A birds-eye view of the rotary jail from its original patent. Courtesy of Google Books.
One of the nineteenth century’s most idiosyncratic inventions was the rotary jail. Inspired by the utilitarian philosophy of Jeremy Bentham, rotary jails were circular enclosures that allowed guards a 360 degree view of inmates through moving cells via a crank. There was only one access point, making escape more difficult. This type of jail was invented in Indiana by architect William H. Brown and iron industrialist Benjamin F. Haugh. These Indianapolis-based inventors filed their patent patent in 1881.The design became popular, largely because it decreased interaction between guard and prisoner. In fact, the prisoner did not even have to be removed from his cell to dispose of waste. In this blog post, we’ll expand our knowledge of these jails through more newspaper accounts from throughout the United States.
A search for “rotary jail” in US News Map. Courtesy of US News Map.
But how do we start? One great tool for looking for subjects and their relevance to newspapers is usnewsmap.com. A joint venture of the Georgia Tech Research Institute and the University of Georgia, US News Map provides visitors with an easy search tool that show where subjects show up on the map. When I typed in “rotary jail,” I got eleven hits; some were as far east as Vermont and as far west as Utah.
Main street in Burlington, Vermont, 1893. On this street resided the city’s rotary jail. Courtesy of Google Books.
In Burlington, Vermont, a rotary jail was built as early as the late 1880s, with city planners waxing enthusiastic about the invention after their visit to the flagship rotary jail in Crawfordsville, Indiana. “They were most favorably impressed with the new rotary jail at Crawfordsville, Ind., and the probability is that they will decide to erect a similar one in this city,” wrote the Burlington Free Press on March 25, 1887. In Picturesque Burlington, a short history written in 1893 by Joseph Auld, describes the rotary jail in detail:
This “cage” is closely surrounded by a barred iron railing with only one opening. When a prisoner is to be placed in his cell the “cage” is revolved till the proper cell fronts the door; then the prisoner is put in, the cage is turned, and he is secure. The number of prisoners is small and the offences venial, largely violations of the prohibitory law.
For example, one particular story from the Burlington Free Press comes to mind. As reported on April 7, 1892, a man named John Arthur Simpson, whose aliases included “George Simpson” and “George A. Stillwell,” was accused of murder in Dover, New Hampshire. Simpson, whose past lives included “Baptist minister, later a burglar, horse thief, incendiary, farmer, bigamist, and finally a murderer,” apparently bared a remarkable resemblance to Julius McArthur, who “killed Deputy Sherriff Charles H. Hatch of New Hampshire May 6, 1891 while resisting arrest for stealing a horse and who escaped from the rotary jail of this city Jul 17, 1891.” According to the newspaper report, Simpson likely escaped from jail using a knife “as a wedge to open the cell door” and the authorities searched for a supposed accomplice who gave him said knife. Even though rotary jails garnered a reputation for being tough to escape, Simpson’s story shows they weren’t completely impenetrable.
Another rotary jailbreak occurred in Salt Lake City, Utah. Charles Riis, convicted of larceny under the name “Charles Merritt,” reportedly “went through the bars of the supposedly impregnable steel rotary at the county jail as though they were made of putty,” wrote the Salt Lake Herald on February 2, 1907. Riis was said to have “crawled” through a cell “eight inches wide by fourteen inches and length” after sawing through a bar over a few days, slowly as to not alert the sheriff. He then used the sawed bar as leverage to scale down the side of the jail wall with a blanket. At the time of this article, his whereabouts were unknown. Riis’s clever maneuvering utilized the weaknesses of both the rotary jail as an invention and the law enforcement agency’s inability to anticipate his covert actions.
However, these stories pale in comparison to what was reported in multiple newspapers in Kansas. Carrie Nation, noted prohibitionist and provocateur, instigated a spat with the Wichita Sheriff’s wife and placed in a rotary jail cell in 1901. From here, we get two different sides of the story. According to the May 3 1901 issue of the Kinsley Graphic, Nation was “placed in the rotary cell at the county jail. She abused the sheriff’s wife, calling her all kind of vile names, the ‘devil’s dam being one.” She also called another woman “two-faced” as she was sitting in the rotary cell. However, the Topeka State Journal quoted Nation directly, painting a contrasting narrative. Nation, quoted in the Journal, wrote:
I was put in this [rotary] cell because I told Mrs. Simmons, the jailor’s wife, that when I was here before she tried to have me adjudged insane. She said I was a woman who used low, obscene language to her husband. I told her she lied and all liars would go to burn in the lake of fire. Her husband told me this morning when he came to remove me that his wife wanted me to be put here. Poor, depraved wretch! What a shame to see a cruel, revengeful woman. John the Baptist lost his head from just such a one. I would rather die in this unwholesome place than be such. I wish she would let Jesus change the bitter to the sweet in her nature. What a miserable woman she is! My poor sisters in this Bastille are trusting in the Lord.
She then railed against the liquor trade in Wichita, advising all citizens to “avoid getting anything from this cursed Sodom,” and comparing her treatment in the rotary jail to the “cruelty and injustice” of the “Spanish inquisition.” Nation’s brush with rotary jails is one of many legendary stories of the gilded age crusader.
Finally, rotary jails not only dealt with prisoners getting out, but also unintentionally trapped in. The November 10, 1886 issue of the Fairfield News and Herald, out of Winnsboro, South Carolina, reported that the rotary jail in Council Bluffs, Iowa “became locked Monday morning by some disarrangement of the machinery, and no prisoners could be taken out nor any admitted.” The paper further noted that a “large force of men were at work all day on the machinery, but the trouble was not removed until Tuesday morning.” This story was also picked by the Laurens Advertiser, the Manning Times, and the Pickens Sentinel.
Between the escapes and the structural failures, you would think that rotary jails would have lost sway with the law enforcement community and the general public. As the previous post mentioned, efforts to stop the use of rotary jails began as early as 1917. By the mid-20th century, many rotary jails were discontinued or the cell blocks were immobilized. Two former rotary jails served as county jails well into the 20th century, with the Council Bluffs jail closing in 1969 and the Crawfordsville jail in 1973.
Although the rotary jail is no longer used, the seminal Indiana invention left a profound mark on the history of crime and punishment in the United States. Its design really broke the mold, or as you could say, broke (out of) the cell.
“Harry is a fine boy, he never told me a lie in his life,” Lena Pierpont proclaimed about her son, “Handsome Harry” Pierpont, who was considered the brains of the John Dillinger gang.[1] Like many families, the Pierponts rallied around their son in times of trouble. The extent to which they defended Harry demonstrated both the depths of parental love and the pitfalls of willful ignorance. Harry’s troubles centered on the frenzied period between September 1933 and July 1934, when the Dillinger gang became America’s most wanted criminals for a crime spree that impacted Indiana communities big and small.
While Dillinger became the FBI’s very first “Public Enemy Number 1,”[2] 32-year-old Harry Pierpont was often credited with being the architect of the Dillinger gang’s crimes, and the mentor who helped make Dillinger a skilled criminal.[3] Born in Muncie in 1902, Pierpont had amassed a lengthy criminal history long before meeting up with Dillinger. Pierpont was linked to a series of 1920s bank and store robberies across the state, including in Greencastle, Marion, Lebanon, Noblesville, Upland, New Harmony, and Kokomo, prior to landing in the Indiana State Prison at Michigan City – where he befriended and mentored Dillinger.
Pierpont’s criminal sophistication, however, had not spared him from arrest. By July 1934, he was arrested and awaited execution in Ohio for the murder of Lima County Sheriff Jesse Sarber. The sheriff had been killed in October 1933 as gangsters broke Dillinger out of the county jail. Pierpont’s mother, Lena, and father, J. Gilbert, instinctively believed in their son’s innocence and grew resentful over the “persecution” they said they endured from authorities after they had relocated from Ohio to Goshen, Indiana in April 1934. Pierpont’s beleaguered parents had come to the Hoosier city to try and “make an honest living in a respectable business.”[4]
By mid-July, with Dillinger still at large (although only days away from being slain by federal officers in Chicago), the Pierponts were under constant surveillance in an all-out effort to locate Dillinger. They had rented a “barbeque and beer parlor” on what was then called State Road 2 (now U.S. 33 West). Known as the “Cozy Corner Lunch” spot, the roadhouse was a half mile northwest of the famous A.E. Kunderd gladiola farm just outside the Goshen city limits.[5] Conducting what she called her first “free will interview” given to a journalist, Lena told the The Goshen News Times & Democrat, “I am going to try and open this place and run a legitimate business as soon as these men stop trailing us. Mr. Pierpont (her husband) is ill and unable to work, so all we want is to earn an honest living.”[6]
The Goshen News Times & Democrat reported that the Pierponts had rented the barbeque stand on an one-year lease offered by a couple identified as Mr. and Mrs. Rodney Hill. Although summer was nearly half over, the Pierponts had not opened for the year because a requisite beer license was still pending. The Pierponts believed this was held up by local officials facing pressure from federal authorities. Lena bitterly explained that the couple had sold all of their farm goods in Ohio in order to open the Goshen business.
“We should not be persecuted,” Lena explained. “We’re simply unfortunate. The government should call off its detectives and allow us to live as other good American citizens.” She pointed at a car parked about a quarter mile away and said, “See that car down the road? They’re always watching us.” She alleged that “Every minute for 24 hours a day we’re shadowed. They think we know (John) Dillinger and that he may come here. We don’t know him and we don’t want to.”[7] She insisted that her son was hiding in the attic of her home on the night the Ohio sheriff was killed, and while he was a fugitive escapee from the Indiana State Prison at the time, he was no murderer.[8]
Lena suggested that if she and Gilbert did know Dillinger maybe “we could get a deposition from him to the effect that our son, Harry, did not kill Sheriff Jess Sarber at Lima, Ohio.” Harry had assured her that Dillinger would clear him of the murder “and name the real slayer,” thus saving her son from the electric chair in Ohio.[9] The Indianapolis Times reported in September, Lena successfully arranged to meet with him in Chicago. According to her account, when asked who freed him from the Lima jail, Dillinger said “‘I’ll tell you who turned me out. Homer Van Meter is the man who fired the shot that killed Sarber and Tommy Carroll and George McGinnis are the men who were in the Lima jail and turned me out.'”[10]
Members of the Dillinger outlaw gang, Russel Clark, Charles Makley, Harry Pierpont, John Dillinger, Ann Martin and Mary Kinder, are arraigned in Tucson, Arizona on January 25, 1934, courtesy of the Associated Press.
Although used to letting his wife serve as family spokesperson, Gilbert Pierpont told an enterprising reporter from The Goshen News-Times & Democrat, “Harry (Pierpont) will not die for the murder of Sheriff Sarber. We are looking for a reversal of the Lima verdict by the Ohio Supreme Court. If not, the case will go to the United States Supreme Court.”[11] Harry’s angry and reportedly ill father said he didn’t like talking to reporters “because of so many false statements they have made about my son.” Contrasting her ailing husband, Lena “was jovial during the interview” and “jokingly remarked that the press would have it all wrong” when writing about her son.[12]
State and federal law enforcement officials were quick to impeach the Pierponts. Captain Matt Leach, who headed the effort of the Indiana State Police to bring the marauding gang to justice, actually identified Pierpont as “the brains” of the Dillinger gang. It was Pierpont, Leach said, who came up with the idea of springing Dillinger from the county jail in Lima by posing as Indiana police officers. When Sheriff Sarber demanded to see their credentials, Pierpont reportedly said, “Here’s our credentials,” and fired multiple shots into the lawman, killing him instantly.[13]
It was a short-lived, but “productive” period of freedom for thirty-one-year-old Dillinger after being sprung from the Lima jail. During this stint, he led his gang in a bold April 12, 1934 raid on the Warsaw Police Department, where they seized a cache of guns. The gang also conducted a deadly robbery of the Merchants National Bank in downtown South Bend on June 30, killing a police officer and injuring four others in a brazen sidewalk shootout. Federal agents put a stop to the spree when they gunned down Dillinger on the streets of Chicago on July 22, just nine months after the Pierpont-led escape from the Ohio jail.
The Akron Beacon Journal, March 8, 1934, 1, accessed Newspapers.com.
While Dillinger met his “death sentence” on a Chicago street, Pierpont remained on Ohio’s death row for the murder of Sheriff Sarber. Lena said she and her husband would continue to make the journey of more than 200 miles from Goshen, Indiana to Columbus, Ohio, “every weekend” to see their son. “We will continue to do this as long as we have any money,” she said.[14] Lena also declared she would continue to challenge state and federal authorities for their alleged harassment of her family. She had reportedly talked to an Elkhart attorney about bringing suit against state and federal authorities.
“We are unfortunate that our son is in prison under sentence of death,” Lena said, adding “No other members of our family have a criminal record. We should not be persecuted. They tell us that these men, who are constantly nearby in parked automobiles ready to follow us at any time we may leave, are federal government men.”[15] Lena’s claim that her son Harry was the only member of her family who had run afoul of the law was not accurate. The Pierponts’ younger son, Fred, 27, and Lena herself, were both arrested and held on illegal possession of weapons charges and vagrancy in Terre Haute in December 1933. A car driven by Lena on the day she was arrested contained almost $500 in cash and a sawed-off shotgun.
To publicize her claims of harassment, a day after granting an exclusive interview to The Goshen News Times & Democrat (picked up by the Associated Press and reported by newspapers across the nation), Lena marched into the Elkhart County Courthouse at Goshen, demanding that she be granted her long-delayed beer license and that an “order of restraint” be placed against detectives following them.[16] Despite his family’s attempts to win over “the court of public opinion,” as summer gave way to fall in 1934, Harry’s appeals to the Ohio Supreme Court were coming to no end other than delaying his execution. Surprisingly, in late September, Pierpont and fellow Dillinger gang member, Charles Makley, staged a spectacular, yet unsuccessful escape attempt from the Ohio Penitentiary. Fashioning realistic-looking handguns made of soap (and blackened with shoe polish), Pierpont and Makley were immediately “outgunned” by prison guards, who killed Makley and critically wounded Pierpont in a shootout.[17]
By October, Pierpont could no longer escape his fate. As one reporter noted, Pierpont “whose trigger finger started the John Dillinger gang on its short but violent career of crime that blighted everything it touched, must die in the electric chair at the Ohio Penitentiary.” Prison officials reported “the doomed man has reconciled himself to death and embraced his former faith, the Roman Catholic religion.”[18]
Sullen and weakened by the gunshot wounds sustained during his failed prison escape, Pierpont strongly contrasted with “the braggart who once boasted he would kill every cop on sight.” Now, jailers said, Pierpont wished out loud that he too had been fatally wounded in the prison shootout.[19] “Pierpont’s mother, Lena, by this time living near Goshen, Indiana, and his sweetheart, Mrs. Mary Kinder, an Indianapolis gang ‘moll,’ are remaining true to the fallen gangster to the last,” one newspaper account told. Kinder, whom reporters were quick to point out was previously married, “even went to Columbus recently[,] determined to marry Harry in prison before he dies.”[20]
South Bend Tribune, October 19, 1934, 1, accessed Newspapers.com.
On October 17, 1934, the “fair-haired brains of the dissolved Dillinger mob” was executed. The Associated Press noted, “Quietly, unaided and with the ghost of a smile on his lips, the 32-year-old killer sat down to death in the gaunt wooden chair within the high stockade of the prison guarded in unprecedented fashion.”[21] Reporters who witnessed the execution said Pierpont “was not asked for any ‘last word,’ and he volunteered none. He just sat down with a rueful smile, closed his eyes, strained the muscles of his lanky, six-foot-two frame, as the current struck, clenched one fist – and that was all.”[22] A national wire photo showed Kinder comforting Lena and Gilbert at their new home along U.S. 31 in Lakeville in St. Joseph County, where they had moved after their failed attempt to start a roadhouse near Goshen.
A funeral was conducted for Harry inside the Pierponts’ home, led by a priest from the Sacred Heart Catholic Church of Lakeville. The services were held an hour earlier than was announced to keep reporters away. Harry Pierpont had told Ohio prison officials that he desired a “simple, but lavish funeral” and wanted his remains be released to his parents in Indiana.[23] The South Bend Tribune reported, “His casket was adorned only by a small wreath of artificial flowers, and lay grotesquely surrounded by canned goods and automobile accessories in his parent’s home store.”[24] Harry was eventually buried at the Holy Cross and St. Joseph Cemetery in Indianapolis.
Lena Pierpont would appear in the news one more time for her resilience. In the summer of 1937, Lakeville town authorities took court action to rid the village of “a band of roving coppersmiths” who had settled at Lena’s White City Inn. Surely she refused to oust them because she needed the income in the lean Depression years, but perhaps she also related to those on the fringes of society, trying their best to survive.[25]
The Pierponts suffered another tragedy when Harry’s younger brother, Fred, died in March 1940 at the age of 33 from injuries suffered in a car crash near South Bend. Perhaps being forced to hone the art of resilience due to the upheaval wrought by Harry helped them survive this second blow. Lena died in her Lakeville home on October 21, 1958 at the age of 78. Her long-suffering husband Gilbert, died three years later also at Lakeville at the age of 80. They were buried alongside their infamous son in Indianapolis.[26]
* Interestingly, the Goshen connection to the Dillinger gang, beyond the Pierponts’ battles there, is forever enshrined in the city’s limestone police booth opened in 1939. The impressive octagon structure sits on the corner of the Elkhart County Courthouse square, opposite Goshen’s two largest banks. Complete with bulletproof glass (donated by two of the city’s banks), the booth (partially funded by Works Progress Administration dollars) was never called into duty as Goshen’s banks escaped being robbed.
Sources:
*Primary documents were accessed via Newspapers.com, the Goshen Public Library, and the Goshen Historical Society.
[2] Andrew E. Stoner “John H. Dillinger, Jr.” in Linda C. Gugin and James E. St. Clair, eds., Indiana’s 200: The People Who Shaped the Hoosier State (Indianapolis: Indiana Historical Society Press, 2015), 96.
[3] Patrick Sauer, “Harry Pierpont: John Dillinger’s Mentor” in Julia Rothman and Matt Lamothe, eds., The Who, the What, the When: Sixty-Five Artists Illustrate the Secret Sidekicks of History, (San Francisco: Chronicle Books, LLC., 2014), 42.
Courtesy of the Fort Wayne News-Sentinel, caption: Pianist Charles Allen, left, and singer Steve Black were part of the entertainment scene in the late ’60s, when bars replaced coffeehouses as the centers of musical activity.
Legendary choreographer and “unsung gay hero” Charles Allen sat with a tape recorder in his Fort Wayne house, a veritable art museum awaiting curation. Sipping gin and orange juice from an empty peanut butter jar, he began to document his life. Notorious for self-mythologizing—once claiming to have killed a man using “voodoo and black magic”—some of the anecdotes he fed the tape no doubt were embellished.[1] These would prove unnecessary, however, as his legacy speaks for itself. Not only did Allen give “birth to generations of dancers and . . . change the way people looked at the world around him,” but he inspired and empowered LGBTQ+ Hoosiers, perhaps unintentionally. Upon Allen’s 1980 death, Jerry Jokay wrote in TROIS, Fort Wayne’s gay newsletter, that “Although he probably wouldn’t have seen it this way, one of his greatest contributions was that he was a gay hero. And he is a gay hero simply because his gayness was a trivial issue in his life even in spite of the oppression it caused him.”[2] Allen, on the other hand, would probably consider his greatest contributions to be advancing performing arts and instilling a love of storytelling and self-expression in Hoosiers.
Gene Stratton Porter, courtesy of the Indiana State Museum, courtesy of KPC News.
Born in 1912, Allen was likely raised by his aunt and uncle in Mongo, Indiana. Depictions of Allen’s childhood are characteristically colorful and include a traipse through Tamarack Swamp with famed author and naturalist Gene Stratton Porter in search of insects and plant specimens.[3] Allen “recalled dyeing his hair pinkish-brown as a child, catching blue racer snakes, putting them around his neck, and startling passersby on highway 20 near his home. A barefoot, innocent, wild-haired child of the swamp.”[4] The spirited child attended school in Kendallville and spent free time in LaGrange, where he learned to play piano at Wigdon Theater. Fully enamored with artistic expression, he devoured performances delivered by a travelling company. The News-Sentinel reported “there was a troupe of four or five men, who did a two-reel silent movie, and set up an impromptu stage with an indian scene. There was singing, and two of the men did female impersonations. When he left the show, his life had changed. . . . He’d fallen in love.”
The production continued to call to him, long after the caravans departed. He left school, took a train to northern Michigan, where the travelling company had migrated, and became its new pianist. As despair deepened during the Great Depression, the public increasingly took solace in travelling shows. These provided Allen with opportunities to try his theatrical hand and hone his skills as a performer. The News-Sentinel noted, “People were doing almost anything for money. He fell in with a freak show,” dubbed the Palace of Wonders, for which he mesmerized crowds as the Human Pin Cushion. During this period, Allen learned how to perform the “half-man, half-woman” act, styling his feminine half after screen siren Marlene Dietrich. When he returned to Fort Wayne, he would perform this routine at local tavern, Henry’s, and played piano at bars like This Old House, Trolly Bar, and the Caboose.[5] Allen insisted that friends stay at his house once the bars closed down for the night, hating solitude.[6]
The eclectic career he had forged for himself was abruptly derailed by the conformist ethos of the 1940s. At a time of global upheaval, Americans held evermore sacrosanct heteronormativity. The News-Sentinel reported that during this “less enlightened age,” a judge sentenced Allen to six years in a Michigan City Prison after “an affair with a soldier led to a charge of sodomy.”[7] Allen recalled in the Fort Wayne Free Press that the judge declared ironically “we’re going to send you where you’ll be happy; locked up with a lot of men!”[8] This prediction proved correct, as he spent time with paramours in a makeshift room fashioned out of old pianos and curtains. On weekends, he played piano for the men waiting in line to watch a movie. While it played, a band mate would take his place at the piano, so that he could go hold hands with his companion. During his few years in prison, Allen made friends, assembled a band—for which he played the sousaphone—and learned how to dance.[9]
A sketch of Etheridge Knight in prison by Terrance Hayes, accessed theparisreview.org.
The News-Sentinel noted that in prison Allen “kept following his insatible [sic] desire to learn. Where he could find no one else to teach him, he taught himself. The creativity could never let him rest. It would be that way to the end of his life.”[10] This cultivation of self-expression paralleled the journey of African American poet, Etheridge Knight. While serving eight years at the Indiana State Prison in the 1960s, he discovered the restorative power of writing, culminating in his revolutionary Poems from Prison. Knight later stated that “Poetry and a few people in there trying to stay human saved me . . . I knew that I couldn’t just deaden all my feeling the way some people did.”[11]
So, too, did music and dance sustain Allen during his incarceration. Upon release, he returned to Fort Wayne, opening the Charles Allen Dance Studio.[12] According to the Journal-Gazette, he was the city’s only choreographer and, through his trips to New York and Chicago, “single-handedly” invigorated the city’s theater scene. Something of a cultural conduit, Allen traveled to Vera Cruz, Mexico to research indigenous dances. He studied dance at the University of Guatemala and the Palace of Fine Arts in Mexico, imbuing midwestern students with unique material and perspectives.[13]
In life and work, Allen gravitated towards those on the fringes, perhaps identifying with their struggles or the stigmatization they endured. He reportedly taught exotic dancers how to improve their performances and played piano at “houses of ill repute.”[14] In his TROIS article, Springer wrote that Allen played piano and felt a “kinship” with Black Americans because “like him, they were among the outsiders of society.”[15] Though he was exacting and sometimes cruel, the News Sentinel reported that “he would work with beginners no one else had time for, work tirelessly because he felt a love of what he was doing.”[16] Janice Dyson recalled this experience, after her mom “scrimped grocery money to help pay” for lessons for her and her sister, Bernice. She recalled that Allen “was a real taskmaster. . . . Bernice was intimidated by him and quit after about a year. I wasn’t afraid of him, but I learned pretty quickly that when he said practice or else, he meant it.”[17] Perhaps he hoped to provoke the same grit he’d developed through surmounting the many hardships imposed by society.
While he worked with Fort Wayne performers, Allen reportedly knew the jazz greats, like Billie Holiday and Louis Armstrong, and one friend noted that “a lot of famous people used to come here and have him fix their acts. Polish the acts. Reblock them or rechoreograph them.'”[18] Legend has it that one winter Allen sold his horse to pay the train fare to see Holiday perform in New York City. Due to a snow storm, he was the only person to show up at the theater. The usher relayed his presence to Holiday, who performed only for him, after which they went out for a drink. She reportedly drove him to the train station and ran alongside the cars, waving as the train departed. Allen was so moved by the experience that he wept while watching the train station scene in “The Lady Sings the Blues.”[19]
Family Theatre Festival (1975-1976), OnStage On Campus Collection, mDON: mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
Purdue University Fort Wayne (PUFW) recognized the ingenue’s talent, hiring Allen to teach courses like Stage Movement.[20] He felt immense pride about being self-taught. A man who embodied resistance towards oppression and convention, his influence intersected fortuitously with the cultural revolution of the late 1960s and 1970s. Friends and colleagues seem to agree that he was not an activist in the traditional sense, but he always answered when called to provide insight about homosexuality or the burgeoning “homophile” movement. He recognized that, as one of few men in the area living openly, if he did not engage in public discourse that no one one would. When asked by WANE-TV to serve as one of five panelists about homosexuality Allen agreed, saying “‘I’m all right here, I don’t have any problems because I’m not scared. But a lot of people are scared; they’re scared they’ll get arrested.”[21] He appealed to dozens of people to serve as panelists, but only two agreed. Those who declined feared that their parents would disown them or that they would lose their job, as had one of Allen’s friends who served in World War II. Others claimed the panel was unnecessary or worried that it would upset the “status quo,” which had provided a modicum of safety. To this reasoning, Allen said, “‘I thought if everything is so fine, why can’t they get on the air and say it’s fine. It’s because it isn’t fine.”[22]
Allen spoke about homosexuality at PUFW campus teach-ins and college classes, and wrote editorials for the student paper, The Fort Wayne Free Press, under the pseudonym “Claude Hawk.”[23] He wanted audiences to understand that sexuality was not a choice, noting that “My own doctor tells me that one gene or chromosome determines sexual preference—not butchness, effeminancy, athleticism, not militancy, but whom you want to go to bed with.”[24] He added that this knowledge, while “comforting,” doesn’t help if you get fired or the “bartender breaks your glass after each drink, etc., etc.” His efforts shifted the perspectives of students like Linda Lamirand and Katharine Stout, who attended a teach-in with the “brave man” who “sat up there and told it like it is.”[25] The authors were enlightened by Allen’s revelations that he knew he was gay at the age of four and that scientific studies suggested that biology dictated sexual preference.
Courtesy of The Fort Wayne Free Press, 3, iss. 16 (July 27, 1972): 9, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
In one Free Press editorial, Allen addressed those who had come to terms with their sexuality, but faced the question “where do you go?” to meet someone. Of the dilemma, he wrote:
You can’t find someone at an office party or at a neighborhood bar because someone would ‘find out’. So you experiment. You drink too much or get so horny that, without experience, you get your teeth bashed in saying something dumb to to the wrong person; or the right-wrong person who relieves you of your watch, wallet, and rings. Or sometimes you are picked up by a nicelooking, intelligent, young man with long hair and bare feet, who turns out to be fuzz and you are entrapped, fined, and-or jailed.[26]
He advised readers to find a “gentle, gay” friend, who can help navigate the covert social world, or a relatively tolerant restaurant or bar. A “third salvation,” Allen noted, was to “know an art or theater crowd who don’t give a damn. Not about you, but about it.” The theater provided a world in which he did not have to explain himself or act as a local spokesperson for homosexuality. He wrote that the “freedom, acceptance, and love” afforded by the theater community created “a place to breathe in this pollution of brotherhood. Since one doesn’t have to hide, or lose his job in these fields, these are the more obvious” ones in which to work.[27] In fact, Allen noted that living as a gay man paralleled life in the performing arts, writing:
“You are forced to think and live like a male and play the game so well that you are never uncovered. And this becomes an art, gives you a facility for understanding objectively what’s going on. It’s like a play, and while others are doing it naturally you’re listening for clues, and if well rehearsed, arrive at a happy ending.”[28]
The Fort Wayne Free Press 4, iss. 3 (January 25, 1973): 6, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.
While TROIS writer Jerry Jokay considered Allen “Fort Wayne’s unsung gay hero,” he noted that “his fortitude laid in the fact that he didn’t dwell upon his difference . . . Allen was preoccupied with being so much more, as his best friends attest.”[29] Preoccupied, he was. Allen informed Free Press readers about his life, writing in 1971 that “I ran my own school, taught at Purdue, played piano in bars, was connected with Ft. Wayne Civic Theater, Kenosha Little Theater, Theater Alanta, had choreographed a Broadway show, was a Japanese paper folder, an Arabian knot tier.”[30] He had traveled the globe in search of inspiration and imbued new generations of performers with it. The News-Sentinel wrote that “he became unique, in a world of his own creation. His art became his life, his life his art.”[31]
His life, his art. Perhaps it was his cancer diagnosis that inspired him to detail them on tape, stories that writer Dan Luzadder suggested “may have been plucked from the intensity of his nether world.”[32] We don’t know what stories he told, as he ran out of time to complete the recordings,* but perhaps he described the demands of caring for his pet python or recited original sonnets, haikus, and Limericks, “both clean and questionable.”[33] We can be certain that his life and art profoundly influenced those around him. This is evidenced by the obituaries written upon his death in 1980 at the age of 68. Luzadder wrote in the Fort Wayne News-Sentinel:
There was loneliness and insecurity. There were things that drove him. And there was tremendous courage to live through the times of his life, to aspire to art, to survive with nothing more than intelligence and faith in himself, to go hungry, to be alone, to see the world in its intolerance and still love it.[34]
Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
On March 21, hundreds of people from all walks of life—including actors, dancers, bartenders, city officials, and editors—stood shoulder-to-shoulder at the Performing Arts Center to pay their respects to the man “whose life had taught them the meaning of art.”[35] His memorial served as a final standing ovation, with Civic Director Richard Casey reading from “Hamlet,” poets performing spoken word, and dancers delivering a finale performance of “Mr. Bojangles.”[36]
Allen provides us with a window into the experiences of those who lived openly in Indiana prior to the liberating events of the 1980s and 1990s. Before a sense of community was fostered by the formation of groups like Fort Wayne Gay and Lesbian Organization (GLO), Pride Week celebrations, and the publication of gay newsletters, Allen drew upon a deep reservoir of self-assurance and creative impulse to fashion a fulfilling life.[37] In his 1980 tribute, Steve Springer described Allen as “an individualist. Society had its standards of behavior and Allen had his own.” And although he had suffered because of these standards, Springer insisted that “Long after Anita Bryant and her hordes of intolerants are forgotten, the legend of Charles Allen will live on.”[38]
* The author has been unable to locate these recordings. If you know of their location please contact npoletika @library.in.gov.
[1] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, Indiana State Library (ISL) microfilm.
[3] “Arts Center Site for Allen Service,” (Fort Wayne) News-Sentinel, March 20, 1980, ISL microfilm.
[4] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[5] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[6] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[7] Ibid.
[8] Claude Hawk, “Boys Will Be Girls!,” The Fort Wayne Free Press 2, iss. 1 (January 1, 1971): 3.
[9] Ibid.
[10] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[11] Nicole Poletika, “Etheridge Knight: ‘can there anything good come out of prison,'” May 3, 2017, accessed Indiana History Blog.
[12] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[13] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[14] Ibid.; Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[15] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[16] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[17] Janice Dyson, “Studio Marks 65 Years of Dancing,” KPC News, December 28, 2017, accessed kpcnews.com.
[18] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[19] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[20] “Family Festival Slated,” Fort Wayne Journal-Gazette, April 28, 1976, 6C.
[21] “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).
[22] Ibid.
[23] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.; Claude Hawk, “Out of the Closet,” The Fort Wayne Free Press 1, iss. 11 (November 2-18, 1970): 3, 6.; “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).
[24] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.
[25] Linda Lamirand and Katharine Stout, “Dear Freep,” The Fort Wayne Free Press 2, iss. 7 (April 22-May 6, 1971): 10.
[26] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.
[27] Ibid.
[28] Claude Hawk, “God Love Us All,” The Fort Wayne Free Press 2, iss. 8 (May 6, 1971): 9.
[30] Bob Ihrie and Charles Allen, “Holiday on Ice,” The Fort Wayne Free Press 2, iss. 2 (January 18-February 2, 1971): 3.
[31] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[32] Ibid.
[33] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.
[34] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.
[35] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.; Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
[36] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.
[37] Nicole Poletika, “From ‘Gay Knights’ to Celebration on the Circle: A History of Pride in Indianapolis,” October 5, 2021, accessed Indiana History Blog.
[38] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.
During his long and storied career, Indianapolis-based investigative journalist William H. “Billy” Blodgett exhibited a penchant for exposing local corruption and unlawful business practices. One not entirely aboveboard business in particular caught his attention in the 1890s.
Of these companies, the Allen Manufacturing Company garnered moderate success but attracted controversy. Founded in 1894 and later incorporated in 1895 by David F. Allen, David A. Coulter, James Murdock, and William B. Hutchinson, Allen Manufacturing maintained a peculiar corporate structure and political affiliation with the Democratic party. In some respects, you could have called the company a “Government-Sponsored Enterprise,” wherein the products made were sold in the marketplace but the labor and capital costs were funneled through government institutions. This is especially true of its labor force, comprised exclusively of prisoners from the State prison north in Michigan City. As reported by the Indianapolis News, “the convicts who work in the factory are to be paid 42 cents a day. Mr. French [the prison’s warden] says that 150 men will be employed in the factory.”
James Murdock, one of the founders of the Allen Manufacturing Company. Biographical Record and Portrait Album of Tippecanoe County, Indiana, Google Books.
Before Blodgett’s investigative reporting on the company, the Indianapolis Journal published a pointed critique of Allen Manufacturing’s labor force. The piece referred to the venture as a “blow to honest labor” and argued that the lack of skilled bicycle makers will “glut the market with cheap wheels.” The article emphasized this point in a further passage:
At the price paid [for labor] the company will have a great advantage over the manufacturers of Indiana, and their employees will, of course, share in the loss by reason, if not through cheapened wages, then of less opportunity for work. The new venture is not likely to decrease their hostility to the prison labor system and the Democratic party of Indiana.
Another piece in the Indianapolis News, possibly written by Blodgett, also criticized the company’s deep ties to political operatives, and in particular, founder David F. Allen. Allen was serving on the State Board of Tax Commissioners when the company was founded (but not incorporated), and if he didn’t leave the Board, he would be violating section 2,049 of the Indiana legal code. In other words, Allen and his business partners kept the public existence of the company private for nearly a year, incorporating on March 14, 1895, so as to avoid potential conflicts of interest.
Public record of Allen Manufacturing’s labor agreement with Indiana prison north, Google Books.
While Allen Manufacturing was still an unincorporated entity, it struck a deal with the Indiana prison north in October 1894 to employ 150 prisoners at forty cents a day (lower than forty-two cents, as mentioned in the papers) for the next five years. The agreement was then amended in 1896 to remove twenty-five workers from the contract for another project. Again, this is a private consortium of well-connected political operatives setting up a business to take advantage of the state’s prison labor system .
At least the prisoners made a quality product. While I couldn’t find photographs of the bicycles, they were apparently made well enough to appear in a state-wide bicycle exhibition on January 28, 1896 at the Indianapolis Y.M.C.A. According to the Indianapolis Journal, the Allen Manufacturing Company displayed its bicycles with 14 other firms and the show also displayed artwork by T.C. Steele, among others. Allen Manufacturing also acquired the Meteor Bicycle Company, a nationally recognized firm located in Grand Rapids, Michigan, and began manufacturing bikes under the name from 1896 to 1898. While the public face of their company seemed bright, its internal workings quickly began to unravel.
By 1897, Allen Manufacturing’s financial problems began bubbling to the surface. After the release of twenty-five prisoners from their contract at Indiana state prison north, its labor force wasn’t big enough to keep up with an order for 2,000 bicycles wheels. From there, the company ran up debts that were nearly impossible to reverse, taking out a mortgage to offset their losses. As reported by the Indianapolis News:
Edward Hawkins, of this city [Indianapolis], who has been appointed trustee under the mortgage, returned to-day from a meeting of the officers and directors of the company at Michigan City. The company, he says, found itself unable to pay its paper due, and executed a mortgage on the plant for the benefit of the banks that hold the paper.
Even though it paid off $6,500 owed to the state in October of 1897, Allen’s troubles continued. Hawkins was removed as mortgage trustee, more and more creditors were filing claims, and two court-appointed receivers stepped in to try to clean up the mess.
This is where Billy Blodgett’s articles began to shed light on the corruption. In January of 1898, Blodgett began a series of hard-hitting exposes in the Indianapolis News against Allen Manufacturing, writing of alleged abuses of state power, graft, and fraud. His first article, published on January 13, 1898, alleged that whole train-cars of bicycles were purchased by individual owners of the company, such as D. F. Allen and D. A. Coulter, and then shuffled around the assets for accounting purposes. Specifically, Allen purchased “$4,000 worth of bicycles,” transferred ownership to his son, and then “applied [the amount] on notes given to the Merchants’ National Bank of Lafayette.” The article also reaffirmed what many had suggested since the company’s founding. Namely, its public incorporation was made after key leaders removed themselves from conflicts of interest yet acted as an incorporated entity when it negotiated its labor contract with the prison.
The headline from Billy Blodgett’s first major piece on the company in the Indianapolis News, January 13, 1898, Hoosier State Chronicles.
The next day, Blodgett published the next installment, writing of the company’s alleged fraud in connection to its stocks. The Chicago firm Morgan & Wright, who purchased the company’s manufacturing plant during its initial financial woes, alleged that Allen Manufacturing had used backdoor loans from the Merchant’s National Bank of Lafayette in order to inflate its asset value. “In other words,” Blodgett wrote, “Morgan & Wright will try to show [in court] that the total amount of money paid for the stock was $300,” rather than the $4,000 or $5,000 the company claimed.
Judge William Biddle, A Twentieth Century History and Biographical Record of LaPorte County, Indiana, Google Books.
Blodgett also reported another fascinating case of company misdirection. On October 15, 1897, LaPorte County Judge William B. Biddle ordered the company to stop selling any products and hand the reins over to receiver Alonzo Nichols. This order was ignored by Henry Schwager, another receiver appointed to the company in Michigan City. Biddle retaliated on November 23, issuing an order against the company at large and reaffirmed his previous decision. What came next is shocking:
. . . Sheriff McCormick went to Michigan City to take possession of the property. When he got there, he found the building of the Allen Manufacturing Company locked up, and he could not get in to make the levy, without using force. He was warned not to do this, so the sheriff and his deputies stood around on the outside of the prison, and as the carloads of property came out they seized them. He found the property at different points, and turned it all over to Nichols as receiver.
In other words, Sheriff N. D. McCormick and his deputies had to wait until the company didn’t think the authorities were looking before they could seize the goods. Even in the face of court orders, the Allen Manufacturing Company still tried to do things its own way, to disastrous results.
Headline for Blodgett’s third and final major piece on Allen Manufacturing, January 15, 1898, Hoosier State Chronicles.
Billy Blodgett’s final big piece on Allen Manufacturing appeared in the Indianapolis News on January 15, 1898. In it, Blodgett tries to track down and interview company big-wigs David Coulter and David Allen. Blodgett wrote of Coulter that, “He is pleasant and affable, courteous and polite, but I might as well have talked to the Sphynx in Egypt, so far as getting any information from him.” Over the course of a short, frosty conversation between Blodgett and Coulter, the businessman declined to speak about any of the charges leveled against him and maintained his innocence. When Blodgett pressed him on some of the specific charges of defrauding investors, his “demeanor demonstrated that the interview was at an end. . . .”
As for Allen, he was unable to interview the man directly but spoke to one of his colleagues. Blodgett chronicled the exchange:
A few weeks ago Mr. Allen met this friend and said to him:
“You remember the evening you asked me to dinner with you in Chicago?”
“Yes, I remember.it distinctly.”
“Well, that failure to take dinner with you has cost me $5,000, and may cost me more.”
The friend understood from this that if Allen had not gone to the meeting at which the company was formed he would have been money ahead. This friend gives it as his opinion that every member of the Allen Manufacturing Company lost from $3,000 to $5,000 each.
In one corner, you have Coulter trying to hold things together and denying changes against him and Allen in the other allegedly remarking on how he and many others lost money. This inconsistency in the press didn’t help to make the public or the company’s shareholders feel any better about the situation.
By 1898, the company was defunct in all but name. Bicycles manufactured under the “Meteor” brand ceased and the company’s remains were being settled in numerous court cases. In 1900, a Louisville, Kentucky court ruled that Allen Manufacturing had in fact defrauded Morgan & Wright out of at least one payment for a shipment of product. Another lawsuit, clearing Sherriff Nathan McCormick of any wrongdoing against court-appointed receivers, was settled in 1901 in U.S. Court and upheld in the U.S. Seventh Circuit Court of Appeals in 1902.
Blodgett did write a follow up article in 1901, noting that Indiana state prison north Warden Shideler resigned over allegations that he was a stockholder in the company at the time he was serving as Warden. It also indicated that labor contract developed by Allen, Coulter and others in 1894 was binding until 1904, with other companies stepping in to fill the void left by the demise of the Allen Manufacturing Company. Newspaper evidence suggests that Allen, Coulter, and many of the other big players never faced serious charges and that the company’s multiple lawsuits distracted from the other allegations leveled against them. Allen himself would eventually pursue other political offices, including Indiana Secretary of State, as well as serve in the Spanish-American War. He died in 1911, with the failure of his company firmly behind him.
Memorial plaque at David F. Allen’s grave, Frankfort, Indiana, FindAGrave.com.
So what do we make of the Allen Manufacturing Company? In some ways, you can look at it as a quasi-private, quasi-public boondoggle, destined to fail. In other ways, you can look at it as a company created to enrich its leadership by taking advantage of sub-contracted labor. However, these may be the symptoms of a larger malady. The major take-away from this episode was that a rapidly changing industrial economy and a national fad in bicycles spurred a slapdash attempt to create a company that benefited from public connections. Furthermore, the episode highlights how determined and detailed journalism helps to keep the public and private sectors of society accountable, both to citizens and shareholders. While some of the key players never faced accountability, Blodgett’s success in investigating Allen Manufacturing’s corruption nevertheless exemplified how an individual citizen, and a free press, can check some of our more abject motivations.
In the fall of 1902, a crime syndicate was uncovered in the city of Indianapolis – not a syndicate of gambling, booze, or other illicit activities. No, this was a gang of “ghouls,” or men who robbed graves and sold bodies to medical schools on the black market.
Practitioners of this trade have been called many things – grave robbers, body snatchers, resurrection men, ghouls. Regardless of what they go by, they have a long and dark history tied inextricably to the advancement of medical science. In the 14th century, a professor at the University of Bologna began teaching anatomy using dissection as a tool of instruction. Soon after, four students at the university committed the first documented case of body snatching. The need for corpses had outpaced the legal means of obtaining them, driving students to procure cadavers by unlawful means. The rest, as they say, is history.
Anatomical Dissection Scene, courtesy of Thomas Jefferson University.
As medical education advanced, the need for human specimens rose at a dramatic pace. For centuries, however, the supply was met mostly by legal means – largely, the remains of criminals condemned to death. However, in the 17th and 18th centuries a confluence of two factors – a reduction of executions and the proliferation of medical schools – created a massive shortage. One which would be filled by a barely underground network of so-called “Resurrection Men.”
While illegal, the practice of stealing corpses to sell to medical schools often went unprosecuted as it was perceived as being “for the greater good.” The dissection of cadavers – weather obtained legally or otherwise – has been used to train new physicians in anatomy, lending them an unprecedented level of understanding of the human body. This, along with the fact that most of the victims were poor or people of color also helped law enforcement turn a blind eye. However, as the practice continued and more prominent families were victimized by the traumatizing act, states began expanding the legal channels through which medical schools could procure specimens. These acts are referred to as anatomy laws.
Indiana’s first anatomy law was enacted in 1879, perhaps not-so-coincidentally a year after the grave of John Scott Harrison, son of former President William Henry Harrison and father of future President Benjamin Harrison, was robbed and his body discovered at the Ohio Medical College. The 1879 law provided that:
the body of any person who shall die in any state, city or county prison, or jail, or county asylum or infirmary, or public hospital, within this State, shall remain unclaimed. . .for twenty-four hours after death. . .may be used as a subject for anatomical dissection and scientific examination.
While the law was meant to provide a morally sound avenue for medical schools to obtain bodies for dissection, that avenue still took advantage of the poor and mentally ill as it was highly unlikely that any of the deceased were ever given the opportunity to consent to their remains being used in this way.
Central College of Physician and Surgeons in Indianapolis, circa 1902, courtesy of IUPUI University Libraries.
But even with this law in place, there were still sometimes shortages. The early 20th century was one of those times. In 1902, at least five institutions in Indianapolis needed a steady supply of corpses. As the winter semester of the 1902-03 school year approached, these institutions vied for the inadequate lawful supply and eventually turned to the black market to fill their needs.
Mug shot of Rufus Cantrell, courtesy of the Indiana Archives and Records Administration.
Dominating the black market was Rufus Cantrell. Having been a driver, porter, clerk, and even an undertaker, in 1902, he added a new title: The King of Ghouls. He, along with approximately seven other men, ran one of the most successful body-snatching syndicates in the city. According to the September 30, 1902 issue of the Indianapolis Journal:
He did not use hooks in pulling out corpses, as was done years ago. He only used hooks when a corpse was fastened in a coffin. Instead of digging down at the head of the grave, as was the former custom, he adopted the plan of digging in the center. The covering of the box was then sawed through and the small lid on the coffin shoved back. No lights are used by the ghouls . . . except an occasional match, which is lighted down in the grave.
It was hard, grim, and dirty work, but it paid off. Cantrell reported that between July and September of 1902, he and each of his men had earned $420 from their nighttime exploits, nearly as much as the average American made in a whole year. But their profits wouldn’t last long.
At least three different Indianapolis residents received anonymous tips that the graves of their recently buried loved ones may be found empty. Upon further investigation, the families discovered that this was indeed the case, and, more horrifying still, they discovered the missing remains in the basement of the Central College of Physicians and Surgeons. Panic gripped the city as newspapers published these stories. Families began guarding the graves of their recently interred relatives. Citizens called for investigations. Detectives staked out cemeteries and medical schools, waiting for the Ghouls to show themselves.
Indianapolis Journal, September 20, 1902, 3.
However, a break came from an unexpected source. A pawnbroker by the name of Emil Mantel grew suspicious of a customer after loaning him $28 in return for four shotguns. Mantel contacted his attorney, Taylor Gronniger for advice on the situation. When Mantel gave the name of the suspicious customer as Rufus Cantrell, Gronniger connected the dots. He had heard rumors about Cantrell’s unsavory practices, and here Cantrell was, pawning off more shotguns than any one person would need – shotguns that could be used to scare off any unwanted observers intruding on illegal happenings – and just when the grave robbing business was too hot to continue. So, Gronniger relayed his hunch to Detectives Asch and Manning of the Indianapolis Police Department. By the end of the next day, the detectives had arrested Rufus Cantrell and six of his associates and extracted full, corroborating confessions from each man.
Cantrell, the leader of the “gang of ghouls,” gave his confession in excruciating detail, seemingly proud of his escapades. He and his assistants had plied their gruesome trade at Crown Hill Cemetery, the German Catholic graveyard, Mount Jackson Cemetery, Traders Point Cemetery, and the Old Anderson graveyard, as well as the cemetery at the Central Indiana hospital for the Insane, where, Cantrell confessed, he and his posse had emptied over 100 graves.
Dr. Joseph Alexander, Indianapolis News, February 13, 1903, 13.
He went on to implicate Dr. Joseph Alexander of the Central College of Physicians and Surgeons as his principal buyer. However, while most medical men simply feigned ignorance of the source for the bodies they were buying, Cantrell described Alexander as playing a much more hands-on role in the operation. Not only did Alexander knowingly buy stolen bodies, he identified potential targets, accompanied Cantrell on scouting missions, and even joined the gang in their nightly expeditions. Alexander was arrested, but quickly posted bail.
As Cantrell’s confessions continued, more empty graves were unearthed. The various medical schools around the city were searched thoroughly, but the bodies were nowhere to be found. Detectives Asch and Manning received a tip that Dr. Alexander had commissioned twenty pine boxes from a local box-builder to be delivered to the Central College of Physicians and Surgeons just days after the arrests had been made. This seemed like just the break they were looking for – surely the boxes had to be connected to the missing bodies. However, upon further investigation, it was discovered that Central College was in the process of moving locations and the boxes had been commissioned for the mundane purpose of packing away delicate medical instruments.
Indianapolis Journal, October 14, 1902, 10.
In mid-October, just as a grand jury was called to make indictments in the case, the mystery of the missing bodies was solved, at least in part. On October 14, 1902, the Indianapolis Journal reported:
Amos Smith . . . on his way to work, yesterday morning about 6 o’clock, partially cleared up the mystery of the bodies recently spirited away from the medical colleges. He found two bodies tied in sacks in a dry goods box at the side of Hibben, Holloweg & Co.’s store . . . The same young man, in walking farther south noticed two more bodies at the rear door of the Central Medical College.
After being positively identified by family members, there was speculation that a competing medical college in the city had disposed of the bodies near the Central Medical College in an attempt to throw all suspicion on that institution while dissuading further investigation. While these grizzly details were being spread in newspapers throughout the city, the grand jury received its instructions and began hearing testimony in the case. By the end of the grand jury’s investigation, twenty-five indictments were handed down and allegations had been made against seventy-five different people who were all part of three additional body-snatching syndicates in the city. Among the indicted were Cantrell and his associates, Dr. Alexander, four physicians from other schools, cemetery workers who facilitated the robberies, and various low-ranking employees of medical schools who had played some small part in the operation.
Indianapolis News, February 5, 1903, 3.
After several delays, the first Ghoul Gang trial, that of Dr. Joseph Alexander, began in early February. Alexander’s defense attorney’s strategy seemed to be to cast as much doubt on the character of the star witness, Rufus Cantrell, as possible. First, they attempted to link him to the unsolved murder of a Chinese immigrant who had been killed a year earlier. When that didn’t stick, the defense brought into question the sanity of the King of the Ghouls by introducing evidence that Cantrell had been diagnosed with epilepsy, at that time a broad diagnosis encompassing several mental illnesses.
Multiple physicians were brought to testify on Cantrell’s mental health. Each in turn pronounced Cantrell “insane.” Cantrell and the state begged to differ. Upon cross examination, each doctor admitted to having ties, past or present, to the Central College of Physicians and Surgeons, the same college which employed Dr. Joseph Alexander. Coincidence? Perhaps.
Coincidence or not, the evidence presented by the defense seems to have been enough to sway at least some of the jurors. The February 16, 1903 issue of the Indianapolis Journal reported:
Dr. Joseph C. Alexander’s status in the community is unchanged. He is neither the convicted felon of the heinous crime of complicity with ghouls and neither is he wholly absolved from the accusations made against him by the state’s attorney. . . Yesterday morning at 10 o’clock, after deliberating since the same hour Friday morning, the jury reported through its foreman . . . that it had not arrived at a verdict and undoubtedly would be unable to do so, and it was discharged from further service.
The result of one of the most anticipated trials of the year resulted in a hung jury. While the state’s attorney promised a retrial, it never came to fruition. Cantrell, who had all along hoped that his cooperation would result in a lighter sentence, saw the writing on the wall and refused to testify in the retrial. With their star witness gone, the state had little evidence against the doctor – or any of the other four physicians originally indicted, who had maintained their innocence throughout and whose only accuser was the now silent Cantrell. The next big trial was that of the King Ghoul himself.
Taking a page from Dr. Alexander, Cantrell’s defense team entered a plea of insanity at the onset of the trial. The state, of course, used the testimony of Cantrell himself given in interviews with police as well as during the grand jury investigation. The question of the trial was not if Cantrell had robbed graves, but why? Was he a greedy criminal just trying to make a buck, or was he criminally insane?
To make the case for the latter, Cantrell’s own mother was put on the stand. Through her testimony, the defense told the jury:
that they proposed to show Cantrell to be insane . . . that while Cantrell lived in Gallatin, Tenn., from the age of one to fifteen years, he suffered from epilepsy; that when twelve years old he was thrown from a horse and his head was injured; that when he was ten or twelve years old he had a delusion that he was called by God to preach, and told his friends that he talked with God face to face; that while at work in the field he would kneel at the plow and pray and preach from a Biblical text; that he still suffers from delusions and in the jail has preached to prisoners; that when taunted by his friends in Tennessee over his inability to preach he would become profane and once assaulted a minister with his tongue when he refused to ordain him; that he has a violent temper and has attempted the lives of himself and others; that he delighted to call himself the “King of the Bryan campaign,” and had cards printed with the words, ‘Rufus Cantrell – the Democratic hero;’ that he suffered a sunstroke in Indianapolis, which incapacitated him for work in hot places, and that he succumbed to heat while employed in the Malleable iron works. All these things, Cantrell’s attorneys would prove.
It should be noted that traumatic brain injuries can affect the mental health of those who experience them – they can cause mood swings, agitation, combativeness, and other cognitive symptoms. And both epilepsy and sunstroke were used in the 19th century to describe various mental illnesses. That being said, it’s difficult to tell from newspaper reports alone how much the testimony given was exaggerated in an attempt to keep Cantrell out of jail. After all, he did deny having any mental illness during the trial of Dr. Alexander.
Yet another topic that may have played a part in the trial, and certainly played a part in the sensationalized coverage of the case, is race. Rufus Cantrell and his associates were all Black men. Alexander and the other physicians, all of whom would eventually walk free, were white. It’s important to note that people of color, facing systematic discrimination, were often driven to find income in alternative ways. These alternative ways were, in some cases, illegal. This could have influenced Cantrell’s decision to enter the profession of grave robbing. However, there were gangs of white ghouls in the city working right alongside Cantrell’s gang – grave robbing was a lucrative business if you could get past your moral qualms.
So, the influence of race on Cantrell choosing this line of work isn’t clear. What is clear, however, is that his associates, and not the white physicians, were prosecuted for their crimes. It’s also clear that newspapers took every chance they could to point out the race of the accused. In the end, race can’t not have played a role in the trial, but it’s difficult to tell through reports – all written for white newspapers – how extensive that role was.
Indianapolis Journal, April 26, 1903, 8.
On April 26, 1903, Rufus Cantrell, the King of the Ghouls, was found guilty of two charges and sentenced to three to ten years in the Jeffersonville State Reformatory. In the end, Cantrell and four of his associates were convicted and sentenced to between one and ten years each. The twenty other men indicted by the Grand Jury were cleared of all charges due to lack of evidence.
Convictions weren’t the only thing to emerge from this tale, though. The system of public institutions delivering the unclaimed bodies of the deceased directly to medical schools was clearly not working as desired. As a result of this and other similar trials, the Indiana General Assembly passed the Anatomical Education Act in 1903, establishing the State Anatomical Board, which would oversee the distribution of bodies to medical schools. The State Anatomical Board is still in existence today, continuing to oversee the distribution of donated bodies to medical schools. According to anatomist Sanjib Kumar Ghosh, body donation constitutes the sole source of cadavers used in teaching anatomy in the vast majority of the world, including in the United States. Learn more about the history of dissection here.
Lawrence Beitler’s photograph of young Black men swinging from a tree as a white crowd looks on in satisfaction lingers in our collective memory. In fact, the local photographer’s snapshot inspired Abel Meeropol’s poem “Strange Fruit,” which continues to resonate with activists, as well as artists like Nina Simone and John Legend. But what happened after the bodies of Tom Shipp and Abe Smith were removed from the tree hours later—when tensions remained so high? And can anything be learned by examining the immediate aftermath of the 1930 Marion lynching?
On August 7, African American teenagers Shipp, Smith, and James Cameron were held in the Marion jail for the murder of Claude Deeter and rape of Mary Ball. Before the young men could stand trial, a mob comprised of white residents tore the young men from their cells, brutally beat and mutilated them before hanging Shipp and Smith from a tree on the courthouse lawn. Cameron narrowly escaped the fate of his friends. The mob intended to send a message to the African American community that they were at the mercy of white residents, despite the courageous efforts of Marion NAACP leader Katherine “Flossie” Bailey to prevent the tragedy. Read more about her efforts here.
After the lynching, the crowd lingered to prevent the coroner from removing the bodies, insistent that the message be received. This was the same crowd that had left the jail “ravaged,” with “gaping holes in the walls” and the “twisted remains of broken locks.” The Indianapolis Recorder, an African American newspaper, reported that after Shipp and Smith had been robbed of their lives, the perpetrators drove past the victims’ houses, shouting at their parents, “‘we have lynched your sons, now cry your eyes out.'”[1]
Reportedly by midnight, an “indignation meeting” formed in Johnstown, the Marion neighborhood where African Americans lived. Hundreds of shaken Black residents listened to speeches condemning the sheriff’s unwillingness to order officers to shoot at the mob. Munster newspaper The Times reported on the August 9 gathering, noting that although police dispersed the gatherers, “Negro leaders told officials trouble was brewing and might flare up at any moment.” Out of fear of escalating violence, about 200 Black residents fled Marion for Weaver, a historic Black community in Grant County.
Untitled (Lynching Scene), illustration 17, in the book Wild Pilgrimage by Lynd Kendall Ward (New York: Harrison Smith & Robert Haas, 1932), accessed On the Arts of Africa and African Diaspora Blog.
Amid the maelstrom of fury and fear, Shipp’s and Smith’s bodies were taken to Shaffer Chapel African Methodist Episcopal Church in Muncie because Marion lacked a black mortician. Before the Black community could grieve, reports spread that a white mob was traveling to Muncie to light the victims’ bodies on fire. According to historian Hurley C. Goodall’s A Time of Terror: The Lynching of Two Young Black Men in Marion, Indiana on August 7, 1930, Muncie’s African American community was determined to protect the victims’ bodies from further violence, and “for the first time they armed and organized themselves using Shaffer Chapel A.M.E. Church as their headquarters and command post to ward off any mob.” In an oral history interview for the Black Muncie History Project, Thomas Wesley Hall, an African American resident of Muncie at the time of the lynching, confirmed that Muncie citizens gathered to protect the young men’s bodies from further desecration.
After the mortician embalmed Shipp and Smith, National Guardsmen escorted the bodies back to Marion, where “two grief-stricken mothers . . . bemoaned the unjust fate of their boys.”[2] Friends gathered at the victims’ homes to hear final rites and tried to console their mothers, able only to mumble “‘it’s too bad, it’s too bad.'”[3] A Black resident later described Shipp, an employee at the Malleable foundry, as a “good boy who ‘helped his mother.'”* The Guardsmen “paced back and forth in front of these humble homes to defy with gunfire, if necessary the sworn threat of mob leaders, to burn their bodies.”[4] A “dead line” had been set, around which no white person was to pass. Although they did not attempt to set fire, white people drove past the line to “satisfy their morbid fancies” and revel that a “‘job had been done well.'”[5]
Smith was buried in Weaver, the settlement where African Americans had fled following the lynching. The Recorder marveled poetically, “Strangely enough, Weaver was a station on the ‘underground railroad’ by which slaves, who escaped the South, found a new freedom in the North.”[6] Shipp was buried in a small cemetery in Marion. A combination of the National Guard and Muncie’s Black community allowed Thomas Shipp and Abe Smith to be peacefully laid to rest. In fact, the Recorder reported “Citizens here, both white and Colored are loud in their praise of the splendid conduct of the members of the National Guard which made it unnecessary for anyone to turn his back upon his home.”[7]
Cameron, at about 14, with his school class in Marion, courtesy of the Cameron family, accessed BuzzFeed News.
Once the young men were laid to rest, the Black community was left to cope with unfathomable grief. How did the victims’ friends and family process their trauma and sorrow? For James Cameron, survivor of the lynching, it meant confronting local racism through threat of lawsuits and, later, by educating the nation about racial injustice by founding America’s Black Holocaust Museum in Milwaukee.
According to Syreeta McFadden’s “What Do You Do After Surviving Your Own Lynching?,” when the white crowd stormed the jail Black prisoners tried to defend Cameron, the youngest of the three accused. Cameron recalled that the prisoners “had become too angry to remember their own fear — if they had any. But they were helpless and powerless to offer any kind of resistance to the mob. They stood with me.”[8] But they couldn’t stop Cameron from being dragged outside, where a noose was thrown around his neck. An anonymous bystander shouted that Cameron had not been involved in the crime, causing the throng to fall silent.
James Cameron revisiting the jail cell in Marion, Indiana, from which he was dragged by a mob, Johnson Publishing Co., accessed America’s Black Holocaust Museum.
Cameron described the surreal moment saying, “I looked at the mob round me I thought I was in a room, a large room where a photographer had strips of film negatives hanging from the walls to dry. . . . they were simply mobsters captured on film surrounding me everywhere I looked.” He recalled:
‘Brutally faced with death, I understood, fully, what it meant to be a black person in the United States of America.’[9]
His life improbably spared, Cameron was taken to Anderson and in 1931 sentenced to twenty-one years for accessory before the fact of voluntary manslaughter. Again in a prison cell and surely reliving his trauma, Cameron began penning a book about his experiences entitled A Time of Terror: A Survivor’s Story, which he later took out a second mortgage to self-publish. Upon his 1935 release from prison, he vowed to “‘to pick up the loose threads of [his] life, weave them into something beautiful, worthwhile and God-like.’”[10]
Cameron with his children in Anderson, (L to R) Virgil, Herbert, Dolores, David, and Walter, courtesy of America’s Black Holocaust Museum.
Cameron had to navigate a new life in the midst of the Great Depression. He decided to move to Detroit, where he married a nurse and had children. In order to be closer to relatives, the young family moved to Anderson in the 1940s, where Cameron worked for Delco Remy and opened small businesses. Ironically, while Anderson was segregated, the trauma he endured shielded his family from discrimination. According to McFadden, the family went to a local theater, where a white manager intervened when a colleague tried to force the family into balcony seating, stating “‘Those are the Camerons . . . Leave them alone.'” Despite a degree of deference shown to him, Cameron was determined to stamp out Jim Crowism and challenged the theater’s policies, which integrated rather than face litigation.
In gratitude for his life being spared, Cameron worked to eliminate prejudice against Black Hoosiers. He founded four Indiana NAACP branches and investigated civil rights violations as the state director of civil liberties.[11] This work led to threats from white residents, which he endured before moving to Milwaukee in 1950. A student of history, Cameron poured himself into learning about African Americans’ past, undertaking research trips to the Library of Congress. After a trip to Yad Vashem, a Holocaust remembrance center in Jerusalem, he connected the atrocities of the Holocaust with those perpetrated against African slaves and their ancestors in America. The revelation inspired him to establish a museum that would “‘show what happened to us black folks and the freedom-loving white people who’ve been trying to help us.’”[12]
Cameron opened America’s Black Holocaust Museum (ABHM) in 1988 to “commemorate and reconcile America’s dark history.” As visitors took in an enlarged copy of the photograph of Shipp and Smith, Cameron informed them that a third man was nearly lynched that night. That man would then describe his experience, channeling his trauma into education.
Cameron at his pardon ceremony in Marion, 1993, courtesy of Jet Magazine, Johnson Publishing Company, accessed America’s Black Holocaust Museum.
In 1993, Indiana Governor Evan Bayh formally pardoned Cameron for his conviction. In fact, according to the Indianapolis Recorder, Mary Ball’s relatives stated that Shipp and Smith were not the perpetrators of either crime. Claude Deeter is said to have confirmed this at hospital before he died. Cameron passed away in 2006, leaving behind a trove of published works, several of which McFadden noted “protested many of the same issues being challenged today by the Black Lives Matter movement.” This included his “Police Community Relations Among Blacks in Milwaukee, Wisconsin.”[13] Cameron wrote that law enforcement officials “have been enemies of us black people since in [sic] their organization in the early 19th Century.”
That being said, he added:
They can do nothing to alarm or silence me beyond murdering me. Even at that, they may rest assured that I protest it — even in the grave. I have been initiated since my time of terror at the age of 16. I am 72 years old now and destined, like all other nonwhites, to experience a time of terror to the grave.[14]
Like many modern Black victims of police brutality, McFadden notes, the lives of lynching victims are often overshadowed by their deaths. ABHM strives to restore victims’ agency and give visitors a sense of who they were before their lives were taken from them. The Great Recession forced the museum to shutter its doors in 2008, and it became a virtual museum, which focused on remembrance, resistance, redemption, and reconciliation. An anonymous donation in 2017 allowed the museum to break ground at a new location, which will re-open once the Coronavirus pandemic subsides.
James Cameron in the America’s Black Holocaust Museum, Morry Gash/AP, courtesy of Buzzfeed News.
NAACP leader Flossie Bailey, who had tried desperately to stop the lynching and bring the perpetrators to justice despite threats on her life, resolved to turn her lamentation into legislative change. In 1931, Bailey organized statewide meetings, and convinced African Americans to contact their legislators to support an anti-lynching bill introduced by House Democrats. Her legwork paid off. Governor Leslie signed the bill into law in March, which allowed for the dismissal of sheriffs whose prisoners were lynched. The law also permitted the families of lynching victims to sue for damages.
Of its enactment, the Indianapolis Recorder wrote “Indiana has automatically retrieved its high status as a safe place to live.” It added that without the law, Indiana “would be a hellish state of insecurity to our group, which is on record as the most susceptible victims of mob violence.” Although the newspaper praised Governor Leslie, it credited a “small group which stood by until the bill became a law.” In addition to legislation, the NAACP tried to effect change by placing postcards with the image of the lynching in local drugstores “as a visible example of what the colored people confront.”[20] The postcards disappeared from Terre Haute drugstores after a member of the local Republican committee member bought them up.
Katherine “Flossie” Bailey, courtesy of America’s Black Holocaust Museum.
Using the state’s legislative victory, Bailey and her NAACP colleagues worked to pass a similar bill on a federal level. According to historian James Madison, she tried to change national lynching laws by publishing editorials, wiring President Franklin D. Roosevelt, and distributing educational materials to Kiwanis clubs. Ultimately these efforts were unsuccessful and, as of 2020, a federal anti-lynching bill has yet to be enacted. Despite this legislative defeat, Bailey fought for the rights and safety of African American citizens until her death in 1952, challenging discrimination at IU’s Robert W. Long Hospital, speaking against school segregation, and suing a Marion theater for denying Bailey and her husband admittance based on their race.
It is important to note that trauma manifests differently for everyone and not all victims are capable of transforming grief into activism. In fact, the Violence Policy Center’s “The Relationship Between Community Violence and Trauma,” report concluded:
Individuals who suffer from PTSD may manifest a dangerous combination of hyper-vigilance with an impaired ability to regulate their behavior, resulting in explosive behavior and overreactions to perceived threats. In this way, the cycle of violence becomes clear – acts of violence create behavior in individuals who then beget violent acts.
This was likely the case for James Cameron’s stepfather, Hezekiah Burden. The Indianapolis Recorder noted that in the weeks after the lynching Burden was “said to have been morose and in a threatening mood.”[15] In October 1930, under the influence of alcohol, he opened fire at his wife, Vera, and stepdaughter, Marie. He then shot two police officers, likely because they belonged to law enforcement, which had failed to protect his stepson. The Indianapolis Times reported that the “Efforts of Mrs. Burden, wife of the gunman, to aid her son [James] . . . is said to have cause[d] an argument with her husband,” before he started shooting.[16] A group of armed locals exchanged fire with Burden, ultimately injuring him, which allowed police to take him into custody. The Times noted that he was moved to Pendleton State reformatory to “avoid a possible repetition of the trouble which resulted in the lynching of two Negro youth here.”[17]
Lee Jay Martin, “Cruising Around,” Indianapolis Recorder, August 23, 1930, 4, accessed Hoosier State Chronicles.
Reportedly Burden had stated his intention “to avenge ‘himself on a couple of cops,'” the judicial system having made clear there would be no justice for his stepson’s friends.[18] In December, Burden plead guilty and was sentenced to one to ten years in a state prison on three indictments related to intent to murder.[19] Neither Marion’s Sheriff Campbell nor any members of the lynching mob were sentenced for the murder of Shipp and Smith.
From the Marion lynching, we are reminded that reform stemming from tragedy often emerges slowly and in piecemeal fashion. And, like the newly-proposed police reform bills introduced in the wake of Black Lives Matter protests, it emerges because of passionate individuals who will not let up the pressure for legislative change, despite threats to their own lives. We learn that the judicial system’s refusal to hold certain perpetrators accountable begets further brutality, as in the case of Hezekiah Burden. Conversely, when groups imbued with authority like the National Guard follow through on the promise to protect and serve, tensions often de-escalate. While acts of violence and systemic suppression imprint trauma upon generations, they also awaken the revolutionary spirit. This spirit often furthers the “arc of the moral universe,” which Dr. Martin Luther King Jr. reminded listeners in a 1968 speech, is long, but “bends towards justice.”
* Journalist Cynthia Carr interviewed a Black man, who was a neighbor of Shipp’s at the time of the lynching. According to America’s Black Holocaust Museum, he told Carr “that Tommy had once told him about holding up white people, that this was justified because whites in the South had killed his uncle. The neighbor tried to dissuade Thomas from this course, pointing out that, after all, he had a good job and even a car.”
[1] “State Militia Stands Guard as Funeral Rites for Lynched Marion Youths are Held,” Indianapolis Recorder, August 16, 1930, 1, accessed Hoosier State Chronicles.
In the very literal sense of the word, 1968 was an extraordinary year. Even situated as it was within a decade characterized by social and political upheaval, 1968 was unique in the sheer number of transformative events: the Tet Offensive, the assassinations of Martin Luther King, Jr. and Robert Kennedy, the Apollo 8 mission, anti-Vietnam War protests, protests against racial discrimination. The list goes on.
While the majority of these events occurred on the East and West Coasts of the United States, it would be a mistake to think that the Midwest was immune to the revolutionary spirit sweeping the nation. In fact, many of the movements seen at a national level played out within the confines of the Indiana University Campus in Bloomington. When recruiters from Dow Chemical Company (the company responsible for producing napalm for use in the Vietnam War) visited campus, hundreds of students marched in protest. Following objections to exclusionary judging standards drawn along color lines, the IU Homecoming Queen pageant was permanently cancelled. African American students demanded more representation in all aspects of campus life and staged a sit-in at the Little 500. That sit-in led directly to the removal of discriminatory covenants from Indiana University’s fraternities.
Clarence “Rollo” Turner at the Little 500 Sit-in, Indiana University, Artubus (Bloomington, Indiana: 1968), accessed Artubus Archives.
While this wave of revolutionary fervor was cresting both nationally and on IU’s campus, another wave was close behind – the “third wave” of the Ku Klux Klan. Rising in response to the Civil Rights Movement, approximately 40,000 Klan members belonged to the Klan nationally in the 1950s and 1960s. In the spring of 1968, Klan members from nearby Morgan County attempted to establish a chapter of the terrorist organization in Monroe County. A membership drive, which was to consist of a gathering on the Bloomington courthouse square followed by a march through the business district, was scheduled for March 30, 1968. But before events could get underway, Monroe County Prosecutor Thomas Berry requested and was granted an order blocking the event, citing the possibility of violence.
This was neither the first nor the last appearance of the Klan in Bloomington. In Citizen Klansmen: The Ku Klux Klan in Indiana, 1921-1928, Leonard Moore estimates that 23.8% of all native-born white men in Monroe County were members of the Ku Klux Klan in 1920. The Indiana Daily Student on November 7, 1922 described the supposed first appearance of the Klan in the city:
Marching with slow and solemn tread, 152 men paraded Bloomington streets, garbed in mysterious robes of white, with tall hoods masking their identity, and carrying aloft the flaming cross of the klan, while hundreds of townspeople and students stood and witnessed [as] the pages of fiction and movie scenarios unfolded before their eyes.
Example of a calling card left by the Ku Klux Klan, accessed Nate-Thayer.com.
Although county officials blocked a similar scene to that described above from playing out in 1968, the Klan still made its presence known in the city. During a Bloomington Human Relations Commission meeting on September 30, 1968, African American commission chairman Ernest Butler showed his fellow commissioners and others present at the meeting a card which had been left on his door. The card read, “The Ku Klux Klan is watching you.” Butler claimed to have received as many as ten such cards, as well as several similarly threatening phone calls. Soon, local Klan affiliates would go further than simply making threats.
In the face of these threats, Black Indiana University students continued to demand more representation and equality, staging protests and demonstrations across the campus. The Afro-Afro-American Student’s Association (AAASA)—an organization formed in the spring of 1968 with the goal of fostering unity among IU’s Black students—frequently encouraged members to participate in this activism. At the forefront of many of these protests was AAASA co-founder and sociology graduate student Clarence “Rollo” Turner.
In the fall of 1968, Turner shifted his attention towards a new project – The Black Market. Financed entirely by Black faculty and staff, The Black Market was a shop specializing in products made by African or African American artists. This included “free-flowing African garb, Black literature and records, African and Afro-American fabrics, dangling earrings, and African artifacts.”
As a leader in the African American community at Indiana University, Turner served as the shop’s manager and its public face. He and his backers had two main objectives when opening the shop. First, it was to act as a cultural center for Black students at the university, who had limited recreational opportunities in the predominantly white city. Second, he aimed to eliminate “misconceptions about black people” by exposing IU students and Bloomington locals alike to Black culture.
After its late-September opening, it seemed as though the shop would be a success. The campus newspaper, Indiana Daily Student, proclaimed, “suits and ties may eventually join the ranks of white socks and baggy slacks if the immediate success of The Black Market is a sign of things to come.” However, at the same time that the shop was proving a popular enterprise with IU students, factions within Bloomington were pushing back against its very existence. This resistance took the form of violence when, on December 26, 1968 a Molotov cocktail was thrown through the front window of the store.
The resulting fire destroyed the entire stock of The Black Market and caused structural damage to adjacent businesses. To those most closely associated with the shop, the motive for the attack seemed obvious, especially considering the heightened presence of the Ku Klux Klan in the city. As student newspaper The Spectator commented:
It was not very difficult, of course, to determine a ‘motive’ for the bombing. Since the construction of the Black Market in September, black students involved have been harassed periodically by abusive white ‘customers,’ . . . Larry Canada, owner of the building, had received telephoned bomb threads because he allowed the ‘n––rs’ to use the space for the store.
Black Market after fire, printed in The Spectator, accessed Indiana University Archives.
Two weeks later, 200 students attended a rally on the sidewalk outside of the burnt remains of The Black Market. Amidst calls for action from university and city officials and appeals to Black students to make a stand in the face of violence, Rollo Turner said, “the only reason this store was bombed was because it was a black store.” Behind the rally, hung across the splintered door of the shop a hand lettered sign that read, “A COWARD DID THIS.”
Eight months would pass before those students knew the identity of the man responsible for the attack, though. In the intervening time, IU students and faculty came together to raise enough money to pay back the financial backers of the shop, as the shop’s inventory was uninsured. Rollo Turner also made the decision not to re-open the store – all of the funds raised had gone to pay back investors, leaving none for re-investment in new stock. Additionally, the extensive damage to the structure necessitated its total demolition, meaning a new space would need to be secured and it may have proven difficult to find a landlord willing to risk their property if a repeat attack was carried out.
“The Black Market,” accessed Indiana University Archives.
Details about the search for the perpetrators are limited. An ad-hoc group formed by representatives from the community, university, and local civil rights organizations offered an award for information leading to the arrest and conviction of the guilty parties. The alternative student newspaper The Spectator alluded to a person of interest in their coverage of the attack, saying:
Acting on reports of witnesses, police are searching for a white male with dark hair, about 5’8”, 160 lbs., wearing a light gray finger-length topcoat at the time of the fire.
Whether or not either of these played any part in the search for the perpetrators, or if they were identified in some other way, on August 6, 1969 the Marion County Circuit Court issued arrest warrants for two men in relation to the crime. One of those men, Carlisle Briscoe, Jr., plead guilty to the second degree arson charges while implicating as an accomplice Jackie Dale Kinser, whom he accused of driving the get-away vehicle. Eventually, the charges against Kinser would be dropped, just before he plead guilty to three unrelated crimes.
Both men had strong ties to the local Ku Klux Klan – Kinser was a member who in subsequent years would be arrested multiple times in Klan-related crimes. Briscoe’s Klan connections are slightly less clear. At first, Monroe County Prosecutor Thomas Berry and Sheriff Clifford Thrasher announced that both men were Klan members. An article in the September 19, 1969 issue of the Indianapolis Star, states that Briscoe himself claimed to be a Klan member. The headline of Briscoe’s obituary in the Vincennes Sun-Commercial proclaims, “Notorious Klansman Dies in Prison: Briscoe Led a Bloomington Crime Wave in 1960s and ‘70s.” As late as 1977, he was arrested while committing crimes alongside Klan members, apparently while carrying out Klan business. However, in 1969, the Grand Dragon of the Indiana Ku Klux Klan, William Chaney, denied that Briscoe was a member of the organization. Regardless of Briscoe’s official Klan membership status, Briscoe at the very least maintained close ties with the terrorist organization. He was sentenced to one to ten years and was released on April 7, 1973 after serving approximately three and a half years of his sentence.
The story of The Black Market firebombing could have ended there. The structure had been demolished, the investors had been paid back, and a conviction had been made. However, the revolutionary atmosphere on the Indiana University campus stretched beyond the 1960s, and the space would once again be used to make a statement.
YIP Poster Advertising the 1968 Festival of Life, accessed Wikipedia.
In late February 1970, a group of Yippies, or members of the Youth International Party, were looking for ways to bring the community of Bloomington together. One of the ideas that emerged from these discussions was the creation of a people’s park on the vacant lot where The Black Market had once stood. People’s parks, which were spreading across the nation, could trace their roots back to the People’s Park in Berkeley, California. Typically created by activists without the approval of government or other officials, the parks were meant to promote free speech, activism, and community involvement.
By May 1970, work had started on the project. Anyone who was interested in the enterprise was encouraged to join in helping to prepare the land for its future intended use. The Bloomington People’s Park was to be a mix of gathering space, community garden, and a place for “everyone to sing, dance, rap, and generally ‘do his own thing,’” and by the next summer, it was being put to good use, as reported by the Indiana Daily Student:
About 250 blue jeaned “freaks,” tapered-legged “straights,” the bell bottomed curious and two guys with rolled-up sleeves, greasy hair and tattoos celebrated the 4th in People’s Park Sunday evening.
Student protest in People’s Park, Artubus, Indiana University, Bloomington, Indiana: 1981, accessed Artubus Archives.
Over the next five years, various issues threatened to put an end to the whole affair. The city threatened to shut it down over “public health” concerns. The property owner, Larry Canada, had various plans to develop the property. In the end, though, People’s Park became legally sanctioned after Canada deeded the land to the city in 1976.
Throughout the years, the park has carried on the site’s democratic heritage, hosting anti-Vietnam War protests, protests against the US involvement in El Salvador in the 1980s, music festivals, flea markets, and, more recently, Occupy Bloomington protests. Today, the park serves as a reminder of the revolutionary ideals that swept through Indiana University’s campus in the 1960s and 1970s. In 2020, IHB, in partnership with the Bloomington Chamber of Commerce, will commemorate those events by installing an Indiana state historical marker.
Heart racing, 31-year-old Steven Ott escaped the aggression of his companion, whom he met at Our Place (now Greg’s), by jumping out of the car near 34th and Georgetown Road. He fled to a nearby Taco Bell and ran towards three Indianapolis Police Department (IPD) cars parked in its lot. Ott recounted the frightening experience to the officers, who offered to call him a cab, but refused to do anything about the assault.
“Faggot,” stated one of the officers as Ott waited for his cab. Ott took down the license plate number of the offending officer only to be arrested. According to Ott, when asked why he was being arrested he never received a reply. He spent the night in Marion County’s jail and when he appeared before a judge the next morning he was told simply “that he could go—no hearing, no formal charges.” Reportedly, the officers initially charged Ott with public intoxication, although they never filed an affidavit with the court. [1]
Indianapolis’s LGBTQ community encountered and protested numerous challenges posed by law enforcement in the 1980s, including police surveillance of cruising sites, harassment at safe spaces, and possible prejudiced police work as homicide rates increased for gay men. Bars served as a popular safe space or third space environment where members of the queer community could socialize. But they were also the site of harassment, surveillance, and violence. Gay rights activist Mike Stotler recounted police harassment at Terre Haute’s gay bar, R-Place. [2] He reported “You can be in the bar for maybe just one hour, and be asked to present ID to a police officer four or five times. The police also routinely copy down license plate numbers in an attempt to intimidate the bar’s patrons.” Stotler also described violent harassment, stating that one man en route to R-Place alleged that two police officers picked him up, drove him from the bar, and beat and verbally assaulted him. Despite broken ribs and a hospital stay, “The victim has so far been afraid to report the crime, for fear of losing his job and coming out to his family.”
Mistrust of police following such encounters would stymie efforts to solve a string of murders, tracked back to 1980 but most likely earlier (either not reported by the news or not explicitly stating the victims were associated with an LGBTQ identity). There was fifteen-year-old Michael Petree, murdered in 1980 and left in a ditch in Hamilton County. [3] Then it was twenty-five-year-old Gary Davis, murdered in 1981 on the Southside of Indianapolis. [4] The following year, twenty-six-year-old Dennis Brotzge was murdered on the Northside of Indianapolis. [5] The body of Delvoyd Baker, an eighth-grader who was last seen in an area of Monument Circle known for prostitution, was found in a ditch in Fishers. [6] With his death, police ramped up efforts to find the perpetrator. Police Chief Joseph G. McAtee stated, “I believe as chief of police when a 14-year-old boy gets picked up downtown and murdered, and young teen agers are getting money for prostitution on the Circle, we have an obligation not to let this happen to our young people.”
Delvoyd Baker, courtesy of The Indianapolis News, October 4, 1982, 13, accessed Newspapers.com.
However, president of LGBTQ civil rights organization Justice Inc. Wally Paynter told The Indianapolis News in 1998, “‘The police put this on the back burner. They didn’t discuss it across jurisdictional lines. . . . If these had been CEOs’ bodies scattered across the community, there would have been a manhunt the likes of which you had not seen.'” Out & About Indiana author Bruce Seybert had a different take and told the News that he believed “some police officers honestly didn’t know how to plug into the gay community for help, but that they learned along the way and established longer-term contacts because of the investigation.” [7] Regardless of the extent of their efforts, police found questioning possible witnesses “extremely difficult” due to LGBTQ mistrust of the police. [8] This led the police to a new strategy—surveillance of cruising sites. Police undertook surveillance in the hopes of deterring similar crimes and catching the perpetrator, but also to “cut down prostitution, assaults and harassment of tourists.” [9]
In an era before dating apps, cruising sites provided common areas where LGBTQ members could congregate and meet other people. They tended to be associated with gay men gathering with the intention of a sexual encounter. In an article about why homosexual men took part in cruising, the New York Times quoted an anonymous participant, who stated “Society doesn’t accept us and it’s hard to meet people, sexually or socially.” In Indiana, areas like the downtown public library branch, Monument Circle, Fall Creek, and Skiles Test served as common cruising sites. In addition to surveillance, police went undercover in an attempt to arrest men for breaking “vice laws.” These efforts furthered suspicion of police motives among the queer community, especially because some officers conflated prostitution with homosexuality. With announcement of surveillance following Delvoyd Baker’s murder, the LGBTQ community expressed concerns that police would violate their rights by filming patrons frequenting gay bars, the videotapes of which police promised to make available to the public.
In 1983, at the initiative of the queer community, leaders of the Indianapolis Gay/Lesbian Coalition (IGLC)—comprised of fourteen educational, religious, political, business, and social organizations—met with police officials to volunteer their help in solving the murders and improve relations with the IPD. They also made seven recommendations to police, including establishing a liaison to communicate with the homosexual community; cease video surveillance; train officers to be more sensitive in their interactions with the LGBTQ community; and educate the police force about homosexuality. Public Safety Director Richard Blankenship noted that the meeting “‘opened the door to better communication between gays and the Department of Public Safety. . . . We feel we can resolve our problems much quicker and more effectively than we have in the past.'” [10]
IGLC made progress in opening a line of communication between law enforcement and the queer community, which in turn may have improved efforts to solve gay-related homicides. This progress was intermittent however, and Stan Berg reminded readers of The Works “We must remember the conservative political and sexual climate of Indiana.” [11] In 1984, plainclothes policemen wrongly accused gay men of prostitution, an incident IPD officials described as “well-motivated but unfortunate.” [12] Three LGBTQ organizations in Indianapolis, as well as those in Muncie, Columbus, and Bloomington, either attended or endorsed a press conference denouncing harassment and the resumption of video surveillance. Twenty-three individuals issued harassment complaints with the Indiana Civil Liberties Union. One of these was David Molden, who claimed officers choked and slapped him during his arrest for using false identification. [13]
TheNew Works News noted in 1988 that, again at the initiative of the queer community rather than police officials, the IPD and LGBTQ community came together regarding a string of robberies of Indianapolis gay bars. Detective Don Wright invited representatives from all of the affected bars, as well as victims and witnesses. TheNew Works News described the meeting’s turnout as “heartening” and that “Each of the victims present at the meeting was asked to tell their version of the incident in which they were involved. All did so in detail and apparently in all of the incidents the attitude and discretion of the responding officers was exemplary, with one exception.” [14]
Detectives at the meeting pledged to dispatch more plainclothes officers at the affected businesses to deter future robberies. The LGBTQ community’s earlier efforts to help the IPD solve LGBTQ-related murders resulted in this more collaborative spirit. It is unclear if their assistance helped the police investigation, as some of the murders were not solved until 1998 with the discovery of Westfield serial killer Herbert Baumeister. In the case of some victims, police never identified the perpetrator. However, the murders resulted into closer communication between the queer community and the IPD.
As with most efforts to secure civil rights, progress for the queer community in the city known for its “Polite Protest” and “Hoosier Hospitality” occurred in fits and spurts. Indiana’s 2015 Religious Freedom Restoration Act signaled that the struggle for LGBTQ rights in the U.S. endured into the 21st Century. However, the efforts of the IGLC and the Indiana Civil Liberties Union in the 1980s removed some of the stigma in seeking recourse against discrimination.
This piece used materials gathered by Indiana Landmarks’ Central Indiana LGBTQ Historic Structures & Sites Survey, a project to compile information associated with Indianapolis-area queer history, architecture, and places. The research materials have been provided to the City’s Historic Preservation Commission for incorporation into new local historic district neighborhood plans. Additional sources include the following. All newspaper sources can be accessed via Newspapers.com.
[1] “More Police Harassment,” The Works, November 1985, p. 11, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
[2] “Trouble in Terre Haute,” The Works, December 1982, p. 12, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
[3] Susan M. Anderson, “Officials Identify Dead Boy,” The Indianapolis Star, June 24, 1980, 17.
[4] “Friends Questioned About Davis Slaying,” The Indianapolis News, August 13, 1981, 39.
[5] “Cause of the Brotzge Death Unknown,” The Indianapolis News, June 2, 1982, 49.
[6] Wanda Bryant-Wills, “Leads Come Slowly in Homosexual Killings,” The Indianapolis News.
[7] David Remondini, “Police Start Using Cameras to Help Cut Midtown Crime,” The Indianapolis Star, October 20, 1982, 51.
[8] George Stuteville, “‘Gay’ Area Probed for Clues to Youth’s Death,” The Indianapolis Star, October 5, 1982, 1.
[9]The Indianapolis Star, October 20, 1982, 51.
[10]The Indianapolis News and The Indianapolis Star, January 11, 1983.
[11] “Second IGLC/Police Meeting Yields Few Results,” The Works, May 1983, p. 12, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
[12] George Stuteville, “Harassment Charges Worry Some Police as well as ICLU,” The Indianapolis Star, June 30, 1984.
[13] “Gay/Lesbian Groups Blast ‘Harassment’ on Circle,” The Indianapolis News, July 12, 1984, 12.
[14] E. Rumbarger, “IPD Holds Meeting to Investigate Gay Bar Robberies,” The New Works News, January 1988, p. 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.
Rev. Oscar McCulloch, courtesy of IU Newsroom; Rep. Hall, courtesy of the U.S. House of Representatives.
As a researcher, few things are more disheartening than coming across that blemish on an otherwise inspiring legacy. But it happens more often than not in the messiness of human history. Events and actors often occupy an ambiguous position between right and wrong, progressive and stagnant, heroic and indifferent. We wish the loose ends of the stories could be tied up into one neat moral bow, but often it’s more complex. In wrestling with this phenomenon, I concluded two things: that context is everything and that we must remember that the historical figures we idolize—and sometimes demonize—were, in fact, evolving humans. The visionary and controversial leadership of Indianapolis Rev. Oscar McCulloch and Gary, Indiana Rep. Katie Hall inspired these conclusions.
In the early 20th century, Oscar McCulloch’s misguided attempt to ease societal ills was utilized to strip Americans of their reproductive rights. Born in Fremont, Ohio in 1843, McCulloch studied at the Chicago Theological Seminary before assuming a pastorship at a church in Sheboygan, Wisconsin. He moved to Indianapolis in 1877 to serve as pastor of Plymouth Congregational Church, situated on Monument Circle. On the heels of economic depression triggered by the Panic of 1873, he implemented his Social Gospel mission. He sought to ease financial hardship by applying the biblical principles of generosity and altruism. To the capital city, Brent Ruswick stated in his Indiana Magazine of History article, McCulloch “brought a blend of social and theological liberalism and scientific enthusiasm to his work in Indianapolis.”[1] He also brought a deep sense of empathy for the impoverished and soon coordinated and founded the city’s charitable institutions, like the Indianapolis Benevolent Society, Flower Mission Society, and the Indianapolis Benevolent Society.
In 1878, McCulloch encountered the Ishmael family, living in abject poverty. He described them in his diary [2]:
composed of a man, half-blind, a woman, and two children, the woman’s sister and child, the man’s mother, blind, all in one room six feet square. . . . When found they had no coal, no food. Dirty, filthy because of no fire, no soap, no towels.
Disturbed by the encounter, McCulloch headed to the township trustee’s office to research the Indianapolis family, who lived on land known as “Dumptown” along the White River, as well as in predominantly African American areas like Indiana Avenue, Possum Hollow, Bucktown, and Sleigho.[3] He discovered that generations of Ishmaels had depended upon public relief. According to Ruswick, McCulloch came to believe that the Ishmaels, “suffering from the full gamut of social dysfunctions,” were not “worthy people suffering ordinary poverty but paupers living wanton and debased lives.”[4] Over the course of ten years, the pastor sought to discover why pauperism reoccurred generationally, examining 1,789 ancestors of the Ishmaels, beginning with their 1840 arrival in Indiana.
The blemish. McCulloch’s nationally renowned 1888 “Tribe of Ishmael: A Study in Social Degradation” concluded that heredity and environment were responsible for social dependence.[5] He noted that the Ishmaels “so intermarried with others as to form a pauper ganglion of several hundreds,” that they were comprised of “murderers, a large number of illegitimacies and of prostitutes. They are generally diseased. The children die young.” In order to survive, the Ishmaels stole, begged, “gypsied” East and West, and relied on aid from almshouses, the Woman’s Reformatory, House of Refuge and the township. Assistance, he reasoned, only encouraged paupers like the Ishmaels to remain idle, to wander, and to propagate “similarly disposed children.” In fact, those benevolent souls who gave to “begging children and women with baskets,” he alleged, had a “vast sin to answer for.” McCulloch’s sentiment echoes modern arguments about who is entitled to public assistance.
In addition to revoking aid, McCulloch believed the drain on private and public resources in future generations could be stymied by removing biologically-doomed children from the environment of poverty. Ruswick noted that McCulloch, in the era of Darwin’s Natural Selection, believed “pauperism was so strongly rooted in a person’s biology that it could not be cured, once activated” and that charities should work to prevent paupers from either having or raising children. This line of thought foreshadowed Indiana’s late-1890s sterilization efforts and 1907 Eugenics Law. The Charity Organization Society, consulting McCulloch‘s “scientific proof,” decided to remove children from families with a history of pauperism and vagrancy, essentially trampling on human rights for the perceived good of society.
But McCulloch had a change of heart. He began to rethink the causes of poverty, believing environmental and social factors were to blame rather than biological determinism. Ruswick notes that “Witnessing the rise of labor unrest in the mid-1880s, both within Indianapolis and nationwide, McCulloch began to issue calls for economic and social justice for all poor.”* To the ire of many of his Indianapolis congregants, the pastor defended union demonstrations and pro-labor parties. He no longer traced poverty to DNA, but to an unjust socioeconomic system that locked generations in hardship. McCulloch believed that these hardships could be reversed through legislative reform and organized protest. To his dismay, McCulloch’s new ideology reportedly resulted in his church being “‘broken up.'”
In a nearly complete reversal of his stance on pauperism, McCulloch wrote a statement titled “The True Spirit of Charity Organization” in 1891, just prior to his death. He opined [6]:
I see no terrible army of pauperism, but a sorrowful crowd of men, women and children. I propose to speak of the spirit of charity organization. It is not a war against anybody. . . . It is the spirit of love entertaining this world with the eye of pity and the voice of hope. . . . It is, then, simply a question of organization, of the best method for method for the restoration of every one.
But after McCulloch’s death, Arthur H. Estabrook, a biologist at the Carnegie Institution’s Eugenics Research Office, repurposed McCulloch’s social study (notably lacking scientific methodology) into the scientific basis for eugenics. Historian Elsa F. Kramer wrote that Estabrook revised McCulloch’s “casual observations of individual feeblemindedness” into support for reforms that “included the institutionalization of adult vagrants, the prevention of any possibility of their future reproduction, and the segregation of their existing children—all to protect the integrity of well-born society’s germ-plasm.”[7] McCulloch had unwittingly provided a basis for preventing those with “inferior” genetics from having children in the name of improving the human race. Kramer notes that co-opting the Ishmael studies for this purpose reflected “the changing social context in which the notes were written.”[8] In fact, Estabrook resumed the Ishmael studies in 1915 because “of their perceived value to eugenic arguments on racial integrity.”[9]
McCulloch’s work influenced Charles B. Davenport’s report to the American Breeders Association and Dr. Harry C. Sharp’s “Indiana Plan,” an experimental program that utilized sterilization to curtail unwanted behaviors of imprisoned Indiana men. Sharp also promoted Indiana’s 1907 Eugenics Law, the first in the U.S., which authorized a forced sterilization program “to prevent procreation of confirmed criminals, idiots, imbeciles and rapists” in state institutions. Twelve states enacted similar laws by 1913 and approximately 2,500 Hoosiers were sterilized before the practice ceased in 1974.[10] Even though McCulloch moved away from his problematic beliefs, for decades they were utilized to rob Americans of the ability to have a family. His legacy proved to be out of his hands.
Katie Beatrice Hall, courtesy of Wikimedia Commons; Coretta Scott King and Katie Hall observe President Reagan signing the bill commemorating Dr. King’s birthday on November 2, 1983, courtesy of the White House Photo Office, accessed achievement.org.
The complexities of African American Rep. Katie Hall’s legacy could not be more different. In 1983, Rep. Hall, built on a years-long struggle to create a federal holiday honoring the civil rights legacy of the late Dr. Martin Luther King, Jr. on his birthday. Each year since Dr. King’s assassination in 1968, U.S. Representative John Conyers had introduced a bill to make Dr. King’s January 15 birthday a national holiday. Many became involved in the growing push to commemorate Dr. King with a holiday, including musician Stevie Wonder and Coretta Scott King, Dr. King’s widow. But it was the Gary, Indiana leader who spent the summer of 1983 on the phone with legislators to whip votes and successfully led several hearings called to measure Americans’ support of a holiday in memory of King’s legacy. Hall was quoted in the Indianapolis News about her motivation:
‘The time is before us to show what we believe— that justice and equality must continue to prevail, not only as individuals, but as the greatest nation in this world.’
2018 birthday card by Emyha Brown, student at McCullough Girls School.
Representative Hall knew the value of the Civil Rights Movement first hand. In 1938, she was born in Mississippi, where Jim Crow laws barred her from voting. Hall moved her family to Gary in 1960, seeking better opportunities. Hall trained as a school teacher at Indiana University, and she taught social studies in Gary public schools. As a politically engaged citizen, Hall campaigned to elect Gary’s first Black Mayor, Richard Hatcher. She broke barriers herself when, in 1974, she became the first Black Hoosier to represent Indiana in Congress. Two years later, she ran for the Indiana Senate and won. While in the Indiana General Assembly, Hall supported education measures, healthcare reform, labor interests, and protections for women, such as sponsoring a measure to “fund emergency hospital treatment for rape victims,” including those who could not afford to pay.
The blemish. In 1987, voters elected Hall Gary city clerk, and it was in this position that her career became mired in scandal. In 2001, suspended city clerk employees alleged that Hall and her daughter and chief deputy, Junifer Hall, pressured them to donate to Katie’s political campaign or face termination. Dionna Drinkard and Charmaine Singleton said they were suspended after not selling tickets at a fundraiser for Hall’s reelection campaign. Although suspended, the Halls continued to list them as active employees, which meant Drinkard was unable to collect unemployment. The U.S. District Court charged the Halls with racketeering and perjury, as well as more than a dozen other charges. At trial, a federal grand jury heard testimony from employees who stated that the Halls forced them to sell candy and staff fundraisers to maintain employment. Allegedly, the Halls added pressure by scheduling fundraisers just before pay day. Investigators discovered cases of ghost-employment, noting that employees listed on the office’s 2002 budget included a former intern who was killed in 1999, a student who worked for the clerk part time one summer two years previously, and Indiana’s Miss Perfect Teen, who was listed as a “maintenance man.”
The Times (Munster), May 18, 2002, 25, accessed Newspapers.com.
According to the Munster Times, the Halls alleged their arrest was racially motivated and their lawyers (one of whom was Katie’s husband, John) claimed that “the Halls only did what white politicians have done for decades.” Josie Collins countered in an editorial for the Times that “if they do the crime, they should do the time. This is not an issue of racial discrimination. It is an issue of illegal use of the taxpayers’ money.” Whether or not the Halls’ allegation held water, it is clear from phone recordings between Junifer and an employee, as well as the “parade of employees past and present” who testified against the Halls, that they broke the law.
In 2003, the Halls pled guilty to a federal mail fraud charge that they extorted thousands of dollars from employees. By doing so, their other charges were dropped. They also admitted to providing Katie’s other daughter, Jacqueline, with an income and benefits, despite the fact that she did not actually work for the city clerk. The Halls immediately resigned from office. In 2004, they seemed to resist taking accountability for their criminal actions and filed a countersuit, in which they claimed that Gary Mayor Scott King and the Common Council refused to provide them with a competent lawyer regarding “the office’s operation.” The Munster Times noted “The Halls said they wouldn’t have broken the law if the city of Gary had provided them sound advice.” Instead, they lost their jobs and claimed to suffer from “‘extreme mental stress, anxiety, depression, humiliation and embarrassment by the negative publication of over 500 news articles.'” For this, they asked the court to award them $21 million.
The Times (Munster), July 9, 2003, 112, accessed Newspapers.com.
The City of Gary deemed the Halls’ Hail Mary pass “frivolous,” and a “‘form of harassment,'” arguing that “the Halls had no one to blame for their troubles but themselves.” The countersuit was dismissed. Junifer served a 16-month sentence at the Pekin Federal Correctional Institution in Pekin, Illinois. Katie Hall was placed on probation for five years. According to the Munster Times, one observer at her trial noted:
‘We are seeing the destruction of an icon.’
Thus ended Katie Hall’s illustrious political career, in which she worked so hard to break racial barriers and honor the legacy of Dr. Martin Luther King Jr. This leads to the perhaps unanswerable question: “Why?” Maybe in the early 2000s no one was immune from being swept into Gary’s notoriously corrupt political system. This system arose from the city’s segregated design, one which afforded white residents significantly more opportunities than Black residents. Possibly, the Halls sought to create their own advantages, at the expense of others. Either way, it is understandable that some Gary residents opposed the installation of a historical marker commemorating her life and work.
In many ways, McCulloch’s and Hall’s stories are not unique. It seems almost inevitable that with such prolific careers, one will make morally or ethically questionable decisions or at least be accused of doing so. Take African American physician Dr. Joseph Ward, who established a sanitarium in Indianapolis to treat Black patients after being barred from practicing in City Hospital. He forged professional opportunities for aspiring African American nurses in an era when Black women were often relegated to domestic service and manual labor. In 1924, Dr. Ward became the first African American commander of the segregated Veterans Hospital No. 91 at Tuskegee, Alabama. With his appointment, the hospital’s staff was composed entirely of Black personnel. Ward’s decision to accept the position was itself an act of bravery, coming on the heels of hostility from white residents, politicians, and the Ku Klux Klan. The blemish. In 1937, before a Federal grand jury he pled guilty to “conspiracy to defraud the Government through diversion of hospital supplies.” The esteemed leader was dismissed “under a cloud” after over eleven years of service. However, African American newspapers attributed his fall from grace to political and racial factors. According to The New York Age, Black Republicans viewed the “wholesale indictment of the Negro personnel” at Veterans Hospital No. 91 as an attempt by Southern Democrats to replace Black staff with white, to “rob Negroes of lucrative jobs.” Again, context comes into play when making sense of blemishes.
If nothing else, these complex legacies are compelling and tell us something about the period in which the figures lived. Much like our favorite fictional characters—Walter White, Don Draper, Daenerys Targaryen—controversial figures like Katie Hall and Oscar McCulloch captivate us not because they were perfect or aspirational, but because they took risks and were complex, flawed, and impactful. They were human.
Elsa F. Kramer, “Recasting the Tribe of Ishmael: The Role of Indianapolis’s Nineteeth-Century Poor in Twentieth Century Eugenics,” Indiana Magazine of History 104 (March 2008), 54.
Brent Ruswick, “The Measure of Worthiness: The Rev. Oscar McCulloch and the Pauper Problem, 1877-1891,” Indiana Magazine of History 104 (March 2008), 9.
FOOTNOTES:
[1] Ruswick, 9.
[2] Ibid., 10.
[3] Kramer, 54.
[4] Ruswick, 10.
[5] Oscar C. McCulloch, “The Tribe of Ishmael: A Study in Social Degradation,” (1891), accessed Archive.org.
J.P. Dunn, Greater Indianapolis: The History, the Industries, the Institutions, and the People of a City (1910).
See Part I to learn about the unparalleled professional accomplishments of Dr. Helene Knabe.
Who entered Dr. Helene Knabe’s rooms at Indianapolis’s Delaware Flats and brutally cut her throat from ear to ear? The killer was skilled enough to cut her on one side first, missing her carotid artery and cutting deep enough to cause her to choke on her blood. The second cut just nicked the carotid artery and cut into the spine.
Officials followed a variety of leads regarding the gruesome crime. The first person on the list, suspiciously, was an African American janitor named Jefferson Haynes, who lived below her. Second on the list was a Greek prince who was seen mailing a letter near her apartment. This absurd line of inquiry continued for months by the very people who should or could have advanced the case more quickly. Police Chief Martin Hyland reasoned that she committed suicide because at 5’6″ and 150 pounds, he believed her strong enough to ward off any attack or to take her own life.
Also problematic, evidence was left in a room where anyone could access it. Although fingerprinting was in its infancy, officials ignored a bloody fingerprint, despite Dr. Knabe having no blood on her hands. Police and some physicians believed despondency over her unproven sexual preference or financial situation caused her to take her own life. Even Detective William Burns, known as America’s Sherlock Holmes, publicly stated that based solely on the evidence in the newspapers, he believed she killed herself.
Local, state, national, and even some international press ran stories about Dr. Knabe. Indianapolis newspapers were surprisingly fair in their coverage and published editorial and opinion pieces that were overwhelmingly complementary of Dr. Knabe and her professional achievements. Although these newspapers interviewed people who believed Dr. Knabe got what she deserved, they did not give these sentiments undue attention or sensationalize them.
Thankfully, the coroner, Dr. Charles O. Durham, determined that Dr. Knabe was murdered. Dr. Durham noted she had defense wounds on her arms and he was adamant that she could not have made both cuts. He also noted several factors he considered “strongly presumptive of murder,” including the position of the hands, which had been closed after death; the absence of a plausible suicide weapon; and the fact that many witnesses had seen a man that night around the apartment building. Dr. Durham’s findings negated rumors regarding Dr. Knabe’s sexuality and finances, which police felt could have contributed to her death by her own hand.
Dr. Knabe’s cousin and assistant, “Scene of Knabe Murder and Principals in Trial,” Palladium Item (Richmond), November 28, 1913, accessed Newspapers.com.
In response to Dr. Durham’s findings, female doctors who were Dr. Knabe’s friends actively tried to help find her killer. They hired private investigator Detective Harry Webster at their own expense, through donations, and at the detective’s own expense. Almost fifteen months after her death, two men were indicted by a grand jury, based on Detective Webster’s findings. The prosecution believed that Dr. William B. Craig was engaged to Dr. Knabe, a fact he vehemently denied, and that he wanted out of the relationship. As Dean of Students, lecturer, and financial stakeholder in the Indiana Veterinary College, he would have been very familiar will zoology and the “sheep’s cut,” which is the type reported to have killed her.
Dr. William B. Craig, Indianapolis News, December 31, 1912, 1, accessed Newspapers.com.
Dr. Craig met Dr. Knabe in 1905 and maintained a friendship, at the very least. He recommended her for the position as Chair of Hematology and Parasitology in 1909 at the veterinary college. Shortly before her death, Dr. Craig and Dr. Knabe seemed to be in the middle of an ongoing dispute. Dr. Knabe went to the IVC to see about changing her lecture time with Dr. Craig so that she could attend her course at the Normal College. Dr. Craig became enraged when a colleague asked for his answer and he said “Oh, f—! Tell her to go to hell!” and he stormed out of the room. The night before Dr. Knabe died, Dr. Craig’s housekeeper overheard them arguing and she heard Dr. Knabe say, “But you can continue to practice and so can I!” Police had a letter in their possession in which Dr. Knabe told a friend she was getting married. Dr. Knabe confided to a friend she was getting married to a man with an “ungovernable temper.” At the time of her death, Dr. Knabe, an accomplished seamstress and dressmaker, commissioned a costly dress, indicative that she was getting married.
Alonzo Ragsdale, Indianapolis News, December 31, 1912, 1, accessed Newspapers.com.
The second man indicted, Alonzo M. Ragsdale, was an undertaker and Dr. Knabe’s business associate. Dr. Knabe often joked with Ragsdale that when she died, she would be sure to give him her business. And so she did. Augusta appointed Ragsdale undertaker and estate executor. He was accused of concealing evidence against Dr. Craig in the form of the kimono Dr. Knabe was wearing at the time of her death. It was said he had laundered it in an effort to rid it of blood stains.
In the words of Ms. Frances Lee Watson, Clinical Professor of Law at IUPUI, “She was screwed from day one.” Dr. Knabe was never treated as a victim; she was treated as a villain. Society in general could not understand a woman wanting to work in a field that was sometimes unpleasant and coarse. In the media and by some of her peers, Dr. Knabe was chastised for being assertive in her career and pursuing her dreams. Her character was summarily attacked because she expected equality with her peers, male or female. Because she was a 35-year-old woman, who was a physician living in a small apartment—rather than a grand home with a husband and children—Dr. Knabe was automatically judged unhappy. Due to Alonzo Ragsdale, who in addition to being indicted was also an unscrupulous estate executor, the public believed her to be an unsuccessful, pauper physician.
The truth was Dr. Knabe had many revenue streams from jobs that she loved: practitioner, instructor, and artist. She planned to continue her work and make herself even more financially stable. By looking at her financial records, Dr. Charles Durham proved that she was financially sound, bringing in over $150 per month. The public did not know for many months that Dr. Knabe chose to send most of her disposable income back to her uncle because he was no longer able to work.
Shelby Republican, December 4, 1913.
None of these facts mattered. The defense attacked Dr. Knabe’s personal character in the courtroom, claiming she was an aggressive and masculine woman. The character witnesses, who sought to discredit Dr. Craig, suddenly moved out of state or could not be found. A key witness who positively identified Dr. Craig changed his story, and Dr. Craig’s own housekeeper, who had signed an affidavit stating she saw him return late and leave early with a bundle of clothes the night Dr. Knabe died, refused to come to the courthouse.
Consequently, the state’s case fell apart and after nine days the prosecution could not make a connection between Dr. Craig and the evidence. In an unusual move, the judge stepped in as the thirteenth juror and instructed the jury to acquit Dr. Craig. Normally a judge provided this instruction only when a technical error was committed, which was not the situation in this trial. He did rule that the prosecution had proven Dr. Knabe had been murdered, but that they had no real evidence against Dr. Craig.
Because there was now nothing to be an accessory to, the charges against Ragsdale were dropped. No one was ever convicted of Dr. Knabe’s murder. Oddly enough after the trial, Ragsdale declared Dr. Knabe’s estate insolvent without collecting all debts. Many of her personal items did not sell and their whereabouts were undocumented. The probate records submitted over three years to the courts contained erroneous calculations that went unnoticed and several hundred dollars were not reconciled.
Dr. Knabe was buried in an unmarked grave at Crown Hill. Over the years, newspapers have revisited her case, but in 1977 her case file was destroyed in a flood. Unfortunately, the sensationalizing of Dr. Knabe’s death has obscured her legacy as a tenacious, committed, and savvy physician in a field dominated by men.
