapbooks, 1897-1911, Scrapbook 3 (1897-1904), Rare Book and Special Collections Division.; “Women Conduct Tourist Bureau,” Brooklyn Daily Eagle, June 21, 1908, 24, accessed Newspapers.com.; “Women Who Travel,” New-York Tribune, August 4, 1908, 5, accessed Newspapers.com.
[3] Cynthia Grey, “Cynthia Says Home and Country Should Be Managed Jointly,” Courier-Post (Camden, NJ), April 19, 1926, 9, accessed Newspapers.com.
[4] “Mary G. Hay,” Clark County, Indiana, Census, 1880, accessed AncestryLibrary.; “Mary G. Hay,” 1910 United States Federal Census, New York, accessed AncestryLibrary.; “Women Form to Open New Fields,” Woman’s Journal and Suffrage News, January 2, 1915, accessed HeinOnline.
[5] Joan Moody, “What Will They Do With It?,” Everybody’s Magazine (November 1919): 113, accessed GoogleBooks.
[6] “Cheers Greet Women as They Enter Politics,” Indianapolis Star, April 3, 1919, 1, 8, accessed Newspapers.com.
[7] “Mary Garrett Hay’s Watchword to Women in Politics Was: ‘Be Nice to the Men’; Fought for Suffrage from Girlhood,” Brooklyn Eagle, September 2, 1928.
[8]Indianapolis Star, April 3, 1919, 1, 8.; Brooklyn Eagle, September 2, 1928.
[9] “Suffrage Leaders Get Together Now,” Star-Gazette
(Almira, NY), March 5, 1910, 2, accessed Newspapers.com.
[10] Cynthia Grey, “Cynthia Says Home and Country Should be Managed Jointly,” Courier-Post (Camden, NJ), April 19, 1926, 9, accessed Newspapers.com.
[11] “Mary Garrett Hay,” The Times Tribune (Scranton, PA), September 1, 1928, accessed Newspaper.com.
[12] “They Will Stand on Their Rights,” Boston Globe, February 27, 1908, 10, accessed Newspapers.com.
[13] “Mainly About People,” Daily News (New York), January 6, 1922, 41, accessed Newspapers.com.; “Women and the Jury System,” The Scranton Republican, February 28, 1922, accessed Newspapers.com.; “Leagued Together for Law Enforcement,” Oakland Tribune, November 29, 1927, 28, accessed Newspapers.com.
[14] Quoted in Winifred D. Wandersee, Women’s Work and Family Values, 1920-1940 (Cambridge: Harvard University Press, 1981), 119-120.
[15]Buffalo Times, July 9, 1922, 52, accessed Newspapers.com.
Courtesy of the Fort Wayne News-Sentinel, caption: Pianist Charles Allen, left, and singer Steve Black were part of the entertainment scene in the late ’60s, when bars replaced coffeehouses as the centers of musical activity.
Legendary choreographer and “unsung gay hero” Charles Allen sat with a tape recorder in his Fort Wayne house, a veritable art museum awaiting curation. Sipping gin and orange juice from an empty peanut butter jar, he began to document his life. Notorious for self-mythologizing—once claiming to have killed a man using “voodoo and black magic”—some of the anecdotes he fed the tape no doubt were embellished.[1] These would prove unnecessary, however, as his legacy speaks for itself. Not only did Allen give “birth to generations of dancers and . . . change the way people looked at the world around him,” but he inspired and empowered LGBTQ+ Hoosiers, perhaps unintentionally. Upon Allen’s 1980 death, Jerry Jokay wrote in TROIS, Fort Wayne’s gay newsletter, that “Although he probably wouldn’t have seen it this way, one of his greatest contributions was that he was a gay hero. And he is a gay hero simply because his gayness was a trivial issue in his life even in spite of the oppression it caused him.”[2] Allen, on the other hand, would probably consider his greatest contributions to be advancing performing arts and instilling a love of storytelling and self-expression in Hoosiers.
Gene Stratton Porter, courtesy of the Indiana State Museum, courtesy of KPC News.
Born in 1912, Allen was likely raised by his aunt and uncle in Mongo, Indiana. Depictions of Allen’s childhood are characteristically colorful and include a traipse through Tamarack Swamp with famed author and naturalist Gene Stratton Porter in search of insects and plant specimens.[3] Allen “recalled dyeing his hair pinkish-brown as a child, catching blue racer snakes, putting them around his neck, and startling passersby on highway 20 near his home. A barefoot, innocent, wild-haired child of the swamp.”[4] The spirited child attended school in Kendallville and spent free time in LaGrange, where he learned to play piano at Wigdon Theater. Fully enamored with artistic expression, he devoured performances delivered by a travelling company. The News-Sentinel reported “there was a troupe of four or five men, who did a two-reel silent movie, and set up an impromptu stage with an indian scene. There was singing, and two of the men did female impersonations. When he left the show, his life had changed. . . . He’d fallen in love.”
The production continued to call to him, long after the caravans departed. He left school, took a train to northern Michigan, where the travelling company had migrated, and became its new pianist. As despair deepened during the Great Depression, the public increasingly took solace in travelling shows. These provided Allen with opportunities to try his theatrical hand and hone his skills as a performer. The News-Sentinel noted, “People were doing almost anything for money. He fell in with a freak show,” dubbed the Palace of Wonders, for which he mesmerized crowds as the Human Pin Cushion. During this period, Allen learned how to perform the “half-man, half-woman” act, styling his feminine half after screen siren Marlene Dietrich. When he returned to Fort Wayne, he would perform this routine at local tavern, Henry’s, and played piano at bars like This Old House, Trolly Bar, and the Caboose.[5] Allen insisted that friends stay at his house once the bars closed down for the night, hating solitude.[6]
The eclectic career he had forged for himself was abruptly derailed by the conformist ethos of the 1940s. At a time of global upheaval, Americans held evermore sacrosanct heteronormativity. The News-Sentinel reported that during this “less enlightened age,” a judge sentenced Allen to six years in a Michigan City Prison after “an affair with a soldier led to a charge of sodomy.”[7] Allen recalled in the Fort Wayne Free Press that the judge declared ironically “we’re going to send you where you’ll be happy; locked up with a lot of men!”[8] This prediction proved correct, as he spent time with paramours in a makeshift room fashioned out of old pianos and curtains. On weekends, he played piano for the men waiting in line to watch a movie. While it played, a band mate would take his place at the piano, so that he could go hold hands with his companion. During his few years in prison, Allen made friends, assembled a band—for which he played the sousaphone—and learned how to dance.[9]
A sketch of Etheridge Knight in prison by Terrance Hayes, accessed theparisreview.org.
The News-Sentinel noted that in prison Allen “kept following his insatible [sic] desire to learn. Where he could find no one else to teach him, he taught himself. The creativity could never let him rest. It would be that way to the end of his life.”[10] This cultivation of self-expression paralleled the journey of African American poet, Etheridge Knight. While serving eight years at the Indiana State Prison in the 1960s, he discovered the restorative power of writing, culminating in his revolutionary Poems from Prison. Knight later stated that “Poetry and a few people in there trying to stay human saved me . . . I knew that I couldn’t just deaden all my feeling the way some people did.”[11]
So, too, did music and dance sustain Allen during his incarceration. Upon release, he returned to Fort Wayne, opening the Charles Allen Dance Studio.[12] According to the Journal-Gazette, he was the city’s only choreographer and, through his trips to New York and Chicago, “single-handedly” invigorated the city’s theater scene. Something of a cultural conduit, Allen traveled to Vera Cruz, Mexico to research indigenous dances. He studied dance at the University of Guatemala and the Palace of Fine Arts in Mexico, imbuing midwestern students with unique material and perspectives.[13]
In life and work, Allen gravitated towards those on the fringes, perhaps identifying with their struggles or the stigmatization they endured. He reportedly taught exotic dancers how to improve their performances and played piano at “houses of ill repute.”[14] In his TROIS article, Springer wrote that Allen played piano and felt a “kinship” with Black Americans because “like him, they were among the outsiders of society.”[15] Though he was exacting and sometimes cruel, the News Sentinel reported that “he would work with beginners no one else had time for, work tirelessly because he felt a love of what he was doing.”[16] Janice Dyson recalled this experience, after her mom “scrimped grocery money to help pay” for lessons for her and her sister, Bernice. She recalled that Allen “was a real taskmaster. . . . Bernice was intimidated by him and quit after about a year. I wasn’t afraid of him, but I learned pretty quickly that when he said practice or else, he meant it.”[17] Perhaps he hoped to provoke the same grit he’d developed through surmounting the many hardships imposed by society.
While he worked with Fort Wayne performers, Allen reportedly knew the jazz greats, like Billie Holiday and Louis Armstrong, and one friend noted that “a lot of famous people used to come here and have him fix their acts. Polish the acts. Reblock them or rechoreograph them.'”[18] Legend has it that one winter Allen sold his horse to pay the train fare to see Holiday perform in New York City. Due to a snow storm, he was the only person to show up at the theater. The usher relayed his presence to Holiday, who performed only for him, after which they went out for a drink. She reportedly drove him to the train station and ran alongside the cars, waving as the train departed. Allen was so moved by the experience that he wept while watching the train station scene in “The Lady Sings the Blues.”[19]
Family Theatre Festival (1975-1976), OnStage On Campus Collection, mDON: mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
Purdue University Fort Wayne (PUFW) recognized the ingenue’s talent, hiring Allen to teach courses like Stage Movement.[20] He felt immense pride about being self-taught. A man who embodied resistance towards oppression and convention, his influence intersected fortuitously with the cultural revolution of the late 1960s and 1970s. Friends and colleagues seem to agree that he was not an activist in the traditional sense, but he always answered when called to provide insight about homosexuality or the burgeoning “homophile” movement. He recognized that, as one of few men in the area living openly, if he did not engage in public discourse that no one one would. When asked by WANE-TV to serve as one of five panelists about homosexuality Allen agreed, saying “‘I’m all right here, I don’t have any problems because I’m not scared. But a lot of people are scared; they’re scared they’ll get arrested.”[21] He appealed to dozens of people to serve as panelists, but only two agreed. Those who declined feared that their parents would disown them or that they would lose their job, as had one of Allen’s friends who served in World War II. Others claimed the panel was unnecessary or worried that it would upset the “status quo,” which had provided a modicum of safety. To this reasoning, Allen said, “‘I thought if everything is so fine, why can’t they get on the air and say it’s fine. It’s because it isn’t fine.”[22]
Allen spoke about homosexuality at PUFW campus teach-ins and college classes, and wrote editorials for the student paper, The Fort Wayne Free Press, under the pseudonym “Claude Hawk.”[23] He wanted audiences to understand that sexuality was not a choice, noting that “My own doctor tells me that one gene or chromosome determines sexual preference—not butchness, effeminancy, athleticism, not militancy, but whom you want to go to bed with.”[24] He added that this knowledge, while “comforting,” doesn’t help if you get fired or the “bartender breaks your glass after each drink, etc., etc.” His efforts shifted the perspectives of students like Linda Lamirand and Katharine Stout, who attended a teach-in with the “brave man” who “sat up there and told it like it is.”[25] The authors were enlightened by Allen’s revelations that he knew he was gay at the age of four and that scientific studies suggested that biology dictated sexual preference.
Courtesy of The Fort Wayne Free Press, 3, iss. 16 (July 27, 1972): 9, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
In one Free Press editorial, Allen addressed those who had come to terms with their sexuality, but faced the question “where do you go?” to meet someone. Of the dilemma, he wrote:
You can’t find someone at an office party or at a neighborhood bar because someone would ‘find out’. So you experiment. You drink too much or get so horny that, without experience, you get your teeth bashed in saying something dumb to to the wrong person; or the right-wrong person who relieves you of your watch, wallet, and rings. Or sometimes you are picked up by a nicelooking, intelligent, young man with long hair and bare feet, who turns out to be fuzz and you are entrapped, fined, and-or jailed.[26]
He advised readers to find a “gentle, gay” friend, who can help navigate the covert social world, or a relatively tolerant restaurant or bar. A “third salvation,” Allen noted, was to “know an art or theater crowd who don’t give a damn. Not about you, but about it.” The theater provided a world in which he did not have to explain himself or act as a local spokesperson for homosexuality. He wrote that the “freedom, acceptance, and love” afforded by the theater community created “a place to breathe in this pollution of brotherhood. Since one doesn’t have to hide, or lose his job in these fields, these are the more obvious” ones in which to work.[27] In fact, Allen noted that living as a gay man paralleled life in the performing arts, writing:
“You are forced to think and live like a male and play the game so well that you are never uncovered. And this becomes an art, gives you a facility for understanding objectively what’s going on. It’s like a play, and while others are doing it naturally you’re listening for clues, and if well rehearsed, arrive at a happy ending.”[28]
The Fort Wayne Free Press 4, iss. 3 (January 25, 1973): 6, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
While TROIS writer Jerry Jokay considered Allen “Fort Wayne’s unsung gay hero,” he noted that “his fortitude laid in the fact that he didn’t dwell upon his difference . . . Allen was preoccupied with being so much more, as his best friends attest.”[29] Preoccupied, he was. Allen informed Free Press readers about his life, writing in 1971 that “I ran my own school, taught at Purdue, played piano in bars, was connected with Ft. Wayne Civic Theater, Kenosha Little Theater, Theater Alanta, had choreographed a Broadway show, was a Japanese paper folder, an Arabian knot tier.”[30] He had traveled the globe in search of inspiration and imbued new generations of performers with it. The News-Sentinel wrote that “he became unique, in a world of his own creation. His art became his life, his life his art.”[31]
His life, his art. Perhaps it was his cancer diagnosis that inspired him to detail them on tape, stories that writer Dan Luzadder suggested “may have been plucked from the intensity of his nether world.”[32] We don’t know what stories he told, as he ran out of time to complete the recordings,* but perhaps he described the demands of caring for his pet python or recited original sonnets, haikus, and Limericks, “both clean and questionable.”[33] We can be certain that his life and art profoundly influenced those around him. This is evidenced by the obituaries written upon his death in 1980 at the age of 68. Luzadder wrote in the Fort Wayne News-Sentinel:
There was loneliness and insecurity. There were things that drove him. And there was tremendous courage to live through the times of his life, to aspire to art, to survive with nothing more than intelligence and faith in himself, to go hungry, to be alone, to see the world in its intolerance and still love it.[34]
Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
On March 21, hundreds of people from all walks of life—including actors, dancers, bartenders, city officials, and editors—stood shoulder-to-shoulder at the Performing Arts Center to pay their respects to the man “whose life had taught them the meaning of art.”[35] His memorial served as a final standing ovation, with Civic Director Richard Casey reading from “Hamlet,” poets performing spoken word, and dancers delivering a finale performance of “Mr. Bojangles.”[36]
Allen provides us with a window into the experiences of those who lived openly in Indiana prior to the liberating events of the 1980s and 1990s. Before a sense of community was fostered by the formation of groups like Fort Wayne Gay and Lesbian Organization (GLO), Pride Week celebrations, and the publication of gay newsletters, Allen drew upon a deep reservoir of self-assurance and creative impulse to fashion a fulfilling life.[37] In his 1980 tribute, Steve Springer described Allen as “an individualist. Society had its standards of behavior and Allen had his own.” And although he had suffered because of these standards, Springer insisted that “Long after Anita Bryant and her hordes of intolerants are forgotten, the legend of Charles Allen will live on.”[38]
* The author has been unable to locate these recordings. If you know of their location please contact npoletika @library.in.gov.
[1] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, Indiana State Library (ISL) microfilm.
[3] “Arts Center Site for Allen Service,” (Fort Wayne) News-Sentinel, March 20, 1980, ISL microfilm.
[4] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[5] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[6] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[7] Ibid.
[8] Claude Hawk, “Boys Will Be Girls!,” The Fort Wayne Free Press 2, iss. 1 (January 1, 1971): 3.
[9] Ibid.
[10] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[11] Nicole Poletika, “Etheridge Knight: ‘can there anything good come out of prison,'” May 3, 2017, accessed Indiana History Blog.
[12] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[13] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[14] Ibid.; Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[15] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[16] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[17] Janice Dyson, “Studio Marks 65 Years of Dancing,” KPC News, December 28, 2017, accessed kpcnews.com.
[18] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[19] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[20] “Family Festival Slated,” Fort Wayne Journal-Gazette, April 28, 1976, 6C.
[21] “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).
[22] Ibid.
[23] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.; Claude Hawk, “Out of the Closet,” The Fort Wayne Free Press 1, iss. 11 (November 2-18, 1970): 3, 6.; “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).
[24] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.
[25] Linda Lamirand and Katharine Stout, “Dear Freep,” The Fort Wayne Free Press 2, iss. 7 (April 22-May 6, 1971): 10.
[26] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.
[27] Ibid.
[28] Claude Hawk, “God Love Us All,” The Fort Wayne Free Press 2, iss. 8 (May 6, 1971): 9.
[30] Bob Ihrie and Charles Allen, “Holiday on Ice,” The Fort Wayne Free Press 2, iss. 2 (January 18-February 2, 1971): 3.
[31] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[32] Ibid.
[33] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[34] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[35] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.; Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[36] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.
[37] Nicole Poletika, “From ‘Gay Knights’ to Celebration on the Circle: A History of Pride in Indianapolis,” October 5, 2021, accessed Indiana History Blog.
[38] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
* A note on terminology:We recognize that terminology referring to this marginalized community will continue to evolve. We have chosen to use “LGBTQ+” and “queer” after consulting with Indy Pride board members, historians specializing in the field, and new scholarship. We are cognizant that the community is not monolithic and that some individuals may not identify with these terms. It is also important to note that the mainstream civil rights movement excluded people of color, those living in poverty, and transgender individuals.
The fabric of America has always been comprised of LGBTQ+ individuals, but due to social stigmas, legal discrimination, and the perpetuation of violence, many of these individuals lived quietly. While the 1969 Stonewall Uprising in New York City proved to be a watershed moment in the national fight for equality, those in the conservative state of Indiana continued to socialize privately, for the most part. In 1976, the first “Gay Pride Week” was held in Indianapolis, hosted by the Metropolitan Community Church (MCC) and the Gay Peoples Union. Rather than celebrate publicly, attendees were invited to attend a picnic at Sugar Creek Park, donate blood at MCC, participate in a “Youth Kamp Disco,” and attend workshops entitled “Do I Tell My Parents?,” “Christian and Gay,” “Lifestyles in the ‘70s,” and “Gays and Government.” MCC pastor Rev. James Hill said the purpose of the week was “to make society aware of our presence and as a self-affirming thing for gay people as well—affirming they have the right to be.’”
According to an article The Works, when Pride plans failed to materialize in 1980, activists gathered at the Ramada Inn and formed a Pride Week Committee, which sponsored the 1981 Pride Week Brunch at Essex Hotel House. The Indianapolis Star noted in 1982 that celebrations continued in an insular manner, writing that individuals celebrated “Indiana style—without marches or noisy rallies.” Instead, they raised funds for various causes, donated food to the needy, and “tried quietly to let others know they are here.” Celebrants in 1984 continued the tradition of picnics, in addition to raising funds for AIDS research. The summer of that year, hundreds of LGBTQ+ Hoosiers met at Monument Circle to socialize, listen to local activists, learn about their rights, and register to vote.
While organizers were careful to note that this was not a protest or demonstration, it was the first large public gathering of queer individuals in the state. Their goal was to increase visibility for the community, hoping the show of solidarity would lead to a decrease in police harassment and increased commitment to solving the murders of LGBTQ+ individuals. Mayor Bill Hudnut reluctantly issued a letter that was read at one of the gatherings, declaring a commitment to “an absence of anti-gay bias in all police matters.” According to a June 1985 The Works article, this marked “the first time any Mayor of Indianapolis has made any positive public pronouncement on gays in Indianapolis.” Although relations between police and elected officials and queer Hoosiers would remain relatively fraught, the Works considered the 1984 gatherings a success, writing that the events:
will go down in the gay history of Indiana as the first time gays in this state have exercised their Constitutional right to freedom of public assembly. Gays and lesbians exercised this Constitutional right in no less a place than the Monument Circle area of Indianapolis in full view of many Indianapolis citizens who came to see what gays had to say.
After the 1984 gatherings, which some dubbed “Gay Knights on the Circle,” Pride Week celebrations remained relatively private until 1990. That year, the twentieth anniversary of NYC’s first Pride Week, Indiana activists felt ready to celebrate publicly. Organized primarily by Justice, Inc.’s Ruth Peters, the New Works News noted that the June event would “provide an opportunity for gays and lesbians to increase their political and community awareness and visibility. Having the event on the Circle will provide both an educational and enjoyable atmosphere for the Indianapolis community at large to enjoy the speakers and entertainers.”
Some Hoosiers, like Drew Carey, feared making themselves vulnerable by attending the state’s first large outdoor Pride event. Nevertheless, he felt his presence was important, writing in an editorial reprinted in the New Works June 1990 issue:
I can’t tell you how much this intimidates me. I have never made such an open stand. But I’m going to be there, stomach in knots and all, because there is nothing so vitally important. . . . If we make excuses for not going, we manifest the internalized homophobia that will continue to keep us on the fringe, where society need not even recognize that we exist. We say to ourselves, to friends, to family, and to society, ‘I’m ashamed; I’m embarrassed about what I am. Your stereotypes about gays and lesbians are right.’
Those who turned out for the unprecedented event enjoyed entertainment like drag shows, learned about gay rights legislation, listened to AIDS activists, and interacted with those manning booths for the Indiana Crossdresser Society (IXE), Indiana Youth Group, Damien Center, Act-Up Indy, Marion County Health Department Condom Contest, and Indiana Pro-Choice Action League.
Despite the presence of protesters, the event empowered attendees, challenged social stigmas, and welcomed a range of sexual and gender expressions. The New Works News editor reflected in August, “As I looked around me . . . I had but one thought: this is what a city is supposed to be like-alive, vibrant, filled with productive, enjoyable activity.” Carmen Kruer had a similar sentiment, writing in an editorial for the same issue that for the first time the community could:
socialize publicly with minimal fear of harassment and was also able to feel the strength that its numbers can provide. I was very proud to be a part of the lesbian and gay community as it drew together to support one goal – the attainment of a safe environment for all persons regardless of their sexual orientation, race, creed, or gender. I will always remember this day as I anticipate the next public celebration in Indiana.
With the event’s success, organizations like Justice, Inc. pushed to keep the momentum going through donations and activism. One writer for the New Works News wrote in July that the “Celebration on the Circle” was only the beginning, contending that “The Gay Civil Rights movement is at a critical point in its development. Much has been accomplished, but there is still much of a negative nature which must be overcome both within ourselves and in the public in general. . . . It’s up to us.”
In the ensuing years, Justice, Inc. and Indy Pride helped grow the event and by 2012 an estimated 80,000 people and 300 vendor booths attended the celebration. According to Indy Pride, the Cadillac Barbie Pride Parade “featured a float, an antique truck, a few drag queens, some antique cars, and several walking groups,” becoming a cornerstone of celebrations. Of the annual event’s significance, Indy Pride noted “In the years since Pride first ‘came out of the closet,’ the exposure has created a massive change in the society of the city of Indianapolis and the state of Indiana. The battle is not won until everyone is equal but the Indy Pride Festival and the Indy Pride Parade are Indiana’s symbol of a growing acceptance in our cultures.”
As with most efforts to secure civil rights, progress for the queer community in the city known for its “Polite Protest” and “Hoosier Hospitality” occurred in fits and spurts. The 2014 legalization of gay marriage and the 2015 enactment of the Religious Freedom Restoration Act exemplifies this duality. As of 2021, organizations like the Indiana Youth Group and Indy Pride continue to provide resources and press for equal protection under the law.
* Sources used to write this post can be found here.
Learn about the following Indiana LGBTQ+ history topics:
Indianapolis News, March 3, 1917, 28, accessed Newspapers.com.
As John H. Holliday strolled through Indianapolis’s Hungarian Quarter, he observed windows caked with grime, street corners lined with rubbish, and the toothy grin of fences whose boards had been pried off and used for fuel. While reporting on the nearby “Kingan District,” Holliday watched plumes of smoke cling to the meat packing plant, for which the area was named. The philanthropist and businessman noted that in the district “boards take the place of window-panes, doors are without knobs and locks, large holes are in the floors, and the filthy walls are minus much of the plastering.”[1] Houses swollen with residents threatened outbreaks of typhoid fever and tuberculosis.
Those unfortunate enough to live in these conditions were primarily men from Romania, Serbia, Macedonia, and Hungary who hoped to provide a better life for family still living in the “Old World.”[2] Alarmed by what he witnessed, Holliday published his report “The Life of Our Foreign Population” around 1908. He hoped to raise awareness about the neighborhoods’ dilapidation, which, in his opinion, had been wrought by landlords’ rent gouging, the city’s failure to provide sanitation and plumbing, and immigrants’ inherent slovenliness (a common prejudice at the time). Holliday feared that disease and overcrowding in immigrant neighborhoods could spill into other Indianapolis communities.[3] Perhaps a bigger threat to contain was the immigrants’ susceptibility to political radicalism, given the squalor in which they had been reduced to living. Holliday wrote, “If permitted to live in the present manner, they will be bad citizens.”[4]
Dan and Mary Simon’s Romanian parents settled in Indiana Harbor, ca 1915, Jane Ammeson Collection, Indiana Album.
Motivated by a desire to both aid and control immigrants, a coalition of local businessmen-including Holliday-philanthropists, and city officials formed the Immigrant Aid Association in 1911.[5] Later that year, the association established the Foreign House on 617 West Pearl Street, which provided newcomers with social services like child care and communal baths, but also worked to assimilate and “Americanize” them. The Foreign House reflected the dual purposes of immigrant settlements in this period: what historian Ruth Hutchinson Crocker called “a mixture of protection and coercion.”
The first week of April 1908 was one of discord for northern Indiana. Hundreds of immigrant laborers stormed the Lake County Superior Court, “crying for bread” after the closing of Calumet Region mills. In Hammond, armed immigrants drilled together, causing police to fear the emergence of a riot. In neighboring Indiana Harbor, masses of desperate immigrants, many living in destitution, thronged the streets in search of employment. Blood spilled in Syracuse, when Hungarian laborers stabbed Sandusky Portland Cement Co. employee Bert Cripe. Apparently this was retribution for local employers’ refusal to hire Romanians, Hungarians, and “other laborers of the same class.” The stabbing set off a sequence of street fights between immigrants and locals, and resulted in the bombing of a hotel where laborers stayed. The Indianapolis News reported that the explosion “wrecked a portion of the building, shattered many windows, and not only terrified the occupants, but also the citizens of the town and country.”[6]
These alarming events made an impression on a nameless employee at Indianapolis’s Foreign House, who referenced the Indianapolis News article in the margin of a ledger three years after the foment.[7] The employee seemed acutely aware of the potential for unrest if the basic needs of Indianapolis’s estimated 20,000 immigrants went unmet.[8]
South Bend Tribune, January 5, 1911, 3, accessed Newspapers.com.
According to Crocker, by 1910, 80% of Indianapolis’s newcomers had originated from Romania, Serbia, and Macedonia. Many of those who had recently settled in the Hoosier capital had migrated from Detroit, Kentucky, and Chicago, in search of jobs.[9] Many Americans viewed such immigrants with derision, believing, as Holliday did, that they “‘differ greatly in enterprise and intelligence from the average American citizen. They possess little pride in their personal appearance and live in dirt and squalor.'”[10] The 1911 Dillingham Commission Reports, funded by Congress to justify restrictive immigration policies, was designed to validate these beliefs. Using various studies and eugenics reports, the commission “scientifically” concluded that Eastern and Southern Europeans were incapable of assimilating and thereby diluted American society.[11]
Reflecting the Report’s conclusions, a 1911 South Bend Tribune piece noted urgently, “A big portion of the immigrants are undesirable—very undesirable. . . . Markthis. If we don’t begin to really exclude undesirable immigration, the Anglo-Saxon in this Government will be submerged.” Its author continued that these “undesirables” would “soon become voters. Men who need votes see to that.”[12] The founders of Indianapolis’s Foreign House hoped to bring together various nationalities, as their isolation made them a “political and cultural menace.”[13]
Indianapolis Star, December 15, 1929, 75.
In fact, the House’s very foundations belied the American ideals of business philanthropy and civic volunteerism. Kingan & Co. essentially donated the settlement’s structure, the local community funded citizenship classes, and work was furnished partly through “personal subscriptions and the assistance of teachers who have volunteered their services.”[14] The settlement house would be modeled after YMCAs, offering baths, “reading and smoking rooms,” a health clinic, and night classes in which patrons could learn English.[15] Additionally, civics courses and an information bureau, where “all the dialects of the foreign population will be spoken,” helped immigrants understand American laws and navigate the citizenship process.
These classes were crucial, as ignorance about American customs resulted in many newcomers placing their money and trust in corner saloons, whose owners often mismanaged or pocketed the funds. Immigrant Aid Association officers hoped that “opportunities for grafting and theft among the gullible class of foreigners will be reduced when the settlement house is in working order.”[16] An understanding of the English language and the legal system could also help challenge the stereotype that immigrants were criminals because most offenses were committed due to their “ignorance of the law.”[17] Furthermore, the Star noted in 1914 that, according to those in charge, classes about American government “have given the students an increased earning capacity and have been of great benefit in fitting them for work in this country.”[18]
Questions about their intellectual aptitude persisted, as noted by the Indianapolis Star‘s 1915 observation of immigrants in night school: “It is an interesting sight to watch the swarthy men bending over their books and making awkward attempts to follow the pronunciation of their teachers.” Despite such evaluations, it is clear than many immigrants were grateful for the quality of education afforded in America. As relayed by an interpreter and printed pejoratively in the Indianapolis Star, a young Macedonian man who had recently arrived to Indianapolis “says he thankful most for the education he is gettin’ in America. He wants to bring father and mother here to free country.”[19]
Indianapolis News, February 21, 1916, 16, accessed Newspapers.com.
While the Foreign House introduced men to American cultural and political norms through these courses, immigrant women were indoctrinated through home visits by Foreign House staff.[20] Ellen Hanes, resident secretary of the organization, made 2,714 trips to women’s homes in 1913, “teaching the care of children and teaching domestic economy as practiced by American housewives.”[21] Historian Ruth Hutchinson Crocker contended that such services:
were the medium for teaching ‘correct’ ideas about a variety of subjects, from the meaning of citizenship to the best way to cook potatoes; thus they always involved the abandonment by immigrant women of traditional ways of doing things.[22]
Indianapolis News, March 3, 1915, 3, accessed Newspapers.com.
In addition to providing instruction about American customs, the House offered a space for fellowship and recreation. Likely feeling isolated in their new country, immigrants could socialize there and enjoy musical programs, as well as literary clubs with fellow newcomers. They could don costumes from their homeland, often “rich and heavy with gold and embroidery,” and perform folk dances and native music. Conversely, much of the entertainment centered around American patriotism, like a program for George Washington’s birthday, in which men dressed like the first president and women the first lady. The Indianapolis Star noted, “Probably at no place in Indianapolis are holidays celebrated more earnestly.”[23] Crocker contended that this blended programming “showed the settlement in the dual role of Americanizer and preserver of immigrant culture.”[24]
Recreational opportunities also lowered the possibility that immigrants would become a societal “liability.” One man who dropped by the house said, “‘We used play poker and go saloon and dance when we come Indianapolis. . . but now we read home books in our library, read English, do athletes, play music and do like Americans.'”[25]
Sidney Joseph Greene, Newman Library, CUNY, accessed Wikipedia.
America’s entry into World War I in 1917 intensified suspicion of immigrants and spurred questions about their loyalty. This hostility impacted foreign institutions like Indianapolis’s German-language paper, the Täglicher Telegraph und Tribüne, which, despite trying to present balanced war coverage, ceased publication by 1918. In the years following World War I, the Foreign House was “practically abandoned,” perhaps another victim of xenophobia surfacing from the war’s wake. The emerging nationalist impulse likely accounted for the organization’s name change.[26] The Foreign House became the American Settlement House in 1923, when the organization merged with the Cosmopolitan Mission and moved to 511 Maryland Street (where the Indiana Convention Center now sits).[27]
Post-war labor strikes, anarchists’ bombing of American leaders, and fears that Eastern European immigrants would replicate the 1917 Bolshevik Revolution increased suspicion of and reduced support for immigrants. It also helped inspire the 1924 Immigration Act, which set an annual immigrant quota of 150,000 and drastically curtailed admittance of people from “undesirable” countries.[28] A sense of isolation must have intensified for Indianapolis’s immigrants, now deprived of the settlement house’s resources and contending with renewed nativism. That is until Mary Rigg, a young, idealistic social worker was put in command of the American Settlement House in 1923. While conducting research for her thesis about the settlement, Rigg developed an affinity and deep empathy for its visitors. She began to envision a robust image of their future. With the assistance of the House, immigrant neighborhoods blossomed with colorful flowerbeds, giggling children shimmied up gleaming jungle gyms, and neighbors shared the bounties of a communal garden.
The goal would not simply be to help newcomers find employment, obtain citizenship papers, or avoid disease, but to experience, as Rigg stated, “true neighborliness,” where they “could play the game of daily living together in peace and harmony.” Rigg would be chief architect of this idyllic vision, in which immigrants could taste the fruits of capitalism, while embracing their native customs, language, and dress. After all, she believed that living “in a country in which we have the privilege of climbing higher” applied to its immigrants and that it was the settlement’s responsibility to help them ascend its steps. [29]
* Read Part II to learn how “Mother” Mary helped engineer a vibrant urban community and hear from those who thrived in it.
Sources:
*All newspapers were accessed via Newspapers.com.
[1] Sarah Wagner, “From Settlement House to Slum Clearance: Social Reform in an Immigrant Neighborhood,” 1-4 in 1911-2001: Mary Rigg Neighborhood Center, 90 Years of Service, given to the author by Mary Rigg Neighborhood Center staff.
[2] Ruth Hutchinson Crocker, Social Work and Social Order: The Settlement Movement in Two Industrial Cities, 1889-1930 (Urbana: University of Illinois Press, 1992), 47.
[3] Wagner, 2-6.
[4] Crocker, 49.
[5] “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.
[6] “Foreigners Clamoring for Something to Eat,” Indianapolis News, April 8, 1908, 8.; “Riot at Syracuse Ends without Loss of Life,” Indianapolis News, April 8, 1908, 8.
[12] “The Latin Will Overcome the Anglo-Saxon in this Country in a Few Year,” South Bend Tribune, January 5, 1911, 3.
[13] Crocker, 48.
[14] Wagner, 6.; Indianapolis Star, February 21, 1915, 3.; “Library Orders Foreign Works,” Indianapolis Star, April 19, 1914, 51.; Quotation from “Members of Civic League Criticise [sic] School Board in Not Giving Assistance,” Indianapolis Star, January 7, 1913, 9.
[15] “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.
[16] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.; “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.; “Members of Civic League Criticise [sic] School Board in Not Giving Assistance,” Indianapolis Star, January 7, 1913, 9.
[17] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.
[18] “Scope of Night Schools for Foreigners Broadened,” Indianapolis Star, August 13, 1914, 16.
[19] “Thankful to be Free,” Indianapolis Star, December 1, 1911, 8.; Indianapolis Star, February 21, 1915, 3.
[20] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.
[21]Indianapolis Star, September 13, 1914, 38.
[22] Crocker, 59.
[23] Indianapolis Star, February 21, 1915, 3.; “School Popular with Foreigners,” Indianapolis Star, September 13, 1914, 38.
[24] Crocker, 58.
[25]Indianapolis Star, September 13, 1914, 38.; “School Popular with Foreigners,” Indianapolis Star, September 13, 1914, 38.
[26] Crocker, 60.; German Newspapers’ Demise historical marker, courtesy of the Indiana Historical Bureau.; “Xenophobia: Closing the Door,” The Pluralism Project, Harvard University, accessed pluralism.org.
[27] Crocker, 60-61.; Wagner, 7-8.
[28] “Sacco & Vanzetti: The Red Scare of 1919-1920,” accessed Mass.gov.; “The Immigration Act of 1924,” Historical Highlights, History, Art & Archives: United States House of Representatives, accessed history.house.gov.; David E. Hamilton, “The Red Scare and Civil Liberties,” accessed Bill of Rights Institute.
[29] Crocker, 60-65.; Master’s thesis, Mary Rigg, A.B., “A Survey of the Foreigners in the American Settlement District of Indianapolis,” (Indiana University, 1925), Mary Rigg Neighborhood Center Records.; Bertha Scott, “Mary Rigg Busier Since ‘Retirement,'” Indianapolis News, November 3, 1961, 22.; Laura A. Smith, “Garden and Home First Wish of New Americans,” Indianapolis Star, July 6, 1924, 36.; Letter, Mary Rigg, Executive Director, Southwest Social Centre to Mr. Joseph Bright, President, City Council, May 15, 1953, Mary Rigg Neighborhood Center Records.
