Tag: Shirley Purvitis

“I’m Lonely! Please Write:” The Search for Solidarity and the Indiana Crossdresser Society (IXE)

Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

A note on terminology: This post examines gender non-conforming or gender-questioning individuals. This includes those who identified as “cross-dressers [CDs],” male/female “impersonators,” “transvestites [TVs],” “transsexuals [TSs],” and, in modern terminology, “transgender.” When unsure about how individuals identified or what pronouns they preferred, they will be referred to as the name that appears in relevant publications.

For gender non-conforming Hoosiers, the pursuit of kinship and shared identity was often fruitless, if not outright dangerous. Before the connectivity of the internet and the advocacy of organizations like Indiana Youth Group and GenderNexus, many were bereft of social opportunities and emotional support. Beginning in 1987, the Indiana Crossdresser Society (IXE) served these Hoosiers by providing social forums and offering resources to individuals struggling with gender identity. The group also challenged instances of discrimination within and outside of the LGBTQ community.

The Works newsletter provides a bit of insight into early Hoosier female impersonators (at least in predominantly-white areas of Indianapolis), who performed at bars along Virginia Avenue from the early 1900s until World War II. Articles in 1982 remarked on the resurgence in popularity of impersonators, noting that the Alley Cat Lounge and Disco had begun hosting weekly shows. By the mid-1980s, however, The Works reported that the queer community had been gatekeeping gender non-conforming or gender-questioning individuals, approximately 20,000 of whom lived in Indianapolis. In a 1984 Works article, Jim Chaffin—a gay, cisgender man—chastised the “drag queen” mentality among Indiana’s LGBTQ community. He implied that because society considered gay individuals too effeminate “more ‘normal’ acting gays” needed to come out. Couching his criticism in masculine rhetoric, Chaffin alleged of those who kept their identities private: “you guys don’t have the b*lls to just go ahead and say what you are.”

In the following issue, Roy Pershing, also known as LaNora Takie, fired back at Chaffin’s narrow view of queerness and Chaffin’s insistence that masculine gay men live publicly. The author noted that while Chaffin likely had good intentions, it is the “individuals’ business and no one else’s,” that:

‘We are told that we are wrong everyday by straights and others; so is it necessary for this kind of behavior to go on within the community?’ Furthermore, ‘Could you please tell me what your idea of a normal acting gay person is? Is it an overweight, big mouth who runs a male wh*re house or is it someone who dresses in leather from head to toe? . . . To me, a normal acting gay person is a person who is himself and doesn’t run around forcing him or her lifestyle’ on others.’

The author also felt that Chaffin’s use of “drag queen” was derogatory, and that Pershing/Takie considered themself to be an “entertainer” and “impersonator.”

Facing alienation in the Indianapolis area, some Hoosiers like Betty and Lori attended meetings in Cincinnati hosted by Cross-Port, a group that provided support and social opportunities for gender non-conforming people. According to Cross-Port’s newsletter InnerView, Lori was one of the first Hoosiers to attend these meetings, where she “stood close to seven foot in those spike heels, and spent much time ducking the beams in Heather’s basement.” By early 1987, Betty and Lori helped form a similar group in Indianapolis, called Iota Chi Sigma, better known as the Indiana Crossdresser Society (IXE). About thirteen people attended this first meeting, presided over by Chairperson Laura, who “received special recognition for wearing a dress.” In a Q&A published in InnerView, IXE described itself as a “gender group interested in helping gender conflicted persons in the context of a social meeting.” This included a broad range of individuals, who could “be anybody from the transvestite who just wants to wear womans [sic] panties to the transexual person who believes themselves to be of the opposite sex.” Cross-Talk, the “gender community’s news and information monthly,” remarked that IXE members, feeling that the “gender community was always too hard on itself,” sought to “show a ‘happier’ side.”

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, 1989, H1, accessed Newspapers.com.

After their first gathering, IXE met the first Thursday of every month at the 21 Club, and within a year, attendance outgrew that of Cross-Port. InnerView noted that Cross-Port members sometimes traveled from Cincinnati to Indianapolis to attend IXE meetings and Christmas parties. While in town, visitors shopped at Glendale Mall and Stuart’s Shoes, and participated in fashion shows at the downtown Hyatt Regency. One self-conscious visitor reported that they were treated courteously at these shops.

By 1989, IXE had over 100 members residing in the tri-state area—which included Kentucky—helping forge a social network of support for the marginalized community. According to an Indianapolis Star piece entitled “Cross-dressers Seek Society’s Acceptance,” most members were heterosexual men experiencing “gender conflict,” and came from a variety of professions, including carpentry, business, and law enforcement. The paper noted that once a month, about thirty members socialized at a Westside apartment clubhouse, many bringing their spouses. At one meeting, cosmologists gave members make up tips. At another, police officers advised them on how to avoid a “scene” in public.

The Star piece profiled IXE member Sharon Allan, who spent about 30% of his life dressing as a woman, undergoing “painful electrolysis” to achieve smooth skin, perming his hair, and piercing his ears. Sharon married his high school sweetheart, Ann, who knew about his cross-dressing from the beginning of their relationship. On their first date, she removed the choker from her neck and placed it around his. Ultimately, the couple divorced because Ann felt that although Sharon “is a wonderful person . . . his cross-dressing left no room for me as a woman in the marriage.'” Despite this blow, Sharon chose to be transparent about his identity with his young son in order to facilitate trust, stating, “‘I came to decide there was nothing wrong with what I was doing. There was nothing wrong with feeling feminine, inside or out.'”

Adam, a middle-aged health care professional, did not share Sharon’s perspective. According to the Star article, he began wearing women’s clothes as a teenager, but reported, “It’s not something I want to do. I got tired of feeling bad about myself. There were times I couldn’t control it.” Despite undergoing aversion therapy, Adam continued to dress in feminine clothing. His wife divorced him when she found out, and Adam noted, “It felt degrading to her and me as well. The discovery certainly was unpleasant. And it didn’t feel good to me. It was shaming.” Rita could empathize with Adam’s despair, having experienced two painful divorces. The northern Indiana police officer considered ending his life. Unlike Adam, Rita ultimately concluded that, despite having to keep the crossdressing aspect of his life private, “I wouldn’t give it up. If there was a magic pill, I wouldn’t take it.” The Star profile noted that Rita had begun wearing feminine clothing in elementary school. While in the Marines, he was able to shave his arms and legs “without attracting undue attention from his fellow leathernecks.”

Despite their personal struggles with shame and acceptance, gay bars afforded gender non-conforming Hoosiers a degree of shelter from harassment and discrimination. The Star noted that the venues were particularly important to this minority group because they provided a “place where men won’t try to pick them up.” However, these spaces dwindled when the 21 Club and G.G.’s closed, which according to the New Works News, prompted an influx of gender non-conforming patrons to other local gay bars. As demographics changed, some bar owners implemented exclusionary policies, perhaps reflecting the assertion of transgender activist Evan Greer in her 2018 piece for The Washington Post, that historically “the predominantly white, cis, gay, male leadership saw trans people as a threat to their slowly but surely growing social and economic political power.” Perhaps these discriminatory measures were an attempt to safeguard this hard-fought increase in social “legitimacy.”

In 1989, the New Works News reported on the fallout of the bar closings. Articles reported instances in which bar owners refused to serve cross-dressing and transgender individuals like Roberta Alyson and Kerry Gean. Dressed as the “woman I am deep inside of my biological male self,” Gean and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served.

Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. The officer crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. The officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer. Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.”

Alyson received assistance from IXE, of which she was a member. That year, IXE had “joined Justice, Inc., a statewide umbrella organization for support and activist groups working in and with the gay/lesbian community. Justice has a full time lobbyist at the state capital.” Forging such partnerships would prove critical in challenging discrimination. With Justice’s help, IXE initiated a series of meetings with bar owners, excise police, and allies like the Indiana Civil Liberties Union. These gatherings provided a forum to exchange perspectives and to gain a better understanding of excise laws.

The groups initially gathered in July for a meeting facilitated by police officer and community liaison Shirley Purvitis. Remarking on the conflict within the queer community, she noted in the Star profile that crossdressers are “‘professional people with good jobs. They’re taxpayers. A lot of them have families. It’s time we started learning about them.'” As expected, the meeting was tense. Some owners claimed that they implemented policies, like denying entrance to those whose photo I.D.s did not reflect their apparent gender, because they feared breaking excise laws and making their businesses vulnerable to legal issues. Responding to these concerns, Excise Chief Okey reassured that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.”

Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

Other bar owners stated blatantly that they refused to admit these patrons because they intended to “‘preserve the established atmosphere of their bars.’” A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Our Place owner David Morse sympathized with the 501 Tavern representative. He complained at a later meeting that new patrons had filled his bar with “boisterous, outrageous drag queens in double Dolly Parton wigs and that their presence was very disruptive” to the bar’s masculine ethos.

Works writer E. Rumbarger came away from this first meeting with a greater understanding of those who had been excluded from gay bars. Prior to attending, he had mused, “Did they eat their young? . . . Did they have two heads?” However, he was “very surprised and pleased to find that they were simply a group of very relaxed and congenial people who were ‘doing their own thing. . . . These men quite simply looked and acted like women or to be more precise—ladies.” He added that he could not fathom how any establishment would “object to their presence” and urged that “Greater knowledge and understanding is needed (and quickly) in the gay community regarding the wide diversity of groups that make up the community.” Similarly, Stan Berg, Works publisher and owner of the Body Works bath house, addressed Dee Gordon’s editorial, which criticized the push for greater inclusion. Berg opined that Gordon had articulated the:

feelings and actions of another owner of a gay business who, at one time, and for many years, kept out drags. Now, whether old age, an increasing tolerance for gays of all persuasions, or just the realization that bigotry was wrong, actually changed this business owner’s mind, I can’t tell you. But, that business owner is me. The bottom line is that your arguments are bigoted bullsh*t. My own reasons for keeping drags out of THE WORKS for seven years were also bigoted bullsh*t.

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, 1989, H1, accessed Newspapers.com.

While the initial meeting spurred greater understanding among certain individuals, it failed to resolve turmoil within the broader community or result in specific policy reform. Upon IXE’s request, Justice, Inc. conducted a survey of those parties involved in the conflict and hosted a subsequent workshop in September. This workshop provided an opportunity to discuss injustices experienced by various groups within the community. Many voiced their anguish about discrimination within the lesbian community, against persons with AIDS, and along racial lines. At the center of the meeting, however, remained the exclusion of gender non-conforming individuals. IXE vice president Sharon Allan detailed the trials faced by crossdressers and drag queens, noting that they “are currently experiencing problems which the gay community faced years ago.”

However contentious, these meetings led to the reversal of policies at some bars and helped open the door to acceptance for other gender non-conforming individuals in Indianapolis. IXE members reported in September that they encountered less hostility at local establishments. Although bars like The Varsity maintained stringent policies, Tomorrow’s was much more welcoming. And while Jimmy’s did not reverse its I.D. policy, employees were more lenient about its enforcement. Roberta Alyson patronized the bar with a friend, who was also dressed in “female attire.” When the server approached, this friend instinctively searched their purse for identification, to which their server said “’Don’t worry about that, honey, we don’t do that kind of discriminating here.’” The Works noted that this action “on the part of Jimmy’s shows that people can change their mind” and should be commended for doing so.

Booth at Pride Week Picnic, New Works News, August 1989, 13, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

As the 1980s came to a close, the queer community seemed more tolerant—and perhaps welcoming—of gender non-conforming individuals. The Works announced in January 1990 that the owner of the 21 Club was opening 3535 West, which would “cater to all segments of the gay community.” The piece added, “Now that Indianapolis will finally have a gay meeting place where everyone is welcome, perhaps our gay visitors from out of town who have avoided coming here in recent months because of all the discriminatory nonsense taking place in some of the local bars, will once again return to Indy for a renewal of good times shared in the past.”

In 1990, at the first large outdoor Pride celebration, which took place on Monument Circle, people who staffed IXE’s booth reported that they were generally accepted, if not entirely understood. An unidentified member mused in the Works:

‘We all had lots of fun watching and talking. More often than not people would come up to our table and say hello and then look at what was on display and read the titles of the magazines and books, see the word ‘crossdressing’ and then look up at us and then down at the book and then back at us as a look of surprise and realization passed across their faces. . . . One girl was talking with Emily for five minutes before she looked down and saw the title ‘Understanding the Crossdresser’ and said with utter surprise, ‘Oh, I get it! You’re a guy! That’s cool. You know, I never understood why I can wear anything I want and guys can’t wear skirts.’

Similarly, public acceptance of crossdressers increased slightly following media profiles like that published by the Indianapolis Star about IXE. The feature’s author marveled that not only did she not receive vitriolic phone calls from readers after its publication, but got calls asking for more information about IXE. Indeed, Genny Beemyn contended in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged. Beemyn noted that this movement was “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”

Dan Riley, courtesy of Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129, accessed Digital Transgender Archive.

Reflecting this movement, the Louisville Gender Society was formed in 1992, serving people living in southern Indiana and Illinois, as well as Kentucky. At the same time, IXE’s membership notably increased, as gender non-conforming Hoosiers searched for solidarity. In a 1991 Tapestry issue, Gloria C., a 33 year-old “transvestite” who lived in a small town, pleaded “I’m lonely! Please Write.” The auto racing and fishing fan hoped to meet “TV/TS” friends. IXE drew members like Michelle Michaels, a 40-year-old self-described transvestite who struggled with addiction resulting from the “guilt, shame, & confusion” of crossdressing. After getting sober, Michaels—who had three children and a supportive wife—joined IXE because of an ongoing struggle with “acceptance, self-esteem and balance.” Member Vickie Mansfield, “a young 47,” was involved in the Catholic Church, enjoyed “fine wines,” and was only “recently out of the closet.” Dan Riley, a 40-year-old “female-to-male” crossdresser, who enjoyed hiking and t’ai chi, joined the organization, in part, because Dan liked “helping others ‘coming out.’” Indianapolis funeral service supplier Yvonne Cook was not only a lifetime member IXE, but a leader and board member of the International Foundation for Gender Education.

IXE served such members until at least 2005. Although, no longer an organization as of 2023, IXE provided solidarity to so many Hoosiers in distress or suffering from loneliness. Additionally, its members’ activism and willingness to facilitate discussion helped change public perceptions about gender non-conforming individuals and contributed to greater inclusivity within the LGBTQ community. The struggle to obtain societal acceptance and secure civil rights in Indiana endures, as evidenced by recent debates about gender-affirming medical practices. Like the Indiana Crossdresser Society, groups like Trans Solutions Resources and Research, continue to fight, in the words of Sharon Allan, for “‘Life, liberty and the pursuit of happiness. It’s a fundamental right.'”

 

Sources:

Genny Beemyn, “Transgender History in the United States,” in ed. Laura Erickson-Schroth, Trans Bodies, Trans Selves, p. 28, accessed UMass Amherst.

Cross-Port InnerView (March 1987, June 1987, July 1987, August 1987, December 1987, July 1988, November 1988, January 1991, August 1991, September 1991, December 1992, June 1995, June 1996), Digital Transgender Archive.

Cross-Talk: The Transgendered Community’s Newsletter (September 1991, July 1992), Digital Transgender Archive.

Editorial, Jim Chaffin, “‘Hoosier Gay Boy, Come on Down!,'” The Works (October 1984): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

“Indiana,” Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 78 (Winter 1996): D38, accessed Digital Transgender Archive.

“National Gender News,” Renaissance News 3, no. 1 (January 1989): 9, accessed Digital Transgender Archive.

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, November 26, 1989, 115, accessed Newspapers.com.

“North American Support Groups,” Lady Like (Winter 2005): 44, accessed Internet Archive.

Editorial, Roy Pershing/LaNora Takie, “Darts from a ‘Drag,'” The Works (November 1984): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

JoAnn Roberts, “The Iconoclast,” Renaissance News 6, no. 9 (September 1992): 7, accessed Digital Transgender Archive.

Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129-130, accessed Digital Transgender Archive.

Nicole Poletika, “’Walk a Mile in Their Pumps:’ Combating Discrimination within Indy’s Queer Community,” October 7, 2020, accessed Untold Indiana.

Draft, Nicole Poletika, “’Walk a Mile in their Pumps:’ Combating Discrimination within Indianapolis’s Queer Community,” 2022 Queer History Conference paper, accessible here.

Cultivating a “Usable Past:” Insights from the 2022 Queer History Conference

Conference program, a preliminary list of sessions can be found here.

From June 12-14, scholars from all corners of the globe—including Cape Town, New Delhi, Toronto, Berlin, Peru, and Amsterdam—convened at San Francisco State University. Among them were Indianapolis historians Sam Opsahl (he/him), Jordan Ryan (they/them), and myself (she/her). The reason for this meeting of the minds?: the second ever Queer History Conference (QHC). Amidst the surreal beauty of the campus, lined by Muir Woods’s iconic redwood trees, we discussed universal research questions, learned about novel methodologies, and shared valuable resources. Considering how new the field of queer history is, I would be remiss not to discuss the insights gleaned at the QHC, many of which could be applied to various historical projects.

QHC attendees were a uniquely welcoming and curious bunch, although we were slightly intimidated by the number of people who decided to forgo compelling sessions like “Queering Women, Sex, and Youth in Colonial Settings” and “Legal Consciousness in Mid-Twentieth Century Queer and Trans History” in order to attend our panel. However, we felt immediately at ease presenting about those living on the margins of Indianapolis’s queer community, especially because our moderator Dr. Eric Gonzaba gave credence to Kurt Vonnegut’s observation that “wherever you go there is always a Hoosier doing something important there.”* Now an Assistant Professor of American Studies at California State University-Fullerton, Dr. Gonzaba grew up in rural southern Indiana and earned his BA from Indiana University. In his introduction, Dr. Gonzaba aptly noted that Indiana’s place in American queer history has been cemented both by the groundbreaking work of the Kinsey Institute and the controversial passage of the 2015 Religious Freedom Restoration Act.

Jordan Ryan, architectural historian, activist-scholar, and founder of The History Concierge, kicked off our session. Ryan adapted their presentation from their paper, co-authored with Dr. Paul Mullins for the Journal for the Anthropology of North America, entitled “Imagining Musical Place: Race, Heritage, and African American Musical Landscapes.” Ryan focused on the erasure of Black cultural sites along Indiana Avenue, including venues like the Pink Poodle (later the Famous Door) and Log Cabin, which hosted popular drag shows in the first half of the 20th century. Ryan noted that although female impersonators were popular in vaudeville revues, “moral ideologues sometimes resisted openly queer drag performances.” This was reflected in one Indianapolis Recorder editorial about a show at the Paradise that attracted an audience of 2,000. The opiner wrote that “‘fairy’ (fag) (pansy) public stage show and dance . . . was a disgrace to this community.” Ryan concluded that:

Like much of the complex expressive culture that flourished on Indiana Avenue, female impersonators have not found a place in the public memory that has been crafted by ideologues whose representations of jazz have revolved around a very narrow dimension of the Indiana Avenue musical experience.

Following Ryan’s analysis of the built environment and public memory, I presented my work about the exclusion of gender non-conforming individuals at Indianapolis gay bars and the queer community’s effort to grapple with this discrimination. (A draft of my paper can be read here). On separate occasions in 1989, Our Place refused to serve patrons Kerry Gean and Roberta Alyson, resulting in public humiliation and, in Alyson’s case, arrest. Bar employees refused service on the grounds that Gean and Alyson—members of the Indiana Crossdresser Society (IXE)—did not meet dress code and their identification did not match their female-presenting appearance. Our Place was by no means the only Indianapolis gay bar to implement these policies and soon the pages of gay newsletter The Works teemed with editorials about the conflict. The majority of them condemned this discrimination, likening it to the prohibition of Black individuals at Riverside Park, while some agreed that such policies were necessary to preserve the bars’ masculine atmosphere.

Perhaps ironically, it was Indianapolis police officer and community liaison Shirley Purvitis who facilitated a meeting to try to resolve issues between “certain segments of the gay community.” Bar owners, IXE members, IPD vice officers, and members of the Indiana Civil Liberties Union and Justice, Inc. shared their experiences and discussed excise law. Although contentious, such meetings, coverage in The Works, and one-on-one meetings between IXE members and bar owners, led to the reversal of policies at many bars. The conflict illuminated the value of forums and facilitators and demonstrated how amplifying multiple perspectives resulted in greater inclusion.

Sam Opsahl, program coordinator for Indiana Humanities, concluded our panel, presenting a paper adapted from his 2020 thesis, “Circle City Strife: Gay and Lesbian Activism during the Hudnut Era.” He highlighted the work of Justice, Inc. leader Kathy Sarris, noting that she “worked to insert the queer community’s narrative into public spaces by celebrating the gay and lesbian minority in public.” Opsahl positioned Sarris at the center of the local rights movement, ensuring that she will not be forgotten, unlike many lesbian activists whose work has been overshadowed by that of white, male leaders belonging to the middle class.

In 1983, through the Indianapolis Gay/Lesbian Coalition (IGLC), Berg and Sarris secured a meeting with Mayor William Hudnut, where they presented a list of seven recommendations. This marked the first time an Indianapolis mayor met with gay individuals to discuss issues facing the greater community. While the closed door meeting did not produce the results they hoped for, Berg and Sarris left feeling that “at least a dialogue had been initiated that they would continue to pursue should Hudnut be re-elected.” Opsahl contended that:

Mayor Hudnut, Berg, and Sarris contested the space on Monument Circle via protests and community celebrations, which rendered Indianapolis’ queer community impossible to ignore. Hudnut’s visions of an entrepreneurial city were endangered by the public debacles on Monument Circle, police discrimination, and the HIV crisis. Activists established their own dreams for citywide recognition that conflicted with Hudnut’s.

In listening to my colleagues’ presentations, fielding thoughtful audience questions, and receiving feedback from Dr. Gonzaba, I gained insight about Indianapolis’s queer past in real-time. It occurred to me that each of the individuals we studied had had to navigate the internalization of white, cisgender, heteronormative ideals by the LGBTQ community. We were left to ponder questions, like “What makes Indianapolis’s community unique?” and “How do we best document and memorialize queer history in a conservative region, in which anonymity provides safety?” The examination of intersectionality, as it relates to queer history, is relatively new and we hope our panel contributed to this field of study.

With our session mercifully scheduled for the first day, I was anxious to learn about others’ research findings and methodologies for the duration of the conference. I found the “Strategies for Documenting and Memorializing Queer History” panel to be particularly enlightening, as University of Toronto Professor Elspeth Brown’s presentation made me rethink how we conduct and use oral history interviews. Dr. Brown spoke about implementing novel interview strategies, such as utilizing guided meditation in order to engage interviewee’s senses. She found that this practice allowed subjects to both reinhabit and meaningfully relay the past.

Dr. Brown and her team have also given much thought to the question of utility, asking themselves: “Is the main purpose of conducting interviews to create a primary source for future historians to draw upon? Or is their value entrenched in telling relevant stories to modern audiences?” Regarding the latter, Dr. Brown is mindful of a study that found people listen to only half of an oral history interview, regardless of whether it is one minute or three hours long. Therefore, her team tried to think creatively about how to capture listeners’ attention. They hired an illustrator and sound engineer to recreate settings described by interview subjects. Pairing the animated sequences with two minute interview segments provided a multisensory experience. Dr. Brown played one such clip for the audience and I think we were all stunned by how immersed we were in the story.

Slide from Professor Elspeth Brown’s presentation about novel oral history interviewing techniques.

While attention has certainly been paid to illuminating history through social media, San Francisco State University Master’s student Jesse Ataide’s presentation “Imagining the Queer Past on Instagram” probed issues unique to queer history. Ataide initially created his account @queer_modernisms to share interesting images he came across in his research, which focused on the period between 1890 and 1969. However, when the account rapidly grew in followers (it is now up to 26,000), he realized he needed to be more intentional about how he curated content. He became ever-mindful of the question “who and what is queer?,” noting that many images circulated online appear queer to the “contemporary eye,” but can easily be misinterpreted. These include fascist/Nazi images that glorify the male body and “same sex intimacy across different eras and cultures.” Ataide noted that the subjects of such images may have actively resisted the “queer” designation and that “unambiguous self-identification” is certainly the exception, not the norm. So, in order to avoid outing or misinterpreting someone’s sexual identity, he tries to “find mention or evidence of queerness in academic, published, or other authoritative sources before posting.”

He also discussed the importance of representation. Images of white, masculine, middleclass male subjects garner the highest rates of engagement, so he is currently strategizing how to amplify diverse content without losing his platform. Ataide left us with many insightful questions to ponder, especially about how best to create a “useable past.”

Jesse Ataide presenting issues that he grapples with regarding queer history.

My time at SFSU concluded with a roundtable comprised of both academic press editors and scholars whose work has been published by such presses. Larin McLaughlin, Editor in Chief at the University of Washington Press, emphasized the importance of vision when crafting and pitching a book idea. It is not enough that your topic has never been written about before, but you should able to articulate to a publisher how your work moves the field forward. Finding an editor that shares your set of goals is also crucial in executing your vision. McLaughlin encouraged writers to focus on interdisciplinary topics, as they appeal to audiences outside of history. Dominique J. Moore, Acquisitions Editor for the University of Illinois Press, noted that a well-executed introduction chapter goes a long way in convincing an editor to publish your work. She also advised crafting a table of contents that contains a summary of each chapter’s arguments and sources, as well as how the chapters relate to one another. When considering your audience, ask yourself, “What conference do I want to see my book at?” Write for those attendees.

Panelists also articulated the differences between trade and university presses. They noted that whereas trade presses typically have much bigger marketing budgets that can be used to quickly advertise your book to a broad network, academic presses provide longevity, as they continue to publish books long after the first printing. Similarly, trade presses sometimes present more obstacles to publication, as aspiring authors have to convince an agent who then needs to convince an editor about your work. For the self-doubting historian, their reassurance about the peer review process was liberating: ultimately, you can and should push back against critiques that you vehemently disagree with. You are the expert, after all.

Sam Opsahl, Nicole Poletika, and Jordan Ryan at Indiana’s first LGBTQ historical marker, Monument Circle, courtesy of Jordan Ryan.

In a field dominated by stories of stigma, violence, and oppression, the 2022 QHC provided a much needed opportunity to learn about LGBTQ individuals who thrived, helped build community, and furthered human rights. It was invigorating to be around scholars equally humbled and excited to be part of this nascent field. The conference also provided reassurance that I am on the right track in terms of respectfully telling balanced, accurate histories about LGBTQ Hoosiers. Likewise, it revealed to me that people genuinely are curious about queer life in the Midwest. But before delving back into the pages of The Works, this midwestern historian is closing her eyes and revisiting San Francisco’s winding roads, dotted with colorful condominiums and flanked by glimmering beaches.

* IUPUI anthropology professor Paul Mullins was originally slated to moderate our session. Although Dr. Mullins was unable to make it, he was with us in spirit and scholarship.

“Walk a Mile in Their Pumps:” Combating Discrimination within Indy’s Queer Community

Famous Door Kick Line
Performers at The Famous Door, an Indianapolis club known for its drag shows, ca. 1975, accessed The Michael Bohr Collection of the Indy Pride Chris Gonzalez Library and Archives, courtesy of the Indiana Historical Society.

“In our endeavors to attain social justice, we cannot afford the
destructive luxury of discriminating against one another.”

Justice, Inc., an LGBTQ+ rights organization, issued this statement in 1989 after some gay bars in Indianapolis refused to serve cross-dressing and transgender individuals.[1] The city’s queer community had already encountered and protested numerous challenges posed by law enforcement, including police harassment, surveillance of cruising sites, and possible prejudiced police work as homicide rates increased for gay men. Although gay bars afforded a degree of shelter from discrimination, not all were afforded the opportunity to patronize them.

While examining Indiana’s gay newsletter The Works, I came across recurring incidents of discrimination within Indianapolis’s queer population. In 1973, outspoken transgender rights activist Sylvia Rivera drew attention to these incidents on a national level at New York City’s Christopher Street Liberation Day Rally. Rivera had helped found the Gay Liberation Front and, with her friend Marsha P. Johnson, the Street Transvestite Action Revolutionaries (STAR) in NYC, which provided desperately-needed shelter and food for homeless trans youth.

In addition to advocating for people of color and the impoverished, Rivera advocated for white, middle-class men and women jailed because of their sexual orientation and/or gender identity. She also fought for the women’s liberation movement. Despite this, she was shunned for her attempts to include trans individuals in the broader gay rights movement. She famously addressed this ostracism after pushing her way on stage at the Liberation Day Rally. There, she passionately addressed the crowd, stating “I have been beaten. I have had my nose broken. I have been thrown in jail. I have lost my job. I have lost my apartment for gay liberation and you all treat me this way?” Her speech was met with a smattering of jeers and applause.

However, marginalized individuals within the queer community have been increasingly recognized through public artwork, Netflix documentaries, and seminars like The New Republic’s recent “Sex Workers as Queer History”. Cecilia Gentili, founder of Trans Equity Consulting and transgender actress in the Netflix show POSE, recalled in the seminar that gay men had significant power over transwomen and if you “weren’t fabulous enough” then you couldn’t get in the bar. She likened these experiences to the “criminalization of gender.” In this post, I examine similar incidents in Indianapolis, as well as strategies employed by the victims of discrimination to help secure rights for all.

Kerry Gean, dressed as the “woman I am deep inside of my biological male self,” and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served. After Gean’s experience, she asked readers in an editorial for The New Works News “Are we now turning against ourselves? Can we forget what it feels like to be barred from a public place by the owner, or even a bartender, who has some reason to hate us for the hard but true choices we have made?”[2]

Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. He crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. When the officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer.[3] 

Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.” Alyson noted, “There were ‘genetic females’ in the bar on the night I visited it” and asked “Am I somehow more of a ‘threat’ to the bar’s image than a woman born?” Reflecting Gentili’s recollection, Alyson wrote “We, the greater gay community, are seeing a disturbing trend in that ‘gay rights’ seem only to apply to gays and lesbians who ‘fit in.’” Simply put, “Gay rights are human rights, and they apply to all of us!”[4]

Indianapolis police liaison Shirley Purvitis, one of the first to be appointed in the nation, organized a meeting to try to resolve issues between “certain segments of the gay community” and local gay bars. These bars included Our Place, 501 Tavern, and The Varsity. She noted later that “one of the most effective ways to fight discrimination was to ‘shut up and listen to what the other person has to say.’” Bar Owners, members of the Indiana Civil Liberties Union and Justice, Inc., IPD vice officers, and members of the Indiana Crossdresser Society (IXE) attended the meeting, which was, “as expected, confrontational from beginning to end.”[5]

Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

As to claims that individuals were being denied entrance due to discrepancies between their photo I.D. and their physical features, Excise Chief Okey stated that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.” Other bar owners stated blatantly that they refused to admit these patrons, not because they feared breaking excise laws, but because they intended to “‘preserve the established atmosphere of their bars.'”[6] A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Gay TV producer Gregory McDaniel denounced this reasoning, stating, “‘What I’m hearing now is exactly what I heard 20 years ago when attempts were being made to keep blacks out of Riverside Park and other public places.'”[7] Aside from being morally wrong, McDaniel alleged this discrimination halted momentum in the broader fight for gay equality, noting, “The wire services have picked up these stories. This shows the dominate [sic] society that we are not unified and that they are safe in oppressing us.”

David Morse, manager of Our Place, stated at the meeting that he felt “‘very much trapped in the middle.’” He tried to reconcile the needs of both parties, “perhaps naively,” by establishing the dress code and I.D. policy. However, he noted that he “‘learned many lessons'” from the ensuing discussions. [8] Perhaps fear of losing the bars they fought so hard to establish—whether by mistakenly breaking excise laws or drawing unwanted attention to the establishment—owners implemented discriminatory policies. Unfortunately, the meeting to discuss these policies ended without much resolution.

Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

IXE met separately with Justice, Inc. to address the issue and one observer at the meeting speculated that “perhaps one reason that the crossdressers were causing such a stir in the ‘male’ bars” was because they looked:

‘too good and too much like natural, normal women and a far cry from the narrow gay-oriented perception of what “drag queens” look like. Perhaps some of the shakier ‘male’ egos couldn’t handle this unaccustomed image.’ [9]

By September, there seemed to be a bit more acceptance, as Our Place admitted Roberta Alyson, who by then had two pieces of “‘official’ feminine'” identification. The newsletter reported that Tomorrow’s and Jimmy’s had also been more welcoming.[10] McDaniel also commented that the The New Works News‘s extensive coverage of the discrimination showed that the community could be “introspective and self-correcting.”[11]

The New Works News (July 1989): 7, accessed Chris Gonzalez GLBT Archive, IUPUI Library.

Sharon Allan, of IXE, decided to affect change by sitting down with bar employees. She met with Brothers manager Michael David to ask if their policy that identification had to match one’s appearance was implemented uniformly. After he said yes, Allan informed him that she “had been in the bar four times, after work and in a tie and had never been asked for ID.” Allan reported to the New Works News that “Michael immediately saw the lack of universality in their policy and promised to speak with the owner at the next staff meeting.”[12]

Capitalizing on the positive momentum, Justice, Inc. hosted the second “Discrimination Within the Gay Community” workshop in December.[13] While the turnout was low, and bar employees noticeably absent from the meeting, attendees reported that most bars had “reversed” their discriminatory policies. At the meeting, Gary Mercer, of Goshen, quipped “’Before you judge other people in the gay community, you better walk a mile in their pumps.’” Gay Cable Network’s Eric Evans agreed, noting that “‘discrimination is usually the result of ignorance.'” He suggested ongoing education for “both the gay and straight communities.” This, he said, could be accomplished through television programming and by forming a Gay Community Center.[14]

While awareness and dialog did not end prejudice entirely within Indy’s queer community, reported incidents diminished in The New Works News. Genny Beemyn notes in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged, “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”[15] Still, activists fought an uphill battle for inclusion, as the “March on Washington” steering committee voted overwhelmingly to leave them out of the  1993 “Lesbian, Gay, and Bi Equal Rights and Liberation” march, despite support from bisexual allies.[16]

New York dedicates East River State Park to LGBTQ activist Marsha P. Johnson
Rendering of Marsha P. Johnson State Park, courtesy of the New York State Parks, accessed timeout.com.

Discrimination and violence against transgender individuals, especially those of color, endures, although largely waged by those outside of the queer community. However, public recognition of those marginalized within the community has increased, to some extent. In 2019, New York City announced it would honor drag queens and transgender rights activists Sylvia Rivera and Marsha P. Johnson with monuments. Scott W. Stern and Charles O’Malley noted in their 2019 “Remembering Stonewall as It Actually Was—and a Movement as It Really Is” that the decision:

reflects a dawning awareness (among those in positions of power) that the LGBTQ movement was always more diverse, more radical, and more closely connected with other social movements than is commonly believed.

Along with the statues of Rivera and Johnson, New York Governor Andrew Cuomo announced in August 2020 that the Marsha P. Johnson State Park, located along the East River, would be dedicated. This will be the first state park in the US honoring an LGBTQ+ individual, as well as a transgender woman of color. Stern and O’Malley argue that we should examine and commemorate those at the margins of equal rights movements not simply for history’s sake, but because “More accurate renderings of the past inform the way we act in the future; they inform whose lives we prioritize in the present.”[17] That is why we should be aware of Roberta Alyson and Kerry Gean, whose determination to transform humiliating experiences into policy change helped open the door to acceptance for other transgendered and cross-dressing individuals in Indianapolis. They remind us of the importance in engaging in conversations with “the other.”

*The professional study of LGBTQ+ history is relatively new.  We welcome feedback regarding accuracy and terminology, especially given the challenges in locating primary sources and the evolving conception of what comprises the queer community. We are especially interested in documenting lived experiences from a variety of perspectives.

[1] “Justice Investigation Calls for Uniform Bar Policies,” The New Works (October 1989): 8, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[2] “Varsity Drag,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[3] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[4] Roberta Alyson, “Crossdresser’s Visit to Our Place,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[5] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[6] Ibid.

[7] Ibid.

[8] Ibid.

[9] “IXE Meets with Justice,” The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[10] Gregory McDaniel, “Courageous Clear Thinking,” The New Works News (September 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[11] Ibid., 3.

[12] Sharon Allan, “No Discrimination Intended at Brothers,” The New Works News (October 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[13] “Justice Discrimination Workshop,” The New Works News (December 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[14] Ibid.

[15] Genny Beemyn, “Transgender History of the United States,” in Laura Erickson-Schroth, ed., Trans Bodies, Trans Selves (Oxford University Press, 2014), p. 28, accessed umass.edu.

[16] Ibid., 29.

[17] Scott W. Stern and Charles O’Malley, “Remembering Stonewall as It Actually Was—and a Movement as It Really Is,” The New Republic (June 24, 2019), accessed newrepublic.com.

[18] Ibid.