Re-Imagining Migration: Free Virtual Teaching Resources on the History of Immigration and Xenophobia

Teachers know that the U.S. history has some dark moments. The making of the republic was a flawed process where immigrants, among others, were marginalized. But history teachers don’t always have the tools to teach this difficult history as many textbooks and curriculum still emphasize a narrative that does not include the contribution of immigrants to the American story. Re-Imagining Migration is attempting to address this gap by teaching migration as a shared human condition and showing students of immigrant origin that they are part of the story of the U.S.  The Indiana Historical Bureau (IHB) has partnered with Re-Imagining Migration to supply original historical research and primary sources from Indiana State Library collections to create free virtual lesson plans. We hope these two new classroom resources help teachers guide students through some difficult, but highly relevant, historical events:

Resource 1: One Hundred Percent American: The Ku Klux Klan and Immigration in the 1920s

Resource 2: Save the Children: American Attitudes toward Refugees and the Wagner-Rogers Act

About the 100% American Resource

Xenophobia can sometimes present itself wrapped in the American flag, in the 1920s and today. Through understanding the 1920s Klan as a mainstream, not fringe, organization, students will learn how easily words and propaganda can become actions and official policy – like the 1924 Immigration Act and ensuing quota system. Students can learn to evaluate sources for bias and identify ways that hateful rhetoric can be disguised as patriotism. (Read more from the Historical Context essay).

The 1920s Klan was perhaps strongest in Indiana, where it infiltrated society and politics. Sources show how the hate group spread its message through newspapers, songs, picnics, and parades. And while sources are mainly from the Indiana State Library, the lessons can be applied much more widely. (View the Primary Sources).

About the Save the Children Resource

When people seek refuge from war, genocide, and oppression, who is responsible for helping them? When 300,000 refugees from Nazi persecution sought harbor in the United States in 1939, most Americans turned a blind eye. Others actively opposed new immigrants, while an admirable few worked to tear down the paper walls aimed specifically at excluding Jews. Still others hoped, if nothing else, they could at least save the children through the Wagner Rogers Bill. (Read more from the Historical Context Essay).

The sources include arguments for and against allowing 20,000 Jewish children into the United States. These arguments will help students think about who does and does not get to be an American and who gets to decide. These sources also allow for discussion of how economic arguments have been used to legitimize xenophobic policies such as the quota system. (View the Primary Sources).

Using the Teacher Resources

These resources don’t attempt to impose a curriculum on teachers, but only offer three main tools to bring discussions about immigration into the (virtual) classroom:

1. Historical Context: Each resource has an historical essay, providing the background and context for the topic. This academic essay could be used by the teacher, who then relays the content to younger students, or assigned to older students.

2. Primary Sources: IHB selected a diverse collection of primary sources, including photographs, newspaper articles, political cartoons, pamphlets, song sheets, and more. These sources will help students think about who has been considered a “desirable” immigrant or a “real” American, who has been denied refuge and citizenship rights, and how this has changed in response to demographic shifts and world events.

3. Teaching Ideas: Re-Imagining Migration provides a guide for teaching each topic, including reflection questions and thinking routines. These will help ensure that dialog remains thoughtful and respectful in the classroom. These questions and routines can be paired with each individual primary source or used more generally.

Join Us

Please join us on Wednesday, December 2 for a free webinar exploring the 100% American resource and teaching about patterns of anti-immigration prejudice.

Register at: https://www.eventbrite.com/e/100-american-the-kkk-and-immigration-in-the-1920s-tickets-129022807691

 

 

 

 

Reluctant Renegade: Sarah Parke Morrison and Women’s Equality at Indiana University

Scholar and reformer Sarah Parke Morrison is best remembered as the first female student and then professor at Indiana University. But she took on the role of trailblazer reluctantly, as she feared being the target of backlash against this furthering of women’s equality. Her fears were not unfounded. Unsurprisingly perhaps, she faced discrimination as she entered this previously all-male space. What was surprising as we dove into research for a new state historical marker honoring Morrison, was the intensity of the vitriol that some male students directed toward this groundbreaking scholar. While Morrison would continue to work to advance women’s educational opportunities at IU, she was for a time, driven from from her chosen profession by these students’ misogyny. Despite this difficulty, Morrison’s willingness to serve as the first woman at IU opened the doors for the many women who followed, each one furthering the cause of equality.

This and other stories of defeats, setbacks, small advancements, and modest gains are also important to women’s history as they show us the breadth of the movement and the perseverance required of its pioneers – women who challenged injustice in their small realm of influence. These local efforts, multiplied by the work of women across the United States, eventually created a sea change in women’s rights, roles, and power.

“Sarah Parke Morrison,” photograph, ca. 1869, accessed Indiana University Archives Exhibits.

Sarah Parke Morrison was born in Salem, Indiana, in 1833, into a family that highly valued education and believed in equal opportunities for women. In 1825, her parents opened Salem Female Seminary and hired female teachers, “a rarity at this time.”[1] After extensive study at home with her professor parents, she pursued an advanced education at several colleges, including Mount Holyoke Female Seminary (now Mount Holyoke College) in Massachusetts. After graduating in 1857, she continued to study and began teaching at Vassar College in New York. Morrison thrived in a college atmosphere. Reflecting on her Holyoke and Vassar professors, Morrison wrote that “their wide knowledge of Latin and Greek, and in the sciences, were eye and heart openers to such as thirsted for fuller draughts of knowledge.”[2] Over the following years, she served on the faculty of several colleges, including Glendale Female College and the Western Female Seminary, both in Ohio.[3]

“Glendale Female College,” [Advertisement], Washington Democrat (Salem, Indiana), February 24, 1859, 4, accessed Newspapers.com.
Morrison consistently expressed her support for women’s equality in education, but her desire to work more directly for sweeping women’s rights was tempered by fear of a negative response from her community. In 1851, she wrote a poem praising social reformer and former Indiana representative for the U.S. House, Robert Dale Owen for his women’s rights advocacy during the constitutional convention, which was published in the Indianapolis Sentinel.[4] She chose to sign the poem with the pseudonym, “Fannie,” and we only know of her authorship because she described the work in a 1911 autobiographical essay. In this later essay, Morrison explained that she wrote this poem while she “cultivated the muse in secret,” meaning she had come to believe in women’s equality but determined it was not yet the time for her “coming out on the woman question.” She was moved by Owen’s work, but wrote that like the groundhog, she needed “to retreat for further security and more genial conditions until a later day.”

Morrison also wrote that as a young woman, she was aware of the work of Lucy Stone and Susan B. Anthony, “but their position was too peculiar, too audacious to be received wholy [sic] by such as had no courage and a rather sensitive imagination respecting mobs, sneers, hisses, mud-slinging and rotten eggs.” Instead, Morrison held a “secret respect” for these suffragists, as well as a desire to strengthen her nerve and awaken her conscience. Her fears of a negative response were she to enter the battle for women’s rights would be substantiated.[5]

(Indianapolis) Sentinel, March 27, 1851, 1, accessed Newspapers.com.
“John Irwin Morrison,” photograph, n.d., accessed Indiana University Archives Photograph Collection.

Morrison had completed her advanced education and served as a professor at several colleges, but by the 1860s, she was again living back home because of the limited occupational opportunities available to a highly-educated woman. At this time, the Indiana University Board of Trustees had been debating the admission of women. Sarah Morrison’s father John, who was the State Treasurer as well as a former IU board president, advocated for women’s admission and persuaded his daughter to petition the board for entrance. Morrison had to be convinced. She was not an eager, young girl just out of primary school, hoping to expand her knowledge. She was a 34-year-old scholar and teacher with a lifetime of education and an advanced knowledge of ancient languages. She had little desire to be the first woman student at IU, or the subject of controversy, but she conceded for the larger good – and a five dollar bribe. Morrison wrote:

Father . . . said to me that he thought the time was about ripe for the admission of women; and that if I would prepare an appeal to that effect he would present it, and to show his interest would give me Five Dollars.[6]

“Indiana State University,” [Advertisement], Evansville Daily Journal, December 19, 1867, 1, accessed Newspapers.com.
The IU Board of Trustees narrowly voted to admit women, first with some restrictions, but soon after announced: “Ladies are admitted to College classes on the same terms as males.”[7] Morrison would have been happy to leave it at that and to watch with satisfaction as young women entered IU. But she again found herself in the position of reluctant trailblazer. No women applied for the fall 1867 semester and one professor told her, “Miss Morrison, you will have to come to fill the breach.” While she considered this responsibility “rather a cloud” on her horizon, she feared the implications for the struggle for women’s equality if she didn’t rise to the occasion.

She wrote that she was tired of going to school, but she was more tired of the old arguments about why women shouldn’t attend a university. According to Morrison, these arguments included the idea that the “Female Colleges” were good enough for young women, there were too many “risks” in women and men attending the same schools, and male students and professors should be saved from the “embarrassment – yea scandal” of women’s presence. Morrison looked at the IU catalogue and determined she could complete the four-year course in two. She was worried though. “To fail would be worse than not to try,” she wrote. The first female student at IU would be representing her entire gender to the masses, not all who believed she deserved to be there.[8]

Sarah Parke Morrison, “My Experience at State University,” 1911, Box 1, Sarah Parke Morrison Papers, accessed Indiana University Archives Online.

Morrison entered Indiana University along with three hundred young men in the fall of 1867.[9] She wore a large sun hat to protect herself “from six hundred eyes” trying to cast “a sly glance” at the school’s first female student. She soared through her Latin and Greek classes and by the second semester of her first year she became a sophomore.[10] More importantly, during that spring semester of 1868, a dozen women followed Morrison’s lead, entering Indiana University as freshmen students. In a powerful contemporary photograph, Morrison is seated front and center, surrounded by the women who followed in her wake.[11]

“Women Students,” accessed Indiana University Archives Exhibits. IU Archives caption: “Sarah Parke Morrison pictured in the front row, fourth from left, was the first woman to become a student at Indiana University in 1867. The remaining women pictured became students in 1868.”

The next year, Morrison continued her accelerated course of study, beginning the fall semester as a junior and becoming a senior spring semester. She wrote that she could probably have skipped Latin “if I had chosen to make a point of it,” but instead “read more than really required” so no one could claim that she would “lower the standard.” At one point during her first semester, the students could choose to write an essay or make an oral argument for a final exam. The professor assumed Morrison would prefer an essay so as not to speak in front of an audience of male students. She responded simply, “why?” Her second semester, a professor discouraged her from making her “declamation” at examinations, which would be attended by the general public. Morrison told him that she had appealed to the Board, not him, for her position and he could not stop her from making her declamation in the same manner as her male colleagues. Yet another professor acknowledged her ability for public speaking, but discouraged her from engaging in an exercise where she would debate her male colleagues. She again responded, “why?” and entered the debate. Finally, before graduation, a professor encouraged her to submit an essay and not to speak at commencement. She again asked him simply, but pointedly, “why?” Morrison explained:

‘Why?’ became my one and only, but effective ammunition when approach to the ‘Woman question,’ was bold enough to lift its head.[12]

By this, Morrison meant that when faced with the question of whether her gender should prevent her from equal participation at the university, she simply asked the professor “why” because her continued success and proficiency left no answer that could be based on anything but gender discrimination.

Similarly, when she received a “slighting remark” from a fellow student, whom she described sarcastically as “a rather superior young gentleman,” she “lost her temper” but managed to bite her tongue. She chose not to retort, explaining: “It was probably intended as a test. If I was mad internally, I could not suffer my cause to suffer.” Instead, she chose to focus her efforts on her commencement address. She knew many had low expectations for her performance. She wrote:

To have a performance at Commencement that would pass a general critical public, was an undertaking, indeed for me. I could not come down to their notions, could I lift them up to mine?[13]

Morrison became the first woman to graduate Indiana University in the spring of 1869 with a Bachelor of Arts degree.[14] Indiana newspapers reported that Morrison “graduated in the Classical course with great credit to herself, delivering in a splendid manner a very fine oration.”[15] Newspapers across the country picked up the story, reporting on “the first female graduate of Indiana State University.”[16] She demonstrated that there was indeed no reason “why?” a woman couldn’t succeed at Indiana University.

“Educational,” [Advertisement], Indianapolis Daily Sentinel, September 3, 1869, 1, accessed Hoosier State Chronicles.
After graduation, Morrison moved to Indianapolis and began teaching Greek language classes.[17]  She was active in the education field, attending a “special session” for teachers at the State Normal School in Terre Haute in the summer of 1870.[18] In 1872, she was elected as an “alumni orator” and spoke at the 1873 Indiana University commencement ceremony.[19] By this point, IU had also granted Morrison a Master of Arts degree, which was at that time “conferred upon such graduates of three years’ standing as have, in the meantime, pursued professional or general studies.”[20] In 1873, Indiana University hired Morrison as a “tutor” in the “Collegiate Department.”[21] And, by 1874, Morrison became an Adjunct Professor of English Literature, making her the first female professor at Indiana University.[22]

Like the stories of other women trailblazers, the moment where the glass ceiling shattered, is often the point where Morrison’s story ends for historians. But what was it like for Morrison and other women once they became the first and only woman in their place of employment? What did it feel like to be the only woman in the lecture hall, laboratory, or operating theater? Of course experiences vary, but all faced some level of discrimination, opposition, or misogyny. Morrison faced all of these, delivered with a maliciousness some might find surprising for a genteel, academic setting.

“Literary Building constructed in 1855 on the Seminary Square campus,” photograph, 1855, accessed Indiana University Archives Exhibits.

Several of her male students refused to recite to her, recitation being the manner in which students orally showed their comprehension of the class material. By refusing to recite, they were showing that they refused to recognize her authority. They deemed that, as a woman, she was unqualified to teach them as men. Despite her years of schooling, mastery of several languages, experience teaching, advanced degrees, and praise from professors, these undergraduate students claimed that she was undeserving of their respect because of her gender. Newspapers in Indiana and then across the country, picked up the story. Taking an amused tone over her “awkward predicament,” newspapers reported on her appointment to IU faculty and the student discrimination in the same article.[23] The Chicago Tribune reported:

Miss Sarah P. Morrison, daughter of the President of the Board to Trustees and adjutant Professor of English Literature in the State University, has been struck against by a portion of the students, who refuse to recite to her. No adjustment of the difficulty has yet been made.[24]

Not content to demonstrate their disrespect for their professor through silence, some of the students in the fraternity Beta Theta Pi published an article slandering her character and qualifications. At the end of the school year, the fraternity published an issue of their newspaper the Dagger, which Indiana University Archives referred to as “the 19th century version of Rate My Professor.”[25] For Morrison, who had long moderated her work for women’s advancement for fear of backlash, the 1875 issue would have been humiliating and devastating.

The Dagger, 1875, accessed Archives Online at Indiana University.

Sarcastically referring to Morrison as “the Queen of the University,” these male students published a horribly sexist, misogynistic criticism of Morrison’s teaching and intelligence. They claimed she had no right to her professorship because she lacked even “some shadow of reputation, a few reliable words of recommendation; or at least the outward appearance of an intelligent being.” They claimed she barely taught any classes, was “pinned to the coat tail of our faculty,” and got paid to do “nothing whatever.” They wrote, “Never before in all the history of the institution, has there been so gross and imposition practiced upon the taxpayers of Indiana.” They continued with base name calling, referring to her in turn as “impudent,” lacking “all common sense,” “idiotic,” and an “uneducated ape.” The students claimed:

Petitions for her removal have been thrust in the faces of both her and her father. But shame has lost its sting upon this impudent creature, dead to the pointing finger of withering scorn.[26]

They wrote  that “their diplomas are disgraced by her contemptible name” and that the senior class would be marking her name out on their diplomas. They concluded the article:

We close with the warning to our idiotic subject. O! Sallie that you may not make a consummate ass of yourself, hast-to your mothers [sic] breast, sieze [sic] the nipple of advice and fill your old wrinkled carcass with the milk of common sense.[27]

The condescension and entitlement mixed with sexism is hard to read, especially knowing how qualified and intelligent Morrison was, but also how timidly she accepted the responsibilities that came with her groundbreaking position. Perhaps one element makes this misogynistic slander slightly bearable today: unintended humor. In short, the young men were terrible writers. Ironically, these students who claimed that Morrison did not posses the intelligence to be their teacher, populated their vicious article with spelling and grammar errors. Undoubtedly, they should have listened to what she could have taught them.

“Class of 1875,” composite photograph, 1875, accessed Archives Photograph Collection, Indiana University.

It would be much more satisfying to report that Morrison persevered in the face of this misogyny and went on to teach for many more years, but not all stories of women who furthered the fight for equality end with professional success and empowerment. Morrison left the university and the profession that she loved after the 1874-75 school year. She instead became an active advocate for the temperance movement, traveling throughout the country, including into Indian territory, and spoke at the national level.[28] She became a leader within the Society of Friends, speaking at state meetings.[29] And she penned poems and family histories.[30]

Though she never returned to teach at IU, she stayed involved with the university. She spoke at alumni events and commencements and wrote regular letters to the administration. Through these letters, she advocated for placing women on the Board of Trustees and the Board of Visitors, as well as hiring women professors. These letters show her finding strength in herself in demanding greater opportunities for women. For example, in 1906, she submitted her vote to the Board of Trustees “For Some Woman” and wrote on her ballot: “Every new man who allows his name to appear does that much to keep out some woman.”[31]

Sarah Parke Morrison to IU Board of Trustees, June 3, 1906 [Ballot for Board of Trustee Vote], Box 1, Correspondence, accessed Archives at Indiana University.
In 1908, Morrison returned to IU at the age of 75 . . . as a student. Reminiscent of her 1867 entry into the university as its first female student, newspapers across the country covered her latest adventure as a sort of novelty. The New York Times reported that Morrison enrolled in a post-graduate course on Greek during the summer term. The newspaper reported:

Though Miss Morrison is 75 years of age, she is as sprightly of body and mind, apparently, as she was when a student at the university nearly fifty years ago. She has never lost her interest in the classics nor in poetry.[32]

She must have continued to impress IU staff and administration because she delivered the alumni address at the 1909 commencement.[33] Morrison also continued to write to the IU administration in her later years. In 1911, she advised the university’s president and the Board of Trustees on filling a teaching position upon the death of a female professor. It’s likely that this advice was unsolicited, but she chose strong and clear words. She stated that the woman the Board chose to fill the vacant position should possess “very decided views respecting the equal [underline] privilege granted the young women of our University, and accepting suffrage for women as a matter of course.”[34] Before her death in 1916, Morrison found the courage to outwardly support women’s suffrage, something she had feared as a younger women.

This year, while commemorating the centennial of the Nineteenth Amendment, historians have enthusiastically shared stories of bold suffragists who marched in the streets and spoke passionately to large crowds – those women who stood unafraid before the Indiana Supreme Court or the Indiana General Assembly to demand their rights. But not all of the women who blazed the path toward equality loudly beat the drums of reform. Morrison shied from controversy and rightfully feared backlash from entering previously all-male spaces, but she ventured forward anyway. This is the very definition of courage – to persevere in the face of fear. While sometimes reluctant, she made important gains for women at Indiana University. Hers was the foot in the door, wedging it open for other women to follow her. And they did. Sarah Parke Morrison should be remembered not only for her “firsts,” but for her selflessness, determination, and quiet audacity.

Notes:

[1] 1850 U.S. Federal Census, Washington Township, Washington County, Indiana, September 20, 1850, roll 179, page 37 (338A), line 35, accessed AncestryLibrary.com; “Raysville Monthly Meeting, Henry County,” 1876, Earlham College, Richmond, Indiana Minutes, Indiana Yearly Meeting Minutes, accessed AncestryLibrary;  “Indiana University,” [Alumni Form], 1887, Sarah Parke Morrison Papers, Indiana University Archives, submitted by marker applicant.; Indiana State Board of Health, “Certificate of Death,” (Sarah Parke Morrison), July 9, 1919, Roll 13, page 532, Indiana Archives and Records Administration, accessed AncestryLibrary.com; “Biographical Note,” Sarah Parke Morrison Papers, Archives at Indiana University. The quoted text comes from the “Biographical Note” written by the Archives at Indiana University.

[2] Annual Catalogues of the Teachers and Pupils of the Mount Holyoke Female Seminary from 1847-1857 (Northampton: Hopkins, Bridgman & Co., n.d.), 44, accessed HathiTrust.; “Indiana University,” [Alumni Form], 1887, Sarah Parke Morrison Papers, Indiana University Archives, copy available in IHB marker file.; Indiana University, Arbutus [yearbook], 1896 (Chicago: A.L. Swift & Co. College Publications, 1896), accessed HathiTrust.

[3] Advertisement, “Glendale Female College,” Washington Democrat (Salem, Indiana), February 24, 1859, 4, accessed Newspapers.com.; Memorial: Twenty-Fifth Anniversary of the Western Female Seminary, Oxford, Ohio, 1880 (Indianapolis: Carlon & Hollenbeck, Printers and Binders, 1881), 208, accessed GoogleBooks.

[4] Fannie (Morrison), “Lines to Robert Dale Owen,” Indiana State Sentinel, March 27, 1851, 1, accessed Newspapers.com.

[5] Sarah Parke Morrison, “My Experience at State University,” 1911, Box 1, Series: Writings, Sarah Parke Morrison Papers, Archives at Indiana University.

[6] Ibid.

[7] Advertisement, “Indiana State University,” Evansville Daily Journal, December 19, 1867, 1, accessed Newspapers.com.

[8] Morrison, “My Experience at State University.”

[9] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1867 (Indianapolis: Samuel M. Douglass, State Printer, 1868), Indiana State Library.

[10] Morrison, “My Experience at State University.”

[11] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1867 (Indianapolis: Samuel M. Douglass, State Printer, 1868), Indiana State Library.; “Women Students,” accessed Indiana University Archives Exhibits.

[12] Morrison, “My Experience at State University.”

[13] Ibid.

[14] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1868-69 (Indianapolis: Samuel M. Douglass, State Printer, 1869), Indiana State Library.

[15] “Commencement at the State University,” (Greencastle) Putnam Republican Banner, July 8, 1869, 2, accessed Hoosier State Chronicles.

[16] “Digest of Latest News,” Galveston Daily News, July 24, 1869, 3, accessed Newspapers.com.; Fair Haven (Vermont), July 31, 1869, 2, accessed Newspapers.com.

[17] Advertisement, “Educational,” Indianapolis Daily Sentinel, September 3, 1869, 1, accessed Hoosier State Chronicles.

[18] “Normal School,” Terre Haute Daily Gazette, July 20, 1870, 4, accessed Hoosier State Chronicles.

[19] “All Sorts and Sizes,” Bangor Daily Whig and Courier (Bangor, Maine) July 30, 1872, 1, accessed Newspapers.com.; Freeman’s Journal (Dublin, Ireland), September 11, 1872, 8, accessed Newspapers.com.

[20] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1872-73 (Indianapolis: Samuel M. Douglass, State Printer, 1873), Indiana State Library.

[21] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1873-74 (Indianapolis: Samuel M. Douglass, State Printer, 1874), Indiana State Library.

[22] Annual Report of Indiana University, Including the Catalogue for the Academical Year, 1874-75 (Indianapolis: Samuel M. Douglass, State Printer, 1875), Indiana State Library.

[23] Chicago Weekly Post and Mail, November 26, 1874, 2, accessed Newspapers.com.

[24] “Indiana,” Chicago Tribune, November 19, 1874, 5, accessed Newspapers.com.; “Former Trustees,” Indiana University Board of Trustees, https://trustees.iu.edu/the-trustees/former-trustees.html.
While Sarah Morrison’s Father John I. Morrison was an IU Board member 1874-75, he was not the president.

[25] “The Dagger: The 19th Century Version of Rate My Professor,” January 26, 2016, accessed Indiana University Archives.

[26] “Faculty Reviewed: Sarah P. Morrison,” The Dagger, 1875, 2, Box OS3, accessed Archives Online at Indiana University.

[27] Ibid.

[28] “Woman’s Temperance Union,” Vermont Chronicle (Bellows Falls) November 15, 1879, 3, accessed Newspapers.com.; “Noble Women,” Washington Evening Critic (Washington, D.C.), October 29, 1881, 1, Newspapers.com.; “Work for Women,” Indianapolis Journal, January 30, 1886, 8, accessed Chronicling America, Library of Congress.; Izumi Ishi, Bad Fruits of the Civilized Tree: Alcohol & the Sovereignty of the Cherokee Nation (Lincoln: University of Nebraska Press, 2008), 136, accessed Google Books.

[29] “The Quakers,” Chicago Tribune, November 15, 1877, 8, accessed Newspapers.com.; “The Yearly Meeting,” Richmond Item, October 1, 1892, 1, accessed Newspapers.com.; “At Plainfield,” (Chicago) Inter Ocean, September 17, 1894, 6, accessed Newspapers.com.

[30] “Current Literature,” (Chicago) Inter Ocean, June 18, 1892, 12, accessed Newspapers.com.; “Literary Notes,” Friends Intelligencer and Journal 60 (Philadelphia: Friends Intelligencer Association, 1903), 187, accessed Google Books.

[31] Sarah Parke Morrison to “Alma Mater,” January 16, 1905, Sarah Parke Morrison Papers, Box 1, Correspondence, Archives at Indiana University.; Sarah Parke Morrison to William L. Bryan, February 22, 1905, Sarah Parke Morrison Papers, Box 1, Correspondence, Archives at Indiana University.; Sarah Parke Morrison to William L. Bryan, December 4, 1905, Sarah Parke Morrison Papers, Box 1, Correspondence, Archives at Indiana University.; Sarah Parke Morrison to Isaac Jenkinson, January 19, 1906, Sarah Parke Morrison Papers, Box 1, Correspondence, Archives at Indiana University.

[32] “Still A Student at 75,” New York Times, June 28, 1908, 1, accessed Newspapers.com.

[33] “Alumni Day at the State University,” Indianapolis News, June 22, 1909, 4, accessed Newspapers.com.; “Indiana College News,” Indianapolis Star, June 17, 1909, 9, accessed Newspapers.com.

[34] Sarah Parke Morrison to Indiana University President and Board, March 7, 1911, Sarah Parke Morrison Papers, Box 1, Correspondence, Archives at Indiana University.

Integrity on the Gridiron Part Three: The Notre Dame Publicity Campaign that Crushed the Klan

 

Program, “Stanford vs Notre Dame,” 1925, in David Kiefer, “Stanford 125: The 1920s,” September 10, 2019, accessed gostanford.com.

This is Part Three of a three-part series on the University of Notre Dame’s opposition to the Ku Klux Klan. See Part One for information on the May 1924 riot and Part Two for more about the integrity modeled by the Fighting Irish during the 1924 regular football season.

Indiana’s Ku Klux Klan had a good year in 1924. Its members’ lobbying paid off and their xenophobia was codified into law with the Immigration Act of 1924 (the Johnson-Reed Act). The act established a strict quota system that unfairly targeted immigrants from Southern and Eastern Europe, in large part because many immigrants from these areas were Catholics. The Klan and other xenophobes charged that Catholic immigrants would always be loyal to the Pope and to Rome, as opposed to the laws of their adopted country, despite plenty of evidence to the contrary. The new immigration law would keep out these “undesirable” immigrants. For many xenophobes, including Klan members, this was not enough. The Indiana Klan worked to further block Catholics and immigrants from gaining political power and influence. They did so by working to portray immigrants, Catholics, and Jews as “other,” as alien, as unassimilable, as un-American.[1]

Left: Ku Klux Klan, “Information Sheet,” 1922, Indiana Pamphlet Collection, Indiana State Library, (top page of sheet). Right: Detail from “Information Sheet.”

In Indiana, the Klan circulated “Information Sheets” before elections. These were copies of ballots where the Klan noted candidates who were “Negro” or “Foreign Born,” those who were Catholic or had Catholic family members, and those who refused to respond to inquiries.[2] The Klan newspaper, the Fiery Cross, accused Catholics and immigrants of various wild plots against their fellow Hoosiers and positioned Klan members as the innocent victims of attacks by Catholics. The propaganda mouthpiece dedicated full pages to this “mounting list of Roman Catholic offenses,” which supposedly included such “papist crimes” as “arson, theft, assault and battery, murder, slander, intimidation, breach of contract, disrespect for flag and violation of the immigration law.”[3]

Advertisement, Fiery Cross, August 22, 1924, 2, accessed Hoosier State Chronicles.

The Klan also continued to use the May 1924 incident at South Bend to vilify the city’s immigrant population as “hoodlums” and Notre Dame University as a front for secret, un-American, “papist” activities that would undermine the values of good Protestant Hoosiers. The Fiery Cross distributed a booklet, “The Truth About the Notre Dame Riot” and ran articles and anonymous letters it claimed were penned by neutral, non-Klan member observers of the “foreign rioting”of May. [4] In truth, these “letters” were racist, anti-Catholic propaganda. These strikingly similar letters, signed with pseudonyms like “An American Citizen” and “Observer” referred to Notre Dame students as”anti-American” and “gangsters. [5] The writers claimed that the students were armed with guns and knives, outnumbered Klan members thirty-to-one, beat women unconscious, tore up the American flag, and spilled the blood of all-American Klansmen, “the same true blood shed at Bunker Hill and Argonne.”[6]  While local non-Klan affiliated newspapers reported no such level of violence, no weapons, no women present, and no destruction of the flag, the Klan’s version of events was repeated in mainstream newspapers, tarnishing the university’s reputation.

Notre Dame officials knew that the Klan wanted them to react. The Klan had baited students into conflict in May and had been thriving off the propaganda opportunity ever since. The xenophobic group continued threatening to return to South Bend, even holding large rallies on the edge of town. Instead of responding to the Klan, the university worked to counter the damage done to their reputation by promoting its increasingly-popular football team. By winning games, growing its fan base, publicizing its players as wholesome American boys, and linking the school’s Catholicism with its success on the field, Notre Dame flipped the script on the Klan. Newspapers across the country were now talking about Coach Rockne’s brilliant plays, the unstoppable Four Horseman offensive backfield, the Fighting Irish’s undefeated regular season, and the team’s odds at the upcoming Rose Bowl.[7]

Minneapolis Star, December 26, 1924, 14, accessed Newspapers.com.

The trip to the Rose Bowl presented university leadership with a unique opportunity—a national stage on which to demonstrate that Notre Dame was both proudly Irish Catholic and thoroughly American. Many players were sons of immigrants, improving themselves through education and hard work to achieve success and the American dream. And what could be more American than football? Positive press coverage generated by the Fighting Irish’s undefeated 1924 season convinced President Walsh that mobilizing the full power of the university behind the football team was a winning promotional strategy. According to Notre Dame historian Robert Burns:

When reporters wrote about Rockne’s success or the exploits of the Four Horsemen, they could not do so without also writing about the special religious and academic environment that had made such success and exploits possible. That sort of reporting…was good for Note Dame, for Catholic higher education, and for American Catholics generally in the bigoted climate of 1924. [8]

Walsh gave his blessing to the January 1925 match up between Notre Dame and Stanford at the Rose Bowl in Pasadena. He then handed over the reigns to Father O’Hara, the school’s “prefect of religion and  unofficial keeper of the institutional conscience.” Father O’Hara turned the train trip to Pasadena into a “public relations spectacular.”[9]

“Mass Celebrated by the Notre Dame Football Team on the Road,” n.d., University of Notre Dame Archives, accessed https://www.nd.edu/stories/whats-in-a-name/.

Father O’Hara planned a three week trip centered around the Rose Bowl game and mobilized Notre Dame alumni and Catholic organizations to set up public events en route. Alumnus and railroad executive Angus D. McDonald arranged for a special train to transport the team, coaches, managers, alumni, and Father O’Hara. The train included a chapel car for Mass, Holy Communion, and confession. Father O’Hara believed that the devoutness demonstrated through daily communion, combined with “the gentlemanly conduct of the team” would win over the American public “while bigotry and prejudice received an abrupt setback.”[10]

“Notre Dame University’s Unbeaten Football Team at Illinois Central Station Chicago en Route to California via New Orleans,” Illinois Central Railroad Company Photograph, December 20, 1924, University of Notre Dame Archives, accessed 125.nd.edu.

On Thursday, December 18, 1924, Rockne drilled his players “on a field covered with ice and in a slow drizzle,” a public display of a steadfast team determined to win in January.[11]  The next day, the special Notre Dame train left for Chicago. The Tennessean reported that “Hundreds of students and townspeople braved zero degree weather” to see them off.[12] When they arrived in Chicago on Saturday, alumni and members of the Knights of Columbus greeted the team and posed for photos. Notre Dame had become increasingly popular among Chicago’s immigrant community, and local newspapers thoroughly covered the team’s arrival in the city, openly rooting for them over the days leading up the Rose Bowl.

The Chicago Tribune reported that the entire Midwest was “pulling for Knute Rockne’s famous ‘Four Horsemen’ to ride rough shod over the Californians.”[13] The newspaper stated that midwesterners had a vested interest in the game’s outcome “because of the intersectional reputation of Notre Dame, the most widely advertised eleven the country has ever known.”[14] The Tribune reported that while normally telegraph offices would be closed on New Year’s Day, they would “remain open to receive the returns.”[15] The paper also encouraged “everybody with a radio, or those who know somebody with a set” to keep “their ears glued to the headpieces” as Tribune radio station WGN would be airing the game.[16] Pasadena hotel companies even beckoned to Chicago-area residents to follow the team out West for the Rose Bowl through newspaper advertisements.[17] In fact, newspapers all across the country reported on the team’s travels from this first stop. By the time the train left Chicago, the Rose Bowl seats were completely sold out.[18]

“A ticket from the 1925 Rose Bowl between Notre Dame and Stanford,” in “The First Bowl Trip, 125 Moments, University of Notre Dame Football, accessed 125.nd.edu.

The Notre Dame train traveled south, stopping briefly in Memphis, Tennessee, on December 21. Here, the team and entourage were again greeted by alumni and Knights of Columbus members, who had set up a special Mass in the team’s honor. They continued on to New Orleans, where locals pulled out all the stops for “a series of entertainments”over a two-day period.[19] The first day Coach Rockne held an hour-long practice at Loyola University stadium, “consisting chiefly of passing and kicking and the execution of several plays,” and the second day the team spent the afternoon in workouts at Holy Cross College.[20] In the evenings, the team was “elaborately entertained.”[21] According to Burns, “The team was a huge favorite of the large local Catholic population, who turned out in large crowds to cheer and follow the players as they enjoyed the city.”[22] They reportedly enjoyed themselves too much and were “so stuffed with oysters and creole food that they could barely run” at practice.[23] Rockne was not happy and threatened to send players home if they didn’t restrain themselves, maintain their physical fitness, and obey his 10:00 p.m. curfew from this point forward.

The team arrived in Houston, Texas, on December 24 to a now-familiar scene as Notre Dame alumni and the local Catholic community greeted them. Several representatives also arrived from nearby St. Edwards College in Austin, including the college president Father Matthew Schumacher and the athletic director Jack Meager, who was also a former Notre Dame player.[24] Rockne drilled the team hard, despite the rain, and they showed improvement from their lackluster practice in New Orleans.[25] Newspapers reported that Rockne made the team run drills on Christmas day. This was likely a short practice, considering the devout Father O’Hara was supervising the trip, dressing up as Santa Claus that day.[26] The players also attended Mass, a private party, and a Knights of Columbus dinner.[27]

“Horsemen in Action,” 1924, in Harry McGuire and Jack Scallan, eds., Official 1924 Football Review, University of Notre Dame, 51, accessed Notre Dame Archives.

With the Rose Bowl game drawing near, Rockne cancelled the team’s scheduled stop in El Paso, and the train headed straight to Tucson, Arizona, to get down to work. Here the team practiced for four straight days in order to adapt to the warmer climate. Again, Rockne was joined by former players, this time at the University of Arizona stadium. One of these players, Edward Madigan, “scouted Stanford for Rockne” and made the coach aware of a “sideline screen pass that the Stanford coach used two or three times a game.”[28] Rockne devised a play to block this pass and taught the players to recognize its set up. This intelligence would greatly impact the results of the Rose Bowl game.

Los Angeles Times, December 31, 1924, 11, accessed Newspapers.com.

When the team arrived in Los Angeles on December 31, 1924, several thousand supporters met them at the train station. Commenting on the crowd and the success of Notre Dame’s publicity machine, the Notre Dame Alumnus magazine reported:

Despite the early arrival hour, seven o’clock, the station platform was crowded with alumni, Knights of Columbus, members of the Ancient Order of Hibernians (who presented a massive silver football to the team) and various motion picture people anxious to see their rivals in publicity.[29]

At least one hundred of the folks gathered on the platform that day were South Bend, Lafayette, and Chicago-based Notre Dame alumni who had arrived on the “Rockne Special,” a Pullman train chartered by the Notre Dame Club of Chicago, to take them from the Windy City to Los Angeles.[30] The train full of super fans garnered its own round of press coverage with wire services reporting on its stops across the country, where these alumni also stopped for daily Mass and were welcomed by local Catholic organizations.[31]

“Notre Dame Grid Men at Pasadena, California,” January 1, 1925, University of Notre Dame Archives, accessed 125.nd.edu.

Rockne, worried about the players getting distracted by all the fanfare, had the team driven immediately to their hotel in Pasadena. Even famous heavyweight champion Jack Dempsey couldn’t convince the coach to let him entertain the players first.[32] But the hotel lobby was just as festive as the train platform. Former football player and Chicago Tribune sportswriter Walter Eckersall wrote:

Again at the hotel the squad was accorded another rousing reception for the lobby had been filled all day with curious personas who continually asked to see the warriors who have brought so much glory to Notre Dame.[33]

After checking into the hotel, the team went to the Rose Bowl for practice. Standing in the stadium, the Irish focused on their goal: an undefeated season and a Rose Bowl championship. Coach Rockne worried that they hadn’t gotten in enough practice time during the trip because of inclement weather, but felt optimistic about the plays they studied and ran in Tucson. The players wore “looks of determination on their faces which indicate they realize the burden of responsibility they are carrying.”[34] The Fighting Irish returned to their hotel at 8:30 p.m. without accepting any local offers of entertainment. Rockne notified the hotel staff: “No incoming calls answered.”[35]

Meanwhile, newspapers across the country reported on the practice, debated who would win the following day, and discussed just how evenly matched the two teams were. And the excitement was building. Eckersall wrote:

Every arriving train brings more football fans, and the great majority favor Notre Dame to win. Coaches from all sections of the country are here to get a line on the Rockne style of play and see what all expect to be a great exhibition of open football. [36]

On the warm and sunny New Year’s Day of 1925, the team attended Mass and took Holy Communion before heading to the Rose Bowl. Over 53,000 fans filled the stands and others sat in trees outside the stadium. The game started at 2:15 p.m. (4:15 for those Midwest fans listening to the WGN Chicago broadcast). [37] As usual, Coach Rockne started his second string “shock troops” so as not to tire his first string, especially under the warm California sun. (See Part One on this famous Rockne’s strategy). The shock troops buckled under the pressure of Stanford’s offense and the Cardinals scored first with a field goal. [38]

Chicago Sunday Tribune, January 11, 1925, 115, accessed Newspapers.com.

Stanford continued to outplay Notre Dame in the first quarter, even after Rockne sent his first string players into the fray. According to Burns, “The Four Horsemen could not mount a sustained drive against the huge but agile Stanford line.”[39] When Stanford kicked a bad punt, placing Notre Dame offense on the Stanford thirty-two yard line, the Irish got their first break. Burns continued: “Seven plays later, [full-back Elmer] Layden scored the first Notre Dame touchdown on a three-yard run early in the second quarter.”[40] The score was 6 to 3, Notre Dame. The Cardinals drove the Irish back hard, quickly putting them on the defensive at the Notre Dame six-yard line. Stanford brought out their trusty sideline screen pass, hoping to breeze by the Irish. This was the moment the Horsemen had trained for in Tucson after receiving the scouting report on the play. Coach Rockne explained:

We were primed for that play. Not only had Layden been instructed to intercept it, but we had two men to take out the safety man and the passer in the event that he did intercept the pass.[41]

Not only did Layden intercept the pass, he then ran seventy yards for a touchdown in one of the most exciting moments of the game. Half-back James Crowly kicked the extra point and Notre Dame led at the half 13 to 3. [42]

Los Angeles Times, January 2, 1925, 9, accessed Newspapers.com.

Although Notre Dame led in points, Stanford was outpassing and outrushing the Irish, while shutting down their offense. The game was “hard fought,” physically exhausting, and Notre Dame looked tired at the half.[43] The Notre Dame Alumnus reported:

The boys were obviously feeling the effects of the long trip, the unusual heat of the day, and the hard, but clean, combat of the game . . . It was doubtful if some of the men, particularly the linemen could finish the game.[44]

Stanford missed two field goals early in the third quarter but kept Notre Dame “confined within their own thirty yard line throughout the period.”[45] About halfway through the quarter, Stanford fumbled, and Irishman Edward Huntsinger grabbed the ball. Coach Rockne had almost sent Huntsinger home days earlier in New Orleans for disobeying curfew to buy postcards in the hotel lobby. The Irish were lucky the coach reconsidered, because Huntsinger ran the recovered ball for another touchdown. Crowley again kicked the extra point, and Notre Dame led 20 to 3 at the end of the third.[46]

Des Moines Register, January 2, 1925, 7, accessed Newspapers.com.

The crowd was tense when the fourth quarter began, as the score did not reflect how close the game really was.[47] Stanford intercepted a Notre Dame pass, and “in seven running plays” the Cardinals “moved the ball to a fourth down situation inside the Notre Dame one yard line.”[48] Then,“in the final period Stanford made a beautiful march of 60 yards” to put the ball at the Notre Dame one-yard line on the fourth down.[49] Stanford’s quarterback was stopped only a foot, or mere inches (depending on the report), from crossing the “counting mark” for a touchdown.[50] Layden punted back to Stanford’s 48-yard line, and “again the Cardinal[s] started to march down the field.”[51] With two minutes to go, Stanford again attempted their sideline screen pass. Layden anticipated the move, intercepted the play, and ran 60 or 70 yards (depending on reports) for a touchdown. Crowley came through with the extra point, and Notre Dame beat Stanford 27 to 10.[52] Both teams played exceptional football, and the Rose Bowl game was noted for “aggressive playing” but “remarkably clean” sportsmanship.[53]

The stadium roared with Notre Dame fans “jubilant in victory,” but the Fighting Irish were surprisingly stoic.[54] The Notre Dame Alumnus reported:

As 53,000 spectators jostled their way through the crowded tunnels of the Rose Bowl . . . thirty-three tired young lads dropped their football togs [clothing] on a damp cement floor of the dressing room, for the last time in a long season, silent in their contemplation of a hard-earned victory and buoyed up only by the realization that they had acquitted themselves to the credit and price of Notre Dame and Knute Rockne.[55]

Boston Globe, January 2, 1925, 16, accessed Newspapers.com.

The victorious players were so tired, they couldn’t enjoy the dinner and dance held for them back at their hotel that night. But the Fighting Irish would have to muster up a last bit of energy.[56] For while it had been a long trip to Pasadena and the Rose Bowl title, there was one last but important journey ahead of them: a victory lap across the country and back to South Bend.

On January 2, Hollywood welcomed the victorious Notre Dame team. The Alumnus reported that if there was a famous movie star who did not meet the players that day, it could only have been because the actor was not in town. The Alumnus also noted that “cameras worked overtime” capturing the stars and star players. [57] That night, the Notre Dame Club of Los Angeles hosted a dinner dance which “gave the men their first opportunity to really celebrate.”[58] Father O’Hara was proud to report that at all times the players conducted themselves as honorable gentlemen and good Catholics.[59] After all, a large part of why they were on this trip was to reflect positively on the university. Every team member would have been aware of the expectations.

Indianapolis Star, January 9, 1925, 12, accessed Newspapers.com

The next day, January 3, the group arrived in San Francisco. Notre Dame alumni, the Knights of Columbus, and the city’s Irish-American mayor welcomed the Fighting Irish. Perhaps everyone who had been discriminated against in this era of the Klan was feeling a little Irish that day. Herbert Fleishacker, a prominent Jewish San Francisco banker, wrote in a telegram to the alumni group: “WE IRISH MUST STAND TOGETHER.”[60] At the dinner and dance that evening “once again, the players and coaches were charming, properly dressed, and well-behaved.”[61] They attended a special Mass the next morning and spent the day as the guests of some of the city’s most prominent citizens and leaders.[62]

The rest of the trip must have been a whirlwind for the exhausted players. They arrived in Salt Lake City on January 5, where they took historical tours, went to a concert, had dinner, and attended yet another reception. They received a Wild West themed welcome the following day from the local Catholic community of Cheyenne, Wyoming. The Irish were provided with “six-gallon hats, stage coaches, a military band and the key to the frontier town.”[63]

“The Fighting Irishmen Notre Dame Cheyenne Wyoming,” January 1, 1925, University of Notre Dame Archives, accessed 125.nd.edu.

On January 6, a crowd of thousands waited on the platform as the team’s train pulled into Denver. Mothers of Notre Dame students and “a remarkably beautiful group of girls” greeted the players, pinning blue and yellow streamers on their coats.[64] The Denver alumni club reported:

Movie cameras were clicking, press photographers were snapping, and over it all sounds the low rumbling roar of the admiring crowd.[65]

The Denver Alumni Club drove the team through the cheering crowd to the Denver Athletic Club for yet another banquet. Two hundred prominent Denver citizens, including the governor of Colorado, attended the gala, where celebrants sang Notre Dame fight songs. Speeches that night focused on the moral strength of the university and on Catholicism as a powerful force in shaping students into upstanding American citizens. The Denver Alumni Club reported that “no one who attended the dinner can ever forget that Notre Dame builds character, manliness and righteousness along with wonderful football elevens.”[66]

Surprisingly, the next stop on the tour, on January 8, was Lincoln, Nebraska, where the team had been accosted by xenophobic and anti-Catholic insults on the gridiron over the previous two seasons. [See parts one and two]. Only now, they arrived in the city of their conquered rivals as national champions. Lincoln “forgot the defeat of November” at the hands of the Irish and treated them with sportsmanship and respect. The Notre Dame players even attended the inauguration of the new Nebraska governor that evening.[67]

Lincoln Journal Star (Nebraska), January 2, 1925, 10, accessed Newspapers.com.

The Notre Dame train pulled into Chicago on January 9. Some players stayed for a few days in the city that had rooted for their victory beside radio sets a week earlier. Others went straight back to South Bend. By January 12, the Fighting Irish had all returned to the university.[68] They were completely exhausted from physical exertion and from continually being on their best behavior. The constant scrutiny of serving as representatives not just of the school, but of Catholics everywhere was a lot of pressure for young students. The Notre Dame Alumnus wrote:

The word ‘banquet’ is an alarm, ‘look pleasant, please’ is an oath and ‘the game’ is an unmentionable now that the men are back on campus — with exams less than two weeks away.[69]

The Fighting Irish had delivered an undefeated season and a national championship to their university. Notre Dame officials, in turn, leveraged the opportunity into a publicity spectacular. Father O’Hara’s plan to use football successes to reform the school’s reputation had worked. Burns noted that “By playing very hard, but always according to the rules, never complaining or making excuses, and winning, Notre Dame players would show the American public what Catholics and Catholic education was all about.”[70] The Fiery Cross continued to blather about Catholic plots and tales of Notre Dame hoodlums, but the country had just witnessed an extended and public display of honorable play, sportsmanship, and model behavior from these young Catholic men. Burns wrote:

For O’Hara and millions of American Catholics throughout the country who believed and felt as he did, and especially for the 300,000 Catholics living in Indiana—11 percent of the population of the state—the performance of the Notre Dame football team in that year gave them all a supreme moment of restored pride and dignity.[71]

The Klan would continue to influence Indiana politics for several years. But other Hoosiers would rise up in opposition like South Bend and Notre Dame. Cities passed anti-mask ordinances to prevent the Klan from marching in their hoods and robes.[72] Prominent citizens founded civic clubs “to fight the Ku Klux Klan.”[73] The Indianapolis Times launched a multi-year “crusade” against the Klan, exposing members’ identities and combating the secret organization’s influence on Indiana politics, and winning a Pulitzer Prize for their efforts. [74] African American voters risked being jailed as “floaters” (someone whose vote was illegally purchased), but came out in record numbers to cast their votes in opposition to Klan-backed candidates.[75] Local Catholic organizations called on politicians to denounce the Klan and include a plank in their official party platforms rejecting “secret political organizations” and supporting “racial and religious liberty.”[76] Indiana attorney Patrick H. O’Donnell led the American Unity League, a powerful Chicago-based Catholic organization that also published the names and addresses of Klan members in its publication Tolerance.[77]

As students of history, we should remember that, in many ways, the Indiana Klan succeeded  in their goals. They were able to elect officials sympathetic to the xenophobic demands for strict immigration quotas, which were enforced for decades. But we should also note that some Hoosiers refused to accept intolerance even when wrapped in the flag.

Daniel Fitzpatrick, “Konsternation in Indiana,” October 7, 1926, accessed State Historical Society of Missouri Digital Collections.

While much of Indiana became Klan territory, the publicity campaign organized by the University of Notre Dame forever crushed the Klan’s plans for infiltrating South Bend and tainting the school’s reputation. South Bend refused to be baited into further physical confrontations with the Klan, school officials refused to accept the insults hurled at them through Klan propaganda, and the Fighting Irish refused to play the Klan’s game. They played football instead. And they played with the honor and dignity imbued  through “the spirit of Notre Dame.”[78]

(Newport, VA) Daily Press, January 2, 1925, 5, accessed Newspapers.com.

Notes:

For a thorough examination of the opposition to the Klan by African Americans, Jews, Catholics, lawyers, politicians, labor unions, newspapermen and more see: James H. Madison, “The Klan’s Enemies Step Up, Slowly,” Indiana Magazine of History 116, no. 2 (June 2020): 93-120, https://www.jstor.org/stable/10.2979/indimagahist.116.2.01.

[1] Jill Weiss Simins, “‘America First’: The Ku Klux Klan Influence on Immigration Policy in the 1920s,” accessed Hoosier State Chronicles Blog.
[2] Indiana Ku Klux Klan, “Information Sheet,” 1922, Indiana Pamphlet Collection, Indiana State Library.
[3] “Tales Need No Adornment,” Fiery Cross, August 22, 1924, 2, accessed Hoosier State Chronicles.
[4] Advertisement, Fiery Cross, August 22, 1924, 2, accessed Hoosier State Chronicles.; “High School Boy Writes of Experiences in Notre Dame Riot,” Fiery Cross, July 25, 1924, 2, accessed Hoosier State Chronicles.
[5] Ibid.; “May 17 — November 8,” Fiery Cross, November 21, 1924, 6, accessed Hoosier State Chronicles.
[6] Ibid.
[7] Jill Weiss Simins, “Integrity on the Gridiron Part Two: Notre Dame’s 1924 Football Team Battles Klan Propaganda,” accessed Indiana History Blog.
[8] Robert E. Burns, Being Catholic, Being American: The Notre Dame Story, 1842-1934 (University of Notre Dame Press, 1999), 361.
[9] Ibid., 364-65.
[10] Ibid. Burns quoted from Father O’Hara’s Religious Survey for 1924-25.
[11] “Name N.D. Squad,” Chicago Tribune, December 19, 1924, 28, accessed Newspapers.com.
[12] “Stanford – Notre Dame Seats All Sold Out,” Tennessean (Nashville), December 21, 1924, 17, accessed Newspapers.com.
[13] “Midwest Anxious for Notre Dame Victory,” Chicago Tribune, December 31, 1924, 11, accessed Newspapers.com.
[14-16] Ibid.
[17] Advertisement, Chicago Tribune, December 8, 1924, 21, accessed Newspapers.com.
[18] “Stanford – Notre Dame Seats All Sold Out,” 17.
[19] “Notre Dame Football Team in New Orleans,” News and Observer (Raleigh, NC), December 23, 1924, 8, accessed Newspapers.com; “To Pasadena and Return,” Notre Dame Alumnus 3, No. 4 (January 1925): 116-17, accessed University of Notre Dame Archives.
[20] Ibid.
[21] Times (Shreveport, LA), December 23, 1924, 10, accessed Newspapers.com.
[22] Burns, 366.
[23] Ibid.
[24] “Saint Coaches to See Micks,” Austin American (Texas), December 24, 1924, 5, accessed Newspapers.com.
[25] “Notre Dame at Houston,” Salt Lake Tribune, December 25, 1924, 19, accessed Newspapers.com.
[26] “Rockne’s Team Spends Holiday with Practice,” Oakland Tribune, December 25, 1924, 24, accessed Newspapers.com.; “To Pasadena and Return,” Notre Dame Alumnus, 117.
[27] Burns, 366.
[28] Ibid., 367; “Football,” Notre Dame Alumnus 3, No. 4 (January 1925): 106-107, accessed University of Notre Dame Archives.
[29] “To Pasadena and Return,” Notre Dame Alumnus, 17.
[30] “Rockne Special,” South Bend Tribune, December 19, 1924, 30, accessed Newspapers.com.; “Lafayette’s Off for Coast,” Journal and Courier (Lafayette), December 27, 1924, 1, accessed Newspapers.com.
[31] Ibid.; “Notre Dame to Stop Here,” Kansas City Times, December 18, 1924, 17, accessed Newspapers.com.
[32] “To Pasadena and Return,” Notre Dame Alumnus, 117.; Walter Eckersall, “53,000 to See N. Dame Battle Stanford Today,” Chicago Tribune, January 1, 1925, 37.
[33-34] Eckersall, 37.
[35] “To Pasadena and Return,” Notre Dame Alumnus, 117.
[36] Eckersall, 37.
[37] “Rose Tournament Throng Sets Record,” Pasadena Evening Post, January 1, 1925, 1, accessed Newspapers.com.
[38-40] Burns, 368.
[41]“Football,”  Notre Dame Alumnus, 106-07.
[42] Burns, 368.
[43-44] “To Pasadena and Return,” Notre Dame Alumnus, 117.
[45-46] Burns, 368.
[47] “Iowan Stars as Notre Dame Beats Stanford Team,” Des Moines Register, January 2, 1925, 7, accessed Newspapers.com.
[48] Burns, 368.
[49] Ibid.; “U.S. Title to Notre Dame,” Chicago Tribune, January 2, 1925, 1, 19, accessed Newspapers.com.
[50] Ibid.
[51] “U.S. Title to Notre Dame,” 19.
[52] Burns, 368.
[53] “U.S. Title to Notre Dame,” 19.
[54-55] “Football,”  Notre Dame Alumnus, 106.
[56-58] “To Pasadena and Return,” Notre Dame Alumnus, 116-17.
[59] Burns, 369-70.
[60]  Murray Sperber, Shake Down the Thunder: The Creation of Notre Dame Football (Bloomington and Indianapolis: Indiana University Press, 1993, reprint, 2003), 171.
[61] Burns, 370.
[62-64] “To Pasadena and Return,” Notre Dame Alumnus, 117.
[65] “Local Alumni Clubs,” Notre Dame Alumnus 3, No. 4 (January 1925): 115, accessed University of Notre Dame Archives.
[66] Ibid.
[67] “To Pasadena and Return,” Notre Dame Alumnus, 117.
[68] Burns, 372.
[69] “To Pasadena and Return,” Notre Dame Alumnus, 117.
[70] Burns, 349.
[71] Ibid.
[72] “Michigan City Passes Anti-Mask Resolution,” Star Press (Muncie, IN), September 8, 1923, 8, accessed Newspapers.com.
[73] “Political Club to Fight Klan in Lake County,” Times (Munster), April 10, 1924, 1, accessed Newspapers.com.
[74] Indiana Historical Bureau, “Indianapolis Times,” 2013, accessed State Historical Marker Text and Notes.
[75] “Many Factions Clash,” Indianapolis Star, May 6, 1925, 9, accessed Newspapers.com.
[76] “Request Parties to Oppose Klan,” Call-Leader (Elwood, IN), January 29, 1924, 1, accessed Newspapers.com.
[77] “Former Local Man to Fight Ku Klux Klan,” Logansport Pharos-Tribune, September 16, 1922, 9, accessed Newspapers.com.
[78] Jim Langford and Jeremy Langford, The Spirit of Notre Dame (New York: Crossroad Publishing Co., 2005), passim.

A Silent Roar: Indiana Suffragists’ 1913 March to the Statehouse

The Indiana woman’s suffrage movement was not a monolith. Its supporters held a spectrum of beliefs formed from their different backgrounds and perspectives. Nowhere was this more apparent than in rifts over strategy. Hoosier suffragists all believed women should have the vote, but clashed over the best course of action for winning it.

By 1912, Indiana’s organizations most assiduously acting in the political arena were the Woman’s Franchise League (WFL) and the Equal Suffrage Association (ESA). Both groups had strong leaders and experience with organizing, lobbying, and publicizing their views, meetings, and arguments for suffrage. Their work had recently become more urgent as Governor Thomas Marshall proposed a new, increasingly-restrictive state constitution that would further cement women’s disenfranchisement. They needed to influence the new 1913 Indiana General Assembly to create equal suffrage legislation before it was too late. They disagreed, however, on where to start. [1]

On the heels of its successful state convention in 1912 and success organizing new branches (including African American and labor branches), the ESA was well-positioned to unite the movement. Dr. Hannah Graham rallied ESA members behind the “Woman’s Declaration of Independence,” which called on women to break ties with any politician not willing to make a public declaration of their support for women’s suffrage. Suffrage took precedent over political alliances. [2]

Indianapolis News, June 6, 1912, 12, Newspapers.com

The WFL also had a banner year in 1912. Prominent members traveled the state in automobile tours, handing out literature and reaching women in smaller towns. They organized high profile events that garnered press attention and signatures for suffrage petitions. And the WFL took on the important work of convincing women who were indifferent to suffrage that they could improve their everyday lives, their children’s schools, and the health of their communities with the vote. Despite the shared goals of the ESA and the WFL, they took opposing positions on a bill introduced by Indiana Senator Evan B. Stotsenberg in January 1913 that proposed granting women partial suffrage to vote in school board elections. [3]

The clash between the ESA and WFL over this bill embodied a major conflict within the larger suffrage movement. Should suffragists accept partial suffrage to get their foot in the door and later work for full suffrage or demand full suffrage as their inalienable democratic right? While both Indiana suffrage organizations had taken different stances on this issue previously, in January 1913, the ESA supported the partial suffrage bill, while the WFL opposed it as inadequate. [4] The debate between ESA and WFL leaders before the Senate committee on rights and privileges got . . . heated.

ESA leader Dr. Hannah Graham was an outspoken proponent of full suffrage, but put her ideological stance aside. She felt like Hoosier women couldn’t miss the opportunity that this bill afforded. According to the Indianapolis Star, ESA members voted to support the partial suffrage bill because “such franchise is as much as can be expected at this time.” [5] Simply put, a little suffrage was better than none and might help in garnering full suffrage down the road.

WFL leaders vehemently disagreed. Digne Miller noted first that the bill would only grant this partial suffrage to women in Indianapolis and Terre Haute – more a fractional suffrage bill than a partial one. Dr. Amelia Keller expressed her fear that the bill could actually hurt the larger movement. [6] Dr. Keller argued:

If that bill goes through it will be immediately sent into the courts on protest of being unconstitutional and then when the vote for full suffrage really comes we will receive our answer, ‘O that question is now in court. Wait until that is settled and we’ll see about it then.’ [7]

In fact, some WFL members thought that delaying the full suffrage vote was the senator’s reason for introducing the bill in the fist place. Sen. Stotsenberg had also introduced a full suffrage bill that would have had to pass two legislative sessions and then go to a statewide referendum, a process that would take years. So it was not entirely unreasonable to think that he wanted to kick the problem down the road. [8]

Even within the organizations, there was disagreement. Prominent league member Belle Tutewiler broke with her WFL colleagues to support the bill. Her argument in favor of partial suffrage was to use this limited franchise to pry open the door of full suffrage. Her valid point may have been overshadowed by her fiery language. She called the league’s opposition “childish” and stated:

It is mere child’s play to say that if we can not get all, we will take nothing. I think it would be better to take school suffrage now and use that as an entering wedge for full suffrage later. [9]

Muncie Star Press, October 21, 1912, 3, Newspapers.com

As discussion continued, the women’s language grew more contentious. In the midst of the discussion, Elizabeth Stanley of Liberty threw open a suitcase “scattering yards and yards of cards bearing a petition for full suffrage” and “ridiculed the idea of using school suffrage as a wedge.” [10] The women exchanged more heated words before the ineffective meeting was adjourned and the partial suffrage bill abandoned.

The Indianapolis Star clearly delighted in the drama. The newspaper devoted long articles to the debate, written in a patronizing tone. Front page headlines read:

Suffrage Hosts Scorn Offerings

Resentful Women in Public Meeting Condemn Bill to Give Vote on Schools

“Childish” Starts Storm

Accusation from Lone Defender of Measure Brings Heated Denial of “Imbecility” [11]

Indianapolis Star, August 2, 1912, 7, Newspapers.com.

This public disharmony was not a good look and both organizations knew it. The WFL and the ESA were experienced publicists and aware that they needed a major public event to draw positive press coverage. The groups had to come together, if only briefly, and present a united front before the General Assembly. The WFL took the lead. The group organized a march to the Indiana statehouse for March 3, 1913, the same day 5,000 suffragists marched through the nation’s capital. [12] This was the perfect opportunity to present a united front and ESA leader Dr. Hannah Graham contacted the WFL asking to join forces. The WFL agreed. Just two months after their public disagreement over partial suffrage, the groups would march shoulder to shoulder before the Indiana General Assembly. [13]

It’s unclear if Black suffragists joined the march. African American ESA Branch #7 wouldn’t be organized until that summer. Newspapers catering to a white audience made no mention of their participation and the Indianapolis Recorder seemed to have been frustrated by the lack of Black suffrage information. A vexed Recorder writer, who went only by her first name of Dorothy, wrote on March 8:

What part did the colored women take in the suffrage movement at Washington last Monday? What part are they taking at any time? What are they, women or mice? Let us hear from you. Speak up! [14]

It is likely that Black suffragists at least knew about the march. The Woman’s Civic Club was an African American organization that worked to oppose race and gender discrimination in 1913. The Indianapolis branch had ninety-one members and promoted their events with the words of W. E. B. DuBois: “Protest, Reveal the truth and refuse to be silenced.” [15] The club had recently hosted Mary Tarkington Jameson at their regular meeting. Jameson was a prominent WFL member and spoke to the Woman’s Civic Club prior to departing for Washington D.C. to represent Indiana in the suffrage parade. The Recorder reported that Jameson delivered a “splendid address on Woman’s Suffrage” for the club. [16] It seems unlikely that Jameson would not have talked about current issues and upcoming events. Whether the Black suffragists in attendance would have been welcomed or felt safe in attending, would have been another matter. Unfortunately, this information is absent from sources.

Indianapolis Recorder, March 8, 1913, 2, Hoosier State Chronicles.

On Monday afternoon, March 3, 1913, Hoosier suffragists from across the state, 500 strong, marched into the statehouse. [17] This was not a celebratory parade, nor was it a raucous demonstration.  It was a protest. The suffrage bills being considered by the General Assembly were unlikely to pass “as the house of representatives was known to be unfriendly to equal suffrage,” and the Senate had already rejected at least one of the pending propositions earlier in the day. The suffragists were there not because they thought any “immediate good” would come from the day’s session. [18] Five hundred women marched into their capitol that day to make their presence known. They were there to “work on the legislature,” to show them that this was not a fringe movement, that a large number of Hoosier women demanded the vote. [19] WFL president Dr. Amelia Keller stated,

We wanted to show the legislators that we are in earnest and that ‘we’ means not a handful of enthusiasts, but hundreds of women. [20]

A pro-suffrage stance was edging towards the mainstream in 1913 but needed a push. It wasn’t a view that needed to be kept secret like it was when the Indianapolis Equal Suffrage Society first met conspiratorially in 1878, but nor was it ubiquitous. [21] The more conservative members of the Indiana Federation of Clubs, for example, still had not endorsed suffrage at the time of the march, though they would later that year. [22] Suffrage in Indiana was at a tipping point and so they marched.

Indianapolis Star, March 4, 1913, 3, Newspapers.com

Several unlikely suffrage measures were before the Indiana General Assembly on the day of the march. Representative Earl K. Friend had introduced a resolution to amend the constitution, removing the word “male.” This resolution was pending in the House Judiciary Committee B, also known as the “graveyard committee” because it is where dead bills were buried. There was no hope for the suffragists there. The identical resolution introduced by Senator Harry E. Grube had already failed in the Senate that morning. [23]

The United Press wire service reported that several suffrage leaders had also been working with Rep. Friend on an amendment to the bill introduced by Rep. Stotsenburg, which also aimed to amend the constitution to remove the word “male.” Some of the women may have warily hoped that this proposal would gain support, but were not expecting any immediate results. Even if the bill passed, it had to be approved again at the next session in 1915, and then voted on in a statewide referendum in 1916 at the earliest. [24] Hoosier suffragists had lost this battle before, celebrating the passage of suffrage bills at one session, just to be disappointed at the next. [25] The women marching in the statehouse that day would not have had anything to celebrate, even if the bill passed, because they would have been made again to wait for equality. Their spirit would have been somber and determined, not hopeful. Their solemn march matched the moment.

The 500 Hoosier suffragists walked through the statehouse stopping to pin suffrage ribbons on a few willing lawmakers. Governor Samuel Ralston “cheerily” accepted a ribbon as did the legislators representing the Progressive Party, the only party to add a suffrage plank to their platform. [26] Most Indiana lawmakers did not take a ribbon, and pages mocked the women’s efforts. [27]

Indianapolis News, March 1, 1913, 11, Newspapers.com.

Indianapolis newspapers either misunderstood the suffragists’ goals or reporters intentionally decided to recast the scene through a condescending lens. The Indianapolis Star called their attempt to distribute ribbons to lawmakers “a game of hide and seek.” [28]  The newspaper claimed that prominent writer and WFL leader Grace Julian Clarke “moaned in grief” because her husband, Senator Charles B. Clarke refused a ribbon. [29] The Indianapolis News was even more patronizing.

The News sarcastically described the suffragists as wearing “warpaint of fine feathers and pretty gowns” and commented on the group’s choice to walk up the stairs en masse instead of splitting up to take the elevators. [30] The News claimed that one woman stated that by taking the stairs they hoped “the men will see that we are not afraid of some of the hardships,” but that if they gained the vote “one of the first things that we will do will be to add more elevators to the statehouse.” [31] This quote is dubious in authenticity, and the jab was certainly patronizing, but all in all, a comparatively harmless aside. The rest of the News article, however, must have been infuriating to these politically savvy suffragists.

The Indianapolis News claimed that while the suffragists marched around the statehouse, they had no idea what legislation was pending, or that the suffrage amendments were being dismissed. The newspaper claimed that the suffragists were in the chambers when Sen. Grube introduced the resolution calling for the constitutional amendment but that “it was done so unobtrusively that the women did not seem to know that it had been done.”[32]  And about the identical resolution introduced in the House by Rep. Friend, the writer scoffed:

The women had hardly been out of the state house more than an hour, however, when the house judiciary committee B voted in favor of killing the Friend house resolution . . . [33]

In case the newspaper’s readers missed this claim of female ignorance, the writer drove home the point:

Although hundreds of suffragists were jammed in the senate when Senator Grube introduced a resolution providing for an amendment to the state Constitution to allow women suffrage, not one of them seemed to realize what ‘was doing.’ No demonstrations of any sort took place. [34]

This claim is certainly false. First, these suffrage leaders were the most prominent women in the state. Indiana legislators were their friends, husbands, and family members. Second, the leaders of the WFL and ESA kept current on political issues related to suffrage at the state and national level. They wrote articles, gave speeches, organized meetings, and gathered signatures for petitions based on this knowledge. Most importantly, they had been working with members of the General Assembly on the legislation pending that day. The UP reported:

The leaders of the women planned to have Friend introduce a new resolution in the form of an amendment . . . [35]

They didn’t just know about the resolution, they were integral in its introduction to the legislature.

They knew the General Assembly would fail them that day. Their march was a protest, and this is why they chose silence. They came to make it clear to lawmakers that large numbers of the state’s most upstanding citizens were watching them. The General Assembly would have to face them before voting to continue to deny them their right as citizens. The UP reported that “dignity marked the demonstration,” as women representing “the best type of Indiana’s womanhood” gathered in the statehouse corridors.[36] They silently filed first into the House and then to the Senate. The UP reporter continued,

It was a silent demonstration. The leaders of the women attempted to make no speeches. They merely hoped that the number of mothers, wives and daughters, society leaders, professional women and working girls would cause the legislature to think about woman suffrage. [37]

The Indianapolis newspapers interpreted or framed their silence as ignorance, but it was the opposite. The suffragists knew that March 3, 1913 was not their day, but they made it clear that they would not stop their work until it was.

Indianapolis News, March 4, 1913, 4, Newspapers.com.

They did, in fact, achieve their goal in marching. The ESA and WFL presented a united front, countering the picture painted by their clash over partial versus full suffrage months earlier. All of the newspapers, even the condescending ones, that covered the march noted the joint appearance by the state’s major suffrage organizations. The UP reported that the event “was said to evidence the friendly relations between the two societies.”[38] Dr. Graham explained that this show of solidarity meant that “the legislators can no longer doubt the sincerity of the request of the women.” [39]

While Hoosier suffragists had a long road ahead of them, organized protests like this one, combined with lobbying, street meetings, sharp speeches, and savvy publicity stunts, helped to move public opinion and force lawmakers to give in to their demands. The press painted them at times as flighty, catty, or any other manner of stereotype, but their actions showed otherwise.  While their methods sometimes produced discord between them, it was through the constant political work of these knowledgeable, experienced, calculating suffragists that they won for themselves the vote. As they marched on the statehouse, they chose silence, but through their numbers, dignity, and righteousness, they roared for the vote.

Notes and Sources

[1] Anita Morgan, We Must Be Fearless: The Woman Suffrage Movement in Indiana (Indianapolis: Indiana Historical Society Press, 2020), 101, 111.
[2] Ibid., 112-13, 117-18; Jill Weiss Simins, “‘Suffrage Up In The Air:’ The Equal Suffrage Association’s 1912 Publicity Campaign,” accessed Indiana History Blog.
[3] Anita Morgan, “Taking It to the Streets: Hoosier Women’s Suffrage Automobile Tour,” accessed Indiana History Blog. Prior to the discussion, Senator Stotsenberg withdrew his school suffrage bill and replaced it with a bill that would allow women to serve on school boards but not vote in the elections. Despite this change, the suffragists debated partial school suffrage versus full suffrage.
[4] Morgan, We Must Be Fearless, 118-19.
[5] “Bill Is Approved: Equal Suffrage Association Board Favors School Franchise Measure,” Indianapolis Star, January 25, 1913, 9, accessed Newspapers.com.
[6] “Suffrage Hosts Scorn Offering,” Indianapolis Star, January 25, 1913, 1, accessed Newspapers.com.
[7] Ibid.
[8] Ibid. Stotsenberg’s full suffrage bill, even if it passed in 1913, would have had to pass again in 1915, and then go to a statewide referendum in 1916 or 1917.
[9] Ibid.
[10] “Women Divided on Ballot Bill,” Indianapolis Star, January 28, 1913, 6, accessed Newspapers.com.
[11] “Suffrage Hosts Scorn Offering,” 1.
[12] “Woman’s Franchise League Will Go to Statehouse Monday and Ask Suffrage Amendment,” Indianapolis News, March 1, 1913, 11, accessed Newspapers.com.
[13] Morgan, 122.
[14] Dorothy, “Of Interest to All Women,” Indianapolis Recorder, March 8, 1913, 2, accessed Hoosier State Chronicles.
[15] “Woman’s Civic Club Notes,” Indianapolis Recorder, March 8, 1913, 2, accessed Hoosier State Chronicles.
[16] “Woman’s Civic Club Notes,” Indianapolis Recorder, March 1, 1913, 2, accessed Hoosier State Chronicles.
[17] “500 Suffragists Invade Capitol,” Indianapolis Star, March 4, 1913, 3, accessed Newspapers.com.
[18] “Indiana Women Work on the Legislature,” Huntington Herald, March 3, 1913, 1, accessed Newspapers.com. The Herald ran the article received from the United Press wire service.
[18] Ibid.
[19] Ibid.
[20] “500 Suffragists Invade Capitol,” 3.
[21] Morgan, 62.
[22] Ibid., 95.
[23] “Indiana Women Work on the Legislature,” 1.
[24] Ibid.
[25] Morgan, 75. See Morgan for the political tricks that killed a suffrage bill in 1881 only to disappear from consideration in 1883.
[26] “500 Suffragists Invade Capitol,” 3.
[27] Ibid.
[28]Ibid.
[29] Ibid.
[30] “Assembly Besieged by Nearly 500 Women,” Indianapolis News, March 4, 1913, 4, accessed Newspapers.com.
[31] Ibid.
[32] Ibid.
[33] Ibid.
[34] Ibid.
[35] “Indiana Women Work on the Legislature,” 1.
[36] Ibid.
[37] Ibid.
[38] Ibid.
[39] “500 Suffragists Invade Capitol,” 3.

 

“Suffrage Up In The Air:” The Equal Suffrage Association’s 1912 Publicity Campaign

By the start of the twentieth century, Hoosier suffragists were experienced political actors. They had spent decades exerting pressure on public officials to end discriminatory practices against women and lobbying for the vote. They delivered speeches and petitions to the Indiana General Assembly and the United States Congress. They marched, organized, lobbied, and strategized. But their success was limited because of one infuriating Catch-22: the women trying to gain the vote were often ignored by politicians because they were not voters. It became clear that they needed to change public opinion on a grand scale. They did this through broad public actions like demonstrations and parades, but they were not above the occasional publicity stunt.

During the summer of 1912, the women of the Equal Suffrage Association (ESA) had become “masters of publicity,” according to historian Dr. Anita Morgan.[1] The stakes were high. Governor Thomas Marshall was attempting to introduce a new state constitution with stricter voter requirements that would continue to exclude women from the ballot box. In response, the ESA worked to expand its organization, adding labor and African American branches, and reach women across the state.[2] In the spring and summer of 1912, during the weeks leading up to the state convention, the ESA got especially innovative.

Indianapolis News, January 11, 1912, 3, Newspapers.com.

In May, physician and ESA leader Dr. Hannah Graham of Indianapolis invited sociologist and suffrage lecturer Elizabeth N. Barr of Topeka, Kansas to speak at an upcoming meeting. Barr planned to deliver her speech, “Active and Passive Opposition to Suffrage.” Barr hoped this would draw some anti-suffragists to the meetings as she was “anxious to debate with some person who is opposed to woman suffrage.”[3]

Indianapolis Star, August 2, 1912, 7, Newspapers.com.

Determined to draw press attention to this important talk, Dr. Graham came up with a creative strategy. She proposed they charter a hot air balloon to carry Barr high above Indianapolis and drop suffrage buttons to curious onlookers below. Barr agreed to the stunt, “declared that all true suffragists are ‘game,’ and was glad to prove the contention to the public.”[4]

Dr. Graham and other ESA leaders followed the balloon through the city in a parade of automobiles, drawing even more attention to their campaign. Her strategy worked and the press reported widely on the “Balloon Jaunt,” as the Indianapolis Star called it.[5] Fortunately, the stunt didn’t overshadow their message as newspapers reported on the upcoming meeting and Barr’s speech, as well as Graham’s goals with the airdrop:

Dr. Graham said the association encouraged the flight in order to show that woman was capable of entering any sphere of life, even a high one.[6]

“Votes for Women Button Early 1900s,” Indiana Historical Society Digital Collections.

Interestingly, the balloon, the Duesseldforfer II, was donated for the trip by the Indianapolis Brewing Company. This is notable as some suffrage organizations were also prohibitionists, an alliance that had regularly hurt the suffrage cause throughout Indiana history. The ESA was likely making a public statement that they were working only for the vote not for prohibition. They likely hoped this public collaboration with a brewing company would draw people to their cause who supported women’s rights and enjoyed their beer.

“The Successful Start for Westminster,” photomechanical print, Miller NAWSA Suffrage Scrapbooks, 1897-1911, Rare Book And Special Collections Division, Library of Congress.
“Mureil Matters,” photomechanical print, 1909, NAWSA Suffrage Scrapbooks, 1897-1911, Rare Book And Special Collections Division, Library of Congress.

Dr. Graham and ESA leaders were evidently studying the tactics of other suffrage organizations around the globe, as there were a few recent precedents for the balloon stunt. In 1909, Australian-born British suffragist Muriel Matters chartered an airship (similar to a blimp) to fly over West Minster during a procession of the members of Parliament led by King Edward VII. Her balloon, branded with a large “Votes for Women,” was blown off course and did not make an appearance over Parliament. Nonetheless, Matters garnered an enormous amount of publicity for the Women’s Freedom League.[7]

The ESA’s May 1912 success in drawing press attention with the balloon air drop would have been on their minds as they prepared for their statewide conference in June.

[Anna Dunn Noland] Indianapolis Star, June 18, 1916, 47, Newspapers.com.
For the state convention they pulled out all the stops. ESA organizers posted “press notices in every daily and weekly paper” and ensured “large posters [were] put up at the cross roads in every county” with “banners stretched across Broadway announcing the date.”[8]  They created circulars that were sent to women’s club and suffrage meetings across the state. On June 22, 1912, the Saturday before the state convention, the ESA arranged for “the meeting circulars announcing it and a parade were dropped over the city from an airship.”[9] The circulars were written by Anna Dunn Noland, a leading Logansport suffragist and the ESA’s publicity chairman. Her words remain powerful:

To the Progressive Women of Indiana, Greetings:

On June 28 and 29, 1912, the equal suffragists of Indiana will assemble in state convention at Logansport, Ind. To report the progress of the woman suffrage and to confer upon existing conditions and the best methods to work in the state.

Since the purpose of the Indiana Equal Suffrage Association is to secure for the women of the state the right to vote, we have called this convention.

Six of the states of the Union have granted full suffrage to women, and many of our neighboring states are in the midst of active campaigns, but Indiana still refuses to allow her voters to consider this question.

This will not be a convention of an exclusive class, but a democratic meeting of all classes.

Come and take part in the discussions and give the stimulating influence of your presence to the work.

Women of Indiana, this is your organization and this is your work. Come and show that you are no longer satisfied to be ignored and that you insist in having a voice in this government.[10]

The ESA’s hard work paid off. Over 50,000 Hoosiers watched the suffragists parade through the streets of Logansport and “every business house was beautifully dressed in suffrage colors.”[11] In addition, “the convention was widely noticed by the press” and other suffrage organizations. In fact,that September, Wisconsin suffragists hired a “great air pilot,” who “scattered suffrage flyers from the airship which he took up into the clouds at the State Fair in 1912.”[12] The ESA’s success with their suffrage circular airdrop may have been their inspiration.

Fort Wayne News, August 7, 1912, 1, Newspapers.com.

The ESA’s much anticipated state convention was progressive and productive. The organization committed to further political action. Dr. Graham reported to the large convention audience that ESA representatives recently attended the Democratic State Convention to pressure the party to add a women’s suffrage plank to its platform. Unfortunately, only “one or two of them thought of putting such a plank in the platform worth considering.”[13] In response, they would be attending the Republican State Convention to again advocate for a suffrage plank. Dr. Graham called on ESA members to pressure candidates to make public statements in support of suffrage and to sever ties with political candidates who did not support their right to vote. She called this the “Woman’s Declaration of Independence” and the convention voted to adopt it. The ESA declared:

We believe that women will attain their inherent right by agitation and organization, and that they may have influence in the political world; be it

Resolved, That the delegates of the third annual convention of the Indiana Equal Suffrage association hereby instruct our incoming officers to forward a communication to each candidate for the Indiana state legislature of each political party, requesting an expression from said candidate on the subject of equal suffrage for the purpose of placing all candidates for the Indiana general assembly on record.[14]

Finally, the convention circulated a petition to present to the next Indiana General Assembly calling for a suffrage amendment to the state constitution. The ESA continued their publicity campaign throughout the summer. According to the History of Woman Suffrage:

Billboards were covered with posters and barns, fences and stones along the country roadways were decorated with ‘Votes for Women.’ Free literature was distributed and handbills were given out at every opportunity. Sunday afternoon meetings were held in picture show halls in many towns. Booths were secured at county and street fairs. Tents were placed on Chautauqua grounds with speakers and all kinds of suffrage supplies. This program was kept up until the World War called the women to other duties.[15]

In 1912, women’s suffrage was truly “up in the air.” It was not just a “matter of time.” Many people, including Indiana’s governor and many lawmakers, opposed women’s right to vote. Women gained suffrage because of their hard work and shrewd politicking, but the odd stunt in some sort of aircraft probably didn’t hurt either.

Further Reading

Read more about Hoosier suffrage publicity campaigns in Dr. Anita Morgan’s Indiana History Blog post: “Taking It to the Streets: Hoosier Women’s Suffrage Automobile Tour.”

This post was inspired by Dr. Morgan’s mention of the air drop on page 102 of her book, We Must Be Fearless: The Woman Suffrage Movement in Indiana.

Notes

[1] Anita Morgan, We Must Be Fearless: The Woman Suffrage Movement in Indiana (Indianapolis: Indiana Historical Society, 2020), 102.
[2] Ibid., 102, 110-112.
[3] “Suffragist to Take Balloon Jaunt Here,” Indianapolis Star, May 11, 1912, 9, accessed Newspapers.com.
[4] Ibid.
[5] Ibid.
[6] “Suffrage Up In The Air,” Indianapolis News, May 11, 1912, 19, accessed Newspapers.com.
[7] “The Successful Start for Westminster,” photomechanical print, Miller NAWSA Suffrage Scrapbooks, 1897-1911, Rare Book And Special Collections Division, accessed Library of Congress; Beverley Cook, “Shades of Militancy,” January 31, 2018, Museum of London, accessed https://www.museumoflondon.org.uk/discover/shades-militancy-forgotten-suffragettes.
[8] Chapter 13: Indiana, Part 1, in History of Woman Suffrage, ed. Ida Husted Harper (New York: J. J. Little & Ives Company, 1922), 168, accessed  GoogleBooks.
[9] Ibid.
[10] “Suffragets [sic] Held Meeting,” Elwood Call-Leader, June 25, 1912, 1, accessed Newspapers.com.
[11] Chapter 13: Indiana, Part 1, 168.
[12] Theodora W. Youmans, “How Wisconsin Women Won the Ballot,” Wisconsin Magazine of History 5, No. 1 (September 1921): 21, accessed JSTOR.
[13] “Meeting of Suffragists,” Tipton Daily Tribune, June 29, 1912, 4, accessed Newspapers.com.
[14] “Mrs. Nolan Again Head of Equal Suffragists,” Muncie Star Press, June 30, 1912, 8, accessed Newspapers.com.
[15] Chapter 13: Indiana, Part 1, 168.

Integrity on the Gridiron Part Two: Notre Dame’s 1924 Football Team Battles Klan Propaganda

“Football: Notre Dame (South Bend) by South Shore Line,” 1926, broadside, Indiana State Library Broadside Collection, accessed ISL Digital Collections.

This is Part Two of a three-part series, but also stands alone as a story of the incredible strength of the 1924 Notre Dame football team and the university’s struggle to combat prejudice in the age of the Klan. See Part One for the 1923 Notre Dame football season, context on the political strength of the Klan in Indiana, the May 1924 clashes between Klan members and an alliance of Notre Dame students and South Bend’s Catholic residents of immigrant origin, as well as the ensuing damage to the university’s reputation.

Notre Dame students returned to campus in the fall of 1924 under the looming threat that the Klan would return before the November elections. Just months earlier, in May, the Klan had been able to bait Notre Dame students into a violent confrontation. While initially embarrassing to the Klan, as they were all but driven out of town by students, the Klan’s propaganda machine was able to revise history. Using widely circulated brochures and newspaper articles, the hate group painted the students as an unruly mob of Catholic immigrant hooligans who attacked good Protestant American businessmen assembled peacefully. By fall, local Klansmen still wanted revenge for the previous spring’s humiliation, while state Klan leaders sought to show voters that they needed protection from the “Catholic menace.” Notre Dame University staff and leadership prepared for further violence and worked to rehabilitate the school’s image in the wake of the spring clash between students and Klansmen. The school needed a public relations miracle to combat the Klan’s far reaching propaganda.

University President Father John O’Hara devised a strategy for countering the negative press coverage inflicted on Notre Dame by highlighting one university program that was beyond reproach, not to mention already popular and exciting enough to draw press coverage. Father O’Hara’s inspired strategy was to put the full weight of the university behind championing its successful football team and the respectable, upright, and modest team members. The Fighting Irish football team had finished the 1923 season with only the one loss to Nebraska and a decent amount of newspaper coverage.* Much more was riding on the 1924 football team’s success. The school administration, the student body, alumni, as well as Catholics and immigrants in Indiana and beyond, looked to the Notre Dame players to show the world that they, and people who shared their religion and heritage, were proud, hardworking, dignified, and patriotic. The model team could prove the Klan’s stereotypes about Catholics and immigrants had no resemblance to reality. [1]

Father O’Hara recognized that linking the players’ Catholicism with their success on the gridiron created a strong positive identity for the university. Since at least 1921, he had arranged for press to cover the players, Catholic and non-Catholic together, attending mass before away games. He provided medals of saints for the team to wear during games and distributed his Religious Bulletin, in which he wrote about “the religious component in Notre Dame’s football success,” to alumni, colleagues, and the press. [2] According to Notre Dame football historian Murray Sperber, Father O’Hara conceived of an ambitious outreach plan for the 1924 season as a direct response to the Klan’s propaganda. In fact, O’Hara may have gotten the idea from a 1923 New York Times editorial that sarcastically reported on the reason for the Klan’s rise and extreme anti-Catholicism in Indiana:

There is in Indiana a militant Catholic organization, composed of men specially chosen for strength, courage and resourcefulness. These devoted warriors lead a life of almost monastic asceticism, under stern military discipline. They are constantly engaged in secret drills. They make long cross-country raiding expeditions. They have shown their prowess on many battlefields. Worst of all, they lately fought, and decisively defeated, a detachment of the United States Army. Yet we have not heard of the Indiana Klansmen rising up to exterminate the Notre Dame football team. [3]

This editorial and other similar articles implied that making the football team the symbol of Catholicism at Notre Dame could serve to combat the Klan in the press. In 1924, Father O’Hara created a series of press events to align with the game schedule, hoping to link the school’s proud Catholicism with the excitement of the winning team. [4] Of course, for this strategy to work, the team had to keep winning games.

Hammond Times, October 6, 1922, 16, Hoosier State Chronicles.

Coach Knute Rockne, who had led the Fighting Irish since 1918, had built an almost unstoppable football team by the close of the 1923 season. In six seasons, the team only lost four games. Two of these were tough losses to Nebraska where the players faced anti-Catholic hostilities. [5]  In 1924, with the eyes of the nation on them, the Notre Dame team needed a perfect season. Luckily “the 1924 Notre Dame Machine was bigger and better than ever,” according to the editors of the Official 1924 Football Review. [6]

Harry McGuire and Jack Scallan, eds., Official 1924 Football Review, University of Notre Dame, 24, accessed Notre Dame Archives.

The season opened October 4, 1924 with a home game against Lombard College in Galesburg, Illinois. Coach Rockne employed a brilliant opening strategy. He started his secondary unit, called the “shock troops” who would “take the brunt of the fight” during the opening game and “wear down the opposition.” [7] Rockne then put in his main players, who most coaches would have started. This strategy meant that their opponents, in this case Lombard, would think they were holding their own against the Fighting Irish. Then the eleven regulars would show them the full force of the team. While the Chicago Sunday Tribune reported that Lombard “outplayed the second team Rockne started,” aka the “shock troops,” Notre Dame decisively beat the Illinois team 40-0. [8]

South Bend Tribune, October 12, 1924, 12, accessed Newspapers.com

On October 11, the Irish defeated Wabash College just as handily, winning 34-0. The South Bend Tribune reported, “Notre Dame took the game easily and without much apparent effort . . . The Irish were never forced for a touchdown by that old spirit known as a fight.” [9] While Notre Dame was clearly the better team, the Tribune criticized them for being “crude and lumbering” and the play “slow and listless.” In fact, the local paper was fairly pessimistic about the upcoming games, noting that the Irish “may crumple” in the following week’s game against Army or “give way” to Northwestern. The game against Army would decide if Rockne’s 1924 team was as good as the previous season’s hype foretold. [10]

While the Fighting Irish prepared for the battle against Army, Notre Dame officials readied for another kind of clash. The Klan had declared their intention to return to South Bend 200,000 strong on October 18 – the same date as the upcoming game. They also claimed to have the support of local officials. The Fiery Cross reported:

Chief of Police Lane and Mayor Siebert have promised their support to the demonstration and the procession will be escorted by a squadron of police on motorcycles, lest their be a repetition of last May’s attack on Klansmen by Roman Catholic Notre Dame students. [11]

Fiery Cross, October 10, 1924, 1, accessed Hoosier State Chronicles.

Notre Dame officials had no way to know if the Klan gathering was to be believed or if it was just Klan propaganda. What President Walsh did know was that he couldn’t trust city officials to protect his students. If the Klan descended on South Bend, Notre Dame would stand alone. As October 18 neared, Walsh noticed that the city was not making preparations to host a large gathering. Walsh also heard from Republican insiders that the state party was trying to quiet these kind of Klan demonstrations and distance itself (in public but not behind closed doors) from the Klan in order to not lose voters before the November election.

Drawing on this information, Walsh predicted that the rally would not happen. In fact, Indiana Republican Party Chairman Clyde Walb had forced the Klan to cancel the meeting by threatening to close the party headquarters. This would have left Republican state candidates, including those supported by the Klan, to fend for themselves for promotion and organization right before the election. [12] But the Fiery Cross continued to promote the rally, using the event to repeat their version of the clash earlier that spring. The Fiery Cross reminded its sympathetic readers:

Last May, when the Knights of the Ku Klux Klan attempted to hold a peaceful demonstration in this city, they were set upon — along with other Protestants — by Roman Catholic students from Notre Dame. They were beaten, kicked, and cursed, the women were called vile names and the American flag was trampled under foot. [13]

This was of course not what had happened (see Part One), but through continued repetition, the Klan convinced many people of their biased version of the story. Despite the Fiery Cross‘s claim that 200,000 Klansmen would take over South Bend “from morning to midnight,” they ceded to the political pressure and called off the rally. [14] Notre Dame officials and supporters must have breathed a sigh of relief. They could now return their focus to the upcoming game and all the hopes that rested on this win.

“The Squad” in Official 1924 Football Review, University of Notre Dame, 8, accessed Notre Dame Archives.

The sports media’s hype was intense leading up to the October 18th Notre Dame – Army game that would take place in New York. This press coverage was owed in part to the East Coast alumni. Several graduates were in the city drumming up support for their alma mater by feeding Notre Dame-produced press statements to New York newspapers and proselytizing at Catholic social organizations like the Marquette Club. Another factor, likely more influential, was Rockne’s decision to hire a New York Times writer for an exorbitant sum. This all but guaranteed a round of good press for the Irish. [15] All they had to do was win.

“Running the Army Ends,” in Official 1924 Football Review, University of Notre Dame, 28, accessed Notre Dame Archives.

The New York Times reported that the 60,000 person crowd that gathered at the New York City Polo Grounds was the largest ever in that city. The reporter raved about “Knute Rockne’s Notre Dame football machine, 1924 model” and their “speed, power, and precision.” [16] He gave special notice to the backfield, referring to their “poetry of motion.” Writing for the New York Herald Tribune, reporter Grantland Rice went further in praising the backfield of Harry Stuhldreher, Don Miller, Jim Crowley, and Elmer Layden.  In a passage described by Sperber as perhaps the most famous in sports history, Grantland wrote:

Outlined against a blue, gray October sky, the Four Horsemen rode again. In dramatic lore, they are known as Famine, Pestilence, Destruction and Death. These are only aliases. Their real names are Stuhldreher, Miller, Crowley, and Layden. [17]

Billy Rose Theatre Division, The New York Public Library. “Each kiss flamed with danger!” New York Public Library Digital Collections.

In fact, this famous line came from Notre Dame’s own publicity machine. George Strickler, a press assistant employed by the university had just seen Rex Ingram’s new movie, The Four Horsemen of the Apocalypse. Strickler mused that the Notre Dame backfield recalled “those ethereal figures charging through the clouds.” [18] Rice took the idea and made it his lead. The article quickly found a life of its own. The catchy lead was picked up by other newspapers and the nickname stuck. Strickler was delighted with the press coverage and determined to make the most of it. He called the university and arranged to have a photographer shoot a picture of the “horsemen” upon their return — on horseback, of course.

“Four Horsemen Are Ready for Gallop to Coast,” Minneapolis Daily Star, December 11, 1924, 10, Newspapers.com
Princeton-Notre Dame football program, October 25, 1924, Princeton University Archives, accessed https://princetonarchives.tumblr.com.

With more attention on them than ever before, the Fighting Irish still had most of their season ahead of them. When they faced the Princeton Tigers on October 25, 1924, it seemed like they might not survive the increased scrutiny. Despite the previous year’s upset, Princeton was favored to win as the Tigers defensive line was much improved. When the game kicked off before 45,000 spectators, Coach Rockne again started his substitutes. At one point in the first quarter, Princeton nearly scored, with the second-string Irish stopping the Tigers at the three-yard line. The game quickly shifted in Notre Dame’s favor when the starters entered the fray. The Four Horseman again stole the show. The New York Times reported that “the darting thrusts of Notre Dame’s lightning backfield were more than Princeton could handle today.” Left half-back James Crowley scored two touchdowns for a 12-0 Notre Dame win. [19] But all was not smooth sailing for the Irish, as quarterback Harry Stuhldreher, who was responsible for the most yards gained that game, was injured. Notre Dame was down one horseman as they returned to South Bend.

Official 1924 Football Review, University of Notre Dame, 34, accessed Notre Dame Archives.

On November 1 Notre Dame faced Georgia Tech for their homecoming game at Cartier Field. By now, Coach Rockne’s method of tiring out the opposing team while holding back his best players had been published in newspapers across the country. Perhaps recognizing that their best chance at scoring was against the second string starters in the first quarter, the Georgia Tech Golden Tornado team came out strong. The Chicago Tribune reported:

Georgia Tech took advantage of the Notre Dame seconds early in the first period, and [full back Douglas] Wycoff promptly ran through the bewildered Rockmen for 40 yards, placing the ball on Notre Dame’s 35 yard line. [20]

Georgia Tech “place-kicked” for three points and the second-string Irish struggled through the first quarter. While Rockne’s strategy was no longer a surprise, it was still effective. When the varsity Irish started the second quarter they were unstoppable, even without the injured Stuhldreher. The other three horsemen led the team to a 34-3 victory with several substitutes also making important contributions. [21] Next, the Irish were ready to take on their first Big Ten team.

Notre Dame faced the Wisconsin University Badgers on November 8th before a crowd of 40,000. While it was an away game for the Irish, it didn’t feel like it to the players. The game was the main attraction for an annual student trip, and so the blue and gold section in the stands was full. The Notre Dame marching band came as well and marched out onto the field playing fight songs. The first quarter saw Rockne’s second-string starters equally matched with the starting Badgers and the quarter ended 3-3, but the tide quickly turned in favor of Notre Dame. The Notre Dame Official 1924 Football Review reported on the start of the second quarter:

Then came the call, and the entire first team burst onto the field while the Notre Dame stands went into an uproar. Then the fun began. [22]

1924 Football Review, accessed Notre Dame Archives.

With all four horsemen in the game, the Badgers didn’t stand a chance. “They simply galloped over the foe,” the Chicago Tribune reported. [23] The score was 17-3 at the half and 31-3 within the first ten minutes of the third quarter. Rockne called in his varsity players and gave some third stringers and rookies the chance to play. The Tribune joked that “no one in the press stand could call them by name” and that Coach Rockne probably could not either. [24] In the final quarter, Rockne put back in his starting “shock troops” who brought the final score to 38-3 for a sweeping Notre Dame win. The students in the stands threw their hats and rushed onto the field to follow their marching band, snaking across the gridiron while singing and dancing. The Chicago Tribune spotted some “well-known Chicago men of Celtic origin out there romping with the students.” [25] Notre Dame was becoming the beloved team of people with Irish heritage across the country. Thus, it was even more important that they beat Nebraska.

The Klan had not forgotten about South Bend. On November 8, while the Fighting Irish celebrated their win over Wisconsin, 1,800 Klansmen and women “from Chicago and from a number of Indiana cities,” gathered just outside the city limits. [26] Between six and seven o’clock they paraded through the streets of South Bend, a quick clip compared to other Klan parades and events. There was little reaction to their presence and the South Bend Tribune reported that “few people were on the streets.” [27] It’s not clear why there was no response from students. Perhaps they simply didn’t have advance notice of the parade, and when the event happened quickly, they didn’t have time to form a response. Maybe they simply refused to be baited into further confrontations. Either way, the Klan had surely succeeded in reminding the Irish Catholic students that the threat of violence still loomed.

The Fiery Cross claimed that the Klan held yet another South Bend parade on November 11, just days after the quiet, uneventful rally of a few days earlier. The newspaper claimed that thirty-five thousand members from across the Midwest gathered and paraded through the city, purportedly “one of the biggest Ku Klux Klan demonstrations ever held in this section of the country.” [28] The Fiery Cross again claimed that the Klan had the cooperation of the mayor and the police chief. No other newspaper reported on the event. The Klan newspaper’s claims are dubious. A crowd this large would surely have drawn at least passing comment from the South Bend Tribune. It seems more likely that this was hype generated by their propaganda machine after the turnout for the rally on the 8th was reported by the South Bend Tribune to have been small. Whether the Klan gathered that day or whether this was just more propaganda, Notre Dame students and officials certainly felt the continued threat. For now, however, the Notre Dame players and their supporters had their eye on a different kind of opponent, albeit one with anti-Catholic prejudices of their own.

The last time they faced the Cornhuskers, the 1923 Fighting Irish team encountered prejudice and xenophobic epithets from Nebraska fans. The university was also still facing public backlash and disapproval from the violent confrontation with the Klan the previous May, as well as the Klan’s ongoing propaganda campaign. In an attempt to remedy their school’s reputation, the 1924 Notre Dame football players had handled themselves with dignity throughout the season, serving as examples of upstanding Catholic American citizens and scholars. But they still needed to beat Nebraska for two reasons. One, the symbolic victory of the hardworking and stoic Irish Catholic school over a team with anti-Catholic fans would be significant to their Irish Catholic supporters in an era dominated by the Klan. Two, to revenge their only loss of the previous season and make 1924 an undefeated perfect season would give them the public platform they needed to further improve the reputation of Notre Dame.

“Football: Notre Dame (South Bend) by South Shore Line,” 1926, broadside, Indiana State Library Broadside Collection, accessed ISL Digital Collections.

The Notre Dame Fighting Irish faced the Nebraska Cornhuskers November 15, 1924 at home in South Bend. Notre Dame supporters packed the stands at the recently enlarged Cartier Field while overflow fans stood on the sidelines or even sat on the fences. The local newspaper estimated the crowd at 26,000 people, the largest to date. [29] Recognizing the increasing popularity of the Notre Dame team to those in the wider area, the WGN radio station in Chicago delivered a live broadcast of the game. [30] Likewise, the South Shore interurban line, which ran between South Bend and Chicago, created large color posters of Notre Dame football players in action to advertise their service. [31]

Photograph from Notre Dame Archives, accessed “This Day in History: Irish Topple A Nemesis,” Department of Athletics, University of Notre Dame, https://125.nd.edu/moments/this-day-in-history-irish-topple-a-nemesis/.

Football fans had a beautiful day for the game, which was “easily the headliner” of Midwestern match ups that week, according to the Lincoln Star. [32] The newspaper reported: “A glorious November sun was shining through golden haze and the tang of frost was in the air.” [33] Photographs from game day show supporters well-bundled in hats and coats.

This game had been the focus of the entire season for Notre Dame. The players’ had written slogans on their dressing room lockers such as: “Get the Cornhuskers” and “Remember the last two defeats” (losses in 1922 and 1923). [34] A Lincoln newspaper complained that “Rockne has pointed his team for Nebraska and doesn’t mind telling the world about it.” One reporter stated simply: “They hope to taste revenge.” [35]

The players took the field at 2:00 and it was clear almost immediately that Rockne’s shock troops would not be able to handle the Cornhuskers. The second stringers fumbled early, got penalized for being offsides, and Nebraska pushed through to the four-yard line. Not taking any chances, Coach Rockne swapped the troops for his first-stringers. But it was Nebraska’s ball and they were able to drive through the remaining yards for a touchdown. [36] That touchdown would be Nebraska’s last of the game.

Official 1924 Football Review, University of Notre Dame, accessed Note Dame Archives.

The Irish thoroughly outplayed the Cornhuskers with much of the credit going to the Four Horsemen. The South Bend Tribune reported:

First it was Miller circling around the ends for notable gains, then it was Crowley, and then there was Layden splitting the line with the speed and momentum of a cannon ball. Then to top it off there was Stuhldreher to carry the ball or to toss the pigskin with deadly accuracy into the hands of his waiting backs. They were all there, they were all stars and together they make Notre Dame the greatest eleven in football history. [37]

Harry McGuire and Jack Scallon, eds., Official 1924 Football Review,

In the end, Notre Dame beat Nebraska 34-6, but even that score did not reflect how well the Irish played. The Tribune reported, “Twenty-three first downs for Notre Dame gave the fans some idea of the complete swamping the western players received.” [38] The most significant aspect of the win for the Fighting Irish though was symbolic. They had finally overcome a rival who had not only ruined their otherwise perfect 1923 season, but had insulted them with anti-Catholic, anti-Irish slurs as well. The Tribune summarized the feeling that day for the victors:

There may be games with more sensational playing, with more artistic foot-ball handling, but none, past or future, will ever appeal to the heart of Notre Dame men as this game which witnessed Rockne erasing the memory of two years defeat, but trouncing the huge Cornhusker squad soundly, without apology. [39]

Rockne reveled in both the football win and the symbolic victory of besting a team whose fans had personally humiliated his players. Rockne said, “Nebraska, as usual, was the dirtiest team we played, and after the game, a few of their players even called me a few choice epithets.” [40] The next game would have symbolic undertones as well. Catholic Notre Dame would face Methodist Northwestern.

Chicago Tribune, November 23, 1924, 25, Newspapers.com

For the November 22 Notre Dame – Northwestern match up, Rockne manged to move the game from Northwestern’s hometown of Evanston, Illinois, to Chicago. As the Irish middle class grew in Chicago, so did support for Notre Dame football in the city. Over 45,000 people bought tickets, the majority of them Notre Dame fans. [41] The game played that day at Grant Park (soon to be called Soldier Field) was the most difficult of the season. Northwestern held the lines against the Horsemen for much of the game and their halfback, All-American Ralph “Moon” Baker “threatened for a time to act as presiding host at an Irish wake,” according to one Chicago reporter. [42] After Northwestern almost immediately scored three points, fans began chanting for the Horsemen, and Rockne put in his first stringers. But Northwestern scored another three, giving them six points and leaving Notre Dame scoreless. The Irish rallied soon after and began to arduously shift the game in their favor. Stuhldreher ran for a touchdown in the second with Crowley’s field goal giving the Irish a one point advantage by the half. After a scoreless third quarter, Layden ran 45 yards for a touchdown in the fourth. Notre Dame won 13-6 against a tough Northwestern team. [43]

“Camera’s Eye Catches Thrilling Plays in Carnegie-Notre Dame Game,” Pittsburgh Sunday Post, November 30, 1924, 26, 26, Newspapers.com.

Notre Dame played their last game of the regular season against Carnegie Tech on November 29, 1924. Tech played well, scoring three touchdowns – two against the shock troops but one against the regulars, minus one Horseman (Bernard Livergood and William Cerney filled in for Elmer Layden who was injured). Even so, Notre Dame dominated the contest with their passing game drawing note in the press. The Fighting Irish beat Carnegie Tech 40-19, and closed the season undefeated in nine games. [44] This perfect record was everything the university administration had hoped for in order to engage their publicity machine and improve the school’s marred reputation. A trip to the Rose Bowl gave them the opportunity to set their plan into action. On New Year’s Day 1925, Notre Dame would play the Stanford University Indians, a game that’s long remembered in the history of this classic Fighting Irish Team. More significantly, the several week tour by rail of the Midwest and West masterminded by Father O’Hara forever repaired the university’s reputation. According to Notre Dame historian Robert E. Burns:

O’Hara saw the Rose Bowl invitation as an almost providential opportunity to counter the extremely negative Klan-inspired image of Notre Dame . . . [and] might well turn out to be the most successful advertising campaign for the spiritual ideals and practices of American Catholicism yet undertaken in this century. [45]

The Klan continued their propaganda campaign into December, through the weeks leading up to the Rose Bowl. As they prepared for the big game, the Fighting Irish faced anti-Catholic vitriol and hatred that the Klan had helped to make socially acceptable. Nonetheless, the Notre Dame football team would establish themselves not only as the greatest players in the country, but also as patriotic Americans, many the sons of Irish immigrants, and as proud Catholics.

Check back for Integrity on the Gridiron Part Three.

Notes

*The University of Notre Dame did not officially accept the name “Fighting Irish” for their athletic teams until 1925, but newspapers had been using it for quite a while beforehand.

[1] Robert E. Burns, Being Catholic, Being American: The Notre Dame Story, 1842-1934 (University of Notre Dame Press, 1999) 347-48.
[2] Murray Sperber, Shake Down the Thunder: The Creation of Notre Dame Football (Bloomington and Indianapolis: Indiana University Press, 1993, reprint, 2003), 157-158.
[3] “Where the Klan Fails,” New York Times, November 1, 1923, accessed timesmachine.nytimes.com.
[4] Sperber, 157-58.
[5] Burns, 348.
[6] Harry McGuire and Jack Scallan, eds., Official 1924 Football Review, University of Notre Dame, 24, accessed Notre Dame Archives.
[7] Ibid., 17.
[8] “Notre Dame Too Husky; Lombard Loses by 40 to 0,” Chicago Sunday Tribune, October 4, 1924, reprinted in Official 1924 Football Review, accessed Notre Dame Archives.
[9] Notre Dame Defeats Wabash, 34-0,” South Bend Tribune, October 12, 1924, 1, accessed Newspapers.com.
[10] Ibid.
[11] “Expect 200,000 at Gathering: South Bend To Be Host to Klansmen,” Fiery Cross, October 10, 1924, 1, accessed Hoosier State Chronicles.
[12] Burns, 342-44.
[13] “Prepare for Large Gathering: South Bend Ready for Many Visitors from Four States,” Fiery Cross, October 17, 1924, 1, accessed Hoosier State Chronicles.
[14] Ibid.

[15] Sperber, 164.
[16] “Notre Dame Eleven Defeats Army, 13-7; 60,000 Attend Game,” New York Times, October 19, 1924, 118, accessed TimesMachine.
[17] Sperber, 178-79.
[18] Ibid.
[19] Notre Dame Sweeps Princeton to Defeat,” New York Times, October 26, 1924, 116, accessed TimesMachine.
[20] “Notre Dame Is 34-3 Victor Over Golden Tornado,” Chicago Tribune, November 1, 1924 reprinted in Official 1924 Football Review, accessed Notre Dame Archives.
[21] Ibid.
[22] Official 1924 Football Review, 36, accessed Notre Dame Archives.
[23] James Crusinberry, Chicago Tribune, November 8, 1924, reprinted in Official 1924 Football Review, accessed Notre Dame Archives.
[24] Ibid.
[25] Ibid.
[26] “Klansmen in Parade,” South Bend Tribune, November 9, 1924, 3, accessed Newspapers.com.
[27] Ibid.
[28] “No Violence of Any Sort Mars Parade,” Fiery Cross, November 14, 1924, 1, accessed Hoosier State Chronicles.

[29] Kenneth S. Conn, “Notre Dame Soars Over Corn-Fed Nebraska,” South Bend Tribune, reprinted in Official 1924 Football Review, 39, accessed Notre Dame Archives.
[30] “N. Dame Stakes National Title on Tilt Today,” Chicago Tribune, November 15, 1924, 17, Newspapers.com.
[31] “Football: Notre Dame (South Bend) by South Shore Line,” 1926, broadside, Indiana State Library Broadside Collection, accessed ISL Digital Collections.
[32] Edward C. Derr, “Nebraska – Notre Dame Classic Dominates Interest,” Lincoln Journal Star, November 14, 1924, 16, Newspapers.com.
[33] Cy Sherman, “Nebraska Battles Notre Dame: Cornhuskers Clash with Irish Eleven,” Lincoln Star, November 15, 1924, 1, Newspapers.com.
[34] Jim Lefebvre, Loyal Sons: The Story of The Four Horsemen and Notre Dame Football’s 1924 Champions, excerpt reprinted in “This Day in History: Irish Topple A Nemesis,” Department of Athletics, University of Notre Dame, https://125.nd.edu/moments/this-day-in-history-irish-topple-a-nemesis/.
[35] Edward C. Derr, “Nebraska – Notre Dame Classic Dominates Interest,” Lincoln Journal Star, November 14, 1924, 16, Newspapers.com.
[36] Cy Sherman, “Nebraska Battles Notre Dame: Cornhuskers Clash with Irish Eleven,” Lincoln Star, November 15, 1924, 1, Newspapers.com.
[37] Kenneth S. Conn, “Notre Dame Soars Over Corn-Fed Nebraska,” South Bend Tribune, reprinted in Official 1924 Football Review, 39, accessed Notre Dame Archives.
[38] Ibid.
[39] Ibid.
[40] Sperber, 167.
[41] Ibid., 167-68.
[42] Jimmy Corcoran, “Notre Dame is Forced to the Limit,” newspaper not cited, November 22, 1924, reprinted in Official 1924 Football Review, 41, accessed Notre Dame Archives.
[43] Ibid.; “Game By Quarters,” South Bend Tribune, November 23, 1924, 14, Newspapers.com.
[44] Warren W. Brown, “Notre Dame Gallops Over Carnegie Tech,” Chicago Herald Examiner, reprinted in Official 1924 Football Review, 43, accessed Notre Dame Archives.
[45] Burns, 369.

Gardening Wisdom from the Historical Indianapolis News: April Edition

Many people are looking for ways to channel the anxiety of our current crisis into something healthy and productive. For those of us with green thumbs, this has meant more time in the garden. And there is no better place for us to get some sage advice than from those Hoosier gardeners who came before us. Luckily, some of them shared their wisdom in an early-twentieth century column in the Indianapolis News titled “Of Interest to Farmer and Gardner.”

Here are some April highlights.

The Pepper King

In 1912, the Indianapolis News columnist raved about the new Ruby King pepper (Capsicum annuum). The writer enthused:

There are a great many varieties on the market today; but there is only one kind of sweet pepper to grow for a large yield, fine appearance and good selling qualities — the Ruby King . . . when a farmer comes in [to market] with a load of Ruby Kings, what a difference there is and how quickly the buyers pick them up!

Ruby King, Seed Savers Exchange, accessed seedsavers.org.

An exciting new find for the writer, we now consider the Ruby King an heirloom variety. According to several companies selling the pepper, it was first introduced in 1902. However, the American Garden: Illustrated Journal of Horticulture described the Ruby King in 1885. The American Garden writer explained that with the introduction of milder yellow peppers, people seemed to have “developed a taste for less pungency in this fiery vegetable.” This critic was not a fan of the yellow pepper, stating emphatically that “it cannot be denied that the correct color in a pepper seems to be red.” The only vegetable that fit the bill as both mild in taste and red in color was “Burpee’s Ruby King, now introduced by W. Atlee Burpee.” The writer called it a “a respectable Pepper . . . mild and pleasant to taste — unequaled, in this respect, by any other variety.”

American Garden: Illustrated Journal of Horticulture 6:2 (February 1885), 23, accessed GoogleBooks.

Burpee does not seem to offer the variety any longer, but you can add the Ruby King to your garden by ordering from heirloom sellers like the non-profit Seed Savers Exchange.

An Overlooked Bramble Berry

L. H. Bailey, “The Lucretia Dewberry,” Cornell University Bulletin, reprinted in American Gardening 8:5 (May 1892), 274-75, accessed GoogleBooks.

In the April 29, 1911 edition of the Indianapolis News, our gardening columnist gave some advice on introducing a low-maintenance bramble called a dewberry into the garden. While blackberries and raspberries were (and are) better known brambles, the writer gave several reasons to add dewberry, which is also native to Indiana. The dewberry does just fine in poor soil, doesn’t need fertilizer, and can produce in partial sun or full shade. While raspberries and blackberries need regular pruning, the dewberry doesn’t. It can be trained to a stake or a trellis, but doesn’t require any support. And while it doesn’t produce until its third or fourth year, the writer suggested that the plant benefits from mulch and frequent harvesting once it has berries. The Indianapolis News columnist had one more piece of advice for bramble growers in 1911: plant different varieties together. I was not able to confirm the science behind this, but the writer’s experience shows that dewberries grow better when planted with blackberries or raspberries.

“Dewberry,” Missouri Department of Conservation, accessed nature.mdc.mo.gov.

There are several varieties of dewberry, but one native to Indiana, according to the Ladybird Johnson Wildflower Center, is the Lucretia Dewberry (Rubus roribaccus). Writing for the Cornell University Bulletin in 1892, L. H. Bailey described the ease of growing the Lucretia Dewberry. Interestingly, this gardener-writer also recommended planting dewberry with blackberry and raspberry brambles. The main value of the dewberry was that of the three, it ripened first. Bailey also pointed out that dewberry is hardier than other berry plants, able to survive harsh winters without taking any special precautions. Birdwatchers might also want to plant this lesser known species. According to the Missouri Department of Conservation, dewberry is a favorite of catbirds, waxwings, and finches. I couldn’t find an Indiana farm selling Lucretia dewberry, but you can find them at DeGroot Nursery in Michigan, a family-owned farm in operation since 1957.

The Wolf Flower

“Of Interest to Farmer and Gardener: Perennial and Annual Lupine,” Indianapolis News, April 3, 1909, 20.

The April 3, 1909 edition of the Indianapolis News column touted the beauty of lupines, recommending them to Indiana gardeners. The News columnist explained that this flowering plant works both in formal and more natural gardens, easily withstands the cold midwestern winters, and come in an array of colors and varieties, both annual and perennial. Lupine seeds should be direct sown in April after frost and will flower in June, “and if cut frequently so that the plants can not go to seed, their flowering period continued almost up to the first frost.” An added bonus: lupine returns nitrogen to the soil. (You can learn how here). Beyond gardens, Hoosiers can also keep a look out for lupine in the wild, or even by the side of the road.

National Park Service, “Impact of Climate Change on the Karner Blue Butterfly,” 2010, accessed nps.gov.

Beautiful white, blue, and purple wild lupine (Lupinus perennis) thrives in the sandy soil of the Indiana Dunes and the larger Calumet Region. Here they support the life cycles of three different butterflies that only eat lupine. One of these is the endangered Karner Blue butterfly. At the Indiana Dunes National Lakeshore, the National Park Service uses controlled burns that encourage lupine growth, in order to improve the Karner Blue’s habitat. While much has been done to improve the chances of this endangered species, climate change is also proving to be a threat, according to the NPS. In response, scientists are working to create lupine-filled microclimates.

Nathaniel Lord Britton, Illustrated Flora of the Northern United States, Canada and the British Possessions, Vol II (New York: Charles Scribner’s Sons, 1897), 269, accessed GoogleBooks.

Butterflies aren’t the only species that eat lupine. While the flowers are not edible (in fact they are poisonous), the nut-like seeds are edible for humans once soaked to remove the toxic chemicals and historically have been ground into a flour for cooking. According to the Old Farmer’s Almanac, lupine seeds were “a favorite food for traveling troops in ancient Europe.” The historical lore around this flower’s name is also rich. “Lupine” is latin for “wolf.” While we now know that lupines add nitrogen, the opposite was once thought true, that they “wolfed” nitrogen from the soil to get their color. Others have claimed the that the flower got its wolfish name, from the barren habitat in which it thrives. After a prairie, the lupine could be seen thriving among the burnt landscape, like a lone wolf. But it is lupine’s intense color, especially the blue, that has captured the imaginations of poets, artists, and writers through the ages. Let’s close then with an 1851 journal entry by Henry David Thoreau:

June 5. The lupine is now in its glory. It is the more important because it occurs in such extensive patches, even an acre or more together, and of such a pleasing variety of colors, — purple, pink, or lilac, and white, — especially with the sun on it, when the transparency of the flower makes its color changeable. It paints a whole hillside with its blue . . . No other flowers exhibit so much blue. That is the value of the lupine. The earth is blued with them. Yet a third of a mile distant I do not detect their color on the hillside. Perchance because it is the color of the air.

National Park Service, “Riverbank Lupine,” accessed nps.gov.

Sources:
* All newspapers accessed Newspapers.com.

The Pepper King

American Garden: Illustrated Journal of Horticulture 6:2 (February 1885), 23, accessed GoogleBooks.

“Of Interest to Farmer and Gardener: Suggestions for Growing Peppers,” Indianapolis News, April 13, 1912, 17.

An Overlooked Bramble

L. H. Bailey, “The Lucretia Dewberry,” Cornell University Bulletin, reprinted in American Gardening 8:5 (May 1892), 274-75, accessed GoogleBooks.

Lady Bird Johnson Wildflower Center, “Rubis Roribaccus,” University of Texas at Austin, https://www.wildflower.org/plants/www.utexas.edu.

Missouri Department of Conservation, “Dewberry,” Field Guides, https://nature.mdc.mo.gov/discover-nature/field-guide/dewberry.

“Of Interest to Farmer and Gardener: How to Grow Successfully the Bramble Berries in the Small Garden,” Indianapolis News, April 29, 1911, 22.

The Wolf Flower

“Growing Lupines,” Old Farmer’s Almanac, accessed https://www.almanac.com/plant/lupines.

Sarah Fuller, “Wild Lupine,” Indiana Dunes, accessed http://www.indianadunes.com/beaches-and-beyond/blog/wild-lupine/.

Nathaniel Lord Britton, Illustrated Flora of the Northern United States, Canada and the British Possessions, vol. II (New York: Charles Scribner’s Sons, 1897), 269, accessed GoogleBooks.

Kim Mitchell and Cathy Carnes, “Wild Lupine and Karner Blue Butterflies,” Midwest Region Endangered Species, U. S. Fish & Wildlife Service, accessed https://www.fws.gov/midwest/endangered/insects/kbb/lupine.html.

National Park Service, “Impact of Climate Change on the Karner Blue Butterfly,” 2010, accessed nps.gov.

“Of Interest to Farmer and Gardener: Perennial and Annual Lupine,” Indianapolis News, April 3, 1909, 20.

Henry David Thoreau, The Complete Works of Henry David Thoreau, vol. 36 (Hastings, East Sussex, United Kingdom: Delphi Classics, 2017), accessed GoogleBooks.

“Wild Lupine,” Save the Dunes, accessed https://www.indunesguide.com/lupinusperennis.

Better with Age: The Late-Blooming of Artist Will Vawter

Will Vawter, Autumn in Brown County, n.d., Flanner Buchanan Indiana the Beautiful Art Collection, https://flannerbuchanan.com/our-art-collection/.

Since at least the late-19th century, art galleries and critics have focused most of their attention on young, emerging artists. This strategy has paid off for savvy dealers and galleries, as these rising stars of the art world have brought in large amounts of money and produced blockbuster shows. The downside of this trend for the artists themselves, is that it can be difficult to find places to exhibit and sell their work as they get older. This is especially disappointing, as many artists peak later in life and produce their best work in their golden years. In this way, an artist’s best work might go largely unappreciated. [1]

Georgia O’Keeffe, From a Day with Juan II, 1977, Museum of Modern Art, www.moma.org.

There are signs that this reign of young artists may be coming to an end. For example, the Tate announced that artists over the age of 50 would now be eligible for the coveted Turner Prize, awarded to a British artist each year for innovation in the arts. This shift recognizes that older artists can also be innovators. [2]

Meanwhile, the Museum of Modern Art [MoMA] recently featured an exhibition titled The Long Run, which featured artists who were at least 45 years old when they made the exhibited piece of artwork. Most were much older, like Georgia O’Keeffe, who painted From a Day with Juan II at 90. The MOMA explained:

Innovation in art is often characterized as a singular event—a bolt of lightning that strikes once and forever changes what follows. The Long Run provides another view: by chronicling the continued experimentation of artists long after their breakthrough moments, it suggests that invention results from sustained critical thinking, persistent observation, and countless hours in the studio. [3]

The Carter Burden Gallery, accessed NPR.

The Carter Burden Gallery, which like other New York City spaces sells its artists’ works for thousands of dollars, is different in one significant way. All of its exhibited artists are 60 or older. The gallery’s director Marlena Vaccaro told NPR:

Older adults do not stop being who they are because they hit a particular age. Professional artists never stop doing what we do, and in many cases we get better at it as we go along. [4]

Frank M. Hohenberger, “Will Vawter at Work in His Studio,” photograph, n.d., Frank M. Hohenberger Photograph Collection, Lilly Library, Indiana University.

Simply put, some artists get better with age. This was true for Indiana artist Will Vawter. He began his artistic career in the 1890s as a talented but unremarkable illustrator for his local newspaper. He gained popularity mid-career for his drawings that brought the children’s books of James Whitcomb Riley to life. Vawter peaked, later in his life, as one of the finest landscape artists ever to work in Indiana. As the current art world shifts to include older artists, it’s worth examining one Hoosier painter who produced his best work in his late 60s. Will Vawter’s late-blooming reminds us to give exhibit space to older artists, not for the sake of inclusion only, but because we don’t want to miss out on the best work of their careers.

The Early Years of Will Vawter

John William “Will” Vawter was born in West Virginia in 1871 and moved with his family to Greenfield, Hancock County, Indiana, by 1880. [5] He worked as an illustrator for the (Greenfield) Hancock Democrat before becoming an illustrator at the Indianapolis Sentinel and the Indianapolis News in 1891. [6] In 1893, Vawter got his big break. The Indianapolis Journal dedicated a full page to an exclusive new poem by James Whitcomb Riley. [7] The Journal described the special edition, produced to coincide with a large national Grand Army of the Republic meeting, as “by far the most expensive and delightful feature ever offered its readers by an Indianapolis newspaper.”[8] The newspaper prominently featured Vawter’s illustrations of the poem.

James Whitcomb Riley, “Armazindy: A Borned Soldier and Hero,” Indianapolis Journal, September 5, 1893, 13, accessed Hoosier State Chronicles.

By the time Vawter started his illustrations for Riley, the “Hoosier Poet” had achieved national renown, and several of his volumes of poetry were best-sellers. [9] Riley was known for using “Hoosier dialect” to create poems “infused with the very spirit of the Hoosier soil from which they sprung.” [10] Likewise, Vawter honed his artistic skills observing life around him for local newspapers. Both men were Greenfield natives and keen observers of the local culture that colored Hoosier life. In this way, Vawter was uniquely positioned to interpret Riley’s work. Thus, the Riley-Vawter pairing, initiated by the Indianapolis Journal, was the beginning of a long creative partnership.

James Whitcomb Riley, Child-Rhymes, Bobbs-Merrill Company, 1898 edition accessed Indiana State Library, 1908 edition accessed Hathi Trust.

The Riley Years

In 1898, Indianapolis publisher Bowen-Merrill Company reissued a collection of Riley poems as Riley Child-RhymesVawter’s illustrations were heavily featured in the book. In an extensive interview with the Indianapolis News, Riley  described Vawter’s innate ability to capture the spirit of the folks depicted in the poems. Riley stated:

It is a very gratifying thing to find an artist who is unconsciously aware of the exact situation and who understands his own intimate surroundings. Will Vawter is such an artist. There is no vagueness in his interpretation of the poems of this book. He is a Greenfield boy, and natively an artist . . . He depicted people and things in no patronizing way. They are taken in a realistic spirit; he is of them. [11]

Riley went on to describe the importance of understanding the subtlety of local dialect when dealing with characters like the “town gossip,” for instance. He continued on Vawter’s ability to capture these individuals:

All these characteristics have been unconsciously observed by young Vawter. Now that he comes to sit down and illustrate these scenes and people, he knows his material and surroundings perfectly . . . While he may be criticized for lack of technical finish, it would be dangerous to equip him with an exacting technical art knowledge . . . This would be to the absolute loss of native feeling, of the tone and direct blood relationship that is needed in his work. [12]

Riley’s comments are a mixed bag. He praised Vawter for his talent, but noted his unpolished rendering skills. He admired the way Vawter captured in ink the very people Riley depicted in words, but implied that the artist did so out of naiveté. Vawter captured their essence only because they were just the kind of folks that the simple young man knew and understood. At this early point in his career, Riley did not see Vawter as an artist with a vision of his own. Vawter would prove this assumption wrong much later in his career.

The fact that Riley’s appreciation for Vawter grew over the following years is evidenced by the sheer number of times the author paired with the artist on lushly-illustrated volumes of poetry. Vawter illustrated:

James Whitcomb Riley, Book of Joyous Children (New York: Charles Scribner’s Sons, 1902, accessed IUPUI Digital Collections.

Riley Farm-Rhymes (1901, 1905 editions),
The Book of Joyous Children (1902),
His Pa’s Romance (1903),
A Defective Santa Claus (1904),
Riley Songs O’ Cheer (1905 edition),
The Boys of the Old Glee Club (1907),
Riley Songs of Summer (1908),
Riley Songs of Home (1910),
Riley Songs of Friendship (1921 edition).

Vawter also created front pieces for Riley’s A Child-World (1897) and Home Folks (1900), and illustrations for short Riley volumes Down Around the River and Other Poems (1911) and Knee Deep in June and Other Poems (1912). [13]

A Golden Age for Greenfield

Vawter illustrated a children’s book for another Greenfield author: his sister, Clara Vawter. “Miss Clara” as the local newspapers called her, was a rising star of the Indiana literary scene. She was writing for “several publications of prominence,” her work was read aloud and praised by the Western Writers’ Association, and publishers had written her “offering to pay her handsomely for her literary work.” The illustrated book by the Vawter siblings, Of Such Is the Kingdom of Heaven (1899, later published as The Rabbit’s Ransom) was widely praised not only for stimulating the imaginations of children, but also for appealing to the nostalgia of older people. Unfortunately, every article that mentioned Miss Clara’s promise as a writer, also noted her “delicate health” and she died in 1900. Of Such Is the Kingdom was her only published work. [14]

Will Vawter, illustration from The Rabbit’s Ransom by Clara Vawter (Brooklyn: Braunworth, Munn & Barber, 1899), accessed GoogleBooks.

Vawter contributed art to other Greenfield authors. He illustrated historian and poet John Clark Ridpath’s Epic of Life (1893) and contributed engravings to William H. English’s two-volume history Conquest of the Country Northwest of the River Ohio, 1778-1783 (1897). And he illustrated a children’s book by Greenfield author Adelia Pope Branham called Grandma Tales and Others (1899) and poet Barton Rees Pogue’s work Fortunes in Friendship (1926). [15] He made art for numerous other Indiana authors outside of Hancock County. [16] And by the turn of the twentieth century, his original book illustrations were exhibited around the country. [17]

The Rise of American Impressionism

By this time, Vawter was an accomplished illustrator, working in a popular style, and highly demanded by publishers. With the drastic increase in number and circulation of illustrated journals across the country, an illustrator like Vawter could stay gainfully employed in that medium. At the same time, American artists were hungry for an artistic style they could call their own. American painters educated in Europe were returning with the influence of French impressionism – broad, quick strokes, a bright palette, an eye for capturing the effects of light, and a desire to paint en plein air, or outside the walls of the studio. For example, Indiana-born painter William Merritt Chase shifted from the darker tones of the Munich school where he was trained as a young man, to the bright, impressionist style of the era’s avante garde painters during his mid and late career. Working out of his studio in New York, Chase and his colleagues helped to define this style of American Impressionism. These artists remained at home, painting scenes of life and landscape in the United States, as opposed to expatriating to European art capitals like their predecessors. While they drew on artistic elements from European styles as they saw fit, their goal was to create a uniquely American style of art. [18]

William Merritt Chase, Ready for the Ride, oil on canvas, 1877, Museum of Fine Arts Boston, accessed collections.mfa.org.
William Merritt Chase, At the Seaside, oil on canvas, ca. 1892, Metropolitan Museum of Art, www.metmuseum.org.

The Aesthetic Pull of Brown County

Another Hoosier painter took this localism further, pushing his cohorts to not just remain in the U.S., but to paint the beauty of their home state. T. C. Steele followed in Chase’s footsteps, studying in Munich before returning to live and work in Indianapolis. Steele found his calling in the Indiana landscape and his muse in the hills of Brown County. Steele’s plein air paintings captured the light and natural beauty of the region and helped establish the reputation of the Hoosier Group, painters of the Indiana landscape that achieved international recognition by 1900. [19]

Indianapolis News, May 4, 1918, 32, Hoosier State Chronicles.

Someone of Vawter’s artistic sensibilities could not help but be influenced by this aesthetic shift, as well as the renown of the Hoosier Group. By 1909, Will and his wife Mary moved to Brown County, Indiana, just south of Nashville on a scenic farm they jokingly called “Rattlesnake Terrace” after some of the local fauna. Vawter set up a studio in an “old clapboard-roofed log cabin” with an expansive view of the property. Reportedly he kept a cow grazing on the property, despite the fact that it gave very little milk, because it added “picturesque interest to the landscape.” [20] While Vawter continued to derive his income from newspaper and magazine illustration, he too was enraptured by the Brown County landscape and began to work in an impressionist style influenced by the Hoosier Group. [21]

Will Vawter, Sunshine and Hollyhocks, 1925, n.d., accessed Fine Art America.
Frank M. Hohenberger, “Willa Vawter Painting in Studio,” photograph, n.d., Frank Hohenberger Collection, Lilly Library, Indiana University Image Collections Online.

Vawter was known to be kind and became popular with the locals. A 1917 Indianapolis News article reported on a little girl who came to visit him in his studio, carrying a well-loved doll. Noticing that the doll’s painted face had faded, Vawter “painted a new face with the rosiest cheeks and a beautiful pair of unwinking blue eyes.” The little girl left “bubbling over with gratitude.” Vawter went back to his work, but only for a few minutes. He was interrupted by another little girl holding her doll, and a half hour later, he had a dozen little fans gathered outside the studio. He quit trying to work and “gave up the day to making faces for all kids of dolls, from the old-fashioned rag baby to the most pretentious efforts in wax.” After fixing everyone’s toy over the course of a day, he joked that “this beauty parlor has closed.” [22]

Frank M. Hohenberger, “Vawter in Potato Patch,” photograph, n.d., Frank Hohenberger Collection, Lilly Library, Indiana University Image Collections Online.

Vawter was just as generous with his fellow artists. After becoming interested in etching in 1919, he opened up the small studio he had moved to in downtown Nashville, Indiana, to his peers. The modest room stood over a grocery store and still displayed the sign of the previous occupant, a realtor. It housed a copper plate printing press, cans of ink, cheesecloth for wiping the plates, a table, and a stove.

The Brown County Democrat reported:

Indianapolis News, June 7, 1919, 18, Hoosier State Chronicles.

It is understood between the few members of a little community etching and printing club that any member is free to use the press, stove, table, etc, but no member must be guilty of using any other member’s printing rags. [23]

In September 1919, Vawter exhibited some of these etchings at the H. Lieber Company art store in downtown Indianapolis, along with oil paintings by Steele and others. [24] While his work gained popularity across the state, Vawter worked to enhance the art scene in Brown County.

Will Vawter, Brown County Landscape, 1920, accessed MutualArt.

By August of 1920, Vawter and fellow artist Adolph R. Shulz, were working to establish an art museum. They found support in unlikely places, both with artists and locals hoping that such an art center would preserve the “nature wonders of a country that is fast losing its old-fashioned atmosphere,” and local businessmen who saw it as a means to increase tourism. [25] Their dream became a reality in 1926 with the opening of a gallery on the public square.  The artists and locals supporting the gallery formed the Brown County Art Gallery Association in order to open quality exhibitions to the public. [26]

In 1925, the work of Vawter and his fellow Brown County artists was exhibited at the art galleries of Marshall Field & Co. in Chicago. This exhibit, known as the “Hoosier Salon,” was popular and well-covered by the press, thus establishing Vawter permanently in the canon of great Indiana artists. For his oil painting Our Alley, which depicted a winter scene in Brown County, he won the Frank Cunningham prize and one hundred dollars. He continued to exhibit regularly at the H. Lieber gallery in Indianapolis and the Hoosier Salon in Chicago into the 1930s. [27]

The Late-Blooming of Vawter

Indianapolis Star, February 19, 1961, 27, accessed Newspapers.com.

But it was in the last years of his life that Vawter created his finest work. No one was better poised to observe this development than Lucille E. Morehouse, an insightful art critic whose popular column “In The World of Art” ran for decades in the Indianapolis Star. [28] In 1936, she covered the Annual Brown County Exhibit at the H. Lieber Company galleries, as she did every year. Morehouse clearly had a fondness for the Brown County artists but also a certain weariness of their subject matter, the landscapes of the county in various seasons, which had become standard fare by the 1930s. Nonetheless, she covered the show in her usual energetic and descriptive manner, because it was still in demand by the public. She explained that the show’s popularity was owed to Indianapolis residents, who vacationed in Brown County and looked to the paintings as reminders of their scenic vacations.

She explained that the public appreciated that Brown County Artists hadn’t changed their style, that they resisted modernism, and made pictures that could “smooth away the cares of the day.” [29] On the other hand, Morehouse wrote: “Sometimes we wish they would paint new subjects or would interpret the old ones in a different angle.”[30] Vawter did just that. Unlike his colleagues, Vawter began to travel in his later years and it refreshed his work. Morehouse especially praised Vawter’s recent painting Blue Pool, which was “one of the fine things from the group of New England coast scenes and Marines.” [31]

Will Vawter, Along the Coast, n.d., accessed Fine Art Dealers Association.

 

Besides exhibiting his reinvigorated work alongside the Brown County artists, Vawter showed his marine paintings in a one-man show at the H. Lieber Company gallery. Morehouse praised his bold paintings in a lengthy article. [32] Comparing his marinescapes with an earlier, popular Brown County fall landscape, she wrote:

When a Hoosier from the Brown county woods goes East to paint New England coast scener[y], one might expect him to go about it timidly. Not so Will Vawter. He makes his brush slash into the ocean just as if it were putting “the glory of autumn” on canvas. [33]

For Morehouse, who had long been familiar with Vawter’s work, these paintings of coastal scenes were like seeing his work fresh for the first time. She wrote:

But I never have been able to throw off my early feeling of wonder when I back away from a broadly-painted canvas and see form emerging from massively-painted surfaces over which the brush had evidently moved with more or less of inspiration. [34]

Detail of Vawter’s Along the Coast showing the abstraction of the work up close as opposed to the impressionist style of the larger work as noted by Morehouse.

She continued to praise the spontaneity of the work and the “striking evidence of genius” in his mastery of form and “expression of light and atmosphere.” [35] The works were vigorous, alive, and fresh, proving the innovative spirit of the older artist.

In 1938, Vawter again held a solo show. This time he combined his seascapes with other scenes from his travels, including hilly landscapes painted on the East Coast. In a show of maturity as an artist, he also included new, but traditional views of Brown County. He could both try new things and showcase his mastery of the light and scenery of his home county. Morehouse took note:

Indianapolis Star, December 26, 1939, 10, accessed Newspapers.com.

What a heritage Will Vawter will leave to Hoosierdom! The longer he paints, the more beauty he captures from nature and transfers to canvas. Because the present exhibit is so all-inclusive, representing every phase of his work. [36]

Morehouse described his Brown County landscapes as “lusciously painted,” his flower still lifes as “vigorously alive,” and again praised his adventuring beyond his home state for new subject matter. [37] She concluded that Vawter’s 1938 exhibit “surpasses all previous showings by this gifted Hoosier painter of landscape.” [38] At 67 years old, Vawter was reaching his artistic peak.

Indianapolis Star, December 8, 1940, 76, Newspapers.com.

In 1940, just two months before his death, Vawter held what would be his last one-man exhibition. It surpassed all previous exhibitions, even the acclaimed 1938 show. Vawter showed nineteen paintings, including tranquil seascapes, the Great Smoky Mountains in early fall, the New England coast in spring, and Brown County landscapes from all seasons. For Morehouse, even his paintings of traditional flower still lifes felt fresh and vibrant. She explained that Vawter didn’t just reproduce the appearance of the plants, but that “he interprets the souls of flowers, makes us feel their personality.” In fact, Morehouse regretted that she couldn’t do Vawter justice by describing his paintings; you just had to see them. She wrote that he depicted something “spiritual that can be expressed only in terms of paint, and not in words.”

Vawter passed away in 1941 after a forty-eight year long art career. But before he died, he mastered not just the technical aspect of art, but found in the heart of his life’s work a spiritual connection to nature so powerful it could be sensed secondhand by the viewer. Will Vawter remains an example to artists everywhere to keep working, despite obstacles the art world places before older artists. By considering the long career of a late-blooming artist, we see that artists can do their best work in their autumn years. Hopefully, art museums and galleries will continue to make more space for this mature, yet still innovative and evolving work.

Will Vawter, A Sunny Day in Springville, n.d., accessed Fine Art Dealers Association.

 

 

 

 

Notes:
All newspapers accessed Newspapers.com unless otherwise noted.

[1] Susan Stamberg, “This New York Gallery Has an Unusual Age Limit: No Artists Younger Than 60,” Morning Edition, January 11, 2018, NPR.

[2] Thomas Marks, “Is This A Golden Age for Older Artists?” Apollo: The International Art Magazine, May 29, 2017.

[3] The Long Run, MoMA, November 11, 2017-May 5, 2019.

[4] Stamberg, “This New York Gallery . . .,” NPR.

[5]“The Eclectics,” Indianapolis News, May 14, 1879, 4, accessed Hoosier State Chronicles; “Seriously Hurt,” (Greenfield) Hancock Democrat, July 24, 1879, 3; 1880 United States Census (Schedule 1), Enumeration District 194, Greenfield, Hancock County, Indiana, Page 15, Line 27, June 5, 1880, accessed AncestryLibrary.com; “Eclectic Physicians in Council,” Indianapolis News, November 17, 1880, 3. Newspapers and the 1880 census show Will Vawter’s father Lewis working as a physician in Greenfield by 1879. The 1880 census confirms the family’s move.

[6] (Greenfield) Hancock Democrat, March 5, 1891, 1; (Greenfield) Hancock Democrat, April 9, 1891, 1; “Notes of Newspaper Men,” Indianapolis News, December 5, 1891, 7.

[7] James Whitcomb Riley,“Armazindy: A Borned Soldier and Hero,” Indianapolis Journal, September 5, 1893, 13, accessed Hoosier State Chronicles.

[8] “That Girl Wuz, and Is, I know, A Borned Soldier and Hero,” Indianapolis Journal, August 30, 1893, 4, accessed Hoosier State Chronicles.

[9] Advertisement, Indianapolis News, October 14, 1893, 9, accessed Hoosier State Chronicles.

[10] “Riley’s New Book,” Indianapolis News, October 6, 1900, 16, accessed Hoosier State Chronicles.

[11]“A Co-Worker with Riley,” Indianapolis News, reprinted (Greenfield) Hancock Democrat, December 8, 1898, 5.

[12] Ibid.

[13] Most of Riley’s books featuring Vawter’s illustrations are accessible via Livin’ the Life of Riley Digital Collection, IUPUI University Library. Most other Riley books are accessible via Hathi Trust. First editions are accessible through the Indiana State Library. Vawter’s illustrations for Riley Songs of Cheer are accessed through Newfields.

[14] “New Authoress Rapidly Coming to the Front,” Hancock Democrat, September 21, 1899, 5; “Of Such Is the Kingdom,” Indianapolis Journal, December 11, 1899, 4; Book Buyer 19: 2 (September 1899), 83, accessed HathiTrust; “Miss Clara Vawter Dead,” Indianapolis News, October 12, 1900, 14.

[15] John Clark Ridpath, Epic of Life (New York: Hunt & Eaton, 1893), accessed HathiTrust; “Mr. English’s New Book,” Indianapolis News, December 14, 1895, 5; William Hayden English, Conquest of the Country Northwest of the River Ohio, 1778-1783 and, Life of Gen. George Rogers Clark (Indianapolis: Bowen-Merrill Company, 1897), accessed Archive.org; Advertisement, (Greenfield) Hancock Democrat, June 1, 1899, 1; “Greenfield Genius,” Hancock Democrat, June 8, 1899, 8; Adelia Pope-Branham, Grandma Tales and Others, (Greenfield, Indiana: Harold Pub. Co. Press, 1899), accessed Archive.org; “Greenfield Now at the 5,000 Mark,” Indianapolis News, November 30, 1901, 3; Charles H. Bartlett, Tales of Kankakee Land (New York: Charles Scribner’s Sons, 1904), accessed HathiTrust; “C. H. Bartlett’s New Book,” South Bend Tribune, April 9, 1904, 6; John William Vawter, Sheet of 15 Illustrations to Barton Rees Pogue’s ‘Fortunes and Friendship,’ pen and ink over pencil on paper, n.d., Prints, Drawings, and Photographs Collection, Indianapolis Museum of Art.

[16] Robert J. Burdette, Smiles Yoked with Sighs (Indianapolis: Bowen-Merrill, 1900), accessed HathiTrust; “Recent Literature,” St. Louis Globe-Democrat, June 30, 1900, 13; Advertisement, Indianapolis News, November 14, 1903, 6, accessed Hoosier State Chronicles; Wallace Bruce Amsbary, The Ballad of Bourbonnais (Indianapolis: Bobbs-Merrill Company, 1904); “The Ballads of Bourbonnais,” Indianapolis News, May 7, 1904, 16; “Among the Books,” Topeka State Journal, June 4, 1904, 13.

[17] Advertisement, (Rochester, New York) Democrat and Chronicle, October 29, 1898, 8; “Exhibit of Paintings by Indiana Artists,” Indianapolis Journal, April 24, 1904, 16, accessed Hoosier State Chronicles; “Exhibit of Original Drawings for Novels,” Indianapolis News, March 20, 1905, 8. Vawter’s illustrations from Riley’s Child Rhymes were exhibited in Rochester, New York in 1898. In 1904, his original illustrations were exhibited at the H. Lieber Art Gallery in Indianapolis and the St. Louis Exposition; in 1905, at the Indianapolis “city library.”

[18] “William Merritt Chase,” accessed Indiana Historical Bureau.

[19] “T.C. Steele Home, Studio, Gardens,” accessed Indiana Historical Bureau.

[20] (Greenfield ) Daily Reporter, October 9, 1908, 2; (Greenfield) Daily Reporter, April 7, 1909, 2; (Greenfield) Daily Reporter, May 11, 1909, 1; (Greenfield) Hancock Democrat, May 13, 1909, 1; “Vawter’s Brown County Home,” (Greenfield) Daily Reporter, August 8, 1909, 1; “Rattlesnake Terrace, the Vawter Home,” (Greenfield) Hancock Democrat, August 12, 1909, 6, accessed Newspapers.com; N. L., “A Day in the Artists’ Arcadia in Brown County,” (Muncie) Star Press, September 5, 1909, 14; (Greenfield) Hancock Democrat, October 28, 1909, 8.

[21] William Forsyth, “Art in Indiana,” Indianapolis News, September 27, 1916, 12, accessed Hoosier State Chronicles; “Paintings of Local Artists Exhibited,” Indianapolis News reprinted (Greenfield) Hancock Democrat, December 27, 1917, 4; “Brown County Pictures,” Indianapolis News, September 17, 1919, 26, accessed Hoosier State Chronicles; William Herschell, “Will Vawter’s Home in Brown County,” (Greenfield) Daily Reporter, August 5, 1920, 1; “Art Notes,” Indianapolis News, December 4, 1920, 5; John William Vawter, Barnes Cabin on Owl Creek, Brown County, circa 1920, Oil on Canvas, Indianapolis Museum of Art; Will Vawter, Sunshine and Hollyhocks, 1925, Oil on Canvas, Private Collection, published in Lyn Letsinger-Miller, Artists of Brown County (Bloomington and Indianapolis: Indiana University Press, 1994), 41.

[22] “Little Stories of Daily Life,” Indianapolis News, May 3, 1917, 24, accessed Hoosier State Chronicles.

[23] “Produced in Brown County Etching Club Shop,” Indianapolis News, June 7, 1919, 18, accessed Hoosier State Chronicles; “Brown County Etchers’ Club,” Brown County Democrat, June 12, 1919, 5.

[24] Ibid.; “Brown County Pictures,” Indianapolis News, September 17, 1919, 26, accessed Hoosier State Chronicles.

[25] “Will Vawter’s Home in Brown County,” (Greenfield) Daily Reporter, August 5, 1920, 1; “Urge a Museum to Keep Romance of Hoosier Art,” South Bend News-Times, August 12, 1920, 7, accessed Hoosier State Chronicles.

[26] “Brown County Art Gallery at Nashville,” Brown County Democrat, September 2, 1926, 1; “Brown County Art Gallery Is Assured,” Brown County Democrat, September 9, 1926, 1; “New Art Gallery,” Huntington Herald, September 8, 1926, 8; “Artists in Brown County Organize,” Indianapolis Star, September 8, 1926, 1; “Art Gallery Association Grows Rapidly,” Brown County Democrat, September 16, 1926, 1; “Open Art Gallery in Brown County,” Indianapolis Star, October 9, 1926, 5; “Vawter Heads Local Artists’ Association,” October 23, 1930, 1.

[27] “Brown County Artists at Exhibit in Chicago,” Brown County Democrat, March 5, 1925, 1; “Winter Scene Wins Prize for Artist,” Indianapolis Star, March 14, 1925, 11; “Richmond Man Wins Art Prize,” Richmond Item, March 7, 1926, 1; “46 Paintings by Brown County Artists Put on Display at Lieber’s Galleries,” Indianapolis Star, November 16, 1927, 24; “Vawter’s Landscape Wins Prize in Exhibit at Hoosier Salon in Chicago Galleries,” Indianapolis News, January 31, 1928, 7; “Eighth Hoosier Salon Will Be Held in Field Galleries Jan. 23 to Feb. 6,” Indianapolis Star, December 20, 1931, 50. Other newspaper articles on Vawter’s exhibitions available in the IHB marker file.

[28] “Miss Morehouse Dies; Ex-Art Critic,” Indianapolis Star, February 19, 1961, 27.

[29] Lucille E. Morehouse, “In The World of Art: Local Art Exhibitions Scheduled for December Are Distinctly Inviting and of Unusual Character,” Indianapolis Star, December 6, 1936, 75.

[30] Ibid.

[31] Ibid.

[32] Lucille E. Morehouse,”In The World of Art: Brown County Landscapist Turns Marine Painter; One-Man Show at Lieber Gallery for Another Week,” Indianapolis Star, November 22, 1936, 65.

[33 – 35] Ibid.

[36] Lucille E. Morehouse,”In The World of Art: Will Vawter’s Exhibition Tops Previous Shows,” Indianapolis Star, December 18, 1938, 69.

[37] Ibid.

[38] Ibid.

HoosierKind: A Harvest of Friendship

During these trying times, IHB is going to bring you stories of small kindnesses by Hoosiers throughout our history.

Dean Olsen, “Farmers Reap Fields in Friendship,” (Lafayette) Journal and Courier, September 26, 1985, 3, Newspapers.com.

Joan Ogborn and Robert Davis grew up in Pine Village, Warren County, Indiana, where they attended the same high school. Joan worked at her family’s grocery store and Robert carried on his family’s farming tradition. They married in 1952 and made a life for themselves in Pine Village. They attended the local Methodist church, had two sons, and grew their farm. By the 1980s, their expansive, productive land included 180 acres of soybeans and 180 acres of corn. When Robert died unexpectedly in 1985, Joan went to visit her son and spend some time with family. What happened on the Davis farm while she was gone still warms our hearts today.

In September 1985, twenty-two friends and neighbors arrived to harvest the Davis’s acres of soybeans. They brought twelve combines, five trucks, and a dozen or so grain wagons. The Lafayette Journal and Courier reported: “An estimated $1 million in farm equipment passed over the land Davis farmed, harvesting about 7,500 bushels, or $38,000 worth of soybeans.” The farmers worked from 11 a.m. to 6 p.m., and their wives served roast beef, ham and beans, and pie to keep them going.

One of the farmers, Robert Akers, told the local newspaper simply, “This is just the way the community works.” The neighbor who organized the harvest, Ralph Reed, echoed the sentiment, stating: “It’s just a job that has to be done.” Reed explained that this community effort was their “own kind of insurance.” Robert’s brother Clive teared up when he told the local reporter:

If he could only see this today. It just makes you feel great. I’m really not a person for tears, but when I saw those farmers in that field, it brought tears.

When Joan found out about what her neighbors had done, she was extremely grateful. Their kindness had saved her an inestimable amount of time, money, and worry. She was only disappointed that she wasn’t there to see it, but hopeful that she could “pay them back someday.”

Dean Olsen, “Farmers Reap Fields in Friendship,” (Lafayette) Journal and Courier, September 26, 1985, 3, Newspapers.com.

These neighbors came out of “the tradition of loyalty that binds farm communities.” The farmers had helped each other before and would always be available to help again. In fact, they made plans to return in two or three weeks to harvest the Davis farm’s 180 acres of corn.

From all of us at IHB, we hope you’re well and taking care of each other.

Sources:

“Ogborn-Davis,” (Lafayette) Journal and Courier, June 10, 1952, 21, Newspapers.com.

Dean Olsen, “Farmers Reap Fields in Friendship,” (Lafayette) Journal and Courier, September 26, 1985, 3, Newspapers.com.

“Joan (Ogborn) Davis,” (Lafayette) Journal and Courier, February 8, 2014, accessed Legacy.com.

Gardening Wisdom from the Historical Indianapolis News: March Edition

Like a lot of people, the historians at IHB are working from home. We’re feeling very lucky to be healthy and employed, as we know not everyone is so fortunate. As usual, we’re trying to find historical stories that will be of interest, and hopefully useful, to our fellow Hoosiers in these strange times in which we find ourselves.

Since Hoosiers across the state are stuck at home, let’s try some new things in the garden. And who better to look to for advice than the generations of Hoosiers who came before us? So let’s see what we can do with just a few supplies and perhaps an order of heirloom seeds. You can find heirloom seeds from small companies like Baker Creek Heirloom Seeds that are attempting to keep rare seeds with long histories in circulation. They’re  closed until Monday, March 23 to make sure they’re completely disinfected and their employees are healthy. That gives us time to look through historical newspapers for gardening wisdom from experts in the past. A great resource is the early-20th century column titled, “Of Interest to the Farmers and Gardeners”  in the Indianapolis News. It’s so packed full of advice, it’s hard to know where to begin. So here are just a few ideas from March articles about early spring planting.

Indianapolis News

Hotbeds and Cold Frames

A March 1909 Indianapolis News column warned:

The amateur gardener who wants to keep abreast of his neighbors when warm weather comes had better prepare his hotbed of boxes at once.

Well, okay then. The March 19, 1910 Indianapolis News explained the advantages of both hot beds and cold frames and how they work. Checking the information against a recent article on the subject from the Department of Horticulture and Landscape Architecture of the Purdue University Extension, the historical paper’s advice really holds up.

Indianapolis News, March 19, 1910, 28.

Hotbeds and cold frames are built the same: a frame set into the ground with a glass panel to cover the plants. While there is a lot of advice about how to tweak each design, the heat source is the only real difference. These instructions from Purdue University give all the necessary details. But they’re both ways to get a jump on the growing season in the spring or extend it in the fall.

Indianapolis News, March 19, 1910, 28.
“Growing Tomatoes,” Old Farmer’s Almanac, https://www.almanac.com/plant/tomatoes

As the 1910 Indianapolis News explained, the hotbed is supplied with heat, usually from fermenting manure, but there are other options (see the sweet pea section below). The News suggested placing the bed not in the garden, but by a path or building “where it can receive attention without interfering with other work.” The 1910 columnist stated that it should always face south with the south side of a building or hedge providing protection. The hotbed should be started in March if growing tomatoes and cabbages, so they are ready to plant in the garden in April. If the night gets really cold, cover the glass panel with “board shutters, straw mats, or mats of burlap or carpet,” and if it gets too hot in the day, raise the panels to ventilate the plants. The News advised, “Hotbeds should be watered in the morning only and then only on bright days.” This avoids losing heated air by opening the panel too often, lowering the temperature too much, or making the soil too damp.

Indianapolis News, March 19, 1910, 28.
“Growing Lettuce,” Old Farmers Almanac, https://www.almanac.com/plant/lettuce

The same Indianapolis News article also explained:

Cold frames are devices intended to protect plants from cold, without forcing them to growth. They differ from hotbeds in that no artificial means of heating are employed.

Likewise, the Purdue Extension explains that plants grow slower in cold frames, which is great for lettuce and spinach. The Old Farmer’s Almanac recommends cold frames for greens as well as radishes, scallions, kale, and endive. They also have a step by step guide to building a cold frame.

Purdue University, https://www.hort.purdue.edu/hort/ext/Pubs/HO/HO_053.pdf

 

Starting Seeds Indoors

Of course, not everyone has the resources to build frames. The March 27, 1909 Indianapolis News has advice for simpler starts as well:

The simpler method of raising plants to be set out after danger of frost is over is to sow seed in boxes or pots to be kept indoors. The boxes should have holes for drainage in the bottom, but should not be so open as to let the soil dry.

“Starting Seeds Indoors,” Old Farmer’s Almanac, https://www.almanac.com/content/starting-seeds-indoors

I use the plastic flats from my previous year garden store purchases. Right now my kitchen table is covered and I have native wildflowers just starting to sprout. They’re doing much better this year than the ones I started last year because I carefully mixed peat, potting soil, and pearlite and have misted them regularly. The News recommended a light mix like this for the top soil when planting in boxes but noted that regular garden soil would be fine beneath that. The 1909 gardener advised small seeds be sown over the surface and gently pressed down while “coarse seeds” needed to be dropped into little holes and covered. Water both immediately after planting and set boxes where they will get indirect sunlight, not harsh rays.  And finally, the Indianapolis News gave some advice on a flower you can start right in the garden this month.

Sowing Sweet Pea Seeds

“Of Interest to Farmers and Gardeners,” Indianapolis News, March 11, 1911, 8.

Annual sweet peas have a wonderful, unforgettable scent. The perennial version has no scent and can be invasive, so choose wisely. Try heirloom varieties like the 1896 “America” or the ca. 1901 “Old Spice.” Sweet peas like cold weather, so they’re a great plant to start in the early spring. In March 1911, the Indianapolis News gave the perfect recipe for rich soil to grow this delicate flower. The newspaper’s advice for a “rich and deep” soil that would create “plenty of blooms of good substance” was to add “plenty of well-rotted manure.” Of course, those of us without access to manure (or without the desire to have access) can use rotted grass clippings , leaves, vegetable kitchen scraps, coffee grounds, or a mix of these items. The Farmer’s Almanac gives a rundown of the benefits of each mix and its own tips for growing sweet peas.

Growing Sweet Peas, Old Farmer’s Almanac, https://www.almanac.com/plant/sweet-peas.

The 1911 Indianapolis News recommended you sow seeds directly outdoors (as opposed to starting indoors) while weather is still cold between mid-March and mid-April. The article continued:

Make a trench or furrow about six inches deep, in the bottom of which sow the seed thickly. Cover the seed with about an inch of soil, pressing it down firmly. As soon as they are above ground, thin out to two or four inches apart; when planted too close they do not attain their full development. As soon as the plants are above the trench the balance of the soil may be filled in.

Before they mature, add stakes with wire netting or even branches, that are at least four feet high. Adding mulch at the start of the summer will help them get through the hot weather.

We hope you’re finding productive ways to spend your time while at home, whether you experiment with heirloom plants or not.  Check in with IHB on Twitter (@in_bureau) or Facebook and let us know what history questions you have. And check back in April for more historical gardening wisdom from old newspapers. Finally, here’s a stanza from a relevant James Whitcomb Riley poem, for all of us itching to “git back” into the garden this weekend.

James Whitcomb Riley, “When the Green Gits Back in the Trees, The Complete Works of James Whitcomb Riley (New York, Harper & Brothers, 1916), accessed GoogleBooks.

Sources
All newspapers accessed Newspapers.com.

Hotbeds and Cold Frames:

Boeckmann, Catherine. “How to Build a Cold Frame,” Old Farmer’s Almanac, https://www.almanac.com/content/how-build-cold-frame.

Dana, Michael N. and B. Rosie Lerner.”Hotbeds and Cold Frames,” Department of Horticulture and Landscape Architecture, Purdue University Extension Service, https://www.hort.purdue.edu/hort/ext/Pubs/HO/HO_053.pdf.

“Construction of Hot Beds and Cold Frames for the Growth of Early Plants to Transplant to the Garden,” Indianapolis News, March 19, 1910, 28.

Starting Seeds Indoors:

Boeckmann, Catherine. “Starting Seeds Indoors,” Old Farmer’s Almanac, https://www.almanac.com/content/starting-seeds-indoors.

“Starting Seeds Indoors to Gain a Month in the Garden When Danger of Frost Is Over,” Indianapolis News, March 27, 1909, 17.

Sweet Peas:

Andrews, Moya. “Invasive Sweet Pea,” Focus on Flowers, https://indianapublicmedia.org/focusonflowers/invasive-sweet-pea.php.

Boeckmann, Catherine. “Growing Sweet Peas,” Old Farmer’s Almanac, https://www.almanac.com/plant/sweet-peas.

“Prepare Beds for Sowing of Sweet Pea Seeds,” Indianapolis News, March 11, 1911, 18.