“Former ‘Bad’ Town Now an Ideal Spot,” Indianapolis Star, August 1, 1909, 25, accessed Newspapers.com.
During the Progressive Era, Black women were often excluded from both white reform initiatives and male-dominated Black organizations. In response, Black women across the nation formed local clubs that allowed them to exercise agency and agitate for reform. The club movement was especially popular in Indianapolis. Editor Nina Mjagkij found that, “Between 1880 and 1920, Indianapolis’s black club women created more than five hundred clubs that addressed a wide range of social issues and laid the foundation for political activism.”[1] These clubs comprised educated upper-middle class women who sought to address problems such as urbanization, racial and gender barriers, education, and public health.[2]
Educator and reformer Ada B. Harris led the Black women’s club movement in Norwood, a historic neighborhood located in Southeast Indianapolis. The previous Untold Indiana Blog commemorated Harris’ decades-long career as an educator at Harriett Beecher Stowe School No. 64, one of the only public schools for Black children in Indianapolis. It also discussed her tireless work to fundraise and build communal spaces in the segregated city. This second blog will examine her leadership in the Black women’s club movement and how it related to the national Black Progressive movement.
Black Civic Involvement & Women’s Suffrage
Harris dedicated much of her time advocating for Black women’s suffrage and participating in civic projects. In 1894, Harris helped establish the Corinthian Baptist Church’s Women’s Club, which later became the Woman’s Civic Club. With over 300 members, the club encouraged Black women’s participation in politics by offering education about voting, hosting political discourse, and inviting prominent speakers to Norwood.[3] In 1904, they hosted prominent reformer May Wright Sewall at the A.M.E. Chapel for a fundraising event.[4] Harris herself often spoke to club members, discussing the ideology of major civil rights activists such as W. E. B. Dubois. The Woman’s Civic Club often collaborated with other clubs and organizations in Indianapolis, including the church’s Men’s Civic Club, the Good Citizens League, and the Flanner Guild.
In 1917, Harris volunteered to help register women for the Indianapolis Woman’s Franchise Leagues’ upcoming constitutional convention.[5] The League was one of the leading suffragist groups in the city and instrumental in organizing public rallies such as a statewide automobile tour in 1912 and marching to the statehouse in 1913.
Women won the right to vote in 1920 and Harris soon mobilized to educate Black women on political matters and encourage them to vote. In 1925, Harris held a “nonpartisan citizenship school,” at the YWCA on North West and Twelfth Street to “inform the women on the principles of the leading political parties and the issues of the campaign.” The Indianapolis News reported that over 100 Black women attended.[6] She also served on a women’s political committee which helped involve women in local politics. Throughout her career, she also spoke at various associations and organizations on how to register and vote, even becoming a public notary and holding “voting parties” in Norwood.[7]
Harris’s ideas of civic duty and virtue did not end at the ballot box. During World War I, Harris founded the Franchise Economy Club, which coincided with the national rationing movement. Members learned homespun canning techniques for a myriad of vegetables, including “green grapes, rhubarb, beans, peas and greens.”[8] Harris was so dedicated to the conservation of foodstuffs on the homefront that she traveled to West Lafayette to attend Purdue University’s conservation school in 1918. Notably, she was the only Black student to enroll in this course.[9] Learning cutting edge-methods for canning and food preservation, Harris would return to Norwood and disseminate this information to the public through local classes. She even converted an old building into a modern kitchen to aid her teaching.[10] These many activities demonstrate Harris’s deep commitment to both obtaining the vote and Black political participation.
“Norwood Cooking Class,” Indianapolis Star, August 4, 1918, 19, accessed Newspapers.com.
Women’s Improvement Club & Health Initiatives
While Harris was involved in numerous clubs and organizations, perhaps her most important work stemmed from her leadership of the Women’s Improvement Club (WIC). Founded by Lillian Thomas Fox in 1904 as an exclusive literary club for upper-middle-class Black women, the members soon decided to pursue philanthropic ventures. At the time the local hospital refused to open a tuberculosis ward for Black patients, leaving a devastating gap in Black healthcare.[11] Additionally, Norwood struggled with underdeveloped infrastructure and poor sanitation, increasing the risk of disease for its residents.[12] WIC decided to open a fresh-air camp where Black tuberculosis patients could rest and receive care.
Already familiar with grassroots organizing and fundraising, Harris was instrumental in establishing the Oak Hill Camp. Meeting minutes show that she co-led the club committee responsible for establishing Oak Hill, and scoped out possible locations for the camp herself. In addition, she headed fundraising and organizational efforts to buy supplies for the camp and solicit Black physicians and nurses to care for patients.[13]
Lee A. Johnson, “Woman’s Improvement Club Rounds Out Thirty Years of Philanthropic service in Valiant Fight Against Tuberculosis,” Indianapolis Recorder, April 7, 1934, 3, accessed Hoosier State Chronicles.
The Oak Hill Tuberculosis Camp opened in spring of 1905 and treated six patients. According to club member Lee Johnson, “the setting was very beautiful for the patients, located on a high hill with grand oak trees spreading their shady boughs over a tiny stream that trickled at the base.”[14] The Indianapolis News noted that Oak Hill was one of the only healthcare resources for Black Tuberculosis patients in Indianapolis. The camp soon had a waiting list of patients.[15] Until its closure in 1916, Oak Hill was annually organized, sponsored, and funded by the philanthropy of WIC. Running on a shoestring budget of charity funds, WIC solicited volunteers to help operate the camp and many Black physicians and nurses donated their personal time.
Club women also went beyond the camp, launching city-wide educational campaigns and facilitating trainings for Black nurses otherwise barred from white training programs to treat tuberculosis patients. They also attempted to lobby the City Hospital to build a cottage for Black patients, but these efforts proved unsuccessful.[16]
In 1916, the camp was closed but WIC continued its work aiding tuberculosis patients. They loaned tents to the homes of patients, assisted them in finding other healthcare services, and provided transportation for many. They also continued facilitating nurse training programs and bought an official club cottage at 535 Agnes Street in 1922. The club would continue its various tuberculosis initiatives until the 1960s, when medical advances reduced the threat of tuberculosis.[17] As a founding member of the club and a major force for the camps’ organization and fundraising, Harris helped address a major and tragic gap in Black healthcare.
Oak Hill Tuberculosis Camp, 1905, photograph, courtesy of the Indiana Historical Society.
Conclusion
Harris exemplifies the Black Progressive club woman movement in her devotion to the period’s philosophy of Black self-help and improvement through local, grassroots organization. Originally excluded from Progressive reform, Black club women across the nation such as Harris were able to claim the Progressive philosophy for their own communities and causes, namely that of suffrage and racial inequality. In doing so, Harris and other women emboldened their local communities to be active agents for change.
By advocating for public education, encouraging Black women’s political participation, and helping to provide health care to TB patients, Harris enhanced the living standards of Norwood. Her work also empowered Black citizens to agitate for their own welfare, paving the way for the future Civil Rights Movement. In short, Black reform went beyond simply improving local communities and, by upholding standards of excellence, these reformers made a compelling argument that they too deserved a proverbial seat at America’s dinner table. They sought an equal chance. When asked about her work in Norwood, Harris stated,
“My field has been small in Norwood, but it has been plenty large enough for my abilities. At least I shall have spent my life for my race.” – Ada B. Harris[18]
When historians and current residents recount Norwood’s storied history, they ought to recognize one of their best reformers and advocates in Ada B. Harris.
Acknowledgements
Thank you to Kisha Tandy, curator at the Indiana State Museum, for spearheading the marker application for Ada B. Harris and conducting the initial research into Harris’s life and legacy.
For Further Reading
Ferguson Rae, Earline. “The Woman’s Improvement Club of Indianapolis: Black Women Pioneers in Tuberculosis Work, 1903-1938.” Indiana Magazine of History 84, no. 3 (September 1998): 273-261.
[3] Description of mock political debate given by women, Indianapolis News, October 27, 1892, 2, accessed newspapers.com; Announcement of Harris giving a speech at Corinthian Baptist Church, Indianapolis News, October 8, 1900, 11, accessed Newspapers.com; “Woman’s Club Notes,” Indianapolis Recorder, August 10, 1907, 4, accessed Newspapers.com.
[4] “In Colored Circles,” Indianapolis News, April 25, 1904, 13, accessed Newspapers.com.
[5] “Registration Week for Women of the City,” Indianapolis News, June 23, 1917, 18, accessed Hoosier State Chronicles.
[6] “Organizing Voting School,” Indianapolis News, September 18, 1920, 19, accessed Newspapers.com; “Citizenship School Held,” Indianapolis News, October 2, 1920, 2, accessed Newspapers.com.
[7] “Registration Week for Women of the City,” Indianapolis News, June 23, 1917, 18, accessed Newspapers.com; Kisha B. Tandy, “Ada Harris: Civic Leader, Educator, and Entrepreneur,” accessed Encyclopedia of Indianapolis, May 2023, https://indyencyclopedia.org/ada-harris/.
[8] “Norwood Has an Economy Club,” Indianapolis Star, July 29, 1917, 4, accessed Newspapers.com.
[9] Article on Harris attending Purdue University for women’s conservation school, Indianapolis News, July 6, 1918, p. 9, accessed via Newspapers.com
[10] Article on Franchise Economy Club, Indianapolis News, January 19, 1918, 11, accessed Newspapers.com; article on Harris attending Purdue University for women’s conservation school, Indianapolis News, July 6, 1918, 9, accessed Newspapers.com; “Norwood Cooking Class,” Indianapolis Star, August 4, 1918, 19, accessed Newspapers.com.
[11] Earline Rae Ferguson, “The Woman’s Improvement Club of Indianapolis: Black Women Pioneers in Tuberculosis Work, 1903-1938,” Indiana Magazine of History 84, no. 3 (September 1988): 237-261.
[12] “Bad Condition at Norwood,” Indianapolis Journal, September 30, 1903, 10, accessed Newspapers.com; “Measles at Norwood,” Indianapolis News, December 17, 1903, 5, accessed Newspapers.com.
[13] Women’s Improvement Club Minute Books, 1919-1911, Women’s Improvement Club Collection, 1909-1965, Indiana Historical Society, Indianapolis, Indiana; Women’s Improvement Club Minute Books, 1916-1918, Women’s Improvement Club Collection, 1909-1965, Indiana Historical Society, Indianapolis, Indiana.
[14] Lee A. Johnson, “Woman’s Improvement Club Rounds Out Thirty Years of Philanthropic service in Valiant Fight Against Tuberculosis,” Indianapolis Recorder, April 7, 1934, 3, accessed Hoosier State Chronicles.
[15] “For Tuberculosis Sufferers,” Indianapolis News, August 4, 1911, 8, accessed Newspapers.com.
[16] Ferguson, “The Women’s Improvement Club,” 254.
[17] Lee A. Johnson, “Woman’s Improvement Club Rounds Out Thirty Years of Philanthropic service in Valiant Fight Against Tuberculosis,” Indianapolis Recorder, April 7, 1934, 3, accessed Hoosier State Chronicles.
[18] “Former ‘Bad’ Town Now an Ideal Spot,” Indianapolis Star, August 1, 1909, 25, accessed Newspapers.com.
Ada Harris, courtesy of The Drift 1925 (Indianapolis, Indiana: 1925), Butler Yearbooks, p. 62, accessed Digital Commons @ Butler University.
“My greatest ambition is for my race. I want to see my people succeed. I want to see them have an equal chance.”
– Ada B. Harris[1]
In the late 1800s and early 1900s the neighborhood of Norwood, which lay Southeast of downtown Indianapolis, was one of the most vibrant Black communities in the area. Originating during the Civil War, the 28th U.S. Colored Troops (USCT) drilled a Camp Freemont near present-day Norwood, and, at the end of the war, many returned to the area and set down roots. The neighborhood was bolstered by the Great Migration during which Black Americans moved North to seek better economic opportunities and flee from Southern racial violence and discrimination.[2]
Living in a highly segregated society, the Norwood community struggled with poor infrastructure, poverty, and subpar sanitation during its early years. However, by 1909, something had changed within Norwood. The Indianapolis Star wrote, “A few years ago. . . Norwood was a moral blot on the map of Marion County. . .Today Norwood is a placid collection of homes. The stranger is accorded courtesy, and lawbreaking is almost unknown.” The article continued by discussing the infrastructure improvements noting, “Where a few years ago the settlement had no place for amusement, the town now boasts of a Boys’ Clubhouse, a dancing pavilion, run for the club’s benefit, and a little park with seats, grass and flowers.” When the newspaper talked with residents about the improvements and its origins, they found that, “with the same sureness that all roads lead to Rome, each circumstance goes directly to one source— Miss Ada Harris.”[3]
Reformer and educator Ada B. Harris embraced the Progressive Era philosophy of improvement and applied it to her community, championing a myriad of causes. An accomplished woman, Harris’s list of achievements is long enough to merit two blog posts examining her work as both an educator and progressive reformer. This post explores Harris’s decades-long career as a teacher and principal at Norwood’s Harriett Beecher Stowe School and her efforts to establish communal spaces and amenities for the Norwood neighborhood. In doing so, she boldly challenged local racial prejudice and elevated the welfare of Black Hoosiers in the segregated city.
Company E, 4th U.S. Colored Infantry at Fort Lincoln, District of Columbia, ca. 1863, photographed by William Morris Smith, Prints and Photographs Division, accessed Library of Congress.
Harris was born on August 15, 1866, in Campbell, Kentucky to Robert Harris and Hannah Tolliver. She moved with her mother to Indianapolis as a child and graduated from Indianapolis High School (later renamed Shortridge High School) in 1888.[4] Upon graduation, Harris began teaching at School No. 5 in Norwood. At the time, School No. 5 was one-room schoolhouse that operated independently from the Indianapolis Public School System (IPS). It was one of the few schools that hired Black teachers and taught Black children in the segregated city. Harris stepped into a leadership position early on and was officially appointed principal by 1903, the same year the community decided to rename the school Harriett Beecher Stowe School No. 5 after the abolitionist.[5]
“Norwood Colored School Named for Harriett Beecher Stowe,” Indianapolis News, September 7, 1902, 12, accessed Newspapers.com.
Under Harris’s leadership, the school grew exponentially. In 1896, Harriett Beecher Stowed enrolled approximately 53 students. By 1903, enrollment was listed at over 150 pupils. Education was a core priority for the Norwood community. Ada B. Harris and other Indianapolis residents were inspired by author and activist W. E. B. Du Bois’s ideology. He argued that education, economic independence, and political activism were key to achieving full civil rights for the Black community. This philosophy turned educational settings such as School No. 5 into one of the central battlegrounds for the blooming Civil Rights Movement and struggle for equality in Reconstruction America.
The Indianapolis News described Harris as “a thorough teacher, loved and honored by every child of her school.”[6] Harris endeavored to provide students with a quality education and instill a sense of social responsibility in them. She hosted annual Thanksgiving dinners for the students, which “consisted of turkey, cranberry sauce, scalloped oysters, vegetables, pumpkin pie, ice cream, and cake.”[7] She also introduced sewing classes, organized and directed the school plays, and founded a parent’s club to involve them in their child’s education.[8] Steeped in the ideals of civic virtue, Harris attempted to instill those same morals into her students. In March of 1913, she and twenty of her students visited the county treasurer and filed their parents’ taxes. She emphasized that it was every citizen’s obligation to pay taxes and impressed a feeling of responsibility in the children.[9] Surely, the parents appreciated the field trip as well that year.
In 1912, Norwood was annexed by Indianapolis and the school incorporated into the Indianapolis Public School system.[10] School No. 5 became IPS No. 64, and Harris remained principal until her resignation in 1924.[11] In addition to teaching at No. 64, Harris also served as a vocational instructor for Emmerich Manual Training High School in 1921.[12] After resigning from School No. 64, Harris attended Butler College at the age of 60 and earned a college degree to “prepare herself for the more recent demands of the city schools.” Harris then accepted a teaching position at Rockville High School, but unfortunately suffered from a series of strokes and spent limited time at Rockville before passing away on September 9, 1927.[13] Throughout her career, Norwood residents praised her dedication to its students, and she consistently went above and beyond to provide them with not only a quality education but prepare them for their adult lives.
Perhaps one of Harris’s most impactful endeavors was establishing and leading the Boys’ Lookout Club. Established in 1904, the club’s objective was “the upbuilding of character and the general improvement of their [the boys] social condition.” Harris achieved this through teaching different skills related to social responsibility and civic virtue such as “good deportment in the home and public places, [and] kindness to animals and kindred subjects.”[14] The Boys’ Club met twice a month after school and early on they began fundraising to purchase land for a public gymnasium, reading room, and park for the community. A brilliant grassroots organizer, Harris led club efforts to solicit subscriptions for the land from Norwood residents. Her efforts proved wildly successful. In less than a year, the club bought land on Prospect Street for $2,000 to serve as the official Boys’ Club grounds. The property had a four-room farmhouse, a small brick building, and a barn, which was transformed into the Boys’ Club Pavilion. The club worked to transform the space, and it soon opened as a public park and picnic grounds for Norwood.[15] In an area with poor infrastructure and investment, the Boys’ Club grounds served as a key communal space for residents to relax, hold events, and socialize with one another.
“Boys’ Club of Norwood Plans Better Club House,” Indianapolis Star, June 16, 1909, 9, accessed Newspapers.com.
Harris and the Boy’s Club soon set their sights on building a gymnasium. In August of 1907, the club organized a four-night carnival to fundraise for the gymnasium. In 1909, while reporting on the Boys’ Club, the Indianapolis Star wrote that “Miss Harris has so carefully handled the business affairs of the club in the past that she has already received promises of the support of many of the leading colored men and women of Indianapolis,” for the gymnasium. The gymnasium was successfully opened by 1910.[16] Harris’s ability to fundraise and organize for both the gym and club grounds demonstrates her strong leadership skills and influence. A grassroots endeavor, these efforts also show Norwood residents’ strong resolve to transform the area, which had received limited investment and infrastructure amid segregation, into a vibrant community. This community-driven mindset is still present in Norwood today through groups such as the Norwood Neighborhood Association which has advocated against the gentrification of the area.
In 1911, Harris organized a children’s library association to fundraise for a community library on the Boys’ Club grounds.[17] According to the Indianapolis News, this was in response to the Norwood school library burning down two years prior. Harris personally started the book collection for the library and began soliciting book donations. The library was opened officially in September of 1912 and the Indianapolis Star heralded it as the “first colored library in Indianapolis.”[18] The library opened with a collection of 1,000 books and opened professional opportunities for Black residents including Willa Resnover, who served as Norwood’s first librarian.[19] Ultimately, Harris’s leadership and exceptional fundraising abilities mobilized the Norwood neighborhood to invest in their community and, in response to segregation, create their own communal spaces to socialize, relax, and connect with one another.
Even after Harris’s death in 1927, the fruits of her grassroots organization and educational leadership have continued into modern day. Harriett Beecher Stowe School No. 64 operated and served the Norwood neighborhood for over a century, closing in 2009. Pride Park stands on the former property of the Boys’ Lookout Club and, in 2024, will be receiving new playground equipment. Modern-day Norwood residents take pride in the neighborhood’s roots and seek to honor its legacy by fostering the community’s tight-knit bonds and spearheading efforts to preserve its rich history. Many residents, such as Madonna Shaffner, can still trace their roots back to the 28th Indiana Infantry. Others have advocated for the establishment of “an intergenerational heritage center that would both honor Norwood’s past and provide a high-quality venue for community strengthening services and programming.” In many ways, the current residents echo and continue Harris’ legacy, seeking to continually improve Norwood’s housing, infrastructure, public services, and public education. Much of the community’s vibrancy and qualities can be attributed to a single dedicated teacher.
Part II examines Harris’s work as a progressive reformer beyond the classroom. It explores her work establishing a fresh-air tuberculosis camp, championing Black women’s suffrage, and patriotic homefront work during World War I. Stay tuned!
Notes:
[1] Indianapolis Star, August 1, 1909, 33, accessed Newspapers.com.
[3] “Former ‘Bad’ Town Now an Ideal Spot,” Indianapolis Star, August 1, 1909, 25, accessed Newspapers.com.
[4] “High School Commencement,” Indianapolis Journal, February 4, 1888, 3, accessed Hoosier State Chronicles.
[5] “Dedicate a Flagpole,” Indianapolis Star, September 8, 1903, 10, accessed Newspapers.com; “Harriet Beecher Stowe: Flagpole Raised with Ceremony at Norwood School,” Indianapolis Recorder, September 12, 1903, 1, accessed Newspapers.com; A Historical Sketch of School No. 64, 1953, Indianapolis Public Schools Digital Collection, accessed Indianapolis Public Library; History of Harriet Beecher Stowe School 64, 1969, Indianapolis Public Schools Digital Collection, accessed Indianapolis Public Library.
[6] “The Norwood School Trouble,” Indianapolis News, January 16, 1899, 8, accessed Newspapers.com.
[7] “Dinner Served at School,” Indianapolis News, November 26, 1903, 8, accessed Newspapers.com.
[8] Indianapolis News, April 3, 1909, 5, accessed Newspapers.com; “Pupils appear in Play,” Indianapolis Star, June 9,1902, 14, accessed Newspapers.com; “Present One-Act Playlet,” Indianapolis Star, June 11, 1910, 14, accessed Newspapers.com; “A Successful Entertainment,” The Freeman, April 2, 1898, 8, accessed Google Newspapers.
[9] “To Pay Parent’s Taxes,” Indianapolis News, March 8, 1913, 4, accessed Newspapers.com.
[10] “Norwood School Now Public School No. 64,” Indianapolis Recorder, October 12, 1912, 2, accessed Hoosier State Chronicles.
[11] “Resignations,” Indianapolis Star, June 18, 1924, 14, accessed Newspapers.com.
[12] “Instructors Appointed,” Indianapolis Star, September 28, 1921, 15, accessed Newspapers.com.
[13] “Former Teacher is Dead,” Indianapolis News, September 17, 1927, 39, accessed Newspapers.com.
[14] “Boys’ Club at Norwood,” Indianapolis News, May 21, 1904, 9, accessed Newspapers.com.
[15] “Building for Norwood Youth,” Indianapolis News, June 23, 1906, 8, accessed Newspapers.com; “Gymnasium for the Norwood Youth,” The Freeman, July 7, 1906, 4, accessed Google Newspapers; “Negroes may Have Club,” Indianapolis Star, July 22, 1906, 13, accessed Newspapers.com.
[16] Advertisement for a Boys’ Club Carnival, Indianapolis News, August 10, 1907, 11, accessed Newspapers.com; “Boys’ Club of Norwood Plans Better Club House,” Indianapolis Star, June 16, 1909, 9, accessed Newspapers.com.
[17] “For Library at Norwood,” Indianapolis News, April 24, 1911, 4, accessed Newspapers.com.
[18] “City’s First Colored Library is Dedicated,” Indianapolis Star, September 23, 1912,12, accessed Newspapers.com.
[19] “Norwood Library,” Indianapolis Recorder, May 6, 1911, 1, accessed Hoosier State Chronicles; “Norwood has a Library,” The Freeman, September 21, 1912, 8, accessed Google Newspapers.
Detroit, Michigan, March 30, 1965. Two men meet at a small press conference before the funeral of a slain civil rights activist. Their meeting seems like an unlikely pairing for us today—one a slick haired, brash, and controversial labor leader and the other a measured, eloquent, and inspirational pastor who had galvanized the civil rights movement. The former was there to present a check for $25,000 for the latter’s work on racial equality. Their stories varied tremendously but, at this moment, they intersected, manifesting all the complicated and contradictory impulses of American life during the middle of the twentieth century. Those two men were Jimmy Hoffa and Dr. Martin Luther King, Jr.
Music: “The Things That Keep Us Here” by Monomyth, “Almost A Year Ago” by John Deley and the 41 Players, “Crate Digger” by Gunnar Olsen, “Crimson Fly” by Huma-Huma, “Dreamer” by Hazy, “Eternity” by Lahar, and “I Am OK” by Vishmak
Edwina Whitlock, circa 1940s, found in Edward Ball’s The Sweet Hell Inside, p. 320, accessed Internet Archive.
Gary American editor Edwina H. Whitlock wrote in the California Eagle in 1961, “I might perhaps be forgiven for posing as a political authority, but those who know Indiana must acknowledge that basketball and politics are monkeys on the backs of every Hoosier.”[1] The life of Edwina Whitlock, the first and only female editor of the Gary American, is a story that evokes critical insights into the most influential periods in Black history and showcases Black women’s dedication to the long Civil Rights Movement. Whitlock illuminated the rise of the “Black bourgeoisie” and their advocacy for equal rights between the 1920s and into the 1980s, herself having grown up among the small community of Black elites in Charleston, South Carolina. She witnessed the vibrancy of the Harlem Renaissance through her adopted father, strove to emulate W.E.B. DuBois’s ideals regarding Black excellence, and utilized her class privilege to advocate for civil rights and equality through journalism and activism.
The Early Life of Edwina (Harleston) Whitlock
The Black side of the Harleston family held deep roots within the American South, which defined early on by issues of race and class. Edwina Harleston Whitlock’s ancestors were enslaved. Her maternal great-grandmother Kate Wilson lived in bondage and bore eight of the plantation owner’s children. Harleston never married, and upon his death in 1835, the mixed-race Harleston children, who were denied their inheritance, were pushed back into Black society, and refused inheritance from white relatives. Despite these circumstances, the Harleston’s blossomed in the Jim Crow South, utilizing their status as “mixed-race” in order to toe the line of segregation to make a name for themselves.[2] Together, the family integrated into the small, middle-class population of Black Elites in Charleston, South Carolina.
Gussie Harleston in 1924, photographed by her adoptive mother Elise Forrest Harleston, found in Edward Ball’s The Sweet Hell Inside, p. 318, accessed Internet Archive.
Originally named Gussie Harleston, Edwina was born in Charleston on September 28, 1916, to Kate Wilson’s grandson, Robert O. Harleston and his wife, Marie Forrest. When she was just two and half years old, Edwina and her sister Slyvia were sent to live with their uncle, Edwin A. “Teddy” Harleston, after their parent’s contracted tuberculosis.[3] However, after the passing of both their parents, the girls were adopted by Teddy and Elise so they could raise them as their own. Teddy Harleston proved to be an inspiring innovator to the girls. As a young boy at the Avery Normal Institute, Teddy developed an interest in painting portraiture and scenes associated with Southern Black culture, which would define his career for the remainder of his life. He went on to attend Atlanta University, where he studied under Black sociologist and activist W.E.B Du Bois.[4] Du Bois and Harleston became life-long friends, and he encouraged Teddy to use his elite social standing to precipitate equality.
Du Bois’s influence permeated the Harleston family. Later in adulthood, Edwina Harleston describes that the family reared their children according to Du Bois’s theory of the “talented tenth,” a concept that emphasized the necessity of higher education to develop the leadership skills among the “most able 10 percent of Black Americans.”[5] They also instilled a work ethic in their children, reflecting Booker T. Washington’s theory that “African-Americans must concentrate on educating themselves, learning useful trades, and investing in their own business.”[6] She contributed her success to these two ideologies, and what ultimately led to Harleston’s academic drive and early involvement in journalism and newspapers.
The Herald Sun, November 4, 2001, accessed Newspapers.com.
As a young girl, Gussie’s uncle, Reverend Daniel J. Jenkins, ensured that she was always working in some capacity at the orphanage that he ran in Charleston with his wife, Eloise “Ella” Harleston. She recalls that she had a choice: work on the orphanage farm and dig sweet potatoes, or work on the orphanage’s newsletter, The Messenger. She wrote local updates, which spearheaded her interest in journalism.[7] Harleston began calling up different people and groups– churches, community leaders, and businessmen – to ask them questions about their daily activities so she could write up reports regarding what was going on around town. Tragedy struck in 1931, when Edwin “Teddy” Harleston passed away at the young age of forty-nine.[8] To honor these men, fifteen-year-old Gussie Harleston changed her first name to Edwina.
As a high school student, Edwina Harleston remained a veteran writer for The Messenger.[9] During the height of the Great Depression, Harleston’s familial wealth offered her the rare opportunity to attend a university. In 1934, she went on to attend Talladega College, an HBCU, where nearly “all of the students came from light-skinned African American families in urban centers.”[10] Historian Joy Ann Williamson-Lott explained that, for many Black Americans at this time, advanced study at Black institutions remained rare. However, these environments provided a rich opportunity for Black scholars to educate themselves. Edwina was a part of an emerging generation of educated Black Americans, dubbed “The New Negro,” which celebrated Black history, life, and culture through educational advancement.[11] She majored in English literature, taking classes in Chaucer and Shakespeare, while becoming president of her sorority Delta Sigma Theta. She maintained an active social life in school, even forming a secret society with other young women called Sacred Order of Ancient Pigs (SOAP), where the members got together on slow school nights to
gossip.[12]
F.B. Ransom Family Portrait, circa 1935. A’Lelia is on the far left, standing next to her father, accessed Indiana Historical Society.
It was through this group that Harleston met A’Lelia Ransom, daughter of Indianapolis lawyer Freeman Briley Ransom (better known as F.B.).[13] Ransom’s father served as legal counsel to Madame C. J. Walker and her company. A’Lelia and Edwina became great friends, making their own secret club called “Ain’t-Got-Nothing Club.” Every week, A’Lelia’s father would send the girls newspaper clippings from Indianapolis, along with a dollar or two, and they would read the news and spend A’Lelia’s allowance.[14] A’Lelia Ransom would later become the last president of Walker Manufacturing in 1953.[15]
Harleston graduated from Talladega in 1939 and upon her mother’s suggestion applied to Northwestern University in Evanston, Illinois. By the fall of 1940, after spending her whole life in the South, she moved to Chicago to attend graduate school, working towards a master’s degree in journalism. Harleston reveals that this was her first time encountering real racism:
In Charleston, I had been sheltered from it, because the white world and the black world were parallel, never touching. Then I got to Northwestern, the so-called great Methodist Institution. Two things happened that surprised me. The star football player, who was black, was meeting the requirements of his major, but he was not allowed to swim in the university pool. . . . There was also the policy of this supposedly religious university that prevented black students from living in the dormitories on campus. . . . Once I was studying for finals with a friend who wasn’t black. I was invited to her dorm room, but at midnight was told by the matron I had to leave because I was colored. I was frightened and furious and had to stumble back across the railroad tracks to my room at the minister’s house.[16]
Northern racism became a constant obstacle and prominent topic of discussion in her work as a female journalist.
While working towards her master’s degree, Harleston worked as a reporter and editor for the Chicago Defender and the Negro Digest. Her experience in writing for newspapers would play a critical role in the next seventeen years of her life. After meeting Henry Oliver Whitlock at Northwestern, the couple married in April of 1945 and Whitlock found herself moving to the booming, deeply segregated City of Gary, Indiana. A year earlier, Henry had taken over operations of his father’s newspaper, the Gary American – one of the largest Black newspapers in Northwest Indiana. By 1947, Edwina Whitlock would appear on the masthead as Lead Editor as the couple oversaw the dissemination of the publication.
The Gary American: Northwest Indiana’s Early Guardian of Northern Equality
Map of Gary, Indiana in 1929, Map Collection, Indiana Division, Indiana State Library, accessed Indiana Memory.
Forty-five minutes from the southside of Chicago and situated next the sandy beaches of Lake Michigan, the United States Steel Company built Gary’s foundations in 1906. Other businesses followed suit. Between 1910 and 1920, Gary’s population jumped from 16,802 to over 55,000.[17] Gary garnered attention, earning the nickname the “Magic City,” as Eastern and Southern Europeans flocked to the area for industrial jobs. However, World War I largely disrupted European migration, and steel companies turned to the Southern portion of the U.S. for labor. The resulting Great Migration drew Black Southerners to Gary’s mills, where they were paid disproportionately low wages.[18]
The influx of Black residents in Gary did not go unnoticed by whites, especially those returning home from World War I to find their jobs had been “taken over” by Black Southerners. In fact, 1920s Indiana was a hotbed for Ku Klux Klan activity, with approximately 300,000 members.[19] Valparaiso, Indiana – only 30 minutes from Gary – became a center for Klan activity in the Northwest region, with the Klan nearly purchasing Valparaiso University (then Valparaiso College). Racism and terror within the region, coupled with the growing Black population, culminated in the creation of the Gary’s own Black newspaper. The publication would disseminate Black news and highlight instances of inequality that did not appear in mainstream publications. In 1927, Arthur B. Whitlock, David E. Taylor, and Chauncey Townsend headed the formation of the Gary American Publishing Company. On November 10, 1927, the Gary Colored American began as a weekly African American paper, publishing its first issue with Townsend as editor and Whitlock as manager.
Postcard Roosevelt High School, Gary, Indiana, circa 1949, accessed the Indiana Album.
In its first year of publication, the Gary Colored American led reports on the 1927 Emerson School walkout, when white students and parents protested the integration of six Black students into the school. As a result, the school board decided to reinforce existing de facto segregation, transferring the children out of Emerson, and agreeing to build Roosevelt High School, an all-Black school in the Midtown neighborhood. Gary’s Black population remained divided on this issue, with some advocating for total desegregation and others celebrating the decision to create a new school. The Gary Colored American advocated for the construction of Roosevelt High School to serve Gary’s African American children, citing it as an achievement for Black excellence. [20]
In 1928, the Gary Colored American changed its name to the Gary American, quickly becoming one the city’s most prominent Black newspapers, paving the way for publications like the Gary Crusader. While initial circulation numbers are unavailable, in 1928, the GaryAmerican claimed a readership of nearly 2,000 readers. In 1929, its masthead asserted that the GaryAmerican was an “independent paper” devoted to Black interests in Northern Indiana.[21] The paper columns reflected the upsurge of white supremacy in the 1920s and 1930s, culminating in Jim Crow terrorism that plagued Black communities across the U.S. In 1934, the front page of the GaryAmerican showcased an extensive article about the NAACP’s report that approximately 28 known lynchings occurred the previous year in the U.S. This marked nearly a 200% increase in white terror from 1932 to 1933.[22] By the end of that year, the Gary American published a message to readers, stating, “the Negroes of Gary can look only to The Gary American, their own and only newspaper, for all the news primarily of interest to them and concerning their activities,” claiming that they were the servant of Gary’s Negroes during this tumultuous time period.[23]
Editor Arthur Whitlock left the company in 1938 and attorney F. Louis Sperling was elected editor and acting manager. His legal influence filtered through the Gary American as a plethora of articles featured race and legal rulings within in the U.S. criminal justice system. The Gary American drew attention to a Richmond Times-dispatch editorial in 1937 about the federal Anti-Lynching Bill of 1937:
Now that the rest of the week is apparently available for debating the anti-lynching bill, is it too much to hope that the Southern senators will discuss this measure on its merits, instead of consuming days in flamboyant and bombastic posturing, in apostrophies to the fair name of Southern womanhood, in hysterical outbursts concerning the future of Southern civilization? [24]
The bill passed in the House of Representatives, but was held up in the Senate during a filibuster, where First Lady Elanor Roosevelt sat in the Senate Gallery to silently protest those participating in the blockade. Ultimately, the Anti-Lynching Bill failed to pass in the Senate, despite the Gallup poll revealing that nearly three in four Americans (72%) supported anti-lynching legislations and called for it to become a federal crime.[25]
Additionally, in 1938, Editor Sperling released an open letter to Indiana Governor M. Clifford Townsend on the front page of the paper to draw his attention to corruption that was happening within the city. Sperling claimed that a public official, who was responsible for distributing “hundreds of thousands of dollars of the taxpayers’ money” to majority Black families receiving government assistance, was withholding funds to coerce them to vote for her candidate for mayor, Dr. Robert Doty, and for her trustee candidate, P. D. Wells. Sperling wrote, “and what is much worse, [she] has entered into a deliberate campaign to intimidate both colored and white voters of this city who are already on relief rolls, telling them that they will have to support her ‘program’ or be they will be cut off relief rolls.”[26]
Champion of Local Activism and the Civil Rights Movement
Henry O. Whitlock and Edwina Whitlock, with their son Henry Whitlock Jr., posing next to the 1949 Christmas Release of the Gary American, found in Edward Ball’s The Sweet Hell Inside, p. 322, accessed Internet Archive.
In the following decade, the Whitlock’s returned to the Gary American. Arthur’s son, Henry O. Whitlock, became manager in 1944 and his wife, Edwina, becoming editor in 1947. She was a mother and teacher at Froebel High School by day and a journalist by night. The family thrived under the post-war conditions that encouraged a growing middle-class, so much so that they hired a live-in nanny for their children and bought a vacation home in South Haven, Michigan.[27] She saw herself a part of the elusive “Black Bourgeoisie,” which highlighted the white American ideals – Black men worked professional jobs, while the women kept the home with the children. Along with running the Gary American, Henry Whitlock worked as an investigator in the Lake County prosecutor’s office.[28] Following in her adoptive father’s footsteps, Edwina exceeded the realities of Black life, promoting the middle-class lifestyle that many Black Americans lacked, because they did not share her fair skin or generational wealth. But the Gary American gave her unlimited access to disseminate her own ideas about family, Black excellence, and how in Gary’s Black community could fight for self-determination.
During the burgeoning Civil Rights Era, the GaryAmerican focused on issues like discriminatory education funding, the creation of Gary’s first Black Taxicab Company, and the local boycott against Kroger Stores for refusing to hire minority employees.[29] Whitlock published her own column, First Person Singular, for many years. Her editorial topics varied, ranging from marriage and childrearing issues to discussions of race and education. One editorial, appearing in October of 1948, discussed her husband’s opinion that “women dress for other women.” She challenged her readers to question their own partners on the matter to determine if purchasing clothing was self-indulgent as society moved away from the wartime economy and the rationing system.[30] Another editorial, appearing in 1946, was simpler and to the point, “No brains, no hearts – is it any wonder that the Ku Kluxers are also stooges? Right now, they’re stooges for a few racketeers who are clipping them for ten spots or so for the privilege of going around with pillowcases on their heads.”[31] She tackled both the complexities of womanhood and race, offering an intersectional lens to the history of the growing Black population in Gary.
Following World War II, more Black Americans moved to the city, and as a result, they were forced into the central, downtown district, but the city’s boarders grew too slowly to keep up with the expanding population. Rents increased as investments in building repairs dropped, and landlords became virtually unresponsive to Black tenants. By 1940, the U.S. Census reported that only thirty percent of Black families lived in one-family homes, and the remainder lived in apartment houses or small homes converted into apartments, with multiple families living under one unit.[32] Additionally, the Gary Housing Authority – despite its role in maintaining segregated neighborhoods – reported that in 1950, 11,582 families were living in substandard homes or slums, approximately 1,000 more than existed ten years prior to the GHA organizing.[33]
In 1949, she gave birth to the first of four children, whom she raised during her editorial career. That summer, Whitlock addressed her concerns about congestion of the Central District and the strains it imposed on families via poor living conditions and warned about the urge to fall into consumerism rather than focusing on the preservation of the natural world. Her solution was simple – Whitlock proposed an eight-day living week and a thirty-hour work week. She suggested supermarkets offer prepared meals so breadwinners could save money on groceries and utilize the funds for the necessities, like owning a home. Whitlock saw the value in equal payment for all laborers, Black or white, and advocated for the spreading of wealth to relieve the crowded living quarters of the Gary’s Central District. These statements were made during the height of the McCarthy-era, in which rampant persecution of left-wing individuals took center stage of the American political scene. Whitlock did not care. “I sound like a Communist, you say? Well, if Communism means subscribing to a theory that every man’s labor is worth as much as every other man’s,” Whitlock wrote, “having the conviction that the color of a man’s skin should be no deterrent in selecting a place to live – then, come on Revolution. H. O., hand me your shotgun.”[34]
Towards the end of the 1950s, white residents fled to suburban areas like Merrillville due to the city’s increased Black population. Middle-class white families moved away from Gary’s downtown metropolitan center, depleting it of a tax base which thrusted Gary into a state of decline. Black residents, however, were barred from following suit. Once again, housing was featured prominently in Whitlock’s editorials. In 1959, Whitlock discusses her opinions on housing, and the refusal of banks to provide loans to Black locals. Edwina wrote:
Chatted a while today with one of the leading mortgage brokers and I suggested that he and his cohorts could clean up this whole mess with one broad sweep. Instead of refusing to lend money to Negroes who seek better accommodations for themselves by moving to late fringe areas, they should refuse to loan money to the whites who try to run away. If a white family has decent housing in a decent community and the broker suspects that they’re trying to run away from their colored neighbors just let the family do their own financing.[35]
As Edwina pointed out, Black residents struggled to secure access to well-built homes and a welcoming community. However, segregated housing projects were not new – the development could be seen in Gary during the 1930s, and the Gary Housing Authority, established in 1939, continued to segregate residents by placing Black families in the central district, and white families outside of the downtown area.
The Gary American also took a vested interest in the desegregation of the city’s parks, particularly Marquette Beach. Federal programs during the Depression years expanded Gary’s Park system and as a result, U.S. Steel provided the city with a lake-front area. The WPA transformed it into a large park, equipped with a beach, picnic area, and a pavilion. Early editorials reveal how Whitlock felt about lack of community beaches, saying: “But to be continually denied even the elementary right to take a dip in Lake Michigan without having to travel 15 miles to do so, strikes me as being a pretty rotten deal.”[36] In the late 1940s and early 1950s, the city took it’s time when it came to the construction of the new de-segregated section of the beachfront, and many Black residents grew frustrated. Whitlock offered another revolutionary solution: staging a sit-in picnic right on the whites-only beaches. “Getting a few heads bashed in would only be a small price to pay,” Whitlock urged, “for providing our youngsters with an example of forthright action on the part of real men and women.”[37]
Even after Marquette Beach came to fruition, white beachgoers used harassment and violence to keep the sand segregated. However, forced integration occurred only after an uproar in the late 1950s.[38] In fact, Marquette Beach had been a center of white terrorism against local Black beachgoers, with the Gary American reporting in 1949 that a peaceful protest for integration, known as “Beachhead for Democracy,” turned violent when “white hoodlums” hurled bricks, bats, and pipes against vehicles of those who were attending the protest. Police arrived twenty minutes later, closing the beach to demonstrators, which caused the white attackers to disperse.[39] However, the Gary American reported that the protest fueled KKK activity for the next three nights – with white residents burning crosses on the shores of Marquette beach, attacking the homes of “ring leaders” with rocks, bricks, and firing holes into windows with guns, even leaving notes telling residents to leave town.[40]
The protests led to the desegregation of Marquette Beach Marquette Beach remained a contentious site. In the summer of 1961, the Gary American produced extensive coverage over the beating of 21-year-old Murray W. Richards. On Memorial Day, Richards and three female friends were enjoying their time at the beach, when fifteen to twenty drunk white men approached the group and demanded that Murray and his friends leave the beach. After refusing, they attacked Richards unprovoked, hitting him in the jaw with a beer bottle, bashing his face with a baseball bat, and striking him with 2×4 plank. One of the young ladies was dragged toward the water under the threat that the gang of men would drown her. Richards explained to the American that “he feared they would carry out their threat to kill him if he were to fall down.” It was revealed that Richards saw one policeman, Officer George Stimple, standing by his squad car, watching the attack, but did nothing to stop it, even after being informed of what was happening by a young white girl.
Richards was left with lacerations on both ears and his scalp, fractures in his jaw and skull, and multiple contusions on his face, arms, chest and back which needed stitches.[41] Only one of his attackers was taken into custody and prosecuted. The beating fueled unrest across Gary, with the paper reporting that more than 500 citizens packed the Council Chambers on June 6, protesting the inaction of Officer Stimple. Charles Ross, First Vice President of the NAACP, stated that the police department had consciously and deliberately refused to provide the minimum protect to Gary’s Black citizens.[42] The protest led to an investigation into Officer Stimple, but on July 7, the Gary American reported that, after a five-hour hearing, Stimple was found innocent by the civil service commission on the charges that he failed to aid Murray Richards. Commission secretary Thomas G. Kennedy claimed, “The evidence presented in support of the charges was inconclusive.”[43] A little over a month later, the Gary American reported on another white attack against Black citizens at Marquette.[44]
Exposing and challenging racism in Northwest Indiana became the goal for Whitlock and her husband. In an interview with Edward Ball, an American author who focuses on history and biography, she recalled just how influential the Gary American was when it came to dismantling segregation in her community:
The American was a local paper, and we fought to get black bus drivers in Gary, when there were none. We fought the electric utility to hire black women because they didn’t have any. Henry’s father, who started the paper, was on the board of the Urban League, and tried to get certain jobs in the steel mills opened to Negroes, because not all of them were. All our circle and all our friends belonged to the NAACP and attended annual meetings.[45]
The Gary American never reached the status of the Chicago Defender, which was in production less than an hour away, but its influence within The Region was wholly felt.
Living History
Henry Whitlock died on May 5, 1960, and the Gary American announced his death on May 13, saying “Henry Oliver Whitlock . . . gave his all to the community. He was for modern, efficient government. He was for the complete integration of Negroes into all facets of American life.”[46] Edwina continued to run the Gary American by herself until February of 1961, when she sold the publication to Edward “Doc” James and James T. Harris, Jr. The Gary American continued to operate until the 1990s, and even expanded its publication beyond Gary into East Chicago/Indiana Harbor.[47]
That same year, Whitlock moved south of Los Angeles with her four children on the edge of Watts, a predominately Black neighborhood that had been isolated from white California. The area faced intense poverty and inequality. Whitlock took on a job in public relations at Watts Savings & Loans. But in August of 1965, Whitlock found her family thrusted into turmoil when the Watts Uprising gripped the neighborhood. Stepbrothers Marquette and Ronald Frye were pulled over right outside their house by a white California Highway Patrol officer while driving their mother’s car, where Marquette was arrested after failing a sobriety test. Back up was called from the Los Angeles Police Department (LAPD), and a crowd of Black locals formed and watched the arrest unfold, causing one officer to pull his gun out. As a result, Frye’s mother, who witnessed the event unfold outside her house, went to defend her son. All three were arrested, enraging the residents of Watts, who took to the streets to protest police profiling and the conditions of their neighborhood.[48]
Getty Image, courtesy of “Looking Back on the Watts Riots, 55 Years Later: In Photos,” WSLS, accessed https://www.wsls.com/features/2020/08/11/looking-back-on-the-watts-riots-55-years-later-in-photos/.
Between August 11 and 16, Black residents engaged in a massive protest, confronting the LAPD and taking items from local stores to acquire the goods they were often unable to afford due to pay disparities. In the end, the United States dispatched in 14,000 National Guard troops to Watts, forcing protesters back into their homes. The movement took thirty-four lives and led to over 4,000 arrests. For Whitlock, however, the uprising only motivated her get back into the community, and she quit her banking job to train as a social worker. She told biographer Edward Ball, “I studied for the ‘War on Poverty,’ which is what the Lyndon Johnson administration called it. I guess I was one of those advanced soldiers in the war . . . they were idealists, and we all believed in what President Johnson promised about finding jobs for Blacks.”[49] After passing the civil service exam, Whitlock became a social worker, traveling throughout the city into both Black and white neighborhoods to help families less privileged than her. Along with her new career, she continued her work in journalism with articles appearing in publications like the California Eagle.[50]
By the end of Whitlock’s life, encountered her long-lost cousin, white author Edward Ball, that she finally got the opportunity to tell the world about her family’s contributions to Black history.[51] After an extensive interview process, combing through letters and photographs and outlining her family lore, Ball and Edwina worked together to publish The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South in 2001. One year later, Edwina passed away Atlanta, Georgia in November of 2002, at the age of eight-six.[52] Edwina Whitlock’s dedication to highlighting issues of inequality illuminates many of the forgotten Black women at the heart of the long Civil Rights Movement. Through her work as a journalist and her continuous involvement in her community, she utilized her own privilege to promote and sustain equality. The Gary American will soon be digitized and incorporated into the Library of Congress’s Chronicling America database and IHB’s own Hoosier State Chronicles, to give historians the chance to uncover Northwest Indiana’s often discounted, but rich Black history and unveil more stories like Edwina Harleston Whitlock’s.
Notes:
[1] Edwina H. Whitlock, “Gary, Ind., Negroes Help Run City Gov’t,” California Eagle, October 19, 1961, accessed Newspapers.com.
[2] William’s and Kate’s son, Edwin G. “Captain” Harleston proved to be an American pioneer, establishing a successful funeral business that allowed his five children to thrive. His son, Edwin A. “Teddy” Harleston, became a successful painter and renowned portraitist. Another son ran an orphanage, whose young Black children became musical prodigies in the group Jenkins Orphanage Band.
[3] Robert Harleston and Edwin A. “Teddy” Harleston were two of Edwin “Captain” Harleston’s seven children. Captain Harleston was Kate Wilson’s fifth child with white plantation owner, William Harleston. In Charleston, Captain ran a profitable funeral business that serviced the Black community.
[4] E. Rudwick, “W.E.B. Du Bois,” Encyclopedia Britannica, accessed Brtannica.com.
[5] Edward Ball, The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South, New York, HarperCollins Publishers, 2002, 297, accessed Internet Archive.
[6] “Booker T. Washington,” Teach Democracy, accessed crf-usa.org; Ball, The Sweet Hell Inside, 297.
[8] Teddy’s father, Captain Harleston, died in April of 1931, after catching pneumonia. A few days after his father’s funeral, Teddy caught pneumonia as well. Later in her life, Edwina recounted to Edward Ball that the doctor reported that Teddy had a good chance of recovery. However, the grief of losing his father superseded his will to fight the infection. Teddy Harleston passed one month later, on May 10th, 1931; [8] Ball, The Sweet Hell Inside, 286-287, accessed Internet Archive
[9] Edwina was also a singer in the Avery glee club and president of her high school class; Ibid, 298.
[11] Joy Ann Williamson-Lott, Jim Crow Campus: Higher Education and the Struggle for a New Southern Social Order (New York: Teachers College Press, 2018), p. 21-22, accessed Google Books.
[15] Douglas Martin, “A’Lelia Nelson, 92, President Of a Black Cosmetics Company,” The New York Times, February 14, 2001, accessed The New York Times; “Mrs. Nelson Heads Madam Walker Firm,” The Indianapolis News, February 10, 1951, accessed Newspapers.com.
[18] Neil Bretten and Raymond A. Mohl, “The Evolution of Racism in an Industrial City, 1906-1940: A Case Study of Gary Indiana,” The Journal of Negro History, 59, no. 1 (Jan 1974): 52, accessed https://doi.org/10.2307/2717140.
[28] “Heart Attack Claims Publisher,” The Times, May 5, 1960, accessed Newspapers.com.
[29] “Pass Up Roosevelt High: Negro School to get No Funds for Facilities,” The Gary American, September 29, 1944; “Negro Taxi-Cab Company in Operation with 3 Cabs, Fleet of Five Cars Expected to be in Service Next Week,” The Gary American, November 23, 1945; “Continue Boycott of Kroger Stores, Attempts to Arbitrate Fail,” The Gary American, October 3, 1958.
[30] Edwina Whitlock, “First Person Singular,” The Gary American, October 8, 1948.
[31] Whitlock, “First Person Singular,” The Gary American, July 26, 1946.
[32] Bretten and Mohl, “The Evolution of Racism,” 59.
[33] Gary Housing Authority, The First Twenty Years: Report of the Gary Housing Authority, 1939-1959, n.d., 14, accessed HathiTrust.
[34] Whitlock, “First Person Singular,” The Gary American, July 1, 1949.
[35] Edwina Whitlock, “First Person Singular,” The Gary American, December 24, 1959.
[36] Whitlock, “First Person Singular,” The Gary American, July 19, 1946.
[38] Gary Housing Authority, The First Twenty Years, 56.
[39] The Gary Post Tribune stated that the demonstration at Marquette Beach seemed “pointless” as there were no legal restrictions against Blacks utilizing the facilities there. This is just one example of the stark differences between white reporting and Black reporting within the city; The Terre Haute Star, August 31, 1949, accessed Newspapers.com.
[40] “Beach Project Leads to Violence: KKK Becomes Active,” The Gary American, September 4, 1949.
[41] “Youth Brutally Beaten at Marquette Beach, Girls Scream for Help as Police Stand By,” The Gary American, June 2, 1961.
[42] “500 Jam-Pack Council; Protest Actions of Police,” The Gary American, June 9, 1961.
[43] “Stimple Found Not Guilty,” The Gary American, July 7, 1961.
[44] “Hoodlums Attack Again At Marquette Park,” The Gary American, August 11, 1961.
[50] “President John Kennedy, Gov. Pat Brown Electrify 600 Attending Links Inc., Affair,” California Eagle, November 23, 1961, accessed Newspapers.com.
[51] Whitlock’s experience as a journalist spurred a desire to document her rich family history. In 1970, after her daughter Sylvia wrote a term paper on Teddy Harleston, Edwina’s interest in genealogy was re-ignited. She spent years going through the large collection of the Harleston family papers, photographs, and letters. While researching, she attended lectures at institutions like Mann-Simons Cottage to talk about her adoptive mother, Elise Forrest Harleston, one of the first Black female photographers in the US. Whitlock’s goal, however, was to publish her family history.
[52] “Whitlock,” The Atlanta Constitution, November 22, 2002, accessed Newspapers.com.
In 1956, Black activist Harry Belafonte was one of the top performers in the United States and his album, Belafonte, reached #2 on the Billboard Chart. When he performed two shows of “Sing, Man, Sing” at the Purdue University Hall of Music on May 5, it was a major hit. Before the first performance, Belafonte visited Purdue’s famous drinking establishment, Harry’s Chocolate Shop. However, proprietor Harry J. Marlack refused to serve him due to the color of his skin.
Born in Harlem to Jamaican parents, Belafonte experienced discrimination throughout his life. In 1944, while serving in the U.S. Navy, Belafonte was denied entry to New York’s famous Copa Cabana because he was Black. When Belafonte achieved stardom in the 1950s, the Copa Cabana offered him a lucrative contract to perform there. He infuriated the owner by spurning the offer, citing the discrimination he faced at their door years earlier in his decision.
In Spring 1956, Belafonte met Martin Luther King, Jr. for the first time in the basement of the Abyssinian Baptist Church in Harlem. Belafonte committed to “help [King] in any way I could. And for the next twelve years, that’s what I did.”[i] When he concluded the first show at Purdue, Belafonte kept his promise to King and addressed the audience about the discriminatory act and what he thought of it. His words angered Purdue officials and the campus buzzed. While Purdue students and staff talked about the incident at Harry’s Chocolate Shop and Belafonte’s speech for weeks afterward[ii], nothing was written about the incident. This prompted a Ph.D. student, David Caplan, to write a letter to the editor of The Exponent, Purdue’s student newspaper. Caplan wrote:
Many Purdue students and staff members have been talking about a recent incident that took place in ‘Harry’s Chocolate Shop’ when Harry Belafonte and his troupe were in town. Why has no mention been made of this in the Exponent? Certainly an incident of such scope deserves at least a news item, if not an editorial. Burying one’s head in the sand does not change the facts that have occurred. Why has this story not been reported?
TheExponent editor responded to Caplan by writing, “the Exponent has followed and will continue to follow the accepted journalistic practice of not publishing ‘cold’ news or facts that have been distorted by personal opinion or hearsay. The Exponent staff refuses to yield to ‘rabble-rousers’ or free-publicity seekers.”[iii]
Behind the scenes, Purdue University officials had zero tolerance for Belafonte’s civil rights message. In a 1977 interview with the Lafayette Journal & Courier, former director of Purdue Musical Organizations, Al Stewart, talked about many famous people he had met during his long career. Of Belafonte, Stewart opined:
He finished a 7 p.m. show with an angry jab at racial discrimination at a local drinking place. I warned him never to do that again or he’d never get another booking anywhere in the U.S. Second show, Dr. Hovde (Purdue President Frederick L. Hovde) and I sat in the front row and tape-recorded the whole thing as evidence if we needed it. It was a beautiful show.
Stewart’s comments demonstrated stunning hubris. Belafonte was on top of the entertainment world in 1956. He had the #2 album in the United States. In June, he released a second album, Calypso, that spent a record ninety-nine weeks on the Billboard Chart. He headlined Broadway shows and top-tier venues across the country. He played the Cocoanut Grove in Los Angeles and the Palmer House in Chicago. He broke Lena Horne’s attendance record at the Venetian Room in San Francisco, and broke the color barrier and Frank Sinatra’s attendance record at Waldorf’s Empire Room in New York City. Furthermore, it’s impossible to imagine Stewart belittling Sinatra or Elvis Presley—Belafonte’s peers at the time.
By the time Stewart made his remarks in 1977, the Civil Rights Act had become law thirteen years earlier. Belafonte had recorded a campaign ad for John Kennedy, mediated between Attorney General Robert Kennedy and Martin Luther King, Jr., helped organize the 1963 March on Washington, appeared on the Ed Sullivan Show ten times, hosted the Tonight Show for a full week, had four gold records, starred in movies, and was a world-renowned civil rights leader. For Stewart to think he could have curtailed this superstar’s career is laughable, had it not been so bigoted. In response to racism, university officials told a Black man “Shut up and sing.”
Belafonte (right) at the National Black Political Convention, cover of William Greaves’s Nationtime film.
Harry Belafonte would refuse to “shut up and sing.” Rather, upon his return visits to Indiana, he used his voice to advance racial justice. He donated significant funds to Gary candidate Richard Hatcher’s mayoral campaign and vocalized his support for the unlikely candidate in national media outlets. Belafonte’s efforts helped make Richard Hatcher one of the first Black mayors of a major American city. In 1972, Belafonte returned to Gary to perform at the unprecedented National Black Political Convention, taking the opportunity to implore the massive audience to engage in political reform.
In January 2017, Belafonte returned to Purdue University, serving as keynote speaker for the university’s Dr. Martin Luther King, Jr.’s celebration, themed “The Fierce Urgency of Now: Where Do We Go From Here?” At age 89, he knew his life’s work was unfinished and he delivered a rousing speech on justice, civic engagement, and meaningful art. Audience member Sandra Sydnor told the Journal & Courier “’I was overwhelmed by his presence. . . . We were just staying rooted in spot, not wanting to leave after he left because of his persona, because of his spirit.’” Belafonte passed away April 25, 2023, but this spirit would endure, along with his legacy of racial justice and equal rights activism.
* This piece will be featured in the author’s upcoming book, Dispatches from a Northern Hoosier.
Notes:
[i] Harry Belafonte and Michael Shnayerson, My Song: A Memoir (New York: Penguin Random House, 2011), 150.
[ii] Conversation between the author and All-American football player Bernie Flowers, 1995.
[iv]Lafayette Journal & Courier, November 13, 1977.
Stewart’s judgment is questionable. Belafonte referred to Sing, Man, Sing as “my one indisputable career bomb.” My Song: A Memoir, 142.
Conference program, a preliminary list of sessions can be found here.
From June 12-14, scholars from all corners of the globe—including Cape Town, New Delhi, Toronto, Berlin, Peru, and Amsterdam—convened at San Francisco State University. Among them were Indianapolis historians Sam Opsahl (he/him), Jordan Ryan (they/them), and myself (she/her). The reason for this meeting of the minds?: the second ever Queer History Conference (QHC). Amidst the surreal beauty of the campus, lined by Muir Woods’s iconic redwood trees, we discussed universal research questions, learned about novel methodologies, and shared valuable resources. Considering how new the field of queer history is, I would be remiss not to discuss the insights gleaned at the QHC, many of which could be applied to various historical projects.
QHC attendees were a uniquely welcoming and curious bunch, although we were slightly intimidated by the number of people who decided to forgo compelling sessions like “Queering Women, Sex, and Youth in Colonial Settings” and “Legal Consciousness in Mid-Twentieth Century Queer and Trans History” in order to attend our panel. However, we felt immediately at ease presenting about those living on the margins of Indianapolis’s queer community, especially because our moderator Dr. Eric Gonzaba gave credence to Kurt Vonnegut’s observation that “wherever you go there is always a Hoosier doing something important there.”* Now an Assistant Professor of American Studies at California State University-Fullerton, Dr. Gonzaba grew up in rural southern Indiana and earned his BA from Indiana University. In his introduction, Dr. Gonzaba aptly noted that Indiana’s place in American queer history has been cemented both by the groundbreaking work of the Kinsey Institute and the controversial passage of the 2015 Religious Freedom Restoration Act.
Jordan Ryan, architectural historian, activist-scholar, and founder of The History Concierge, kicked off our session. Ryan adapted their presentation from their paper, co-authored with Dr. Paul Mullins for the Journal for theAnthropology of North America, entitled “Imagining Musical Place: Race, Heritage, and African American Musical Landscapes.” Ryan focused on the erasure of Black cultural sites along Indiana Avenue, including venues like the Pink Poodle (later the Famous Door) and Log Cabin, which hosted popular drag shows in the first half of the 20th century. Ryan noted that although female impersonators were popular in vaudeville revues, “moral ideologues sometimes resisted openly queer drag performances.” This was reflected in one Indianapolis Recorder editorial about a show at the Paradise that attracted an audience of 2,000. The opiner wrote that “‘fairy’ (fag) (pansy) public stage show and dance . . . was a disgrace to this community.” Ryan concluded that:
Like much of the complex expressive culture that flourished on Indiana Avenue, female impersonators have not found a place in the public memory that has been crafted by ideologues whose representations of jazz have revolved around a very narrow dimension of the Indiana Avenue musical experience.
Following Ryan’s analysis of the built environment and public memory, I presented my work about the exclusion of gender non-conforming individuals at Indianapolis gay bars and the queer community’s effort to grapple with this discrimination. (A draft of my paper can be read here). On separate occasions in 1989, Our Place refused to serve patrons Kerry Gean and Roberta Alyson, resulting in public humiliation and, in Alyson’s case, arrest. Bar employees refused service on the grounds that Gean and Alyson—members of the Indiana Crossdresser Society (IXE)—did not meet dress code and their identification did not match their female-presenting appearance. Our Place was by no means the only Indianapolis gay bar to implement these policies and soon the pages of gay newsletter The Works teemed with editorials about the conflict. The majority of them condemned this discrimination, likening it to the prohibition of Black individuals at Riverside Park, while some agreed that such policies were necessary to preserve the bars’ masculine atmosphere.
Perhaps ironically, it was Indianapolis police officer and community liaison Shirley Purvitis who facilitated a meeting to try to resolve issues between “certain segments of the gay community.” Bar owners, IXE members, IPD vice officers, and members of the Indiana Civil Liberties Union and Justice, Inc. shared their experiences and discussed excise law. Although contentious, such meetings, coverage in The Works, and one-on-one meetings between IXE members and bar owners, led to the reversal of policies at many bars. The conflict illuminated the value of forums and facilitators and demonstrated how amplifying multiple perspectives resulted in greater inclusion.
Sam Opsahl, program coordinator for Indiana Humanities, concluded our panel, presenting a paper adapted from his 2020 thesis, “Circle City Strife: Gay and Lesbian Activism during the Hudnut Era.” He highlighted the work of Justice, Inc. leader Kathy Sarris, noting that she “worked to insert the queer community’s narrative into public spaces by celebrating the gay and lesbian minority in public.” Opsahl positioned Sarris at the center of the local rights movement, ensuring that she will not be forgotten, unlike many lesbian activists whose work has been overshadowed by that of white, male leaders belonging to the middle class.
In 1983, through the Indianapolis Gay/Lesbian Coalition (IGLC), Berg and Sarris secured a meeting with Mayor William Hudnut, where they presented a list of seven recommendations. This marked the first time an Indianapolis mayor met with gay individuals to discuss issues facing the greater community. While the closed door meeting did not produce the results they hoped for, Berg and Sarris left feeling that “at least a dialogue had been initiated that they would continue to pursue should Hudnut be re-elected.” Opsahl contended that:
Mayor Hudnut, Berg, and Sarris contested the space on Monument Circle via protests and community celebrations, which rendered Indianapolis’ queer community impossible to ignore. Hudnut’s visions of an entrepreneurial city were endangered by the public debacles on Monument Circle, police discrimination, and the HIV crisis. Activists established their own dreams for citywide recognition that conflicted with Hudnut’s.
In listening to my colleagues’ presentations, fielding thoughtful audience questions, and receiving feedback from Dr. Gonzaba, I gained insight about Indianapolis’s queer past in real-time. It occurred to me that each of the individuals we studied had had to navigate the internalization of white, cisgender, heteronormative ideals by the LGBTQ community. We were left to ponder questions, like “What makes Indianapolis’s community unique?” and “How do we best document and memorialize queer history in a conservative region, in which anonymity provides safety?” The examination of intersectionality, as it relates to queer history, is relatively new and we hope our panel contributed to this field of study.
With our session mercifully scheduled for the first day, I was anxious to learn about others’ research findings and methodologies for the duration of the conference. I found the “Strategies for Documenting and Memorializing Queer History” panel to be particularly enlightening, as University of Toronto Professor Elspeth Brown’s presentation made me rethink how we conduct and use oral history interviews. Dr. Brown spoke about implementing novel interview strategies, such as utilizing guided meditation in order to engage interviewee’s senses. She found that this practice allowed subjects to both reinhabit and meaningfully relay the past.
Dr. Brown and her team have also given much thought to the question of utility, asking themselves: “Is the main purpose of conducting interviews to create a primary source for future historians to draw upon? Or is their value entrenched in telling relevant stories to modern audiences?” Regarding the latter, Dr. Brown is mindful of a study that found people listen to only half of an oral history interview, regardless of whether it is one minute or three hours long. Therefore, her team tried to think creatively about how to capture listeners’ attention. They hired an illustrator and sound engineer to recreate settings described by interview subjects. Pairing the animated sequences with two minute interview segments provided a multisensory experience. Dr. Brown played one such clip for the audience and I think we were all stunned by how immersed we were in the story.
Slide from Professor Elspeth Brown’s presentation about novel oral history interviewing techniques.
While attention has certainly been paid to illuminating history through social media, San Francisco State University Master’s student Jesse Ataide’s presentation “Imagining the Queer Past on Instagram” probed issues unique to queer history. Ataide initially created his account @queer_modernisms to share interesting images he came across in his research, which focused on the period between 1890 and 1969. However, when the account rapidly grew in followers (it is now up to 26,000), he realized he needed to be more intentional about how he curated content. He became ever-mindful of the question “who and what is queer?,” noting that many images circulated online appear queer to the “contemporary eye,” but can easily be misinterpreted. These include fascist/Nazi images that glorify the male body and “same sex intimacy across different eras and cultures.” Ataide noted that the subjects of such images may have actively resisted the “queer” designation and that “unambiguous self-identification” is certainly the exception, not the norm. So, in order to avoid outing or misinterpreting someone’s sexual identity, he tries to “find mention or evidence of queerness in academic, published, or other authoritative sources before posting.”
He also discussed the importance of representation. Images of white, masculine, middleclass male subjects garner the highest rates of engagement, so he is currently strategizing how to amplify diverse content without losing his platform. Ataide left us with many insightful questions to ponder, especially about how best to create a “useable past.”
Jesse Ataide presenting issues that he grapples with regarding queer history.
My time at SFSU concluded with a roundtable comprised of both academic press editors and scholars whose work has been published by such presses. Larin McLaughlin, Editor in Chief at the University of Washington Press, emphasized the importance of vision when crafting and pitching a book idea. It is not enough that your topic has never been written about before, but you should able to articulate to a publisher how your work moves the field forward. Finding an editor that shares your set of goals is also crucial in executing your vision. McLaughlin encouraged writers to focus on interdisciplinary topics, as they appeal to audiences outside of history. Dominique J. Moore, Acquisitions Editor for the University of Illinois Press, noted that a well-executed introduction chapter goes a long way in convincing an editor to publish your work. She also advised crafting a table of contents that contains a summary of each chapter’s arguments and sources, as well as how the chapters relate to one another. When considering your audience, ask yourself, “What conference do I want to see my book at?” Write for those attendees.
Panelists also articulated the differences between trade and university presses. They noted that whereas trade presses typically have much bigger marketing budgets that can be used to quickly advertise your book to a broad network, academic presses provide longevity, as they continue to publish books long after the first printing. Similarly, trade presses sometimes present more obstacles to publication, as aspiring authors have to convince an agent who then needs to convince an editor about your work. For the self-doubting historian, their reassurance about the peer review process was liberating: ultimately, you can and should push back against critiques that you vehemently disagree with. You are the expert, after all.
Sam Opsahl, Nicole Poletika, and Jordan Ryan at Indiana’s first LGBTQ historical marker, Monument Circle, courtesy of Jordan Ryan.
In a field dominated by stories of stigma, violence, and oppression, the 2022 QHC provided a much needed opportunity to learn about LGBTQ individuals who thrived, helped build community, and furthered human rights. It was invigorating to be around scholars equally humbled and excited to be part of this nascent field. The conference also provided reassurance that I am on the right track in terms of respectfully telling balanced, accurate histories about LGBTQ Hoosiers. Likewise, it revealed to me that people genuinely are curious about queer life in the Midwest. But before delving back into the pages of The Works, this midwestern historian is closing her eyes and revisiting San Francisco’s winding roads, dotted with colorful condominiums and flanked by glimmering beaches.
* IUPUI anthropology professor Paul Mullins was originally slated to moderate our session. Although Dr. Mullins was unable to make it, he was with us in spirit and scholarship.
Image sent to author from a former Corn Cob reader.
Marty Laubach was an unlikely political radical. Born in Indianapolis, Indiana, his working-class Republican parents attended a church with members of the ultraconservative John Birch Society. But several concurrent events placed him at odds with his parent’s conservative values. The 1968 riots at the Democratic National Convention, the possibility of conscription into Vietnam, the 1970 shooting of antiwar demonstrators at Kent State University by National Guardsmen, and his older brother’s antiwar views solidified his youthful rebellion. He began attending antiwar demonstrations and started working on an unauthorized publication at Arsenal Technical High School called After Breakfast. The publication, which had a short duration, ceased in 1971, so Laubach and a group of like-minded peers created a new underground newspaper called the Corn Cob Curtain.[1] The paper’s countercultural tone and opposition to school policies about unauthorized publications on campus led students to file a lawsuit that went all the way up to the U.S. Supreme Court in 1974.[2]
The Corn Cob Curtain controversy launched the conservative city of Indianapolis and high school students into a battle of free speech. Besides old newspaper clippings, there is no public recognition of the conflict. At its peak, the paper printed around 3,000 copies of a single issue, circulated in over 15 public and private Indianapolis high schools and the surrounding suburbs.[3] It received criticism from school administrators, legal officials, concerned residents who submitted letters to the editors, and the city’s two major newspapers, the Indianapolis Star and the Indianapolis News.
Laubach and his peers were not alone in their efforts in challenging high school’s censorship policies. From mid-1960s to the mid-1970s, a minority of Indiana high school students published and distributed underground publications. Laced with creative drawings, designs, and witty language, they bared the names Blackhawk Broadcast, Desiderata, and the purposely-misspelled New Amerikan Mercury. Constituting a minority of contributors, these publications emerged in urban and rural areas and raised poignant questions about local issues, race, education, and free speech rights.[4] Students remained either indifferent, hostile, or supportive. School administrators balked at their existence and contributors risked retaliation from school officials.[5] Indiana State Treasurer, most notably, referred to them as “trash so foul as to be beyond normal belief” and claimed they were “flooding” high school and college campuses throughout the state.[6]
Image sent to author by a former contributor.
One contributor, Jeff Jacobs, recalled his experience dealing with hostile school officials while trying to distribute the paper. Although he found Arsenal Tech and Crispus Attucks High School campuses welcoming, he faced resistance at Southport and Emmerich Manual High Schools. At Manual High, school officials threatened to call the Marion County sheriff. “These little skirmishes, with our oppressors should not discourage us, but should enlighten us to try that much harder,” he told readers. “One of the greatest reasons for the CCC’s exisstance [sic] is to equalize the student with the administrators.”[7]
Within this atmosphere, the Corn Cob Curtain was born in 1971. Using pre-established social networks, activists met teenagers from other schools throughout the summer, forming a citywide underground newspaper. The witty name originated from two Cold War metaphors—the “Iron Curtain” and the “Bamboo Curtain”—that alluded to geopolitical divisions between communist and non-communist countries in Europe and Asia. Adapting these metaphors, the students argued that their fight for constitutional rights on campus grounds was akin to the ideological battle “between the Free world and the Communist world.” They found themselves “locked behind a kind of ‘curtain’ of Midwestern Provincialism—a curtain of corn cobs.”[8]
The publication covered a multitude of topics. National and local news stories, American history, student affairs, education, music, movies, book reviews, and cartoons all appeared in the pages. Students critiqued their schools, with one contributor writing “All students in the Indianapolis area attending one of the prisons we call high school,” one written claimed. They insisted “high schools are de-humanizing,” and called for the formation of a citywide student union to “raise an effective voice to start the machinery in motions to bring about these changes.”[9] But no such group ever formed.
Generating public support for the newspaper was an arduous task at first. Some students had reportedly claimed the paper “eats shit.” But these complaints had legitimacy. The first two issues were aesthetically unappealing, images were scarce, stories lacked headlines, and the publication was printed on mimeograph paper. The students improved the paper substantially by printing it on newspaper print, incorporating images, and overall, made it look like an actual newspaper. In the third issue, publishers wrote an article titled “On Your Ass” and lambasted students’ lackluster participation and demanded action on their part to improve the paper’s shortcomings. “You, your paper, need to criticize what’s wrong with the Cob, if you don’t like it. You are the only one who can change it,” they exclaimed. If anything, the students wanted their peers to know that the Corn Cob Curtain was a collective effort, not just the responsibility from a small group of volunteers.[10]
Indianapolis News, July 12, 1971, 4, accessed Newspapers.com.
The Corn Cob Curtain controversy began after the district Superintendent banned the publication upon the fifth issue’s release. Administrators’ justification for the ban stemmed from a cartoon that appeared on the back page. In a cartoon series called George the Cat, the character George wires up some dynamite in a bathroom while expressing dissatisfaction with the school. Just as he lights the fuse, the principal walks into the restroom, leading George to frantically jump into the toilet. As the principal begins using the restroom the toilet explodes. George survives the explosion with bruises, a broken arm, and human feces on his head. He quips, “I may have gotten rid of the school, but I’m still eatin’ the principals’ shit.” What was intended as a joke infuriated school officials who viewed the entire publication as obscene and wanted it discarded. The district’s attorneys agreed. They cited the cartoon as advocating “violence and the destruction and the school and the murder of the principal.” This gave school officials fodder to justify banning the paper.[11]
Laubach and five friends sought legal assistance from Craig Pinkus of the American Civil Liberties Union of Indiana and Ronald Elberger of the Legal Service Organization (LSO). Both young lawyers, Pinkus and Elberger agreed to represent the students. As a publicly funded organization that represented low-income families in Marion County, the LSO received criticism for representing what the local press dismissed as privilege, middle-class youth. Although this description wasn’t entirely accurate, it never halted the conservative editorial board of the Indianapolis Star from alleging the group was seeking to “destroy the power of Indianapolis school officials to ban a smutty underground paper from high school.”[12]
The federal district court ruled in the students’ favor, as did the U.S. Court of Appeals, citing that school officials had failed to show the detrimental effects the publication had on young people. Emboldened by calls to appeal the case by the Indianapolis Star and Indianapolis News after the district court ruling, the school district appealed the case all the way up to the U.S. Supreme Court in 1974.[13] The oral arguments delivered by the school district’s attorney to Supreme Court justices revealed that school officials viewed the issue as a power struggle.
Chicago Tribune, December 9, 1974, 33, accessed Newspapers.com.
Attorney Lila Young insisted the district had “a complete inability to have any rules or regulations of what is going to be distrusted in our schools.” She constantly referred to the Corn Cob Curtain as “filth,” and alleged it contained “filthy cartoons” and “gutter language.” She argued that the distribution of such material contributed “to the delinquency of minors.” The students’ lawyer, Craig Pinkus, juxtaposed the publication to other material students read in schools that also continued inappropriate language, such as the New York Times, Wall Street Journal, and Catcher in the Rye. But the justices continuously asked him whether the policy applied to elementary schools, and Pinkus stated his organization drew a line between primary and secondary schools.[14]
Since the students did not file a class-action lawsuit, Supreme Court justices ruled the case moot in February 1975. Additionally, the publication no longer existed, partly because the plaintiffs had graduated from high school. The court remanded the case back to the lower court. Justice William O. Douglass wrote a dissenting opinion about the mootness of the case. He believed clashes would continue between students and administrators and the issue might appear in court again.[15] But his prophesy never came to fruition in Indianapolis. Interestingly, no consensus emerged for what the ruling meant. The ACLU argued that students’ rights to distribute an unauthorized publication on campus had not been overturned while the Indianapolis Star viewed the ruling as a victory for the school district, but acknowledged its inconclusiveness. Nonetheless, by 1975 high school underground newspapers were no longer a topic of contention in Indiana.[16]
The Corn Cob Curtain controversy represented the clash of counterculture and conservative politics in a city impacted by the social upheaval of the 1960s much later than other major urban areas. Tame compared to locations such as the San Francisco Bay area, Chicago, and New York, it took little to be declared a radical by city and school officials in Indianapolis. Indianapolis’s high school students infrequently participated in strikes. Instead, they created a citywide student protest movement through an underground newspaper and built a growing, radical political consciousness in the process.
Notes:
[1] Martin Laubach, interview with author, June 9, 2017, Bloomington, Indiana.
[2] Aaron G. Fountain, Jr., “Building a Student Movement in Naptown: The Corn Cob Curtain Controversy, Free Speech, and 1960s and 1970s High School Activism in Indianapolis,” Indiana Magazine of History 114, no. 3 (September 2018): 202-237.
[3] Oral Arguments, Board of School Commissioners of the City of Indianapolis v. Jacobs, December 11, 1974, accessed Oyez.org.
[4] Diane Divoky, How Old Will You Be in 1984?: Expressions of Student Outrage from the High School Free Press (New York: Avon Books, 1969), ix.
[5] Fountain Jr., “Building a Student Movement in Naptown,” 209.; “W.G.U. Responds to Criticism,” Warren Owl (Warren Central High School), December 10, 1971, Warren Central High School Archives, Indianapolis, Ind.
[6] “Snyder Hails Tax Feat of Legislature,” Indianapolis Star, March 26, 1969.
[7] Jeff Jacobs, Corn Cob Curtain 1, no. 3, December 1971, 4, Box 6, Folder 15, Youth Liberation Press Records.
[8]Corn Cob Curtain1, no. 1, [1971?], copy in author’s possession, used with permission by Deborah Owen.
[9] “Jail Break,” Corn Cob Curtain, 1, no. 5, [1972?], 5, Box 6, Folder 15, Youth Liberation Press Records, SCRC 175, Special Collections Research Center, Temple University Libraries, Philadelphia, Pennsylvania.
[10] “On Your Ass,” Corn Cob Curtain, 1, no. 3, December 1971, Box 6, Folder 15, Youth Liberation Press Records.
[11] Ibid., 223; “Underground Paper ‘Guidelines’ Sought,” Indianapolis Star, September 29, 1972.
[12] Fountain Jr., “Building a Student Movement in Naptown,” 223-224.; “Funds for Radicalism?” Indianapolis Star, October 20, 1972.
[13] Fountain, Jr., “Building a Student Movement in Naptown,” 230-231.
[14] Oral Arguments, Board of School Commissioners of the City of Indianapolis v. Jacobs, December 11, 1974, accessed Oyez.org..
[15]Jacobs v. The Board of School Commissioners, 1975, U.S. Supreme Court. LEXIS 30.
[16] Fountain, Jr., “Building a Student Movement in Naptown,” 232-234.
*This post was written by IUPUI Public History graduate student Molly Hollcraft.
Often, stories and memories play an important part in understanding history. They offer a human element that helps connect people to one another. W. Todd Groce wrote in an article for History News that “Memory is deeply emotional,” and when people remember something they do so because they have a connection to it. According to historian David Thelen, memory “can illuminate how individuals, ethnic groups, political parties, and cultures shape and reshape their identities.” In 2009, at the age of 98, Black activist Pearl Cannon Bassett gave an interview to a student at the University of Southern Indiana. In the interview, she recounted events related to civil rights and desegregation that she witnessed while living in Marion, Indiana. Bassett’s memories of the discrimination and Civil Rights Movement in Grant County illuminate how Black citizens in Marion shaped their identity.
Pearl Bassett and Civil Rights
Pearl Elizabeth Cannon Bassett was born April 28, 1911, in Marion, Indiana. Aside from the years she spent in Dayton and Cincinnati, Ohio and Chicago, Illinois, Pearl Bassett, also known to many as “Ms. Pearl,” spent her life in Marion. In her oral history interview, Bassett briefly talked about her early education and her family. She recalled how her teacher lowered her grade because it was “too high.” While she was not living in Marion at the time, she recalled the impact the 1930 Marion lynching had on the local Black community. As a 19-year-old, she would have been about the same age as victims Tom Shipp and Abe Smith. In August, the young men had been jailed for the murder of Claude Deeter and rape of Mary Ball. A white mob ripped Shipp and Smith from their cells, brutally beat them, and lynched them near the Marion courthouse. Fearing for her safety, Bassett’s family told her that she should not return home yet. When the National Guard was called into action in Marion not long after the lynching, some of the soldiers were standing in her family’s yard. In remembering the lynching, she said “that was terrible because we had a lot of discrimination.” Shortly after the tragedy, she became a member of the National Association for the Advancement of Colored People (NAACP).
Through organizations like the NAACP, Bassett became an active member in the Marion community and helped fight discrimination and segregation. Her name appeared frequently in the African American newspaper TheIndianapolis Recorder for these efforts. Her work included how helping the Red Cross reach its quota for war relief, serving as chairman for the war service commission, and serving as a board member for the Carver Community Center. In her interview, Bassett talked about how she helped organize the NAACP Auxiliary, Women in NAACP, and the Urban Gild, all of which would play a role in desegregation efforts throughout the city.
She also described the discrimination that Black citizens in Marion faced because of segregated of swimming pools, such as Matter Park. Before its 1954 integration, African Americans had to travel to Anderson to swim. When they did get to swim in the Marion pools they would be drained and refilled afterwards. While it is unclear how directly Bassett was involved in these efforts, it is certainly possible as she was a member of the Marion Urban League, one of the two civil rights organizations that worked to desegregate the swimming pool.
We do know that she participated in anti-discrimination efforts through civil disobedience, as she stated: “When we could not go into the restaurant and eat. . . we formed a committee, and we just read the civil rights law, which has always been right. . . . And if they didn’t open up the place, when they were charged $100 a person in their restaurant. So they opened it up the day we walked in there.”
Photo of Pearl Bassett with a plaque that says “Marion’s First Minority Champion.” Photo courtesy of Rawls Mortuary
She also joined an NAACP march in 1969, recalling “We first had the walk from 26th Street to the courthouse for discrimination and equal opportunities for people and jobs. And it was a wonderful thing.” The Ku Klux Klan tried unsuccessfully to confront them at the courthouse, but were told by the city that “they would need a permit and that they [the KKK] would have to take their hoods off.” This was not the only experience that Pearl Bassett had with the Klan. While president of one of the many organizations she was involved in, she received a call from the Klan members. She said, “Many a time they told me they were coming out and burn up my house.”
While in the NAACP, The Indianapolis Recorder reported in the 1960s that Bassett was elected secretary and chaplain for the Marion branch. Bassett was also the President of Women and “wore her tiara as the state queen of the NAACP” during a visit to Kokomo in 1982. She was also the first Black secretary of the Democratic Committee in Grant County. Pearl Bassett also received numerous awards from the NAACP and The Fort Wayne Frost Illustrated reported in 2004 that she received the Region Three Rosa Parks Women of the Year award for her work in civil rights. The Mayor of Marion made a Proclamation for Pearl Bassett Day and gave her a key to the city. In June 2021, Pearl Bassett passed away at the age of 110. Her first-hand accounts help humanize tragic events and shape the identity of Black citizens in Grant County. Her documented memories are invaluable because traditional media often mischaracterized or neglected to record minority history.
State Rep. Kevin Mahan (R-Hartford City) (left, podium) honoring Marion native Pearl Bassett (center), April 8, 2019, at the Indiana Statehouse, courtesy of the Indiana House of Representatives Republican Caucus.
W. Todd Groce, “The Value of History: When History and Memory Collide,” History News (2006): 5-6, accessed JSTOR.
David Thelen, “Memory and American History,” The Journal of American History (1989): 1117 1129, accessed JSTOR.
“Pearl Bassett,” Indiana Commission for Women: Writing her Story, 2019, accessed in.gov.
“Pearl Bassett Oral History Interview,” University of Southern Indiana, November 7, 2009, University Archives and Special Collections, David L. Rice Library, University of Southern Indiana.
Nicole Poletika, “Strange Fruit: The 1930 Marion Lynching and the Woman Who Tried to Prevent It,” Untold Indiana, May 15, 2018, accessed Untold Indiana.
* A note on terminology:We recognize that terminology referring to this marginalized community will continue to evolve. We have chosen to use “LGBTQ+” and “queer” after consulting with Indy Pride board members, historians specializing in the field, and new scholarship. We are cognizant that the community is not monolithic and that some individuals may not identify with these terms. It is also important to note that the mainstream civil rights movement excluded people of color, those living in poverty, and transgender individuals.
The fabric of America has always been comprised of LGBTQ+ individuals, but due to social stigmas, legal discrimination, and the perpetuation of violence, many of these individuals lived quietly. While the 1969 Stonewall Uprising in New York City proved to be a watershed moment in the national fight for equality, those in the conservative state of Indiana continued to socialize privately, for the most part. In 1976, the first “Gay Pride Week” was held in Indianapolis, hosted by the Metropolitan Community Church (MCC) and the Gay Peoples Union. Rather than celebrate publicly, attendees were invited to attend a picnic at Sugar Creek Park, donate blood at MCC, participate in a “Youth Kamp Disco,” and attend workshops entitled “Do I Tell My Parents?,” “Christian and Gay,” “Lifestyles in the ‘70s,” and “Gays and Government.” MCC pastor Rev. James Hill said the purpose of the week was “to make society aware of our presence and as a self-affirming thing for gay people as well—affirming they have the right to be.’”
According to an article The Works, when Pride plans failed to materialize in 1980, activists gathered at the Ramada Inn and formed a Pride Week Committee, which sponsored the 1981 Pride Week Brunch at Essex Hotel House. The Indianapolis Star noted in 1982 that celebrations continued in an insular manner, writing that individuals celebrated “Indiana style—without marches or noisy rallies.” Instead, they raised funds for various causes, donated food to the needy, and “tried quietly to let others know they are here.” Celebrants in 1984 continued the tradition of picnics, in addition to raising funds for AIDS research. The summer of that year, hundreds of LGBTQ+ Hoosiers met at Monument Circle to socialize, listen to local activists, learn about their rights, and register to vote.
While organizers were careful to note that this was not a protest or demonstration, it was the first large public gathering of queer individuals in the state. Their goal was to increase visibility for the community, hoping the show of solidarity would lead to a decrease in police harassment and increased commitment to solving the murders of LGBTQ+ individuals. Mayor Bill Hudnut reluctantly issued a letter that was read at one of the gatherings, declaring a commitment to “an absence of anti-gay bias in all police matters.” According to a June 1985 The Works article, this marked “the first time any Mayor of Indianapolis has made any positive public pronouncement on gays in Indianapolis.” Although relations between police and elected officials and queer Hoosiers would remain relatively fraught, the Works considered the 1984 gatherings a success, writing that the events:
will go down in the gay history of Indiana as the first time gays in this state have exercised their Constitutional right to freedom of public assembly. Gays and lesbians exercised this Constitutional right in no less a place than the Monument Circle area of Indianapolis in full view of many Indianapolis citizens who came to see what gays had to say.
After the 1984 gatherings, which some dubbed “Gay Knights on the Circle,” Pride Week celebrations remained relatively private until 1990. That year, the twentieth anniversary of NYC’s first Pride Week, Indiana activists felt ready to celebrate publicly. Organized primarily by Justice, Inc.’s Ruth Peters, the New Works News noted that the June event would “provide an opportunity for gays and lesbians to increase their political and community awareness and visibility. Having the event on the Circle will provide both an educational and enjoyable atmosphere for the Indianapolis community at large to enjoy the speakers and entertainers.”
Some Hoosiers, like Drew Carey, feared making themselves vulnerable by attending the state’s first large outdoor Pride event. Nevertheless, he felt his presence was important, writing in an editorial reprinted in the New Works June 1990 issue:
I can’t tell you how much this intimidates me. I have never made such an open stand. But I’m going to be there, stomach in knots and all, because there is nothing so vitally important. . . . If we make excuses for not going, we manifest the internalized homophobia that will continue to keep us on the fringe, where society need not even recognize that we exist. We say to ourselves, to friends, to family, and to society, ‘I’m ashamed; I’m embarrassed about what I am. Your stereotypes about gays and lesbians are right.’
Those who turned out for the unprecedented event enjoyed entertainment like drag shows, learned about gay rights legislation, listened to AIDS activists, and interacted with those manning booths for the Indiana Crossdresser Society (IXE), Indiana Youth Group, Damien Center, Act-Up Indy, Marion County Health Department Condom Contest, and Indiana Pro-Choice Action League.
Despite the presence of protesters, the event empowered attendees, challenged social stigmas, and welcomed a range of sexual and gender expressions. The New Works News editor reflected in August, “As I looked around me . . . I had but one thought: this is what a city is supposed to be like-alive, vibrant, filled with productive, enjoyable activity.” Carmen Kruer had a similar sentiment, writing in an editorial for the same issue that for the first time the community could:
socialize publicly with minimal fear of harassment and was also able to feel the strength that its numbers can provide. I was very proud to be a part of the lesbian and gay community as it drew together to support one goal – the attainment of a safe environment for all persons regardless of their sexual orientation, race, creed, or gender. I will always remember this day as I anticipate the next public celebration in Indiana.
With the event’s success, organizations like Justice, Inc. pushed to keep the momentum going through donations and activism. One writer for the New Works News wrote in July that the “Celebration on the Circle” was only the beginning, contending that “The Gay Civil Rights movement is at a critical point in its development. Much has been accomplished, but there is still much of a negative nature which must be overcome both within ourselves and in the public in general. . . . It’s up to us.”
In the ensuing years, Justice, Inc. and Indy Pride helped grow the event and by 2012 an estimated 80,000 people and 300 vendor booths attended the celebration. According to Indy Pride, the Cadillac Barbie Pride Parade “featured a float, an antique truck, a few drag queens, some antique cars, and several walking groups,” becoming a cornerstone of celebrations. Of the annual event’s significance, Indy Pride noted “In the years since Pride first ‘came out of the closet,’ the exposure has created a massive change in the society of the city of Indianapolis and the state of Indiana. The battle is not won until everyone is equal but the Indy Pride Festival and the Indy Pride Parade are Indiana’s symbol of a growing acceptance in our cultures.”
As with most efforts to secure civil rights, progress for the queer community in the city known for its “Polite Protest” and “Hoosier Hospitality” occurred in fits and spurts. The 2014 legalization of gay marriage and the 2015 enactment of the Religious Freedom Restoration Act exemplifies this duality. As of 2021, organizations like the Indiana Youth Group and Indy Pride continue to provide resources and press for equal protection under the law.
* Sources used to write this post can be found here.
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Helen Corey welcomed John F. Kennedy to Terre Haute just fifteen days before he was elected U.S. president. Credit: Char Wade.
Helen Corey was perhaps the most noteworthy Arab American leader in central Indiana during the 1960s and 1970s. More than four decades before Mitch Daniels became Indiana governor, she was the first Arab American to hold a statewide elected office. It is a travesty that she has not received the attention that her accomplishments demand.
Born 1923 in Canton, Ohio, her Syrian parents, Maheeba (“Mabel”) and Mkhyal (“Mike”) Corey, were originally from the Damascus area. Her parents belonged to the generation of immigrants who arrived in the United States during what Mark Twain referred to as the Gilded Age. The country was booming economically, and employers were in desperate need of labor. Helen Corey’s family, like others, sought these opportunities. Like many Armenians and Turks, Corey’s Syrian parents were citizens of the Ottoman Empire, which ruled Southeastern Europe and the Eastern Mediterranean before World War I. Thousands of Ottoman citizens settled in Indiana, especially in Michigan City, South Bend, Indianapolis, and Terre Haute. The Indianapolis News noted in 1907 that these ethnic groups “have all made contributions to America’s making, though as a rule they have not been so welcome as other races.”
As a second-generation immigrant, Helen was raised to embrace both Arab and American cultures, as well as the family’s Antiochian Orthodox Christian roots. “When my sister, brother, and I were children,” she wrote, “our parents sent us to the Orthodox church hall following grade school classes where we learned to read and write the [Arabic] language from Arabic scholars Yusuf (Joseph) Sabb and Hunna (John) Shaheen. Our first lesson taught us that this was one of the richest languages in the world.” When the family was around Arabic-speaking friends, they used Arabic names and titles. Brother Albert was Abdullah. Her father was “Boo Abdullah [the father of Albert]” and her mother was addressed by the title, “Im Abdullah [the mother of Albert].”
She recalled in her 1962 The Art of Syrian Cookery:
When we lived in Canton, Ohio, as children, my sister, brother, and I used to get a great deal of pleasure watching my father and his friends take turns smoking the narghileh (Turkish water pipe) as they relaxed during the evenings, exchanging stories of their journey to this country. The narghileh had the sound of bubbling water and an incense aroma filled the house from the Persian tobacco that was used. Our narghileh was made of beautiful cut glass with an oriental brass stem, and the smoking pipe that was attached had an almost cobra look with its many variegated colors. . . The guests were served Turkish coffee and the hostess was ready to play the part of fortuneteller. The cups were inverted and left to stand so that the coffee sediment formed a pattern on the inside of the cup. Then the cups were turned up again and the hostess interpreted the future of each guest from the pattern in his cup.
Around 1947, the Corey family moved to Terre Haute, the home of a sizeable Arab American community. It was called “Little Syria.” Its proximity to the Wabash River facilitated the peddling of wares in Illinois and Kentucky. Historian Robert Hunter wrote that it was a “partial reconstruction of the one that existed in Ayn al-Shaara,” a village located not far from the city of Damascus. According to William Nasser, Indiana’s “father of cardiology” and the founder of the St. Vincent Hospital heart surgery program, Arab American youth faced discrimination in Terre Haute, where he was forced to ride in the back of the bus. Syrians were also barred from joining the country club. For these reasons, as Helen Corey noted in an interview with Robert Hunter, “in the 1920s and 1930s, Syrians did not have a prominent role in civic affairs and leadership of Terre Haute.” She and other second-generation immigrants opened the doors of opportunity for other Arab Americans. Corey’s political career began in 1948 when she worked as the secretary to the city’s longest serving mayor, Ralph Tucker. She would hold that position until 1961.
This job provided her a platform and the connections needed to become active in the Indiana Democratic Party. In 1956, Corey directed the speaker’s bureau of the Indiana Democratic State Central Committee, and in 1959, she was voted Indiana’s Outstanding Young Democratic Woman. On October 25, 1960, she was part of Vigo County’s welcoming committee for then Senator John F. Kennedy, the Democratic Party’s candidate for U.S. President. As a Young Democratic National Committeewoman, she was chosen to greet the “Kennedy Caravan” as it motored its way through Indiana and Illinois. She was also elected Indiana’s Young Democrat National Committeewoman and represented the state at the 1960 Democratic National Convention in Los Angeles.
Helen Corey was going places. In 1961, she became director of the Bureau of Women and Children in the Indiana Division of Labor. She offered written guidance to Indiana employers on child labor laws and women’s issues in the workplace. She consulted with members of the Indiana General Assembly.
Among the dishes featured on the cover of Helen Corey’s 1962 classic are meat pies, stuffed grape leaves, raw kibbi, stuffed zucchini, assorted pastries, and fried kibbi. In the upper right corner there is a water pipe.
It almost unbelievable that, as she was working hard for the state and the Democratic Party, she also found the time to pen one of the most influential cookbooks on Syrian food ever written in English.
Published by New York’s Doubleday Press in its series on global cuisines, The Art of Syrian Cookery (1962) stayed in print for decades. By the middle of 1965, it had sold 17,000 copies. Its influence could be felt across North America, and it was perhaps the most successful book in its category until the publication of Claudia Roden’s The Book of Middle Eastern Food in 1972. Even then, its many fans kept it as an essential reference in their kitchen. Food writers from Los Angeles to Miami mentioned it in their columns. Syrians and other Arabs checked it out from their local public libraries. One Arab American in Morgan City, Louisiana, said that “it was as near as mama’s cooking as anything I have ever read.” In 1982, a well-known Lebanese cook in Montreal, Quebec, Canada, explained that though her grandmother taught to her cook, she also relied on The Art of Syrian Cookery.
The book was dedicated to Corey’s mother, Maheeba, who not only shared the technical aspects of how to make such food, but taught Helen and her sister, Kate, about the cultural, religious, and social meanings and functions of everything from araq (anise-flavored brandy) to zalabee (doughnuts). This was food meant to be shared with others on important occasions in the old country and in the new. Corey explained, for example, what dishes are traditionally offered at wedding receptions and during Arab Orthodox Christian celebrations of Easter and the Feast of the Epiphany.
If it had been published today, this nostalgic food memoir might have launched the career of the charismatic and hard-working Helen Corey as a celebrity chef. But it appeared one year before Julia Child made her debut on public television, and most upscale restaurants hired only male chefs at the time.
Cooking had to remain a side gig.
Indiana Gov. Roger D. Branigin swears in Helen Corey as the first Arab American statewide office holder, 1965. Credit: Sandy Kassis.
Fortunately, Helen Corey’s political career blossomed at the very same moment that the book was published. In 1963, she was appointed executive secretary of the state’s Commission on the Status of Women. The next year, she won the Democratic Party’s nomination to run for office and then Indiana voters elected Corey the 23rd Reporter of the Indiana Supreme and Appellate Courts. She received 1,110,390 votes, enough to unseat incumbent Reporter Virginia Caylor, who got 920,168 votes.
As Reporter, Helen Corey’s job was to edit, publish, and distribute all of the judicial rulings of the Supreme and Appellate Courts and distribute them to law libraries, universities, and law offices. She worked with just two staff members in the Capitol’s Room 416, where Benjamin Harrison once had his office. The significance of Corey’s election as the first Arab American office holder in Indiana was not lost on the U.S. Department of State, which featured her in its Life in America series distributed abroad.
Helen Corey constantly encouraged women to become politically active. In 1965, for example, she was a featured speaker at the Marion County Democratic women’s weekend retreat to French Lick. She addressed the Indiana Federation of Democratic Women in 1967.
In 1966, Helen Corey, Frank Kafoure, and Father Joseph Shaheen, presented Indiana Gov. Branigin with a commemorative license plate celebrating the state’s sesquicentennial and the 40th anniversary of the founding of St. George Orthodox Church. Credit: St. George Church.
That year, she was making $12,500 in her post. The job also came with an official parking spot at the Capitol, but when Corey was assigned spot no. 21 instead of spot no. 22, Republican Clerk Kendal Mathews went berserk. He complained to the governor and the motor vehicles commissioner about it, and he parked in Corey’s spot, even though the parking attendant told him not to. The Indianapolis Star dubbed the incident “Coreyography.” Corey said the whole thing was ridiculous.
This was not the only time her gender became an issue. She was often asked why she wasn’t married, and she gave the answer that one had to give at the time: she believed that women should be married, but that they could have a career, too. Her good looks were also frequently addressed in public; the Indianapolis News referred to her as a “model” and a “pixie politician.”
Helen Corey campaigned hard in 1968, but it was a Republican year in Indiana statewide elections. Credit: Indiana Historical Society.
When Helen Corey stood for reelection in 1968, she campaigned hard, giving four speeches a day and traveling over 3,000 miles throughout the state to ask for Hoosiers’ votes. But with the exception of Democratic U.S. Senator Birch Bayh, Republicans dominated statewide offices that year. Helen Corey’s opponent, Marilou Wertzler, got 1,067,357 votes. Corey received 925,616.
After leaving office, Corey remained active with Democratic women’s causes, but by the middle 1970s she turned her attention, at least in part, to political organizing on behalf of Arab American causes. Arab issues were front and center in U.S. public life at the time. For example, in 1973, the Organization of Oil Exporting Countries (OPEC) stopped selling oil to nations that supported Israel in its dispute with Egypt. This embargo caused fuel shortages in the United States. Despite the fact that OPEC included non-Arab countries such as Iran and Venezuela–not to mention the fact that most Arab countries are not large oil producers–Arabs in general were blamed for making Americans wait in lines at gas stations. Prejudice and discrimination against Arab Americans increased. The social acceptance that Arab-descended Americans had achieved was at risk.
Second- and third-generation Arab Americans established the National Association of Arab Americans (NAAA) to lobby national legislators on the foreign issues that affected their lives and livelihoods. One of its programs was “A Day on the Hill,” during which Arab Americans from each state would travel to Washington to meet with their members of Congress. Helen Corey was an obvious choice to coordinate the effort in Indiana. Working with George Halaby, Zeldia Hanna, Vicki Mesalam, and Faye Williams, she kicked off the Central Indiana NAAA chapter’s effort to gain members with a huge hafli (party) at the Stouffer Hotel in 1975. It featured Arab dancing, music, and food.
Over time, the membership of the NAAA decreased as the American Arab Anti-Discrimination Committee became the largest Arab American national organization. But Helen Corey and other Arab Hoosiers still fought anti-Arab prejudice. In 1990 future Vice President Mike Pence, then a candidate for the U.S. Congress, ran a campaign ad in which a white actor donned Arab head gear, a black robe, dark sunglasses, and used a fake Arab accent to intimate that Democrats were unwitting collaborators of the country’s Arab enemies. Helen Corey spoke out. “It’s degrading a culture,” she said, explaining that the use of racial stereotyping would drive many voters away. (Pence defended the ad.)
Helen Corey’s later cookbooks included meatless menus and an emphasis on the health benefits and Biblical origins of a Mediterranean diet.
In the final decades of the 1900s, Helen Corey did not focus as much on explicit political organizing as she did on culinary diplomacy. A leading authority on Syrian and Lebanese food and cooking, Helen Corey used food not only to bridge ethnic differences among Americans but also to educate Americans about her Antiochian Orthodox Christian faith. In 1990, she self-published her second cookbook, Food from Biblical Lands, and made a 70-minute documentary to promote it. In 2004, she published Healthy Syrian and Lebanese Cooking. These books repeated some of the original recipes from the 1962 classic, but also incorporated new dishes from Egypt, Jordan, Morocco, and Palestine. There were also new stories of Helen Corey’s travels in Syria and new pictures of her family members, including one of her mother’s 100th birthday party.
Helen Corey (second from left) at historical marker dedication in Terre Haute, courtesy of the Tribune-Star.
Corey loved to share that heritage with her nieces. Robert Hunter wrote that Corey preserved and passed on “a big collection of folk stories, songs, and poems, most of which she got from her mother.” Corey told Hunter that “much has been lost,” but she insisted that “a lot has remained… a ‘Syrianness,’ a sense of who you are and wanting to hold onto it even though you do not have much actual knowledge.”
During her long career, Helen Corey gained recognition and respect for her people, for her culture, and for herself. She is an unsung figure of Arab American and Indiana history whose life is just waiting for greater illumination.
Jay Brodzeller was the chief researcher of this post. Three of Helen Corey’s nieces, Cathy Azar, Sandy Kassis, and Char Wade, provided invaluable assistance.Thanks, as well, to Joan Bey, Matt Holdzkom, Mina Khoury, Rev. Joseph Olas, Father Paul Fuller, Julie Slaymaker, and Father Anthony Yazge.
Additional Sources:
“Armenians and Syrians,” Indianapolis News, March 8, 1907, 2, accessed Newspapers.com.
