San Francisco Call and Post, October 29, 1910. Newspapers.com.
On a “fair, warmer” fall day in Philadelphia, a friendly competition on the city streets occurred. The test would determine whether a “40 horse power gasoline” car or a “runabout” electric car would perform better in the congested thoroughfares of the City of Brotherly Love. Behind the wheel of the gas-powered car sat “Tod” Middleton, described by newspapers as an “expert” driver, “thoroughly familiar with Philadelphia streets.” The electric vehicle’s driver was an “enthusiastic” booster of electric cars, who wanted to prove that they could take on tasks typically associated with gas-powered automobiles.
The rules of the competition were simple: each driver had to make twenty-five trips within Philadelphia’s shopping district, parking and shutting off their car each time they reached a destination. They would then restart their vehicle and travel to the next place on their itinerary. Some of the stops included “department stores, theaters, railroad stations” as well as “hair-dressers, and candy stores.” Whoever completed all their trips the fastest was the winner.
Curiously, this race didn’t happen last week or even last year, and the electric car wasn’t a Tesla or Rivian. It was a Studebaker, the South Bend-based company, and the year was 1908. And the driver of the electric car? Her name was Laure Duval, and she worked as a salesperson at the Studebaker Brothers Company of New York. She wanted to prove the durability, reliability, and efficiency of Studebaker’s electric vehicles. (Efficiency was especially important; since the gasoline car needed to be hand-cranked every time it was started, and the electric car didn’t, this key design component proved instrumental in the 10-minute lead the electric car achieved.) Her race with Tod Middleton received coverage by newspapers all over the country, from Kansas City to San Francisco.
Studebaker’s electric cars became a mainstay of the company during the early years of the 20th century, providing vehicles for personal use as well as transport. They were also marketed in a unique way. Studebaker focused on city businessmen, and especially society women, as the premier customers for electric cars, hence the 1908 Philadelphia car competition. While gas-powered cars became the company’s focus by 1912, Studebaker’s innovative designs and skillful presentation nevertheless made their electric cars more than a mere fad. They showed the country that electric cars could be made cost-effectively and provide customers with a reliable, affordable means of personal transportation.
By 1897, Studebaker was “building and experimenting with a ‘horseless vehicle’,” according to company minutes. The Centralia Enterprise and Tribunepublished an article in their July 10, 1897 issue on a meeting of “forty-five Studebaker service men of the New York Metropolitan area . . . for a clinical demonstration and discussion on modern techniques in automobile repairs.” Studebaker employees, from district managers to branch service representatives, actively discussed how the company would build a car for commercial sale.
The company got closer to their vision by 1901, with help from two of America’s most visionary inventors. The South Bend Tribune reported that none other than Thomas A. Edison, the man behind the lightbulb and the motion picture camera, designed the battery for one of Studebaker’s two prototype automobile designs. “Mr. Edison has promised the Studebakers that they will have one of the first batteries for vehicle purposes,” the Tribune elaborated. The other vehicle prototype was developed with the assistance of Hiram P. Maxim of Westinghouse, Edison’s bitter corporate rival (and Nikola Tesla’s financial backer) in the legendary “electric current wars” of the 1890s. In the end, Westinghouse came out the victor in the “mini” electric current war, producing a battery that would “run the [electric] wagon fifty miles with a fifteen hundred pound load and two men without charging,” according to the Fort Wayne Journal-Gazette in the fall of 1901.
Fort Wayne Journal-Gazette, November 18, 1901. Newspapers.com.
On November 16, 1901, Studebaker successfully tested its first electric automobile. The Marshall County Independent provided more detail on its specifications: “The vehicle carries under the middle of the bed an electric storage battery sufficient for a 50 mile run on good roads, and is geared for an average speed of 11 miles an hour.” The article also noted that Studebaker intended to test their electric car in the streets of Chicago, seven years before Laure Duval’s legendary test in Philadelphia.
Studebaker’s electric cars and trucks were quickly put into production and the company sold twenty by 1902. Studebaker executive Albert Russell Erskine, in his company history, wrote that “the first electric runabout was sold [on] February 12, 1902, to F. W. Blees of Macon, [Missouri].” Now part of this is true. F. W. Blees did, in fact, purchase a Studebaker electric runabout, but the date for his purchase is likely closer to October of 1902, according to a newspaper account in the Macon Times-Democrat. Colonel Blees, a onetime prospective candidate for Georgia Governor, ran a successful carriage business. He purchased the electric runabout while attending the Texas State Fair in Dallas, and according to the Houston Post, the state fair ran from September 27 to October 12, 1902. Blee’s purchase had to occur in this window of time and not in February, as Erskine recounted. Colonel Blees likely used his Studebaker electric car for at least ten years, driving it to “Studebaker Day” at the Georgia State Fair in 1912, as noted by the San Francisco Examiner.
With a Westinghouse motor, an Exide battery, and a body built by Studebaker, described by one advertisement as a “combination that speaks for itself,” the company’s electric runabouts sold for $975 in 1903 ($34,604.97 in 2024 dollars). While the price tag limited the car’s marketability to mostly middle- and upper-class Americans, Studebaker managed to sell them effectively. The company showed off its electric vehicle as a part of its 3,000 square foot exhibit at the 1904 St. Louis Fair, which the South Bend Tribune described as “one of the finest to be seen at the exposition. It is simple in construction, safe, easy to operate, and free from vibration and noise.” This exhibit proved successful, since the Washington Post reported in 1905 that, “the well-known Studebaker electric. . . is meeting with a steady sale, and there will be considerable number of them in evidence on the streets in Washington this season.”
Studebaker’s marketing went beyond public exhibits; it also developed flashy newspaper advertisements to attract customers from two urban demographics: city businessmen and society women. As a 1908 ad in the Rochester Democrat and Chronicle attested, “For the woman shopping, or for the business man [sic] to make hurried trips about town, it is the ideal and only vehicle.” As one prime example, John Mohler Studebaker, one of the original Studebaker brothers, can be seen in photographs driving the electric car. The Los Angeles Herald even printed a story about him escorting Wu Ting Fang, a government minister from China, in a Studebaker electric during the foreign leader’s trip to the United States. “Although the trip was a dizzy one,” the Herald wrote, “President Studebaker’s perfect control of the car seemed to inspire Minister Wu with confidence and enjoyed the very unusual trip.”
Urban professionals especially took to the Studebaker electric, enticed by ads displaying the ‘gentleman about town’ completing his social calls and articles attesting to its popularity with such men, as Chicago’s Inter Ocean reported. Dr. Jacob Frank, a physician who lived at 49 Pine Grove Avenue, “purchased a new Studebaker electric Victoria last week and uses it daily in calling on his patients,” the Inter Ocean wrote in 1908. Dr. Frank also provided a testimonial to the paper, saying, “I drove a gasoline car for the last two years . . . but for men of my profession it does not compare with the electric for city work. My new Victoria is no trouble whatever and I would not exchange it under any conditions for a gasoline car for around town work.” As a physician who made house calls, the easier starting process for the electric likely shortened time to get to patients and made trips from house to house a smoother experience, as it did for Laure Duval in her legendary race on the streets of Philadelphia.
Alameda Evening Times-Star and Daily Argus, September 28, 1910. Newspapers.com.
By 1907, the marketing to women, especially society women, become supercharged. The company ran ads proclaiming that “the woman whose social duties require the constant use of a carriage will appreciate that advantage of a Studebaker Electric.” That same year, a photograph in the San Francisco Chronicle showcased a Studebaker electric with none other than actress Trixie Friganza in the driver’s seat. A mainstay of stage and screen for decades, Friganza was also a suffragist and attended rallies in support of women’s rights. That Friganza was willing to be photographed driving a Studebaker electric car spoke to its popularity among successful women, something the company continually leaned into.
According to the city’s Press newspaper in 1910, “a notable number of ladies of Pittsburg’s elite have visited this [Studebaker] exhibition and their expressions of approval and delight are particularly gratifying to the company’s executives.” The Press elaborated on this theme with a society woman’s remarks. “There is an elegance of appearance in the Studebaker electric that easily distinguishes it from all other electric pleasure cars,” she said. Idahoan society women agreed. As the Boise-based Statesman noted, “Mrs. Scott Anderson set the pace with her new Studebaker electric and Mrs. O. P. Johnson has ordered a fine Studebaker electric coupe costing $2500. Mrs. Hall followed suit by ordering a Studebaker electric phaeton.” Additionally, owners could charge their cars at home and travel distances well over fifty miles away. All across the country, from Studebaker’s homebase in Indiana to the sunny coasts of California, the Studebaker electric’s brand became synonymous with simplicity, elegance, and cleanliness.
The brand cultivated a reputation for reliability and performance. Numerous newspaper articles documented many interesting experiments with Studebaker electric vehicles. For instance, traveling on rural routes was a concern with potential customers, as Studebaker often marketed its electric vehicles as city transportation. David Clem, a mail carrier in South Bend, tested a Studebaker electric on his rural mail route, with it performing quite well. As the South Bend Tribune reported on July 20, 1907, “the time generally consumed in making the round by Mr. Clem is eight hours, but the auto left the local office at seven in the morning and after completing the trip and delivering the mail, reached the office again at 10 o’clock, consuming only three hours.” Cutting five hours off a rural mail route was pretty impressive, which Mr. Clem likely appreciated. A series of tests in 1908 displayed a Model 22 Studebaker electric runabout expertly traveling from Kansas City, Missouri to Ottawa, Kansas, “in spite of the fact that the roads were very rough in places and a number of steep hills proved to be a severe test for some of the contestants,” the Philadelphia Inquirer wrote. Drivers also received a helping hand from local farmers, “who turned out in force with scrapers and spades and did their best to get the roads in good condition for the tests.”
Studebaker also manufactured electric trucks and delivery wagons, with prominent companies such as American Express and Gimbel Brothers using them consistently. The U.S. Census Bureau also purchased “a 1,500-pound Studebaker electric. . . for hauling mail, supplies, and publications,” according to a 1912 issue of San Francisco Examiner. The paper noted that “the machine has been in service practically a year and has given perfect satisfaction.” Likely the most newsworthy cargo a Studebaker electric truck ever carried was Tillie, an injured elephant from the Robinson Brothers’ circus, who was transported to a veterinarian in South Bend (the circus’s latest stop) by a truck converted into an ambulance. The Oshkosh, Wisconsin-based Northwestern published a striking photograph of Tillie, with a bandaged left front leg, standing aloft an electric truck with “Studebaker Bros. Mfg. Co.” on the side. From transporting letters and telegraphs to industrial machinery and even elephants, Studebaker electric trucks and wagons played a vital role in those early years of the twentieth century.
Furthermore, the history of automobiles indicated a significant shift towards gasoline-powered vehicles and “electric vehicles were pretty much irrelevant by the mid-1930s and would remain so for decades,” according to automotive historian Kevin A. Wilson. Significant technical challenges stalled the wider adoption of electrics, as many early vehicles were slower overall than gasoline-powered cars. “The relatively poor energy density of affordable batteries, however, kept electrics in the shade,” Wilson noted, and “advances in electric propulsion came slowly while limitations of speed and range came to look even greater in the world as it was remade by the gasoline automobile and consumers grew accustomed to long-distance highway travel at increasing velocities.”
Today, this has all changed. With the success of companies like Tesla, Rivian, and BYD, electric vehicles genuinely compete for both customers and road space, since they are just as fast, reliable, and elegant as any gas-powered vehicle. In a sense, the pioneering spirit of Studebaker and many other companies lives on in these new manifestations of electric cars.
For roughly a decade, Studebaker stood at the forefront of an electric vehicle revolution that provided affordable, durable, and reliable cars to the public. The company constantly sought to improve its vehicles through rigorous testing and innovative technological advancements, such as home charging and extended trip times. Studebaker also marketed their cars to a wide swath of consumers, from the city businessman to the society woman. And behind it all was a company based in South Bend, Indiana, that would go on to make gasoline-powered cars for decades until its dissolution in 1966.
One senses that John Mohler Studebaker, one of the original brothers who built the company from the ground up, would be pleased to see electric cars having a dramatic resurgence. Who knows? Maybe he would’ve been photographed driving a Cybertruck if he was around today. Now that would’ve been something for the newspapers.
The Talking Machine World, January 15, 1921, 27, accessed archive.org.
Historians of blues music and folk culture consider Mamie Smith to be the first African American woman to record blues vocals. In 1921, only a year after this historic recording, Smith performed to sold-out crowds in Indiana. Newspapers covered the release of Smith’s records and her Indiana performances extensively. We were interested especially in a spring 1921 performance by this African-American star in Richmond, Indiana, a Ku Klux Klan stronghold at the time.
Before 1920, African American entertainer Mamie Smith, who was born in Cincinnati, worked in Harlem as a chorus girl and cabaret singer. Here she met the black pianist, singer, and composer Perry Bradford who had found success in theater and minstrel circuits in New York. Bradford, who was interested in preserving African-American musical traditions in recordings, convinced Fred Hager, recording director of the obscure label OKeh Records to take a chance on recording Mamie Smith. Bradford convinced Hager that African American music lovers were an untapped market and that “they will buy records if recorded by one of their own, because we are the only folks that can sing and interpret hot jazz songs just off the griddle correctly.”
“A studio headshot portrait of American blues singer Mamie Smith,” photograph, circa, 1923, Frank Driggs Collection/Getty Images accessed “Mamie Smith and the Birth of the Blues Market,” All Things Considered, NPR.
In February 1920, Smith recorded “That Thing Called Love” and “You Can’t Keep a Good Man Down” for OKeh Records. Blues music historians consider this to be the first blues recording by an African American woman. Record producer Hager received boycott threats if he recorded Smith or any other African American singer. In the face of the controversy, Bradford convinced Hager to continue backing Smith, as opposed to the white singer Sophie Tucker, who Hager was alternatively considering. Bradford recalled:
Mr. Hager got a far-off look in his eyes and seemed somewhat worried, because of the many threatening letters he had received from some Northern and Southern pressure groups warning him not to have any truck with colored girls in the recording field. If he did, OKeh Products – phonograph machines and records – would be boycotted. May God bless Mr. Hager, for despite the many threats, it took a man with plenty of nerves and guts to buck those powerful groups and make the historical decision which would echo aroun’ the world. He pried open that old ‘prejudiced door’ for the first colored girl, Mamie Smith, so she could squeeze into the large horn – and shout with her strong contralto voice.
Smith recorded another set of songs penned by Bradford for Okeh in August of 1920. The track “Crazy Blues” became massively popular and in less than a year the record sold over a million copies. According to long-time music writer Jas Obercht, Smith’s “Crazy Blues” “could be heard coming from the open windows of virtually any black neighborhood in America.” Okeh Records called it “a surprise smash hit.” According to New Orleans jazz musician Danny Barker:
There was a great appeal amongst black people and whites who loved this blues business to buy records and buy phonographs. Every family had a phonograph in their house, specifically behind Mamie Smith’s first record.
Indiana newspapers ran ads for Mamie Smith’s records not long after the release of “Crazy Blues.” Often the ads for Smith’s records were also attempts to sell phonographs as Barker mentioned in the above quote. A downtown Indianapolis music store ran this advertisement in the Indianapolis News in November:
The C. W. Copp Music Shop ran an advertisement in the South Bend News-Times in December for the hit “Crazy Blues,” but also let an interested public know that they stocked other Mamie Smith records. Hoosier interest in Smith’s records continued into the new year. In March of 1921, the same South Bend music shop ran several advertisements for five new Smith records and the Hammond Times ran an advertisement for Okeh Records releases, featuring Smith, and to sell listeners the phonograph to play them on:
According to Obrecht, Mamie Smith recorded 22 songs this year and “between sessions, she kept a grueling schedule of concert appearances.” The Talking Machine World magazine reported that Smith and a revue of entertainers were going to perform in all the major U.S. cities. By April 1921, many Hoosier music fans were familiar with Mamie Smith, as we can see from the newspaper ads. So when the news broke that she was booked to play in Indiana, the coverage continued almost daily until the performance.
According to the Talking Machine World she performed in Indianapolis and Evansville on this tour, but a search of Hoosier State Chronicles and our recent work to digitize the Richmond Palladium Sun-Telegram shows that she also performed to sold out crowds in Richmond and South Bend. This is especially interesting considering 1920s Richmond was only about 5% African American, while perhaps as many as 45% of white males belonged at some point to Whitewater Klan #60, an active chapter of the Ku Klux Klan. We wondered, what brought Smith to Richmond and how was she received?
The Richmond Palladium and Sun-Telegram ran a notice of Smith’s Saturday, April 23, 1921 performance at the Coliseum for weeks before the date. Here are some great examples:
On April 21, 1921 alone there were three ads for Smith’s upcoming performance and records, including this extensive listing of popular songs:
Richmond Palladium and Sun Telegram, April 21, 1921. Hoosier State Chronicles.“Famous Colored Star Sings Here Saturday,” Richmond Palladium and Sun-Telegram, April 18, 1921. Hoosier State Chronicles.
Advertisements were not the only coverage of Smith’s upcoming appearance in Richmond. On April 18, 1921 the Richmond Palladium Sun-Telegram reported on the “forthcoming appearance here of Mamie Smith, the popular phonograph star of the colored race, and her All-Star Jazz Revue next Saturday night at the Coliseum,” and called it “the greatest jazz concert that has ever been sent on tour.” The newspaper called Smith “a phonograph star of the first rank” and claimed that she “has done more than any other singer perhaps in America to popularize the genuine ‘blues’ song of the day.” The writer continued to laud Smith for her ability to make songs into “living, potent things charged with a pulsing and individual rhythm.” The paper reported that the popularity of her record had made Richmond residents excited to see her perform live and that they were expecting a “sold-out house when she reaches this city.”
Jazz Revue Seats On Sale Wednesday,” Richmond Palladium and Sun-Telegram, April 18, 1921. Hoosier State Chronicles.
Perhaps the most interesting article in the Palladium was the one that appeared the following day, April 19, and covered not Smith but the revue company traveling with her. Mamie Smith and her Jazz Hounds were the headlining, crowd-drawing act, but her tour included other acts as well: dancers, vaudevillian comedians, and minstrel performers. The appearance of a newly-minted blues and jazz star on the same stage as the historically popular minstrel performers marks and intersection of trends in African American music and performance history. While minstrel performers had both conformed to stereotypes out of employment necessity and defied them through their self-presentation (learn more), Mamie Smith’s rise to stardom ushered in a new era of music divas who presented themselves as upper class, educated, rich, and demanding of respect.
Obrecht writes:
While blues music had been performed in the American South since the very beginning of the twentieth century, no one had made recordings of it before, largely due to racism and the assumption that African-Americans couldn’t – or wouldn’t – buy record players or 78s. “Crazy Blues” changed all that, sparking a mad scramble among record execs to record blues divas. The stars they promoted in this short-lived era of “classic blues” were not the down-home country singers who’d record later in the Roaring Twenties, but the glittering, glamorous, and savvy veterans of tent shows, minstrel troupes, and the vaudeville stage. These mavericks defied stereotypes…
“Colored Star Wears Exprensive Creations,” Richmond Palladium and Sun-Telegram, April 22, 1921. Hoosier State Chronicles.
As if in response to this very idea, on April 22 the Palladium followed the coverage of the revue with an article detailing the glamorous appearance and presentation of Smith. The newspaper stated that through her record royalties “the popular young colored star is enabled to indulge her fancy in the latest creations both from Paris and New York, and in each city in which she has appeared a gasp of astonishment has greeted her every appearance, for her gowns are described as riots of color and beauty.”
In a telling sentence, the article called Smith “one of the most gorgeously dressed stars of the musical comedy world.” This notes both the respect for her appearance and success and a misunderstanding of her role in music history. While African American music fans were connecting to Smith’s sincere and authentic portrayal of the blues music that they grew up with, this white Midwestern newspaper still saw her as part of the vaudeville and perhaps even minstrel genres — understandably perhaps since it was marketed as such. While Smith had come from such a tradition, through her work with the blues and and jazz performers she had transcended her past. Black newspapers understood her importance much earlier than white newspapers. On March 13, 1920, the Chicago Defender wrote:
Well, you’ve all heard the famous stars of the white race chirping their stuff on the different makes of phonograph records . . . but we have never – up to now – been able to hear one of our own ladies deliver the canned goods. Now we have the pleasure of being able to say that at last they have recognized the fact that we are here for their service; the OKeh Phonograph Company has initiated the idea by engaging the handsome, popular and capable vocalist, Mamie Gardner Smith.
Similarly, the African American gospel, jazz, and blues music Thomas A. Dorseyexplained, “Colored singing and playing artists are riding to fame and fortune with the current popular demand for ‘blues’ disk recordings and because of the recognized fact that only a Negro can do justice to the native indigo ditties such artists are in demand.”
There were African American audience members at the Richmond performance, who likely had a better understanding of the significance of Smith’s success. The Richmond PalladiumSun-Telegram reported: “The best seats are selling fast from the plat at Weisbrod Music company as white and colored folk alike are wager to see and hear the ‘Queen of the Blues,’ a capacity house is predicted for Saturday night.”
Unfortunately, there are no extant issues of the historic African American newspaper the Indianapolis Recorder for this period. It would be interesting to explore the differences in the coverage of Smith’s performances between a white and black newspaper and perhaps this could be accomplished using the Chicago Defender, but is outside the scope of this post.
As expected, Mamie Smith and her Jazz Hounds sold-out the Richmond Coliseum, which held 2,500 people, for the April 23, 1921 performance. The next year, the KKK also sold-out the same venue. The Richmond Palladium and Sun-Telegramreported on December 12, 1922 that a crowd awaiting a Klan rally “taxed the space at the Coliseum waiting for the ceremonies quite a long time before the Klansmen finally arrived.” So how was the white population of Richmond able to enjoy an African American musician one year and then attend a Klan rally the next?
While this contradiction may seem surprising, there was (and some argue still is) a tendency for white Americans to de-contextualize African American music from African American culture. That is, the white residents of Richmond were able to appreciate black music while continuing to oppress black people. There has been much written on this topic (two good places to start are Imamu Amiri Baraka‘s The Music: reflections on Jazz and Blues and Perry Hall’s “African American Music: Dynamics of Appropriation and Innovation“) and an extensive analysis of Smith’s career through this lens is outside the scope of this post. However, advertisements continued after her performance, from which we can draw that she was a hit regardless of why. Notice the advertisement claims that there was “a capacity audience.”
While we were unable to find an article reviewing the Richmond performance or the crowd’s reception, it likely went well because she returned to Indiana the next month. On May 31, 1921, she performed to another capacity crowd at the Oliver Theater in South Bend. The South Bend News-Times covered her performance in much the same manner as the Richmond Palladium. The paper noted in various articles, her fame, her genius, and her status as “the first colored girl artist to attain world-wide fame as a singer and phonograph record star.”
Mamie Smith’s importance to music history is hard to overstate, according to a story on NPR’s All Things Considered for which famed activist Angela Davis (now a professor at University of California/Santa Cruz ) was interviewed. Davis summed up Smith’s importance succinctly:
“The recording of ‘Crazy Blues’ led the way for the professionalization of black music, for the black entertainment industry, and indeed for the immense popularity of black music today.”
Edwina Whitlock, circa 1940s, found in Edward Ball’s The Sweet Hell Inside, p. 320, accessed Internet Archive.
Gary American editor Edwina H. Whitlock wrote in the California Eagle in 1961, “I might perhaps be forgiven for posing as a political authority, but those who know Indiana must acknowledge that basketball and politics are monkeys on the backs of every Hoosier.”[1] The life of Edwina Whitlock, the first and only female editor of the Gary American, is a story that evokes critical insights into the most influential periods in Black history and showcases Black women’s dedication to the long Civil Rights Movement. Whitlock illuminated the rise of the “Black bourgeoisie” and their advocacy for equal rights between the 1920s and into the 1980s, herself having grown up among the small community of Black elites in Charleston, South Carolina. She witnessed the vibrancy of the Harlem Renaissance through her adopted father, strove to emulate W.E.B. DuBois’s ideals regarding Black excellence, and utilized her class privilege to advocate for civil rights and equality through journalism and activism.
The Early Life of Edwina (Harleston) Whitlock
The Black side of the Harleston family held deep roots within the American South, which defined early on by issues of race and class. Edwina Harleston Whitlock’s ancestors were enslaved. Her maternal great-grandmother Kate Wilson lived in bondage and bore eight of the plantation owner’s children. Harleston never married, and upon his death in 1835, the mixed-race Harleston children, who were denied their inheritance, were pushed back into Black society, and refused inheritance from white relatives. Despite these circumstances, the Harleston’s blossomed in the Jim Crow South, utilizing their status as “mixed-race” in order to toe the line of segregation to make a name for themselves.[2] Together, the family integrated into the small, middle-class population of Black Elites in Charleston, South Carolina.
Gussie Harleston in 1924, photographed by her adoptive mother Elise Forrest Harleston, found in Edward Ball’s The Sweet Hell Inside, p. 318, accessed Internet Archive.
Originally named Gussie Harleston, Edwina was born in Charleston on September 28, 1916, to Kate Wilson’s grandson, Robert O. Harleston and his wife, Marie Forrest. When she was just two and half years old, Edwina and her sister Slyvia were sent to live with their uncle, Edwin A. “Teddy” Harleston, after their parent’s contracted tuberculosis.[3] However, after the passing of both their parents, the girls were adopted by Teddy and Elise so they could raise them as their own. Teddy Harleston proved to be an inspiring innovator to the girls. As a young boy at the Avery Normal Institute, Teddy developed an interest in painting portraiture and scenes associated with Southern Black culture, which would define his career for the remainder of his life. He went on to attend Atlanta University, where he studied under Black sociologist and activist W.E.B Du Bois.[4] Du Bois and Harleston became life-long friends, and he encouraged Teddy to use his elite social standing to precipitate equality.
Du Bois’s influence permeated the Harleston family. Later in adulthood, Edwina Harleston describes that the family reared their children according to Du Bois’s theory of the “talented tenth,” a concept that emphasized the necessity of higher education to develop the leadership skills among the “most able 10 percent of Black Americans.”[5] They also instilled a work ethic in their children, reflecting Booker T. Washington’s theory that “African-Americans must concentrate on educating themselves, learning useful trades, and investing in their own business.”[6] She contributed her success to these two ideologies, and what ultimately led to Harleston’s academic drive and early involvement in journalism and newspapers.
The Herald Sun, November 4, 2001, accessed Newspapers.com.
As a young girl, Gussie’s uncle, Reverend Daniel J. Jenkins, ensured that she was always working in some capacity at the orphanage that he ran in Charleston with his wife, Eloise “Ella” Harleston. She recalls that she had a choice: work on the orphanage farm and dig sweet potatoes, or work on the orphanage’s newsletter, The Messenger. She wrote local updates, which spearheaded her interest in journalism.[7] Harleston began calling up different people and groups– churches, community leaders, and businessmen – to ask them questions about their daily activities so she could write up reports regarding what was going on around town. Tragedy struck in 1931, when Edwin “Teddy” Harleston passed away at the young age of forty-nine.[8] To honor these men, fifteen-year-old Gussie Harleston changed her first name to Edwina.
As a high school student, Edwina Harleston remained a veteran writer for The Messenger.[9] During the height of the Great Depression, Harleston’s familial wealth offered her the rare opportunity to attend a university. In 1934, she went on to attend Talladega College, an HBCU, where nearly “all of the students came from light-skinned African American families in urban centers.”[10] Historian Joy Ann Williamson-Lott explained that, for many Black Americans at this time, advanced study at Black institutions remained rare. However, these environments provided a rich opportunity for Black scholars to educate themselves. Edwina was a part of an emerging generation of educated Black Americans, dubbed “The New Negro,” which celebrated Black history, life, and culture through educational advancement.[11] She majored in English literature, taking classes in Chaucer and Shakespeare, while becoming president of her sorority Delta Sigma Theta. She maintained an active social life in school, even forming a secret society with other young women called Sacred Order of Ancient Pigs (SOAP), where the members got together on slow school nights to
gossip.[12]
F.B. Ransom Family Portrait, circa 1935. A’Lelia is on the far left, standing next to her father, accessed Indiana Historical Society.
It was through this group that Harleston met A’Lelia Ransom, daughter of Indianapolis lawyer Freeman Briley Ransom (better known as F.B.).[13] Ransom’s father served as legal counsel to Madame C. J. Walker and her company. A’Lelia and Edwina became great friends, making their own secret club called “Ain’t-Got-Nothing Club.” Every week, A’Lelia’s father would send the girls newspaper clippings from Indianapolis, along with a dollar or two, and they would read the news and spend A’Lelia’s allowance.[14] A’Lelia Ransom would later become the last president of Walker Manufacturing in 1953.[15]
Harleston graduated from Talladega in 1939 and upon her mother’s suggestion applied to Northwestern University in Evanston, Illinois. By the fall of 1940, after spending her whole life in the South, she moved to Chicago to attend graduate school, working towards a master’s degree in journalism. Harleston reveals that this was her first time encountering real racism:
In Charleston, I had been sheltered from it, because the white world and the black world were parallel, never touching. Then I got to Northwestern, the so-called great Methodist Institution. Two things happened that surprised me. The star football player, who was black, was meeting the requirements of his major, but he was not allowed to swim in the university pool. . . . There was also the policy of this supposedly religious university that prevented black students from living in the dormitories on campus. . . . Once I was studying for finals with a friend who wasn’t black. I was invited to her dorm room, but at midnight was told by the matron I had to leave because I was colored. I was frightened and furious and had to stumble back across the railroad tracks to my room at the minister’s house.[16]
Northern racism became a constant obstacle and prominent topic of discussion in her work as a female journalist.
While working towards her master’s degree, Harleston worked as a reporter and editor for the Chicago Defender and the Negro Digest. Her experience in writing for newspapers would play a critical role in the next seventeen years of her life. After meeting Henry Oliver Whitlock at Northwestern, the couple married in April of 1945 and Whitlock found herself moving to the booming, deeply segregated City of Gary, Indiana. A year earlier, Henry had taken over operations of his father’s newspaper, the Gary American – one of the largest Black newspapers in Northwest Indiana. By 1947, Edwina Whitlock would appear on the masthead as Lead Editor as the couple oversaw the dissemination of the publication.
The Gary American: Northwest Indiana’s Early Guardian of Northern Equality
Map of Gary, Indiana in 1929, Map Collection, Indiana Division, Indiana State Library, accessed Indiana Memory.
Forty-five minutes from the southside of Chicago and situated next the sandy beaches of Lake Michigan, the United States Steel Company built Gary’s foundations in 1906. Other businesses followed suit. Between 1910 and 1920, Gary’s population jumped from 16,802 to over 55,000.[17] Gary garnered attention, earning the nickname the “Magic City,” as Eastern and Southern Europeans flocked to the area for industrial jobs. However, World War I largely disrupted European migration, and steel companies turned to the Southern portion of the U.S. for labor. The resulting Great Migration drew Black Southerners to Gary’s mills, where they were paid disproportionately low wages.[18]
The influx of Black residents in Gary did not go unnoticed by whites, especially those returning home from World War I to find their jobs had been “taken over” by Black Southerners. In fact, 1920s Indiana was a hotbed for Ku Klux Klan activity, with approximately 300,000 members.[19] Valparaiso, Indiana – only 30 minutes from Gary – became a center for Klan activity in the Northwest region, with the Klan nearly purchasing Valparaiso University (then Valparaiso College). Racism and terror within the region, coupled with the growing Black population, culminated in the creation of the Gary’s own Black newspaper. The publication would disseminate Black news and highlight instances of inequality that did not appear in mainstream publications. In 1927, Arthur B. Whitlock, David E. Taylor, and Chauncey Townsend headed the formation of the Gary American Publishing Company. On November 10, 1927, the Gary Colored American began as a weekly African American paper, publishing its first issue with Townsend as editor and Whitlock as manager.
Postcard Roosevelt High School, Gary, Indiana, circa 1949, accessed the Indiana Album.
In its first year of publication, the Gary Colored American led reports on the 1927 Emerson School walkout, when white students and parents protested the integration of six Black students into the school. As a result, the school board decided to reinforce existing de facto segregation, transferring the children out of Emerson, and agreeing to build Roosevelt High School, an all-Black school in the Midtown neighborhood. Gary’s Black population remained divided on this issue, with some advocating for total desegregation and others celebrating the decision to create a new school. The Gary Colored American advocated for the construction of Roosevelt High School to serve Gary’s African American children, citing it as an achievement for Black excellence. [20]
In 1928, the Gary Colored American changed its name to the Gary American, quickly becoming one the city’s most prominent Black newspapers, paving the way for publications like the Gary Crusader. While initial circulation numbers are unavailable, in 1928, the GaryAmerican claimed a readership of nearly 2,000 readers. In 1929, its masthead asserted that the GaryAmerican was an “independent paper” devoted to Black interests in Northern Indiana.[21] The paper columns reflected the upsurge of white supremacy in the 1920s and 1930s, culminating in Jim Crow terrorism that plagued Black communities across the U.S. In 1934, the front page of the GaryAmerican showcased an extensive article about the NAACP’s report that approximately 28 known lynchings occurred the previous year in the U.S. This marked nearly a 200% increase in white terror from 1932 to 1933.[22] By the end of that year, the Gary American published a message to readers, stating, “the Negroes of Gary can look only to The Gary American, their own and only newspaper, for all the news primarily of interest to them and concerning their activities,” claiming that they were the servant of Gary’s Negroes during this tumultuous time period.[23]
Editor Arthur Whitlock left the company in 1938 and attorney F. Louis Sperling was elected editor and acting manager. His legal influence filtered through the Gary American as a plethora of articles featured race and legal rulings within in the U.S. criminal justice system. The Gary American drew attention to a Richmond Times-dispatch editorial in 1937 about the federal Anti-Lynching Bill of 1937:
Now that the rest of the week is apparently available for debating the anti-lynching bill, is it too much to hope that the Southern senators will discuss this measure on its merits, instead of consuming days in flamboyant and bombastic posturing, in apostrophies to the fair name of Southern womanhood, in hysterical outbursts concerning the future of Southern civilization? [24]
The bill passed in the House of Representatives, but was held up in the Senate during a filibuster, where First Lady Elanor Roosevelt sat in the Senate Gallery to silently protest those participating in the blockade. Ultimately, the Anti-Lynching Bill failed to pass in the Senate, despite the Gallup poll revealing that nearly three in four Americans (72%) supported anti-lynching legislations and called for it to become a federal crime.[25]
Additionally, in 1938, Editor Sperling released an open letter to Indiana Governor M. Clifford Townsend on the front page of the paper to draw his attention to corruption that was happening within the city. Sperling claimed that a public official, who was responsible for distributing “hundreds of thousands of dollars of the taxpayers’ money” to majority Black families receiving government assistance, was withholding funds to coerce them to vote for her candidate for mayor, Dr. Robert Doty, and for her trustee candidate, P. D. Wells. Sperling wrote, “and what is much worse, [she] has entered into a deliberate campaign to intimidate both colored and white voters of this city who are already on relief rolls, telling them that they will have to support her ‘program’ or be they will be cut off relief rolls.”[26]
Champion of Local Activism and the Civil Rights Movement
Henry O. Whitlock and Edwina Whitlock, with their son Henry Whitlock Jr., posing next to the 1949 Christmas Release of the Gary American, found in Edward Ball’s The Sweet Hell Inside, p. 322, accessed Internet Archive.
In the following decade, the Whitlock’s returned to the Gary American. Arthur’s son, Henry O. Whitlock, became manager in 1944 and his wife, Edwina, becoming editor in 1947. She was a mother and teacher at Froebel High School by day and a journalist by night. The family thrived under the post-war conditions that encouraged a growing middle-class, so much so that they hired a live-in nanny for their children and bought a vacation home in South Haven, Michigan.[27] She saw herself a part of the elusive “Black Bourgeoisie,” which highlighted the white American ideals – Black men worked professional jobs, while the women kept the home with the children. Along with running the Gary American, Henry Whitlock worked as an investigator in the Lake County prosecutor’s office.[28] Following in her adoptive father’s footsteps, Edwina exceeded the realities of Black life, promoting the middle-class lifestyle that many Black Americans lacked, because they did not share her fair skin or generational wealth. But the Gary American gave her unlimited access to disseminate her own ideas about family, Black excellence, and how in Gary’s Black community could fight for self-determination.
During the burgeoning Civil Rights Era, the GaryAmerican focused on issues like discriminatory education funding, the creation of Gary’s first Black Taxicab Company, and the local boycott against Kroger Stores for refusing to hire minority employees.[29] Whitlock published her own column, First Person Singular, for many years. Her editorial topics varied, ranging from marriage and childrearing issues to discussions of race and education. One editorial, appearing in October of 1948, discussed her husband’s opinion that “women dress for other women.” She challenged her readers to question their own partners on the matter to determine if purchasing clothing was self-indulgent as society moved away from the wartime economy and the rationing system.[30] Another editorial, appearing in 1946, was simpler and to the point, “No brains, no hearts – is it any wonder that the Ku Kluxers are also stooges? Right now, they’re stooges for a few racketeers who are clipping them for ten spots or so for the privilege of going around with pillowcases on their heads.”[31] She tackled both the complexities of womanhood and race, offering an intersectional lens to the history of the growing Black population in Gary.
Following World War II, more Black Americans moved to the city, and as a result, they were forced into the central, downtown district, but the city’s boarders grew too slowly to keep up with the expanding population. Rents increased as investments in building repairs dropped, and landlords became virtually unresponsive to Black tenants. By 1940, the U.S. Census reported that only thirty percent of Black families lived in one-family homes, and the remainder lived in apartment houses or small homes converted into apartments, with multiple families living under one unit.[32] Additionally, the Gary Housing Authority – despite its role in maintaining segregated neighborhoods – reported that in 1950, 11,582 families were living in substandard homes or slums, approximately 1,000 more than existed ten years prior to the GHA organizing.[33]
In 1949, she gave birth to the first of four children, whom she raised during her editorial career. That summer, Whitlock addressed her concerns about congestion of the Central District and the strains it imposed on families via poor living conditions and warned about the urge to fall into consumerism rather than focusing on the preservation of the natural world. Her solution was simple – Whitlock proposed an eight-day living week and a thirty-hour work week. She suggested supermarkets offer prepared meals so breadwinners could save money on groceries and utilize the funds for the necessities, like owning a home. Whitlock saw the value in equal payment for all laborers, Black or white, and advocated for the spreading of wealth to relieve the crowded living quarters of the Gary’s Central District. These statements were made during the height of the McCarthy-era, in which rampant persecution of left-wing individuals took center stage of the American political scene. Whitlock did not care. “I sound like a Communist, you say? Well, if Communism means subscribing to a theory that every man’s labor is worth as much as every other man’s,” Whitlock wrote, “having the conviction that the color of a man’s skin should be no deterrent in selecting a place to live – then, come on Revolution. H. O., hand me your shotgun.”[34]
Towards the end of the 1950s, white residents fled to suburban areas like Merrillville due to the city’s increased Black population. Middle-class white families moved away from Gary’s downtown metropolitan center, depleting it of a tax base which thrusted Gary into a state of decline. Black residents, however, were barred from following suit. Once again, housing was featured prominently in Whitlock’s editorials. In 1959, Whitlock discusses her opinions on housing, and the refusal of banks to provide loans to Black locals. Edwina wrote:
Chatted a while today with one of the leading mortgage brokers and I suggested that he and his cohorts could clean up this whole mess with one broad sweep. Instead of refusing to lend money to Negroes who seek better accommodations for themselves by moving to late fringe areas, they should refuse to loan money to the whites who try to run away. If a white family has decent housing in a decent community and the broker suspects that they’re trying to run away from their colored neighbors just let the family do their own financing.[35]
As Edwina pointed out, Black residents struggled to secure access to well-built homes and a welcoming community. However, segregated housing projects were not new – the development could be seen in Gary during the 1930s, and the Gary Housing Authority, established in 1939, continued to segregate residents by placing Black families in the central district, and white families outside of the downtown area.
The Gary American also took a vested interest in the desegregation of the city’s parks, particularly Marquette Beach. Federal programs during the Depression years expanded Gary’s Park system and as a result, U.S. Steel provided the city with a lake-front area. The WPA transformed it into a large park, equipped with a beach, picnic area, and a pavilion. Early editorials reveal how Whitlock felt about lack of community beaches, saying: “But to be continually denied even the elementary right to take a dip in Lake Michigan without having to travel 15 miles to do so, strikes me as being a pretty rotten deal.”[36] In the late 1940s and early 1950s, the city took it’s time when it came to the construction of the new de-segregated section of the beachfront, and many Black residents grew frustrated. Whitlock offered another revolutionary solution: staging a sit-in picnic right on the whites-only beaches. “Getting a few heads bashed in would only be a small price to pay,” Whitlock urged, “for providing our youngsters with an example of forthright action on the part of real men and women.”[37]
Even after Marquette Beach came to fruition, white beachgoers used harassment and violence to keep the sand segregated. However, forced integration occurred only after an uproar in the late 1950s.[38] In fact, Marquette Beach had been a center of white terrorism against local Black beachgoers, with the Gary American reporting in 1949 that a peaceful protest for integration, known as “Beachhead for Democracy,” turned violent when “white hoodlums” hurled bricks, bats, and pipes against vehicles of those who were attending the protest. Police arrived twenty minutes later, closing the beach to demonstrators, which caused the white attackers to disperse.[39] However, the Gary American reported that the protest fueled KKK activity for the next three nights – with white residents burning crosses on the shores of Marquette beach, attacking the homes of “ring leaders” with rocks, bricks, and firing holes into windows with guns, even leaving notes telling residents to leave town.[40]
The protests led to the desegregation of Marquette Beach Marquette Beach remained a contentious site. In the summer of 1961, the Gary American produced extensive coverage over the beating of 21-year-old Murray W. Richards. On Memorial Day, Richards and three female friends were enjoying their time at the beach, when fifteen to twenty drunk white men approached the group and demanded that Murray and his friends leave the beach. After refusing, they attacked Richards unprovoked, hitting him in the jaw with a beer bottle, bashing his face with a baseball bat, and striking him with 2×4 plank. One of the young ladies was dragged toward the water under the threat that the gang of men would drown her. Richards explained to the American that “he feared they would carry out their threat to kill him if he were to fall down.” It was revealed that Richards saw one policeman, Officer George Stimple, standing by his squad car, watching the attack, but did nothing to stop it, even after being informed of what was happening by a young white girl.
Richards was left with lacerations on both ears and his scalp, fractures in his jaw and skull, and multiple contusions on his face, arms, chest and back which needed stitches.[41] Only one of his attackers was taken into custody and prosecuted. The beating fueled unrest across Gary, with the paper reporting that more than 500 citizens packed the Council Chambers on June 6, protesting the inaction of Officer Stimple. Charles Ross, First Vice President of the NAACP, stated that the police department had consciously and deliberately refused to provide the minimum protect to Gary’s Black citizens.[42] The protest led to an investigation into Officer Stimple, but on July 7, the Gary American reported that, after a five-hour hearing, Stimple was found innocent by the civil service commission on the charges that he failed to aid Murray Richards. Commission secretary Thomas G. Kennedy claimed, “The evidence presented in support of the charges was inconclusive.”[43] A little over a month later, the Gary American reported on another white attack against Black citizens at Marquette.[44]
Exposing and challenging racism in Northwest Indiana became the goal for Whitlock and her husband. In an interview with Edward Ball, an American author who focuses on history and biography, she recalled just how influential the Gary American was when it came to dismantling segregation in her community:
The American was a local paper, and we fought to get black bus drivers in Gary, when there were none. We fought the electric utility to hire black women because they didn’t have any. Henry’s father, who started the paper, was on the board of the Urban League, and tried to get certain jobs in the steel mills opened to Negroes, because not all of them were. All our circle and all our friends belonged to the NAACP and attended annual meetings.[45]
The Gary American never reached the status of the Chicago Defender, which was in production less than an hour away, but its influence within The Region was wholly felt.
Living History
Henry Whitlock died on May 5, 1960, and the Gary American announced his death on May 13, saying “Henry Oliver Whitlock . . . gave his all to the community. He was for modern, efficient government. He was for the complete integration of Negroes into all facets of American life.”[46] Edwina continued to run the Gary American by herself until February of 1961, when she sold the publication to Edward “Doc” James and James T. Harris, Jr. The Gary American continued to operate until the 1990s, and even expanded its publication beyond Gary into East Chicago/Indiana Harbor.[47]
That same year, Whitlock moved south of Los Angeles with her four children on the edge of Watts, a predominately Black neighborhood that had been isolated from white California. The area faced intense poverty and inequality. Whitlock took on a job in public relations at Watts Savings & Loans. But in August of 1965, Whitlock found her family thrusted into turmoil when the Watts Uprising gripped the neighborhood. Stepbrothers Marquette and Ronald Frye were pulled over right outside their house by a white California Highway Patrol officer while driving their mother’s car, where Marquette was arrested after failing a sobriety test. Back up was called from the Los Angeles Police Department (LAPD), and a crowd of Black locals formed and watched the arrest unfold, causing one officer to pull his gun out. As a result, Frye’s mother, who witnessed the event unfold outside her house, went to defend her son. All three were arrested, enraging the residents of Watts, who took to the streets to protest police profiling and the conditions of their neighborhood.[48]
Getty Image, courtesy of “Looking Back on the Watts Riots, 55 Years Later: In Photos,” WSLS, accessed https://www.wsls.com/features/2020/08/11/looking-back-on-the-watts-riots-55-years-later-in-photos/.
Between August 11 and 16, Black residents engaged in a massive protest, confronting the LAPD and taking items from local stores to acquire the goods they were often unable to afford due to pay disparities. In the end, the United States dispatched in 14,000 National Guard troops to Watts, forcing protesters back into their homes. The movement took thirty-four lives and led to over 4,000 arrests. For Whitlock, however, the uprising only motivated her get back into the community, and she quit her banking job to train as a social worker. She told biographer Edward Ball, “I studied for the ‘War on Poverty,’ which is what the Lyndon Johnson administration called it. I guess I was one of those advanced soldiers in the war . . . they were idealists, and we all believed in what President Johnson promised about finding jobs for Blacks.”[49] After passing the civil service exam, Whitlock became a social worker, traveling throughout the city into both Black and white neighborhoods to help families less privileged than her. Along with her new career, she continued her work in journalism with articles appearing in publications like the California Eagle.[50]
By the end of Whitlock’s life, encountered her long-lost cousin, white author Edward Ball, that she finally got the opportunity to tell the world about her family’s contributions to Black history.[51] After an extensive interview process, combing through letters and photographs and outlining her family lore, Ball and Edwina worked together to publish The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South in 2001. One year later, Edwina passed away Atlanta, Georgia in November of 2002, at the age of eight-six.[52] Edwina Whitlock’s dedication to highlighting issues of inequality illuminates many of the forgotten Black women at the heart of the long Civil Rights Movement. Through her work as a journalist and her continuous involvement in her community, she utilized her own privilege to promote and sustain equality. The Gary American will soon be digitized and incorporated into the Library of Congress’s Chronicling America database and IHB’s own Hoosier State Chronicles, to give historians the chance to uncover Northwest Indiana’s often discounted, but rich Black history and unveil more stories like Edwina Harleston Whitlock’s.
Notes:
[1] Edwina H. Whitlock, “Gary, Ind., Negroes Help Run City Gov’t,” California Eagle, October 19, 1961, accessed Newspapers.com.
[2] William’s and Kate’s son, Edwin G. “Captain” Harleston proved to be an American pioneer, establishing a successful funeral business that allowed his five children to thrive. His son, Edwin A. “Teddy” Harleston, became a successful painter and renowned portraitist. Another son ran an orphanage, whose young Black children became musical prodigies in the group Jenkins Orphanage Band.
[3] Robert Harleston and Edwin A. “Teddy” Harleston were two of Edwin “Captain” Harleston’s seven children. Captain Harleston was Kate Wilson’s fifth child with white plantation owner, William Harleston. In Charleston, Captain ran a profitable funeral business that serviced the Black community.
[4] E. Rudwick, “W.E.B. Du Bois,” Encyclopedia Britannica, accessed Brtannica.com.
[5] Edward Ball, The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South, New York, HarperCollins Publishers, 2002, 297, accessed Internet Archive.
[6] “Booker T. Washington,” Teach Democracy, accessed crf-usa.org; Ball, The Sweet Hell Inside, 297.
[8] Teddy’s father, Captain Harleston, died in April of 1931, after catching pneumonia. A few days after his father’s funeral, Teddy caught pneumonia as well. Later in her life, Edwina recounted to Edward Ball that the doctor reported that Teddy had a good chance of recovery. However, the grief of losing his father superseded his will to fight the infection. Teddy Harleston passed one month later, on May 10th, 1931; [8] Ball, The Sweet Hell Inside, 286-287, accessed Internet Archive
[9] Edwina was also a singer in the Avery glee club and president of her high school class; Ibid, 298.
[11] Joy Ann Williamson-Lott, Jim Crow Campus: Higher Education and the Struggle for a New Southern Social Order (New York: Teachers College Press, 2018), p. 21-22, accessed Google Books.
[15] Douglas Martin, “A’Lelia Nelson, 92, President Of a Black Cosmetics Company,” The New York Times, February 14, 2001, accessed The New York Times; “Mrs. Nelson Heads Madam Walker Firm,” The Indianapolis News, February 10, 1951, accessed Newspapers.com.
[18] Neil Bretten and Raymond A. Mohl, “The Evolution of Racism in an Industrial City, 1906-1940: A Case Study of Gary Indiana,” The Journal of Negro History, 59, no. 1 (Jan 1974): 52, accessed https://doi.org/10.2307/2717140.
[28] “Heart Attack Claims Publisher,” The Times, May 5, 1960, accessed Newspapers.com.
[29] “Pass Up Roosevelt High: Negro School to get No Funds for Facilities,” The Gary American, September 29, 1944; “Negro Taxi-Cab Company in Operation with 3 Cabs, Fleet of Five Cars Expected to be in Service Next Week,” The Gary American, November 23, 1945; “Continue Boycott of Kroger Stores, Attempts to Arbitrate Fail,” The Gary American, October 3, 1958.
[30] Edwina Whitlock, “First Person Singular,” The Gary American, October 8, 1948.
[31] Whitlock, “First Person Singular,” The Gary American, July 26, 1946.
[32] Bretten and Mohl, “The Evolution of Racism,” 59.
[33] Gary Housing Authority, The First Twenty Years: Report of the Gary Housing Authority, 1939-1959, n.d., 14, accessed HathiTrust.
[34] Whitlock, “First Person Singular,” The Gary American, July 1, 1949.
[35] Edwina Whitlock, “First Person Singular,” The Gary American, December 24, 1959.
[36] Whitlock, “First Person Singular,” The Gary American, July 19, 1946.
[38] Gary Housing Authority, The First Twenty Years, 56.
[39] The Gary Post Tribune stated that the demonstration at Marquette Beach seemed “pointless” as there were no legal restrictions against Blacks utilizing the facilities there. This is just one example of the stark differences between white reporting and Black reporting within the city; The Terre Haute Star, August 31, 1949, accessed Newspapers.com.
[40] “Beach Project Leads to Violence: KKK Becomes Active,” The Gary American, September 4, 1949.
[41] “Youth Brutally Beaten at Marquette Beach, Girls Scream for Help as Police Stand By,” The Gary American, June 2, 1961.
[42] “500 Jam-Pack Council; Protest Actions of Police,” The Gary American, June 9, 1961.
[43] “Stimple Found Not Guilty,” The Gary American, July 7, 1961.
[44] “Hoodlums Attack Again At Marquette Park,” The Gary American, August 11, 1961.
[50] “President John Kennedy, Gov. Pat Brown Electrify 600 Attending Links Inc., Affair,” California Eagle, November 23, 1961, accessed Newspapers.com.
[51] Whitlock’s experience as a journalist spurred a desire to document her rich family history. In 1970, after her daughter Sylvia wrote a term paper on Teddy Harleston, Edwina’s interest in genealogy was re-ignited. She spent years going through the large collection of the Harleston family papers, photographs, and letters. While researching, she attended lectures at institutions like Mann-Simons Cottage to talk about her adoptive mother, Elise Forrest Harleston, one of the first Black female photographers in the US. Whitlock’s goal, however, was to publish her family history.
[52] “Whitlock,” The Atlanta Constitution, November 22, 2002, accessed Newspapers.com.
Sometimes when you think back over your old history texts, and remember that the accounts there relate the deeds of men- not women- doesn’t it give you a marvelous feeling to realize that the greatest chapter of history of mankind is being written today, and that you women are going to have your names in the headlines?
-LaVerne Heady, columnist for Republic Aviation News
Reliable, versatile, and fast, the P-47 Thunderbolt is considered one of the most important fighter-bombers in World War II. Manufactured by Republic Aviation Corporation and debuted in 1943, the P-47 served in both the European and Pacific theaters and quickly became the Allied Forces’ main workhorse. By the end of the war, Republic Aviation produced 15,683 Thunderbolts, which performed more than half a million missions, shooting down more Luftwaffe aircrafts than any other Allied fighter. What’s more impressive than its statistics, however, is the pilots’ testimonials on the durability of these planes, which quickly gained a reputation for their ability to deliver a pilot safely home after sustaining otherwise catastrophic amounts of damage.[i] One of the most dramatic examples of the Thunderbolts’ durability occurred in 1945, when the entirety of a P-47s right wing was sheared off during a bombing mission. The pilot returned to base unharmed, and the plane was reportedly repaired and flown for another 50 missions.[ii]
Headshot of Heady, Republic Aviation News, Indiana State Library.
Military history often focuses on aircraft design and the pilots who flew them. However, who built these planes is equally intriguing. Almost half of the manpower behind P-47 production were women. Known as “Raiderettes,” these women served in a wide array of positions at Republic. This piece will examine the lived experiences of the Raiderettes at the Republic plant in Evansville, Indiana and how their hard work, sacrifices, and patriotism contributed to the production of over one-third of the Thunderbolts manufactured during World War II.
ON THE ASSEMBLY LINE: WOMEN’S ROLES AT REPUBLIC AVIATION
Evansville played a major role in the home front effort throughout the war. In total, fifty different Evansville companies received over $580 million in defense contracts. This included Sunbeam, Serval Inc., Chrysler, and the Missouri Valley Bridge & Iron Co. Shipyard, which produced critical defense industry products such as ammunition, tracer rounds, and landing ship tanks. This booming industry nearly tripled Evansville’s manufacturing workforce and revitalized the previously struggling city. [iii] In 1942, Republic and the U.S. War Department announced they would build a second P-47 factory south of the Evansville Regional Airport. The first facility was located in Farmingdale, New Jersey. Construction commenced at a rapid pace and the plant was finished in August of 1943, three months ahead of schedule. However, P-47 construction was already underway before the factory was even finished, with newly hired workers manufacturing parts in garages, rented factory spaces, and other facilities. Evansville’s first P-47 dubbed “The Hoosier Spirit” flew from the plant on September 19, 1942. The Hoosier Spirit marked the first of over 6,000 Thunderbolts manufactured in Evansville during the span of three years.
From the beginning, Republic sought to hire a substantial number of women workers because men were fighting overseas. Republic recruited women through newspaper advertisements and provided free, educational opportunities. Evansville College (now the University of Evansville) partnered with Purdue University and the U.S. Department of Education to offer twenty-two-night classes in engineering, science, mathematics, aircraft drafting, and other industrial skills. Notably, the Evansville Press wrote that, for the night classes, “Women especially are urged to enroll… The War Manpower Commission estimates that at least two million more women must enter war industries this year.”[iv] Soon after night classes began, Evansville College and Purdue began to offer daytime classes as well to fulfill the needs of night shift workers at Republic and other defense companies. E. C. Surat, district manager of the Purdue war training program, told the Evansville Courier and Press that “Women with mathematical training may be placed at once” in factory positions and urged that women seeking a defense industry job “enroll in the qualifying mathematics course.”[v]
The Evansville Mechanic Arts School also recruited women for their industrial classes. Previously, the school designed courses solely for men, but, upon the outbreak of the war, opened to women “without a halt.” The school especially appealed to homemakers and unemployed women to enroll.[vi] In her article, “Diary of a Riveter,” Raiderette Mary Ellen Ward describes the challenges of these types of training courses and adjusting to the “nerve wracking” noise as they learned drilling techniques, how to measure rivets, and built physical strength to rivet for fourteen plus hours a day.[vii] The City of Evansville and the Republic Aviation Corporation recognized early on the integral role women would play in the home front effort and began recruiting them and providing key training and education for them to succeed in manufacturing roles.
Women from the “tri-state” area of Illinois, Kentucky, and Southern Indiana performed a diverse number of roles, including managerial positions, across the Republic plant. Raiderettes could be found working side by side with men in machining parts, welding metal, wiring electrical components, inspecting aircrafts, and transporting supplies. This makes it impossible to describe a singular, definitive experience among the Raiderettes. However, women across the plant embraced their roles, seeing it as a patriotic duty, and exceeded the expectations of the public. The Muncie Evening Press reported that, in some tasks, women workers across the country exceeded men’s production output by 10 percent or more.[viii] Day-to-day life in the plant consisted of 10 to 14-hour shifts across various departments and, for many, included long commutes of up to 80 miles away a day. Beyond production work, women actively participated in work-adjacent roles, leading the charge on key social services for all Republic employees. Given the amount of time spent at both work and Republic-related events, almost all Raiderettes experienced World War II primarily through the lens of their position at the Evansville plant, making it a key experience to analyze in order to better understand the Indiana home front during World War II.
Article showcasing “Who’s Who” among the Raiderettes and their various positions at Republic, January 29, 1943, Republic Aviation News, photo cropped by IHB, accessed via the Indiana State Library.
One Raiderette, Mildred F. Harris, participated in an oral history interview in 2002, providing key insight into the subjective experience of women at Republic. A schoolteacher, Harris entered war work when her husband was drafted in 1943, commuting 55 miles a day, six days a week from her home in Kentucky to work at the Evansville plant. Harris was placed in a supervisory role managing other aircraft inspectors and supervising factory operations. She stated that men respected her and other female inspectors’ position of authority “as long as the inspectors had this army badge on,” and that they recognized the need for women to work in factories as “they couldn’t get enough men to do it.” Despite this, Harris still experienced sexism in the workplace with some of the men calling her nicknames like “Rose,” “Buttercup,” or “Daisy,” despite her position supervising them. Harris largely ignored these nicknames and kept to herself while she performed her job. Like many women, Harris felt a duty to support both her country and male relatives who served in the war, underlining the importance of her position as an aircraft inspector and the pressures of such long days and high stakes. Her experiences also demonstrated that, simply because women now appeared in “male roles,” that sexism and gender roles still pervaded most Raiderettes experiences. [ix]
Harris in 1943, courtesy of Mildred F. Harris, courtesy The Register of the Kentucky Historical Society.
Women also contributed to the company culture at Republic, actively participating in clubs, the company newspaper, and sports leagues for basketball, softball, bowling, golf, and ping pong. Republic’s clubs competed against other manufacturing companies in Evansville. In addition, women led the charge on hosting social functions like skating nights, formal dances, and even a holiday musical production called “Flying High.” A daycare service was provided for working mothers at the reduced price of 50 cents per week.[x] This proved to be critical as women often found themselves to be “two-job” workers, working at Republic for fourteen hours a day while also continuing to maintain the domestic sphere and raise children, often without the support of their spouse who may have been drafted. Women also formed the “war matrons club,” which catered specifically to older Raiderettes whose sons were serving overseas. This club tracked soldier’s birthdays, wrote to them, and provided a support system for mothers separated from their children due to the war.[xi] While easily overlooked, these services provided necessary social outlets during a period of great change and anxiety in the United States and fostered a strong sense of community for all Republic employees. They also provided workers, many of whom had family members serving overseas, with vital social connections and filled a key gap in societal recreation and relaxation.
Members of the War Matrons Club, June 18, 1943, Republic Aviation News, accessed the Indiana State Library.Republic Aviation News. v. 6 n. 3-v. 11 (1944-1945): 3, accessed Evansville Vanderburgh Public Library Digital Archive.
While women were praised for their patriotism and largely welcomed into the plant, gender roles still defined the Raiderettes’ wartime experiences. Often, the work of women was more heavily scrutinized than men’s and feminine traits characterized as a detriment to wartime production. This can be seen in Republic Aviation News through warnings against “super-sensitiveness” in the workplace and constant reminders that a woman must uphold or surpass the standards of the men who worked alongside them.[xii] Additionally, extra emphasis was placed on women’s fashion and social life with an entire column called Strictly Feminine. The column reported on social news, like who danced with whom at the canteen, what women were wearing to social functions, and other, non-work related, news. Women were often expected to meet their position’s expectations and perform social and emotional labor while doing so. Republic Aviation News paints a more nuanced picture than that of the one-dimensional and patriotic “Rosie the Riveter,” who flawlessly steps into a traditionally male position just as a man would. Women’s positions and experiences in home front factories were distinct and laced with gender roles and bias as they were expected to do a “man’s job” but in a traditionally feminine manner.
A major point of friction between women and men in the factory was whether women would continue working after the war concluded or if their jobs ought to be relinquished back to male workers. Inspector Harris, upon reflecting on the closure of the plant, stated “Now, what they [the male factory workers] expected them to do, what they wanted them to do when the war was over, [was] to go back home and wash dishes like they had been doing.”[xiii] This attitude is reflected in the fact that, after the government cancelled their wartime contracts with Republic, women disproportionately lost their jobs compared to male workers.[xiv] While it is debated whether women truly desired to return home or sought to continue working in the factories- likely a mix of both- they unilaterally faced unfair obstacles in remaining in the workforce post-war.
Pictured is restricted radio operator Naomi Johnson, September 3, 1943, Republic Aviation News, accessed the Indiana State Library.
Despite the continued presence of gender bias in the factory, Raiderettes pushed against and broke the glass ceiling in various ways. For example, Naomi Johnson was notable for being the first woman restricted radio operator- a position that allows users to utilize advanced aircraft radios to communicate and direct pilots- in the region. Originally from Marion, Kentucky, Johnson moved to Evansville in 1937 and earned her operator license in 1940 from the Federal Communications Commission. Johnson originally tested police radios in cars but, upon the outbreak of the war, transitioned to Republic Aviation. She began working on electrical equipment but, after nine months, was transferred to a radio control board, where she communicated with pilots flying and landing P-47s at the Evansville Regional Airport. Due to her strong interest in and advanced knowledge of aviation, she was made an honorary member of the Civil Air Patrol. When interviewed by Republic Aviation News, Johnson expressed her strong passion for her work, stating, “The thing I like best about radio work is the fact that it’s something you can never learn enough about. You can just keep studying and studying. But I wouldn’t mind being called a book-worm if I could read about radio.”[xv]
Reclamation agent Eunice Hall, January 7, 1944, Republic Aviation News, accessed the Indiana State Library.
Another woman, Eunice Hall of Newburgh, Indiana, became the first “reclamation agent” at the Evansville plant, a new position that encouraged the conservation of factory materials to reduce waste in the various plant divisions. Working with the Utility Shop division, Hall also served as the division’s Safety Council representative. While Republic Aviation News minimized her position by comparing it to a “housekeeping” role, Hall excelled at leadership by defining this new company role and taking the lead on both shop safety and material conservation, a key aspect of the home front’s defense industry economy.[xvi]
Other women broke into aviation and flew P-47s domestically. The Women Airforce Service Pilots, (WASPs) were elite civilian pilots who supported the war effort by ferrying, testing, and transporting planes. Described as “polished” and having perfect uniforms, the WASPs visited the Evansville plant numerous times to transport Thunderbolts to military bases.[xvii] On October 10, 1943, Theresa James and Betty Gillies landed in Evansville to deliver two Thunderbolts and transport two others. Gillies is notable as the first ever woman to fly a P-47 aircraft.[xviii] In 1944, WASPs regularly began transporting P-47s from the Evansville plant, with Republic Aviation News stating that 85 women would participate and, each month, 16 of them would fly to the Evansville plant to ferry completed planes to military bases.[xix] While the activities of the WASPs generated much interest both in the news and amongst factory workers, it is reported that the WASPs largely stayed separated from the rest of the factory and focused on their positions.[xx]
Raiderettes continue to work after the announcement of V-E Day, Republic Aviation News, accessed Evansville Vanderburgh Public Library Digital Archive.
As evidenced by the previous examples, women held diverse roles within Republic Aviation and navigated their new, public-facing roles in a variety of ways. Some women, like those in the War Matrons club or Eunice Hall, embraced social responsibilities at the plant by serving on committees and clubs and embracing a more “traditionally feminine” role at Republic. Meanwhile, others, such as the WASPs or Harris, were more reserved in their roles and attempted to ignore or minimize gender roles and bias. However, the common thread of all of these women is that they collaborated with both male workers and one another, pushing against traditional gender roles to best serve the United States during World War II. Their sacrifices were largely recognized and praised by the public. However, it was also expected that they would revert to traditional roles upon the end of the war which, generally, is what occurred. Despite this, these women successfully navigated a challenging period in American history to provide a vital service on the home front and ought to be remembered for their work.
Republic Aviation News. v. 6 n. 3-v. 11 (1944-1945): 6, accessed Evansville Vanderburgh Public Library Digital Archive.
On August 21, 1945, Republic Aviation announced they would be ending all production at Evansville and the plant was soon listed for sale. Upon its closure, the plant had produced over one-third of all the P-47 Thunderbolts in the world, hired thousands of employees, and infused millions of dollars into the local economy. In addition, the plant had gained national recognition, earning three Army-Navy E awards for “excellence in production.”[xxi] This prestigious award was granted to 5% of all eligible plants and represented the top echelon of home front production.[xxii] The plant’s production was considered so outstanding, that President Franklin D. Roosevelt even visited the plant on April 27, 1943 as part of a 17-day, 20-state tour of America’s defense industry, presenting awards to multiple employees.[xxiii]
Without the thousands of women who worked at the Republic plant, these national honors would not have been achieved. Similarly, the quality and reliability of the P-47, which is world-renowned and contributed to Allied Forces’ air superiority during WWII, would not have been possible without the dedicated hands that constructed the planes at an unprecedented pace. While the lives and roles of the Raiderettes at the Republic factory did not ascribe to the simplified “Rosie the Riveter” archetype, they were critical to the defense effort nonetheless, and ought to be commemorated as both Indiana and national heroes.
[iv] “College to give Classes in War Work,” Evansville Press, September 12, 1943, accessed Newspapers.com.
[v] “Day War Training Classes Planned,” Evansville Courier, October 15, 1943, accessed Newspapers.com.
[vi] “These Doors Never Close: Mechanic Arts School Has Prominent Part in War Work Training Program,” Evansville Courier and Press, July 2, 1942, accessed Newspapers.com.
[vii] Mary Ellen Ward, “Diary of a Riveter,” Republic Aviation News, February 12, 1943, accessed Indiana State Library.
[viii] “Two-Job War Worker: She Does a Man-Sized Job on Production Line Plus ‘Women’s Work’ of Maintaining a Home,” Muncie Evening Press, November 5, 1942, accessed Newspapers.com.
[ix] James Russell Harris, “Rolling Bandages and Building Thunderbolts: A Woman’s Memories of the Kentucky Home Front, 1941-1945,” The Register of the Kentucky Historical Society, (Spring 2002): 167-194, accessed JSTOR.
[x] “New Plan for Child Care Offered: Play Center Fills Need Before and After School,” Republic Aviation News, November 26, 1943, accessed Indiana State Library.
[xi] “War Mothers Organized at Republic Plant,” Evansville Press, April 29, 1943, accessed Newspapers.com.
[xii] “A Message from Ellen J. Dilger,” Republic Aviation News 100, no. 2, January 29, 1943, accessed Indiana State Library.
[xv] “First Woman Restricted Radio Operator in This Region is Republic’s Naomi Johnson,” Republic Aviation News, September 3, 1943, accessed Indiana State Library.
[xvi] “Utility Shop Girl Becomes First Official Reclamation Agent at Indiana Division,” Republic Aviation News, January 7, 1944, accessed Indiana State Library.
[xviii] “First Woman Ever to Fly a Thunderbolt is One of Two Girls Landing Here in P-47s,” Republic Aviation News, October 15, 1943, accessed Indiana State Library.
[xix] “First Squadron of Girl Pilots Here to Fly P-47’s,” Republic Aviation News, August 1, 1944, accessed Indiana State Library.
[xxiii] “Camera Highlights of the President’s Visit to the Indiana Division on Tuesday, April 27,” Republic Aviation News, May 21, 1943, p. 4-5, accessed Indiana State Library; “Roosevelt visits Evansville; Sees P-47 Dive at 500 M.P.H,” Indianapolis News, April 29, 1943, p. 1, accessed Newspapers.com; “Evansville Aircraft Plant Receives Visit of President,” Muncie Evening Press, April 29, 1943, p. 9, accessed Newspapers.com.
This post draws on more extensive research completed by the author, Cory Balkenbusch, and Jennifer Mara DeSilva. For a full article on this research, see “Toleration of Sex Work in East Central Indiana, 1880-1900” in the upcoming December 2023 edition of the Indiana Magazine of History.
In April of 1894, Muncie policemen Ball, Cole, and Coffey assisted Chief Miller on a raid of a “Palace o’ Pleasure.” When the officers arrived, they discovered “six very well-known young gentlemen,” who were “being entertained” by four women.[1]The Muncie Daily Herald revealed that the young men and their paid female company swiftly scraped together enough money and valuables to give bond, with one man even giving an officer a valuable diamond stud that was given to him by his mother.[2] The resort, located on Vine Street, was owned by a woman who went by the name of Rosenthal. It quickly became notorious for its illicit activities, with another raid occurring in May of 1894, in which four girls and seven men were arrested and charged with “associating.”[3]
Muncie newspaper readers during this era would not find the reports regarding Rosenthal’s “Palace O’ Pleasure” terribly shocking. During the Gas Boom, sex work was increasingly becoming a part of Muncie’s cultural and social landscape. By the end of the nineteenth century, a substantial reservoir of natural gas was discovered in East Central Indiana, prompting surrounding cities like Muncie, Anderson, and Kokomo to rush to discover their own supply.[4] Despite commonly-held assumptions about American small towns and cities, they were not isolated from the influence of their distant metropolitan cousins. In the two decades before the twentieth century, new railway, telegraph, and telephone connections linked small towns and cities more intimately with the urban centers.
As historians Frank Felsenstein and James Connolly have argued, Muncie, Indiana reflected this rural-urban network. Their research has contrasted Robert and Helen Lynds’ depiction of a sleepy agricultural center recently industrialized in their landmark 1929 study Middletown.[5] However, historians have chiefly focused on the city’s cultural achievements and technological progress brought upon by the Gas Boom, ignoring a large facet of the economy: the exchange of sexual services. Indeed, between 1880 to 1900, the Gas Boom and subsequent industrialization spearheaded the growth of Muncie’s sexual exchange network. This played an integral role within its growing economy.
The Gas Boom, Working Class Men, & The Rise of Sex Work
“Muncie, Indiana: The Natural Gas City of the West” (Muncie Natural Gas Land Improvement Company, ca. 1889), 28, accessed Ball State University Digital Media Repository.
By the spring of 1887, the Muncie Natural Gas Company laid gas mains across most sections of town and was piping inexpensive gas to individual households and businesses.[6] Within that same year, gas had replaced the need for coal, leaving the city free from soot and ash. Forward-thinking businessmen like James Boyce, a member of Muncie’s board of trade, energetically pursued business ventures both for personal gain and to bring new factories to town. Boyce persuaded the Over window glass plant, the Hemingray bottle plant, and the famed Ball Brothers Company to build in Muncie. The working population doubled from 5,500 in 1886 to 11,345 in 1890, and Muncie was quickly becoming the largest city in the Indiana Gas Belt.[7] In turn, the city’s industrial and demographic explosion after 1886 entirely transformed Muncie’s neighborhoods and entertainment districts. By the end of the century, almost seven times the number of original saloons operated throughout the city and nearly double the number of boarding houses and hotels lined Walnut Street.[8]
As Muncie’s working-class male population grew, saloons became spaces for men to socialize and relieve the stresses of factory work. Relief could be found in conversation, intoxication, sport or musical entertainment, and female company. Sex work often accompanied the development of urban, commercial, and transportation infrastructure.[9] As the north-south artery running straight through the city, Walnut Street connected Muncie’s downtown district with the railway depot. It continued into a new residential area that grew beyond the railway tracks to support workers at the surrounding factories. The Southside neighborhood’s location, at the intersections of the C.C.C. & St. Louis Railroad Lines and the L.E. & W. Railroad Lines, coupled with its proximity to the commercial district, made it a hotbed for sex work. The steady flow of newcomers and addition of boarding houses and saloons around the train depots provided potential clients and encounter sites. As early as 1890, Muncie’s newspapers reported Southside sex workers and their clients being arrested and fined.
Establishing Networks & the Commercialization of a Sex Work
Boardinghouse located above a saloon at 815 South Walnut Street on the 1896 Sanborn Fire Insurance Map, accessed Library of Congress.
While the Southside was largely cut off from Muncie’s wealthier commercial district by railway lines, the saloons that lined Walnut Street to the north continued to the south. The 1886 Sanborn map identifies a barber, grocer, jeweler, and three saloons that occupied a block between 1st and 2nd Streets. Sanborn maps show that east of Walnut Street, the Southside neighborhood was made up of houses, bringing businesses like the Muncie Lumber Company, the Artificial Gas Works, the Muncie Foundry & Machine Shop, and the Anheuser-Busch Beer Depot. Although it is hard to determine if these dwellings functioned as boarding houses, there was one known boarding house listed on the 1896 Sanborn map.
The boarding house was located off Walnut Street and might have offered factory men a livable space close to their place of employment. This boarding house occupied the same building as a saloon, with two additional saloons and one restaurant nearby, underlining the proximity to possible prostitution. Widows frequently ran boardinghouses to replace their lost husband’s income. However, the commercialization of women’s labor degraded her role as “keeper of the house.”[10] This highlights the effects of the Victorian middle-class ideals, as paid labor was viewed as a masculine activity. Moreover, contemporaries viewed boarding houses with suspicion because they often sheltered single women and men in proximity, which undermined the idealized purity of middle-class homes. The possibility of sexual activity between unmarried men and women cast suspicion on boarding houses, and aligned them with brothels, which sometimes masqueraded as “female boarding houses” on Sanborn fire insurance maps.[11]
To find direct evidence of sex work, one needed only to follow South Walnut Street into Muncie’s Southside. Much like Chicago’s sex district, known as the Levee, Muncie’s Southside brothels operated openly, and some women used boardinghouses to meet clients.[12] Unlike middle-class neighborhoods in the northern half of the city that were cut off from factory development and train depots, the Southside sheltered working-class men and families that moved to Muncie as new factories opened. From the late 1880s, women engaging in the sex trade gravitated towards the neighborhood. The number of established brothels, sex workers employed in this area, and the prevalence of their arrests reported in the newspapers evinced this movement.
Walnut Street at Patterson Block railroad construction, Muncie, Indiana, ca. 1900s, Muncie and Delaware County Historic Photographs Collection, accessed Ball State University Digital Media Repository.
Not long after he acquired it from Henry Coppersmith, John Mullenix’s saloon earned a reputation for being an “awful, wicked, sinful joint,” and one of the “toughest holes in Indiana.” Mullenix arranged for Minnie White, also known as “Gas Well Minnie,” to use the saloon as a base for exchanging sexual services.[13] The saloon’s location positioned both Mullenix and White to make a profit from travelers, as well as local factory workers. The saloon, located about a block south of the railroad line, was surrounded by four large manufacturing plants, ensuring patronage. Additionally, about twelve dwellings on the saloon’s block might have served as boarding houses for the men working close by. Elsewhere, tavern keepers relied on sex workers to attract customers, while women often relied on tavern keepers for a space to engage in their sexual services, much like Mullenix and White did in Muncie.[14]
However, women engaging in sex work did not limit themselves to working-class neighborhoods and saloons. Indeed, Muncie’s entertainment and business district offered some women the chance to profit from wealthier clientele. The High Street Theater reflected this trend noted by other historians, as concert halls and theaters became popular new venues for sex and entertainment by the beginning of the twentieth century.[15] Located directly across the street from Delaware County’s courthouse, the theater’s wine rooms were open all hours of the day. Initially, the newspapers portrayed wine rooms as a sign of the city’s metropolitan character, but by 1900 they were a source of communal outrage.[16]
Venues like the High Street Theater catered to a wealthier clientele than the Southside working-class. Clients paid an entrance fee, after which they climbed a stairwell that led to small apartments overlooking the theater’s main auditorium. These semi-private rooms were essentially pine boxes with lace curtains to conceal the activity from the audience down below. In these wine rooms, scantily clad women encouraged clients to buy drinks and other services. These costs required a clientele with sufficient disposable income, something most of Muncie’s factory workers could not claim.[17]
An undercover police officer noted that “Age and color [were] no disqualifications” to visit the theater, making it clear that vice activities attracted far more wealthier men than young factory workers. [18] While single factory workers might have money to spend, Muncie’s older and wealthier men also visited the theater. In 1895, Rhoda Jones arrived at the High Street Theater Restaurant and attempted to climb the staircase to find her husband, George Jones. Although the attendant claimed that the wine-rooms were closed at 11pm, Rhoda was insistent that her husband was present. She argued that each night he walked north from their grocery store on South Walnut Street to visit the wine-room women.[19] Although Rhoda’s arrival appeared in the next day’s newspaper, her husband’s departure was more covert. For men like George, the theater also had alleyway access to several city streets, allowing all clients to make easy escapes and discreet entrances.
Property Ownership & Economic Profitability
The Muncie Daily Times, January 26, 1896, accessed Newspapers.com.
Social reform efforts in the late 1890s underlined the development of a new vice district. By early 1896, Southside citizens had mobilized a reform campaign. On January 26, 1896, the Muncie Daily Times described an attempt to close organized brothels. Between Walnut and Vine Streets, stretching to the C.C.C. and St. Louis Railroad tracks, down towards Ninth Street, the Muncie Daily Times reported that citizens held a “feeling of disgrace” living among houses of “ill-repute.”[20] The tension and notoriety surrounding prostitution is apparent from the newspaper’s willingness to identify prominent brothel owners. Between 1887 and 1896, it had become clear to Muncie’s Southside that an extensive prostitution network had developed. Newspaper accounts sensationalized and corroborated citizens’ concerns. “Soiled Doves” and “Women of ill-repute,” such as Emma Bryant, Hazel Gray, and Kate Phinney, provided Muncie’s newspapers with frequent material for reports of their sexual escapades and commerce.
The effort to close brothels within the Southside neighborhood also revealed the prominent role that sex work played within Muncie’s booming economy. Numerous newspaper articles, like that published by The MuncieDaily Times on January 26, 1896, highlighted the extensive network of female-owned brothels and the way they generated city profits through county court fines. Despite the continuous raids these women faced, city officials never forced their brothels to shut down. Their services, and the fines that these raids produced, were an integral part of the Muncie’s urban economy.
“They Say It Is A Nuisance: Several Citizens File and Affidavit Against Kate Phinney,” Muncie Morning News, May 19, 1892, accessed Newspapers.com.
For example, in 1891, The Muncie Daily Times reported on a brothel raid that occurred on Third Street, outing five individual women working at the location, including the proprietress, Minnie Dwyer. Those arrested and put before the judge pleaded guilty to prostitution, paying fines of $16.85.[21] Dwyer was not the only woman running a brothel, however. In 1892, the Muncie Morning News reported that nearly “one hundred citizens” gathered to discuss Kate Phinney’s “house of ill-fame,” and ultimately decided it was a nuisance.[22] The Southside’s saloons, boarding houses, and brothels became woven into this area’s economy of leisure, transiency, and commercial sex.
Emma Bryant was one of the most prominent sex workers and brothel owners in the area, appearing six times in the Delaware County Court Records for her involvement in vice activity, including prostitution, witness to prostitution, and witness to violent crimes.[23] However, the newspapers revealed that Bryant often paid hefty fines rather than serving jail time. As early as 1894, Bryant’s “bawdy house” was raided by police, but remained opened.[24] Her brothel on Council Street, known as Gaiety Commons, appeared later in 1895 in The Muncie Morning News when Bryant along with seven young men and two young women were arrested on charges related to the illegal monetary exchange of sexual services.[25] That same year, Bryant was arrested for selling alcohol without a license, but she paid $200 (equivalent to $6,117.81 today) and was released.[26] Despite the continuous raids these women faced, city officials never forced their brothels to shut down. As historian Ruth Rosen has described, sex workers’ services, and the fines that these raids produced, were an integral part of the urban economy in many American cities.[27] Muncie sex workers produced considerable revenue for the city through the fines they paid.
Prostitution on the Southside bolstered the city’s real estate economy. Muncie sex workers actively engaged in purchasing and selling property and securing mortgages. Kate Phinney and Hazel Gray weathered frequent raids, but always found a new location for their businesses. Phinney faced a plethora of fines and charges related to prostitution but remained an integral part of the vice district, moving her brothel from South Plum Street into Shedtown (current-day Avondale neighborhood). Hazel Gray, appearing as early as 1894 in the newspapers, moved her brothel from Second Street to Third Street. Like Phinney, Gray also faced numerous prostitution charges until she left town in 1897. Phinney’s and Gray’s ability to move around the Southside suggest that there was a tolerance of the profession among city officials.
“After Questionable Houses: There Will Be None Left in Muncie After March 10,” Muncie Morning News, February 20, 1896, accessed Newspapers.com.
The Southside citizens were seemingly successful in their efforts to close the local brothels. The Muncie Morning News reported that by March 1896, brothels run by Emma Bryant, Kate Phinney, and others had been shut down.[28] However, many of these “businesswomen of ill-repute” did not leave Muncie. According to the Muncie City Directory, Emma Bryant was still living on South Willard Street in 1901. Muncie’s 1897 city directory listed Hazel Gray as living at 138 Kinney Street. These directories reveal that, although their brothels were initially shuttered, these women moved freely about Muncie, redefining the vice district limits.
By 1900, 347 manufacturing establishments operated within the city and Muncie boasted a population of 20,942. However, the industrial optimism brought on by the discovery of natural gas would not last long. By the beginning of the 20th century, gas pressure dropped to nearly 100 pounds and many large factories could no longer obtain the natural gas they had so heavily utilized during the previous decade. This caused many factories to find other means of production or shut down. Unlike smaller cities in Eastern Indiana, like Fairmount and Eaton, the growth of Muncie’s railway lines provided convenient access to coal, raw materials, and markets for finished manufactured products, which maintained its industrial prominence after the gas ran out. The movement of factories closer to the railway lines prompted Muncie to grow in all directions, with new industrial areas materializing at both the north and south ends of the city.
Muncie’s sex work industry continued to follow the Walnut Street corridor, then flowing out towards industrial areas. As in other cities, the industry maintained a connection to the city’s entertainment district throughout the Gilded Age, providing clients with easy access to vice. However, during the Progressive Era, sex work was forced underground. As social reformers sought to solves issues created by Gilded Age industrialization, Gas Boom Muncie offers historians a chance to understand how Gilded Age vices took hold of smaller-scale urban spaces, creating a new narrative of how these areas reflect larger city trends when regarding the link between sex work and the local economy.
Notes:
[1] “A Large Catch,” The Muncie Daily Herald, April 5, 1894, accessed Newspapers.com.
[3] “Vine Street Joint,” The Muncie Morning News, June 1, 1894, accessed Newspapers.com.
[4] James Glass, “The Gas Boom in Central Indiana,” Indiana Magazine of History 96, no. 4 (2000): 315.
[5] Frank Felsenstein and James J. Connolly, What Middletown Read: Print Culture in an American Small City (Amherst: University of Massachusetts Press, 2015), p. 17-20; Robert S. Lynd and Helen Merrell Lynd, Middletown: A Study in Modern American Culture (New York: Harcourt Brace, 1929), p. 5-6.
[6] Remarkably, in 1892 the state reported that 2,500 square miles of natural gas could be located across Central Indiana making it the largest known gas field—larger than the Pennsylvania and Ohio fields combined. Glass, “The Gas Boom in Central Indiana,” 315.
[7] Glass, “The Gas Boom in Central Indiana,” 318.
[9] Katie M. Hemphill, “Selling Sex and Intimacy in the City: The Changing Business of Prostitution in Nineteenth-Century Baltimore,” in Capitalism by Gaslight: Illuminating the Economy of Nineteenth-Century America, eds. Brian P. Luskey and Wendy A. Woloson (Philadelphia: University of Pennsylvania Press, 2015), p. 169.
[10] Wendy Gamber, The Boardinghouse in the Nineteenth Century (Baltimore: John Hopkins University Press, 2007), p. 60.
[11] Kristi L. Palmer, “Fire Insurance Maps: Introduction and Glimpses into America’s Glass Manufacturing History,” The News Journal 20, no. 4 (2013): 4; Gamber, The Boardinghouse in the Nineteenth Century, p. 102-103.
[12] Cynthia M. Blair, I’ve Got to Make My Livin’: Black Women’s Sex Work in Turn-of-the-Century Chicago (Chicago: University of Chicago Press, 2010), p. 27.
[13] “For Min White and Bomb Shell for The Quart Shop: The Police and Residents of South Walnut Street Very Sore on John Mullenix’s Wicked Joint,” TheMuncie Morning News, March 12, 1893, accessed Newspapers.com.
[14] Hemphill, “Selling Sex and Intimacy in the City,” p. 172-173.
[15] Timothy J. Gilfoyle, City of Eros: New York City, Prostitution, and the Commercialization of Sex, 1790-1920 (New York: W.W. Norton & Company, 1994), p. 224; Ruth Rosen, The Lost Sisterhood: Prostitution in America, 1900 -1918 (Baltimore: John Hopkins University Press, 1982), p. 83-84.
[16] “A Wine Room,” The Daily Muncie Herald, November 15, 1892, accessed Newspapers.com.
[17] “Muncie’s Den of Iniquity,” The Star Press, January 28, 1900, accessed Newspapers.com.
[19] “After Hubby,” The Muncie Morning News, April 5, 1895, accessed Newspapers.com.
[20] “After the Resorts: Southside Citizens Organize to Fight Them,” The Muncie Daily Times, January 26, 1896, accessed Newspapers.com.
[21] “A Third Street Joint Raided and Ten Victims Gathered,” The Muncie Daily Times, October 26, 1891, accessed Newspapers.com.
[22] Phinney had been charged with keeping a house of ill-fame as early as 1890, and then again in 1895 and 1898; Delaware County Circuit Criminal Court, Cause #2547 (1890), 3031 (1895), 3480 (1898); “They Say It Is A Nuisance: Several Citizens File and Affidavit Against Kate Phinney,” Muncie Morning News, May 19, 1892, accessed Newspapers.com.
[23] Delaware County Circuit Criminal Court, Cause #3546 (1897), 3494 (1898), 3737 (1900), 8409 (1927).
[24] “Bawdy Houses Raided: The Inmates of Three Bagino’s [sic] in Courts To-Day,” The Muncie Daily Times, January 1, 1894, accessed Newspapers.com.
[25] “It Comes High: But the Boys Will Stray Into The Path That Leads to Headquarters,” Muncie Morning News, March 19, 1895, accessed Newspapers.com.
[26] “In The Hands of U.S. Officials,” The Muncie Daily Times, March 2, 1895, accessed Newspapers.com.
Chichester’s English Pennyroyal Pills advertising pamphlet, ca. 1887. New-York Historical Society Library, Bella C. Landauer Collection, accessed New-York Historical Society.
The 2022 overturning of Roe v. Wade by the Supreme Court in Dobbs v. Jackson Women’s Health put the responsibility back on each individual state to determine abortion law for its citizens. In presenting a history of abortion in Indiana, I hope to share how both access and barriers to the termination of pregnancies have changed from the 19th century to the present. Due to the complexities of the abortion debate in Indiana, this article will only discuss the state of abortion prior to the 1970s.
While current laws seeking to ban abortion in Indiana and across the United States focus on the detection of a fetal heartbeat, legal cases between 1812 and 1926 were frequently concerned with “quickening,” which is defined as “the point in which the pregnant woman first feels the fetus move . . . usually between the sixteenth and eighteenth week of pregnancy.”[1] Prior to the point of quickening in a woman’s pregnancy, abortion was not considered a crime since the woman might not have been aware of the pregnancy, particularly if her menstrual cycle was irregular.[2] Instead, these women were often regarded as victims of their own actions in allowing themselves to become pregnant or as victims of an illegal abortion resulting in their death. It is this latter situation, unfortunately, that has allowed historians to learn about the history of abortion practices within the United States. The stories were often only publicly shared through inquest reports, which sought to investigate any deviations from acceptable medical practices that led to death.[3]
In the late 1800s, abortion became a statutory crime in Indiana, as in all states in America. This means that the criminality of the action was written into state laws rather than relying only on the precedent set by court decisions, also called “common law.”[4] The specific statute or law included the elements that an individual must satisfy to be found guilty of the crime, such as the action performed, their mental state when the act was performed, and proximate causation, which is defined as a link between the action and the effect of that action.[5] Despite statues and legal precedent asserting the criminal nature of abortions, women were frequently exempt from liability for their participation in terminating the pregnancy, with most charges instead filed against the individual who performed the abortion.[6]
Although women did not speak openly about abortions outside of their social circles, they did confide in their close friends and family members of their desire to be “fixed up” or to “bring their courses around.”[7] According to many historians’ investigations into the topic, women in the 18th and 19th centuries often turned to abortion as a common means of birth control, with some even asserting that it was safer than childbirth, which claimed the lives of numerous women annually.[8] Women often shared folk remedies or other methods for terminating the pregnancy in much the same way they would have discussed the treatments for other common illnesses.[9]
The Post-Democrat (Muncie), March 20, 1936, accessed Ball State University Digital Media Repository.
At the turn of the 20th century, approaches to understanding and addressing the rate of abortions within the community involved comparing it with other birth control methods and encouraging the avoidance of pregnancy to prevent the need for an abortion. One such advocate was New York nurse Margaret Sanger,[10] who spearheaded the birth control movement, eventually leading to the approval of modern contraceptives. Sanger reportedly solicited the help of Roberta West Nicholson, a Hoosier legislator (1935-1936) and activist, who co-founded the Indiana Birth Control League in 1932, Indianapolis’s first Planned Parenthood center. A New York representative visited Nicholson in the city, describing the “very, very disappointing lack of progress they seemed to be making because there was apparently very little known about family planning and very little support in general terms for such a concept.” Nicholson was convinced that this should change and established a chapter in Indianapolis. Thus began her 18 years-long work as a family planning and social hygiene advocate.
Controversially, Sanger argued in favor of abortion for eugenics, though without the overtly racist undercurrent of most pro-eugenics writings. Instead, her arguments, which often referred to minority and immigrant women indirectly, called for increased access to contraception to assist in limiting the number of children born in their families.[11] At the core of Sanger’s arguments was the idea that “the ability to control family size was crucial to ending the cycle of women’s poverty.”[12] Indiana took Sanger’s beliefs a step further and passed a new law in 1907 that authorized the involuntary sterilization of “confirmed criminals, idiots, imbeciles, and rapists,” following the argument that poverty, criminal behavior, and mental problems were hereditary.[13] According to the historical marker placed outside the Indiana State Library in 2007 to commemorate the 100-year anniversary of the law, approximately 2,500 people within state custody were sterilized under the mandatory sterilization approved by Governor J. Frank Hanly.[14]
In her work with minority, immigrant and working-class communities, Sanger often cared for women who were “relieved if there was a stillbirth, because they could not afford to raise any more children.”[15] As a result, it was these women that Sanger most commonly targeted with her advocacy for increased access to birth control in place of abortions; however, historians like Leslie Reagan and Joan Jacobs Brumberg have argued that abortions were sought by women in all sectors of society to prevent an unwanted birth or to protect a young woman’s reputation. Reagan found that mothers who helped their daughters seek illegal abortions often cited the double standard between males and females in the late nineteenth and early twentieth centuries, as the mother “knew that bearing an illegitimate child would stigmatize her daughter for life while the boyfriend could experience sexual pleasures without hurting his honor.”[16]
Alternatively, unmarried young women who were kicked out of their homes upon disclosure of their pregnancies were encouraged to bear their children in maternity homes, which often refused to admit Black women.[17] Women who lived in these homes until the birth of the children were required to repent of their sin, perform domestic tasks, participate in religious services, and breastfeed the infants for several months even if they planned to give the children up for adoption.[18] Historians like Regina Kunzel have uncovered evidence that many young women in maternity homes tried and failed to abort their pregnancies as opposed to remaining in the maternity homes.[19]
In the 1930s, particularly during the Great Depression, married Black and white women within similar socioeconomic classes sought abortions at approximately the same rate, often citing their employment or role as the family breadwinner as a critical factor in wishing to avoid another child.[20] Furthermore, data has indicated no significant distinction between abortion rates when classified by religious background; however, the timing of the abortions often differed. Catholic and Jewish women gave birth younger and chose abortion as they aged, whereas Protestant women often sought abortions at younger ages, choosing to give birth later in life.[21]
Throughout the 1920s and 1940s, women from Indiana and other midwestern states often visited downtown Chicago to obtain an abortion at the medical practice of Dr. Josephine Gabler, who had established herself as an expert in the field willing to accept referrals from other medical professionals, despite the practice being illegal in Illinois as well.[22] To protect her identity, that of her staff, and the women visiting the practice, Dr. Gabler and her staff instructed women not to call anyone else if they had issues following their procedure, with the clinic staffing a 24-hour phone line available to assist patients. When women arrived at the clinic, the receptionist, Ada Martin, would lead them back to the room and cover their eyes with a towel so they could not identify the physician performing the procedure prior to putting them to sleep. She would then provide them with instructions for aftercare. Dr. Gabler and her staff paid physicians a percentage of the procedure fees for referring patients to the clinics. The clinic also paid monthly bribes to police officers, which allowed them to continue providing abortions openly without criminal prosecution.[23]
Indianapolis Star, May 2, 1941, 23, accessed ProQuest Historical Newspapers
One police officer who received bribes from Gabler’s clinic was Indianapolis Detective Daniel Moriarity. In 1941, the clinic’s former receptionist Ada Martin, who had purchased the clinic from Dr. Gabler, was the victim of an attempted murder. Tragically, Moriarity murdered Dr. Gabler’s daughter, mistaking her for her mother. He was attempting to hide the bribes he had received from Gabler and Martin. His crimes exposed the clinic’s practices for the first time.[24] Despite raids on the office in August 1940 and February 1941, convictions against Martin and her receptionist, Josephine Kuder, were overturned because the evidence used to build the case had been drawn from illegally-seized patient medical records.[25] During the trial, numerous women were forced to take the witness stand, sharing their experiences and subjecting themselves to the scrutiny and stigma of the courts.[26] One woman’s medical record from the clinic was even published in the Chicago Daily Tribune as a “sample,” and other women had their names and photos printed, further exposing them to unwanted attention and questioning outside of the courts.[27]
From the late 1930s into the 1970s, poor white women and Black women in northern Indiana and Detroit began to visit Dr. Edgar Bass Keemer Jr., a Black physician practicing in Detroit. He was urged by his wife, another physician who had obtained an abortion herself while completing her medical training, to perform abortions.[28] Dr. Keemer initially refused to perform an abortion for an unmarried woman, who later died by suicide, leading to his commitment to helping other women to prevent a similar tragedy. Many poor white women regarded Dr. Keemer as a preferable option despite his race and gender because he provided follow-up care and, in the case of the procedure failing, arranged for the woman to have care at a hospital, which he fully paid in addition to any lost wages from missing work.[29]
For women able to make the journey to either Chicago to see Dr. Gabler or Detroit to visit Dr. Keemer, there was often concern about the amount of time a woman would be away from home, leading to the risk of others finding out about her abortion and stigmatizing her for her choices.[30] Abortions at Dr. Gabler’s clinic ranged in price from $35 to $300, with most women paying $50.[31] The cost was higher for abortions performed later in the pregnancy due to the added complexity. This encouraged women to seek treatment as early in the pregnancy as possible to limit costs.[32] Dr. Keemer’s patients were charged $15 in the late 1930s, with fees increasing on a sliding scale to $125 by the 1960s. If the procedure failed, Keemer returned the fee paid and also covered all patient fees associated with the woman receiving a D&C at a local hospital.[33]
(L to R): Cincinnati Enquirer, November 25, 1879, 4; November 26, 1879, 4; November 27, 1879, 4, accessed ProQuest Historical Newspapers.
Access to abortions was particularly difficult for women living south of Indianapolis without the opportunity to seek treatment from the Gabler-Martin or Keemer clinics. In this area, some women resorted to procedures performed secretly by other professionals. One such case that gained national attention was that of Eliza Francis Levesay from Decatur County, which is located southeast of Indianapolis.[34] Levesay had had an affair with a young man named William Myers, and she became pregnant. Because Levesay was from a poor family and Myers was from a wealthy family, they believed it was in the best interest of both of their reputations that she seek an abortion.[35] Her abortion was performed by Dr. C. C. Burns, a local dentist. When Levesay became ill and sought medical treatment, her physician reported the case to the state authorities. While an investigation was performed, the jury could not reach a unanimous decision against any of the parties, and the case was dismissed.[36]
Profiting from abortion restrictions and lack of access to safe clinics, entrepreneurs marketed various pills and remedies that women had shared with each other for free. Women either mixed their own concoctions or purchased various remedies through the mail, with them marketed under various different names to avoid seizure under the Comstock Act, which prohibited the sending of “obscene” or “unlawful” materials through the postal service.[37] Interestingly, such restrictions were often applied only to those packages crossing state lines, urging entrepreneurs to take up the cause within the state as well.[38] Such remedies were not regulated by the FDA; therefore, their safety and efficacy were not established.[39] It is unknown whether such treatments actually worked or how many people died or became ill from using these them. In fact, some state laws, such as those published in 1827 in Illinois, classified the treatments as poisons.[40]
Dr. Jackson’s English Tablets pill packet, 1880-1900. New-York Historical Society Library, Bella C. Landauer Collection, accessed New-York Historical Society.
In addition to physical harm resulting from such “treatments,” Dr. Keemer and others worried about women’s mental health should they be refused abortions. Despite state laws, demand for abortion increased in the decades following the Great Depression and World War II as more women entered college and the workplace.[41] Women needed to control when they would become pregnant because “once a woman was visibly pregnant, her school would expel her and her boss fire her . . . In short, pregnancy threatened to destroy a young woman’s life and ambitions.”[42] To protect their reputations and their futures, women from the 1930s to the 1960s sought illegal and unregulated abortions, which were often performed by individuals without medical training. Other women from the 1940 to the 1960s found sympathetic psychiatrists were able to secure abortions for “therapeutic reasons” to help prevent the “emotional distress and suicidal intentions” that women expressed in order to receive referrals for a medical hospital-performed abortion.[43]
Numerous state and national advocacy groups supported proposed changes to the laws in Indiana. In 1967, Robert Force, an Assistant Professor at Indiana University School of Law in Indianapolis, and Irving Rosenbaum Jr., a physician, drafted the new Indiana Bill (H.B. 1621) and published a statement in which they argued that physicians needed to fully assess a woman’s prognosis if not able to obtain a medical abortion, much as they would when considering treatment for any other medical condition.[44] Additionally, they encouraged the incorporation of protections for women who were victims of crimes, such as rape or incest, and women with mental conditions who could not adequately appreciate their conditions or care for a child after its birth.[45][46]
Proposed amendments to the Indiana abortion law, 1967. Robert Force, “Legal Problems of Abortion Law Reform,” accessed JSTOR.
Some of the groups lobbying for change and supporting the Indiana Bill represented bipartisan, secular, and religious organizations, including the Indiana Civil Liberties Union, Indiana State Medical Association, American Protestant Hospital Association, Indiana Council of Churches, National Council of Jewish Women, the Indianapolis Star, and other independent advocates.[47] In 1967, these advocacy groups called on legislators to consider legal precedents in which suicidal tendencies had been grounds for granting an abortion in drafting laws that would protect both the mental and physical health of women seeking an abortion.[48] The Indiana Bill passed the House, but the Senate made substantial changes, which essentially removed most of the proposed amendments, which would have made abortion legal without exception, and it was ultimately vetoed by the governor. While abortion was not legal at this point, Indiana had relaxed its anti-abortion laws to protect the mother’s life.[49]
Ruth Mahaney (right), n.d., in Madison Stacey, ‘It was hidden, you had to hunt,’ accessed WTHR.com.Women’s Crisis Service ad, Spring 1975, in Julia Kilgore, “Ruth Mahaney & Nancy Brand: Insight into IU’S History of Women’s Reproductive Rights,” accessed IUB Archives.
In 1968, the women’s liberation movement reached Bloomington. During weekly meetings of the IU Women’s Caucus, various women shared their challenges with being able to access abortions, which remained illegal.[50] In response to these challenges, including her friend’s horrifying experience in which an abortionist refused to perform the procedure until she had sex with him, Indiana University graduate student Ruth Mahaney started an abortion counseling center, which came to be known as the Midwest Abortion Counseling Service. This center fielded calls from women in surrounding rural areas, students, and women in Bloomington, and offered support from local ministers and doctors who provided counseling services.[51]
The Midwest Abortion Counseling Service center helped connect women to sympathetic providers both in southern Indiana at IU and in the Chicago area through referrals to the Jane Collective for women to receive safe abortions from respectable providers.[52] In an interview as part of the Indiana University Bicentennial Oral History Project, Mahaney recalled driving young women to a municipal airport in Bloomington to be able to get to Chicago as soon as possible for their procedures.[53] After the legalization of abortion under Roe v. Wade in 1973, the Midwest Abortion Counseling Service transitioned to become the Women’s Crisis Service, which not only continued Mahaney’s work in supporting women seeking abortions but also provided support for women in other crises, such as rape or divorce. The center also to connected women to legal resources, daycares, and other available resources.[54]
Protestors gather outside the U.S. Supreme Court building to support their position in the ongoing abortion debate, accessed law.harvard.edu.
For a bibliography of sources used in this post, click here.
Notes:
[1] Samuel W. Buell, “Criminal Abortion Revisited,” New York University Law Review 66, (1991): 1780.
[2] Buell, 1782; Julie Conger, “Abortion: The Five-Year Revolution and its Impact,” Ecology Law Quarterly 3, no. 2 (1973): 312.
[3] Leslie J. Reagan, When Abortion Was a Crime: Women, Medicine, and Law in the United States, 1867-1973 (Berkeley: University of California Press, 1997), 22.; Buell, 1782.
[8] Tamara Dean, “Safer Than Childbirth: Abortion in the 19th Century Was Widely Accepted as a Means of Avoiding the Risks of Pregnancy,” The American Scholar, 97; Reagan, 22.
[19] Regina Kunzel, Fallen Women, Problem Girls: Unmarried Mothers and the Professionalization of Social Work, 1890-1945 (New Haven: Yale University Press, 1993): 68-69, 81.
[25] Reagan, 311. Mrs. Martin estimated in court testimony that she worked as a receptionist for Dr. Gabler for approximately 12-15 years. She purchased the practice from Dr. Gabler in January 1940 and later hired physicians, including Dr. Henry James Millstone, to perform abortions in the clinic. While under indictment following the raids, Dr. Millstone died by suicide from drinking poison on April 17, 1941, with his wife dying by suicide from drinking ammonia shortly after on May 1.
[30] Regan, 151. Dr. Gabler used surgical techniques for the abortion, including general anesthesia and dilation and curettage (D&C) similar to the procedure following a miscarriage, with after-instructions provided similar to those for women who had just given birth, such as avoiding hot baths or avoiding intercourse while they healed.
In contrast to Dr. Gabler, Dr. Keemer used the Leunbach method, which was reported to be safer and less painful.[30] The process utilized a compounded paste and potassium soap solution inserted into the uterus via a syringe. The vagina was then packed with a sterile gauze tampon, which would be removed 18 hours later at home. Women receiving an abortion via the Leunbach method, on average, spent only 10 minutes on the doctor’s table and reported minimal cramps, with aspirin prescribed to blunt the pain. Women could return home the same day, and a nurse would visit women at home the following day. Dr. Keemer also arranged a follow-up visit as well to ensure all of the contents had been properly expelled to prevent infection.
[35] Various sources utilize different spellings for Mr. Myers’ last name, with “Myers” utilized in newspapers covering the case and “Miers” as the spelling in the Boesche article detailing her research into the case.
Melba Phillips at Berkley, 1930, photo courtesy of Ellen and John Vinson, accessed Physics in Perspective 10 (2008).
Physicist and educator Dr. Melba Phillips of Pike County, Indiana was an esteemed colleague of J. Robert Oppenheimer and important innovator in her own right. The two young scientists introduced a foundational physics principle, the Oppenheimer-Phillips Process, before taking separate paths. Phillips became an influential educator while Oppenheimer . . . well, I don’t want to spoil the movie for you. And while Phillips does not appear in the film, she did play an important role in the “heroic age” of physics, especially those exciting years that she and Oppenheimer spent at the University of California, Berkeley.
Melba Newell Phillips was born in 1907 in Pike County to a family of teachers. She graduated early from Union High School and enrolled at Oakland City College (now University) in Gibson County. There she benefitted from several important mentors, developed foundational math and science skills (though she recalled learning more physics from textbooks than her professor), and pushed back against conservative rules and instructors. This independence and refusal to compromise would serve her later in life. [1]
After graduating in 1926, Phillips taught briefly at Union High School before accepting a teaching fellowship at Battle Creek College in Michigan. She taught classes and filled in the gaps in her physics education by taking advanced courses. She earned her master’s degree in 1928 at the age of twenty one. In the summer of 1929 she attended a symposium on theoretical physics at the University of Michigan taught by Edward U. Condon, a distinguished and innovative physicist who would later join the Manhattan Project. Phillips impressed Condon and on his recommendation was accepted to the PhD program at the University of California Berkley in 1930. [2]
There was no better place for a young physicist in the 1930s than Berkeley. After World War I, the university devoted abundant resources to the physics department. They hired innovative scientists as teachers and built cutting-edge facilities to encourage experimentation. For example, the university hired renowned scientist Ernest Lawrence, who in 1931 invented the famous cyclotron, a particle accelerator that allowed the user to smash open atomic nuclei. Lawrence worked with his fellow faculty members Emilio Segre and Owen Chamberlain using both theoretical physics and the cyclotron to confirm the existence of the antiproton. All three received the Nobel Prize and joined the Manhattan Project.[3]
The faculty member who worked most closely with Phillips, greatly influenced her, and became a lifelong friend: the renowned J. Robert Oppenheimer. He had come to Berkeley as an assistant professor of physics in the summer of 1929, shortly before Phillips. He taught theoretical physics, an area in which Berkeley was weak. Oppenheimer explained that he didn’t teach students to prepare them for careers, but instead was motivated by including them in the unsolved problems of the physics world. He stated:
I didn’t start to make a school. I didn’t start to look for students. I started really as a propagator of the theory which I loved, about which I continued to learn more, and which was not well understood and which was very rich. The pattern was not that of someone who takes on a course and teaches students preparing for a variety of careers but of explaining first to faculty, staff, and colleagues and then to anyone who would listen, what this was about, what had been learned, what the unsolved problems were. [4]
Phillips was profoundly drawn to solving the unknown, something she had ruminated on as an undergrad. Oppenheimer was the perfect mentor for her curious nature and ambition.
By 1931, Phillips had chosen two topics within the field of experimental physics to study and work into her doctoral dissertation. (Experimental physics is the branch of the field dealing with observation of physical phenomenon through experimentation to test a theory. In turn, these experiments further shape new theories. They are symbiotic sub-disciplines.) As theoretical physics was Oppenheimer’s area of expertise, he became her advisor, and almost immediately, her friend. By 1933, she had worked both of her topics into a dissertation–each of which could had been a dissertation unto itself, according to her peers. [5] Physicists Dwight Neuenschwander and Sallie Watkins explained:
Melba was not the kind of physicist who enters a new field, picks all the low-hanging fruit, and moves on. Rather, the fruit that Melba harvested required her to climb high into some very tall trees. She solved difficult problems, and was a stickler for detail, to do the job right . . . Melba asked genuine questions in her papers. To answer them she invoked fundamental principles, then developed them with sophisticated calculations and insightful approximations and, quite often, with numerical integrations that had to be done by hand because programmable computers had not yet been invented.[6]
Even before her dissertation was finished, several academic journals published Phillips’s work. She had begun to make a name for herself in the physics world and had made herself the peer of her mentor. In 1933, Oppenheimer called her “an extraordinarily able woman” with “a genuine vocation for mathematics and theoretical physics, and an outstanding talent for it.” [7] He praised her “difficult and important” contributions to theoretical physics while studying at Berkeley and stated that he could “fully recommend her as a valuable member of any university physics department in the country,” although he would “regard it as a very real loss” t0 his department.[8] A full-time job remained elusive, in part because of the Great Depression, but gender discrimination undoubtedly contributed. After earning her Ph.D. in 1933, Dr. Phillips stayed nominally employed with a combination of work as a research assistant and a part-time instructor. She used her extra time at the university to advance her career.
During this period, Phillips and Oppenheimer worked together on problems of theoretical physics, while their colleague Ernest Lawrence’s experiments using the university’s particle accelerator confirmed their theories. In a 1935 paper, Phillips and Oppenheimer proposed a process that was a type of deuteron-induced nuclear reaction, which became a staple of nuclear physics; the New York Times called the discovery a “basic contribution to quantum theory.” [9] This Oppenheimer-Phillips process, as it was called, explained “what was at the time unexpected behavior of accelerated deuterons (nuclei of deuterium, or ‘heavy hydrogen’ atoms) in reactions with other nuclei.” [10] The paper was widely circulated and praised. The Oppenheimer-Phillips process secured Phillips’s place in the history of physics.
Despite her accomplishments and praise from colleagues, Phillips faced challenges. While she had ascended to the peak of her field in a time of unprecedented progress, she bore the historical burden of gender discrimination within that field. According to science writer Margaret Wertheimer, physics has historically been more resistant to women than other scientific fields because of its quest to discover the truths of the universe that descend from theological traditions. While science and religion have been depicted as at odds during the last few centuries, this was not always the case. As the study of physics developed during the Middle Ages, its goal was a religious one: to understand the ultimate truths of the universe through mathematics. It followed then that the social, cultural, and political forces that prevented women from interpreting sacred texts or entering the clergy applied to the field of physics. [11] Some of these prejudices against women remained in the 1930s.
While Phillips clearly had to deal with the burden of exclusion in the field upon her arrival in Berkeley, she was not always comfortable talking about her experience. In interviews she was careful not to insult the many supportive colleagues while speaking of those who were not. Phillips stated:
As in my first college year I was often the only woman in the class, but classes were never large, and the competition was fun rather than otherwise . . . During the five years I lived in Berkeley four women took PhD’s in physics, and perhaps an equal number stopped with the M.A. . . . Were women discriminated against in the department? It did not seem so, certainly not as students. We had teaching fellowships on par with everyone else. It is true that there was one professor who would not take women assistants but it was no hardship to miss that option. [12]
In the same recollection Phillips referred vaguely to “unfair decisions” made by the university about salaries and stipends, but discounted “overt discrimination on account of sex.”[13] Clearly then, Phillips saw that women were not getting equal access to facilities, credit for discoveries, and pay. In fact, physicist and chemist Francis Bonner, who would go on to work on the Manhattan Project, explained that normally such an accomplishment as publishing a new physics principle considered “one of the classics of early nuclear physics,” would have meant a faculty appointment [14]. Phillips received no such appointment. This could be partly because of her gender and partly because of the depressed economy. So perhaps in interpreting the climate at Berkeley at this time, we should use Phillips’s own words whenever possible. She seemed to distinguish between “unfair practices” and “overt discrimination.” And while the former will persist throughout this examination of her career and its challenges, one example of the latter practically jumps off the pages of national newspapers.
In February 1934, Phillips’s name appeared in headlines across the country, but not for her groundbreaking work in physics. Instead, she appeared in the national press for the first time, infantilized and sexualized as a poor, tearful girl who was nearly scandalized by her professor. This incident is worth examining in some detail not only for further evidence of the prejudice Phillips faced, but also because the story continues to be retold without deeper examination in biographies of Oppenheimer.
On February 14, the Associated Press (AP) reported:
Robert Oppenheimer, 30, physics professor of the University of California, took Miss Melba Phillips of Berkeley, a research assistant, for a ride in the Berkeley hills Monday night. Prof. Oppenheimer then parked the automobile, made Miss Phillips comfortable by wrapping a blanket around her, and said he was going for a walk. Time passed but Miss Phillips waited and waited. Two hours later Policeman Albert Nevin passed by. “My escort went for a walk hours ago and he hasn’t returned,” Miss Phillips told the officer tearfully. [15]
The article continued to state that the police raised an alarm and searched the area to no avail. Eventually, they looked for Oppenheimer at the faculty club where he lived. The AP reported:
And there they found him – fast asleep in bed. “Miss Phillips?” he exclaimed to the officers. “Oh, my word! I forgot all about her. I just walked and walked, and I was home and I went to bed. I’m so sorry.”[16]
The International News Service (INS) also picked up the story, with some minor tweaks. In the INS version “Pretty Miss Melba Phillips was found in an automobile in the Berkeley Hills by police at an early hour in the morning.” Oppenheimer had driven her “into the hills to watch the colorful panorama” of a sunrise. After he was found in his quarters, he supposedly stated, “Ah, I forgot Miss Phillips. I just walked home and went to bed.” [17]
Local newspapers included even more questionable details. One article was titled “Absent-Minded Prof. Parks Girl and Then Takes Self Home and to Bed While She Hails Cops For Aid.” The extra details in this article include the following:
Professor Oppenheimer parked the car, wrapped Miss Phillips in a blanket.
“Comfy?” inquired the prof.
“Uh-huh!” said Miss Phillips.
“I’ll be back presently,” said her escort. “I’m going for a walk.”
Miss Phillips waited and waited. The night was dark. Crickets yodled [sic] in the bushes. Insects whirred and crawled. Off in the distance a dog barked. . . Miss Phillips became jittery. Two hours later Policeman Albert Nevin was hailed by a faint feminine voice.
“My escort went for a walk hours ago and he hasn’t returned,” said Miss Phillips tearfully. [18]
The article–rife with action verbs–concludes with a description of the capable policemen. The cops “hit” the phones, police cars “hurried to the spot,” the men “combed the bushes,” and “searched and sleuthed.” When the article got to the part where they found Oppenheimer at the faculty club, it reported that the professor stated, “Whazzat? Girl? Miss Phillips? Oh, Lord–my word! By George! I forgot all about her.”[19] The implication is that Dr. Phillips, an accomplished physicist and colleague, was solely an object of sexual interest and once the great man’s mind had moved on to other things, she was forgotten, disposable. By emphasizing the “early morning hours” and the automobile parked in a remote location, the newspapers were more than alluding to some sort of sexual relationship. Primary sources refute this allegation.
Phillips’s life experiences and attitude to this point show her as a brave and self-confident young woman. The idea that she would have been tearful because she was left waiting in a car seems unlikely. Also, she was comfortable in nature. She grew up on a farm surrounded by woods where she knew all the wildflowers and where the morels grew. [20] It’s unlikely she was terrified by the “yodel” of crickets. She had successfully navigated much more trying challenges than spending some unexpected time alone by this by this point in her life.
Melba Phillips at Berkley with J. Robert Oppenheimer’s Car, photograph, circa 1930s, Courtesy of Ellen Vinson, accessed Physics in Perspective 10 (2008).
Another reason to doubt the wire services’ version of this story is that Phillips was an experienced driver. Several photographs of Phillips taken at Berkeley show her driving Oppenheimer’s car or posing confidently next to it. Another time, she and another colleague went out driving when they ran over a milk bottle and flattened a tire. Her colleague went to find a mechanic and when they returned Phillips had changed the tire and was relaxing in the car. As her colleague remembered, “Melba could be handy with a wrench.” [21] If Phillips had wanted to go home or go searching for the missing Oppenheimer, she would have felt perfectly comfortable driving the car.
“Melba Phillips Sits at the Wheel of Robert Oppenheimer’s Car,” photograph, circa 1930s, Courtesy of AIP Emilio Segre Visual Archives, accessed Society of Physics Students, spsnational.org
Its perhaps not shocking that newspapers crafted such a salacious story in 1934. What is surprising is that biographers of Oppenheimer continued to cite these articles as evidence of a romantic relationship. For example, the authors of the Pulitzer Prize winning biography American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer wrote: “For a short time, Robert dated his doctoral student Melba Phillips, and one evening he drove her out to Grizzly Peak, in the Berkeley hills.” The authors then go on to rely on the wire services’ version of events described previously. They cite no other sources as evidence that the colleagues had a romantic relationship. [22]
Further evidence of a strictly collegial relationship comes from Oppenheimer’s letters. Oppenheimer describes Phillips, or “Melber,” as he sometimes called her, as only a professional colleague or simply a friend. In January 1932, Oppenheimer wrote Ernst Lawrence stating that Phillips was doing well and had written him “of some new evidence on the degree of disassociation of potassium . . . Her paper is nearly written up.”[23] In the Fall of 1932, he wrote his brother Frank that “Melber and Lawrence,” among others, “send you greetings.”[24] In January 1935, he wrote his brother concerning theoretical physics problems and noted that “as soon as I get back to Berkeley Melber & I will have a careful look at the calculations.”[25] In Spring 1935, he wrote Lawrence concerning the paper that would define the Oppenheimer-Phillips Process: “I am sending Melba today an outline of the calculations & plots I have made for the deuteron transmutations functions.”[26] In this letter, he noted that Phillips was working out the math calculations for the problem. There is no evidence in these published letters of anything but Oppenheimer’s respect for Phillips as a colleague.
Photo: Collection of Ellen Vinson.
In short, the portrait of Phillips painted by these articles looked nothing like the accomplished physicist and confident young woman she had become. In February of 1934, when these articles ran, Dr. Phillips had completed and defended her Ph.D. dissertation and published a series of papers in academic journals on multi-electron atoms. She was also working for the university as a part-time instructor, while she and Oppenheimer developed their famous process on the “transmutation function for deuterons” and preparing it for publication. But in her first appearance on the national stage, predating the publication of the Oppenheimer-Phillips process by only a few months, she was pretty, helpless, tearful Miss Melba Phillips, the forgotten assistant. Newspapers across the country were still running the article as late as March.
Despite this wound to her pride, Phillips continued to achieve within her field and went on to become an influential physics educator. But many challenges still lay ahead of her, including advocating for the peaceful application of nuclear energy in the wake of the atomic bomb and facing a Senate subcommittee charging her with communist affiliation during the McCarthy Era. There is much more to learn about Melba Phillips. Check out the state historical marker, additional blog posts, and this podcast episode to learn more. Or maybe we will see you at the movies this week to see Phillips’s friend Oppenheimer on the big screen.
Notes:
[1] Randy Mills, “A Source of Strength and Inspiration: Melba Phillips at Oakland City College,” Traces of Indiana and Midwestern History 30, No. 3 (2018): 38-45.
[2] Dwight E. Neuenschwander and Sallie A. Watkins, “In Appreciation: Professional and Personal Coherence: The Life and Work of Melba Newell Phillips,” Physics in Perspective 10 (2008): 295-364, accessed INSPIRE, Indiana State Library.
[4] “Oppenheimer: A Life,” J. Robert Oppenheimer Centennial Exhibition, Office for History of Science and Technology, University of California, Berkeley, accessed cstms.berkeley.edu/.
[5] Neuenschwander and Watkins, 305-8.
[6] Ibid., 305.
[7] J. Robert Oppenheimer to May L. Cheney, April 10, 1933 in Neuenschwander and Watkins, 308.
[8] Neuenschwander and Watkins, 302. The authors quote a private letter.
[9] “J. Robert Oppenheimer, Atom Bomb Pioneer, Dies,” New York Times, February 19, 1967, 1, accessed timesmachine.nytimes.com.
[10] Press release, “Melba Phillips, Physicist, 1907-2004,” University of Chicago News Office, November 16, 2004, accessed http://www-news.uchicago.edu/releases/04/041116.phillips.shtml.
[11] Margaret Wertheim, Pythagoras’ Trousers: God, Physics, and the Gender Wars (New York: W. W. Norton & Company, 1995), 9.
[12] Melba Phillips, “Studying Physics in the Thirties – A Personal Recollection,” April 24, 1978, Folder 2: Correspondence, 1948-1999, Box 1, Niels Bohr Library & Archives, American Institute of Physics.
[13] Ibid.
[14] Press release, “Melba Phillips, Physicist, 1907-2004,” University of Chicago News Office, November 16, 2004, accessed http://www-news.uchicago.edu/releases/04/041116.phillips.shtml.
[15] “Professor in Adage’s Proof,” Sun Bernardino County Sun, February 14, 1934, 2, accessed Newspapers.com; “Absent Minded Professor Leaves Girl in Car, Walks Home and Retires,” Salt Lake Tribune, February 14, 1934, 13, accessed Newspapers.com.
[16] Ibid.
[17] “Professor True to Form,” Indiana (PA) Gazette, February 14, 1934, accessed Newspapers.com; “Girl Is Left in Auto Parked in Hills By Absent Minded Prof,” (Lebanon, PA) Evening Report, February 14, 1924, 1, accessed Newspapers.com.
[18] “Absent-Minded Prof. Parks Girls And Then Takes Self Home and to Bed While She Hails Cops For Aid,” Santa Cruz Evening News, February 14, 1934, 3, accessed Newspapers.com.
[19] Ibid.
[20] Lisa L. Williams to Randy Mills, July 13, 2018, personal collection of Randy Mills, professor emeritus, Oakland City University.
[21] Neuenschwander and Watkins, 305.
[22] Kai Bird and Martin J. Sherwin, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (2006), 95-96.
[23] J. Robert Oppenheimer to Ernest Lawrence, January 3, 1932 in Alice Kimball Smith and Charles Weiner, eds., Robert Oppenheimer: Letters and Recollections (Harvard University Press, 1980), 147.
[34] J. Robert Oppenheimer to Frank Oppenheimer, Fall 1932 in Kimball and Weiner, 157-8.
[25] J. Robert Oppenheimer to Frank Oppenheimer, January 11, 1935 in Kimball and Weiner, 189.
[26] J. Robert Oppenheimer to Ernest Lawrence, Spring 1935 in Kimball and Weiner, 193.
Portions of this post first appeared as an article by the author in the Indiana Jewish History journal, published by the Indiana Jewish Historical Society. The complete article, which gives much more information on her suffrage work is available here along with annotations.
Sara Messing Stern, a dedicated suffrage worker and advocate for the poor, was accustomed to being the only Jewish woman in the room. Whether organizing housing relief or mobilizing women for the vote, she applied her steady hand and organizational skills to achieve progressive results. She lived her Jewish values through her work and expressed them through her poetry. She believed that no matter a person’s faith, God called them to care for those less fortunate. For the most part, Stern thrived in the suffrage and women’s club movements, which were dominated by women of various Christian sects. However, as is often the case for Jews, she was accepted by society until she wasn’t. That is, if her peers felt she had gained too much power or if they came into conflict with her ideas, these Christian women were not above using antisemitic language and ideas to dismiss and denigrate her. Yet Stern would rise above their defamation to help Hoosier women win the vote and rebut their slander through poetry.
Indianapolis Star, January 25, 1913, 9, Newspapers.com.
Sara was born to German Jewish immigrants Rica (née Naphtali) and Indianapolis Hebrew Congregation Rabbi Meyer Messing, who was himself an advocate of progressive reform and a supporter of women’s rights, in Indianapolis in 1879. In 1906, Sara married Leon Stern, an auditor for an Indianapolis coal company. While she took her husband’s surname “Stern,” she also kept her maiden name “Messing,” maintaining a link to the Messing ancestral line of prominent rabbis as well as her individual identity. While newspapers sometimes referred to her as “Mrs. Leon Stern,” primary sources show that within the organizations where she held power, she presented herself as “Sara Messing Stern.”
Stern first made her mark in Indianapolis through philanthropy and was especially concerned with the welfare of women and children. She advocated for reforming child labor laws and tenement housing, and served as a probation officer, aiding juvenile offenders and guiding them back to a productive path. She believed in second chances and recognized that the poor faced great obstacles. She stated in 1912, “I have found in dealing with people who have sinned that we are too quick to judge by what we see done, rather than the things overcome.”
Bretzman, “Grace Julian Clarke,” photograph, 1909, Indiana State Library Digital Collections.
Stern worked with many city charities and was a leading member of the local section of the National Council of Jewish Women. As a Council representative, Stern attended a 1909 reception for the firebrand suffragist Grace Julian Clarke, who had been recently elected president of the Indiana Federation of Clubs. Stern and Clarke would continue to cross paths through club and charitable work over the next few years. In fact, a deepening friendship with Clarke may have brought Stern into more active suffrage work.
In 1911, Stern and her husband moved to Terre Haute, but the move did not prevent Stern from engaging in women’s rights work at a state level. Instead, she increased her influence through the Indiana General Federation of Clubs and the Women’s Franchise League (WFL) over the next several years. She also served as an officer of the Terre Haute section of the National Council of Jewish Women and as the group’s representative to the other statewide women’s organizations. By 1912, Stern was one of several directors of the WFL and spoke on the organization’s behalf around the state, often joining other prominent suffragists. Stern also served as the treasurer of the Indiana Federation of Clubs, an important position for an outspoken suffragist.
Grace Julian Clarke Women’s Clubs and Suffrage Scrapbook, 1912-1914, accessed Indiana State Library Digital Collections.
The large and influential Federation, which was an umbrella organization for a myriad of women’s clubs, had not yet taken a stance on the suffrage issue. Stern and other suffragists who held leadership positions were able to educate their colleagues and advocate for the vote from inside the organization. For example, in October 1912, when the Federation of Clubs held their annual meeting in Fort Wayne, the WFL held a “suffrage luncheon” at the same hotel as the meeting, providing an opportunity for Federation members to learn about issues surrounding the vote. Clarke and Stern both gave toasts. Clarke’s speech was a straightforward one about lessons from her recent work campaigning for suffrage. Stern responded in jest with a mock anti-suffrage toast titled “I Do Not Need the Vote,” intended to show the absurdity of the opposition’s position, especially when that position was assumed by a woman who would only benefit from increased civic rights.
Indianapolis News, October 28, 1915, 20, Newspapers.com
In her work with the Indiana Federation of Clubs, Stern faced subtle but powerful antisemitism. Suffragists and club leaders were shrewd politicians. They had formed lobbying groups, penned legislation introduced in the Indiana General Assembly, changed the minds of important leaders such as Governor Ralston, and largely tipped the scales of public opinion towards enfranchisement. As with male politicians, the women’s politics sometimes got ugly. While disparaging comments and mudslinging was considered a regular part of campaigning for men, when women engaged in the same traditional, if “unseemly,” tactics, they were labelled as “catty.” The infighting surrounding the 1915 campaign for the Indiana General Federation of Women’s Clubs presidency was brutal, not because the women were especially petty, but because they were political actors vying for power in a large, influential organization. Despite her best efforts, even Stern was drawn into the fray. Notably, some of the damage inflicted on her character seems to be the result of latent antisemitism in some of her colleagues rather than any action or position that she took herself.
South Bend News-Times, October 27, 1915, 3, Newspapers.com
As Terre Haute clubwomen Lenore Hanna Cox and Stella Stimson clashed in the fight for the Federation, Grace Julian Clarke was often in the middle of the battle and was the recipient of many letters showing support for or opposition to the candidates. Clarke supported Cox for the presidency and worked hard to back her candidacy and oppose Stimson. Clarke’s main complaint about Stimson was that she felt Stimson’s temperance work interfered with her suffrage advocacy, potentially driving away supporters who did not support Prohibition.
Image accessed Indiana and Indianans: A History of Aboriginal and Territorial Indiana and the Century of Statehood.
In August, for reasons unknown, Stimson wrote Clarke suggesting Stern as Federation president. Since Stimson herself was vying for the office, this seems to be some sort of political chess move – perhaps positioning herself as uninterested in order not to seem overly ambitious. Stimson’s letter had a negative impact on Stern’s reputation amongst her Federation colleagues. It made Clarke worry that Stern was another potential obstacle to Cox’s presidency. As word got out, some Federation members suspected Stern to be Stimson’s “spy” at closed meetings and wanted to exclude Stern from the Federation and the Terre Haute WFL. Unfortunately, some of this suspicion seems to have been tinged with antisemitism.
Stern was never interested in the Federation presidency. In fact, she told a colleague that she “absolutely would not have it if it were handed to her on a platter.” Her résumé shows that she was more interested in philanthropy and women’s rights than club politics. And yet, Cox and another Terre Haute clubwoman, Helen C. Benbridge, attacked Stern in letters to Clarke. Benbridge wrote an especially hateful letter.
Indianapolis Star, May 7, 1914, 5, Newspapers.com.
Stimson’s tactic for beating Cox was to paint the latter as less “Christian,” by which Stimson meant less moral, because Stimson was a prohibitionist while Cox did not believe the liquor issue was as important as the vote. While campaigning, Stimson claimed that Cox was not Christian. Benbridge took this as an opportunity to attack Stern, bending Stimson’s words back to a more literal interpretation of what it meant to be Christian. Benbridge wrote, “If Mrs. S[timson] objects to Mrs. C[ox] because she is not a Christian why does Mrs. Stern strike her as a good candidate?” While Benbridge was certainly being somewhat sarcastic, the implication was that being Jewish should disqualify Stern from the presidency. It has just a hint of antisemitism, especially as Benbridge continued to write in a disparaging way about Stern’s influence in the Jewish community of Terre Haute.
Benbridge claimed that Stern was “furious” with Stimson “about several Jewish matters.” Stimson was a Christian and an active leader of the Woman’s Christian Temperance Union, so why she was involved in “Jewish matters” to the extent that she could anger Stern, a prominent Jewish leader, is unclear. Cox also wrote disparagingly about Stern, encouraging the baseless rumor that Stern was Stimson’s spy and pushing to remove her from the WFL and Federation. Cox wrote that by including Stern in the Federation leadership, they would be creating “a Frankenstein” of an organization. This dehumanizing language is also telling of Cox’s potential antisemitic feelings toward Stern.
In another letter disparaging Stern and seeking Clarke’s support to remove Stern from the Terre Haute branches of the Federation and WFL, Cox claimed that she (Cox) had the support of the National Council of Jewish Women, not Stern. This was unlikely considering Stern was an officer of the Terre Haute Section of the Council while Cox was a Christian who attended an Episcopal church and thus not a Council member. However, the claim does show the necessity of securing the support of an active community of Jewish women and perhaps the threat Cox felt Stern might pose to her leadership in Terre Haute. Cox did have to admit to Clarke that Stern had graciously supported a motion that Cox had made during a recent meeting. Cox, who appeared to view things in black and white—allies and opponents—could not understand why Stern, whom she had labelled as her enemy, could possibly agree with her on an issue. Cox asked Clarke, “Is she really normal?” Again, using “othering” language that divested Stern of some humanity.
It is worth noting that while Clarke worried about Stern’s connection to Stimson in her private letters, Clarke did not descend into name calling like the others. Clarke often spoke positively of Stern in public, praising Stern’s philanthropic work and calling her “able and efficient in whatever she undertakes.” Clarke and Stern worked together successfully for many more years.
That any of these attacks were aimed more harshly at Stern because she was Jewish is, to some degree, speculation. Again, this was politics, and mudslinging was always part of the game. However, we can be certain that Stern did face antisemitism at various points in her career. According to historian Melissa R. Klapper, Jewish women had only recently, and only tepidly at that, been included in the suffrage movement. Meetings, resolutions, songs, and speeches were imbued with Christian rhetoric that could make Jewish women feel excluded. Rallies and conventions were often held on Friday evenings when observant Jewish women would have been prevented from attending or felt conflicted about participating. Some Jewish women were reluctant to work with Christian suffragists who used contact with Jews as an evangelizing opportunity.
The antisemitism imbued in the women’s suffrage movement was perhaps most clearly expressed through its leadership. Nationally prominent suffragists Susan B. Anthony and Elizabeth Cady Stanton published an article referring to Jews as “a useless portion of society.” In her Woman’s Bible, Stanton went on to blame the “backward” ideas espoused by Judaism for women’s second-class status. Famed Methodist minister and suffrage orator Anna Howard Shaw blamed Jewish immigrants for failed suffrage campaigns and Quaker suffragist Alice Paul worked amicably with Jewish women in public, while privately expressing her “antagonism for Jews.” According to Klapper, the antisemitism of their colleagues meant that Jewish women felt an “unease with their place” and “occupied an ambiguous position” within the larger suffrage movement. So whether or not we interpret the hostility directed toward Stern by her fellow clubwomen as antisemitic, Stern would certainly have been familiar with the writings of the leaders of the women’s movements and received the message that she was an outsider in a Christian space.
We also know Stern faced antisemitism because she wrote about it in her own words. In 1911, Stern published her poem “The Greater Creed” in The Butterfly, a magazine concerned with Progressive Era reform, politics, and culture. Stern’s poem had three main points. First, she expressed the completeness Jews felt in worshipping one God, explaining to a Christian reader that Jews did not feel the need for “a mediator.” While this may seem like a dig at the complexity of Christian spiritual practices, her goal was not to be divisive. She paid respect to the equality of Judaism, Christianity, and Islam, noting that they were God’s children. Her second goal in “The Greater Creed,” was to argue that while some people worshipped Allah, some Christ, and some “Reason,” one’s chosen belief system mattered less than one’s actions. She stated that it was work on behalf of one’s fellow man, not creeds, that made one holy. She wrote, “Fling afar your doctrine. Cast aside your fears.” Her final and most powerful message was that all people of faith should unite to serve those in need. She concluded:
Seek out the weeping ones and dry their tears.
The sick, the halt, the sinner and the blind,
Oh, pity them and love them and be kind.
For after all, the helpful human deed
By Christian, Turk or Jew to one in need
Can bring more souls to God than all man’s creed.
While Stern pushed back against the dominance of Christian culture at the start of the poem, she immediately moved on to her main point: doctrine doesn’t matter as much as serving the poor.
But by 1917, Stern had extensively revised this poem, doubling the stanzas, and drastically changing its tone. While she closed the poem, renamed “The Jew to the Gentile,” with the same eighteen lines that made up “The Greater Creed,” she added thirty additional lines to the beginning. In these new stanzas she boldly confronted the antisemitism she faced in the world around her. First, she addressed the condemnation she felt Christians delivered to Jews for not believing in the divinity of Jesus. Quoting a fictional priest, she wrote:
The priest bent angry gaze upon the Jew,
“What base ingratitude. Shame, shame that you
Who love the Father, should deny His Son.
Christ, Jesus, is Divine, with God is one.”
Still speaking in the voice of the judgmental priest character, she continued on the same theme: “Oh, stiff-necked race/ Forever shall the glory of God’s face / Be turned from you.” She then shifted her focus to what she perceived as a hypocritical characteristic of Christianity, that is, violently persecuting those who did not share Christian beliefs. She wrote from the perspective of a Jew responding to the condemnation of the fictional priest, stating that Christianity had forced belief in the divinity of Christ on the world “with rack and sword.” Again, after her attack, she softened her tone and in her next few lines, she explored the theme of Jewish forgiveness. She wrote:
And yet
Although you maimed us with the scourge and flame
And tortured and reviled us ‘in His name’;
We reach out arms in friendliness to you
And plead for peace.
After this stanza, Stern then repeated the lines of the 1911 version of the poem, which were focused on the importance of acting on behalf of the poor and needy as opposed to arguing over religious creed. So, what had changed between the uplifting lines of the 1911 work and the castigating revision of 1917? We can surmise that she came into greater contact and conflict with antisemitic language or ideas, likely in the context of the women’s organizations that occupied most of her time.
Despite the opposition of members of the Federation or any other potential antisemitic incidents she may have faced, Stern rose above the political backstabbing and continued to serve as a leader within the Federation. She also became the treasurer of the National Council of Jewish women (the nationwide organization, not just the Terre Haute section). She even found time to lead a local Vigo County organization dedicated to studying and protecting birds. As the suffrage movement headed into its final stretch, Stern made an important contribution to the final push for the vote through the Legislative Council of Indiana Women, a statewide organization dedicated to lobbying the General Assembly.
Indianapolis News, July 7, 1917, 16, Hoosier State Chronicles.
On January 16, 1920, Indiana ratified the 19th Amendment to the United States Constitution. Sara Messing Stern was among the “women who saw the culmination of a struggle in which they were pioneers,” according to the Indianapolis News. The following day, Governor Goodrich signed the ratification resolution surrounded by the “prominent suffrage workers of the state.” A photograph on the front page of the Indianapolis Star, shows Stern among them, looking on approvingly. As she stood in the governor’s office, she saw her life’s work for women’s suffrage achieved.
Indianapolis Star, January 17, 1920, 1, Newspapers.com.
Stern was only one of a large army of women fighting for full citizenship rights for women, yet she made an impact on Indiana history. She felt called to serve God by caring for those less fortunate, and she left a legacy of improving her communities in Indianapolis and Terre Haute. She overcame many obstacles, including the inherent antisemitism of Progressive Era women’s movements. Throughout her career, Sara Messing Stern maintained her Jewish faith and pushed back against antisemitism of her colleagues, powerfully expressing her defiance through her poetry. To Stern, the “Greater Creed” was not a specific religious doctrine, but instead helping others and striving for equality.
Notes:
For an extended and annotated version of this post, click here.
For an overview of the Federation controversy, read historian Jackie Swihart’s post: “A Petty Affair: Grace Julian Clarke and the 1915 Campaign for the Indiana General Federation of Women’s Clubs Presidency.”
Historians tend to write about the leaders of movements – the “big picture” people espousing new ideologies or courses of action. This focus makes sense. These larger-than-life historical figures had an outsized impact on our past and they lend themselves to more dramatic stories. But what about the lesser-known folks who make change at a local level? Can we make space to honor these quieter voices and their work putting big ideas into action? In this post we’ll look at the late-in-life work of Jane L. (Brooks) Hine to save Indiana’s native bird species. While not one of the major voices of the burgeoning conservation movement, Hine’s ornithological work helped convince Hoosiers that birds were worth protecting as part of delicate ecosystems, from forests to farms.
Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, accessed GoogleBooks.Photograph of Hines courtesy “Charlie Chat” from the Elkhart Public Library, accessed https://eplcharliechat.wordpress.com/2015/04/02/throwback-thursday-jane-brooks-hine/
Jane Levisa Brooks was born in Ohio in 1831 and studied literature at Oberlin College, graduating in the 1850s. She married her sister’s widower, Horatio Hine, adopting children from that union and having three more of her own. The family moved to a farm in Sedan, DeKalb County, Indiana in December 1861. Jane Hine focused on raising her children and helping with the farm work over the following decades. (The family also returned to Ohio for a time before circling back to the Sedan farm permanently). [1] It was not until the mid to late 1880s, when Hine was in her late fifties, that she began to study ornithology (the branch of zoology focused on birds). [2]
Photograph of Hine’s Farm in Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, GoogleBooks.
Women around the world were engaged in scientific work long before they were allowed to study at universities and gain accreditation. Hine joined an informal coterie of women doing physics equations, tinkering with inventions, and categorizing plant species at the kitchen table instead of the university laboratory. Without an avenue open for formal study, Hine simply followed her passion for birds. She became an ornithologist by doing ornithology. That is, she began keeping careful, scientific observations of the birds that populated the farmland and forests around her home in a journal. She also began attending the same meetings and reading the scientific journals of professionally-accredited ornithologists. For example, in 1890, Hine attended a meeting of ornithologists, mainly professors, which was part of a larger meeting of the American Association for the Advancement of Science in Indianapolis. [3]
Pamphlet, Amos W. Butler, Birds of Indiana with Illustrations of Many Species (Indianapolis: Wm. B. Burford, State Printer, First Published 1890), 29, accessed GoogleBooks.
Soon, other scientists came to respect and seek out her data. Amos Butler, a prominent ornithologist and a founder of the Indiana Academy of Science, sought Hine’s data for his Birds of Indiana report for the Indiana Horticultural Society. Amos extensively cited Hine’s observations on bird species around her Sedan home and called her “a faithful observer of nature and a careful recorder of her observations.” [4] Butler’s report was widely circulated by various organizations and the Horticultural Society made Hine a member. [5] After the publication of this report, Hine rocketed to prominence in naturalist circles.
By 1891, Hine was speaking regularly at Farmers’ Institutes, first in the nearby town of Waterloo, and then around the state. [6] Through these talks, she made a significant impact on bird conservation. At this time, many farmers saw birds as pests, nothing more than thieves of seeds and fruits, and shot them on sight. Hine knew she wouldn’t be able to convince everyone to love birds for their own sake as she did, so she found a more practical approach. She painted a larger picture of the ecosystem around farms, with birds as an essential component. Most significantly, Hine told farmers, birds ate the insects that ruined crops. This got their attention. After presenting at the Waterloo Farmers’ Institute in February 1891, the local newspaper reported:
Mrs. Hine is well known not only in this State, but throughout the U.S. among ornithologists, as one [of] the best among them in everything that pertains to the life and habits of the different birds that inhabit the forests and fields on our farms. Her description of different species of birds that were valuable to farmers as insect destroyers was listened to with marked attention by the many farmers present. [7]
Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, accessed GoogleBooks.
In addition to her talents as a reliable collector of scientific data and a convincing speaker for bird preservation, Hine was a colorful and engaging writer. While she continued contributing ornithological data for scientific reports, she also began writing articles for scientific and general audiences. For example, she wrote “Tyrant Flycatchers” for the Waterloo Press in 1891 and contributed an article on thrushes, bluebirds, and robins to the Indiana Board of Agriculture report in 1893. [8] Most popular were the articles she penned for the Farmer’s Guide, which was published in Huntington, Indiana, but had statewide circulation and a large readership. She wrote “Birds That Befriend Our Trees” and “Farmers, Take Care of Your Birds,” both arguing for conservation of bird species. [9] In 1896, she contributed a series of articles under the title “Farm Birds in Northern Indiana,” carefully and colorfully describing bird species. [10] Readers, especially the young ones, couldn’t get enough of these articles from “Aunt Jane” and they clamored for more in their letters to the editor. [11]
The Farmer’s Guide 14, No. 7 (February 15, 1902), 97, accessed GoogleBooks.Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, GoogleBooks.
By the turn of the twentieth century, Hine’s influence continued to grow. Butler again cited her data in a widely-circulated report for the Indiana Academy of Science. [12] She continued to present to Farmers’ Institutes but also to more general audiences, such as literary clubs, around the state. [13] Reporting on the 1899 meeting of the Indiana Audubon Society, the Waterloo Press called for several actions to protect birds. One of these was to have Hine speak widely to the public and especially school children to “awaken an interest in the dear birds by telling of their habits and her own experience watching them.” [14] The article highlights both her expertise and the regard to which her knowledge was held in her community, hinting at how contagious her enthusiasm must have been.
Hine also successfully advocated for the “Indiana Bird Law,” which protected insect-eating birds essential to the ecosystem and especially certain species of trees used in orchards and for timber. She told the Waterloo Press in 1904:
The people of DeKalb county have reason to be proud of our Indiana Bird Law. Only two counties of the state sent petitions, through their Farmer’s Institutes, to the State Legislature for its passage, without which no action could have been taken. Our county, DeKalb, was one of the two counties. The law provides for the protection of our insectivorous birds . . . Our timber and orchards have need of them. Sometimes, both before and since the passage of this law, there has been much slaughter among our woodpeckers . . . but that is in the past; and now boys let us loyally stand by our Indiana Bird Law. [15]
Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, accessed GoogleBooks.
The farmers who attended the institutes where Hine regularly spoke had evolved from shooting the birds on their property to petitioning the Indiana General Assembly for their protection. Hine could have stopped there. She had influenced bird conservation and been accepted by the scientific community as an expert in her field. In fact, in 1906, she presented at the prestigious Twenty-Fourth Annual Congress of the American Ornithologists’ Union. [16] The Indianapolis Daily Sun referred to her as “one of the foremost authorities on native birds in the state.” [17] Fortunately for Hoosier bird lovers, she still had more to contribute.
In 1911, at the age of eighty, Hine made perhaps her most notable contribution to Indiana ornithology in the form of “Game and Land Birds of an Indiana Farm,” published in the Biennial Report of the Indiana Commissioner of Fisheries and Game. [18] In this collection of articles on twenty-nine families of birds, Hine wrote vividly on her personal experiences with the various species and their characteristics and habitats. Her serene and poetic writing painted an idyllic picture of her farm and its feathered residents. She wrote:
I have seen, on a misty morning, an Egret that seemed, as it rose white and beautiful in the mist, more like a spirit than a bird. [19]
Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, accessed GoogleBooks.
Each featured bird was accompanied by a full color photogravure (a type of photographic engraved print) taken by Hines. She also included a poem, “My Birds,” in which she made a passionate argument against the killing of birds for fashion or agriculture. [20] Instead she advocated for their protection, based in part on a religious argument and partly through descriptions of their unique beauty, characteristics, and contributions to the natural environment. The poem begins:
No bird that the Lord has created
Shall come to misfortune through me;
Not one of my jolly old Robins,
Though they take the fruit from my trees [21]
After several more stanzas describing all of “her” birds, she concluded:
Not one of my beautiful Wax-wings,
Though they take my cherries I know;
Not one of the birds God has given me;
Not even my jaunty old Crow.
Shall have from me aught but kind treatment,
When He who created them all,
Would feel both compassion and sorrow
If even a Sparrow should fall. [22]
Newspapers and magazines raved about the collection of articles, reprinted large sections, and included her poem as well. She became known far and wide as “the bird woman of Indiana.” [23] For the next few years she continued speaking to local clubs, but her major work was complete. Jane L. Hine died in Sedan on February 11, 1916. [24] The Waterloo Press praised her as “an authority” on ornithology and the natural sciences. [25] Other newspapers, scientific journals, and the Indiana Audubon Society also paid tribute to her contributions. [26]
Fort Wayne Journal-Gazette, August 6, 1911, 1, accessed Newspapers.com.Jane L. Hine, “Game and Land Birds of an Indiana Farm,” Biennial Report of the Indiana Commissioner of Fisheries and Game (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, accessed GoogleBooks.
It would be difficult to quantify Hine’s impact on the conservation movement or summarize her exact place in the history of women in science. But maybe each spring when we hear the birds chatter outside our windows we can just take a minute to thank Hine for protecting our native species at a time when they had few voices to speak for them.
[1] 1850 United States Federal Census, Berlin Township, Erie County, Ohio, August 29, 1850, National Archives, Record Group 29, Series Number: M432, Page 460A, Line 10, AncestryLibrary.com; 1860 United States Federal Census, Berlin Township, Erie County, Ohio, June 14, 1860, National Archives, Record Group 19, Series Number: M653, Page 172, Line 38AncestryLibrary.com; 1870 United States Federal Census, Lawrence / Richland Township, DeKalb County, Indiana, Roll: M593_309, Page 364B, National Archives and Records Administration, Ancestry.com; Seventy-Fifth Anniversary General Catalogue of Oberlin College, 1833—1908, (Cleveland, OH: O. S. Hubbell Printing Co., 1909), 121, HathiTrust; Marriage Record, Lake County Ohio Courthouse Records, p. 160, Various Ohio County Courthouses, 1853-1875, Film Number 000974916, AncestryLibrary.com; History of DeKalb County, Indiana (Indianapolis: B. F. Bowen & Company, 1914), 991-92, GoogleBooks; “Mrs. Jane L. Hine Died Early Saturday Morning,” Waterloo Press, February 16, 1916, 1, 8, Newspapers.com; “Jane L. Hine,” photograph of grave, Waterloo Cemetery, DeKalb County, Indiana, Find A Grave Index, AncestryLibrary.com.
[2] “Noblesville,” Waterloo Press, June 14, 1888, 8, Newspapers.com; Jane L. Hine, “Water Birds and Waders of Our Indiana Farm,” [Hine’s journal], circa 1880s, transcribed in Terri L. Gorney, Jane Brooks Hine: An Indiana Bird Woman (self-published, 2014), Indiana State Library.
[3] “The Men of Science,” Indianapolis News, August 21, 1890, 1, Hoosier State Chronicles.
[4] Amos W. Butler, Birds of Indiana with Illustrations of Many Species, pamphlet (Indianapolis: Wm. B. Burford, State Printer, First Published 1890), 5, 59, 63, 83-84, 92, 100, 102, 104-105, 117, GoogleBooks; Amos W. Butler, “A Catalogue of the Birds of Indiana” in Transactions of the Indiana Horticultural Society for the Year 1890 (Indianapolis: Wm. B. Burford, State Printer, 1891), Appendix C, GoogleBooks.
[5] Transactions of the Indiana Horticultural Society for the Year 1890 (Indianapolis: Wm. B. Burford, State Printer, 1891), 12, GoogleBooks.
[6] “Farmers’ Institute,” Waterloo Press, March 5, 1891, 1, Newspapers.com; “Sedan,” Waterloo Press, January 28, 1892, Newspapers.com.
[7] “Farmers’ Institute,” 1.
[8] Jane L. Hine, “Tyrant Flycatchers,” Waterloo Press, March 19, 1891, 5, Newspapers.com; Jane L. Hine, “ A Family of Feathered Friends,” in Forty-Second Annual Report of the Indiana State Board of Agriculture, 1892-1893 (Indianapolis: Wm. B. Buford, Contractor for State Printing and Binding, 1893), 555-56, GoogleBooks.
[9] Jane L. Hine, “ A Family of Feathered Friends,” in Forty-Second Annual Report of the Indiana State Board of Agriculture, 1892-1893 (Indianapolis: Wm. B. Buford, Contractor for State Printing and Binding, 1893), 555-56, GoogleBooks; W. S. Blatchley, ed., Indiana Department of Geology and Natural Resources Twenty-Second Annual Report (Indianapolis: Wm. B. Buford, Contractor for State Printing and Binding, 1897), 544, GoogleBooks.
[10] W. S. Blatchley, ed., Indiana Department of Geology and Natural Resources Twenty-Second Annual Report (Indianapolis: Wm. B. Buford, Contractor for State Printing and Binding, 1897), 544, GoogleBooks.
[11] Farmer’s Guide, July 3, 1897, 11, GoogleBooks; Farmer’s Guide, July 17, 1897, GoogleBooks; Farmer’s Guide, August 28, 1897, 11, GoogleBooks; Farmer’s Guide, September 4, 1897, 11, GoogleBooks; Farmer’s Guide, September 11, 1897, 11, GoogleBooks; Farmer’s Guide, November 13, 1897, 11, GoogleBooks; Farmer’s Guide, February 22, 1902, 123, GoogleBooks.
[12] A. W. Butler, “Additional Notes on Indiana Birds,” in Proceedings of the Indiana Academy of Science, 1894 (Indianapolis: Wm. B. Burford, State Printer, 1898), 162-166, HathiTrust.
[13] No Title, Waterloo Press, January 20, 1898, 1, NewspaperArchive.com; “Institute Proceedings,” Albion Noble Democrat, February 10, 1898, 1, NewspaperArchive.com; “Sedan Bulleted,” Waterloo Press, October 13, 1904, 8, Newspapers.com; “Sedan,” Waterloo Press, October 12, 1905, 8, NewspaperArchive.com.
[14] “Our Native Birds,” Waterloo Press, March 9, 1899, 5, Newspapers.com.
[15] “Our Indiana Bird Law,” Waterloo Press, November 24, 1903, 1, Newspapers.com.
[16]“The Twenty-Fourth Annual Congress of the American Ornithologists’ Union: Program,” in Bird Lore, edited by Frank M. Chapman (Harrisburg, PA and New York City: D. Appleton & Co., 1906), 212, GoogleBooks.
[17] “Local and General,” Indianapolis Daily Sun reprinted in the Waterloo Press, August 3, 1911, 4, Newspapers.com.
[18] Jane L. Hine, “Game and Land Birds of an Indiana Farm,” in Biennial Report of the Commissioner of Fisheries and Game for Indiana (Indianapolis: Wm. B. Burford, State Printer, 1911), 294-470, GoogleBooks.
[19-22] Ibid.
[23] “Game and Land Birds of an Indiana Farm, Fort Wayne Journal-Gazette, August 6, 1911, 1, NewspaperArchive.com; “Talked on Birds,” Waterloo Press, May 16, 1912, 1, Newspapers.com.
[24] “Personal Mention,” Waterloo Press, April 25, 1912, 5, Newspapers.com; “Local and General,” Waterloo Press, January 28, 1915, 8, NewspaperArchive.com; “All Around Pick Up,” Waterloo Press, May 27, 1915, 4, Newspapers.com; Indiana State Board of Health, “Jane Hine, Certificate of Death, February 11, 1916, Richland Township, DeKalb County, Indiana, p. 127, Indiana State Board of Health Death Certificates, 1900-2017, microfilm, Indiana Archives and Records Administration Roll Number 04, AncestryLibrary.com; “Mrs. Jane L. Hine Died Early Saturday Morning,” Waterloo Press, February 16, 1916, 1, 8, Newspapers.com.
[25] “Mrs. Jane L. Hine Died Early Saturday Morning,” 1.
[26] “Reports of Affiliated State Societies and Bird Clubs: Indiana Audubon Society” in Bird Lore, edited by Frank M. Chapman (Harrisburg, PA and New York City: D. Appleton & Co., 1917), 447, GoogleBooks; John Hall Sage, “Thirty-Fourth Stated Meeting of the American Ornithologists’ Union,” in The Auk: A Quarterly Journal of Ornithology 42, (1917), 76-77, GoogleBooks.
Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
A note on terminology: This post examines gender non-conforming or gender-questioning individuals. This includes those who identified as “cross-dressers [CDs],” male/female “impersonators,” “transvestites [TVs],” “transsexuals [TSs],” and, in modern terminology, “transgender.” When unsure about how individuals identified or what pronouns they preferred, they will be referred to as the name that appears in relevant publications.
For gender non-conforming Hoosiers, the pursuit of kinship and shared identity was often fruitless, if not outright dangerous. Before the connectivity of the internet and the advocacy of organizations like Indiana Youth Group and GenderNexus, many were bereft of social opportunities and emotional support. Beginning in 1987, the Indiana Crossdresser Society (IXE) served these Hoosiers by providing social forums and offering resources to individuals struggling with gender identity. The group also challenged instances of discrimination within and outside of the LGBTQ community.
The Works newsletter provides a bit of insight into early Hoosier female impersonators (at least in predominantly-white areas of Indianapolis), who performed at bars along Virginia Avenue from the early 1900s until World War II. Articles in 1982 remarked on the resurgence in popularity of impersonators, noting that the Alley Cat Lounge and Disco had begun hosting weekly shows. By the mid-1980s, however, The Works reported that the queer community had been gatekeeping gender non-conforming or gender-questioning individuals, approximately 20,000 of whom lived in Indianapolis. In a 1984 Works article, Jim Chaffin—a gay, cisgender man—chastised the “drag queen” mentality among Indiana’s LGBTQ community. He implied that because society considered gay individuals too effeminate “more ‘normal’ acting gays” needed to come out. Couching his criticism in masculine rhetoric, Chaffin alleged of those who kept their identities private: “you guys don’t have the b*lls to just go ahead and say what you are.”
In the following issue, Roy Pershing, also known as LaNora Takie, fired back at Chaffin’s narrow view of queerness and Chaffin’s insistence that masculine gay men live publicly. The author noted that while Chaffin likely had good intentions, it is the “individuals’ business and no one else’s,” that:
‘We are told that we are wrong everyday by straights and others; so is it necessary for this kind of behavior to go on within the community?’ Furthermore, ‘Could you please tell me what your idea of a normal acting gay person is? Is it an overweight, big mouth who runs a male wh*re house or is it someone who dresses in leather from head to toe? . . . To me, a normal acting gay person is a person who is himself and doesn’t run around forcing him or her lifestyle’ on others.’
The author also felt that Chaffin’s use of “drag queen” was derogatory, and that Pershing/Takie considered themself to be an “entertainer” and “impersonator.”
Facing alienation in the Indianapolis area, some Hoosiers like Betty and Lori attended meetings in Cincinnati hosted by Cross-Port, a group that provided support and social opportunities for gender non-conforming people. According to Cross-Port’s newsletter InnerView, Lori was one of the first Hoosiers to attend these meetings, where she “stood close to seven foot in those spike heels, and spent much time ducking the beams in Heather’s basement.” By early 1987, Betty and Lori helped form a similar group in Indianapolis, called Iota Chi Sigma, better known as the Indiana Crossdresser Society (IXE). About thirteen people attended this first meeting, presided over by Chairperson Laura, who “received special recognition for wearing a dress.” In a Q&A published in InnerView, IXE described itself as a “gender group interested in helping gender conflicted persons in the context of a social meeting.” This included a broad range of individuals, who could “be anybody from the transvestite who just wants to wear womans [sic] panties to the transexual person who believes themselves to be of the opposite sex.” Cross-Talk, the “gender community’s news and information monthly,” remarked that IXE members, feeling that the “gender community was always too hard on itself,” sought to “show a ‘happier’ side.”
After their first gathering, IXE met the first Thursday of every month at the 21 Club, and within a year, attendance outgrew that of Cross-Port. InnerView noted that Cross-Port members sometimes traveled from Cincinnati to Indianapolis to attend IXE meetings and Christmas parties. While in town, visitors shopped at Glendale Mall and Stuart’s Shoes, and participated in fashion shows at the downtown Hyatt Regency. One self-conscious visitor reported that they were treated courteously at these shops.
By 1989, IXE had over 100 members residing in the tri-state area—which included Kentucky—helping forge a social network of support for the marginalized community. According to an Indianapolis Star piece entitled “Cross-dressers Seek Society’s Acceptance,” most members were heterosexual men experiencing “gender conflict,” and came from a variety of professions, including carpentry, business, and law enforcement. The paper noted that once a month, about thirty members socialized at a Westside apartment clubhouse, many bringing their spouses. At one meeting, cosmologists gave members make up tips. At another, police officers advised them on how to avoid a “scene” in public.
The Star piece profiled IXE member Sharon Allan, who spent about 30% of his life dressing as a woman, undergoing “painful electrolysis” to achieve smooth skin, perming his hair, and piercing his ears. Sharon married his high school sweetheart, Ann, who knew about his cross-dressing from the beginning of their relationship. On their first date, she removed the choker from her neck and placed it around his. Ultimately, the couple divorced because Ann felt that although Sharon “is a wonderful person . . . his cross-dressing left no room for me as a woman in the marriage.'” Despite this blow, Sharon chose to be transparent about his identity with his young son in order to facilitate trust, stating, “‘I came to decide there was nothing wrong with what I was doing. There was nothing wrong with feeling feminine, inside or out.'”
Adam, a middle-aged health care professional, did not share Sharon’s perspective. According to the Star article, he began wearing women’s clothes as a teenager, but reported, “It’s not something I want to do. I got tired of feeling bad about myself. There were times I couldn’t control it.” Despite undergoing aversion therapy, Adam continued to dress in feminine clothing. His wife divorced him when she found out, and Adam noted, “It felt degrading to her and me as well. The discovery certainly was unpleasant. And it didn’t feel good to me. It was shaming.” Rita could empathize with Adam’s despair, having experienced two painful divorces. The northern Indiana police officer considered ending his life. Unlike Adam, Rita ultimately concluded that, despite having to keep the crossdressing aspect of his life private, “I wouldn’t give it up. If there was a magic pill, I wouldn’t take it.” The Star profile noted that Rita had begun wearing feminine clothing in elementary school. While in the Marines, he was able to shave his arms and legs “without attracting undue attention from his fellow leathernecks.”
Despite their personal struggles with shame and acceptance, gay bars afforded gender non-conforming Hoosiers a degree of shelter from harassment and discrimination. The Star noted that the venues were particularly important to this minority group because they provided a “place where men won’t try to pick them up.” However, these spaces dwindled when the 21 Club and G.G.’s closed, which according to the New Works News, prompted an influx of gender non-conforming patrons to other local gay bars. As demographics changed, some bar owners implemented exclusionary policies, perhaps reflecting the assertion of transgender activist Evan Greer in her 2018 piece for The Washington Post, that historically “the predominantly white, cis, gay, male leadership saw trans people as a threat to their slowly but surely growing social and economic political power.” Perhaps these discriminatory measures were an attempt to safeguard this hard-fought increase in social “legitimacy.”
In 1989, the New Works News reported on the fallout of the bar closings. Articles reported instances in which bar owners refused to serve cross-dressing and transgender individuals like Roberta Alyson and Kerry Gean. Dressed as the “woman I am deep inside of my biological male self,” Gean and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served.
Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. The officer crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. The officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer. Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.”
Alyson received assistance from IXE, of which she was a member. That year, IXE had “joined Justice, Inc., a statewide umbrella organization for support and activist groups working in and with the gay/lesbian community. Justice has a full time lobbyist at the state capital.” Forging such partnerships would prove critical in challenging discrimination. With Justice’s help, IXE initiated a series of meetings with bar owners, excise police, and allies like the Indiana Civil Liberties Union. These gatherings provided a forum to exchange perspectives and to gain a better understanding of excise laws.
The groups initially gathered in July for a meeting facilitated by police officer and community liaison Shirley Purvitis. Remarking on the conflict within the queer community, she noted in the Star profile that crossdressers are “‘professional people with good jobs. They’re taxpayers. A lot of them have families. It’s time we started learning about them.'” As expected, the meeting was tense. Some owners claimed that they implemented policies, like denying entrance to those whose photo I.D.s did not reflect their apparent gender, because they feared breaking excise laws and making their businesses vulnerable to legal issues. Responding to these concerns, Excise Chief Okey reassured that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.”
Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
Other bar owners stated blatantly that they refused to admit these patrons because they intended to “‘preserve the established atmosphere of their bars.’” A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Our Place owner David Morse sympathized with the 501 Tavern representative. He complained at a later meeting that new patrons had filled his bar with “boisterous, outrageous drag queens in double Dolly Parton wigs and that their presence was very disruptive” to the bar’s masculine ethos.
Works writer E. Rumbarger came away from this first meeting with a greater understanding of those who had been excluded from gay bars. Prior to attending, he had mused, “Did they eat their young? . . . Did they have two heads?” However, he was “very surprised and pleased to find that they were simply a group of very relaxed and congenial people who were ‘doing their own thing. . . . These men quite simply looked and acted like women or to be more precise—ladies.” He added that he could not fathom how any establishment would “object to their presence” and urged that “Greater knowledge and understanding is needed (and quickly) in the gay community regarding the wide diversity of groups that make up the community.” Similarly, Stan Berg, Works publisher and owner of the Body Works bath house, addressed Dee Gordon’s editorial, which criticized the push for greater inclusion. Berg opined that Gordon had articulated the:
feelings and actions of another owner of a gay business who, at one time, and for many years, kept out drags. Now, whether old age, an increasing tolerance for gays of all persuasions, or just the realization that bigotry was wrong, actually changed this business owner’s mind, I can’t tell you. But, that business owner is me. The bottom line is that your arguments are bigoted bullsh*t. My own reasons for keeping drags out of THE WORKS for seven years were also bigoted bullsh*t.
While the initial meeting spurred greater understanding among certain individuals, it failed to resolve turmoil within the broader community or result in specific policy reform. Upon IXE’s request, Justice, Inc. conducted a survey of those parties involved in the conflict and hosted a subsequent workshop in September. This workshop provided an opportunity to discuss injustices experienced by various groups within the community. Many voiced their anguish about discrimination within the lesbian community, against persons with AIDS, and along racial lines. At the center of the meeting, however, remained the exclusion of gender non-conforming individuals. IXE vice president Sharon Allan detailed the trials faced by crossdressers and drag queens, noting that they “are currently experiencing problems which the gay community faced years ago.”
However contentious, these meetings led to the reversal of policies at some bars and helped open the door to acceptance for other gender non-conforming individuals in Indianapolis. IXE members reported in September that they encountered less hostility at local establishments. Although bars like The Varsity maintained stringent policies, Tomorrow’s was much more welcoming. And while Jimmy’s did not reverse its I.D. policy, employees were more lenient about its enforcement. Roberta Alyson patronized the bar with a friend, who was also dressed in “female attire.” When the server approached, this friend instinctively searched their purse for identification, to which their server said “’Don’t worry about that, honey, we don’t do that kind of discriminating here.’” The Works noted that this action “on the part of Jimmy’s shows that people can change their mind” and should be commended for doing so.
Booth at Pride Week Picnic, New Works News, August 1989, 13, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
As the 1980s came to a close, the queer community seemed more tolerant—and perhaps welcoming—of gender non-conforming individuals. The Works announced in January 1990 that the owner of the 21 Club was opening 3535 West, which would “cater to all segments of the gay community.” The piece added, “Now that Indianapolis will finally have a gay meeting place where everyone is welcome, perhaps our gay visitors from out of town who have avoided coming here in recent months because of all the discriminatory nonsense taking place in some of the local bars, will once again return to Indy for a renewal of good times shared in the past.”
In 1990, at the first large outdoor Pride celebration, which took place on Monument Circle, people who staffed IXE’s booth reported that they were generally accepted, if not entirely understood. An unidentified member mused in the Works:
‘We all had lots of fun watching and talking. More often than not people would come up to our table and say hello and then look at what was on display and read the titles of the magazines and books, see the word ‘crossdressing’ and then look up at us and then down at the book and then back at us as a look of surprise and realization passed across their faces. . . . One girl was talking with Emily for five minutes before she looked down and saw the title ‘Understanding the Crossdresser’ and said with utter surprise, ‘Oh, I get it! You’re a guy! That’s cool. You know, I never understood why I can wear anything I want and guys can’t wear skirts.’
Similarly, public acceptance of crossdressers increased slightly following media profiles like that published by the Indianapolis Star about IXE. The feature’s author marveled that not only did she not receive vitriolic phone calls from readers after its publication, but got calls asking for more information about IXE. Indeed, Genny Beemyn contended in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged. Beemyn noted that this movement was “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”
Dan Riley, courtesy of Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129, accessed Digital Transgender Archive.
Reflecting this movement, the Louisville Gender Society was formed in 1992, serving people living in southern Indiana and Illinois, as well as Kentucky. At the same time, IXE’s membership notably increased, as gender non-conforming Hoosiers searched for solidarity. In a 1991 Tapestry issue, Gloria C., a 33 year-old “transvestite” who lived in a small town, pleaded “I’m lonely! Please Write.” The auto racing and fishing fan hoped to meet “TV/TS” friends. IXE drew members like Michelle Michaels, a 40-year-old self-described transvestite who struggled with addiction resulting from the “guilt, shame, & confusion” of crossdressing. After getting sober, Michaels—who had three children and a supportive wife—joined IXE because of an ongoing struggle with “acceptance, self-esteem and balance.” Member Vickie Mansfield, “a young 47,” was involved in the Catholic Church, enjoyed “fine wines,” and was only “recently out of the closet.” Dan Riley, a 40-year-old “female-to-male” crossdresser, who enjoyed hiking and t’ai chi, joined the organization, in part, because Dan liked “helping others ‘coming out.’” Indianapolis funeral service supplier Yvonne Cook was not only a lifetime member IXE, but a leader and board member of the International Foundation for Gender Education.
IXE served such members until at least 2005. Although, no longer an organization as of 2023, IXE provided solidarity to so many Hoosiers in distress or suffering from loneliness. Additionally, its members’ activism and willingness to facilitate discussion helped change public perceptions about gender non-conforming individuals and contributed to greater inclusivity within the LGBTQ community. The struggle to obtain societal acceptance and secure civil rights in Indiana endures, as evidenced by recent debates about gender-affirming medical practices. Like the Indiana Crossdresser Society, groups like Trans Solutions Resources and Research, continue to fight, in the words of Sharon Allan, for “‘Life, liberty and the pursuit of happiness. It’s a fundamental right.'”
Sources:
Genny Beemyn, “Transgender History in the United States,” in ed. Laura Erickson-Schroth, Trans Bodies, Trans Selves, p. 28, accessed UMass Amherst.
Cross-Port InnerView (March 1987, June 1987, July 1987, August 1987, December 1987, July 1988, November 1988, January 1991, August 1991, September 1991, December 1992, June 1995, June 1996), Digital Transgender Archive.
Cross-Talk: The Transgendered Community’s Newsletter (September 1991, July 1992), Digital Transgender Archive.
Editorial, Jim Chaffin, “‘Hoosier Gay Boy, Come on Down!,'” The Works (October 1984): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
“Indiana,” Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 78 (Winter 1996): D38, accessed Digital Transgender Archive.
Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, November 26, 1989, 115, accessed Newspapers.com.
“North American Support Groups,” Lady Like (Winter 2005): 44, accessed Internet Archive.
Editorial, Roy Pershing/LaNora Takie, “Darts from a ‘Drag,'” The Works (November 1984): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
JoAnn Roberts, “The Iconoclast,” Renaissance News 6, no. 9 (September 1992): 7, accessed Digital Transgender Archive.
Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129-130, accessed Digital Transgender Archive.
Nicole Poletika, “’Walk a Mile in Their Pumps:’ Combating Discrimination within Indy’s Queer Community,” October 7, 2020, accessed Untold Indiana.
Draft, Nicole Poletika, “’Walk a Mile in their Pumps:’ Combating Discrimination within Indianapolis’s Queer Community,” 2022 Queer History Conference paper, accessible here.
