Henry Victor: The Father of the South Side Turnverein

On January 11, 1898, a special meeting occurred of the South Side Turnverein, one of Indianapolis’ premier social clubs for German Americans. It was the sixtieth birthday of the organization’s president, Henry Victor. The group heaped “tokens of esteem” on their beloved leader, according to the Indianapolis Journal, which further wrote, “the occasion had the effect of bringing Mr. Victor to tears.” The esteem afforded to Victor was no faint praise; in many respects, he was the main reason the South Side Turnverein met that night, and many others, at all.

Indianapolis Journal, January 12, 1898. Hoosier State Chronicles.

Only a few years earlier, previous leadership had barely gotten the organization off the ground. It wasn’t until Henry Victor took over in 1894 that the South Side Turnverein expanded and flourished, providing its members with athletic activities, social functions, and cultural events. Years later in a glowing article, the Journal noted Victor’s work for the organization, calling him the “‘Father’ of the South Side Turnverein” and writing, “to Henry Victor is due the success the club has attained.”

A German immigrant with a passion of business, Victor epitomized the promise that America held for so many newcomers in the mid-to-late nineteenth century. His successful management of Mozart Hall, one for Indianapolis’s top bars and restaurants, the growth of the South Side Turnverein, and his involvement in numerous civic organizations spoke to his energy and talent for bringing people together to build vibrant communities. As such, the impact he left on the people he served, both at his businesses and with his leadership, provides us with a compelling example of the German American experience in Indiana.

Indianapolis Journal, April 21 1904. Hoosier State Chronicles.

Victor was born on January 11, 1838, in Pommern, Germany, which today sits between Eastern Poland and Western Germany. He lived in Europe for most of his life, becoming “a successful businessman, dealing in silks and dress goods, [and] was also connected with a private bank and was worth considerable money,” noted the Indianapolis News. He likely immigrated to the United States and moved to Indianapolis sometime between 1887 and 1891, as a relatively older man. What would spur a successful businessman in his native land to come to the U.S.? Like a major reversal of fortune. As the News added, “he was stricken with an affliction of the eyes which threatened him with total blindness. He was taken to a hospital, where he remained for several months, during which time losses occurred in his business, and he left Germany practically a broken man.” Like so many who left for the shores of America during that age, he left to restart, and hopefully improve, his life.

Map of Pommern, 1849. Geographicus Rare Antique Maps.

Once in Indianapolis, he got involved in the brewery business, working as a collector for the Terre Haute Brewing Company, which led to his entry into the saloon business. It was in this field that he made his name in the Circle City, with his management of Mozart Hall. In 1892, Victor took over as manager of the decades-old Indianapolis bar and restaurant at 37 South Delaware Street. It didn’t take long for the press to sing his praises. The Indianapolis Journal wrote, “Mr. Victor is one of those whole souled persons who makes friends with everyone he meets, and will not lack in entertaining his customers in that inimitable way he was in conferring with his fellow citizens.” Of Mozart Hall, the article further noted that “none will find a more congenial place in the city to spend a few minutes to pass away the idle moments of the day.”

Indianapolis Journal, May 13, 1892. Hoosier State Chronicles.

Upon assuming management of Mozart Hall, Victor placed ads in Indianapolis’s premier German-language newspaper, the Indiana Tribüne, which described for his community what patrons could expect.

The ad read, roughly translated:

Mozart Hall!

Henry Victor.

The biggest, prettiest and oldest beer-style eatery in town. The spacious and beautifully furnished hall is available for clubs, lodges and private individuals to hold balls, concerts and meetings under liberal conditions.

As the ad declared, Mozart Hall not only served individual customers, but became a meeting place for many organizations, such as unions and benevolent associations. In today’s language, Mozart Hall would be called a “maker space,” a congenial, well-furnished building for work, philanthropy, and entertainment.

Indiana Tribüne, March 18, 1892. Hoosier State Chronicles.

When he wasn’t hosting civil society, Henry Victor actively participated in it. In 1894, he served as the secretary of the Indiana Liquor Dealer’s Association, which met at Mozart Hall. The association advocated policies they believed would “clean up” the liquor business, including regulations on liquor licenses. As the Indianapolis News reported, “a feeling is growing that only decent people should be granted liquor licenses, and that a protest will be entered against granting liquor licenses to ex-convicts, gamblers, violators of the law, and immoral characters.” Additionally, Victor advocated for policies that would make it easier for breweries to start up and provide its product to local businesses, something that clearly benefitted the German immigrant community he was a part of.

However, his involvement in organizations didn’t always go smoothly. In 1895, he very publicly resigned from the Saloon Keeper’s Union, over disagreements about the implementation of a new liquor law, called the “Nicholson Law,” which placed limitations on gambling, saloons, and underage drinking. Before the national experiment of Prohibition, many state and local laws were implemented in the late Nineteenth and early Twentieth centuries, as a way to control the ill effects of the liquor trade. However, fierce debates ensued as to how these laws should be followed. In his resignation letter, Victor argued that he was in favor of following these laws and challenging his critics. He wrote:

Many of you members have seen fit to criticize myself and others who have constantly labored for the interest and elevation of the retail trade; and such criticisms have practically gone in public print, and I do not want to be further annoyed this way as in the past, so I will in the future use what influence I possibly have to elevate and regulate the retail business according to my own way.

Former union colleague William G. Weiss, in the Indianapolis Journal, shot back at Victor, arguing that he withdrew because “Mr. Victor is not in sympathy with the union in regard to obeying the law.” Who was right? In the murky territory of pre-Prohibition liquor law, it was often difficult to effectively determine the letter of the law, which led to fierce debates like Victor’s with the Saloon Union. Nevertheless, Victor successfully ran Mozart Hall for many years, earning a reputation as an honest and friendly businessman.

Henry Victor’s notice of his departure from Mozart Hall, Indianapolis News, May 3, 1900. Hoosier State Chronicles.

As his stature in the community grew, so did his involvement in a variety of organizations, the most important of which was the South Side Turnverein. Turnvereins, or Turner Clubs, were a mainstay of German American life during the late Nineteenth and early Twentieth centuries. Founded on the principle of “sound body and mind,” the Turnverein movement was spearheaded by German educator Friedrich Ludwig Jahn, who believed physical exercise and cultural activities led to a healthy life. The South Side Turnverein in Indianapolis, founded on September 24, 1893, began as an offshoot of another organization when about 200 German Americans left the Socialer Turnverein to form their own gymnastics club on the south side. During its first few months, the South Side Turnverein and its members experienced challenges growing the group. That all changed when the membership elected Henry Victor as President, or “First Speaker,” of the organization in September of 1894. He threw himself into the role, rapidly expanding the club’s memberships and activities.

A page of the South Side Turnverein minutes, September 1894. It shows Victor’s election to “First Speaker,” or President of the organization. Indiana State Library Manuscripts Collection, Indiana Memory.

As the Indianapolis Journal wrote of Victor:

Mr. Victor took charge of the work in the spring of 1894, when all efforts to complete the organization and make it a success had failed, and at a time when those supporting the society were losing faith in the undertaking. The enthusiasm and the effectiveness with which he assumed control of the work inspired those interested, and at once new life was put into the organization, and in less than a year a membership of had been secured.

In the next few years, the South Side Turnverein participated in a wide variety of athletic and cultural events. In 1894 alone, the Turnverein hosted a “gymnastic entertainment” at English’s Opera House, produced a “two-act play” called “He Lost His Gloves,” and participated in Indianapolis “Wald-Fest” or “forest festival.” The club was also heavily involved in the larger German community, supporting other Turnvereins and social clubs. In 1898, members of the South Side Turnverein attended a “kommers,” or “students’ entertainment” at the newly opened German House in Indianapolis and some of its members served on the leadership committee of the North American Turnerbund, which decided to move its national headquarters from St. Louis to Indianapolis. Leading by example, Victor’s energy and dedication to the club galvanized the South Side Turnverein and its members.

Indianapolis South Side Turnverein Men’s Class. Victor is the second man standing from the left. Indianapolis South Side Turners Collection, IUPUI University Library, Special Collections and Archives.

Arguably his greatest accomplishment as South Side Turnverein president was overseeing the building of its hall, serving as one of the South Side Turnverein Hall Association’s directors. Leading such a large financial endeavor proved natural to Victor, as his experience with Mozart Hall as well as the German Mutual Insurance Company prepared him for the task. Plans to build the hall started on February 20, 1900, when the South Side Turnverein decided to purchase 150 feet of property on Prospect Street at a cost of $5,000. On March 7, Victor and others filed articles of incorporation for the South Side Turnverein Hall Association, whose charge was to “purchase real estate and to sell the same and particularly to construct and erect for the South Side Turnverein a suitable gymnasium.”

The Association chose Vonnegut & Bohn, one of Indianapolis’s best architecture firms, to design and build their hall, and by June 1900, the Association held the groundbreaking ceremony. Victor, the man responsible for so much of the organization’s success, “dug the first spade of full of dirt and in his speech wished the building progress,” according to the Indianapolis Journal. An illustration of the prospective building appeared in the Indianapolis News on June 7, 1900, with further details on its facilities:

The interior will be arranged with all the appointments of a modern club house. The basement, which will be a full story in hight [sic], will contain the kneipe [bar], bowling alleys, dining-room, women’s parlor, women’s and men’s dressing rooms and shower baths. The main floor will be almost entirely taken up by the large hall, which is also to be used as a gymnasium. This hall will seat, together with gallery, about 700 people. At the east end of the hall there will be a large and well equipped stage. Stretching along the other end of the hall will be a large foyer, with stairways leading to the basement and gallery.

After months of intense work, the South Side Turnverein Hall was completed, and on December 2, the club opened its hall to the public, on the organization’s eight-year anniversary. “In the afternoon the new building was thrown open to the public,” the News reported, “and it was inspected by a large number of visitors.”

South Side Turnverein Hall in the Journal Handbook of Indianapolis by Max Robinson Hyman, 1902. Google Books.

The South Side Turnverein formally dedicated its new hall on January 20, 1901, with 3,000 people in attendance. Victor christened the new building along with Fred Mark, chairman of the building committee, Herman Lieber, president of the North American Turnerbund, and Charles E. Emmerich, superintendent of the Manual Training School, among others. The building and grounds had a cumulative cost of $25,000, raised through its members by the association. A banquet for around 400 people was held the night after the dedication, with the News writing, “Henry Victor, as master of ceremonies, welcomed the representatives of the various German societies at the ‘kommers,’ [or students’ entertainment] with which the South Side Turnverein last night closed the dedicatory services of its new hall. Many women were among the 400 guests and the evening was enjoyable.” In only a a few years, Henry Victor transformed the South Side Turnverein from a small but promising organization into one of Indianapolis’ leading social clubs for the German American community.

Indianapolis News, January 15, 1902. Hoosier State Chronicles.

The membership of the South Side Turnverein reelected Henry Victor to President many times and he continued to serve with distinction until 1905. However, towards the end of this life, he shifted gears to help organize a singing society. A long-time singer with the Fourth Christian Church with a “good voice,” as described by the Indianapolis News, Victor helped incorporate the “The Suedsite Liedertafel,” or “South Side Singing Society” in 1910. He served as the president and the organization performed regularly at the South Side Turnverein. Boasting over 200 members and nearly fifty active members, the organization maintained a men’s chorus, a women’s chorus, and a children’s chorus. The society served as more than just an outlet for those who loved to sing; it also wanted to preserve German culture. As the News reported, “in addition to the singing, the society endeavors to conserve a correct use of the German language.”

Unfortunately, his work with the South Side Singing Society was tragically cut short when he died on September 24, 1910, after a week in the hospital following a stroke. Many German American societies attended his funeral at the South Side Turnverein Hall, and some sang music in tribute, something he likely would have appreciated. The Indianapolis Star wrote in his obituary that “Mr. Victor was interested in the South Side Turnverein and the flourishing condition of the society is attributed largely to his efforts.” In addition to the South Side Turnverein, he belonged to the Columbia Lodge, the Knights of Pythias, and the German Heritage Society, to name a few. Newspaper accounts noted that he was a “marked personality among Germans of city” and “a man of mystery, and it was not known what were his family relations previous to coming to this city [Indianapolis].” He left behind a $60,000 estate, a testament to his acumen for business.

Indianapolis Star, September 25, 1910. Newspapers.com.

The life of Henry Victor is but one extraordinary story among the annals of the German American experience in Indiana. A man whose former home left him nearly destitute, he set out for the United States to build a better life, and his decades in Indianapolis served as a prime example of his ability and devotion to the community he called his own. From his successful management of Mozart Hall to his trailblazing leadership of the South Side Turnverein, Victor left a large impression wherever he went in Indianapolis, gaining a reputation for hard work and honest entrepreneurialism. He also dedicated himself to the preservation of German culture through his South Side Singing Society, another fruitful organization he helped found merely months away from his death. In all that he was, Henry Victor personified not only German Americans, but German Hoosiers, an immigrant community that profoundly shaped the history of the State of Indiana.

Henry Victor (center) with colleagues in the Indianapolis South Side Turnverein Men’s Class. Indianapolis South Side Turners Collection, IUPUI University Library, Special Collections and Archives.

The Love Story That Built St. Mary Catholic Church

Tony Valainis, St. Mary’s Catholic Church, 2008, IUPUI Image Collection, accessed Indiana Memory.

St. Mary Catholic Church is an architectural gem. Its gothic towers help define the downtown Indianapolis skyline, while its bells call the faithful to worship. For its congregation certainly, but also for those dining and shopping in the Mass. Ave. Cultural District, the cathedral provides a moment of stately beauty in the urban landscape. But St. Mary’s is more than an elegant building. It is a love story—one set into motion by a kind matchmaking priest.

Hermann Joseph Gaul, n.d., personal collection of Lisa Dillman Wright, accessed AncestryLibrary.com

Herman (also spelled Hermann) J. Gaul was born in Germany in 1869 and immigrated to the United States in the late 1880s.[1] He was a devoted Catholic who loved the architecture of Germany’s churches, especially the Cathedral of Cologne. From an early age, he aimed to bring this gothic vision to the Midwest. In the early 1890s, he began an apprenticeship with the renowned Chicago architect Louis Sullivan.[2] In 1891, Sullivan’s Chicago firm sent Gaul to Indianapolis for several months to supervise the building of a new plant for the Home Brewing Company.[3]

Home Brewing Company Brew-House, 1900-1910, Ray Hinz Collection, courtesy of Indiana Album, accessed Indiana Memory.

The beer company incorporated in the summer of 1891 with $200,000 in stocks from notable residents. Construction, at a cost of $70,000, began soon after. The company was influential enough to garner city permission to construct a switch that would allow shipping via railroad right out of its backyard—not without some objection over this “bow to the brewers” from temperance factions in the city. The Home Brewing Company began operations early in 1892 and was a huge financial success.[4]

Indiana Tribüne, July 24, 1892, 8, accessed Hoosier State Chronicles.

For the local business community, this ambitious and visible project made Gaul a young architect to watch. For the ladies of Indianapolis’s German Catholic community, it would have made him a fetching romantic prospect. And luckily for Gaul, the 1890s were actually a great time to fall in love.

Romance Card, 1912, Greeting Car Collection, Vigo County Historical Society, accessed Indiana Memory.

In previous eras, women’s labor was necessary for a couple’s survival and a man seeking a wife looked for someone who would make an economic contribution to the farm or family business—regardless of his personal feelings for her. On the flip side, a young woman’s family would make a similar financially-minded decision, using her to link two families together to build wealth — regardless of the bride’s feelings for her groom. Of course, financial concerns never disappeared from matchmaking, but by the eighteenth century, love became more central to a match, and romantic marriage became more common.

Nineteenth century conventions placed more emphasis on the husband as breadwinner and wife as homemaker. And while this social construct had some serious political and economic disadvantages for women, it did allow for the consideration of romantic love in choosing one’s spouse. [5] Gaul’s luck at being born in this period and his dedication to his faith soon led to his own romantic match.

Anthony Scheideler, German-Language Family Bible, 1830-1885, Indiana State Library Genealogy Collection, accessed Indiana State Library Digital Collections.

When he arrived in Indianapolis in 1891, Gaul knew that he wanted to stay in the home of a respectable German Catholic family as opposed to a hotel or boarding house. He was also eager to find a spiritual home. He looked to St. Mary, the heart of the German Catholic community, located at that time on Maryland Street. Indianapolis German Catholics and regional Catholic leadership had organized this church for German-speaking congregants in the 1850s. In addition to serving the community’s spiritual needs, St. Mary was also the cultural hub for the local German immigrant community, hosting concerts, theatrical performances, and festivals featuring traditional German food and entertainment.[6]

Rev. Scheideler, Indianapolis News, October 11, 1918, 18, accessed Hoosier State Chronicles.

Gaul’s first stop in his new city was the home of Father Anthony Scheideler, pastor at St. Mary since 1874. Father Scheideler knew his congregants well. So when Gaul asked him to recommend a nice family who might take him in as a boarder and who lived near the Home Brewing Company construction site, Scheideler immediately had the right fit: the Seiter family. They were also of German origin and described by Scheideler as “one of the best families in my parish.”[7] Christopher Seiter, the patriarch, owned a saloon, while his wife, Cecelia, took care of the home and their children. In his two months with the Seiters, the young architect fell in love with their daughter, Mary, who was about sixteen years old, seven years younger than Gaul. He was smitten but would have to be patient for several more years. With a smile on his face that the pastor remembered decades later, Gaul told Father Scheideler:

I am going back to Chicago, but I shall return soon. I have found the oldest daughter of Mr. Seiter very interesting.[8]

Father Scheideler was pleased with the match. It’s not clear how often Gaul returned to visit Mary or if they stayed in touch mainly by mail, but he kept his promise to return. On April 22, 1896, Father Scheideler officiated the wedding of Herman Gaul and Mary Seiter at St. Mary Catholic Church.[9]

“Personal and Society,” Indianapolis Journal, April 14, 1896, 3, accessed Hoosier State Chronicles.

On his wedding day, Gaul thanked the pastor for connecting him “to such an estimable family” and told him he would never forget his kindness. He vowed:

If you ever build a new church, Father Scheideler, I will be the architect.[10]

It seemed like the kind of lofty promise a young man would make on an emotional day, and the pastor “laughed and thanked the enthusiastic young architect but gave no further thought to his promise.”[11]

R.W.R. Capes, Sacred Heart Church, n.d., architect: Herman J. Gaul, Building a Nation: Indiana Limestone Photograph Collection, Indiana University Bloomington, accessed Indiana Memory.

Gaul and his new wife moved to Chicago. He opened his own architecture firm and grew his career over the following decade, building a half dozen churches as well as schools, orphanages, and hospitals for German institutions around the Midwest. One major commission, St. Nicholas Church in Evanston, Illinois, stood proudly on an elevated site with “romantic ambience.”[12]

Over the following years, Herman and Mary Gaul welcomed seven children. Unsurprisingly, Mary’s name doesn’t appear in newspapers outside of a real estate transfer (along with Herman’s name). She seems to have been busy taking care of her large family with little time to lead a literary or church club that would have landed her coverage in newspapers. But we can assume their marriage was a happy one, since Gaul still felt inspired by it to fulfill the promise he made in Indianapolis.[13]

Turn Verein Eiche, n.d., American Turners Local Societies Collection, IUPUI Digital Collections, accessed Indiana Memory.

Meanwhile in the Circle City, the German immigrant population continued to grow, as did the congregation of St. Mary Catholic Church. Father Scheideler knew he would soon need a bigger building. In 1906, the pastorate purchased land at the intersection of Vermont and New Jersey as a future investment with “no thought of building immediately entertained.”[14] Nonetheless, local newspapers printed news of the transfer.

Sanborn Insurance Maps of Indianapolis, Vol. 1, 1914, Library of Congress, accessed Historical Information Gatherers via Indiana State Library.

Father Scheideler may have “practically forgot Herman Gaul and his promise to draw the plans for a new St. Mary’s,” but Gaul had not forgotten. When the architect read about the new St. Mary property in the newspaper, he quickly left for Indianapolis. Father Sheideler opened his door and there was Gaul, again wearing that memorable smile. The architect said, “I have come to make good my promise to draw plans for a new St. Mary’s.” Father Sheideler told him that unfortunately they did not yet have the funding to build, but Gaul was undeterred. He replied, “Well, I am going to draw the plans anyhow, true to my word.”[15]

James Palik, Cologne Cathedral, Germany, photograph, n.d., UNESCO World Heritage Centre, accessed https://whc.unesco.org/en/list/292/.

The two men spent hours chatting and catching up and soon discovered that they were both born near the Cathedral of Cologne in Germany. Gaul shared that he had dreamed of building a church like it since he was a boy—a building that would “bear the stamp of its beauty.” Father Sheideler doubted that such a feat was possible but the architect said simply, “Well, we shall try.”[16]

Several months later the driver of an express wagon arrived at the pastor’s door bearing a large package: Gaul’s plan for “a miniature cathedral of Cologne” in Indianapolis. Father Scheideler shared the plans with leading St. Mary congregants and “Herman Gaul’s dream for a new St. Mary’s spread through the parish.”[17]

Indianapolis News, September 9, 1912, 11, accessed Newspapers.com.

In spring 1910, clergy and parishioners, assisted by hundreds of Catholic school children, broke ground on a new location for St. Mary’s at Vermont and New Jersey Streets.[18] That fall, the congregation laid the cornerstone.[19] By July 1912, the new building was complete. The Indianapolis News ran a feature on its architecture with the headline: “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge to Plan for the St. Mary’s Parish a Miniature Cathedral of Cologne.”[20]

Indianapolis News, July 6, 1912, accessed Newspapers.com.

While we don’t have a record of Herman’s love for his wife Mary in letters or diaries, we see their love reflected in his tribute to her and to his faith. Recorded for posterity in the architecture of St. Mary is one German immigrant’s joy at finding a partner to share his Catholic faith and German traditions, and with whom he built a family and home in addition to a church. And he owed it all to one savvy matchmaker, Father Scheideler, who just might have known what he was doing from the start.

Notes

[1] Passport Application, September 7, 1893, No. 4331,  Roll 410, National Archives and Records Administration, accessed AncestryLibrary.com;  Twelfth Census of the United States, June 14, 1900, Chicago Ward 14, Cook County, Illinois, roll 262, page 13, National Archives and Records Administration, accessed AncestryLibrary.com. On his passport application, Gaul declared he immigrated to the U.S. in 1886.

[2] Edward R. Kantowicz, “To Build the Catholic City,” Chicago History 14, No. 3 (Fall 1985): 14, accessed Chicago History Museum.

[3] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge to Plan for the St. Mary’s Parish A Miniature Cathedral of Cologne,” Indianapolis News, July 6, 1912, 13, accessed Newspapers.com.

[4] “Articles of Incorporation,” Indianapolis Journal, June 23, 1891, 8, accessed Hoosier State Chronicles; “Minor City Matters,” Indianapolis Journal, August 26, 1891, 6, accessed Hoosier State Chronicles; “Bow to the Brewers,” Indianapolis Journal, November 3, 1891, 8, accessed Hoosier State Chronicles; “Industrial Notes,” Indianapolis Journal, January 4, 1892, 6, accessed Hoosier State Chronicles.

[5] “The History of Romance,” February 13, 2017, National Women’s History Museum, accessed https://www.womenshistory.org/articles/history-romance.

[6] “Religious Ceremony,” Indianapolis State Sentinel, August 26, 1857, 3, accessed Hoosier State Chronicles; “Laying of the Corner Stone of the German Catholic Church,” Indianapolis Daily Sentinel, September 1, 1857, 3, accessed Hoosier State Chronicles; No title, Indianapolis Daily Sentinel, May 14, 1858, 3, accessed Hoosier State Chronicles; “The German Catholic Church, Maryland,” Daily State Sentinel, August 13, 1858, 3, accessed Hoosier State Chronicles; McEvoy’s Indianapolis City Directory and Business Mirror (Indianapolis: H. N. McEvoy Publisher, 1858), 219, accessed IUPUI Library Digital Collections; “Dedication,” Daily State Sentinel, September 12, 1859, 3, accessed Hoosier State Chronicles.

[7] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.

[8] Ibid.

[9] “Personal and Society,” Indianapolis Journal, April 14, 1896, 3, accessed Hoosier State Chronicles.

[10] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.

[11] Ibid.

[12] Kantowicz, 14.

[13] Conclusion gleaned from searching census records and Chicago newspapers.

[14] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.

[15-17] Ibid.

[18] “Church Ground Broken,” Indianapolis Star, May 2, 1910, 3, accessed Newspapers.com.

[19] “Lays Cornerstone of New St. Mary’s,” Indianapolis Star, October 24, 1910, 12, accessed Newspapers.com.

[20] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.

Cultivating a “Usable Past:” Insights from the 2022 Queer History Conference

Conference program, a preliminary list of sessions can be found here.

From June 12-14, scholars from all corners of the globe—including Cape Town, New Delhi, Toronto, Berlin, Peru, and Amsterdam—convened at San Francisco State University. Among them were Indianapolis historians Sam Opsahl (he/him), Jordan Ryan (they/them), and myself (she/her). The reason for this meeting of the minds?: the second ever Queer History Conference (QHC). Amidst the surreal beauty of the campus, lined by Muir Woods’s iconic redwood trees, we discussed universal research questions, learned about novel methodologies, and shared valuable resources. Considering how new the field of queer history is, I would be remiss not to discuss the insights gleaned at the QHC, many of which could be applied to various historical projects.

QHC attendees were a uniquely welcoming and curious bunch, although we were slightly intimidated by the number of people who decided to forgo compelling sessions like “Queering Women, Sex, and Youth in Colonial Settings” and “Legal Consciousness in Mid-Twentieth Century Queer and Trans History” in order to attend our panel. However, we felt immediately at ease presenting about those living on the margins of Indianapolis’s queer community, especially because our moderator Dr. Eric Gonzaba gave credence to Kurt Vonnegut’s observation that “wherever you go there is always a Hoosier doing something important there.”* Now an Assistant Professor of American Studies at California State University-Fullerton, Dr. Gonzaba grew up in rural southern Indiana and earned his BA from Indiana University. In his introduction, Dr. Gonzaba aptly noted that Indiana’s place in American queer history has been cemented both by the groundbreaking work of the Kinsey Institute and the controversial passage of the 2015 Religious Freedom Restoration Act.

Jordan Ryan, architectural historian, activist-scholar, and founder of The History Concierge, kicked off our session. Ryan adapted their presentation from their paper, co-authored with Dr. Paul Mullins for the Journal for the Anthropology of North America, entitled “Imagining Musical Place: Race, Heritage, and African American Musical Landscapes.” Ryan focused on the erasure of Black cultural sites along Indiana Avenue, including venues like the Pink Poodle (later the Famous Door) and Log Cabin, which hosted popular drag shows in the first half of the 20th century. Ryan noted that although female impersonators were popular in vaudeville revues, “moral ideologues sometimes resisted openly queer drag performances.” This was reflected in one Indianapolis Recorder editorial about a show at the Paradise that attracted an audience of 2,000. The opiner wrote that “‘fairy’ (fag) (pansy) public stage show and dance . . . was a disgrace to this community.” Ryan concluded that:

Like much of the complex expressive culture that flourished on Indiana Avenue, female impersonators have not found a place in the public memory that has been crafted by ideologues whose representations of jazz have revolved around a very narrow dimension of the Indiana Avenue musical experience.

Following Ryan’s analysis of the built environment and public memory, I presented my work about the exclusion of gender non-conforming individuals at Indianapolis gay bars and the queer community’s effort to grapple with this discrimination. (A draft of my paper can be read here). On separate occasions in 1989, Our Place refused to serve patrons Kerry Gean and Roberta Alyson, resulting in public humiliation and, in Alyson’s case, arrest. Bar employees refused service on the grounds that Gean and Alyson—members of the Indiana Crossdresser Society (IXE)—did not meet dress code and their identification did not match their female-presenting appearance. Our Place was by no means the only Indianapolis gay bar to implement these policies and soon the pages of gay newsletter The Works teemed with editorials about the conflict. The majority of them condemned this discrimination, likening it to the prohibition of Black individuals at Riverside Park, while some agreed that such policies were necessary to preserve the bars’ masculine atmosphere.

Perhaps ironically, it was Indianapolis police officer and community liaison Shirley Purvitis who facilitated a meeting to try to resolve issues between “certain segments of the gay community.” Bar owners, IXE members, IPD vice officers, and members of the Indiana Civil Liberties Union and Justice, Inc. shared their experiences and discussed excise law. Although contentious, such meetings, coverage in The Works, and one-on-one meetings between IXE members and bar owners, led to the reversal of policies at many bars. The conflict illuminated the value of forums and facilitators and demonstrated how amplifying multiple perspectives resulted in greater inclusion.

Sam Opsahl, program coordinator for Indiana Humanities, concluded our panel, presenting a paper adapted from his 2020 thesis, “Circle City Strife: Gay and Lesbian Activism during the Hudnut Era.” He highlighted the work of Justice, Inc. leader Kathy Sarris, noting that she “worked to insert the queer community’s narrative into public spaces by celebrating the gay and lesbian minority in public.” Opsahl positioned Sarris at the center of the local rights movement, ensuring that she will not be forgotten, unlike many lesbian activists whose work has been overshadowed by that of white, male leaders belonging to the middle class.

In 1983, through the Indianapolis Gay/Lesbian Coalition (IGLC), Berg and Sarris secured a meeting with Mayor William Hudnut, where they presented a list of seven recommendations. This marked the first time an Indianapolis mayor met with gay individuals to discuss issues facing the greater community. While the closed door meeting did not produce the results they hoped for, Berg and Sarris left feeling that “at least a dialogue had been initiated that they would continue to pursue should Hudnut be re-elected.” Opsahl contended that:

Mayor Hudnut, Berg, and Sarris contested the space on Monument Circle via protests and community celebrations, which rendered Indianapolis’ queer community impossible to ignore. Hudnut’s visions of an entrepreneurial city were endangered by the public debacles on Monument Circle, police discrimination, and the HIV crisis. Activists established their own dreams for citywide recognition that conflicted with Hudnut’s.

In listening to my colleagues’ presentations, fielding thoughtful audience questions, and receiving feedback from Dr. Gonzaba, I gained insight about Indianapolis’s queer past in real-time. It occurred to me that each of the individuals we studied had had to navigate the internalization of white, cisgender, heteronormative ideals by the LGBTQ community. We were left to ponder questions, like “What makes Indianapolis’s community unique?” and “How do we best document and memorialize queer history in a conservative region, in which anonymity provides safety?” The examination of intersectionality, as it relates to queer history, is relatively new and we hope our panel contributed to this field of study.

With our session mercifully scheduled for the first day, I was anxious to learn about others’ research findings and methodologies for the duration of the conference. I found the “Strategies for Documenting and Memorializing Queer History” panel to be particularly enlightening, as University of Toronto Professor Elspeth Brown’s presentation made me rethink how we conduct and use oral history interviews. Dr. Brown spoke about implementing novel interview strategies, such as utilizing guided meditation in order to engage interviewee’s senses. She found that this practice allowed subjects to both reinhabit and meaningfully relay the past.

Dr. Brown and her team have also given much thought to the question of utility, asking themselves: “Is the main purpose of conducting interviews to create a primary source for future historians to draw upon? Or is their value entrenched in telling relevant stories to modern audiences?” Regarding the latter, Dr. Brown is mindful of a study that found people listen to only half of an oral history interview, regardless of whether it is one minute or three hours long. Therefore, her team tried to think creatively about how to capture listeners’ attention. They hired an illustrator and sound engineer to recreate settings described by interview subjects. Pairing the animated sequences with two minute interview segments provided a multisensory experience. Dr. Brown played one such clip for the audience and I think we were all stunned by how immersed we were in the story.

Slide from Professor Elspeth Brown’s presentation about novel oral history interviewing techniques.

While attention has certainly been paid to illuminating history through social media, San Francisco State University Master’s student Jesse Ataide’s presentation “Imagining the Queer Past on Instagram” probed issues unique to queer history. Ataide initially created his account @queer_modernisms to share interesting images he came across in his research, which focused on the period between 1890 and 1969. However, when the account rapidly grew in followers (it is now up to 26,000), he realized he needed to be more intentional about how he curated content. He became ever-mindful of the question “who and what is queer?,” noting that many images circulated online appear queer to the “contemporary eye,” but can easily be misinterpreted. These include fascist/Nazi images that glorify the male body and “same sex intimacy across different eras and cultures.” Ataide noted that the subjects of such images may have actively resisted the “queer” designation and that “unambiguous self-identification” is certainly the exception, not the norm. So, in order to avoid outing or misinterpreting someone’s sexual identity, he tries to “find mention or evidence of queerness in academic, published, or other authoritative sources before posting.”

He also discussed the importance of representation. Images of white, masculine, middleclass male subjects garner the highest rates of engagement, so he is currently strategizing how to amplify diverse content without losing his platform. Ataide left us with many insightful questions to ponder, especially about how best to create a “useable past.”

Jesse Ataide presenting issues that he grapples with regarding queer history.

My time at SFSU concluded with a roundtable comprised of both academic press editors and scholars whose work has been published by such presses. Larin McLaughlin, Editor in Chief at the University of Washington Press, emphasized the importance of vision when crafting and pitching a book idea. It is not enough that your topic has never been written about before, but you should able to articulate to a publisher how your work moves the field forward. Finding an editor that shares your set of goals is also crucial in executing your vision. McLaughlin encouraged writers to focus on interdisciplinary topics, as they appeal to audiences outside of history. Dominique J. Moore, Acquisitions Editor for the University of Illinois Press, noted that a well-executed introduction chapter goes a long way in convincing an editor to publish your work. She also advised crafting a table of contents that contains a summary of each chapter’s arguments and sources, as well as how the chapters relate to one another. When considering your audience, ask yourself, “What conference do I want to see my book at?” Write for those attendees.

Panelists also articulated the differences between trade and university presses. They noted that whereas trade presses typically have much bigger marketing budgets that can be used to quickly advertise your book to a broad network, academic presses provide longevity, as they continue to publish books long after the first printing. Similarly, trade presses sometimes present more obstacles to publication, as aspiring authors have to convince an agent who then needs to convince an editor about your work. For the self-doubting historian, their reassurance about the peer review process was liberating: ultimately, you can and should push back against critiques that you vehemently disagree with. You are the expert, after all.

Sam Opsahl, Nicole Poletika, and Jordan Ryan at Indiana’s first LGBTQ historical marker, Monument Circle, courtesy of Jordan Ryan.

In a field dominated by stories of stigma, violence, and oppression, the 2022 QHC provided a much needed opportunity to learn about LGBTQ individuals who thrived, helped build community, and furthered human rights. It was invigorating to be around scholars equally humbled and excited to be part of this nascent field. The conference also provided reassurance that I am on the right track in terms of respectfully telling balanced, accurate histories about LGBTQ Hoosiers. Likewise, it revealed to me that people genuinely are curious about queer life in the Midwest. But before delving back into the pages of The Works, this midwestern historian is closing her eyes and revisiting San Francisco’s winding roads, dotted with colorful condominiums and flanked by glimmering beaches.

* IUPUI anthropology professor Paul Mullins was originally slated to moderate our session. Although Dr. Mullins was unable to make it, he was with us in spirit and scholarship.

Moy Kee Part II: A Royal Visit

Royal Prince Pu Lun, future emperor of China, with Mayor Holtzman’s party attending Moy Kee’s reception, May 20, 1904, courtesy of the Library of Congress.
A Royal Lunch

Moy Kee was undoubtedly “One of the happiest persons in Indianapolis,” according to The Indianapolis News on May 26, 1904. It appears he was also one of the busiest. Moy Kee and his wife, Chin Fung, were preparing to host royalty. Chinese Prince Pu Lun, rumored heir to the Qing Dynasty imperial throne, was visiting America and agreed to have lunch at Moy Kee’s chop suey restaurant in Indianapolis before he departed from the city. According to news reports, Moy Kee’s house was “thrown into raptures over the honor,” as he, his wife, and servants frantically cleaned the restaurant, prepared their best ingredients, and laid out the finest decorations they had for the prince.

On May 27 at 1 o’clock the prince, Indianapolis Mayor John Holtzman, business tycoon and future Senator William Fortune, esteemed poet James Whitcomb Riley, and other notable guests bore witness to Moy Kee’s late night labors. Outside of the restaurant, traditional Chinese lamps were strung with brightly colored ribbons. The American and Chinese flag flew side by side. A May 28 Indianapolis News article described the interior of the building as:

Oriental rugs were spread from the street to a teakwood table, where were placed two beautiful inlaid chairs covered with crimson satin draperies. The carved table stood on beautiful rugs, and upon it were placed burning incense, chop suey, and Chinese wine.

The first course consisted of the restaurant’s signature chop suey paired with American beer. Ice cream and tea were served for the second course, and the luncheon ended with traditional Chinese wine. Upon departing, Chin Fung presented the prince with a hand-knitted scarf and Moy Kee gifted him a bouquet of flowers. The prince gave the Moy family a silk scarf bearing his name and, upon leaving, informed Moy Kee that he would elevate him to Mandarin of the Fifth Rank, a prestigious Chinese status that would allow Moy to entertain and be entertained by royalty, wear special regalia, and hold a certificate denoting his prestige. This honor was monumental for a Chinese immigrant like Moy and a status that many of the wealthiest men in China failed to achieve.

As discussed in part one of this series, Moy Kee was granted an American citizenship in 1897 and then rose to prominence in Indianapolis by becoming the unofficial leader for the small Chinese community in the city. Part two follows the rest of Moy’s life as he entertained Prince Pu Lun, achieved even more wealth and status in both China and America, and then struggled to retain that prominence later in life.

Royal Prince Pu Lun, future emperor of China, with Mayor Holtzman’s party attend Moy Kee’s reception, May 20, 1904, courtesy of the Library of Congress.
Prince Pu Lun and the St. Louis World Exposition

During the early 1900s the Qing dynasty’s isolationist policies started thawing, and the nation began entering foreign affairs. This new administrative goal was evident when the government opted to not only participate in the St. Louis World’s Fair (China had declined to participate in the Chicago World Fair eleven years prior) but to appoint the nephew of the emperor, Prince Pu Lun, as the official fair commissioner. Pu Lun’s visit generated positive media coverage that helped warm American attitudes towards the Chinese. Domestically, Americans were fearful of “The Yellow Peril” of Chinese immigrants, whom many believed were impossible to assimilate into “The American Melting Pot.” Some accused the Chinese of flooding the labor market and stealing jobs from white Americans. Abroad, Americans believed the Chinese Empire was backwards and culturally stagnant. Rising racist attitudes towards the Chinese culminated in President Chester A. Arthur signing the Chinese Exclusion Act in 1882.

The Chinese Pavilion [large pagoda], Louisiana Purchase Exposition, St. Louis, Mo., circa 1904, courtesy of The Library of Congress.
Twenty-two years after the Chinese Exclusion Act was enacted, China sought to dispel these stereotypes at the World Fair and built one of the most lavish exhibits in the entire event. The government spent a reported $500,000 (approximately $14.5 million by today’s standards) on their pavilion, with its highlight being a near exact replication of Prince Pu Lun’s summer palace. This visit expanded beyond St. Louis, and during his travels the prince visited several countries and American states, including Indianapolis. While visiting, the prince strengthened Chinese diplomatic relations and learned about other systems of government, education, technology, and culture. He would bring this newfound knowledge back to China to improve their own institutions. In America, he also reviewed the welfare of Chinese immigrants and success of Chinese business. The prince may have even forged business relations between China and successful merchants like Moy Kee.

Prince Pu Lun in Indianapolis

Prince Pu Lun arrived at Union Station in Indianapolis on May 18 for a ten-day tour of the Hoosier State. His schedule moved at a breakneck pace, with the press breathlessly reporting on his every move. Some highlights of the visit include the prince visiting the Columbia Club, meeting James Whitcomb Riley, touring Purdue University, and attending a commencement at May Wright Sewall’s Classical School for Girls.  Moy Kee had been anticipating Pu Lun’s visit for months now and tried to be as involved as possible. He was among the crowd of Chinese gathered to welcome the prince at Union Station. Afterwards, Moy attended a welcome reception held at the Statehouse where he presented the prince with a bouquet. Moy Kee and Chin Fung again met with the prince two days later, this time at the Local Council of Women’s reception. Technically, only Chin Fung was invited to this reception, but Moy Kee insisted on going, stating his wife needed an “escort.” Afterwards, Moy was granted a short audience with the Pu Lun at his hotel. While the specifics of the meeting were not discussed, the prince was likely interested in seeing how Moy Kee and other immigrants were faring in Indianapolis and may have developed a business relationship with Moy Kee.

The next few days there seems to have been little interaction between Moy and Prince Pu Lun as he traveled to Lafayette to tour the campus of Purdue University. During that time, Moy lobbied for the opportunity to host Prince Pu Lun one last time before his departure. He begged William Fortune that the prince grant him one more audience and “that he might stay for five minutes, a minute, or the least fraction of a minute.”  Upon hearing the request, the prince decided to not only call upon Moy but to visit his chop suey restaurant and lunch with the Moy family.

The lunch was brief but pleasant and provided Moy with a critical opportunity to leave a lasting impression on Prince Pu Lun and his Hoosier hosts. The three-course meal combined American cuisine such as ice cream and beer with traditional Chinese chop suey and freshly brewed tea. This interesting fusion of food and drink reflected Moy’s unique background as both a Chinese and American citizen and ensured all the guests received a dish or drink that they enjoyed. When the Prince recommended Moy Kee for the fifth rank, it seems that Moy was genuinely surprised and delighted. He profusely thanked the prince for the honor and bowed multiple times to show his appreciation. After exchanging gifts and pleasantries, Prince Pu Lun departed the restaurant. He climbed the Soldiers and Sailors monument and said his goodbyes to his hosts Mayor Holtzman and William Fortune before traveling to Union Station and departing for Buffalo, New York.

Moy Kee with wife Chin Fung and two toddlers (possibly grandchildren), courtesy of The Indiana Album.
Moy Kee is Named Mayor of Indianapolis’s Chinatown

While the prince’s visit lasted only ten days, it had a great impact on the Indianapolis’ Chinese community and Moy Kee. On the prince’s return trip from New York, he briefly stopped at Union Station. Moy Kee waited for his arrival and presented him with a handcrafted emblem he had commissioned as a thank you for granting him an audience. The emblem was a jeweled American flag with a Chinese dragon styled on its face. In the dragons’ fangs, it held a three-carat diamond. All in all, the emblem was rumored to cost 700 dollars, the equivalent of nearly $20,000 today. Newspapers reported that the prince and Moy chatted like “old friends” at the station. According to the Indianapolis News, in late July, Prince Pu Lun fulfilled his promise of elevating Moy Kee to fifth rank. Moy received a blue-bordered certificate embossed with the imperial seal that read:

This is to certify that, by the order of his imperial highness, Prince Pu Lun, Moy Kee, Indianapolis, ind., U. S. A., is hereby appointed mayor of Chinese. He is directed to attend to all the business of our people truthfully, honorably and honestly. To Moy Kee is hereby given the fifth rank and right to wear the crystal button.

The certificate is the first time Moy Kee is referred to as “Mayor” of the Chinese population in Indianapolis. While the term “Mayor of the Chinese” was an unofficial title that held no political power, the Chinese government often named a prominent leader of an immigrant community as the mayor. These leaders were expected to represent the Chinese people and act as an informal liaison between the Chinese government and American government. For the Chinese people itself, it also solidified the social hierarchy to be followed. For Moy, the title “Mayor” recognized his leadership within the American community while the fifth rank designation solidified his significance within Chinese society.

From that point onward, Moy constantly referenced his ties to Prince Pu Lun and his fifth rank designation. Later that fall, Moy attended the St. Louis Fair and spoke at the China Pavilion while publicly donning the robes and regalia that denoted him as fifth rank. At home, Moy conducted pricy home renovations and began ordering lavish items to decorate his home in a fashion that “befit his gentleman rank.” In 1906, Moy Kee traveled to Washington, D.C. where he met with Indiana Senator Charles Fairbanks. He even had an audience with President Theodore Roosevelt. Without a doubt, in the immediate years after Prince Pu Lun’s visit, Moy had reached the zenith of his power. He had successfully clawed his way up the social ladder of both Chinese and American society. Now, a much more difficult task presented itself to Moy Kee, retaining his hard-earned influence and social standing.

Moy Kee’s Fall from Prominence

Moy Kee once again received an imperial letter in October of 1907, but, unlike the last imperial letter Moy received, this one contained unwelcome news. It informed Moy that he had been stripped of his rank as Mandarin of the Fifth Degree and his status as the mayor of Indianapolis’ Chinese had been revoked. The succinct announcement refused to elaborate on why Moy’s statuses had been rescinded and led to widespread speculation.  Moy believed fellow Chinese in Indianapolis engineered his downfall. This paranoia stemmed from his role in 1902 as an interpreter in the murder trial of Doc Lung, a local Chinese laundryman. Some accused Moy of siding with the police and courts over the Chinese community. Newspapers speculated that the revocation was caused by accusations that Moy had raised relief funds for Chinese earthquake victims but had never donated them. It may have also been a result of shifting political powers in an increasingly unstable Chinese royal dynasty, which would collapse in 1911. Regardless of the reason, Moy was unable to protest the Chinese delegation’s decision. He and his wife had already arranged to set sail for Canton, China on October 21st to visit family and friends in a year-long visit. They decided to proceed with their trip, but Moy publicly expressed his disappointment that he would not be returning to China with his fifth rank status.

A year later, in March of 1909, Moy Kee and Chin Fung returned to America. However, after landing in Tacoma, Washington Moy’s citizenship papers were not accepted, and the couple was taken into custody. The Moy family was arrested because the Chinese Exclusion Act forbade Chinese from entering the country and officers believed Moy’s citizenship papers were not legitimate. During questioning by immigration officers, Moy allegedly declared himself to be a “citizen of Indianapolis, the best city in the country.” The couple was detained for over a month in deplorable conditions. Several times, it seemed that they were going to be deported back to China. Multiple figures in the Indianapolis community vouched for the Moy family’s right to reenter and the Indianapolis Star published several scathing stories criticizing the Seattle immigration office for detaining him despite his citizenship. Finally, on April 18, Moy was released and allowed to return to Indiana where he resumed operation of his chop suey restaurant. The month they spent in detention was a bleak reminder that outside of Indianapolis, their family and other Chinese were not welcome in America.

The Indianapolis Star, April 13, 1909, accessed Newspapers.com.
The Indianapolis Star, April 19, 1909, accessed Newspapers.com.

More trials awaited the Moy family in 1911. This time the bearer of bad news was the federal government. On August 4, Moy was informed that a petition asking for his citizenship to be revoked by the federal courts had been filed on the basis of his naturalization being awarded “wrongfully and without right,” fourteen years prior. According to an August 5 Indianapolis Star when Moy heard this news in his restaurant, he:

Dropped a dish which he had had in his hand and stared for several moments in silence. A look of anguish clouded his customarily smiling countenance. It was one of the saddest moments of his life. It was with difficulty that he spoke. ‘It’s no use to buck Uncle Sam… I’ll not fight it. If they don’t want me to be an American… it’s no use to fight them- I haven’t enough money to do that, even if I wanted to. It’s too bad.’ Then Moy fell silent. He would say no more.

Moy Kee was over sixty-three years old and the dogged vigor and determination to retain his citizenship, something he had lobbied tirelessly for as a young man, had faded. However, the Indianapolis community still stood by the former Chinese mayor, with local newspapers universally criticizing the investigation. Mayor Samuel L. Shank even wrote a letter to President Taft imploring him to allow Moy to retain his citizenship, calling him one of Indianapolis’s finest citizens. The letter fell on deaf ears and on October 9, 1911, Moy lost his beloved American citizenship.

The Indianapolis Star, August 5, 1911, accessed Newspapers.com.

Moy was not deported by the federal government and allowed to live and work in Indianapolis. While he was generally treated the same by Indianapolis residents, he now could no longer claim equal footing with Americans and was at constant risk for deportation. Symbolically, the federal courts had sent a message that there would be no exceptions to the Chinese Exclusion Act and, subsequently, that all Chinese remained unwelcome in America. For the next three years, Moy lived his life in Indianapolis much the same as he had lived before. He operated his restaurant, threw Chinese New Year parties, and remained a cornerstone of Indianapolis’ Chinese community. Newspapers noted that Moy still viewed himself as an American and outside his restaurant still hung a Chinese and an American flag, flying side by side.

In January of 1914, while eating dinner, Moy Ah Kee suffered a sudden heart attack and died on the floor of his Washington Street restaurant, the same place where he had hosted Prince Pu Lun seven years earlier. After putting the family’s affairs in order, the widowed Chin Fung set sail to China with Moy’s body, where she intended to bury him with his ancestors and live the remainder of her life. In his obituary, The Indianapolis Star recounted his life story and noted that he was one of the most prominent businessmen in the state with an estimated fortune of $25,000 (over $722,000 in today’s currency). The Star ended a two-decade partnership with the Chinese businessman by stating: “He was regarded as the prominent local source of information on questions relating to Chinese affairs and often was consulted by officials and newspaper writers of the city, among whom he had many friends.”

Conclusion
Portrait of Moy Kee and his wife, Indianapolis, Indiana, circa 1900, courtesy of The Indiana Album.

In 1943, twenty-six years after Moy Kee’s death, the United States repealed the Chinese Exclusion Act to signify diplomatic ties between the US and China during World War Two. However, the new immigration quota enacted allowed only 105 Chinese immigrants per year. The strict immigration quotas remained in place for Chinese until 1965, when the United States enacted the Immigration and Nationality Act that ended ethnic quotas. Instead, the United States began admitting immigrants based on education, employable skill, or the need for asylum. While this prevents blanket bans against entire ethnic groups or nationalities, these new admission standards create significant barriers for working-class immigrants, and American immigration policy remains hotly debated today.

This revised protocol led to an influx of highly educated and skilled Asians and, with this new population, the stereotype of Asians as the “model minority” arose. This characterization of East Asians, which generalizes them as smart, affluent, and hard-working, would have been unrecognizable to Moy Kee and other Chinese immigrants in the 1800s. While on the surface this stereotype is complimentary, it is still a negative and egregious overgeneralization of a diverse ethnic group and masks the sordid history of discrimination against Chinese people by the United States. After a series of Asian hate crimes in the wake of the COVID-19 pandemic, the nation is once again grappling with the impact of both modern and historical discrimination against people of Asian and Pacific Islander descent.

Moy Kee’s life serves as a staunch reminder of some of those inequities and how they consumed the entirety of America, not just the bio-coastal states, for well over a century.  An entrepreneur and businessman, Moy rose to prominence socially and fiscally in a way that was unimaginable to most immigrants. His life reached its zenith when he was granted the Chinese title of the fifth rank while also maintaining dual Chinese American citizenship. However, as Moy Kee put it himself, there was no use “fighting Uncle Sam” and he was stripped of both his fifth rank and citizenship late in life, a sad reflection of America’s political and social landscape during his life.

Ultimately, Moy Kee’s life provides an insightful window into the lives of Chinese immigrants in the Indianapolis community and showcases a story of resilience and fortitude in the face of insurmountable odds. As America continues to confront its tragic past and conflicted present regarding its treatment of Asian Americans and immigrants as whole, hopefully the national dialogue remembers the story of Moy Kee and thousands of other Chinese immigrants who were wrongly barred entry to America and denied citizenship due to their race and the prejudiced stereotypes that were perpetuated about their people.

Moy Kee Part I: The “Mayor” of Indianapolis’s Chinese Community

Moy Key, courtesy of Scott D. Seligman, “The Hoosier of Mandarin,” Traces of Indiana and Midwestern History 23, no. 4 (Fall 2011): 48, accessed Digital Images Collection, Indiana Historical Society.
A Disturbing Question

In 1901, The San Francisco Call urged the renewal of The Chinese Exclusion Act, the only legislation in American history that wholly banned the immigration of a specific ethnic group.  The Call emphatically supported this renewal stating that America ought to be doing everything in its power to “prevent the threatened invasion of Mongol hordes.” Sentiments like this were not uncommon. Racist cartoons, articles calling for Congress to defend America from the “Yellow Peril,” and state conventions or resolutions urging the renewal of the Exclusion Act were a dime a dozen in 1901. That same year, The Indianapolis News ran a very different story. This article criticized the Exclusion Act and threw its support behind Moy Kee, a Chinese immigrant and resident of Indianapolis, as he sought a federal government job, from which Chinese immigrants had been barred. The Indianapolis News noted on March 8, 1901:

Moy Jin Kee, Chinese Merchant and caterer at 211 Indiana avenue, is about to renew with the Government a disturbing question as to the effect of the Garry alien law passed by Congress . . . He has lived in this country over forty years, speaks excellent English . . . he was brought to this country from Canton when a mere child . . . Mr. Moy is an earnest seeker after appointment.

While Moy Kee never received a federal appointment, the Indianapolis community would prove to be staunch supporters of Moy Kee. The Marion County Circuit Court granted Moy his citizenship when federal law forbade it. Newspapers sold Moy ad space for his chop suey restaurant and frequently approached him for interviews. Later, when his citizenship was challenged by the federal government, Indianapolis Mayor Samuel L. Shank personally wrote a letter to President Taft defending Moy as “universally regarded as being one of the city’s best citizens.” These actions across the Indianapolis community demonstrate the level of prominence Moy Kee had attained in Indianapolis during a time when anti-Chinese attitudes in America were at an all-time high. This blog will outline the arduous path Moy traveled to obtain his American citizenship and how he used his personal assets to carve out a place in both the Chinese immigrant and Indianapolis community.

The Indianapolis News, March 8, 1901, accessed Hoosier State Chronicles.
Moy Kee Seeks American Citizenship

Moy Kee immigrated to the United States in the 1850’s as a young boy from Guangdong Province in China. Like many Chinese immigrants of the time, his family came to America seeking work and an escape from the political turmoil plaguing China. However, rather than wishing to build wealth and return to China in calmer times like most Chinese immigrants, Moy wanted to stay in America for the rest of his life. Not only that, but he also wanted to become an American citizen. To better assimilate with his new home, Moy converted to Christianity and attained fluency in English. In 1878 he moved to New York and ran a business selling imported Chinese goods. He also became involved in Christian ministry and began proselytizing the New York Chinese community. However, Moy was accused of stealing from one of his employers and jailed. While there are no records of a trial, Moy decided to shed his tarnished reputation by seeking a fresh start in Chicago. Critically, before Moy left New York he filed a declaration of intent to become an American citizen, the first step of the naturalization process. This would prove to be a watershed moment in Moy’s quest for citizenship because two years later the Chinese Exclusion Act of 1882 was signed into law by President Chester A. Arthur.

The Chinese Exclusion Act is notably the only legislation in American history that provides an absolute ban on immigration against a specific ethnic group. It instated a ten-year ban on Chinese immigration, enacted severe restrictions on current immigrants – now at constant risk for deportation – and effectively blocked all Chinese from American citizenship. In 1892 the Exclusion Act was renewed for another decade via the Geary Act and then in 1902 it would become permanent legislation.

The Magic Washer, manufactured by Geo. Dee, Dixon, Illinois. The Chinese Must Go, printed circa 1886, courtesy of the Library of Congress.

The Chinese Exclusion Act and the anti-Chinese sentiments that spurred it would become a constant source of disruption and conflict in Moy Kee and thousands of other Chinese immigrants’ lives. In Chicago, Moy Kee opened a Chinese tea shop and began his protracted battle for his citizenship. In the community, he helped organize the Chicago Chinese Club, a political group aimed at bettering the lives of the Chicago Chinese and protesting the Chinese Exclusion Act. Individually, Moy spent years lobbying the local courts, arguing that because he filed his intent to become a citizen two years before the ratification of the Exclusion Act, the law did not apply to him, and therefore he was eligible for citizenship. Year after year the Chicago courts rejected his argument and Moy remained, legally at least, a stranger in his own home.

Moy’s legal luck changed in 1897 when he and his wife moved to Indianapolis, setting up a litmus test of Indiana’s proverbial “Hoosier Hospitality.” In Moy’s case at least, Hoosier Hospitality rang true and on October 18th, 1897, eighteen years after Moy had begun the naturalization process (By comparison, the naturalization process today lasts on average 12-16 months), the Marion County Court granted him his coveted American citizenship.

Moy Kee Climbs the Social Ladder in Indianapolis

While Moy Kee may have obtained his citizenship, his work to be accepted by the Indianapolis community was far from complete. Moy settled down in Indy and eventually opened a Chop Suey and Chinese restaurant at 506 East Washington Street. A sign hung outside his restaurant advertising it as “Moy Kee & Co. Chinese Restaurant,” though the papers frequently referred to it as “Mr. Moy’s Chop Suey House.” He intentionally began inserting himself into as many community functions as possible. There are news articles of Moy hosting large Chinese New Year’s parties, playing Chinese instruments at school functions, inviting local politicians to dine at his restaurant, and selling Chinese palm readings for fifty cents. He even planned to open a Chinese language school, though his idea never came to fruition. Entrepreneurial and outgoing, it seems Moy was willing to try everything at least once.

However, as diverse his activities may have seemed they always shared one common thread. All his actions served to further integrate himself into the Indianapolis community and they all hearkened back to his Chinese roots. In this way, Moy used his heritage as a source of novelty and entertainment for the community. Rather than divorce himself from his culture to “mix in” with the great American Melting Pot, he successfully mobilized his Chinese heritage as a vehicle for his accumulation of wealth and social standing in Indianapolis.

The Indianapolis Journal, March 25, 1900, accessed Hoosier State Chronicles.

Compared to coastal states like Californian, Indianapolis had a small Chinese immigrant population. The 1910 Census estimates that only 273 Chinese lived in Indiana and, in Indianapolis specifically, the Indianapolis News, reported that the Chinese had a “local colony” of about 40 or so immigrants including Moy Kee. The miniscule population of Chinese immigrants in Indianapolis may have contributed to the city’s relative receptivity to the Chinese when compared to states with significant Chinese communities. Furthermore, the low population explains why Indianapolis never developed a centralized locale or “Chinatown” like New York or Chicago did. There simply were not enough Chinese to do so. Instead, the Chinese immigrants clustered around Indiana Avenue, a historic strip of downtown Indianapolis that was known primarily for housing a vibrant African American community. The decentralized nature of the Chinese community provided Moy Kee with the perfect opportunity to rise to power as the Chinese representative to the city and, in doing so, ensure his place in Indianapolis.

Moy Kee both stood for and apart from the Indianapolis Chinese community. This allowed him to rise to prominence in a fashion unfathomable for the average immigrant. For one, the census records list his wife Chin Fung as being the only Chinese woman to live in Indianapolis in the late 1890’s. Compared to other Chinese men who had to balance both work and domestic duties alone, Moy Kee’s wife helped him around the restaurant, entertaining guests and managing the house when Moy was away. Chin Fung’s extra support allowed Moy to be more experimental as he could divert attention to other tasks besides running his restaurant and house. Furthermore, as the only Chinese woman in the city, Chin Fung received attention from the news media, who described her as a graceful and poised woman and were fascinated by her traditionally bound feet, which caused a peculiar gait.

Second, Moy Kee separated himself from other Chinese in the community by owning a successful restaurant. He was wealthier than the average Hoosier and even employed his own servants to help run the household and restaurant. This contrasted with most Chinese men, who were stymied by language barriers and Sinophobia and, as a result, toiled in stagnant, low-level service industries such as laundry, cleaning, or construction. With paltry salaries that almost all were sent back to impoverished family in China, this left little wealth for the average Chinese immigrant and, as a result, they often lived hovering just above the poverty line. In contrast, Moy’s wealth allowed him to return home to China fairly frequently and keep in touch with relatives. He even was able to travel to China to marry Chin Fung before bringing her back to America. Moy’s wealth also enabled him to import several Chinese goods for his restaurant including traditional decorations, ebony wood, ivory China table sets, and unusual foods that attracted both Chinese and non-Chinese customers alike.

The Indianapolis Journal, September 20, 1903, accessed Hoosier State Chronicles.

Moy’s most valuable asset in his rise to prominence was his ability to speak fluent English. This fluency cemented him as the unofficial spokesperson of the Indianapolis Chinese community, and he took full advantage of it. He spent years cultivating a positive relationship with the local newspapers by buying ad space for his restaurant and happily providing interviews and engaging stories about his many endeavors. When reporters wanted to cover a story about the Chinese community, they contacted Moy. This working relationship was a major factor in the divergent coverage of the Chinese Exclusion Act in Indianapolis compared to other cities. Most articles about Moy or the community positively portray the Chinese and avoid fear-mongering headlines about “the oriental wave,” or “yellow peril.” Indianapolis was not immune to xenophobic sentiments (Among other questionable coverage, The Indianapolis Morning Star accused Chinese royalty of visiting America to recruit American soldiers for the imperial army and The Indianapolis Journal often referred to the Chinese as “coolies”) but, compared to newspapers in California or other states, negative rhetoric was relatively muted.

Moy Kee Struggles to Balance His Ambition and the Chinese Community

In 1902, Moy Kee’s ambition to integrate with the Indianapolis community would put him at odds with the city’s Chinese population. In May, the small community would be rocked by the gruesome murder of Doc Lung, a local Chinese laundryman. The police immediately arrested Chin Hee, an immigrant who had just moved from Chicago and was employed by Doc Lung. This caused a major rift within the Chinese community, and they fragmented into two groups: Those who protested Chin Hee’s innocence and those who believed Chin Hee committed the murder. Moy Kee found himself in the crossfire of this rift when he began translating for the police and later grand jury and courts in the murder case. Many in the community felt that Moy Kee was betraying them by working as the government’s translator, the same institution that denied them citizenship and deported their people on a regular basis. The situation escalated to the point that Moy started receiving death threats attempting to coerce him into ending his translations for the government.

Despite the threats to his life, Moy Kee persisted, and the Grand Jury ultimately convicted three perpetrators, none of them Chinese, for the crime. The role he played in the court trial benefitted his relationships with the local government and police. He also received more media attention than he ever had before, further elevating his position in Indianapolis. However, this acceptance by local institutions came at the expense of Moy’s relationships with his fellow Chinese. Already separated from them due to his affluence and privileged status as an American citizen, working with the police led to some in community questioning whether Moy was loyal to the Chinese or the Americans. Rumors swirled and some whispered that E. Lung, the leader of the faction that defended Chin Hee, might be a better fit as the Chinese people’s representative. Subsequently, Moy would become increasingly paranoid about being ousted by the Chinese community as their unnamed leader. Later in life, when he was stripped of his high Chinese rank, he would immediately accuse fellow Chinese of engineering his social downfall.

Conclusion

By 1904, Moy Kee was undoubtedly the most prominent Chinese figure in Indianapolis and, despite a factionalized Chinese community, he was still recognized as the de facto leader. Better yet, Moy Kee had a home in Indianapolis that accepted him as both an American citizen and Hoosier. For a Chinese man to achieve this position was an incredible feat. Moy had hopscotched across the country, testified in multiple courts, accumulated a massive amount of wealth, and overcame duplicitous stereotypes to earn his citizenship and social standing. In many ways, it felt like Moy and his wife had achieved everything an immigrant to the United States could dream of.

However, no one could have predicted the actions of the Qing dynasty in the early 1900’s. A royal family infamous for their strict isolationism and rejection of Western diplomacy, they shocked the world by announcing that they would be participating in the 1904 St. Louis World Fair. Not only that, but they were appointing Prince Pu Lun, nephew of the emperor, as head of the Chinese fair commission. Critically for Moy, the Prince announced he would spend months before and after the fair touring America, including a ten-day visit to Indianapolis.

In the next installment, follow Prince Pu Lun’s royal visit to Indianapolis where he caused much fanfare. Additionally, we explore Moy Kee’s role in Pu Lun’s visit as he vies for an audience with the prince and eventually precipitates his “coronation” as the official Mayor of Indianapolis’ Chinese.

For further reading, see:

“Chinese,” The Polis Center, accessed May 2022, courtesy of IUPUI.edu.

Paul Mullins, “The Landscapes of Chinese Immigration in the Circle City,” October 16, 2016, accessed Invisible Indianapolis.

Scott D. Seligman, “The Hoosier of Mandarin,” Traces of Indiana and Midwestern History 23, no. 4 (Fall 2011): 48-55, accessed Digital Images Collection, Indiana Historical Society.

“Wants a Federal Place: Moy Jin Kee Raises a Disturbing Question,” Indianapolis News, March 8, 1901, 7, accessed Hoosier State Chronicles.

Fletcher’s Swamp and Bacon’s Swamp

Man and woman canoeing on the swamp behind Fredericks’ Island and Camp Comfort. Syracuse-Wawasee Digital Archives, Indiana Memory.

You might never guess that several parts of Indianapolis lying well inside the city limits are built on old swamp lands. Turn back the clock to the 1940s and new homes and roads in southeast Broad Ripple are literally sinking into the earth. Turn it back another century still, and the hoot-owls and swamp creatures who easily outnumber humans in Marion County are living practically downtown.  (In fact, the whole county was named for Francis Marion, the “Swamp Fox” of Revolutionary South Carolina.)

Two old wetlands, sometimes called bogs or sloughs, played a fascinating part in the capitol city’s history.

Fletcher’s Swamp is long gone but used to sit just east of the Old North Side, between Cottage Home and Martindale-Brightwood.  A couple of hundred acres in size, the swamp occupied an area more or less centered around the future I-65/I-70 interchange.  Pogue’s Run flowed just to the south.

An article in the Indianapolis Journal on December 15, 1889, describes the setting.  The author, probably the young journalist and historian Jacob Piatt Dunn, writes about an area northeast of Ninth Street and College Avenue:

To the boys of twenty-five years ago [circa 1864] this area was known as Fletcher’s swamp, and was a famous place for black and red haws, fox grapes and other wild fruits that only a youngster would think of eating.  Fifty years ago [the 1830’s] this place was a verible [sic] dismal swamp, impenetrable even to the hunter except in the coldest winter, for it was a rare thing for the frost to penetrate the thick layer of moss and fallen leaves that covered the accumulated mass of centuries, and which was constantly warmed by the living springs beneath.

Today the old swamp area is within easy walking distance of Massachusetts Avenue, but you won’t find a trace of it.  “About on a line with Twelfth Street” near the center of the swamp “was an acre, more or less, of high land,” a spot “lifted about the surrounding morass.”  The writer — again, likely J.P. Dunn — thought that this high, dry spot had once been a “sanctuary” for “desperadoes and thieves who preyed upon the early settlers.”  (Northern Indiana swamps, like the one around Bogus Island in Newton County, were notorious hideouts for counterfeiters and horse thieves. Elaborate hidden causeways were said to give entrance to remote islands on the edge of the vast Kankakee Swamp, the “Everglades of the North.”)

In the 1830s, Fletcher’s Swamp became one of the stops on the Underground Railroad. Calvin Fletcher, a Vermont-born lawyer and farmer whose 1,600-acre farm once included most of the Near East Side, was an active abolitionist during the days of the Fugitive Slave Act of 1850. For several decades, many Hoosier opponents of slavery, primarily Quakers, guided hundreds if not thousands of African American freedom seekers toward Westfield in neighboring Hamilton County.  (Westfield was a major Quaker settlement before the Civil War, and other “stations” around Indianapolis focused on getting freedom seekers there.)  Wetlands, usually hard to penetrate, were an ideal hideout, since the bloodhounds that bounty-hunters used to track freedom seekers lost their scent there. And like the counterfeiters on Bogus Island, refugees from slavery used retractable wooden “steps” across the swamp to help avoid detection.

Although not Quakers themselves, Fletcher and his family helped many African Americans travel north to Michigan and Canada.


calvin and sara fletcher
Calvin and Sara Fletcher. This daguerreotype was made at Weeks’ Daguerran Gallery at College Hall downtown, January 1856. Joan Hostettler tells the story here. Indiana Album.

Fletcher also owned the swamp the freedom seekers hid in. The Indianapolis Journal recalled one story about the place in 1889:

Calvin Fletcher, Sr., became the owner of this swamp, or the greater part of it.  Spring, summer, and autumn he was in the habit of riding horseback all around it. . .  Mr. Fletcher delighted in the study of nature, especially in birds (and in the quiet of this swamp was bird life in sufficient variety for an Audubon or a Wilson), and he knew every flier and nest on its borders.

A tenant of a cabin near this swamp told the story that his attention was often attracted to Mr. Fletcher, for the reason that he rode out that way so early, and usually with a sack thrown over the horse’s neck.  The curiosity of the dweller in the cabin was excited to that degree that, one morning, he furtively followed the solitary horseman.  It was about sunrise, and he saw Mr. Fletcher hitch his nag to a sapling, take off the sack (which for some reason the narrator supposed to contain corn-bread and bacon), walk a little way into the covert, and then give a call, as if calling cattle.  There was, in answer, a waving of elders, flags and swamp-grass, with an occasional plash in the water, and finally appeared the form of a tall, muscular negro, with shirt and breeches of coffee-sacking.  He came silently out to the dry land, took the sack from the visitor’s hand, spoke a few words inaudible to the straining ears of the listener and hastily disappeared in the recesses of the swamps.  So, after all, Mr. Fletcher’s favorite bird, and a very unpopular one in that day, too, was the blackbird.

The swamp might have had strange bedfellows during the Civil War.  The dense thickets and morasses here were an ideal hideout for Confederate POW’s who escaped from the Union Army’s Camp Morton, which sat just west of here, near the future intersection of 19th Street and Central Avenue. Calvin Fletcher’s son, Stephen Keyes Fletcher, claimed in 1892 in the Indianapolis Journal:  “During the war the swamp was this great hiding place for escaped prisoners from Camp Morton.”

The original Butler University, which sat at 13th and College until 1875, was another neighbor of Fletcher’s Swamp.  When a freedom seeker, aided by local abolitionists, escaped from the downtown jail and tried to get to the swamp on horseback, he ended up at Northwestern Christian University (as Butler was called) and was  arrested on campus.  “The capture of the negro brought on a heated battle among the students of the university, some of whom were from the South,” the Indianapolis Journal claimed in 1889.  “A pitched battle followed between them and the black Republican students, which resulted in nothing more serious than some blackened eyes and ensanguined noses. The scene of this battle is now the playground for the children of the Indianapolis Orphan Asylum.”

What happened to Fletcher’s Swamp? Stephen Fletcher, who apparently inherited the property after Calvin’s death in 1866 — he ran a nursery nearby — told some of the story using terminology not employed today:

About this same time the negroes began flocking over from Kentucky and other Southern states.  My father, being a great friend of the colored man, was inclined to provide them with homes and work as far as possible.  After filling up everything in the shape of a house, I then let them build cabins at the edge of the swamp, on high ground, just north of the Belt railroad, and about where Baltimore Avenue now runs.  I soon had quite a settlement, which was named by my brother, Dr. W.B. Fletcher, “Monkey Jungle,” and the location is known to this day [1892] by that name by those familiar with it then.

A writer for the News concurred in 1889:

The clearing of the swamp was an accident of President Lincoln’s emancipation proclamation.  Hundreds of colored men, with their families, came from the South to this city.  It was a class of labor new to Indianapolis, and for a time there was a disinclination to employ them.  Mr. Fletcher, however, gave every man with a family the privilege of taking enough timber to build a cabin, and of having ground for a “truck patch,” besides paying so much a cord for wood delivered on the edge of the swamp.  Quite a number of the negroes availed themselves of this offer of work and opportunity for shelter…

Calvin Fletcher, Jr., drained what was left of his father’s swamp in the 1870s by dredging it and connecting it to the “Old State Ditch.”  Thus it shared the fate of thousands of acres of Hoosier wetlands sacrificed to agriculture and turned into conventional cropland.


bacons swamp - butler herbarium
Fern collected in Bacon’s Swamp, August 1922. Friesner Herbarium Collection, Indiana Memory.

An 1891 Journal article on the “State Ditch” calls Fletcher’s Swamp one of two “bayous” that threatened valuable property on the then-outskirts of Indianapolis.

The other “bayou” was the fascinating Bacon’s Swamp. Today, the area that used to be covered by this large Marion County bog is part of Broad Ripple. Although Google Maps still shows a lake there called Bacon’s Swamp, this is really just a pond, re-engineered out of what used to be a genuine freshwater wetland.

Like its neighbor a little to the south, Bacon’s Swamp was created by the melting Wisconsin Glacier. About 20,000 years ago, the ice left an indent on the land that filled with water. As limnologists (freshwater scientists) describe, the process of swamp formation, lakes age and die like living creatures, filling up with sediment and plant matter and gradually losing the oxygen in their depths. Bacon’s Swamp evolved into a peat bog, one of the southernmost in the United States.

Like Fletcher’s Swamp, it took its name from a prominent local farmer active as a stationmaster on the Underground Railroad.  A native of Williamstown, Massachusetts, Hiram Bacon moved to this remote spot with his wife Mary Blair in 1821.  (Bacon was 21 years old, had studied law at Williams College, but due to poor health joined a government surveying expedition to the Midwest at age 19.  He liked Indiana and stayed.) Presbyterians, the Bacons became friends with Henry Ward Beecher, brother of the novelist Harriet Beecher Stowe, when he served as minister of Second Presbyterian Church downtown.  Beecher often came out to Bacon’s Swamp in the 1840s, when this was a remote part of Marion County.


Henry_Ward_Beecher_daguerreotype
This daguerreotype of abolitionist Henry Ward Beecher was probably taken in Indianapolis, where he served as a Presbyterian minister in the early 1840s. Beecher baptized Fanny Vandegrift, Robert Louis Stevenson’s wife, in the White River when she was a child growing up in the Hoosier State. Yale University.

Hiram and Mary Bacon actively helped freedom seekers escape through the area.  A 1931 article in the Indianapolis Star claimed that “The Bacon house stands on the east side of the road [now the paved Keystone Avenue], and the large barn was on the west side.  In it was a wheat bin, which could be entered only from outside by a ladder.  It was usually concealed by piles of hay.  Here and in the bin in the cider house, the fugitives were hidden and conveyed after dark to the next depot . . . The matter was never discussed in public.” At night, freedom seekers hid out in the peat bog across from the Bacon dairy farm.

The 400-acre family farm was located approximately where Glendale Mall sits today.  (Most of east Broad Ripple would have been deep in the morass back in the mid-1800s.)  Empty in the 1930s, the site of the Bacon farmhouse is occupied today by the Donut Shop at 5527 N. Keystone.


hiram bacon house
Indianapolis Star, January 18, 1931. Indiana Landmarks Wilbur D. Peat Collection, Indiana Memory.

donut shop - bacon's farm
Site of the Bacon farmhouse is occupied today by The Donut Shop at 5527 N. Keystone. Google Maps.

Around 1900, this area, now considered part of Broad Ripple, was called Malott Park.  Not to be confused with today’s Marott Park, Malott Park was a small railroad town later annexed by Indianapolis.  Barely a century ago, it was one of the last stops on a railroad line that connected northern Marion County with the Circle downtown.  Until World War II, Glendale was a far-flung place out in the country.

Walter C. Kiplinger, a chemistry teacher and tree doctor for Indianapolis public schools, wrote a fascinating article about the peat bog for the Indianapolis News in 1916.  The part of the bog he described was about a mile north of the State Fairgrounds, near 50th Street and Arsenal Park.  Now a major residential neighborhood, a hundred years ago it sounds like GPS coordinates were the only thing we’d recognize about the place:

You can reach it very easily if you have a machine [car] by taking the White River road to Malott Park, but when the spring rambling fever comes it is much more easy to go cross-country.  It is just a pleasant afternoon’s hike there and back. . . If common courtesy is observed in closing gates and keeping off fields where the crops might be injured, the owners of the farm lands usually do not enforce their trespass notices. . .

How much peat there is in Bacon’s slough or how thick the bed is, no one seems to know. . . Whatever the average depth, it is as truly a peat bog as any in Ireland.

Serious proposals to harvest peat in Indianapolis were mentioned in the press from 1905 until the 1920’s, when the idea was apparently dropped.  Other parts of Indiana, especially up north, also explored the possibility of using peat as a substitute for coal.  During World War I, the U.S. and Canada exported sphagnum moss from North American peat bogs to Europe, where a cotton shortage had led army doctors to experiment with peat bandages on the Western Front.  The moss served as a kind of natural antibiotic and was a success when used to dress wounds.  (The story made it into the South Bend News-Times in 1918.)


peat - south bend news times 1918
South Bend News-Times, November 15, 1918. Hoosier State Chronicles.

Use of peat has always been widespread in Europe.  Not a fossil fuel, it emits an odorless, smokeless heat and an “incredible ambiance.”  For millennia, it has served as a cheap heat source in rural Ireland and Britain (where it also gives the “smoky” flavor to Scotch whisky.)  The Indianapolis News ran an article about “inexhaustible” Irish peat in 1916, informing Hoosiers that “Mixed with crude molasses from sugar mills it is also used as a forage for cattle, while semi-successful efforts have been made to convert the vegetable fibers into a cheap grade of paper.”  In 1929, a massive 40% of the Soviet Union’s energy came from peat, but today, large-scale industrial harvesting is only common in Ireland and Finland.


Peat stacks and cutting Yorkshire 1905
Peat stacks and cutting, Yorkshire, England, 1905. Alexander Eric Hasse, photographer. Wikimedia Commons.

peat indianapolis 1905 2
Indianapolis News, August 19, 1905. Newspapers.com.

As an alternative fuel source, peat nearly became a reality in central Indiana in the early 1900s.  E.H. Collins, a “scientific” farmer from Hamilton County, touted that the “earth that would burn” in the summer of 1905.

Collins owned a farm a mile north of the State Fairgrounds, in the vicinity of Bacon’s Swamp.  An article on August 19 in the Indianapolis News refers to the 30-acre peat bog he “discovered” as the “Collins Bog.”  The farmer estimated that it held about 400,000 tons of the fuzzy stuff.

The 1905 article in the Indianapolis News is a strange flashback, envisioning a grand future that never really came about.

The announcement that a good fuel deposit has been found at the city limits and can be drawn on in case Indianapolis gets into a fuel pinch is of great importance to a city that, thus far, has been left out of practically every fuel belt in Indiana in recent years — in fact, since she was the very center of the stove wood belt.  Too far west to be in the gas belt, too far east to be in the coal fields and outside of the oil territory, Indianapolis, since the old cordwood days, has been a negative quantity in the state’s fuel supply. . .

The discovery of good peat deposits around Indianapolis calls attention to the fact that Indiana sooner or later is to come to the front as a peat-producing state.

Obviously, this never happened.  Peat was briefly harvested in Bacon’s Swamp in the mid-20th century, as it was in a few other spots throughout northern Indiana, but the resource was mostly used for gardening, not as a rival to coal.

As Indianapolis’ economic downturn and “white flight” led to the explosion of Broad Ripple as a suburb in the 1950s, the swamp was more and more threatened.  Conservationists were mostly ignored when they argued that the swamp protected creatures who keep insect populations in check and therefore help farmers and gardeners.  In February 1956, three children drowned trying to save a puppy who had fallen through the ice in one of the lakes here, prompting residents in the area to push for “condemning” and obliterating the “deadly swamp.”

While the squishy, “bottomless” ground was a constant problem for developers — devouring roads in 1914 and 1937 — gradually only a tiny remnant pond was left, just west of Keystone Ave and a block south of Bishop Chatard High School. Yet the tree doctor Walter Kiplinger did remember one man who kept himself warm with a satisfying peat fire in Indianapolis back in the day.

“There used to be one from the ‘ould sod’ [Ireland] who lived in a shack near the hog pens east of the slough,” Walter C. Kiplinger remembered during World War I in the Indianapolis News:

His name was Michael O’Something-or-other, I’m not certain what, but he was a gentleman in the highest sense of the word.  There was nothing hyphenated about his Americanism, but is a man any the worse American for having a bit of sentimental feeling for the old country in his makeup?  Surely when one has a bit of Ireland’s own bog land in his own back yard, you might say, he has a perfect right to dig and use the peat for fuel. . .

Bacon’s Slough will probably go the way of similar places;  but one should not be too pessimistic.  The Irish may mobilize some St. Patrick’s Day, and go out and save it just for the sake of that peat bog.  You can never tell.


Indianapolis News, March 1, 1916. Hoosier State Chronicles.

Contact:  staylor336 [at] gmail.com

Dillinger, Denial, and Devotion: The Trials of Lena and Gilbert Pierpont

Harry Pierpont, courtesy of Geocities, and Lena Pierpont, courtesy of Find-A-Grave.

“Harry is a fine boy, he never told me a lie in his life,” Lena Pierpont proclaimed about her son, “Handsome Harry” Pierpont, who was considered the brains of the John Dillinger gang.[1] Like many families, the Pierponts rallied around their son in times of trouble. The extent to which they defended Harry demonstrated both the depths of parental love and the pitfalls of willful ignorance. Harry’s troubles centered on the frenzied period between September 1933 and July 1934, when the Dillinger gang became America’s most wanted criminals for a crime spree that impacted Indiana communities big and small.

While Dillinger became the FBI’s very first “Public Enemy Number 1,”[2] 32-year-old Harry Pierpont was often credited with being the architect of the Dillinger gang’s crimes, and the mentor who helped make Dillinger a skilled criminal.[3]  Born in Muncie in 1902, Pierpont had amassed a lengthy criminal history long before meeting up with Dillinger. Pierpont was linked to a series of 1920s bank and store robberies across the state, including in Greencastle, Marion, Lebanon, Noblesville, Upland, New Harmony, and Kokomo, prior to landing in the Indiana State Prison at Michigan City – where he befriended and mentored Dillinger.

Pierpont’s criminal sophistication, however, had not spared him from arrest. By July 1934, he was arrested and awaited execution in Ohio for the murder of Lima County Sheriff Jesse Sarber. The sheriff had been killed in October 1933 as gangsters broke Dillinger out of the county jail. Pierpont’s mother, Lena, and father, J. Gilbert, instinctively believed in their son’s innocence and grew resentful over the “persecution” they said they endured from authorities after they had relocated from Ohio to Goshen, Indiana in April 1934. Pierpont’s beleaguered parents had come to the Hoosier city to try and “make an honest living in a respectable business.”[4]

By mid-July, with Dillinger still at large (although only days away from being slain by federal officers in Chicago), the Pierponts were under constant surveillance in an all-out effort to locate Dillinger. They had rented a “barbeque and beer parlor” on what was then called State Road 2 (now U.S. 33 West). Known as the “Cozy Corner Lunch” spot, the roadhouse was a half mile northwest of the famous A.E. Kunderd gladiola farm just outside the Goshen city limits.[5] Conducting what she called her first “free will interview” given to a journalist, Lena told the The Goshen News Times & Democrat, “I am going to try and open this place and run a legitimate business as soon as these men stop trailing us. Mr. Pierpont (her husband) is ill and unable to work, so all we want is to earn an honest living.”[6]

The Goshen News Times & Democrat reported that the Pierponts had rented the barbeque stand on an one-year lease offered by a couple identified as Mr. and Mrs. Rodney Hill. Although summer was nearly half over, the Pierponts had not opened for the year because a requisite beer license was still pending. The Pierponts believed this was held up by local officials facing pressure from federal authorities. Lena bitterly explained that the couple had sold all of their farm goods in Ohio in order to open the Goshen business.

“We should not be persecuted,” Lena explained. “We’re simply unfortunate. The government should call off its detectives and allow us to live as other good American citizens.” She pointed at a car parked about a quarter mile away and said, “See that car down the road? They’re always watching us.” She alleged that “Every minute for 24 hours a day we’re shadowed. They think we know (John) Dillinger and that he may come here. We don’t know him and we don’t want to.”[7] She insisted that her son was hiding in the attic of her home on the night the Ohio sheriff was killed, and while he was a fugitive escapee from the Indiana State Prison at the time, he was no murderer.[8]

Lena suggested that if she and Gilbert did know Dillinger maybe “we could get a deposition from him to the effect that our son, Harry, did not kill Sheriff Jess Sarber at Lima, Ohio.” Harry had assured her that Dillinger would clear him of the murder “and name the real slayer,” thus saving her son from the electric chair in Ohio.[9] The Indianapolis Times reported in September, Lena successfully arranged to meet with him in Chicago. According to her account, when asked who freed him from the Lima jail, Dillinger said “‘I’ll tell you who turned me out. Homer Van Meter is the man who fired the shot that killed Sarber and Tommy Carroll and George McGinnis are the men who were in the Lima jail and turned me out.'”[10]

Members of the Dillinger outlaw gang, Russel Clark, Charles Makley, Harry Pierpont, John Dillinger, Ann Martin and Mary Kinder, are arraigned in Tucson, Arizona on January 25, 1934, courtesy of the Associated Press.

Although used to letting his wife serve as family spokesperson, Gilbert Pierpont told an enterprising reporter from The Goshen News-Times & Democrat, “Harry (Pierpont) will not die for the murder of Sheriff Sarber. We are looking for a reversal of the Lima verdict by the Ohio Supreme Court. If not, the case will go to the United States Supreme Court.”[11] Harry’s angry and reportedly ill father said he didn’t like talking to reporters “because of so many false statements they have made about my son.” Contrasting her ailing husband, Lena “was jovial during the interview” and “jokingly remarked that the press would have it all wrong” when writing about her son.[12]

State and federal law enforcement officials were quick to impeach the Pierponts. Captain Matt Leach, who headed the effort of the Indiana State Police to bring the marauding gang to justice, actually identified Pierpont as “the brains” of the Dillinger gang. It was Pierpont, Leach said, who came up with the idea of springing Dillinger from the county jail in Lima by posing as Indiana police officers. When Sheriff Sarber demanded to see their credentials, Pierpont reportedly said, “Here’s our credentials,” and fired multiple shots into the lawman, killing him instantly.[13]

It was a short-lived, but “productive” period of freedom for thirty-one-year-old Dillinger after being sprung from the Lima jail. During this stint, he led his gang in a bold April 12, 1934 raid on the Warsaw Police Department, where they seized a cache of guns. The gang also conducted a deadly robbery of the Merchants National Bank in downtown South Bend on June 30, killing a police officer and injuring four others in a brazen sidewalk shootout. Federal agents put a stop to the spree when they gunned down Dillinger on the streets of Chicago on July 22, just nine months after the Pierpont-led escape from the Ohio jail.

The Akron Beacon Journal, March 8, 1934, 1, accessed Newspapers.com.

While Dillinger met his “death sentence” on a Chicago street, Pierpont remained on Ohio’s death row for the murder of Sheriff Sarber. Lena said she and her husband would continue to make the journey of more than 200 miles from Goshen, Indiana to Columbus, Ohio, “every weekend” to see their son. “We will continue to do this as long as we have any money,” she said.[14] Lena also declared she would continue to challenge state and federal authorities for their alleged harassment of her family. She had reportedly talked to an Elkhart attorney about bringing suit against state and federal authorities.

“We are unfortunate that our son is in prison under sentence of death,” Lena said, adding “No other members of our family have a criminal record. We should not be persecuted. They tell us that these men, who are constantly nearby in parked automobiles ready to follow us at any time we may leave, are federal government men.”[15] Lena’s claim that her son Harry was the only member of her family who had run afoul of the law was not accurate. The Pierponts’ younger son, Fred, 27, and Lena herself, were both arrested and held on illegal possession of weapons charges and vagrancy in Terre Haute in December 1933. A car driven by Lena on the day she was arrested contained almost $500 in cash and a sawed-off shotgun.

To publicize her claims of harassment, a day after granting an exclusive interview to The Goshen News Times & Democrat (picked up by the Associated Press and reported by newspapers across the nation), Lena marched into the Elkhart County Courthouse at Goshen, demanding that she be granted her long-delayed beer license and that an “order of restraint” be placed against detectives following them.[16] Despite his family’s attempts to win over “the court of public opinion,” as summer gave way to fall in 1934, Harry’s appeals to the Ohio Supreme Court were coming to no end other than delaying his execution. Surprisingly, in late September, Pierpont and fellow Dillinger gang member, Charles Makley, staged a spectacular, yet unsuccessful escape attempt from the Ohio Penitentiary. Fashioning realistic-looking handguns made of soap (and blackened with shoe polish), Pierpont and Makley were immediately “outgunned” by prison guards, who killed Makley and critically wounded Pierpont in a shootout.[17]

By October, Pierpont could no longer escape his fate. As one reporter noted, Pierpont “whose trigger finger started the John Dillinger gang on its short but violent career of crime that blighted everything it touched, must die in the electric chair at the Ohio Penitentiary.” Prison officials reported “the doomed man has reconciled himself to death and embraced his former faith, the Roman Catholic religion.”[18]

Sullen and weakened by the gunshot wounds sustained during his failed prison escape, Pierpont strongly contrasted with “the braggart who once boasted he would kill every cop on sight.” Now, jailers said, Pierpont wished out loud that he too had been fatally wounded in the prison shootout.[19] “Pierpont’s mother, Lena, by this time living near Goshen, Indiana, and his sweetheart, Mrs. Mary Kinder, an Indianapolis gang ‘moll,’ are remaining true to the fallen gangster to the last,” one newspaper account told. Kinder, whom reporters were quick to point out was previously married, “even went to Columbus recently[,] determined to marry Harry in prison before he dies.”[20]

South Bend Tribune, October 19, 1934, 1, accessed Newspapers.com.

On October 17, 1934, the “fair-haired brains of the dissolved Dillinger mob” was executed. The Associated Press noted, “Quietly, unaided and with the ghost of a smile on his lips, the 32-year-old killer sat down to death in the gaunt wooden chair within the high stockade of the prison guarded in unprecedented fashion.”[21] Reporters who witnessed the execution said Pierpont “was not asked for any ‘last word,’ and he volunteered none. He just sat down with a rueful smile, closed his eyes, strained the muscles of his lanky, six-foot-two frame, as the current struck, clenched one fist – and that was all.”[22] A national wire photo showed Kinder comforting Lena and Gilbert at their new home along U.S. 31 in Lakeville in St. Joseph County, where they had moved after their failed attempt to start a roadhouse near Goshen.

A funeral was conducted for Harry inside the Pierponts’ home, led by a priest from the Sacred Heart Catholic Church of Lakeville. The services were held an hour earlier than was announced to keep reporters away. Harry Pierpont had told Ohio prison officials that he desired a “simple, but lavish funeral” and wanted his remains be released to his parents in Indiana.[23] The South Bend Tribune reported, “His casket was adorned only by a small wreath of artificial flowers, and lay grotesquely surrounded by canned goods and automobile accessories in his parent’s home store.”[24] Harry was eventually buried at the Holy Cross and St. Joseph Cemetery in Indianapolis.

Lena Pierpont would appear in the news one more time for her resilience. In the summer of 1937, Lakeville town authorities took court action to rid the village of “a band of roving coppersmiths” who had settled at Lena’s White City Inn. Surely she refused to oust them because she needed the income in the lean Depression years, but perhaps she also related to those on the fringes of society, trying their best to survive.[25]

The Pierponts suffered another tragedy when Harry’s younger brother, Fred, died in March 1940 at the age of 33 from injuries suffered in a car crash near South Bend. Perhaps being forced to hone the art of resilience due to the upheaval wrought by Harry helped them survive this second blow. Lena died in her Lakeville home on October 21, 1958 at the age of 78. Her long-suffering husband Gilbert, died three years later also at Lakeville at the age of 80. They were buried alongside their infamous son in Indianapolis.[26]

Police booth, courtesy of the Goshen Historical Society.

* Interestingly, the Goshen connection to the Dillinger gang, beyond the Pierponts’ battles there, is forever enshrined in the city’s limestone police booth opened in 1939. The impressive octagon structure sits on the corner of the Elkhart County Courthouse square, opposite Goshen’s two largest banks. Complete with bulletproof glass (donated by two of the city’s banks), the booth (partially funded by Works Progress Administration dollars) was never called into duty as Goshen’s banks escaped being robbed.

Sources:

*Primary documents were accessed via Newspapers.com, the Goshen Public Library, and the Goshen Historical Society. 

[1] Associated Press, July 12, 1934.

[2] Andrew E. Stoner “John H. Dillinger, Jr.” in Linda C. Gugin and James E. St. Clair, eds., Indiana’s 200: The People Who Shaped the Hoosier State (Indianapolis: Indiana Historical Society Press, 2015), 96.

[3] Patrick Sauer, “Harry Pierpont: John Dillinger’s Mentor” in Julia Rothman and Matt Lamothe, eds., The Who, the What, the When: Sixty-Five Artists Illustrate the Secret Sidekicks of History, (San Francisco: Chronicle Books, LLC., 2014), 42.

[4] Goshen News Times & Democrat, July 12, 1934.

[5] Goshen News Times & Democrat, July 19, 1934.

[6] Goshen News Times & Democrat, July 12, 1934.

[7] Goshen News-Times & Democrat, July 12, 1934.

[8] United Press, July 13, 1934.

[9] Associated Press, September 23, 1934.

[10] Indianapolis Star, July 13, 1934.

[11] Goshen News-Times & Democrat, July 12, 1934.

[12] Goshen News-Times & Democrat, July 12, 1934.

[13] Paul Simpson, The Mammoth Book of Prison Breaks: True Stories of Incredible Escapes (London Constable & Robinson, LTD., 2013).

[14] Goshen News-Times & Democrat, July 12, 1934.

[15] Associated Press, December 14, 1933.; Goshen News-Times & Democrat, July 12, 1934.

[16] Ibid.

[17] Associated Press, September 22, 1934.

[18] Massillon (Ohio) Evening Independent, October 4, 1934.

[19] Massillon (Ohio) Evening Independent, October 4, 1934.

[20] Massillon (Ohio) Evening Independent, October 4, 1934.

[21] Associated Press, October 17, 1934.

[22] Ibid.

[23] Indianapolis Star, October 19, 1934.

[24] South Bend Tribune, October 18, 1934.

[25] United Press, June 8, 1937.

[26] Muncie Evening Press, October 22, 1958.; Muncie Star-Press, October 4, 1961.; Associated Press, March 6, 1940.

“Coed Mayhem”: Roller Derby in Indiana

 

Courtesy of the Indianapolis Star, May 6, 1937. Accessed via ProQuest.

Indiana is a sports state through and through. From our long history with Hoosier Hysteria and March Madness to our deep passion for the football team that arrived in the dead of night to the checkered flags dotting the capital city every May, it’s clear we love our sports. While many Hoosiers are familiar with our love for basketball, football, and racing (among many other popular pastimes), there’s also a long history in the state of Indiana with another much less known and perhaps more controversial sport:

Roller Derby.

Over the long decades of the sport’s existence, Hoosiers had a complicated relationship with Roller Derby. They loved it and found it immensely entertaining, but was it true sport?  Was it more of an entertainment spectacle? Could Roller Derby scores grace the sports page of the Indianapolis Star or the Indianapolis Times the same as the box scores for other sports? Not everyone thought it should, yet thousands of Hoosiers still clamored for tickets whenever the Roller Derby wheeled into town.[i] There was just something deeply amusing about the fast-paced skating and amped up action of the mad whirlers as they skated around and around the banked track. The Roller Derby offered fans something that no other full contact team sport did: women competing on par with men, and for that reason, the Roller Derby was both beloved and spurned.

“Two women’s league roller derby skaters leap over two who have fallend,” World-Telegram photo by Al Aumuller, March 10, 1950, Courtesy of Wikimedia Commons.
Leo Seltzer, Courtesy of Jerry Seltzer’s blog, rollerderbyjesus.com

Roller Derby, in its modern form, was born out of the struggles of the Great Depression. There is a long history in the United States of various roller-skating races and marathons, and many of them were even called roller derbies. However, in the 1930s, an entertainment promoter named Leo Seltzer decided to try his hand at putting on a roller derby. He had recently become the main leaseholder on the Chicago Coliseum and after hosting a series of walkathons and danceathons was convinced that these attractions couldn’t hold the long-term interest of paying crowds.

Dance Marathon, Courtesy of the New York Public Library Digital Collections.

 

Yet deep in the throes of the Depression, he knew he needed cheap entertainment that the average American could relate to and spend some of their hard-earned money enjoying. Seltzer claimed to have read an article that stated that well over 90% of Americans roller skated at some point in their lives, but he also drew inspiration from previously held roller marathons, skating races, popular 6-day bicycle races, walkathons, and danceathons to create what he dubbed the Transcontinental Roller Derby (TRD).[ii]

Photo courtesy of Made in Chicago Museum.

The first Transcontinental Roller Derby was held at the air-conditioned Chicago Coliseum on August 14, 1935, in front of 20,000 enthused fans.  Here’s how it worked: ten co-ed pairs of skaters were competing against each other to, in essence, skate approximately 3,000 miles across the country (the distance could vary).  One of each pair of skaters had to be skating on the track at all times the roller derby was open, which often was 6-12 hours a day. The women generally skated against the women for a particular interval and then men against the men. Their progress was tracked through a giant map of the United States featuring a transcontinental route, for instance, from Indianapolis to Los Angeles: According to Roller Derby: The History of an American Sport, “small lights on the map were lit as skaters advanced along the replicated path, marking their distance and mileage as they progressed city by city.”[iii]

Martin and McKay, Courtesy of the National Roller Skating Museum.

The first skating duo to complete the 3,000 mile journey won the roller derby. Corrisse Martin and Benjamin McKay won the first TRD in Chicago. Roller Derby clearly a success, Seltzer took his spectacle on the road.[iv]

For the next couple of years, the TRD barnstormed the country, hosting Roller Derbies in venues across the nation.  However, the business side of the Roller Derby operated out of Seltzer’s offices in Gary, Indiana.[v] Despite the ties to northern Indiana, the TRD did not skate in Indiana until the spring of 1937 when it rolled into Indianapolis. By then, Indy fans were eager to greet the sport and its skaters.  According to an Indianapolis Star headline a week before the derby began, “Thrilling ‘jams’ await Roller Derby spectators” at the Coliseum at the state fairgrounds.[vi] Only one local Indianapolis resident participated in the first Hoosier Roller Derby: Tom Whitney. He was a veteran of the sport, however.  Jane and Jack Cummings of Lafayette, a husband and wife team, joined the fray, and Gene Vizena, of East Gary, was also among the skating teams in that first competition in Indy.[vii]

Courtesy of the Indianapolis Star, April 13, 1937, Accessed via ProQuest.

The TRD would return to Indianapolis for a second stint in late September to mid-October 1937, again held at the Coliseum.[viii] Five thousand fans showed up to watch the competition on October 6, 1937, where they apparently discovered, “it was possible to yell louder than a combination of sirens and bells.”[ix] The fans loved it, but the newspapers weren’t exactly sure what to make of it. As one Star reporter wrote, “The curtain rolled up on the roller derby last night and if you will bear with the roller derby reporter while he unravels his neck and focuses his eyes he will try to tell you about this dizzy occupation.”[x]

But major changes were a-coming to the Roller Derby late in 1937 that would dramatically alter the competition, propel it into the limelight, and eventually make people question its legitimacy. The rules prior to late December 1937 prevented skaters from any physical contact with each other as they completed the marathon-style endurance race. This had become a frustrating facet of the race for larger skaters who were frequently outmaneuvered by the smaller and quicker skaters that easily lapped them. At a series held in the Miami, Florida area late in the year, a group of skaters let their frustrations out on the track and “began pushing, shoving, and elbowing the speedsters, pinning them in the pack behind them . . . The referees ended the sprinting jams and started penalizing and fining the bigger skaters, eliciting loud boos and hisses from the excited crowd.”[xi] Leo Seltzer always paid close attention to crowd reactions and ordered the refs to allow the skaters to continue with contact, to much fanfare.

“Roller derby at Atlanta Municipal Auditorium,” 1937, Lane Brothers Commerical Photographers, Courtesy of Georgia State University Special Collections, Digital Public Library of America

Later that night, Seltzer and famed essayist and playwright Damon Runyon, who was at the game and witnessed the enthusiastic crowd response, rewrote the rules over dinner to permanently allow contact. From that point forward, the game evolved away from a marathon-style race to a full contact team sport, albeit one with amped up dramatics, lots of hard-hitting, and frequently a fight or two.[xii]

Damon Runyon, 1938. Courtesy of the Irish Times and Getty Images.

Here’s how the new game worked: Five players of the same sex from each team started on the oval track together—two jammers (players that could score points) and three blockers.  Once the referee blew his whistle, the ten skaters began skating counterclockwise around the track and then grouped together to form what was dubbed a “pack.” According to Roller Derby, once skaters formed the pack, “the jammers, who began in the back of the pack, attempted to work their way through the pack to break free from the blockers.”[xiii] The blockers had a more complicated job of playing simultaneous offense and defense—their mission was to prevent the opposing team’s jammers from breaking out of the pack while also helping their jammers break through the pack to then score points. Immediately after the first jammer broke free of the pack, a jam clock began: “this meant that the jammers had two minutes to lap the pack and attempt to score as many points as possible before the jam time ran out.”[xiv] Jammers scored points for every opponent they passed after breaking through the pack that first time.

Courtesy of the Logansport Pharos-Tribune (Logansport, Indiana), October 9, 1936, Accessed via Newspapers.com
Courtesy of the Indianapolis Star, June 12, 1949. Accessed via ProQuest.

This newer version of Roller Derby really gained national prominence and coverage when it rooted itself in the New York City area with a lucrative ABC television network contract that telecast the event live every week for three years. From 1949-1952, the Roller Derby made its way into homes across the nation and became a staple of primetime TV. Various channels broadcast the sport for Hoosier viewers, ranging from the Indianapolis-based channel WFBM (Channel 6) to WGN out of Chicago (Channel 9) or WCPO Cincinnati (Channel 7).[xv] This provided a huge popularity boost to the sport, and fans loved watching the hard-hitting action of the male and female skaters competing together on a team. Indeed, it had higher viewership and ratings than other sporting events that were broadcast, such as boxing, wrestling, and college football, but there was a downside to this as well. The regular primetime programming without any sort of off-season led viewers, in part, to categorize the sport as entertainment television as opposed to a sporting event. This, along with the female skaters ready to battle it out on skates, endeared the sport to many while causing sports editors to thumb their noses at the Roller Derby.[xvi]

Courtesy of the Indianapolis Star, September 29, 1937. Accessed via ProQuest.

The Indianapolis Star coverage provides a great case study on the love-hate relationship with Roller Derby. Even prior to the TV exposure, the Indianapolis sports editors were leery of covering the Roller Derby as true sport, and often stories on the derby were intermixed among other sections of the paper—not in the “Sports, Financials, and Classifieds” section. As early as 1940, the Star sports editor explained why Roller Derby coverage wouldn’t appear on the sports pages: “When it came to the roller derby here we said, ‘Nay, nay’ for the sports pages—purely amusement. There was a squawk from the promoters, but the ‘front office’ backed us up in our contention.”[xvii]

Courtesy of the Indianapolis Star, October 31, 1954. Accessed via ProQuest.

Yet, Roller Derby was covered occasionally in the sports pages throughout the 1940s, but in 1954, the Star doubled down on their stance, despite continuing to provide coverage on the first Roller Derby in the city for years (on the sports page no less): “A mechanized morality play called the Roller Derby has dusted off an old wrestling script and moved dizzily into the Coliseum.”[xviii] The author allowed that “despite a journey that has no terminus, all on board seem to have fun. The crowd—made up of those who like to comment loudly on the performances of the athletes—exercises its vocal chords as strenuously as the athletes exercise their ideas of coed mayhem.”[xix] Still, he added an extra dig on the female skaters: “Girls skate against girls and boys against boys. But it’s quite difficult to determine when the sex of the competition changes off. If anything, the girls are the more nasty.”[xx]

Courtesy of the Indianapolis Star, May 4, 1941. Accessed via ProQuest.

Regardless, Hoosiers came out in droves to attend the Roller Derby whenever it came to Indiana. Roller Derbies were held at the Coliseum at the State Fairgrounds, at Victory Field, at Butler (now Hinkle) Fieldhouse in Indianapolis, and it even came to Fort Wayne in the spring of 1953.[xxi] According to the Angola Herald, “Fort Wayne [was] one of the smallest cities to ever play host to the Roller Derby teams. Most of the time the skaters are booked into large cities like New York, Philadelphia, Denver, Chicago, Milwaukee, San Francisco, and Los Angeles.”[xxii]

Over the decades, until the Seltzer Roller Derby folded in the mid-1970s, Hoosiers continued to grapple with their enjoyment of the game and their confusion over how to characterize it. Whether it was a “scripted morality play”[xxiii] or a “big league counterpart . . . to baseball, football, basketball and other sports,”[xxiv] Hoosiers loved the hard hits, big spills, and over-the-top action of the female and male skaters.

Stay tuned for another blog post focusing on Hoosiers starring in the Roller Derby, namely the Kemp family (3 Indianapolis siblings who took the sport by storm)!

Sources:

Courtesy of the Indianapolis Star, May 29, 1937. Accessed via ProQuest.

[i] “King and Aronson Lead Derby Field,” Indianapolis Star, May 1, 1937; Crowd of 8,376 At Roller Derby,” Indianapolis Star, May 2, 1937; “They Go ‘Round and ‘Round and Have The Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937; “Derby ‘Menaced’ By Black Shirts,” Indianapolis Star, October 6, 1937; “Interest in Roller Derby Reaches New High; Hoosier Team Captain Returns,” Indianapolis Star, April 2, 1939; “Roller Derby Due At Victory Field,” Indianapolis Times, May 30, 1949; “Roller Derby Comes to Fort Wayne, Angola Herald, May 14, April 29, 1953; “Chiefs Beat Westerners, 35-34,” Indianapolis Star, October 29, 1954.

[ii] Michella M. Marino, Roller Derby: The History of An American Sport, (Austin:  University of Texas Press, 2021),18-20; Hal Boyle, “Roller Derby Gives Women Something to Yell About,” Spokane Daily Chronicle, June 5, 1950; Leo Seltzer, quoted in Herb Michelson’s A Very Simple Game: The Story of Roller Derby, (Oakland, California: Occasional Publishing, 1971), 7; Jerry Seltzer, interview by author, June 17, 2011, Sonoma, California, digital audio recording, Michella Marino Oral History Collection, W.E.B. DuBois, University of Massachusetts Amherst.

[iii] Marino, 20; Bob Stranahan, “Thrilling ‘Jams’ Await Roller Derby Spectators,” Indianapolis Star, April 11, 1937.

[iv] Marino, 18-22.

[v] “Incorporations,” Indianapolis Star, September 18, 1935; “Kaplan Says His Arrest was Outrage,” The Times (Hammond, Indiana), November 24, 1937; Marino, 22-23.

[vi] Bob Stranahan, “Thrilling ‘Jams’…”; Bob Stranahan, “Skaters Practice at Coliseum Oval For Start of Roller Derby Tonight,” Indianapolis Star, April 15, 1937.

[vii] “Hoosier Team in Roller Derby,” Indianapolis Star, April 13, 1937; “Ten Roller Derby Teams Announced,” Indianapolis Star, April 14, 1937.

[viii] “Fall Roller Derby To Start Sept. 28,” Indianapolis Star, September 17, 1937; “Thirty in Derby Starting Tuesday,” Indianapolis Star, September 21, 1937; “They Go ‘Round and ‘Round and Have The Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937;

[ix] “Derby ‘Menaced’ By Black Shirts,” Indianapolis Star, October 6, 1937.

[x] “They Go ‘Round and ‘Round and Have the Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937.

[xi] Marino, 30.

[xii] Marino, 30-32.

[xiii] Marino, 30.

[xiv] Marino, 30.

[xv] “WFBM-TV Ch. 6 Programs for Friday,” Indianapolis Star, June 10, 1949; “Thursday TV, April 26, 1951,” Indianapolis Star, April 21, 1951; “WGN-TV Chicago (Channel 9),” Indianapolis Star, November 11, 1951; “Your Radio and Television Programs for Saturday,” Indianapolis Star, February 2, 1952 “Your Radio and Television Programs for Saturday,” Indianapolis Star, March 1, 1952.

[xvi] Marino, 38, 128-130

[xvii] W. Blaine Patton, “Playing the Field of Sports,” Indianapolis Star, February 8, 1940; Marino, 39.

[xviii] Frank Anderson, “Mayhem on Skates: Roller Derby Squads Follow Wrestling Cue,” Indianapolis Star, Sun. Oct. 31, 1954.

[xix] Anderson.

[xx] Anderson.

[xxi] “Ten Roller Derby Teams Announced,” Indianapolis Star, April 14, 1937; Bob Stranahan, “Skaters Practice at Coliseum Oval For Start of Roller Derby Tonight,” Indianapolis Star, April 15, 1937; “Interest in Roller Derby Reaches New High; Hoosier Team Captain Returns,” Indianapolis Star, April 2, 1939; “Field of 37 Set For Roller Derby,” Indianapolis Star, June 1, 1949; “Indianapolis Cops Lead in Roller Derby,” Indianapolis Star, June 2, 1949;  “Roller Derby Comes to Fort Wayne May 14,” Angola Herald, Wed. April 29, 1953.

[xxii] “Roller Derby Comes to Fort Wayne May 14,” Angola Herald, Wed. April 29, 1953.

[xxiii] Anderson.

[xxiv] “Roller Derby Due At Victory Field.”

Indianapolis’s Foreign House: “A Mixture of Protection and Coercion”

Indianapolis News, March 3, 1917, 28, accessed Newspapers.com.

As John H. Holliday strolled through Indianapolis’s Hungarian Quarter, he observed windows caked with grime, street corners lined with rubbish, and the toothy grin of fences whose boards had been pried off and used for fuel. While reporting on the nearby “Kingan District,” Holliday watched plumes of smoke cling to the meat packing plant, for which the area was named. The philanthropist and businessman noted that in the district “boards take the place of window-panes, doors are without knobs and locks, large holes are in the floors, and the filthy walls are minus much of the plastering.”[1] Houses swollen with residents threatened outbreaks of typhoid fever and tuberculosis.

Those unfortunate enough to live in these conditions were primarily men from Romania, Serbia, Macedonia, and Hungary who hoped to provide a better life for family still living in the “Old World.”[2] Alarmed by what he witnessed, Holliday published his report “The Life of Our Foreign Population” around 1908. He hoped to raise awareness about the neighborhoods’ dilapidation, which, in his opinion, had been wrought by landlords’ rent gouging, the city’s failure to provide sanitation and plumbing, and immigrants’ inherent slovenliness (a common prejudice at the time). Holliday feared that disease and overcrowding in immigrant neighborhoods could spill into other Indianapolis communities.[3] Perhaps a bigger threat to contain was the immigrants’ susceptibility to political radicalism, given the squalor in which they had been reduced to living. Holliday wrote, “If permitted to live in the present manner, they will be bad citizens.”[4] 

Dan and Mary Simon’s Romanian parents settled in Indiana Harbor, ca 1915, Jane Ammeson Collection, Indiana Album.

Motivated by a desire to both aid and control immigrants, a coalition of local businessmen-including Holliday-philanthropists, and city officials formed the Immigrant Aid Association in 1911.[5] Later that year, the association established the Foreign House on 617 West Pearl Street, which provided newcomers with social services like child care and communal baths, but also worked to assimilate and “Americanize” them. The Foreign House reflected the dual purposes of immigrant settlements in this period: what historian Ruth Hutchinson Crocker called “a mixture of protection and coercion.”


The first week of April 1908 was one of discord for northern Indiana. Hundreds of immigrant laborers stormed the Lake County Superior Court, “crying for bread” after the closing of Calumet Region mills. In Hammond, armed immigrants drilled together, causing police to fear the emergence of a riot. In neighboring Indiana Harbor, masses of desperate immigrants, many living in destitution, thronged the streets in search of employment. Blood spilled in Syracuse, when Hungarian laborers stabbed Sandusky Portland Cement Co. employee Bert Cripe. Apparently this was retribution for local employers’ refusal to hire Romanians, Hungarians, and “other laborers of the same class.” The stabbing set off a sequence of street fights between immigrants and locals, and resulted in the bombing of a hotel where laborers stayed. The Indianapolis News reported that the explosion “wrecked a portion of the building, shattered many windows, and not only terrified the occupants, but also the citizens of the town and country.”[6]

These alarming events made an impression on a nameless employee at Indianapolis’s Foreign House, who referenced the Indianapolis News article in the margin of a ledger three years after the foment.[7] The employee seemed acutely aware of the potential for unrest if the basic needs of Indianapolis’s estimated 20,000 immigrants went unmet.[8]

South Bend Tribune, January 5, 1911, 3, accessed Newspapers.com.

According to Crocker, by 1910, 80% of Indianapolis’s newcomers had originated from Romania, Serbia, and Macedonia. Many of those who had recently settled in the Hoosier capital had migrated from Detroit, Kentucky, and Chicago, in search of jobs.[9] Many Americans viewed such immigrants with derision, believing, as Holliday did, that they “‘differ greatly in enterprise and intelligence from the average American citizen. They possess little pride in their personal appearance and live in dirt and squalor.'”[10] The 1911 Dillingham Commission Reports, funded by Congress to justify restrictive immigration policies, was designed to validate these beliefs. Using various studies and eugenics reports, the commission “scientifically” concluded that Eastern and Southern Europeans were incapable of assimilating and thereby diluted American society.[11] 

Reflecting the Report’s conclusions, a 1911 South Bend Tribune piece noted urgently, “A big portion of the immigrants are undesirable—very undesirable. . . . Mark this. If we don’t begin to really exclude undesirable immigration, the Anglo-Saxon in this Government will be submerged.” Its author continued that these “undesirables” would “soon become voters. Men who need votes see to that.”[12] The founders of Indianapolis’s Foreign House hoped to bring together various nationalities, as their isolation made them a “political and cultural menace.”[13]

Indianapolis Star, December 15, 1929, 75.

In fact, the House’s very foundations belied the American ideals of business philanthropy and civic volunteerism. Kingan & Co. essentially donated the settlement’s structure, the local community funded citizenship classes, and work was furnished partly through “personal subscriptions and the assistance of teachers who have volunteered their services.”[14] The settlement house would be modeled after YMCAs, offering baths, “reading and smoking rooms,” a health clinic, and night classes in which patrons could learn English.[15] Additionally, civics courses and an information bureau, where “all the dialects of the foreign population will be spoken,” helped immigrants understand American laws and navigate the citizenship process.

These classes were crucial, as ignorance about American customs resulted in many newcomers placing their money and trust in corner saloons, whose owners often mismanaged or pocketed the funds.  Immigrant Aid Association officers hoped that “opportunities for grafting and theft among the gullible class of foreigners will be reduced when the settlement house is in working order.”[16] An understanding of the English language and the legal system could also help challenge the stereotype that immigrants were criminals because most offenses were committed due to their “ignorance of the law.”[17]  Furthermore, the Star noted in 1914 that, according to those in charge, classes about American government “have given the students an increased earning capacity and have been of great benefit in fitting them for work in this country.”[18]

Questions about their intellectual aptitude persisted, as noted by the Indianapolis Star‘s 1915 observation of immigrants in night school: “It is an interesting sight to watch the swarthy men bending over their books and making awkward attempts to follow the pronunciation of their teachers.” Despite such evaluations, it is clear than many immigrants were grateful for the quality of education afforded in America. As relayed by an interpreter and printed pejoratively in the Indianapolis Star, a young Macedonian man who had recently arrived to Indianapolis “says he thankful most for the education he is gettin’ in America. He wants to bring father and mother here to free country.”[19]

Indianapolis News, February 21, 1916, 16, accessed Newspapers.com.

While the Foreign House introduced men to American cultural and political norms through these courses, immigrant women were indoctrinated through home visits by Foreign House staff.[20]  Ellen Hanes, resident secretary of the organization, made 2,714 trips to women’s homes in 1913, “teaching the care of children and teaching domestic economy as practiced by American housewives.”[21] Historian Ruth Hutchinson Crocker contended that such services:

were the medium for teaching ‘correct’ ideas about a variety of subjects, from the meaning of citizenship to the best way to cook potatoes; thus they always involved the abandonment by immigrant women of traditional ways of doing things.[22]

Indianapolis News, March 3, 1915, 3, accessed Newspapers.com.

In addition to providing instruction about American customs, the House offered a space for fellowship and recreation. Likely feeling isolated in their new country, immigrants could socialize there and enjoy musical programs, as well as literary clubs with fellow newcomers. They could don costumes from their homeland, often “rich and heavy with gold and embroidery,” and perform folk dances and native music. Conversely, much of the entertainment centered around American patriotism, like a program for George Washington’s birthday, in which men dressed like the first president and women the first lady. The Indianapolis Star noted, “Probably at no place in Indianapolis are holidays celebrated more earnestly.”[23] Crocker contended that this blended programming “showed the settlement in the dual role of Americanizer and preserver of immigrant culture.”[24]

Recreational opportunities also lowered the possibility that immigrants would become a societal “liability.” One man who dropped by the house said, “‘We used play poker and go saloon and dance when we come Indianapolis. . . but now we read home books in our library, read English, do athletes, play music and do like Americans.'”[25]


Sidney Joseph Greene, Newman Library, CUNY, accessed Wikipedia.

America’s entry into World War I in 1917 intensified suspicion of immigrants and spurred questions about their loyalty. This hostility impacted foreign institutions like Indianapolis’s German-language paper, the Täglicher Telegraph und Tribüne, which, despite trying to present balanced war coverage, ceased publication by 1918. In the years following World War I, the Foreign House was “practically abandoned,” perhaps another victim of xenophobia surfacing from the war’s wake. The emerging nationalist impulse likely accounted for the organization’s name change.[26] The Foreign House became the American Settlement House in 1923, when the organization merged with the Cosmopolitan Mission and moved to 511 Maryland Street (where the Indiana Convention Center now sits).[27]

Post-war labor strikes, anarchists’ bombing of American leaders, and fears that Eastern European immigrants would replicate the 1917 Bolshevik Revolution increased suspicion of and reduced support for immigrants. It also helped inspire the 1924 Immigration Act, which set an annual immigrant quota of 150,000 and drastically curtailed admittance of people from “undesirable” countries.[28]  A sense of isolation must have intensified for Indianapolis’s immigrants, now deprived of the settlement house’s resources and contending with renewed nativism. That is until Mary Rigg, a young, idealistic social worker was put in command of the American Settlement House in 1923. While conducting research for her thesis about the settlement, Rigg developed an affinity and deep empathy for its visitors. She began to envision a robust image of their future. With the assistance of the House, immigrant neighborhoods blossomed with colorful flowerbeds, giggling children shimmied up gleaming jungle gyms, and neighbors shared the bounties of a communal garden.

Mary Rigg, courtesy of the Mary Rigg Neighborhood Center, accessed Encyclopedia of Indianapolis.

The goal would not simply be to help newcomers find employment, obtain citizenship papers, or avoid disease, but to experience, as Rigg stated, “true neighborliness,” where they “could play the game of daily living together in peace and harmony.” Rigg would be chief architect of this idyllic vision, in which immigrants could taste the fruits of capitalism, while embracing their native customs, language, and dress. After all, she believed that living “in a country in which we have the privilege of climbing higher” applied to its immigrants and that it was the settlement’s responsibility to help them ascend its steps. [29] 

* Read Part II to learn how “Mother” Mary helped engineer a vibrant urban community and hear from those who thrived in it.

Sources:

*All newspapers were accessed via Newspapers.com.

[1] Sarah Wagner, “From Settlement House to Slum Clearance: Social Reform in an Immigrant Neighborhood,” 1-4 in 1911-2001: Mary Rigg Neighborhood Center, 90 Years of Service, given to the author by Mary Rigg Neighborhood Center staff.

[2] Ruth Hutchinson Crocker, Social Work and Social Order: The Settlement Movement in Two Industrial Cities, 1889-1930 (Urbana: University of Illinois Press, 1992), 47.

[3] Wagner, 2-6.

[4] Crocker, 49.

[5] “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.

[6] “Foreigners Clamoring for Something to Eat,” Indianapolis News, April 8, 1908, 8.; “Riot at Syracuse Ends without Loss of Life,” Indianapolis News, April 8, 1908, 8.

[7] Mary Rigg Neighborhood Center Records, 1911-1979, L130, Indiana State Library.

[8] Foreign population estimate is from “Library Orders Foreign Works,” Indianapolis Star, April 19, 1914, 51.

[9] Crocker, 14, 47.

[10] Wagner, 5-6.

[11] “Dillingham Commission Reports (1911),” accessed Immigrationhistory.org.

[12] “The Latin Will Overcome the Anglo-Saxon in this Country in a Few Year,” South Bend Tribune, January 5, 1911, 3.

[13] Crocker, 48.

[14] Wagner, 6.; Indianapolis Star, February 21, 1915, 3.; “Library Orders Foreign Works,” Indianapolis Star, April 19, 1914, 51.; Quotation from “Members of Civic League Criticise [sic] School Board in Not Giving Assistance,” Indianapolis Star, January 7, 1913, 9.

[15] “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.

[16] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.; “Foreign Quarters in City to be Improved,” Indianapolis News, July 29, 1911, 16.; “Members of Civic League Criticise [sic] School Board in Not Giving Assistance,” Indianapolis Star, January 7, 1913, 9.

[17] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.

[18] “Scope of Night Schools for Foreigners Broadened,” Indianapolis Star, August 13, 1914, 16.

[19] “Thankful to be Free,” Indianapolis Star, December 1, 1911, 8.; Indianapolis Star, February 21, 1915, 3.

[20] “Advise Foreigners to Avoid Saloons,” Indianapolis Star, October 7, 1911, 7.

[21] Indianapolis Star, September 13, 1914, 38.

[22] Crocker, 59.

[23] Indianapolis Star, February 21, 1915, 3.; “School Popular with Foreigners,” Indianapolis Star, September 13, 1914, 38.

[24] Crocker, 58.

[25] Indianapolis Star, September 13, 1914, 38.; “School Popular with Foreigners,” Indianapolis Star, September 13, 1914, 38.

[26] Crocker, 60.; German Newspapers’ Demise historical marker, courtesy of the Indiana Historical Bureau.; “Xenophobia: Closing the Door,” The Pluralism Project, Harvard University, accessed pluralism.org.

[27] Crocker, 60-61.; Wagner, 7-8.

[28] “Sacco & Vanzetti: The Red Scare of 1919-1920,” accessed Mass.gov.; “The Immigration Act of 1924,” Historical Highlights, History, Art & Archives: United States House of Representatives, accessed history.house.gov.; David E. Hamilton, “The Red Scare and Civil Liberties,” accessed Bill of Rights Institute.

[29] Crocker, 60-65.; Master’s thesis, Mary Rigg, A.B., “A Survey of the Foreigners in the American Settlement District of Indianapolis,” (Indiana University, 1925), Mary Rigg Neighborhood Center Records.;  Bertha Scott, “Mary Rigg Busier Since ‘Retirement,'” Indianapolis News, November 3, 1961, 22.; Laura A. Smith, “Garden and Home First Wish of New Americans,” Indianapolis Star, July 6, 1924, 36.;  Letter, Mary Rigg, Executive Director, Southwest Social Centre to Mr. Joseph Bright, President, City Council, May 15, 1953,  Mary Rigg Neighborhood Center Records.

Hoosier State Chronicles: The Series | Leedy Manufacturing Company and Purdue’s “World’s Largest Drum”

Purdue’s “World’s Largest Drum”, made by Indianapolis’ Leedy Manufacturing Company in 1921, has been involved in many rivalries over its size. Learn more about its unique history from our latest video.

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Credits: Written and produced by Justin Clark.

Music: “Regimented Instinct” by Teknoaxe, “Jumpin’ Boogie Woogie” by Audionautix, “Anchors Aweigh” by US Marine Corps Band, “National Emblem” by US Naval Academy Band, “Low Tide” by Silent Partner, “Jazz Bar” by Doug Maxwell, Media Right Productions, “Hail, Purdue” by Purdue All-American Marching Band

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