“Coed Mayhem”: Roller Derby in Indiana

 

Courtesy of the Indianapolis Star, May 6, 1937. Accessed via ProQuest.

Indiana is a sports state through and through. From our long history with Hoosier Hysteria and March Madness to our deep passion for the football team that arrived in the dead of night to the checkered flags dotting the capital city every May, it’s clear we love our sports. While many Hoosiers are familiar with our love for basketball, football, and racing (among many other popular pastimes), there’s also a long history in the state of Indiana with another much less known and perhaps more controversial sport:

Roller Derby.

Over the long decades of the sport’s existence, Hoosiers had a complicated relationship with Roller Derby. They loved it and found it immensely entertaining, but was it true sport?  Was it more of an entertainment spectacle? Could Roller Derby scores grace the sports page of the Indianapolis Star or the Indianapolis Times the same as the box scores for other sports? Not everyone thought it should, yet thousands of Hoosiers still clamored for tickets whenever the Roller Derby wheeled into town.[i] There was just something deeply amusing about the fast-paced skating and amped up action of the mad whirlers as they skated around and around the banked track. The Roller Derby offered fans something that no other full contact team sport did: women competing on par with men, and for that reason, the Roller Derby was both beloved and spurned.

“Two women’s league roller derby skaters leap over two who have fallend,” World-Telegram photo by Al Aumuller, March 10, 1950, Courtesy of Wikimedia Commons.
Leo Seltzer, Courtesy of Jerry Seltzer’s blog, rollerderbyjesus.com

Roller Derby, in its modern form, was born out of the struggles of the Great Depression. There is a long history in the United States of various roller-skating races and marathons, and many of them were even called roller derbies. However, in the 1930s, an entertainment promoter named Leo Seltzer decided to try his hand at putting on a roller derby. He had recently become the main leaseholder on the Chicago Coliseum and after hosting a series of walkathons and danceathons was convinced that these attractions couldn’t hold the long-term interest of paying crowds.

Dance Marathon, Courtesy of the New York Public Library Digital Collections.

 

Yet deep in the throes of the Depression, he knew he needed cheap entertainment that the average American could relate to and spend some of their hard-earned money enjoying. Seltzer claimed to have read an article that stated that well over 90% of Americans roller skated at some point in their lives, but he also drew inspiration from previously held roller marathons, skating races, popular 6-day bicycle races, walkathons, and danceathons to create what he dubbed the Transcontinental Roller Derby (TRD).[ii]

Photo courtesy of Made in Chicago Museum.

The first Transcontinental Roller Derby was held at the air-conditioned Chicago Coliseum on August 14, 1935, in front of 20,000 enthused fans.  Here’s how it worked: ten co-ed pairs of skaters were competing against each other to, in essence, skate approximately 3,000 miles across the country (the distance could vary).  One of each pair of skaters had to be skating on the track at all times the roller derby was open, which often was 6-12 hours a day. The women generally skated against the women for a particular interval and then men against the men. Their progress was tracked through a giant map of the United States featuring a transcontinental route, for instance, from Indianapolis to Los Angeles: According to Roller Derby: The History of an American Sport, “small lights on the map were lit as skaters advanced along the replicated path, marking their distance and mileage as they progressed city by city.”[iii]

Martin and McKay, Courtesy of the National Roller Skating Museum.

The first skating duo to complete the 3,000 mile journey won the roller derby. Corrisse Martin and Benjamin McKay won the first TRD in Chicago. Roller Derby clearly a success, Seltzer took his spectacle on the road.[iv]

For the next couple of years, the TRD barnstormed the country, hosting Roller Derbies in venues across the nation.  However, the business side of the Roller Derby operated out of Seltzer’s offices in Gary, Indiana.[v] Despite the ties to northern Indiana, the TRD did not skate in Indiana until the spring of 1937 when it rolled into Indianapolis. By then, Indy fans were eager to greet the sport and its skaters.  According to an Indianapolis Star headline a week before the derby began, “Thrilling ‘jams’ await Roller Derby spectators” at the Coliseum at the state fairgrounds.[vi] Only one local Indianapolis resident participated in the first Hoosier Roller Derby: Tom Whitney. He was a veteran of the sport, however.  Jane and Jack Cummings of Lafayette, a husband and wife team, joined the fray, and Gene Vizena, of East Gary, was also among the skating teams in that first competition in Indy.[vii]

Courtesy of the Indianapolis Star, April 13, 1937, Accessed via ProQuest.

The TRD would return to Indianapolis for a second stint in late September to mid-October 1937, again held at the Coliseum.[viii] Five thousand fans showed up to watch the competition on October 6, 1937, where they apparently discovered, “it was possible to yell louder than a combination of sirens and bells.”[ix] The fans loved it, but the newspapers weren’t exactly sure what to make of it. As one Star reporter wrote, “The curtain rolled up on the roller derby last night and if you will bear with the roller derby reporter while he unravels his neck and focuses his eyes he will try to tell you about this dizzy occupation.”[x]

But major changes were a-coming to the Roller Derby late in 1937 that would dramatically alter the competition, propel it into the limelight, and eventually make people question its legitimacy. The rules prior to late December 1937 prevented skaters from any physical contact with each other as they completed the marathon-style endurance race. This had become a frustrating facet of the race for larger skaters who were frequently outmaneuvered by the smaller and quicker skaters that easily lapped them. At a series held in the Miami, Florida area late in the year, a group of skaters let their frustrations out on the track and “began pushing, shoving, and elbowing the speedsters, pinning them in the pack behind them . . . The referees ended the sprinting jams and started penalizing and fining the bigger skaters, eliciting loud boos and hisses from the excited crowd.”[xi] Leo Seltzer always paid close attention to crowd reactions and ordered the refs to allow the skaters to continue with contact, to much fanfare.

“Roller derby at Atlanta Municipal Auditorium,” 1937, Lane Brothers Commerical Photographers, Courtesy of Georgia State University Special Collections, Digital Public Library of America

Later that night, Seltzer and famed essayist and playwright Damon Runyon, who was at the game and witnessed the enthusiastic crowd response, rewrote the rules over dinner to permanently allow contact. From that point forward, the game evolved away from a marathon-style race to a full contact team sport, albeit one with amped up dramatics, lots of hard-hitting, and frequently a fight or two.[xii]

Damon Runyon, 1938. Courtesy of the Irish Times and Getty Images.

Here’s how the new game worked: Five players of the same sex from each team started on the oval track together—two jammers (players that could score points) and three blockers.  Once the referee blew his whistle, the ten skaters began skating counterclockwise around the track and then grouped together to form what was dubbed a “pack.” According to Roller Derby, once skaters formed the pack, “the jammers, who began in the back of the pack, attempted to work their way through the pack to break free from the blockers.”[xiii] The blockers had a more complicated job of playing simultaneous offense and defense—their mission was to prevent the opposing team’s jammers from breaking out of the pack while also helping their jammers break through the pack to then score points. Immediately after the first jammer broke free of the pack, a jam clock began: “this meant that the jammers had two minutes to lap the pack and attempt to score as many points as possible before the jam time ran out.”[xiv] Jammers scored points for every opponent they passed after breaking through the pack that first time.

Courtesy of the Logansport Pharos-Tribune (Logansport, Indiana), October 9, 1936, Accessed via Newspapers.com
Courtesy of the Indianapolis Star, June 12, 1949. Accessed via ProQuest.

This newer version of Roller Derby really gained national prominence and coverage when it rooted itself in the New York City area with a lucrative ABC television network contract that telecast the event live every week for three years. From 1949-1952, the Roller Derby made its way into homes across the nation and became a staple of primetime TV. Various channels broadcast the sport for Hoosier viewers, ranging from the Indianapolis-based channel WFBM (Channel 6) to WGN out of Chicago (Channel 9) or WCPO Cincinnati (Channel 7).[xv] This provided a huge popularity boost to the sport, and fans loved watching the hard-hitting action of the male and female skaters competing together on a team. Indeed, it had higher viewership and ratings than other sporting events that were broadcast, such as boxing, wrestling, and college football, but there was a downside to this as well. The regular primetime programming without any sort of off-season led viewers, in part, to categorize the sport as entertainment television as opposed to a sporting event. This, along with the female skaters ready to battle it out on skates, endeared the sport to many while causing sports editors to thumb their noses at the Roller Derby.[xvi]

Courtesy of the Indianapolis Star, September 29, 1937. Accessed via ProQuest.

The Indianapolis Star coverage provides a great case study on the love-hate relationship with Roller Derby. Even prior to the TV exposure, the Indianapolis sports editors were leery of covering the Roller Derby as true sport, and often stories on the derby were intermixed among other sections of the paper—not in the “Sports, Financials, and Classifieds” section. As early as 1940, the Star sports editor explained why Roller Derby coverage wouldn’t appear on the sports pages: “When it came to the roller derby here we said, ‘Nay, nay’ for the sports pages—purely amusement. There was a squawk from the promoters, but the ‘front office’ backed us up in our contention.”[xvii]

Courtesy of the Indianapolis Star, October 31, 1954. Accessed via ProQuest.

Yet, Roller Derby was covered occasionally in the sports pages throughout the 1940s, but in 1954, the Star doubled down on their stance, despite continuing to provide coverage on the first Roller Derby in the city for years (on the sports page no less): “A mechanized morality play called the Roller Derby has dusted off an old wrestling script and moved dizzily into the Coliseum.”[xviii] The author allowed that “despite a journey that has no terminus, all on board seem to have fun. The crowd—made up of those who like to comment loudly on the performances of the athletes—exercises its vocal chords as strenuously as the athletes exercise their ideas of coed mayhem.”[xix] Still, he added an extra dig on the female skaters: “Girls skate against girls and boys against boys. But it’s quite difficult to determine when the sex of the competition changes off. If anything, the girls are the more nasty.”[xx]

Courtesy of the Indianapolis Star, May 4, 1941. Accessed via ProQuest.

Regardless, Hoosiers came out in droves to attend the Roller Derby whenever it came to Indiana. Roller Derbies were held at the Coliseum at the State Fairgrounds, at Victory Field, at Butler (now Hinkle) Fieldhouse in Indianapolis, and it even came to Fort Wayne in the spring of 1953.[xxi] According to the Angola Herald, “Fort Wayne [was] one of the smallest cities to ever play host to the Roller Derby teams. Most of the time the skaters are booked into large cities like New York, Philadelphia, Denver, Chicago, Milwaukee, San Francisco, and Los Angeles.”[xxii]

Over the decades, until the Seltzer Roller Derby folded in the mid-1970s, Hoosiers continued to grapple with their enjoyment of the game and their confusion over how to characterize it. Whether it was a “scripted morality play”[xxiii] or a “big league counterpart . . . to baseball, football, basketball and other sports,”[xxiv] Hoosiers loved the hard hits, big spills, and over-the-top action of the female and male skaters.

Stay tuned for another blog post focusing on Hoosiers starring in the Roller Derby, namely the Kemp family (3 Indianapolis siblings who took the sport by storm)!

Sources:

Courtesy of the Indianapolis Star, May 29, 1937. Accessed via ProQuest.

[i] “King and Aronson Lead Derby Field,” Indianapolis Star, May 1, 1937; Crowd of 8,376 At Roller Derby,” Indianapolis Star, May 2, 1937; “They Go ‘Round and ‘Round and Have The Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937; “Derby ‘Menaced’ By Black Shirts,” Indianapolis Star, October 6, 1937; “Interest in Roller Derby Reaches New High; Hoosier Team Captain Returns,” Indianapolis Star, April 2, 1939; “Roller Derby Due At Victory Field,” Indianapolis Times, May 30, 1949; “Roller Derby Comes to Fort Wayne, Angola Herald, May 14, April 29, 1953; “Chiefs Beat Westerners, 35-34,” Indianapolis Star, October 29, 1954.

[ii] Michella M. Marino, Roller Derby: The History of An American Sport, (Austin:  University of Texas Press, 2021),18-20; Hal Boyle, “Roller Derby Gives Women Something to Yell About,” Spokane Daily Chronicle, June 5, 1950; Leo Seltzer, quoted in Herb Michelson’s A Very Simple Game: The Story of Roller Derby, (Oakland, California: Occasional Publishing, 1971), 7; Jerry Seltzer, interview by author, June 17, 2011, Sonoma, California, digital audio recording, Michella Marino Oral History Collection, W.E.B. DuBois, University of Massachusetts Amherst.

[iii] Marino, 20; Bob Stranahan, “Thrilling ‘Jams’ Await Roller Derby Spectators,” Indianapolis Star, April 11, 1937.

[iv] Marino, 18-22.

[v] “Incorporations,” Indianapolis Star, September 18, 1935; “Kaplan Says His Arrest was Outrage,” The Times (Hammond, Indiana), November 24, 1937; Marino, 22-23.

[vi] Bob Stranahan, “Thrilling ‘Jams’…”; Bob Stranahan, “Skaters Practice at Coliseum Oval For Start of Roller Derby Tonight,” Indianapolis Star, April 15, 1937.

[vii] “Hoosier Team in Roller Derby,” Indianapolis Star, April 13, 1937; “Ten Roller Derby Teams Announced,” Indianapolis Star, April 14, 1937.

[viii] “Fall Roller Derby To Start Sept. 28,” Indianapolis Star, September 17, 1937; “Thirty in Derby Starting Tuesday,” Indianapolis Star, September 21, 1937; “They Go ‘Round and ‘Round and Have The Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937;

[ix] “Derby ‘Menaced’ By Black Shirts,” Indianapolis Star, October 6, 1937.

[x] “They Go ‘Round and ‘Round and Have the Darndest Time—At Roller Derby,” Indianapolis Star, September 29, 1937.

[xi] Marino, 30.

[xii] Marino, 30-32.

[xiii] Marino, 30.

[xiv] Marino, 30.

[xv] “WFBM-TV Ch. 6 Programs for Friday,” Indianapolis Star, June 10, 1949; “Thursday TV, April 26, 1951,” Indianapolis Star, April 21, 1951; “WGN-TV Chicago (Channel 9),” Indianapolis Star, November 11, 1951; “Your Radio and Television Programs for Saturday,” Indianapolis Star, February 2, 1952 “Your Radio and Television Programs for Saturday,” Indianapolis Star, March 1, 1952.

[xvi] Marino, 38, 128-130

[xvii] W. Blaine Patton, “Playing the Field of Sports,” Indianapolis Star, February 8, 1940; Marino, 39.

[xviii] Frank Anderson, “Mayhem on Skates: Roller Derby Squads Follow Wrestling Cue,” Indianapolis Star, Sun. Oct. 31, 1954.

[xix] Anderson.

[xx] Anderson.

[xxi] “Ten Roller Derby Teams Announced,” Indianapolis Star, April 14, 1937; Bob Stranahan, “Skaters Practice at Coliseum Oval For Start of Roller Derby Tonight,” Indianapolis Star, April 15, 1937; “Interest in Roller Derby Reaches New High; Hoosier Team Captain Returns,” Indianapolis Star, April 2, 1939; “Field of 37 Set For Roller Derby,” Indianapolis Star, June 1, 1949; “Indianapolis Cops Lead in Roller Derby,” Indianapolis Star, June 2, 1949;  “Roller Derby Comes to Fort Wayne May 14,” Angola Herald, Wed. April 29, 1953.

[xxii] “Roller Derby Comes to Fort Wayne May 14,” Angola Herald, Wed. April 29, 1953.

[xxiii] Anderson.

[xxiv] “Roller Derby Due At Victory Field.”

Fort Wayne’s Charles Allen: Theatrical Ingenue & “Unsung Gay Hero”

Courtesy of the Fort Wayne News-Sentinel, caption: Pianist Charles Allen, left, and singer Steve Black were part of the entertainment scene in the late ’60s, when bars replaced coffeehouses as the centers of musical activity.

Legendary choreographer and “unsung gay hero” Charles Allen sat with a tape recorder in his Fort Wayne house, a veritable art museum awaiting curation. Sipping gin and orange juice from an empty peanut butter jar, he began to document his life. Notorious for self-mythologizing—once claiming to have killed a man using “voodoo and black magic”—some of the anecdotes he fed the tape no doubt were embellished.[1] These would prove unnecessary, however, as his legacy speaks for itself. Not only did Allen give “birth to generations of dancers and . . . change the way people looked at the world around him,” but he inspired and empowered LGBTQ+ Hoosiers, perhaps unintentionally. Upon Allen’s 1980 death, Jerry Jokay wrote in TROIS, Fort Wayne’s gay newsletter, that “Although he probably wouldn’t have seen it this way, one of his greatest contributions was that he was a gay hero. And he is a gay hero simply because his gayness was a trivial issue in his life even in spite of the oppression it caused him.”[2] Allen, on the other hand, would probably consider his greatest contributions to be advancing performing arts and instilling a love of storytelling and self-expression in Hoosiers.

Gene Stratton Porter, courtesy of the Indiana State Museum, courtesy of KPC News.

Born in 1912, Allen was likely raised by his aunt and uncle in Mongo, Indiana. Depictions of Allen’s childhood are characteristically colorful and include a traipse through Tamarack Swamp with famed author and naturalist Gene Stratton Porter in search of insects and plant specimens.[3] Allen “recalled dyeing his hair pinkish-brown as a child, catching blue racer snakes, putting them around his neck, and startling passersby on highway 20 near his home. A barefoot, innocent, wild-haired child of the swamp.”[4]  The spirited child attended school in Kendallville and spent free time in LaGrange, where he learned to play piano at Wigdon Theater. Fully enamored with artistic expression, he devoured performances delivered by a travelling company. The News-Sentinel reported “there was a troupe of four or five men, who did a two-reel silent movie, and set up an impromptu stage with an indian scene. There was singing, and two of the men did female impersonations. When he left the show, his life had changed. . . . He’d fallen in love.”

The production continued to call to him, long after the caravans departed. He left school, took a train to northern Michigan, where the travelling company had migrated, and became its new pianist. As despair deepened during the Great Depression, the public increasingly took solace in travelling shows. These provided Allen with opportunities to try his theatrical hand and hone his skills as a performer. The News-Sentinel noted, “People were doing almost anything for money. He fell in with a freak show,” dubbed the Palace of Wonders, for which he mesmerized crowds as the Human Pin Cushion. During this period, Allen learned how to perform the “half-man, half-woman” act, styling his feminine half after screen siren Marlene Dietrich. When he returned to Fort Wayne, he would perform this routine at local tavern, Henry’s, and played piano at bars like This Old House, Trolly Bar, and the Caboose.[5] Allen insisted that friends stay at his house once the bars closed down for the night, hating solitude.[6]

The eclectic career he had forged for himself was abruptly derailed by the conformist ethos of the 1940s. At a time of global upheaval, Americans held evermore sacrosanct heteronormativity. The News-Sentinel reported that during this “less enlightened age,” a judge sentenced Allen to six years in a Michigan City Prison after “an affair with a soldier led to a charge of sodomy.”[7] Allen recalled in the Fort Wayne Free Press that the judge declared ironically “we’re going to send you where you’ll be happy; locked up with a lot of men!”[8] This prediction proved correct, as he spent time with paramours in a makeshift room fashioned out of old pianos and curtains. On weekends, he played piano for the men waiting in line to watch a movie. While it played, a band mate would take his place at the piano, so that he could go hold hands with his companion. During his few years in prison, Allen made friends, assembled a band—for which he played the sousaphone—and learned how to dance.[9]

A sketch of Etheridge Knight in prison by Terrance Hayes, accessed theparisreview.org.

The News-Sentinel noted that in prison Allen “kept following his insatible [sic] desire to learn. Where he could find no one else to teach him, he taught himself. The creativity could never let him rest. It would be that way to the end of his life.”[10] This cultivation of self-expression paralleled the journey of African American poet, Etheridge Knight. While serving eight years at the Indiana State Prison in the 1960s, he discovered the restorative power of writing, culminating in his revolutionary Poems from Prison. Knight later stated that “Poetry and a few people in there trying to stay human saved me . . . I knew that I couldn’t just deaden all my feeling the way some people did.”[11]

So, too, did music and dance sustain Allen during his incarceration. Upon release, he returned to Fort Wayne, opening the Charles Allen Dance Studio.[12] According to the Journal-Gazette, he was the city’s only choreographer and, through his trips to New York and Chicago, “single-handedly” invigorated the city’s theater scene. Something of a cultural conduit, Allen traveled to Vera Cruz, Mexico to research indigenous dances. He studied dance at the University of Guatemala and the Palace of Fine Arts in Mexico, imbuing midwestern students with unique material and perspectives.[13]

In life and work, Allen gravitated towards those on the fringes, perhaps identifying with their struggles or the stigmatization they endured. He reportedly taught exotic dancers how to improve their performances and played piano at “houses of ill repute.”[14]  In his TROIS article, Springer wrote that Allen played piano and felt a “kinship” with Black Americans because “like him, they were among the outsiders of society.”[15] Though he was exacting and sometimes cruel, the News Sentinel reported that “he would work with beginners no one else had time for, work tirelessly because he felt a love of what he was doing.”[16] Janice Dyson recalled this experience, after her mom “scrimped grocery money to help pay” for lessons for her and her sister, Bernice. She recalled that Allen “was a real taskmaster. . . . Bernice was intimidated by him and quit after about a year. I wasn’t afraid of him, but I learned pretty quickly that when he said practice or else, he meant it.”[17] Perhaps he hoped to provoke the same grit he’d developed through surmounting the many hardships imposed by society.

While he worked with Fort Wayne performers, Allen reportedly knew the jazz greats, like Billie Holiday and Louis Armstrong, and one friend noted that “a lot of famous people used to come here and have him fix their acts. Polish the acts. Reblock them or rechoreograph them.'”[18] Legend has it that one winter Allen sold his horse to pay the train fare to see Holiday perform in New York City. Due to a snow storm, he was the only person to show up at the theater. The usher relayed his presence to Holiday, who performed only for him, after which they went out for a drink. She reportedly drove him to the train station and ran alongside the cars, waving as the train departed. Allen was so moved by the experience that he wept while watching the train station scene in “The Lady Sings the Blues.”[19]

Family Theatre Festival (1975-1976), OnStage On Campus Collection, mDON: mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

Purdue University Fort Wayne (PUFW) recognized the ingenue’s talent, hiring Allen to teach courses like Stage Movement.[20] He felt immense pride about being self-taught. A man who embodied resistance towards oppression and convention, his influence intersected fortuitously with the cultural revolution of the late 1960s and 1970s. Friends and colleagues seem to agree that he was not an activist in the traditional sense, but he always answered when called to provide insight about homosexuality or the burgeoning “homophile” movement. He recognized that, as one of few men in the area living openly, if he did not engage in public discourse that no one one would. When asked by WANE-TV to serve as one of five panelists about homosexuality Allen agreed, saying “‘I’m all right here, I don’t have any problems because I’m not scared. But a lot of people are scared; they’re scared they’ll get arrested.”[21] He appealed to dozens of people to serve as panelists, but only two agreed. Those who declined feared that their parents would disown them or that they would lose their job, as had one of Allen’s friends who served in World War II. Others claimed the panel was unnecessary or worried that it would upset the “status quo,” which had provided a modicum of safety. To this reasoning, Allen said, “‘I thought if everything is so fine, why can’t they get on the air and say it’s fine. It’s because it isn’t fine.”[22]

Allen spoke about homosexuality at PUFW campus teach-ins and college classes, and wrote editorials for the student paper, The Fort Wayne Free Press, under the pseudonym “Claude Hawk.”[23] He wanted audiences to understand that sexuality was not a choice, noting that “My own doctor tells me that one gene or chromosome determines sexual preference—not butchness, effeminancy, athleticism, not militancy, but whom you want to go to bed with.”[24] He added that this knowledge, while “comforting,” doesn’t help if you get fired or the “bartender breaks your glass after each drink, etc., etc.” His efforts shifted the perspectives of students like Linda Lamirand and Katharine Stout, who attended a teach-in with the “brave man” who “sat up there and told it like it is.”[25] The authors were enlightened by Allen’s revelations that he knew he was gay at the age of four and that scientific studies suggested that biology dictated sexual preference.

Courtesy of The Fort Wayne Free Press, 3, iss. 16 (July 27, 1972): 9, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

In one Free Press editorial, Allen addressed those who had come to terms with their sexuality, but faced the question “where do you go?” to meet someone. Of the dilemma, he wrote:

You can’t find someone at an office party or at a neighborhood bar because someone would ‘find out’. So you experiment. You drink too much or get so horny that, without experience, you get your teeth bashed in saying something dumb to to the wrong person; or the right-wrong person who relieves you of your watch, wallet, and rings. Or sometimes you are picked up by a nicelooking, intelligent, young man with long hair and bare feet, who turns out to be fuzz and you are entrapped, fined, and-or jailed.[26]

He advised readers to find a “gentle, gay” friend, who can help navigate the covert social world, or a relatively tolerant restaurant or bar. A “third salvation,” Allen noted, was to “know an art or theater crowd who don’t give a damn. Not about you, but about it.” The theater provided a world in which he did not have to explain himself or act as a local spokesperson for homosexuality. He wrote that the “freedom, acceptance, and love” afforded by the theater community created “a place to breathe in this pollution of brotherhood. Since one doesn’t have to hide, or lose his job in these fields, these are the more obvious” ones in which to work.[27] In fact, Allen noted that living as a gay man paralleled life in the performing arts, writing:

“You are forced to think and live like a male and play the game so well that you are never uncovered. And this becomes an art, gives you a facility for understanding objectively what’s going on. It’s like a play, and while others are doing it naturally you’re listening for clues, and if well rehearsed, arrive at a happy ending.”[28] 

The Fort Wayne Free Press 4, iss. 3 (January 25, 1973): 6, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

While TROIS writer Jerry Jokay considered Allen “Fort Wayne’s unsung gay hero,” he noted that “his fortitude laid in the fact that he didn’t dwell upon his difference . . . Allen was preoccupied with being so much more, as his best friends attest.”[29] Preoccupied, he was. Allen informed Free Press readers about his life, writing in 1971 that “I ran my own school, taught at Purdue, played piano in bars, was connected with Ft. Wayne Civic Theater, Kenosha Little Theater, Theater Alanta, had choreographed a Broadway show, was a Japanese paper folder, an Arabian knot tier.”[30] He had traveled the globe in search of inspiration and imbued new generations of performers with it. The News-Sentinel wrote that “he became unique, in a world of his own creation. His art became his life, his life his art.”[31]

His life, his art. Perhaps it was his cancer diagnosis that inspired him to detail them on tape, stories that writer Dan Luzadder suggested “may have been plucked from the intensity of his nether world.”[32] We don’t know what stories he told, as he ran out of time to complete the recordings,* but perhaps he described the demands of caring for his pet python or recited original sonnets, haikus, and Limericks, “both clean and questionable.”[33] We can be certain that his life and art profoundly influenced those around him. This is evidenced by the obituaries written upon his death in 1980 at the age of 68. Luzadder wrote in the Fort Wayne News-Sentinel:

There was loneliness and insecurity. There were things that drove him. And there was tremendous courage to live through the times of his life, to aspire to art, to survive with nothing more than intelligence and faith in himself, to go hungry, to be alone, to see the world in its intolerance and still love it.[34]

Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

On March 21, hundreds of people from all walks of life—including actors, dancers, bartenders, city officials, and editors—stood shoulder-to-shoulder at the Performing Arts Center to pay their respects to the man “whose life had taught them the meaning of art.”[35] His memorial served as a final standing ovation, with Civic Director Richard Casey reading from “Hamlet,” poets performing spoken word, and dancers delivering a finale performance of “Mr. Bojangles.”[36]

Allen provides us with a window into the experiences of those who lived openly in Indiana prior to the liberating events of the 1980s and 1990s. Before a sense of community was fostered by the formation of groups like Fort Wayne Gay and Lesbian Organization (GLO), Pride Week celebrations, and the publication of gay newsletters, Allen drew upon a deep reservoir of self-assurance and creative impulse to fashion a fulfilling life.[37] In his 1980 tribute, Steve Springer described Allen as “an individualist. Society had its standards of behavior and Allen had his own.” And although he had suffered because of these standards, Springer insisted that “Long after Anita Bryant and her hordes of intolerants are forgotten, the legend of Charles Allen will live on.”[38]

* The author has been unable to locate these recordings. If you know of their location please contact npoletika @library.in.gov.

Sources:

All issues of The Fort Wayne Free Press were accessed via mDON Mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

[1] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, Indiana State Library (ISL) microfilm.

[2] Jerry Jokay, “Who Was Charles Allen?,” TROIS (Three Rivers’ One in Six) (March 1983), Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[3] “Arts Center Site for Allen Service,” (Fort Wayne) News-Sentinel, March 20, 1980, ISL microfilm.

[4] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[5] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[6] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[7] Ibid.

[8] Claude Hawk, “Boys Will Be Girls!,” The Fort Wayne Free Press 2, iss. 1 (January 1, 1971): 3.

[9] Ibid.

[10] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[11] Nicole Poletika, “Etheridge Knight: ‘can there anything good come out of prison,'” May 3, 2017, accessed Indiana History Blog.

[12] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[13] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[14] Ibid.; Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[15] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[16] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[17] Janice Dyson, “Studio Marks 65 Years of Dancing,” KPC News, December 28, 2017, accessed kpcnews.com.

[18] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[19] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[20] “Family Festival Slated,” Fort Wayne Journal-Gazette, April 28, 1976, 6C.

[21] “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).

[22] Ibid.

[23] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.; Claude Hawk, “Out of the Closet,” The Fort Wayne Free Press 1, iss. 11 (November 2-18, 1970): 3, 6.; “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).

[24] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.

[25] Linda Lamirand and Katharine Stout, “Dear Freep,” The Fort Wayne Free Press 2, iss. 7 (April 22-May 6, 1971): 10.

[26] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.

[27] Ibid.

[28] Claude Hawk, “God Love Us All,” The Fort Wayne Free Press 2, iss. 8 (May 6, 1971): 9.

[29] Jerry Jokay, “Who Was Charles Allen?,” TROIS (Three Rivers’ One in Six) (March 1983), Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[30] Bob Ihrie and Charles Allen, “Holiday on Ice,” The Fort Wayne Free Press 2, iss. 2 (January 18-February 2, 1971): 3.

[31] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[32] Ibid.

[33] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[34] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[35] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.; Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[36] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.

[37] Nicole Poletika, “From ‘Gay Knights’ to Celebration on the Circle: A History of Pride in Indianapolis,” October 5, 2021, accessed Indiana History Blog.

[38] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

What Pearl Bassett’s Memory Reveals About Discrimination in Marion

Image of Pearl Bassett courtesy of WRTV

*This post was written by IUPUI Public History graduate student Molly Hollcraft. 

Often, stories and memories play an important part in understanding history. They offer a human element that helps connect people to one another. W. Todd Groce wrote in an article for History News that “Memory is deeply emotional,” and when people remember something they do so because they have a connection to it. According to historian David Thelen, memory “can illuminate how individuals, ethnic groups, political parties, and cultures shape and reshape their identities.” In 2009, at the age of 98, Black activist Pearl Cannon Bassett gave an interview to a student at the University of Southern Indiana. In the interview, she recounted events related to civil rights and desegregation that she witnessed while living in Marion, Indiana. Bassett’s memories of the discrimination and Civil Rights Movement in Grant County illuminate how Black citizens in Marion shaped their identity.

Peal Bassett and Civil Rights

Pearl Elizabeth Cannon Bassett was born April 28, 1911, in Marion, Indiana. Aside from the years she spent in Dayton and Cincinnati, Ohio and Chicago, Illinois, Pearl Bassett, also known to many as “Ms. Pearl,” spent her life in Marion. In her oral history interview, Bassett briefly talked about her early education and her family. She recalled how her teacher lowered her grade because it was “too high.” While she was not living in Marion at the time, she recalled the impact the 1930 Marion lynching had on the local Black community. As a 19-year-old, she would have been about the same age as victims Tom Shipp and Abe Smith. In August, the young men had been jailed for the murder of Claude Deeter and rape of Mary Ball. A white mob ripped Shipp and Smith from their cells, brutally beat them, and lynched them near the Marion courthouse. Fearing for her safety, Bassett’s family told her that she should not return home yet. When the National Guard was called into action in Marion not long after the lynching, some of the soldiers were standing in her family’s yard. In remembering the lynching, she said “that was terrible because we had a lot of discrimination.” Shortly after the tragedy, she became a member of the National Association for the Advancement of Colored People (NAACP).

Through organizations like the NAACP, Bassett became an active member in the Marion community and helped fight discrimination and segregation. Her name appeared frequently in the African American newspaper The Indianapolis Recorder for these efforts. Her work included how helping the Red Cross reach its quota for war relief, serving as chairman for the war service commission, and serving as a board member for the Carver Community Center. In her interview, Bassett talked about how she helped organize the NAACP Auxiliary, Women in NAACP, and the Urban Gild, all of which would play a role in desegregation efforts throughout the city.

Matter Park, ca. 1925, courtesy of Indiana Album.

She also described the discrimination that Black citizens in Marion faced because of segregated of swimming pools, such as Matter Park. Before its 1954 integration, African Americans had to travel to Anderson to swim. When they did get to swim in the Marion pools they would be drained and refilled afterwards. While it is unclear how directly Bassett was involved in these efforts, it is certainly possible as she was a member of the Marion Urban League, one of the two civil rights organizations that worked to desegregate the swimming pool.

We do know that she participated in anti-discrimination efforts through civil disobedience, as she stated: “When we could not go into the restaurant and eat. . . we formed a committee, and we just read the civil rights law, which has always been right. . . . And if they didn’t open up the place, when they were charged $100 a person in their restaurant. So they opened it up the day we walked in there.”

Photo of Pearl Bassett with a plaque that says “Marion’s First Minority Champion.” Photo courtesy of Rawls Mortuary

She also joined an NAACP march in 1969, recalling “We first had the walk from 26th Street to the courthouse for discrimination and equal opportunities for people and jobs. And it was a wonderful thing.” The Ku Klux Klan tried unsuccessfully to confront them at the courthouse, but were told by the city that “they would need a permit and that they [the KKK] would have to take their hoods off.” This was not the only experience that Pearl Bassett had with the Klan. While president of one of the many organizations she was involved in, she received a call from the Klan members. She said, “Many a time they told me they were coming out and burn up my house.”

While in the NAACP, The Indianapolis Recorder reported in the 1960s that Bassett was elected secretary and chaplain for the Marion branch. Bassett was also the President of Women and “wore her tiara as the state queen of the NAACP” during a visit to Kokomo in 1982. She was also the first Black secretary of the Democratic Committee in Grant County. Pearl Bassett also received numerous awards from the NAACP and The Fort Wayne Frost Illustrated reported in 2004 that she received the Region Three Rosa Parks Women of the Year award for her work in civil rights. The Mayor of Marion made a Proclamation for Pearl Bassett Day and gave her a key to the city. In June 2021, Pearl Bassett passed away at the age of 110. Her first-hand accounts help humanize tragic events and shape the identity of Black citizens in Grant County. Her documented memories are invaluable because traditional media often mischaracterized or neglected to record minority history.

State Rep. Kevin Mahan (R-Hartford City) (left, podium) honoring Marion native Pearl Bassett (center), April 8, 2019, at the Indiana Statehouse, courtesy of the Indiana House of Representatives Republican Caucus.

Sources:

*Newspapers accessed through Hoosier State Chronicles and Newspapers.com.

W. Todd Groce, “The Value of History: When History and Memory Collide,” History News (2006): 5-6, accessed JSTOR.

David Thelen, “Memory and American History,” The Journal of American History (1989): 1117 1129, accessed JSTOR.

“Pearl Bassett,” Indiana Commission for Women: Writing her Story, 2019, accessed in.gov.

“Pearl Bassett Oral History Interview,” University of Southern Indiana, November 7, 2009, University Archives and Special Collections, David L. Rice Library, University of Southern Indiana.

Nicole Poletika, “Strange Fruit: The 1930 Marion Lynching and the Woman Who Tried to Prevent It,” Indiana History Blog, May 15, 2018, accessed The Indiana History Blog.

A Hoosier Shackleton: Julius Frederick and the Greely Expedition

Julius R. Frederick, courtesy of NOAA.

During the late nineteenth and early twentieth centuries, expeditions from multiple nations took on one of the most dangerous, treacherous parts of the globe: the north and south poles. The most well-known example is Irish explorer Sir Ernest Shackleton. His expedition to Antarctica in 1915 became world-famous for his actions to save all 22 men of his crew from extreme cold for 105 days. Biographies of this journey became best-sellers, inspiring many on-screen adaptations, most notably 2002’s Shackleton, starring Kenneth Branagh. However, Shackleton wasn’t the only artic explorer to receive accolades for his endurance and bravery. Julius Frederick, Indiana resident and survivor of the Lady Franklin Bay expedition, also endured harsh temperatures, food shortages, and crew disruptions while stranded in the arctic.

The crew of the Lady Franklin Bay expedition. Frederick is fifth from the left in the back row. Courtesy of NARA/Glenn Stein.

According to the Indianapolis News, Frederick was born in Dayton, Ohio on July 21, 1852. He spent most of his early years in St. Mary’s, Ohio before his mother died when he was thirteen. Without much keeping him in Ohio, Frederick moved to Chicago, taking odd jobs as a messenger boy and railroad worker before he enlisted in the US army in 1876. For many years, Frederick was a soldier in military campaigns against Native Americans, fighting the Sioux and Nez Pierce. Specifically, he fought in the battle of Muddy Creek against the Sioux on May 7, 1877.

Adolphus Greely, leader of the Lady Franklin Bay Expedition. Courtesy of Google Books.

By 1879, Frederick was interested in a different course and signed up to join the Howgate expedition to the North Pole. However, the unstable condition of the ship stranded Frederick in Montana for another two years. Finally, in 1881, Frederick joined the Lady Franklin Bay expedition led by Adolphus Greely, a then-First Lieutenant of the Army’s 5th Cavalry Regiment. Lady Franklin Bay is by Ellesmere Island, Nanavut, Canada, making it one of the most northern spots on the globe to be explored. The expedition’s task, in Frederick’s words, was to “take scientific observations within the Arctic Circle.” This came in the form of weather recording devices and other techniques used to understand the intense climate of the arctic region. In August of 1881, the 21 person crew set course on the ship Proteus, a “steam whaler” that carried them from St. John’s, Newfoundland to Lady Franklin Bay. As historian Glenn Stein noted, Frederick’s “nick­name among his Arctic comrades was “Shorty” because of his five-foot, two-inch stature” and he “did little hunt­ing during the LFBE, but performed the various duties of a cook, steam-launch engineer, and shoemaker.”

Map of Fort Conger and Lady Franklin Bay. Courtesy of Wikipedia Commons.

Once they arrived at Lady Franklin Bay, Greely and his team began their months-long investigation of the region, complete with recordings of the climate and natives. This was all in accordance with a multinational project called the International Polar Year that, according to historian C. J. Taylor, sought to establish “14 research stations” to “study the geophysics and geodesy of the polar region.” Among these stations, they resided at Fort Conger, an outpost a few miles inland from the bay. During these investigations, Sergeants David Brainard and James Lockwood confirmed the “farthest north” record up to that time. Things were going well until the supply ship Neptune failed to reach Lady Franklin Bay and returned to the United States. With its failure went the expedition’s resupply of food and other necessities. Subsequently, the expedition went from a mission of knowledge to one of survival.

Fort Conger, the headquarters of the Greely Expedition. Courtesy of Wikipedia.
Another image of their headquarters, Indianapolis Journal, January 7, 1904, Hoosier State Chronicles.

Greely and his men began to face intense supply shortages which ravaged the crew, leading many to die from the lack of food and the harsh temperatures. A first rescue attempt in 1883 had failed, when the ship Proteus had been sunk by ice collisions, permanently shifting the crew southward from Fort Conger. It was in this dire situation that Julius Frederick endured his most painful experience of the expedition. In April of 1884, only a few months before the party was rescued, Frederick and Sergeant George W. Rice trekked to Cape Isabella, Baird Inlet, “to attempt the recovery of the hundred pounds of English beef which had been abandoned in November, 1883.” As a profile in Scribner’s magazine wrote, Frederick and Rice risked “their lives at almost every step of the way . . . only to find, after hours of searching among the floes, that their triumph was a barren one. . . .” The meat “had drifted from the shore” and was not salvageable. Rice’s condition worsened dramatically and he asked Frederick to leave him to die. Frederick refused and stayed with Rice until the very end, wrapping Rice’s “frozen feet with the temiak, or fur-lined jacket taken from his [Frederick’s] own back for this purpose, and then sat and held his unfortunate comrade till the latter’s pain was relieved by death.” Frederick initially yearned to die but, dedicated to his mission, saved Rice’s food ration, laid Rice’s body to rest, gathered up their supplies, and returned to camp so his colleagues wouldn’t suffer during a search attempt. As Scribner’s wrote, “He would use what was his own, but would not rob the living or the dead.”

Sergeant George W. Rice. Frederick comforted him during his final minutes while there were on a supply run. Courtesy of Internet Archive.
Julius Frederick (right) helping comrade George Rice (left) stay comfortable before he died in April, 1884. Courtesy of Internet Archive.

While many died from malnutrition, immense cold, and sheer exhaustion during the Greely expedition, only one was executed for insubordination. Private Charles B. Henry was caught stealing food in excess of his ration and summarily punished for his crimes. As the Fort Wayne Sunday Gazette noted, Frederick recalled that Private Henry was shot in the back with “two balls taking effect and producing instant death.” The Gazette shared more details from Frederick about the grisly conditions:

He said further there may have been cannibalism, but of this he has no personal knowledge. Henry had been warned several times about stealing food, but he repeated the offense and finally Greely issued the order for his execution.

Private Charles B. Henry. He was executed for stealing food and supplies. Courtesy of NARA/Daily Mail.

Frederick’s account was also published in the New York Times. However, the Indianapolis News reported that survivor Maurice Connell claimed Henry had been falsely accused and that Greely had actually stolen food. “To these charges,” the News wrote, “Sergeant Frederichs [sic], of this city, gives an emphatic denial, claiming that he himself saw Henry commit the theft. . . .” Greely also defended his decision to the New York Times, exclaiming that “it was discovered that, with other articles [food], Henry had stolen and secreted the sealskin boots of the hunter of the expedition.” The execution of Private Henry was one of the more inhumane moments of the Greely expedition, an acknowledgement of the harsh environment encompassing the men.

The six survivors of the LFB expedition. Frederick is the first on the left, back row. Courtesy of Corbis/Getty Images.

On June 23, 1884, after three long and suffering years, the survivors of the Greely expedition were rescued by a slew of ships led by Commander Winfield Schley. When all was said and done, there were only six survivors: Frederick, Brainard, Biederbick, Connell, Long, and Greely himself. Frederick was promoted to Second Lieutenant for his service during the expedition. The rest had perished during the years-long process to resupply and then rescue the expedition party. Greely, as quoted in the Indianapolis Journal, lamented that “six out of twenty-five were brought home. Nineteen brave men remain in that land of desolation.” When the crew docked at Portsmouth, New Hampshire on August 4, 1884, the New York Times wrote:

Never before in the history of Portsmouth has there been so grand and imposing an event as the celebration of the return of Lieut. Greely and the survivors of the expedition. . . . They were enthusiastically greeted as they landed, and the crowd pressed forward to shake their hands.

New York Times, August 5, 1884, Historic New York Times.

The hero’s welcome they received from their fellow citizens underscored the almost unthinkable hardships these men faced while in the arctic.

After a few other postings, Frederick moved to Indianapolis in February 1885, on assignment for the federal Signal and Weather Bureau Services. His move back to the US required some adjustment, especially in regards to the climate. “Sergeant Frederick[s],” the Indianapolis Journal wrote on January 13, 1887, “was about, yesterday, in his shirtsleeves complaining that the weather was much too warm.” The article further quoted him:

“I suppose an Esquimau [sic],” said the Sergeant, “couldn’t be made to understand that heat, no matter how strong it might be, could under any circumstances, occasion suffering. A hereafter of unquenchable fire would have no terrors for him, and when missionaries are sent to the ever-frozen north, they will have to preach a future for the wicked of even more intense cold.”

Indianapolis Journal, January 13, 1887, Hoosier State Chronicles.

Despite his acclimation to the cold, Frederick never fully recovered from his expedition. In an interview with the Indianapolis News, when asked of why he chose to live more inland in Indiana, he cited “rheumatism” as a motivator.

Indianapolis News, June 10, 1902, Hoosier State Chronicles.

In 1902, after many years of lobbying by the state legislature, Julius Frederick received a final promotion, first-class Sergeant of the signal corps of the army, as well as a retirement with pension. Biederbick, Long, and Connell also received the same commendation. The measure was passed by the Congress and signed by President Theodore Roosevelt on June 12, 1902. This final tribute, explained by Indiana Congressman Jesse W. Overstreet in an article in the Indianapolis News, was to “give to these men the only recognition which it remains for a grateful nation to bestow upon those who have imperiled their lives in war or in pursuit of science. This expedition carried the American flag to the northernmost point it has ever been planted by any scientific expedition.” Frederick’s contributions to exploration were finally recognized by the United States and he could finally retire to focus on his health.

Unfortunately, by the fall of 1903, Frederick’s health steadily declined. As the Indianapolis Journal reported, Frederick was “lying in a critical condition at his home on Center Drive, Woodruff place. Acute gastritis, brought on by exposure while with the General A. W. Greely expedition to the North Pole nineteen years ago, is the cause of Sergeant Frederick’s illness.” Frederick died on January 6, 1904 from complications from stomach cancer. He was only 51 years old. Upon his death, the Monthly Weather Review applauded his work in meteorology and noted that he died “enjoying the respect and esteem of all who knew him.” His friend and fellow Greely expedition survivor, Henry Biederbick, traveled all the way from New Jersey to attend his funeral. Frederick was buried in Crown Hill Cemetery in Indianapolis.

Indianapolis Journal, January 7, 1904, Hoosier State Chronicles.

Reflecting on the expedition, Frederick said to the Indianapolis News that:

The Greely expedition was most unfortunate. I am not going to criticise [sic]. It was a horrible experience. I think, however that the success of polar expeditions is largely a question of equipping well. My expedition for the most part had only the rigors of the climate to contend against.

Frederick’s humility and perseverance, in the face of unparalleled challenges, speaks to the importance of exploration. As astronomer Carl Sagan once wrote, “We have always been explorers. It is part of our nature. Since we first evolved a million years or so ago in Africa, we have wandered and explored our way across the planet.” Frederick was one of those explorers, a brave soul who dared to face the elements and survived. In his success the world grew more connected, more understood. Upon Frederick’s death, a friend recalled a motto that he had “made a precept throughout his life: ‘Nothing is impossible to him that does.” If that is the case, then Frederick thoroughly achieved the impossible.

LFB expedition memorial plaque, Pim Island, 2005. Courtesy of Wikipedia.

THH Episode 52: Giving Voice: Dr. Emily Suzanne Johnson

Transcript for Giving Voice: Dr. Emily Suzanne Johnson

Jump to Show Notes

[Music]

Beckley: We’re here today with Dr. Emily Suzanne Johnson, who is an Assistant Professor of History at Ball State University. And she joins us here today to speak about her article that is very related to our most recent episode about Anita Bryant, and I am so excited to talk with you today. Dr. Johnson.

Dr. Emily Suzanne Johnson: Thank you so much. I’m really excited to be here.

Beckley: Yeah. And I was telling you before we started recording that, as I was doing the research for the Anita Bryant episode, my boss actually sent me your article. And I was so glad because I was going to get was definitely going to get something wrong in that episode. And it’s always nice to have another historian spoofing and save me from that, and do the work before I have to. So I was wondering – So in your article, you kind of debunk a myth that has been pervasive in our culture for several decades now, I was wondering if you could kind of start off by telling the myth as it’s been told by various groups for decades.

Johnson: For sure. So Anita Bryant, as you know, and as your listeners will know, was a medium famous pop singer in the 1970s. And a really big celebrity in the evangelical world. And she was also famously a spokeswoman for Florida orange juice. So, a lot of people have talked to remember this experience of like, coming into their living rooms, and she would come onto her ads and be like, hello, I’m Anita Bryant. And they’re grandmothers – I’ve heard this from multiple people, their grandmothers would be like, hello, Anita. Um, so she was sort of a political in the way that conservative Christians were in the mid-1970s. She had some very political ideas about feminism and about homosexuality. But she identified herself as being outside of politics until 1976, when her local Miami Dade County passed an anti-discrimination code that included affectional, or sexual preferences, which is the mid-1970s way of saying gay people. Um, and she found out about this actually, from her pastor who was furious about it, and who wanted her to use her celebrity in order to spearhead a movement against the anti-discrimination code. And it was personal for her because the sponsor of the amendment was Ruth Shaq, who was a friend of hers, and the wife of her booking agent, and she had told all her church friends to vote for Ruth. So she felt responsible for the amendment. So she became the face of this successful effort to repeal the amendment. It passed two to one, the repeal vote, which happens six months after the code was originally passed. And this mobilized a national response among gay and lesbian, it was mostly gay and lesbian groups then. And one of the things that they did was boycott Florida Orange Juice, because that was her most famous corporate sponsor. And there’s been in both communities – the conservative Christian community and the LGBTQ community – this idea that the boycott destroyed her career brought her down. And it was this early triumph for a new, more radical gay liberation movement. And so I believed that as well, and I was doing research in the archives of the Florida Orange Juice marketing and advertising committee, and found that not only did they not fire her because of it, but they actually probably extended her contract because they didn’t want to seem like they were taking a side. And so, first of all, there was remarkably little discussion of her political activities, even well into the boycott. But they did do a sort of marketing survey to see how well. . . Oh wait, you only asked about the myth.

Beckley: I want – I want to know anything you’ll give us.

Johnson: Um, so they had been looking into Anita Bryant’s effectiveness, basically, ever since they hired her in 1969. They had been doing yearly marketing surveys, and they had been finding that her appeal was declining it, it soared through the 1970’s – 71, 72 and then had been declining since then, sort of steadily and there was no real change as a result of the boycott, they did this kind of emergency study in response to the boycott. And they found that 11% of people said that they supported her more because of the boycott. 10% of people said they supported her less. And the vast majority of people did not care at all. And they were getting letters, sometimes sacks full of letters every week. And they were equally upset on both sides. There were people saying, “If you fire Anita Bryant I will never buy Florida orange juice again. And people saying I’m boycotting Florida orange juice until you fire Anita Bryant.” And to be perfectly honest, most of the people who were threatening to be upset if she was fired, were closer to their core demographic. They were Florida growers and Florida families. And so they essentially didn’t know what to do, they had this really difficult decision to make. And in the meantime, Singer sewing machines had had a contract with Anita Bryant to, for her to have her own like daytime variety show. And they cancelled it in the midst of the controversy, and that went really badly for them. They got a lot of bad publicity. So Florida orange juice said, we’re going to put out this kind of like, ambivalent support letter that says like, we’re very proud to be associated with Anita Bryant, but please don’t involve us in the politics on either side, we’re not interested. And there were a few things that contributed to the sense that she was fired because of the boycott. One was the there was one particular Florida Orange Juice executive who just popped off a lot and said things to the press, like, I wish we would fire her, which and he was very high up in the company, so people took that as gospel truth. And he got a lot of trouble behind the scenes. And then she was actually let go in 1981. But the key thing there was that she had then gone through a really messy divorce with her husband, which he opposed. And she had been both as a pop star and then as a political figure. She had represented herself as this emblem of American motherhood and Christian housewifery and patriotism. And all of that kind of crumbled in the midst of this divorce. So the things that she had based her non-political celebrity on, and the supporters who had rallied around her during the boycott, all kind of fell away. And at the same time, the marketing research that Florida orange use was doing suggested that this kind of 1950s-esque, although it started in the late 60s, view of the sunny, happy housewife was really not resonating with their consumers anymore. And so by 1981, they figured they were far enough away from the boycott, that they could let a let Bryant go without losing too much. And it was close enough that people remember it as being the boycott that sent her down.

Beckley: Well, and then I have read newspaper interviews that she did, where she went out and kind of blamed the boycott and and her political dealings with – blamed that for her being fired for her losing a lot of revenue. I read one, where she said that she could no longer buy the prime cuts of meat, and now she had to buy the choice cuts of meat. So she was saying, you know, she’s lost so much revenue that she’s had to change every facet of her life. And, you know, I kind of looked at that, at first I was like, okay, so this is her saying that the boycott, and her political dealings did lead directly to loss of revenue and loss of contracts. But when we were talking about it, when we were kind of brainstorming and factchecking were like, oh, well, that is good for her narrative that it was that rather than her divorce, that kind of was the nail in the coffin. So, your work definitely helped there where it kind of contextualize her self-proclaimed victimhood, if you will.

Johnson: Yeah, so she, it wasn’t just the divorce. It was also this kind of broader decline in the American appetite for the kind of patriotic over the top motherhood

Beckley: That Leave it to Beaver type.

Johnson: Exactly. And so it doesn’t. It doesn’t make her feel good to feel either like she is less popular on her own. merits, or that she’s made this huge mistake by divorcing her husband. And her turn towards victimhood is something that’s really emblematic of the new Christian right at this time, which is what we historians call the kind of beginning of the modern religious right in the United States. Leaders had been really skeptical of the African American freedom movement in the 1950s and 1960s. But by the 1970s, they are taking that language and using it to say that conservative Christians are being denied their civil rights, that they’re being denied their right to speak in the public square. And they take this kind of rightsp-based language directly from the black civil rights movement and other civil rights movements at the time to make the argument that their First Amendment rights are being infringed. And that’s exactly what Anita Bryant is doing in this moment.

Beckley: Yeah. And I noticed even before that, her using that language, I forget if it was during her press conference here in Indianapolis when she arrived here, or if it was one in Dade County, where she was saying that I don’t want to abridge anybody else’s rights, but my rights are being infringed by allowing gay individuals to influence our children and things like that. So she definitely was already mirroring that even early in her crusade, I guess she called it. So yeah, it definitely kind of as a theme throughout her journey, it seems like.

Johnson: yeah, and I think the thing to remember is that she was really practiced at narrating her own self. She wrote, I think, a record of 11 autobiographies in nine years, she would have had a blog if a blog was possible, but a blog wasn’t possible. And so she just published that much about herself. She had a lot of practice and a lot of finesse with taking what was happening and making it a narrative that suited her brand. So this wasn’t something she was just kind of coming up with, as the Florida orange juice thing was happening. It was something she already really knew how to do. And she actually ends up even mirroring the language of the gay rights community at this time. There’s this great quote, where she says, you know, they were all talking about coming out of the closet. And then I realized, Anita Bryant has come out of the closet too, as a conservative Christian, which is no longer a cool thing to be, according to her.

Beckley: I noticed a lot of mirroring and a lot of very, I mean, probably by the standards of the time, quietly, very homophobic language as far as fruit pies, even, you know, right after she was hit in the face with the pie saying, Oh, at least it was a fruit pie, kind of laughing it off like that. And, yeah, I was not alive during any of this – I’m from the 90s. I was born in 92. So I really didn’t become aware to the early 2000s. Obviously, still a lot of homophobia. But to read, people just saying awful, blatant homophobic things, just in the newspaper for everybody to read. It was just so shocking. This was my first queer history topic that I’ve covered. So I think that going into it, obviously, I expected homophobic language and and kind of coded messages. But they weren’t coded. They were coming right out and saying it and it was pretty shocking to read. I mean, I’m not queer. I can’t imagine being queer now or ever, but just I just admire the people that did come out and did face and Anita Bryant and did kind of come out and proclaim themselves as queer and here and kind of opposing her it was. It made it even more of a topic that I was excited to cover as I read more and more.

Johnson: Yeah, it’s, it’s the casualness of it. I think I also, I run an Oral History Program in Muncie, Indiana, looking into the queer history of the area. And what I’ve heard from a lot of the older generation is that they grew up thinking that they were literally the only gay person who had ever existed. And when you look at like the casual homophobia that was just in mainstream press, and the assumptions that are being made, you can see how you would come to that conclusion, but like, literally no one else in the history of time had ever had these same feelings that you did. And I think that, for me is one of the most heartbreaking things. Another thing about Anita Bryant is that she so she frequently frequently said, I don’t hate gay people. In fact, I love them even more than the people who claim to support them, because I am trying to save them from eternal burning in hell, whereas like supporting them on Earth is nice. Obviously, you don’t even care about their souls.

Beckley: To kind of pivot a little bit and talk about this at a meta level. When I first read your article, I obviously loved it because it crushed it miss conception I had. But also I love it, because it is such a good example of history being an ever evolving process. It’s not, history isn’t a written thing in a book is a process that we are always perform. And every time we uncover a new source, or we include a new viewpoint that’s never been included, that story is going to change. And often times, I find that when you do change the accepted story, the accepted narrative, you get labeled as a revisionist historian, which I don’t think is an insult that people think it is because that’s, again, what history is, is revising those all the time. Have you gotten any of that kind of feedback for your article? Can you talk a little bit about that, and about the process of history.

Johnson: Yeah, for sure. So before we started recording, I said to you that this is the article that has gotten the most negative comments on it. And it was actually a really interesting experience that’s been kind of emblematic of my career, which is that a lot of the comments on the Washington Post article accused me of being homophobic, there’s one person who says, I know this woman, she’s a huge Christian conservative, and I do not know them. And that is not accurate. But then I also got a voicemail where a woman, a Pentecostal woman, essentially laid hands on me over voicemail in order to cast out the demon of homosexuality, which, like I said, is kind of typical of my career. And I don’t know what this says about human nature. But I have found that whatever people are, they assume I’m the opposite. So whatever they want from the history, they assume I’m against them. And I, I think that part of it is that misunderstanding that you’re flagging, but the idea that by changing history, or by finding new things about history, that we, as historians have some kind of bad motive, when really, that is what we are trained to do. We’re trained to find the new angle, the new, the new thing to say, because there are always new perspectives, and always new things to say. And, as I tried to say, in my article, I think the story is really interesting, because it – I mean, we have this kernel of a fact that Anita Bryant was not fired as a result of the boycott and was, in fact, in fact, kept on longer. And yet, I think some of the lessons that have been taken from that myth are still very true. I mean, the fact that and, and that the myth helped those things to become true. So the fact that the gay community felt like they had taken down and Anita Bryant ended up feeling like this huge success, which galvanized the movement and made us stronger in a way that wouldn’t have happened, or maybe, maybe wouldn’t have happened. And a lot of people have said that it set up the activism of the AIDS era that it created those networks that were already in place. So I don’t think this revision is bad for the queer community. I think it actually tells us something more about our history. And that’s what historians in general are trying to do. Certainly, I’m not arguing that we are just objective narrators with no relationship to what we’re talking about. But most of the time, I think when we uncover new perspectives and new facts, what we’re doing is history. That is what historical research is, and we’re trying to shine new light, to get new understandings not to put down communities that have believed things, because that’s the evidence that they had.

Beckley: I often say that if history was unchanging, and if what we wrote in the book, the first time was all that was to be said, then there would be no need for the, what 500,000 different books written about Abraham Lincoln, or, you know, it just seems so obvious that, including new narratives and new  viewpoints is so essential. And as we grow as a culture and find these hidden stories, it’s so important to bring those to light to give those people a voice and to, you know, just correct the narrative. It’s, sometimes it’s as simple as that. So I’m appreciative of the work you’re doing.

Johnson: Thank you. One of the metaphors that we use in the profession is that when history was a new pursuit, in the early 20th century, they thought about it as bricks in a wall, and you would just like, get your Abraham Lincoln brick, and you’d put in the wall, and you’d be done. And you get your civil war brick and put in the wall, and you’re done. And we now sort of since the 1970s, have coming out of the Black civil rights movement out of the women’s movement, the queer movement, this insight that there are a lot of different perspectives on any one event, that there are a lot of different ways of thinking and looking at it. And I think that’s so much more exciting than just having one brick, I think it’s so cool that we get a rainbow on every single thing.

Beckley: Absolutely. And that’s, you know, one of the things we try to do is tell some of those stories that people might not have heard yet and Indiana’s history. So thanks for helping us with that. I wanted to give you a minute here at the end to plug any upcoming work you have or tell people where they can find more of your work or even the the article we’ve been talking about so much. Sure.

Johnson: Sure, so the article we’ve been talking about is published in The Washington Post’s made by history blog. And this research is all based on my book, which was published by Oxford University Press in 2019 called This is our Message: Women’s Leadership and the New Christian Right, and it looks at Anita Bryant, as well as a number of other prominent Christian women, including Tammy Faye Baker for another queer angle on it. And even though it is published by University Press, I tried to write it in a way that was still fun.

Beckley: Well, thank you. And I think that is all for today. I hope all of our listeners at home have enjoyed this as much as I have come back in a few weeks for our next episode. And thank you for joining us today.

Johnson: Thank you so much.

Show Notes for Giving Voice: Dr. Emily Suzanne Johnson

Dr. Emily S. Johnson, The Myth that has Shaped the Christian right and the LGBTQ Rights Movement for Four Decades, June 21, 2019.

Dr. Emily S. Johnson, This is Our Message: Women’s Leadership in the New Christian Right, Oxford University Press, 2019.

The Crusader: J. Frank Hanly and the Election of 1916

Indiana Governor J. Frank Hanly. Courtesy of WikiCommons.
Indiana Governor J. Frank Hanly. Courtesy of WikiCommons.

Did you know that three Hoosiers appeared on national tickets for president or vice president in 1916?  The Democrats ran Thomas R. Marshall of Columbia City for re-election in 1916 alongside President Woodrow Wilson.  The Republican Party tabbed President Theodore Roosevelt‘s former vice president Charles W. Fairbanks of Indianapolis as the running mate of GOP presidential nominee Charles Evans Hughes.  You may ask, who was the third Hoosier running for president or vice president in 1916?  If you guessed Terre Haute-native Eugene V. Debs, you would be wrong.  After being the  Socialist Party presidential nominee four times from 1900-1912, Debs sat out the 1916 campaign before running again (from prison) in 1920.

The third Hoosier and national party candidate in 1916 was a man who is not well-known today, but was a former governor of Indiana, and an influential leader in the prohibition movement.  As a third-party challenger, J. Frank Hanly ran as the Prohibition Party presidential nominee during the 1916 election. Founded in 1869, the Prohibition Party campaigned for laws to limit or ban the sale and manufacture of intoxicating liquors.  The party nominated candidates for office, but only found real success with local elections.  For Hanly, his candidacy in 1916 served as the culmination of decades of advocacy for making Indiana, and the nation, dry as a desert.

The Hanly Family Home in Williamsport, Indiana. Courtesy of Newspapers.com.
The Hanly Family Home in Williamsport, Indiana. Source: Indianapolis Star, May 7, 1904.

According to a 1904 profile in the Indianapolis News, James Frank Hanly was born on April 4, 1863 in Champaign County, Illinois. His early life exemplified the rough-hewn stereotype that politicians of the era both yearned to have and exploit when useful. As the News wrote, “The world had nothing to offer the cabin boy but poverty. His parents lived on a rented place and sometimes the Hanly’s wondered where the sustenance of coming days was to come from.” Hanly, described as a bookish child, reveled in debate during his schoolhouse days and had “victory perched on his banner very often.” With his mother blinded early in his life and the family thrown into even more intense poverty, Hanly was sent to live with friends of the family in Williamsport, Warren County, Indiana.

He held odd-jobs throughout his early years in Indiana, most notably ditch digging and teaching, before gaining an opportunity from a local judge named Joseph Rabb. Rabb provided Hanly with the tools to take the bar exam. After passing the exam, Hanly began work at Rabb’s office. Nearly two years later in 1890, he founded a law office with partner Ele Stansbury. Equipped with skills of law and oratory, Hanly was a natural fit for the role of public service. He was elected to the U.S. House of Representatives in 1894 and served one term; his reelection was dashed due to redistricting. After some considerations for a seat in the U.S. Senate, Hanly decided to run for governor of Indiana in 1904 and won, defeating Democrat John W. Kern by 84,000 votes, according to the Plymouth Tribune.

Indianapolis Journal, November 8, 1894. Courtesy of Hoosier State Chronicles.
Indianapolis Journal, November 8, 1894, from Hoosier State Chronicles.
Governor J. Frank Hanly and military officers at Fort Benjamin Harrison Camp of Instruction, 1906. Courtesy of Indiana Memory.
Governor J. Frank Hanly (Center) and military officers at Fort Benjamin Harrison Camp of Instruction, 1906. Courtesy of Indiana Memory.

Hanly served as Indiana’s Governor from 1905-1909 and his tenure was marked by a controversial fight over Hanly’s central political issue: the sale of alcohol. He committed his tenure to enacting a stronger form of public policy in regards to the liquor traffic. In an op-ed for the Jasper Weekly Courier, Hanly wrote:

Personally, I have seen so much of the evils of the liquor traffic in the last four years, so much of its economic waste, so much of the physical ruin, so much of its mental blight, so much of its tears and heartache, that I have come to regard the business as one that must be held and controlled by strong and effective laws.

Jasper Weekly Courier, April 10, 1908, from Hoosier State Chronicles.

The type of “strong and effective laws” that Hanly wanted came in the form of a “county local option bill,” which Hanly foisted upon the Indiana General Assembly via a special session. This law strengthened the intent of the Nicholson Law, which required extended waiting periods for liquor licenses. Hanly saw this as the first step towards state-wide prohibition, but his opposition saw it as an opportunity. Due to his heavy-handed use of executive power during 1908, the Republican gubernatorial candidate James E. Watson was easily defeated by the Democratic challenger, Thomas Marshall.

Plymouth Tribune, September 24, 1908. Courtesy of Hoosier State Chronicles.
Plymouth Tribune, September 24, 1908, from Hoosier State Chronicles.

Hanly was undeterred. He reaffirmed his position against alcohol in a rousing speech at the 1908 Republican National Convention reprinted in the Indianapolis News. Concerning the liquor traffic, Hanly declared:

I hate it as Abraham Lincoln hated slavery. And as he sometimes saw in prophetic vision the end of slavery and the coming of the time when the sun should shine and the rain should fall upon no slave in all the republic, so I sometimes seem to see the end of this unholy traffic; the coming of the time when, if it does not wholly cease to be, it shall find no safe habitation anywhere beneath Old Glory’s stainless stars.

To Hanly, the sale of alcohol equaled slavery in its immorality, and akin to his political hero, viewed his indictment of alcohol as righteous as Lincoln’s position on slavery (at least on the surface).

Over the next eight years, Hanly dedicated himself to his cause with a near-religious fervor. He wrote and published pamphlets calling for stricter laws for state liquor trafficking and for nation-wide prohibition. He also formed an organization called the Flying Squadron Foundation that routinely gave speeches throughout the country in defense of outlawing alcohol.  He also founded a prohibitionist newspaper, the National Enquirer (not to be confused with the supermarket tabloid).

Lecturers of the Flying Squadron, a prohibitionist organization founded by J. Frank Hanly, 1917. Courtesy of Indiana Memory.
Lecturers of the Flying Squadron, a prohibitionist organization founded by J. Frank Hanly, 1917. Courtesy of Indiana Memory.

All of his activism proved valuable by the election of 1916. Originally, Hanly received the Progressive Party’s nomination for governor, after he ran unopposed in the March primary. Despite support from the party and the voters, Hanly felt ambivalent about his nomination. As the Indianapolis News reported, Hanly “spent nothing and made no promises when a candidate before the primary for the Progressive nomination as Governor.” The Progressive Party, in some respects, was a poor fit. Even though Hanly alienated himself from mainstream Republican politics due to his strict prohibitionist views, his dedication to fiscal conservatism and limited government did not align with the Progressives. While Hanly internally debated accepting the Progressives’ gubernatorial nomination, another political party began recruiting him for an even higher office.

Indianapolis News, June 15, 1916. Courtesy of Hoosier State Chronicles.
Indianapolis News, June 15, 1916, from Hoosier State Chronicles.

In June 1916, Hanly abandoned the Progressive Party, and declined the nomination for governor. Later that summer, he received the Prohibition Party nomination for President of the United States. The Indianapolis News and the Indianapolis Star reported that Hanly would gladly accept this charge only after the party decided to abandon a plank in their party platform supporting “initiative, referendum, and recall” elections, which Hanly saw as anathema to his limited government views. The party acquiesced to Hanly’s demands, which later drew criticism from an editorial in the Indianapolis Star and later reprinted in the Jasper Weekly Courier.  On the day of his nomination, Hanly reiterated his resolve to the cause of Prohibition and argued that “legislative enactments, administrative action, judicial decision and constitutional amendment—all shall be used for its [alcohol’s] dethronement.” In eight short years, Hanly went from Republican, to reluctant Progressive, to ardent Prohibitionist.

Dr. Ira Landrith (Left) and J. Frank Hanly (Right) shaking hands at their nomination ceremony for the Vice-Presidential and Presidential nominations for the Prohibition Party, respectively. Source: Indianapolis Star, August 9, 1916.

His disassociation with the Republican Party led to a fairly embarrassing episode reported in the August 15 issue of the Indianapolis News. The paper wrote that, “state officials are wondering how a picture of J. Frank Hanly got on the wall in [Ed] Donnell’s office [at the state printing board’s office]. Mr. Hanly, former Governor of Indiana, is now the nominee for President on the Prohibition national ticket.” A little over a week later, on August 28, the portrait disappeared. When asked how it left, Donnell “referred questioners to [J. Roy] Strickland, who disclaimed all knowledge of any theft, other than to declare that he understood the picture had been confiscated by the Democratic state committee.” The installation and later removal of the painting remains a mystery, but this story exemplified one conclusion that many political observers were making about the Prohibition Party candidate: the major parties were done with him too.

Indianapolis News, August 28, 1916. Courtesy of Hoosier State Chronicles.
Indianapolis News, August 28, 1916, from Hoosier State Chronicles.

Hanly’s presidential campaign began later that August with an announcement from Hanly and his Vice-Presidential running mate, Dr. Ira Landrith, that they would conduct a “two-months’ tour of the country, will stop at approximately 600 towns.” The slogan for their campaign was “A Million Votes for Prohibition.” As part of the Prohibition Party’s push for a million votes, Hanly heavily criticized the major party candidates, Republican Charles Evans Hughes and incumbent Democratic President Woodrow Wilson. On the issue of prohibition, Hanly said that “President Wilson has not changed his mind on the liquor question, not in the last six years, at least, but we know that during these six years he has changed his mind on every other question which has come before him.” Of Hughes, Hanly remarked that the Republican nominee “stands for nothing.” By supposed contrast, Hanly and Landrith stood for women’s suffrage, an eight-hour work day, environmental protections, and military preparedness in line with the Monroe Doctrine alongside its desire to end the liquor trade.

Indianapolis News, November 10, 1916, Courtesy of Hoosier State Chronicles.
Indianapolis News, November 10, 1916, from Hoosier State Chronicles.

By November 1916, the Prohibition Party appeared confident in their chances for some electoral success. The Indianapolis News covered their claims of success at a rally in Auburn, Indiana. “Ira Landrith, the vice-presidential candidate,” the News reported, “declared there now are 167 electoral votes in “dry” states; that next year there will be 200, and in 1930 there will be 300.” Their optimism was misplaced, for the election returns told a different story. Hanly and Landrith only captured 221,302 votes, or only 1.19 percent of the popular vote. They neither secured the one million votes they campaigned on, nor picked up a single electoral vote. Wilson won the election with 277 electoral votes and 49.25 percent of the popular vote. The Indianapolis News highlighted that the level of the vote for the Prohibition Party had dropped in Marion County alone by nearly 500 votes, from 1241 to 744, and throughout the State of Indiana, Hanly only garnered 16,680.

Indianapolis News, November 20, 1916. Courtesy of Hoosier State Chronicles.
Indianapolis News, November 20, 1916, from Hoosier State Chronicles.

Of the returns, Hanly was delighted despite his small showing at the polls.  He stated, “I believe that of all the presidential candidates at the last election, I am the happiest. The returns were no disappointment to me.” Despite the Prohibition Party’s electoral loss, the prohibition movement made great strides after the election. The News wrote“More than one-third of the people of the whole nation now live in territory where prohibition will be effective.” After the election Hanly remained an active prohibition proponent.  He played a key role in lobbying for the state-wide prohibition of alcohol by 1918, two years before the 18th Amendment to the U.S. Constitution mandated prohibition across the United States. Hanly celebrated its implementation by introducing National Dry Federation President William Jennings Bryan at a meeting in Indianapolis.

Indianapolis News, August 2, 1920. Courtesy of Hoosier State Chronicles.
Indianapolis News, August 2, 1920, from Hoosier State Chronicles.

Hanly’s lifelong efforts advocating for prohibition came to an end with his untimely death on August 1, 1920, at the age of 57. He had been “fatally injured in an automobile accident near Dennison [Ohio],” reported the Indianapolis News. His funeral was held at Meridian Street Methodist Episcopal Church and he was buried in Williamsport, Indiana. In a eulogy by Indianapolis Phalanx publisher Edward Clark, Hanly was hailed as a “a national leader in the greatest moral and political reform of the century.” Clark concluded, “[Hanly] has ended life’s combat and laid down the weapons he wielded so heroically and so valiantly.”

Historian Jan Shipps argued that the choices Hanly made during his political career may have been pure opportunism, the mark of a true believer, or somewhere in the middle. The last argument seems to be the most accurate, because Hanly appeared to be a bit of both, at least in the press. He was an astute, masterful politician who used the workings of power to achieve his own prerogatives. At the same time, he was a deeply religious man whose moral judgement animated him to act as a crusader against alcohol. As Edward Clark’s eulogy intimated, Hanly knew that “to announce himself as a party prohibitionist meant unpopularity, scorn, ridicule, abuse, and political oblivion—but he hesitated not.” While he never saw the effects of Prohibition, both good and bad, in his state or in the country, Hanly’s contributions to the movement should not be neglected in our understanding of the era.