WWI and the Bathing Suit: “Fashion Decrees Satin and Wool Jersey for Bathing Suits This Summer!”

http://palni.contentdm.oclc.org/cdm/ref/collection/p15705coll8/id/75
“Bathing Beach,” postcard, 1904, Winona Lake Postcard Collection, Grace College & Theological Seminary, Morgan Library, accessed Indiana Memory.

Bathing suits and policing decency have often been a topic of discussion and contention, as noted in a previous Chronicles post. However, while looking through reels of newspapers from 1916-17,  we became intrigued by the affect of World War One on the loosening of gendered fashion restrictions, especially as exemplified by the bathing suit. Here we look through articles, illustrations, photographs, and advertisements at the ways Hoosier women reacted to trends in the context of WWI when bathing suits had become shorter and sleeveless, but fabrics were still thick and heavy, a holdover from an older era.

"Mermaids at Brighton" by William Heath (1795 - 1840), c. 1829, in Emily Spivack, "How Bathing Suits Went From Two-pieces to Long Gowns and Back, Smithosonian Magazine, accessed www.smithsonianmag.com
“Mermaids at Brighton” by William Heath (1795 – 1840), c. 1829, in Emily Spivack, “How Bathing Suits Went From Two-pieces to Long Gowns and Back, Smithsonian Magazine.

The Victorian bathing gowns of the previous century were floor-length and made of dark heavy fabric that wouldn’t float up or become transparent.  According to the Smithsonian Magazine, some women even sewed lead weights into the hems to prevent exposure of the calf. By the early 1900s bathing costumes became knee-length dresses or tunics and were paired with bloomers or tights, “all of which were made from heavy, flannel or wool fabric that would weigh down the wearer, not quite convenient for negotiation the surf,” according to the same article.

"Bathers at Bass Lake," photograph, circa 1900, Starke County Historical Society, accessed Indiana Memory, http://cdm16066.contentdm.oclc.org/cdm/ref/collection/p181901coll014/id/41
“Bathers at Bass Lake,” photograph, circa 1900, Starke County Historical Society, accessed Indiana Memory.

World War One changed fashion dramatically in large part because women’s roles changed  in wartime as they took on physical jobs such as factory and farm work, in addition to nursing. Manufacturing jobs also made shorter hair more practical and the corset impossible.  Gendered fashion rules relaxed in general to the point where it was even acceptable for women to wear pants for manual labor activities — though it would be decades before they were acceptable beyond certain activities, according to Nina Edwards’ Dressed for War: Uniform, Civilian Clothing & Trappings, 1914 to 1918

"Female employees of the Jeffersonville Quartermaster Depot, New Albany, Ind." photograph, circa 1918, New Albany - Floyd County Public Library, accessed Indiana Memory, https://digital.library.in.gov/Record/PPO_NAFCHistoricArchive-46C194E1-0380-4F2D-9A10-268786332926
“Female employees of the Jeffersonville Quartermaster Depot, New Albany, Ind.” photograph, circa 1918, New Albany – Floyd County Public Library, accessed Indiana Memory.

The rules of decorum were also relaxing in the world of sports as women took up tennis, skiing, and swimming in greater numbers. Pants were allowed on the tennis court and slopes. While bathing suits generally maintained their dress-like appearance for the average beach goer, athletic and competitive swimmers opted for suits that didn’t impede their sport.  These swimsuits that allowed for actual swimming eventually infiltrated the mass market as well.

"Amateur Acrobats Performing on Bass Lake," postcard, circa 1910, Starke County Historical Society, accessed Indiana Memory, https://digital.library.in.gov/Record/ISL_p181901coll014-59
“Amateur Acrobats Performing on Bass Lake,” postcard, circa 1910, Starke County Historical Society, accessed Indiana Memory.

 

"Frances Owen and Marium Mueller Dressed in Bathing Suits, New Harmony, IN," glass plate negative, 1925, University of Southern Indiana, accessed Indiana Memory https://digital.library.in.gov/Record/ISL_p181901coll18-2638
“Frances Owen and Marium Mueller Dressed in Bathing Suits, New Harmony, IN,” glass plate negative, 1925, University of Southern Indiana, accessed Indiana Memory.

These images accessed through Indiana Memory show how Hoosier women, following the general bathing suit trends, shifted from dresses layered over tights or bloomers to more formfitting tunics.

Hoosier women found out about these trends and where to purchase their beach attire through newspaper articles and advertisements.  Indiana newspapers regularly ran illustrated articles about the newest fashions from the east coast beaches, such as this snippet from the Richmond Palladium Sun-Telegram:

Richmond Palladium and Sun-Telegram, June 7, 1916, 8.
Richmond Palladium and Sun-Telegram, June 7, 1916, 8.

Articles could be more extensive as well, taking up almost an entire page such as this 1917 article from the South Bend News-Times with the intriguing headline:

fashion-decrees-headline

The article notes the relationship between sportswear trends and swim wear:

South Bend News, June 17, 1917, 23, accessed Hoosier State Chronicles.
South Bend News, June 17, 1917, 23, accessed Hoosier State Chronicles.

This season sees the bathing suits carrying out the same colorful note that predominates in all sports clothes and in materials there is also a similarity, namely, in the use of one of the most favored of fabrics — wool jersey. This versatile material seems to make itself at home in any sphere. After having made its importance felt in sports clothes, one-piece frocks and semi-informal suits, the bathing suit has been lately added to its conquests.

The article continues to describe  and illustrate the season’s other popular fabrics:

South Bend News, June 17, 1917, 23, accessed Hoosier State Chronicles.
South Bend News, June 17, 1917, 23, accessed Hoosier State Chronicles.

Yet, other materials compare very favorably with jersey cloth at the fashionable beaches. Black satin has lost none of its usual charms; taffeta, mohair, alpaca and poplin still retain their popularity; and the rubberized cloths are likewise favored to a great extent.

In the summer of 1917, the Lion Store in Hammond, Indiana, encouraged its neighbors to “spend Sunday in the cool, refreshing waters of Lake Michigan” through this advertisement in the Hammond Times [below].  And what is more cool and refreshing on the skin than dark-colored wool?  The women’s “All-Wool Bathing Suits” were available with a fitted waist, wing sleeves, and “piping and trimmings in contrasting colors” for the low price of $3.98.  However, one would still need the appropriate matching rubber “Swim Kap” ($.50) and “Beach of Swim Shoes, made of sateen with canvas covered soles” ($.25). For just a bit more, however, one could purchase one of “The New ‘Liberty’ Swim Caps, made of all rubber, red crow, blue band with white stars, finished with rubber rosette. As the South Bend News-Times reported:

A complete bathing outfit by no means ends with the selection of the suit. Beach wraps, hats and caps, shoes and stockings, are quite as important.

Hammond Times, August 3, 1917, p. 3, accessed Hoosier State Chronicles.
Hammond Times, August 3, 1917, p. 3, accessed Hoosier State Chronicles.

Also in the summer of 1917, the nearby competing department store, the E. C. Minas Company, advertised that they could beat the Lion Store’s prices! As advertised also in the Hammond Times, some of their suits were only $2.00 and they offered Bathing Tights.  Bathing tights were usually dark in color and meant to compensate for the shorter hemlines and sleeveless styles of the era’s new suits. They could be worn instead of the looser bloomers.  If you weren’t quite ready for such a propriety-challenging costume, however, they also offered the “bathing corset.”

Hammond Times, July 2, 1917, 10, Hoosier State Chronicles.
Hammond Times, July 2, 1917, 10, Hoosier State Chronicles.

E. C. Minas also had the gentleman bather covered.  They could choose between the “all-worsted,” aka wool, one-piece suit pictured in this advertisement in the Hammond Times [also below] or a two-piece version with flannel pants. The straw hat was a must as well, apparently.

Hammond Times, July 2, 1917 p. 10, Hoosier State Chronicles.
Hammond Times, July 2, 1917 p. 10, Hoosier State Chronicles.

Besides loosening rules for women (and to a lesser extent) men to keep pace with changes in work and sport, the war changed the outlook of those affected by it and, in turn, the way they dressed.  The horrors of war and personal loss contributed to a greater consciousness  mortality and feeling that anything could happen at any time.  For some, this meant that they should live for today and in the moment, thus setting the stage for the fashions and attitudes of the Jazz Age, when fashion would “decree” much different aesthetic rules.  Search Hoosier State Chronicles for more articles on bathing suits!  Combine terms “beach” and “bathing” with “suit,” “outfit,” and “costume.” Let us know what you find on Twitter: @in_bureau

Fletcher’s Swamp and Bacon’s Swamp

Man and woman canoeing on the swamp behind Fredericks’ Island and Camp Comfort. Syracuse-Wawasee Digital Archives, Indiana Memory.

You might never guess that several parts of Indianapolis lying well inside the city limits are built on old swamp lands. Turn back the clock to the 1940s and new homes and roads in southeast Broad Ripple are literally sinking into the earth. Turn it back another century still, and the hoot-owls and swamp creatures who easily outnumber humans in Marion County are living practically downtown.  (In fact, the whole county was named for Francis Marion, the “Swamp Fox” of Revolutionary South Carolina.)

Two old wetlands, sometimes called bogs or sloughs, played a fascinating part in the capitol city’s history.

Fletcher’s Swamp is long gone but used to sit just east of the Old North Side, between Cottage Home and Martindale-Brightwood.  A couple of hundred acres in size, the swamp occupied an area more or less centered around the future I-65/I-70 interchange.  Pogue’s Run flowed just to the south.

An article in the Indianapolis Journal on December 15, 1889, describes the setting.  The author, probably the young journalist and historian Jacob Piatt Dunn, writes about an area northeast of Ninth Street and College Avenue:

To the boys of twenty-five years ago [circa 1864] this area was known as Fletcher’s swamp, and was a famous place for black and red haws, fox grapes and other wild fruits that only a youngster would think of eating.  Fifty years ago [the 1830’s] this place was a verible [sic] dismal swamp, impenetrable even to the hunter except in the coldest winter, for it was a rare thing for the frost to penetrate the thick layer of moss and fallen leaves that covered the accumulated mass of centuries, and which was constantly warmed by the living springs beneath.

Today the old swamp area is within easy walking distance of Massachusetts Avenue, but you won’t find a trace of it.  “About on a line with Twelfth Street” near the center of the swamp “was an acre, more or less, of high land,” a spot “lifted about the surrounding morass.”  The writer — again, likely J.P. Dunn — thought that this high, dry spot had once been a “sanctuary” for “desperadoes and thieves who preyed upon the early settlers.”  (Northern Indiana swamps, like the one around Bogus Island in Newton County, were notorious hideouts for counterfeiters and horse thieves. Elaborate hidden causeways were said to give entrance to remote islands on the edge of the vast Kankakee Swamp, the “Everglades of the North.”)

In the 1830s, Fletcher’s Swamp became one of the stops on the Underground Railroad. Calvin Fletcher, a Vermont-born lawyer and farmer whose 1,600-acre farm once included most of the Near East Side, was an active abolitionist during the days of the Fugitive Slave Act of 1850. For several decades, many Hoosier opponents of slavery, primarily Quakers, guided hundreds if not thousands of African American freedom seekers toward Westfield in neighboring Hamilton County.  (Westfield was a major Quaker settlement before the Civil War, and other “stations” around Indianapolis focused on getting freedom seekers there.)  Wetlands, usually hard to penetrate, were an ideal hideout, since the bloodhounds that bounty-hunters used to track freedom seekers lost their scent there. And like the counterfeiters on Bogus Island, refugees from slavery used retractable wooden “steps” across the swamp to help avoid detection.

Although not Quakers themselves, Fletcher and his family helped many African Americans travel north to Michigan and Canada.


calvin and sara fletcher
Calvin and Sara Fletcher. This daguerreotype was made at Weeks’ Daguerran Gallery at College Hall downtown, January 1856. Joan Hostettler tells the story here. Indiana Album.

Fletcher also owned the swamp the freedom seekers hid in. The Indianapolis Journal recalled one story about the place in 1889:

Calvin Fletcher, Sr., became the owner of this swamp, or the greater part of it.  Spring, summer, and autumn he was in the habit of riding horseback all around it. . .  Mr. Fletcher delighted in the study of nature, especially in birds (and in the quiet of this swamp was bird life in sufficient variety for an Audubon or a Wilson), and he knew every flier and nest on its borders.

A tenant of a cabin near this swamp told the story that his attention was often attracted to Mr. Fletcher, for the reason that he rode out that way so early, and usually with a sack thrown over the horse’s neck.  The curiosity of the dweller in the cabin was excited to that degree that, one morning, he furtively followed the solitary horseman.  It was about sunrise, and he saw Mr. Fletcher hitch his nag to a sapling, take off the sack (which for some reason the narrator supposed to contain corn-bread and bacon), walk a little way into the covert, and then give a call, as if calling cattle.  There was, in answer, a waving of elders, flags and swamp-grass, with an occasional plash in the water, and finally appeared the form of a tall, muscular negro, with shirt and breeches of coffee-sacking.  He came silently out to the dry land, took the sack from the visitor’s hand, spoke a few words inaudible to the straining ears of the listener and hastily disappeared in the recesses of the swamps.  So, after all, Mr. Fletcher’s favorite bird, and a very unpopular one in that day, too, was the blackbird.

The swamp might have had strange bedfellows during the Civil War.  The dense thickets and morasses here were an ideal hideout for Confederate POW’s who escaped from the Union Army’s Camp Morton, which sat just west of here, near the future intersection of 19th Street and Central Avenue. Calvin Fletcher’s son, Stephen Keyes Fletcher, claimed in 1892 in the Indianapolis Journal:  “During the war the swamp was this great hiding place for escaped prisoners from Camp Morton.”

The original Butler University, which sat at 13th and College until 1875, was another neighbor of Fletcher’s Swamp.  When a freedom seeker, aided by local abolitionists, escaped from the downtown jail and tried to get to the swamp on horseback, he ended up at Northwestern Christian University (as Butler was called) and was  arrested on campus.  “The capture of the negro brought on a heated battle among the students of the university, some of whom were from the South,” the Indianapolis Journal claimed in 1889.  “A pitched battle followed between them and the black Republican students, which resulted in nothing more serious than some blackened eyes and ensanguined noses. The scene of this battle is now the playground for the children of the Indianapolis Orphan Asylum.”

What happened to Fletcher’s Swamp? Stephen Fletcher, who apparently inherited the property after Calvin’s death in 1866 — he ran a nursery nearby — told some of the story using terminology not employed today:

About this same time the negroes began flocking over from Kentucky and other Southern states.  My father, being a great friend of the colored man, was inclined to provide them with homes and work as far as possible.  After filling up everything in the shape of a house, I then let them build cabins at the edge of the swamp, on high ground, just north of the Belt railroad, and about where Baltimore Avenue now runs.  I soon had quite a settlement, which was named by my brother, Dr. W.B. Fletcher, “Monkey Jungle,” and the location is known to this day [1892] by that name by those familiar with it then.

A writer for the News concurred in 1889:

The clearing of the swamp was an accident of President Lincoln’s emancipation proclamation.  Hundreds of colored men, with their families, came from the South to this city.  It was a class of labor new to Indianapolis, and for a time there was a disinclination to employ them.  Mr. Fletcher, however, gave every man with a family the privilege of taking enough timber to build a cabin, and of having ground for a “truck patch,” besides paying so much a cord for wood delivered on the edge of the swamp.  Quite a number of the negroes availed themselves of this offer of work and opportunity for shelter…

Calvin Fletcher, Jr., drained what was left of his father’s swamp in the 1870s by dredging it and connecting it to the “Old State Ditch.”  Thus it shared the fate of thousands of acres of Hoosier wetlands sacrificed to agriculture and turned into conventional cropland.


bacons swamp - butler herbarium
Fern collected in Bacon’s Swamp, August 1922. Friesner Herbarium Collection, Indiana Memory.

An 1891 Journal article on the “State Ditch” calls Fletcher’s Swamp one of two “bayous” that threatened valuable property on the then-outskirts of Indianapolis.

The other “bayou” was the fascinating Bacon’s Swamp. Today, the area that used to be covered by this large Marion County bog is part of Broad Ripple. Although Google Maps still shows a lake there called Bacon’s Swamp, this is really just a pond, re-engineered out of what used to be a genuine freshwater wetland.

Like its neighbor a little to the south, Bacon’s Swamp was created by the melting Wisconsin Glacier. About 20,000 years ago, the ice left an indent on the land that filled with water. As limnologists (freshwater scientists) describe, the process of swamp formation, lakes age and die like living creatures, filling up with sediment and plant matter and gradually losing the oxygen in their depths. Bacon’s Swamp evolved into a peat bog, one of the southernmost in the United States.

Like Fletcher’s Swamp, it took its name from a prominent local farmer active as a stationmaster on the Underground Railroad.  A native of Williamstown, Massachusetts, Hiram Bacon moved to this remote spot with his wife Mary Blair in 1821.  (Bacon was 21 years old, had studied law at Williams College, but due to poor health joined a government surveying expedition to the Midwest at age 19.  He liked Indiana and stayed.) Presbyterians, the Bacons became friends with Henry Ward Beecher, brother of the novelist Harriet Beecher Stowe, when he served as minister of Second Presbyterian Church downtown.  Beecher often came out to Bacon’s Swamp in the 1840s, when this was a remote part of Marion County.


Henry_Ward_Beecher_daguerreotype
This daguerreotype of abolitionist Henry Ward Beecher was probably taken in Indianapolis, where he served as a Presbyterian minister in the early 1840s. Beecher baptized Fanny Vandegrift, Robert Louis Stevenson’s wife, in the White River when she was a child growing up in the Hoosier State. Yale University.

Hiram and Mary Bacon actively helped freedom seekers escape through the area.  A 1931 article in the Indianapolis Star claimed that “The Bacon house stands on the east side of the road [now the paved Keystone Avenue], and the large barn was on the west side.  In it was a wheat bin, which could be entered only from outside by a ladder.  It was usually concealed by piles of hay.  Here and in the bin in the cider house, the fugitives were hidden and conveyed after dark to the next depot . . . The matter was never discussed in public.” At night, freedom seekers hid out in the peat bog across from the Bacon dairy farm.

The 400-acre family farm was located approximately where Glendale Mall sits today.  (Most of east Broad Ripple would have been deep in the morass back in the mid-1800s.)  Empty in the 1930s, the site of the Bacon farmhouse is occupied today by the Donut Shop at 5527 N. Keystone.


hiram bacon house
Indianapolis Star, January 18, 1931. Indiana Landmarks Wilbur D. Peat Collection, Indiana Memory.

donut shop - bacon's farm
Site of the Bacon farmhouse is occupied today by The Donut Shop at 5527 N. Keystone. Google Maps.

Around 1900, this area, now considered part of Broad Ripple, was called Malott Park.  Not to be confused with today’s Marott Park, Malott Park was a small railroad town later annexed by Indianapolis.  Barely a century ago, it was one of the last stops on a railroad line that connected northern Marion County with the Circle downtown.  Until World War II, Glendale was a far-flung place out in the country.

Walter C. Kiplinger, a chemistry teacher and tree doctor for Indianapolis public schools, wrote a fascinating article about the peat bog for the Indianapolis News in 1916.  The part of the bog he described was about a mile north of the State Fairgrounds, near 50th Street and Arsenal Park.  Now a major residential neighborhood, a hundred years ago it sounds like GPS coordinates were the only thing we’d recognize about the place:

You can reach it very easily if you have a machine [car] by taking the White River road to Malott Park, but when the spring rambling fever comes it is much more easy to go cross-country.  It is just a pleasant afternoon’s hike there and back. . . If common courtesy is observed in closing gates and keeping off fields where the crops might be injured, the owners of the farm lands usually do not enforce their trespass notices. . .

How much peat there is in Bacon’s slough or how thick the bed is, no one seems to know. . . Whatever the average depth, it is as truly a peat bog as any in Ireland.

Serious proposals to harvest peat in Indianapolis were mentioned in the press from 1905 until the 1920’s, when the idea was apparently dropped.  Other parts of Indiana, especially up north, also explored the possibility of using peat as a substitute for coal.  During World War I, the U.S. and Canada exported sphagnum moss from North American peat bogs to Europe, where a cotton shortage had led army doctors to experiment with peat bandages on the Western Front.  The moss served as a kind of natural antibiotic and was a success when used to dress wounds.  (The story made it into the South Bend News-Times in 1918.)


peat - south bend news times 1918
South Bend News-Times, November 15, 1918. Hoosier State Chronicles.

Use of peat has always been widespread in Europe.  Not a fossil fuel, it emits an odorless, smokeless heat and an “incredible ambiance.”  For millennia, it has served as a cheap heat source in rural Ireland and Britain (where it also gives the “smoky” flavor to Scotch whisky.)  The Indianapolis News ran an article about “inexhaustible” Irish peat in 1916, informing Hoosiers that “Mixed with crude molasses from sugar mills it is also used as a forage for cattle, while semi-successful efforts have been made to convert the vegetable fibers into a cheap grade of paper.”  In 1929, a massive 40% of the Soviet Union’s energy came from peat, but today, large-scale industrial harvesting is only common in Ireland and Finland.


Peat stacks and cutting Yorkshire 1905
Peat stacks and cutting, Yorkshire, England, 1905. Alexander Eric Hasse, photographer. Wikimedia Commons.

peat indianapolis 1905 2
Indianapolis News, August 19, 1905. Newspapers.com.

As an alternative fuel source, peat nearly became a reality in central Indiana in the early 1900s.  E.H. Collins, a “scientific” farmer from Hamilton County, touted that the “earth that would burn” in the summer of 1905.

Collins owned a farm a mile north of the State Fairgrounds, in the vicinity of Bacon’s Swamp.  An article on August 19 in the Indianapolis News refers to the 30-acre peat bog he “discovered” as the “Collins Bog.”  The farmer estimated that it held about 400,000 tons of the fuzzy stuff.

The 1905 article in the Indianapolis News is a strange flashback, envisioning a grand future that never really came about.

The announcement that a good fuel deposit has been found at the city limits and can be drawn on in case Indianapolis gets into a fuel pinch is of great importance to a city that, thus far, has been left out of practically every fuel belt in Indiana in recent years — in fact, since she was the very center of the stove wood belt.  Too far west to be in the gas belt, too far east to be in the coal fields and outside of the oil territory, Indianapolis, since the old cordwood days, has been a negative quantity in the state’s fuel supply. . .

The discovery of good peat deposits around Indianapolis calls attention to the fact that Indiana sooner or later is to come to the front as a peat-producing state.

Obviously, this never happened.  Peat was briefly harvested in Bacon’s Swamp in the mid-20th century, as it was in a few other spots throughout northern Indiana, but the resource was mostly used for gardening, not as a rival to coal.

As Indianapolis’ economic downturn and “white flight” led to the explosion of Broad Ripple as a suburb in the 1950s, the swamp was more and more threatened.  Conservationists were mostly ignored when they argued that the swamp protected creatures who keep insect populations in check and therefore help farmers and gardeners.  In February 1956, three children drowned trying to save a puppy who had fallen through the ice in one of the lakes here, prompting residents in the area to push for “condemning” and obliterating the “deadly swamp.”

While the squishy, “bottomless” ground was a constant problem for developers — devouring roads in 1914 and 1937 — gradually only a tiny remnant pond was left, just west of Keystone Ave and a block south of Bishop Chatard High School. Yet the tree doctor Walter Kiplinger did remember one man who kept himself warm with a satisfying peat fire in Indianapolis back in the day.

“There used to be one from the ‘ould sod’ [Ireland] who lived in a shack near the hog pens east of the slough,” Walter C. Kiplinger remembered during World War I in the Indianapolis News:

His name was Michael O’Something-or-other, I’m not certain what, but he was a gentleman in the highest sense of the word.  There was nothing hyphenated about his Americanism, but is a man any the worse American for having a bit of sentimental feeling for the old country in his makeup?  Surely when one has a bit of Ireland’s own bog land in his own back yard, you might say, he has a perfect right to dig and use the peat for fuel. . .

Bacon’s Slough will probably go the way of similar places;  but one should not be too pessimistic.  The Irish may mobilize some St. Patrick’s Day, and go out and save it just for the sake of that peat bog.  You can never tell.


Indianapolis News, March 1, 1916. Hoosier State Chronicles.

Contact:  staylor336 [at] gmail.com

C. Mervin Palmer and the Civilian Public Service Camps in World War II

Hoosier C. Mervin Palmer was one of 12,000 conscientious objectors who served their country in Civilian Public Service Camps during World War II.

Learn more Indiana History from the Indiana Historical Bureau: http://www.in.gov/history/

Search historic newspaper pages at Hoosier State Chronicles: www.hoosierstatechronicles.org

Visit our Blog: https://blog.newspapers.library.in.gov/

Visit Chronicling America to read more first drafts of history: https://chroniclingamerica.loc.gov/

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Please comment, like, and subscribe!

Credits:

Written and produced by Justin Clark.

Images and footage courtesy of Internet Archive, the New York Public Library, the American Friends Service Committee, and John Thiesen.

Music: “Act Three” by Audionautix

Continue reading “C. Mervin Palmer and the Civilian Public Service Camps in World War II”

John T. McCutcheon’s Wartime Valentines

On Valentine’s Day, we thought it would be a great time to share a different side of Indiana culture during the tumultuous years of World War I, in the form of valentine cartoons. John T. McCutcheon was one of Indiana’s most celebrated cartoonists from the era, and his “wartime valentines” help us understand how the home front viewed this integral time in world history.

Cartoonist John T. McCutcheon, Hammond Times, December 26 1918. Hoosier State Chronicles.

John T. McCutcheon was a Pulitzer-Prize winning cartoonist for the Chicago Tribune, where he worked for 43 years. Born in South Raub, Tippecanoe County, Indiana on May 6, 1870, McCutcheon grew up “in the rural areas surrounding Lafayette.” He attended Purdue University where he was “a founding member of the University’s first fraternity, Sigma Chi” and the “co-editor of the University’s first yearbook, the Debris.” After graduating college in 1889, he worked as a cartoonist for the Chicago Morning News and Record-Herald until he moved to the Tribune in 1903. His artistic style mirrored his experiences growing up the Midwest; he developed a character called “A Boy in Springtime” who would appear in front-page pieces having small-town fun with friends and his dog (the dog first appeared in a William McKinley presidential campaign cartoon, and became much beloved by readers). As R. C. Harvey of the Comics Journal noted, McCutcheon’s cartoons were “the first to throw the slow ball in cartooning, to draw the human interest picture that was not produced to change votes or to amend morals but solely to amuse or to sympathize.”

George Ade, Indianapolis News, May 20 1902. Hoosier State Chronicles.

Paralleling his more personable cartoons, McCutcheon partnered with another Hoosier author, George Ade, to create a series of valentines for charity during World War I. The idea originated from the Indianapolis Branch of the American Fund for French Wounded and its contributors were a who’s who of Indiana arts, including Ade and McCutcheon as well as Meredith Nicholson, Kin Hubbard, and William Herschell. As reported in the South Bend News-Times on January 28, 1918, “Prominent Indiana artists and authors this year have been making comic valentines . . . and are guaranteed by those who have seen them to send grins and cheer to soldiers at home and abroad.” The article also outlined the American Fund for French Wounded, noting that “the proceeds will go for furthering the work in France among wounded soldiers and destitute families, which is the committee looking after the funds is carrying on.” Ads even ran in the Indianapolis News to promote the Valentines, published by Charles Mayer & Company, once they were available.

Indianapolis News, February 5, 1918. Hoosier State Chronicles.

Four of McCutcheon and Ade’s valentines are publicly available through Indiana Memory/Digital Indy and the Digital Public Library of America.

George Ade and John T. McCutcheon,”From Her Mother.” IMCPL/Digital Indy.

The first valentine in the digital collection, entitled “From Her Mother”, shows a concerned mother writing to a “Mr. Soldier Man” while a variant of McCutcheon’s iconic dog looks on in the background. The photos on and above the desk in the cartoon are important to context, as the photos of the mother’s daughter and her soldier beau face each other longingly, while a portrait of the mother sternly oversees over both of the photos. In the cartoon, the mother’s letter reads:

Mr. Soldier Man.

       Dear Sir:

                I can not send what my daughter wrote,

               It might set fire to the darned old boat.

                                         Yours truly,

                                                – The Night Watch.

The mother’s face shows a concern not only for her daughter’s overly passionate words. McCutcheon’s style of strong lines and warm, humane features also comes through in this valentine.

George Ade and John T. McCutcheon, “Her Choice This Year.” IMCPL/Digital Indy.

Another great valentine in the collection entitled, “Her Choice This Year”, ties the romantic love normally associated with Valentine’s Day with love of country. Ade’s poem reads:

Columbia wants you to know,

That you’re her particular beau.

She’s likewise “particular.” So

That’s why you’ve been picked as her beau.

The young woman, aptly named Columbia, holds the hand of her uniformed soldier as he looks at her lovingly. She’s also dressed in a shirt and skirt of the red, white, and blue with a pair of roman sandals. And of course, McCutcheon’s iconic dog looks up at them in the foreground. This valentine exhibits the strong patriotic fervor during the period, but in a charming, homespun way.

George Ade and John T. McCutcheon, “Some One Has Not Forgotten.” IMCPL/Digital Indy.

The next valentine captures a woman’s longing for her partner who is off at war. Named “Some One Has Not Forgotten,” it depicts a young woman knitting in a chair while thinking of her partner trekking across Europe in a snowstorm. Here’s Ade’s text with the valentine:

My heart to-day

Is far away

Across the rolling brine.

So while I sit

And knit and knit

You’re still my valentine.

This depiction of men and women evokes a more traditional assumption of gender during the period than say “Columbia” and her beau above. The woman’s thoughts of her partner, floating above her head and colorless, attempt to convey the arduous and grim task of war. In contrast, McCutcheon’s drawing of the young woman is clear and with beautiful coloring. Ade and McCutcheon’s valentine cleverly renders the feelings of many young women while their partners were at war.

George Ade and John T. McCutcheon, “To You Somewhere.” IMCPL/Digital Indy.

The final valentine in the digital collection is called, “To You Somewhere,” and it depicts one of Valentine’s Day’s most enduring symbols, Cupid. In this version, a nude Cupid braves the cold weather to deliver a valentine to a soldier in the snow. The message reads:

I don’t know just where you are to-day,

I don’t know how many miles away;

Whether you’re out where the bullets fly,

Or safe and sounds at the good old “Y.” [Y.M.C.A]

I have no message from o’er the sea

To let me know that you think of me,

But I’ll make an oath and my name I’ll sign,

That you are my only Valentine.

The soldier’s delight at receiving the message from a saluting cupid is evident. He even has his gun down and his hands up, perhaps in surprise that the symbol of love is in a war zone, or perhaps the soldier is in the act of accepting the valentine from Cupid. Of the four digitized valentines, this is the only one without a female main subject, despite the text being from the soldier’s love. It shows the perspective of the soldier receiving a valentine, rather than a woman creating or imagining one.

During a time of immense destruction, political revolutions, and domestic instability, Ade and McCutcheon’s valentines provide us with a more homespun, sometimes humorous, quaint and patriotic view of the home front during World War I.

When Indiana Banned the German Language in 1919

Warren Times Mirror (Warren, PA), February 26, 1919
Warren Times Mirror, Warren, Pennsylvania, February 26, 1919. Newspapers.com.

On February 25, 1919, three months after the armistice that ended World War I, the Hoosier State banned the teaching of German to children, one of 34 states to institute English-only requirements by the early 1920s.

Anti-German propaganda
“Times are hard your majesty – you leave us nothing to do” by Louis Raemaekers,

From 1914 to 1918, the U.S. and its allies in Britain, France and Italy took dehumanizing propaganda to new heights.  Cartoonists, U.S. Army posters, and newspapers stoked a bizarre, irrational distrust of Germans that engulfed America. The results were sometimes petty, like renaming sauerkraut “liberty cabbage” and German measles “liberty measles,” but the U.S. and Britain could also engage in acts of brutality.

One of the stranger instances of violence resulting from First World War propaganda was the war on dachshunds, considered to be a German breed. At the time the German language was being driven out of schools in England and the U.S., dachshunds were sometimes stoned or stomped to death in front of their owners.  (Novelist Graham Greene remembered this in his autobiography, A Sort of Life.) When “patriots” harassed a Chicago dog breeder, he shot every dachshund in his kennels. Bulldogs, a symbol of Britain and the mascot of the U.S. Marines, were turned loose to attack and kill the “German” pets.  The Jasper Weekly Courierprinted in a heavily German town in southern Indiana, carried a syndicated story about this:

Jasper Weekly Courier, August 30, 1918
Jasper Weekly Courier, August 30, 1918. Hoosier State Chronicles.

Help Your Uncle Sam Do This
WWI Anti-Dachshund Poster by Bernhardt Wall. Pinterest.

(A website on pet health claims that “In the United States the poor Dachshund went from one of the ten most popular breeds in 1913 to being represented by 12 survivors in 1919.”  A “lonely dachshund” showed up in Topeka, Kansas, that year in search of a home.)

With Allied print media insisting that the Kaiser’s soldiers were bayoneting and committing other outrages, it’s easy to see how anxiety got out of hand, even in areas like Pennsylvania and the Midwest, which had large German-American populations.

Indiana’s 1919 anti-German law wasn’t the first of its kind.  Parents and school boards had already been striking German classes from school curricula before the U.S. even entered the war.  And devaluing the German language was a coast-to-coast phenomenon.  Evanston, Illinois, banned the language in its schools in 1918.  California kept up a ban on high-school German into the 1920s and in 1941 banned it in churches.  At a speech on Long Island in 1917, Theodore Roosevelt urged Americans to rid the country of German, otherwise America risked becoming “a polyglot counting house for dollar chasers.”

A sign painter in Indianapolis who opposed Gothic lettering mentioned that Americans were already burning German textbooks. At Indianapolis’ Shortridge High School, a newspaperwoman connected to the Red Cross was applauded during a speech when she criticized the administration for not canceling German classes there.  The German teachers switched to teaching Latin.  Meanwhile, a new course on “contemporary war history” began and a hundred students enrolled.  At a time when the U.S. was claiming to oppose German militarism, Shortridge considered its military history course to be the first ever offered at an American public high school.


Lake County Times -- September 10, 1918 (2)
Hammond High School was already planning to phase out German by 1919 and was just waiting for the legislature to catch up. Lake County Times, September 10, 1918. Hoosier State Chronicles.

On the eve of the vote for banning German in schools, a visitor from Iowa spoke at the Statehouse in Indianapolis. Iowa’s Governor William L. Harding is considered one of the most controversial politicians in Iowa’s history.  Though he had curried favor with Iowa’s foreign-born citizens during his election campaign, when the war broke out he turned against them. Proponents of Indiana’s German-language ban were later accused of the same kind of hypocrisy.


WIlliam L. Harding
Iowa’s William L. Harding in 1915. Wikipedia.

Harding’s 1918 “Babel Proclamation” in Iowa did more than simply ban German instruction, though. The infamous law banned the speaking of all foreign languages in public, including Norwegian, Swedish, Dutch and Czech, which were still common in the Midwest.  Fearing “spies,” Harding made having a foreign-language conversation on the telephone, on street corners, and in churches and schools a criminal offense.  Iowa’s law was no empty threat. Violators were arrested and jailed.

Harding had plenty of admirers.  “Liberty Leagues” and “councils of defense” wanted laws to keep German off the streets and even ban it in private homes.  The author of the “Babel Proclamation” spoke in Indianapolis on February 13, 1919, a few days before Indiana outlawed the teaching of German in Hoosier elementary schools.


The Call-Leader (Elwood, IN), February 13, 1919
Call-Leader, February 13, 1919. Newspapers.com.

The main proponent of Indiana’s bill was State Senator Franklin McCray of Indianapolis.  As Lieutenant Governor Edgar Bush reminded the General Assembly, this bill would overturn a long-standing law dating back to the 1860s.  Bush told the Senate:

Journal of the Indiana State Senate 1919
Journal of the Indiana State Senate, 1919. Google Books.

Indiana’s 1869 law likely had to do with teacher shortages and the fact that in German communities, it just made sense.

One of the most glaring oversights of the anti-German law was that many speakers of the language were Mennonites and Amish, Christian pacifists highly unlikely to be working as secret agents.

Though the German army committed real outrages in World War I and the bill’s proponents mentioned fear of “future German propaganda” aimed at American children, focusing on the atrocities of Germans was a sly way to pass a law that was deeply entangled with immigration, prohibition and labor unrest.  As 1919 dawned — one of the most turbulent years in American history — “wet” and “dry” advocates, capitalists and socialists, anarchists, pacifists and suffragettes battled for the “soul” of the country.

Many German-Americans were farmers or industrial laborers and had a history of being Socialists, pacifists and isolationists.  When the Socialist Party tried to steer America away from entering World War I, arguing that American entry would play into the hands of wealthy industrialists and bankers, pro-war advocates countered that anyone who opposed the war supported the Kaiser.  In 1924, Progressive Party presidential candidate Robert LaFollette carried Wisconsin, a heavily-German state, partly as a result of his anti-war record.

The perception of German fondness for beer and liquor also earned the hostility of many Prohibition advocates, who had spent decades slowly “shutting off the tap.”  A nationwide ban on booze was just around the corner, coming in January 1920.  Yet as Chicago’s Lager Beer Riot back in 1855 proved, the history of Prohibition was closely tied to anti-labor attitudes.  Squelching the German language was part of the process of extinguishing German sociability at a time when workers got together in pubs and beer gardens to talk about labor grievances and organize.


Hun Rule Association
A World War I-era cartoon slanders “Huns” — Germans — as booze-lovers who cause crime, poverty and waste. Historic Indianapolis.

Kaiser Wilson, 1916
Suffragist Virginia Arnold holding “Kaiser Wilson” banner, August 1917. Library of Congress.

While fear of “Huns” and “traitors” prompted anti-German legislation, America’s social problems were reflected in the Indiana bill. That year, Gary would be shut down by a national steel strike, a federal raid on Communists led to the deportation of hundreds of European immigrants (including Hoosiers), and an anarchist bomb plot nearly killed several major U.S. officials.

Although the language of the Indiana law would be more formal,  State Senator Luke W. Duffey, speaking on the Senate floor, lashed out at the “stupid heads” of Germany and their sympathizers in America, who threatened to strangle education and spread disloyalty.  Duffey finished off with a call for deporting traitors.  He didn’t know it yet, but he was sounding the keynote of 1919:

Journal of the Indiana State Senate 1919 (2)
Journal of the Indiana State Senate, 1919. Google Books.

The anti-German bill was about more than bigotry against German culture; it was also about stamping out the perception of political radicalism. Many people who supported the law had German last names, after all, like Speaker of the House Jesse E. Eschbach.  Lieutenant Governor Bush read a letter at the Statehouse from “150 residents of Seymour of German extraction” who favored the language ban and asked why it was taking so long.  The Germans of Seymour probably didn’t want to be associated with those deemed “subversives,” “traitors” and “terrorists.”

Urged by the Lieutenant Governor to enact “100 percent American” legislation, the Senate put the elementary-school bill up for a vote on February 17, 1919. Only one legislator, Senator Charles A. Hagerty of South Bend, voted against it.  Yet even Hagerty’s opposition seems to have been against the political opportunism of the bill’s promoters rather than a real concern for education. On February 25, the House also passed the bill and Governor James P. Goodrich signed the legislation.

The South Bend News-Times, a liberal paper, thought the bill a classic case of legislative overreach, since most German-Americans were already trying hard to adopt English in their churches and schools.  McCray had insisted that it would not interfere with the use of foreign languages in religious worship.  (Many Lutheran churches still used German, and it was the main language of instruction at a few major Catholic seminaries.)

The 1919 law completely banned German-language instruction up to the eighth grade.  The penalty for instructing children in German?  A fine of $25 to $100,  a jail sentence of up to six months, or both. It was followed by a law prohibiting high-school German courses.

Indianapolis News, February 18,1919. Hoosier State Chronicles.

Ironically, the anti-German bills were overturned in 1923 by another man named McCray — Governor Warren T. McCray, who also butted heads with the Klan.

A few months after Governor Goodrich signed Indiana’s law, an anti-German bill passed through Pennsylvania’s legislature, also by a large margin.  Pennsylvania Governor William C. Sproul, however, vetoed it Sproul’s remarks to the press were probably the most intelligent words to come out of the whole debate. They are below and well worth reading in full:

Mount Carmel Item, May 6, 1919. Newspapers.com.

Indiana’s anti-German bills were overturned in 1923 by another man named McCray — Governor Warren T. McCray, who is best remembered today for taking on another wave of intolerance in Indiana, the Ku Klux Klan. Despite their removal almost a century ago, Indiana’s anti-German laws serve as a powerful example of how extreme nationalism during wartime can lead to discriminatory government policy.

Hoosier State Chronicles has digitized over 8,000 issues of the Indiana Tribüne, once a major German-language newspaper. Published by The Gutenberg Company in Indianapolis, the Tribüne was silenced on June 1, 1918.

The Corn Cob Curtain Controversy in Indianapolis, 1971-1975

Image sent to author from a former Corn Cob reader.

Marty Laubach was an unlikely political radical. Born in Indianapolis, Indiana, his working-class Republican parents attended a church with members of the ultraconservative John Birch Society. But several concurrent events placed him at odds with his parent’s conservative values. The 1968 riots at the Democratic National Convention, the possibility of conscription into Vietnam, the 1970 shooting of antiwar demonstrators at Kent State University by National Guardsmen, and his older brother’s antiwar views solidified his youthful rebellion. He began attending antiwar demonstrations and started working on an unauthorized publication at Arsenal Technical High School called After Breakfast. The publication, which had a short duration, ceased in 1971, so Laubach and a group of like-minded peers created a new underground newspaper called the Corn Cob Curtain.[1] The paper’s countercultural tone and opposition to school policies about unauthorized publications on campus led students to file a lawsuit that went all the way up to the U.S. Supreme Court in 1974.[2]

The Corn Cob Curtain controversy launched the conservative city of Indianapolis and high school students into a battle of free speech. Besides old newspaper clippings, there is no public recognition of the conflict. At its peak, the paper printed around 3,000 copies of a single issue, circulated in over 15 public and private Indianapolis high schools and the surrounding suburbs.[3] It received criticism from school administrators, legal officials, concerned residents who submitted letters to the editors, and the city’s two major newspapers, the Indianapolis Star and the Indianapolis News.

Laubach and his peers were not alone in their efforts in challenging high school’s censorship policies. From mid-1960s to the mid-1970s, a minority of Indiana high school students published and distributed underground publications. Laced with creative drawings, designs, and witty language, they bared the names Blackhawk Broadcast, Desiderata, and the purposely-misspelled New Amerikan Mercury. Constituting a minority of contributors, these publications emerged in urban and rural areas and raised poignant questions about local issues, race, education, and free speech rights.[4] Students remained either indifferent, hostile, or supportive.  School administrators balked at their existence and contributors risked retaliation from school officials.[5] Indiana State Treasurer, most notably, referred to them as “trash so foul as to be beyond normal belief” and claimed they were “flooding” high school and college campuses throughout the state.[6]

Image sent to author by a former contributor.

One contributor, Jeff Jacobs, recalled his experience dealing with hostile school officials while trying to distribute the paper. Although he found Arsenal Tech and Crispus Attucks High School campuses welcoming, he faced resistance at Southport and Emmerich Manual High Schools. At Manual High, school officials threatened to call the Marion County sheriff. “These little skirmishes, with our oppressors should not discourage us, but should enlighten us to try that much harder,” he told readers. “One of the greatest reasons for the CCC’s exisstance [sic] is to equalize the student with the administrators.”[7]

Within this atmosphere, the Corn Cob Curtain was born in 1971. Using pre-established social networks, activists  met teenagers from other schools throughout the summer, forming a citywide underground newspaper. The witty name originated from two Cold War metaphors—the “Iron Curtain” and the “Bamboo Curtain”—that alluded to geopolitical divisions between communist and non-communist countries in Europe and Asia. Adapting these metaphors, the students argued that their fight for constitutional rights on campus grounds was akin to the ideological battle “between the Free world and the Communist world.” They found themselves “locked behind a kind of ‘curtain’ of Midwestern Provincialism—a curtain of corn cobs.”[8]

The publication covered a multitude of topics. National and local news stories, American history, student affairs, education, music, movies, book reviews, and cartoons all appeared in the pages. Students critiqued their schools, with one contributor writing “All students in the Indianapolis area attending one of the prisons we call high school,” one written claimed. They insisted “high schools are de-humanizing,” and called for the formation of a citywide student union to “raise an effective voice to start the machinery in motions to bring about these changes.”[9] But no such group ever formed.

Generating public support for the newspaper was an arduous task at first. Some students had reportedly claimed the paper “eats shit.” But these complaints had legitimacy. The first two issues were aesthetically unappealing, images were scarce, stories lacked headlines, and the publication was printed on mimeograph paper. The students improved the paper substantially by printing it on newspaper print, incorporating images, and overall, made it look like an actual newspaper. In the third issue, publishers wrote an article titled “On Your Ass” and lambasted students’ lackluster participation and demanded action on their part to improve the paper’s shortcomings. “You, your paper, need to criticize what’s wrong with the Cob, if you don’t like it. You are the only one who can change it,” they exclaimed. If anything, the students wanted their peers to know that the Corn Cob Curtain was a collective effort, not just the responsibility from a small group of volunteers.[10]

Indianapolis News, July 12, 1971, 4, accessed Newspapers.com.

The Corn Cob Curtain controversy began after the district Superintendent banned the publication upon the fifth issue’s release. Administrators’ justification for the ban stemmed from a cartoon that appeared on the back page. In a cartoon series called George the Cat, the character George wires up some dynamite in a bathroom while expressing dissatisfaction with the school. Just as he lights the fuse, the principal walks into the restroom, leading George to frantically jump into the toilet. As the principal begins using the restroom the toilet explodes. George survives the explosion with bruises, a broken arm, and human feces on his head. He quips, “I may have gotten rid of the school, but I’m still eatin’  the principals’ shit.” What was intended as a joke infuriated school officials who viewed the entire publication as obscene and wanted it discarded. The district’s attorneys agreed. They cited the cartoon as advocating “violence and the destruction and the school and the murder of the principal.” This gave school officials fodder to justify banning the paper.[11]

Laubach and five friends sought legal assistance from Craig Pinkus of the American Civil Liberties Union of Indiana and Ronald Elberger of the Legal Service Organization (LSO). Both young lawyers, Pinkus and Elberger agreed to represent the students. As a publicly funded organization that represented low-income families in Marion County, the LSO received criticism for representing what the local press dismissed as privilege, middle-class youth. Although this description wasn’t entirely accurate, it never halted the conservative editorial board of the Indianapolis Star from alleging the group was seeking to “destroy the power of Indianapolis school officials to ban a smutty underground paper from high school.”[12]

The federal district court ruled in the students’ favor, as did the U.S. Court of Appeals, citing that school officials had failed to show the detrimental effects the publication had on young people. Emboldened by calls to appeal the case by the Indianapolis Star and Indianapolis News after the district court ruling, the school district appealed the case all the way up to the U.S. Supreme Court in 1974.[13] The oral arguments delivered by the school district’s attorney to Supreme Court justices revealed that school officials viewed the issue as a power struggle.

Chicago Tribune, December 9, 1974, 33, accessed Newspapers.com.

Attorney Lila Young insisted the district had “a complete inability to have any rules or regulations of what is going to be distrusted in our schools.” She constantly referred to the Corn Cob Curtain as “filth,” and alleged it contained “filthy cartoons” and “gutter language.” She argued that the distribution of such material contributed “to the delinquency of minors.” The students’ lawyer, Craig Pinkus, juxtaposed the publication to other material students read in schools that also continued inappropriate language, such as the New York Times, Wall Street Journal, and Catcher in the Rye. But the justices continuously asked him whether the policy applied to elementary schools, and Pinkus stated his organization drew a line between primary and secondary schools.[14]

Since the students did not file a class-action lawsuit, Supreme Court justices ruled the case moot in February 1975. Additionally, the publication no longer existed, partly because the plaintiffs had graduated from high school. The court remanded the case back to the lower court. Justice William O. Douglass wrote a dissenting opinion about the mootness of the case. He believed clashes would continue between students and administrators and the issue might appear in court again.[15] But his prophesy never came to fruition in Indianapolis. Interestingly, no consensus emerged for what the ruling meant. The ACLU argued that students’ rights to distribute an unauthorized publication on campus had not been overturned while the Indianapolis Star viewed the ruling as a victory for the school district, but acknowledged its inconclusiveness. Nonetheless, by 1975 high school underground newspapers were no longer a topic of contention in Indiana.[16]

The Corn Cob Curtain controversy represented the clash of counterculture and conservative politics in a city impacted by the social upheaval of the 1960s much later than other major urban areas. Tame compared to locations such as the San Francisco Bay area, Chicago, and New York, it took little to be declared a radical by city and school officials in Indianapolis. Indianapolis’s high school students infrequently participated in strikes. Instead, they created a citywide student protest movement through an underground newspaper and built a growing, radical political consciousness in the process.

Notes:

[1] Martin Laubach, interview with author, June 9, 2017, Bloomington, Indiana.

[2] Aaron G. Fountain, Jr., “Building a Student Movement in Naptown: The Corn Cob Curtain Controversy, Free Speech, and 1960s and 1970s High School Activism in Indianapolis,” Indiana Magazine of History 114, no. 3 (September 2018): 202-237.

[3] Oral Arguments, Board of School Commissioners of the City of Indianapolis v. Jacobs, December 11, 1974, accessed Oyez.org.

[4] Diane Divoky, How Old Will You Be in 1984?: Expressions of Student Outrage from the High School Free Press (New York: Avon Books, 1969), ix.

[5] Fountain Jr., “Building a Student Movement in Naptown,” 209.; “W.G.U. Responds to Criticism,” Warren Owl (Warren Central High School), December 10, 1971, Warren Central High School Archives, Indianapolis, Ind.

[6] “Snyder Hails Tax Feat of Legislature,” Indianapolis Star, March 26, 1969.

[7] Jeff Jacobs, Corn Cob Curtain 1, no. 3, December 1971, 4, Box 6, Folder 15, Youth Liberation Press Records.

[8] Corn Cob Curtain1, no. 1, [1971?], copy in author’s possession, used with permission by Deborah Owen.

[9] “Jail Break,” Corn Cob Curtain, 1, no. 5, [1972?], 5, Box 6, Folder 15, Youth Liberation Press Records, SCRC 175, Special Collections Research Center, Temple University Libraries, Philadelphia, Pennsylvania.

[10] “On Your Ass,” Corn Cob Curtain, 1, no. 3, December 1971, Box 6, Folder 15, Youth Liberation Press Records.

[11] Ibid., 223; “Underground Paper ‘Guidelines’ Sought,” Indianapolis Star, September 29, 1972.

[12] Fountain Jr., “Building a Student Movement in Naptown,” 223-224.; “Funds for Radicalism?” Indianapolis Star, October 20, 1972.

[13] Fountain, Jr., “Building a Student Movement in Naptown,” 230-231.

[14] Oral Arguments, Board of School Commissioners of the City of Indianapolis v. Jacobs, December 11, 1974, accessed Oyez.org..

[15] Jacobs v. The Board of School Commissioners, 1975, U.S. Supreme Court. LEXIS 30.

[16] Fountain, Jr., “Building a Student Movement in Naptown,” 232-234.

Richard G. Lugar: Nixon’s Favorite Mayor

“A warm Hoosier welcome on a rather cold day.”

That’s how President Richard Nixon described his reception in Indianapolis on February 5th, 1970. Awaiting his arrival on the tarmac, Governor Edgar Whitcomb and Mayor Richard Lugar received the President and his federal entourage. This was the first presidential visit conducted by Nixon since his inauguration in 1969 and Indianapolis was chosen as their destination due to the new Republican leadership under Mayor Lugar. After exchanging pleasantries and traveling to City Hall, Nixon and Lugar spoke to the crowd of approximately 1,000 Hoosiers before convening for their scheduled conference on urban affairs. During the conference, President Nixon convened with nine Indiana mayors to discuss problems faced by city leadership and the federal government’s role. At 4:30 PM, President Nixon departed Indianapolis to visit Chicago. While brief, President Nixon’s visit to Indianapolis greatly influenced both Lugar’s political future and the city of Indianapolis as a whole.

President Nixon and Mayor Lugar greeting one another, 1970, courtesy of the Institute for Civic Leadership and Digital Mayoral Archives 

After Nixon’s visit, Richard Lugar would experience a meteoric rise in the political sphere, easily winning his mayoral re-election in 1972 and earning a U.S. Senate seat in 1976. Lugar served one of Indiana’s senators for 32 years, garnering a reputation as a foreign policy expert and renowned statesman. He is best known for co-authoring the acclaimed Nunn-Lugar Cooperative Threat Reduction program, which led to the dismantling of thousands of Cold-War era weapons in previous USSR territory and a Nobel Peace Prize Nomination. In 2013, President Barack Obama named Lugar as a Presidential Medal of Freedom recipient stating:

 “His legacy, though, is the thousands of missiles and bombers, and warheads that no longer threaten us because of his extraordinary work. And our nation and our world are safer because of this statesman.” – President Barack Obama, 2013

In examining Lugar’s towering legacy, one must ask, how does a mayor of a landlocked city in the Midwest become the leading statesman in foreign policy for over 30 years?

The answer to that question can be traced back to February 5th, 1970, and a warm handshake on a rather cold day. Lugar transformed an otherwise short and symbolic visit with Nixon into a key political moment, forging an unprecedented relationship between a city mayor and the sitting president. In a Washington Post article, Peter Braestrup aptly dubbed the young Lugar as “Nixon’s Favorite Mayor.” The name stuck, and Lugar leveraged his new title to enter national politics and foreign affairs. While Lugar’s association as “Nixon’s Favorite Mayor” was problematic immediately after the Watergate scandal, his affiliation with the President was overall more beneficial than detrimental to his political career. Ultimately Nixon’s relationship with Lugar was the catalyst for Lugar’s remarkable career in foreign affairs, elevating both Lugar and Indianapolis to national and global prominence.

Nixon’s presidency is remembered, for better or worse, as one of the most consequential administrations in American history. Globally, Nixon found success in foreign affairs, revolutionizing the Cold War by pursuing rapprochement with China. Domestically, Nixon championed New Federalism which facilitated the transfer of power from the federal government to the state level via federal block grants. Conservatives believed this policy would curb the bloated bureaucratic system. However, Democrats believed that New Federalism was an underhanded attempt to dismantle President Lyndon B. Johnson’s Great Society. Frustrated by a resistant Congress, Nixon sought to prove that his philosophy of decentralization worked. In 1970, Nixon found a prime example of New Federalism in Indianapolis, lead by its newly minted Republican mayor, Richard G. Lugar.

Before Lugar’s election, Indianapolis Democrats had enjoyed a sixteen-year long monopoly on the mayoral office. However, Lugar and his campaign manager, Keith Bulen, capitalized on a rift forming within the Democratic party and, running a tight grassroots campaign, won the 1967 mayoral election. As mayor, Lugar successfully implemented Unigov, a controversial piece of legislation that folded several counties into the city of Indianapolis, increasing the city’s population by 300,000 citizens overnight. Notably, the demographic incorporated into Marion County was mainly white, conservative, suburbanites whose vote solidified the Republican party’s dominance in Indianapolis. Unigov also established Indianapolis as a leader in urban policy, successful city consolidation, and effective “home rule,” a not-so-subtle nod to Nixonian New Federalism.

A caricature of Mayor Lugar ascending into the sky on a rocket titled “Uni-Gov, ” 1971, courtesy of the Institute for Civic Leadership and Digital Mayoral Archives

By 1970, President Nixon was embroiled in the Vietnam War and public criticism of his inability to withdraw, a promise he had made on the campaign trail, mounted every day. As the war dragged on, Nixon became increasingly sequestered in the White House, failing to make a presidential visit outside of Washington D.C. for the entirety of 1969. A deeply insecure man, Nixon abhorred the idea of a presidential visit being marred by coverage of anti-war protestors and personally embarrassing him. His administration urged him to leave D.C. and eventually identified Indianapolis as a city where he would receive an enthusiastic welcome and, in turn, positive media coverage. Better yet, Mayor Lugar’s Unigov legislation offered a thriving example of New Federalism and decentralized government. The presidential visit was confirmed in January of 1970 and Mayor Lugar began preparing the local Republican party to receive the president.

The presidential visit was a rousing success with both the media and public. The Indiana GOP had extensively planned this visit, inviting positive coverage of the event and a gathering a crowd of over 1,000 people for Nixon and Lugar’s speeches alone. President Nixon was reportedly delighted by the large reception and in good humor traveling to the conference. The Urban Affairs Conference was more symbolic than practical, cementing Nixon’s commitment to New Federalist Policy. This commitment would later reach Indianapolis by way of generous block grants and federal funding. The visit drew national attention to Lugar’s successes as mayor and the media began connecting Lugar with Nixon in their headlines, eventually bestowing upon Lugar the title of “Nixon’s Favorite Mayor.”

Lugar introduces President Nixon with First Lady Pat Nixon and Governor Edgar Whitcomb prominently featured, 1970, courtesy of Indiana University Bloomington: The Richard G. Lugar Senatorial Papers

More importantly, Nixon’s visit to Indianapolis unintentionally precipitated Senator Lugar’s career as a diplomat, statesman, and foreign affairs expert. In WYFI’s documentary on Lugar, the senator reminisces on how he was invited to his first NATO conference by President Nixon. After delivering their speeches in front of City Hall, Lugar and Nixon were heading towards the conference on urban affairs and conversing during the elevator ride.

Upon passing the 25th floor, Nixon pivoted towards Lugar and said:

“Dick, I want you to go with Moynihan…to Brussels to represent the United States at a NATO conference on cities.” – President Nixon as remembered by Richard Lugar

Lugar accepted the President’s invitation. Seemingly a reward for the successful presidential visit, Lugar’s attendance Brussels NATO conference precipitated his transformation from a local, Midwestern politician to a U.S. Senator and global tour de force. During the conference, Lugar attended several diplomatic meetings and, on the second day, proposed that Indianapolis host another NATO conference in May of 1971. Talking points for this Hoosier hosted conference included urban growth, with Indianapolis being the case study, municipal affairs, and urban problems. The proposal was accepted, and Lugar was able to successfully blend his previous experience with urban affairs with his new interests in foreign policy. Both NATO conferences provided the mayor with vital connections and foreign policy experience that Lugar later leveraged to maneuver into the U.S. Senate’s Foreign Affairs Committee.

A year after hosting the Indianapolis NATO conference, Mayor Lugar was invited to speak at the 1972 RNC where he was introduced by Governor Ronald Reagan. Reagan, in his charismatic oratory style, lauded Lugar as:

“A respected spokesman for and practitioner of the very best in workable new approaches to the urban challenge… he has represented the President not only across this country but also within the NATO Community.”- President Ronald Reagan, 1972

Lugar’s rise to national prominence experienced a major setback on August 8th, 1974, when Nixon, unable to escape the Watergate Scandal, became the first and only sitting president to resign. Suddenly the title “Nixon’s Favorite Mayor,” was a curse rather than a blessing. Despite efforts to separate himself from the disgraced president, Lugar lost the 1974 Senatorial election to Democratic incumbent Birch Bayh. However, Lugar quickly bounced back in 1976’s election and began his federal career as Indiana’s longest-serving state senator.

Ultimately, the lasting impact of Lugar’s relationship with Nixon as his “favorite mayor” was Lugar’s rapid rise in politics and critical access to foreign policy early in his career. Without Nixon’s 1972 presidential visit, Lugar would not have been able to attend the NATO conference in Brussels, host a similar conference in Indianapolis, and most likely would not have been invited to speak at the 1972 RNC. These cumulative events were significantly more impactful than Lugar’s singular 1974 election loss. Without Nixon’s mentorship, Lugar’s senatorial career would have been vastly different, and his legislation may have been limited to areas more in line with the expertise of a midwestern politician such as agriculture. Instead, Lugar was able to capitalize on the diplomatic opportunities Nixon presented him and pursue an illustrious career in foreign affairs. After losing the primary election in 2012, Lugar would continue to make speaking appearances until his passing on April 28th, 2019. The Lugar Center preserves Senator Lugar’s preeminent legacy by continuing his policies regarding nuclear weapon nonproliferation, global food security, and bipartisan governance.

Richard Nixon Shaking Hands with Mayor Lugar, unknown date, courtesy of the Institute for Civic Leadership and Digital Mayoral Archives

In January of 1994, during the 25th anniversary of Nixon’s presidential inauguration, Senator Lugar and President Nixon’s paths crossed one final time. It was another chilly day in Washington D.C., and the weather resembled that of the two statesman’s first encounter nearly 25 years prior. In those two and a half decades much had changed: the Cold War had ended, Bill Clinton was President, and the Republican Party was undergoing a major political transformation and becoming increasingly conservative. This stood in stark contrast to Nixon’s promotion of desegregation and the founding of the EPA. It was during this time that the political topography started shifting under Lugar’s feet and Lugar, once known as a solid conservative, began being known as a bipartisan negotiator or even a moderate. This new reputation would later be weaponized against him in the 2012 primary election. Regardless of the political present and future, Lugar and Nixon were gathered to recount presidential history. Lugar proclaimed to the gathered crowd, “Our prayers today are for the continuing strength and activity of President Richard Nixon,” whom he then referred to as his “foreign policy teacher and counselor.” After the celebration, Nixon, who was now in his 80’s, privately pulled Lugar aside and confided in him saying:

“You know, you really were my favorite mayor.”

Hoosiers Lost and Found at Sea: The Sinking of the Tuscania

The Tuscania, circa 1914, WikiCommons.
The Tuscania, circa 1914, WikiCommons.

Shipwrecks hold an enduring fascination with both historians and the general public, from the 1912 sinking of the Titanic to the 1915 sinking of the Lusitania, which arguably precipitated American involvement in World War I. However, there is a lesser-known shipwreck that has an Indiana connection: the sinking of the Tuscania.

Built in 1914 by Alexander Stephen & Sons, Limited, in the Linthouse district of Glasgow, Scotland, the Tuscania originally served as a passenger ship. With a length of 567 feet and weight of 14, 348 gross tons, the Tuscania carried passengers between New York City and Glasgow for roughly a year before it was repurposed as a wartime ship.

One of its earliest successes during World War I occurred on September 20, 1915. Anthinai, a “Greek steamer” ship that took off from New York harbor on September 16, caught fire off the coast of Halifax, Nova Scotia. As reported by the South Bend News-Times, the passengers were taken to safety by the Tuscania, “summoned by wireless to the doomed vessel’s aid and are being brought to this port.” Whether or not the “fire” was caused by enemy forces is unclear, but the Tuscania’s valor during the episode earned it notoriety.

South Bend News-Times, September 20, 2015, Hoosier State Chronicles.
South Bend News-Times, September 20, 2015, Hoosier State Chronicles.

Nearly two years later, the Tuscania faced its first major crisis, and succeeded. On March 12, 1917, the Tuscania dodged an oncoming German submarine near the coast of Ireland. According to the Bridgeport Evening Farmer, the Tuscania moved away from the supposed submarine at “high speed, zigzagging in her course.” Even though Captain P. MacLean “denied that he had seen any submarine on the trip,” he did indicate that a foreign body was close the Tuscania and acted accordingly. The Tuscania’s first potential brush with destruction was not its last.

The Tuscania, in Nova Scotia, 1917, Forum Eerste Wereldoorlog.
The Tuscania, in Nova Scotia, 1917, Forum Eerste Wereldoorlog.

During a routine  voyage on February 5, 1918, the Tuscania, carrying 2,179 American soldiers, was attacked between the Irish and Scottish coast by German submarine UB-77. Once it was reportedly hit by two torpedoes, it stayed afloat for nearly two hours, during which time over 200 people had initially drowned or went missing. By the time the story went to press, however, the official number of American casualties was 147; the number of British casualties was 166.

A map of where the Tuscania went down. Indianapolis News, February 7, 1918, Hoosier State Chronicles.
A map of where the Tuscania went down; the “X” between Ireland and Scotland indicates its location. Indianapolis News, February 7, 1918, Hoosier State Chronicles.

A first-hand account of the attack by an “American officer on board” was reported by the Indianapolis Times:

Monday was a wild night. Had the disaster occurred during a gale I don’t like to think of what would never happened. But Tuesday evening was calm.

The first intimation we had of possible danger was an order for all men to go on deck with life belts. It was about 4;30 o’clock. At the same time we sharply altered our course. At 5 o’clock, just as the darkness was setting well in, we got the blow. Nobody saw the periscope nor could one have been seen well. Some soldiers described having heard a hissing sound immediately before the torpedo struck us in the engine room.

We were instantly disabled. All the lights went out. An order rang out sending the troops to their boat stations and to get the lifeboats out. The shock was not severe. It was more of a crunching-in felling [sic] that went through the ship than of a direct blow. There naturally was a good deal of confusion. You can not [sic] lower a score of lifeboats from the hight [sic] of an upper deck in the darkness without some confusion, but at no time was there a panic.

From there, the officer stayed with the Tuscania as long as he could before another torpedo was launched (that fortunately missed) and the ship started to sink.

Indianapolis News, February 8, 1918, Hoosier State Chronicles.
Indianapolis News, February 8, 1918, Hoosier State Chronicles.

Indiana newspapers quickly covered the story to see if any Indiana residents were aboard. According to the Indianapolis News and the South-Bend News-Times, a former Muncie resident named Max Lipshitz was supposedly aboard the Tuscania with the 107th engineers when it went down. When his brother, Abram Lipshitz, asked the US state department whether Max was safe, they gave him little information. Another Indiana native, Maurice Nesbit, was also considered missing from the Tuscania. Described as the “leader of regimental band with the Michigan national guard,” Nesbit had not been identified within the first 24 hours of the attack. W.R. Nesbit, Maurice’s father, tried to ascertain whether his son was safe or not. Fortunately for W.R., his son was safe and sound in New Jersey, having not been on the Tuscania at all. He informed his father of the news via letter, which was reported by the Indianapolis News. It was also reported that Lipshitz had also not been on board.

While these two men had not been on board, there were many Hoosiers who were. Some survived while others perished. Of those that survived, three particular stories are worth recounting. As noted in the March 4, 1918 issue of the Indianapolis News, a survivor named Grover J. Rademaker of the 20th United States Foresters had written to his parents that he was safe. “I am here, and feeling fine,” wrote Rademaker, “and we are treated royally. I suppose you have read in the papers of our accident. I sure am a lucky boy, for I got out all right; didn’t even get my feet wet.” Another survivor from Indiana, aviator Joseph McKee from the 123rd aero squadron, was the only one from Lake County to come home. When news of his safety was given to his parents, the Lake County Times wrote that, “It is a happy day at the McKee home.” Finally, a young man named Archie Q. McCracken of New Albany weathered the attack and recuperated in an Irish hospital after sustaining minor injuries.

Tuscania survivor Joseph McKee, Lake County Times, February 11, 1918, Hoosier State Chronicles.
Tuscania survivor Joseph McKee, Lake County Times, February 11, 1918, Hoosier State Chronicles.
South Bend News-Times, February 19, 1918, Hoosier State Chronicles.
South Bend News-Times, February 19, 1918, Hoosier State Chronicles.

Many aboard the Tuscania were not as lucky as Rademaker, McKee, and McCracken. Within a week of the sinking, the American casualty rate grew to 164, whose remains were subsequently buried in Scotland. Among the lost was James Logan, a former Indiana mail carrier turned seaman whose family hadn’t heard from him in two years. They unfortunately never received the news of his safety. His name appeared on a list of the dead published in the February 13, 1918 issue of the Indianapolis News. Logan’s disappearance and death underscored the human cost of war and its impact on local communities in Indiana.

A memorial ceremony for those lost on the Tuscania, isle of Islay, Memorial Day 1920. From the New York Tribune, June 20, 1920, Chronicling America.
A memorial ceremony for those lost on the Tuscania, isle of Islay, Memorial Day 1920. From the New York Tribune, June 20, 1920, Chronicling America.
The monument at Mull, isle of Islay, Greencastle Herald, September 10, 1919, Hoosier State Chronicles.
The monument at Mull, isle of Islay, Greencastle Herald, September 10, 1919, Hoosier State Chronicles.

After the dust settled, preparations for a memorial to those who died commenced. The South Bend News-Times reported on March 5, 1918 that an, “American Red Cross contingent will arrive here [Port Ellen, Scotland] in a few days from London for the purpose of selecting a site for a monument to the American soldiers who perished in the Tuscania disaster.” Within a year, the monument at Mull on the island of Islay was dedicated to the American soldiers who died and the Glasgow Islay Association published a photographic book of the graves of Tuscania victims. This book was compiled as a “labor of love” by the association and offered to any family member of a lost loved one. On Memorial Day 1920, “Natives [sic] from miles around” Scotland gathered “about the simple graves of those several hundred fighting men, victims of the ill-fated transports Otranto and Tuscania” to pay their final respects on the isle of Islay.

Graves of American soldiers that died in the sinking of the Tuscania, at Port Charlotte, Island of Islay, Scotland, Islay History.
Graves of American soldiers that died in the sinking of the Tuscania, at Port Charlotte, Island of Islay, Scotland, Islay History.
tuscania-american-plaque
A plaque at the Tuscania and Ortranto memorial, isle of Islay,  Armin Grewe.

Today, the memorial on the isle of Islay is still standing, a fitting tribute to the resolve of those brave individuals who helped save lives, sadly went missing, or perished in the waters. The Tuscania bombing and its aftermath serve as a reminder that war carries a deep human cost, not only to those who die but to those who live with the grief of the loss of a son, father, brother, or friend. It also highlights the ways in which those from the Hoosier state find themselves halfway across the world, risking life and limb for their country during some of humanity’s darkest hours.

 

Hoosier State Chronicles: The Series | From Drifter to CEO: The Remarkable Life of Henry C. Ulen

The life of Hoosier industrialist Henry Ulen seems like a movie—a person of little education and resources who uses his raw talents and savvy to build a massive business empire, who then comes back to his hometown to share the fruits of his success. Perhaps it was his years drifting from town to town on the railroads as a young man that inspired a sense of community, of needing a place to call one’s own. As such, his business ventures were all about providing places with the tools they needed to build communities and wealth of their own. And today, over 120 people still call the town of Ulen home, with the golf course still serving as a hub that brings the community together. The life, work, and charity of Henry C. Ulen exemplified the true meaning of “Hoosier Hospitality.”

Learn more Indiana History from the IHB: http://www.in.gov/history/

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Credits: Written and produced by Justin Clark.

Music: “Forest” by Vlad Gluschenko, “Wanderlust” by Scott Buckley, “Chess Pieces” by Silent Partner, “Saturday Groove” by John Deley, “Lake Eerie” by Silent Partner, and “Purpose” by Jonny Easton

Continue reading “Hoosier State Chronicles: The Series | From Drifter to CEO: The Remarkable Life of Henry C. Ulen”

Death Through the (P)ages: Funeral Homes in Indiana

Muncie Funeral Parlor, 1910s. Indiana Memory.

During the month of Halloween, it seemed fitting to do a blog about the history of funeral parlors and funeral homes in Indiana. The funeral parlor, or funeral home, became a mainstay of American life in the late nineteenth century and into the early twentieth century. Before that, most American families held a wake (now called a “viewing”) in their home, in a room often named the parlor. Then, they were either buried on the family homestead or in the cemetery by their church. The Civil War changed that; massive numbers of dead soldiers from across the country prompted new funerary practices, such as embalming and preserving for long trips. After the war, industrialization, urbanization, and the rise of the middle class facilitated further modernization of funerals. It was here that the funeral parlor, or funeral home, became the norm. In this blog, we will share with you how the funeral homes of Indiana’s past often advertised themselves in newspapers and how they developed into the modern, standardized industry that they are today.

Isaac Ball, the co-founder and first president of the Indiana Funeral Directors Association. Find a Grave.
Terre Haute Saturday Evening Mail, May 21, 1881. Hoosier State Chronicles.

The modern Indiana funeral industry began in the 1880s, with the establishment of the Indiana Funeral Directors Association (IFDA). It was founded in 1880-81 by a group of undertakers led by funeral pioneer Isaac Ball. Ball and company wanted to modernize and standardize their practices, making it less macabre and more inviting to the public. One of the first steps that they took was a name change. No longer would leaders within the industry refer to themselves as “undertakers;” the preferred term under the IFDA was “funeral director,” hence the organization’s name. In fact, the Bloomington Progress even published as much in their June 1, 1881 issue: “An undertaker will hereafter be known as a ‘funeral director,’ at least that is the name the State organization has assumed.” Ball served as the IFDA’s first president at their first annual convention in Indianapolis. The Terre Haute Saturday Evening Mail published a short mention of the conference in their May 21 1881 issue, ironically noting that “It was an odd coincidence that the State Medical Association was in session at the capital at the same time.”

Coots and Willey’s Funeral Parlor, Jeffersonville, Indiana, 1897. Indiana Memory.

While “funeral director” became the accepted industry term, it took a few years for funeral homes around the state to use the term. Some of the earliest uses of “funeral director” found in Hoosier State Chronicles are in the Indianapolis News. Its April 21, 1899 issue printed a funeral director section on its classified page; similar funeral director sections from the classified pages can be found in 1916 and 1918, respectively. Individual funeral directors, such as Indianapolis’s Frank W. Flanner & Charles J. Buchanan, adopted the term as early as 1888.

Crawfordsville Weekly Journal , June 14 1901. Hoosier State Chronicles.

These examples are the general listings for funeral homes and funeral directors; there are also many newspaper advertisements that document the change in funeral homes over time. One of the earliest paid ads found in Hoosier State Chronicles was for the Athens Funeral Parlor, run by William D. McClelland in Crawfordsville, Indiana, in 1901. McClelland fully purchased the business in June of 1901 and published a formal announcement in the June 7 issue of the Crawfordsville Journal:

Having purchased the Interest of my partner, W. W. McCann, in the undertaking business, situated on south Water street, (Thomas block) I submit my services to the public of this city and county, competent in the business and profession which each and every family have to support sooner or later. My equipments [sic] are of the best, and stock first class, and at reasonable prices, and each one will be treated with only kindness and respect. Death comes to all and the great responsibility of the care is taken from the family in this sad and distressful hour. Hoping that you may feel when you place your confidence in me that it will be for carried out to the letter,

I Remain Your Friend

W. D. MCCLELLAND.

Crawfordsville Weekly Journal, May 2, 1902. Hoosier State Chronicles.

Another ad ran in a 1902 issue of the Crawfordsville Journal. The later ad provided more details on the staff of the funeral parlor. Alongside McClelland’s title as “proprietor” and “licensed embalmer.” He also employed a “lady assistant” (to prepare the bodies of deceased women and girls) and a business assistant named James H. Robbins.

Indianapolis Recorder, January 12, 1907. Hoosier State Chronicles.
Indianapolis Recorder, February 9, 1907. Hoosier State Chronicles.
Indianapolis Recorder, July 11, 1914. Hoosier State Chronicles.

One demographic well documented in Hoosier State Chronicles, in regards to funeral homes and directors, is the African American community. George W. Frierson, originally from Nashville, Tennessee and then Louisville, Kentucky, established a funeral parlor at 632 Indiana Avenue (near the Walker Theatre) in 1907. The first published ad for Frierson’s funeral parlor ran in the January 12, 1907 issue of the Indianapolis Recorder. About a month later, a new ad ran in the Recorder confirming that Frierson partnered with James B. Garner, an embalmer. Frierson served as the “proprietor” and Garner as the “manager.” Like McClelland back in Crawfordsville, they also had a “lady attendant.” Frierson maintained his funeral parlor until at least 1914, at which point it was located at 642 Indiana Avenue.

W. A. Gaines Funeral Home, Evansville, Indiana, 1920. Indiana Memory.
Portrait of W. A. Gaines, 1920. Indiana Memory.
Evansville Argus, September 26, 1942. Hoosier State Chronicles.

Another key African American funeral parlor owner was Wallace A. Gaines of Evansville. Gaines founded the W. A. Gaines Company in 1918 with wife Tillie Y. Gaines and Rudolph D. O’Hara and $5,000 in initial capital, according to the Indianapolis News. It ran ads in Evansville newspapers for decades, with the particular ad in the September 10, 1938 issue of the Argus being an example. Gaines died in 1940, but his funeral home operated until at least 1989, when the last mention of its operation was made in the Indianapolis Recorder. It was then run by Michael J. Bluitt, who owned the funeral home and served as one of IFDA’s presidents.

Richmond Palladium, October 26, 1914. Hoosier State Chronicles.

While funeral parlor ads generally represented newspaper coverage, pithy anecdotes also made the cut. An interesting story out of Chicago and published in the Richmond Palladium noted that “Eighty women, playing cards for a prize, adjourned their game to an undertaking room and continued playing . . . with several coffins . . . .” The ladies moved to the funeral parlor “after the police had broken up their game at the home of Mrs. Clara Dermot.” It is unclear whether or not the coffins were occupied.

South Bend News-Times, January 26, 1915. Hoosier State Chronicles.

Up in the north, the city of South Bend maintained a few funeral parlors in the early 20th century. Harry L. Yerrick ran a funeral business in the 1910s in South Bend, as sort of a jack-of-all-trades with funerals. In a 1915 ad in the South Bend News-Times, Yerrick declared that “I am as near to you as your telephone” and cited multiple services, including a chapel, an ambulance, and a carriage. Yerrick died in 1920 and Clem C. Whiteman and Forest G. Hay took over the business. Whiteman owned a wholesale grocery company and Hay was the partner given “active charge of the business for the present.” In September of 1920, James H. McGann joined the business as their “licensed embalmer”, holding “one of the highest grades in the state” for his profession. Over the decades, McGann eventually created his own funeral home business while Hay’s also flourished. In 2005, after multiple generations of their respective businesses, they merged to form the McGann-Hay Company. The funeral home is now based in Granger, Indiana. What started as one guy’s profession became a decades-long, family-run business that still operates today.

Casket With the Body of a Young Woman named Clara, Spiceland, Indiana, 1900s. Indiana Memory.

By the late 1920s, newspapers published more elaborate, detailed funeral home ads to share the services they offered. John A. Patton’s Funeral Home on Boulevard Place ran an ad describing its “thoughtful service” in the February 12, 1927 issue of the Indianapolis Recorder. The ad declared:

After the last rites are said over a departed relative, and the family recalls with comforting satisfaction the smooth attentive manner in which everything was executed, then comes a realization of the assuaging helpfulness of the thoughtful funeral director.

It is this faithful service that endears the funeral director in the hearts [of] families and in such manner we have built up our business. Our desire always is to serve in a thoughtful dignified way.

Indianapolis Recorder, February 12, 1927. Hoosier State Chronicles.

The texts reads like a service itself, with keen attention paid to the grieving families and an emphasis on dignity and thoughtfulness. This wasn’t the only ad from the period like this. When Nannie Harrison reopened her late husband’s funeral parlor in 1929, she published a nearly half-page ad in the Recorder. Pitching it as the “most modern funeral parlor,” Harrison’s ad proclaimed that families “will be satisfied at so complete a service for the benefit of those who mourn the loss of their loved ones . . . .”

Knightstown Buggy Company Catalog, 1920s. Indiana Memory.
Indianapolis Recorder, January 19, 1929. Hoosier State Chronicles.

This trend continued into the 1930s. The Willis Mortuary in Indianapolis published an ad in a 1936 issue of the Recorder that called it their “honor to serve you in your hour of bereavement” and “endeavor[ed] to live up to your greatest expectations.” Nearly a decade after the illustrious grand reopening of the Harrison funeral parlor, brothers Plummer and Carey Jacobs opened up their Indianapolis Funeral Home on October 30, 1938. Two days before, they took out a whole-page ad in the Recorder to inform the public of their formal opening, including a full program of events and photographs of their new facilities. A few days later, the Recorder ran an unsolicited article about the Jacobs Brothers Funeral Home grand opening. “Marking another milestone in the increasingly brilliant parade of business activities among colored persons,” the Recorder reported, “thousands of persons swarms the new eastside funeral home of Jacobs Brothers in an unbroken stream Sunday.” They further added that the “general comment is that this is finest funeral home in the city for our people.” The Jacobs brothers had joined a long, historic line of groundbreaking, African-American funeral directors in Indianapolis.

Indianapolis Recorder, October 29, 1938. Hoosier State Chronicles.
Indianapolis Recorder, November 5, 1938. Hoosier State Chronicles.

As the 1940s went along, not only did funeral home ads get more detailed, but the funeral home section did as well. A 1949 issue in the Indianapolis Recorder dedicated an entire newspaper column to fully detailed and illustrated funeral home ads, for such businesses as the Willis Mortuary, King & King Funeral Home, and the aforementioned Jacobs brothers. However, some papers, like the Sullivan Daily Times, stuck to a more simple approach to funeral homes, with one, non-detailed ad for the McHugh funeral home and a smaller ad for M. J. Aikin & Son.

Indianapolis Recorder, November 26, 1949. Hoosier State Chronicles.

Speaking of the King & King funeral home, one of their more unique ads ran in the winter of 1951. King & King released a full-page ad on December 22 wishing the community a Merry Christmas. It came with a holiday message, much akin to a greeting card, and advertised the funeral home at the bottom, emphasizing their “Ambulance Service.” Now, if this strikes the reader as odd, other funeral homes engaged in this practice. As an example, a December 1963 ad in the Wolcott Beacon from the Foster Funeral Home wished readers a happy new year. They didn’t, however, advertise their ambulance service.

Indianapolis Recorder, December 22, 1951. Hoosier State Chronicles.
Wolcott Beacon, December 26, 1963. Hoosier State Chronicles.

The 1960s brought further experimentation to funeral home ads in newspapers. A rather clever ad in the Greencastle Daily Banner displayed the Whitaker Funeral home, who used their ad space to share with readers a short fable. “Experience is a bad teacher,” the story declared in its final line, “she gives the test first; the lesson afterwards.” Using ad space to share an amusing homily while advertising a funeral business appears inappropriate, but it actually elicits from readers a humble, personal connection that personifies the best in advertising.

Greencastle Daily Banner. February 19, 1968. Hoosier State Chronicles.
J. A. DeMoney & Son Funeral Parlor, Columbia City, Indiana, circa 1960. Indiana Memory.

Ads and business articles about funeral homes comprise the majority of coverage in newspapers, but occasional editorials surfaced as well. In the April 21, 1972 issue of the Jewish Post, Rabbi Maurice Davis wrote a heavily critical editorial concerning a funeral practice, not of the directors, but of the visitors. Entitled, “Visiting at Funeral Parlor as Un-Jewish as They Come,” Rabbi Davis lambasted the practice of a “wake” the night before a funeral, arguing that the “pre-funeral chapel visitation” goes against Jewish traditions of shiva (meeting with the family at their home after the funeral) and violates the mourners’ rights to privacy. “I only wish,” Rabbi Davis wrote, “that more of our people would know the origin, and move away from the practice of this distasteful custom.” The wake has continued to be a common practice at funerals since Davis’s time, but his editorial educates readers on traditional Jewish funeral practices.

Jewish Post, April 21, 1972. Hoosier State Chronicles.

Circling back to advertising, funeral homes often used their newspaper space to celebrate their anniversary as a business. The Hopkins Funeral Home put out an ad in the Greencastle Banner Graphic in 1973 celebrating their 20th anniversary. “We are proud of the reputation for dependability that we have in servicing Putnam County for 20 years. Feel confident in turning to us in your hour of need,” the full-page ad lauded.

Greencastle Banner Graphic, December 13, 1973. Hoosier State Chronicles.

Ads from the 1980s and 90s highlighted the benefits of pre-arranging funerals, an expanding practice during the last 30 years. Summers Funeral Chapels published an ad in the Indianapolis Recorder in 1989 selling the benefits of pre-arranged funerals, noting that “making arrangements ahead of time has become the smart thing to do.” The Meridian Hills Mortuary sent out an ad in a 1994 issue of the Jewish Post that also advocated for pre-arranged funerals. “Arranging a Funeral in advance of need is becoming more and more a choice of those who wish to relieve their family of the burden of making those arrangements at a time of emotional stress,” the ad stressed. This trend continued into the 2000s as well, with the Stuart Mortuary and the Washington Park North Cemetery and Funeral Center urging patrons to consider a pre-arranged funeral plan.

Indianapolis Recorder, January 14, 1989. Hoosier State Chronicles.
Jewish Post, February 9, 1994. Hoosier State Chronicles.

For over 120 years, funeral homes and funeral directors have gone from a small, burgeoning family enterprise to big business. Nevertheless, the focus on dignity, customer service, and the importance of family continued in the pages of newspaper ads. Whether it was Isaac Ball and the IFDA re-configuring an industry or modern funeral homes pitching pre-arranged funeral plans, the emphasis on being a caretaker for the bereaved has never wavered. Death is a sore topic of discussion; people fear it and often ignore it altogether. Yet, it’s as much as a part of life as a birth, a graduation, or a wedding. It also helps us understand how we live, as a culture. Funerals changed as America, and Indiana, changed; they evolved from mostly rural and familial affairs into urban and professionalized practices. In sharing this history, as it unfolds in the pages of newspapers, we understand a crucial part of Hoosier life over the last century.