Lake County – The Indiana History Blog

How Gary American Editor Edwina Whitlock Crusaded for Equality

Edwina Whitlock, circa 1940s, found in Edward Ball’s The Sweet Hell Inside, p. 320, accessed Internet Archive.

Gary American editor Edwina H. Whitlock wrote in the California Eagle in 1961, “I might perhaps be forgiven for posing as a political authority, but those who know Indiana must acknowledge that basketball and politics are monkeys on the backs of every Hoosier.”[1] The life of Edwina Whitlock, the first and only female editor of the Gary American, is a story that evokes critical insights into the most influential periods in Black history and showcases Black women’s dedication to the long Civil Rights Movement. Whitlock illuminated the rise of the “Black bourgeoisie” and their advocacy for equal rights between the 1920s and into the 1980s, herself having grown up among the small community of Black elites in Charleston, South Carolina. She witnessed the vibrancy of the Harlem Renaissance through her adopted father, strove to emulate W.E.B. DuBois’s ideals regarding Black excellence, and utilized her class privilege to advocate for civil rights and equality through journalism and activism.

The Early Life of Edwina (Harleston) Whitlock

The Black side of the Harleston family held deep roots within the American South, which defined early on by issues of race and class. Edwina Harleston Whitlock’s ancestors were enslaved. Her maternal great-grandmother Kate Wilson lived in bondage and bore eight of the plantation owner’s children. Harleston never married, and upon his death in 1835, the mixed-race Harleston children, who were denied their inheritance, were pushed back into Black society, and refused inheritance from white relatives. Despite these circumstances, the Harleston’s blossomed in the Jim Crow South, utilizing their status as “mixed-race” in order to toe the line of segregation to make a name for themselves.[2] Together, the family integrated into the small, middle-class population of Black Elites in Charleston, South Carolina.

Gussie Harleston in 1924, photographed by her adoptive mother Elise Forrest Harleston, found in Edward Ball’s The Sweet Hell Inside, p. 318, accessed Internet Archive.

Originally named Gussie Harleston, Edwina was born in Charleston on September 28, 1916, to Kate Wilson’s grandson, Robert O. Harleston and his wife, Marie Forrest. When she was just two and half years old, Edwina and her sister Slyvia were sent to live with their uncle, Edwin A. “Teddy” Harleston, after their parent’s contracted tuberculosis.[3] However, after the passing of both their parents, the girls were adopted by Teddy and Elise so they could raise them as their own. Teddy Harleston proved to be an inspiring innovator to the girls. As a young boy at the Avery Normal Institute, Teddy developed an interest in painting portraiture and scenes associated with Southern Black culture, which would define his career for the remainder of his life. He went on to attend Atlanta University, where he studied under Black sociologist and activist W.E.B Du Bois.[4] Du Bois and Harleston became life-long friends, and he encouraged Teddy to use his elite social standing to precipitate equality.

Du Bois’s influence permeated the Harleston family. Later in adulthood, Edwina Harleston describes that the family reared their children according to Du Bois’s theory of the “talented tenth,” a concept that emphasized the necessity of higher education to develop the leadership skills among the “most able 10 percent of Black Americans.”[5] They also instilled a work ethic in their children, reflecting Booker T. Washington’s theory that “African-Americans must concentrate on educating themselves, learning useful trades, and investing in their own business.”[6] She contributed her success to these two ideologies, and what ultimately led to Harleston’s academic drive and early involvement in journalism and newspapers.

The Herald Sun, November 4, 2001, accessed Newspapers.com.

As a young girl, Gussie’s uncle, Reverend Daniel J. Jenkins, ensured that she was always working in some capacity at the orphanage that he ran in Charleston with his wife, Eloise “Ella” Harleston. She recalls that she had a choice: work on the orphanage farm and dig sweet potatoes, or work on the orphanage’s newsletter, The Messenger. She wrote local updates, which spearheaded her interest in journalism.[7] Harleston began calling up different people and groups– churches, community leaders, and businessmen – to ask them questions about their daily activities so she could write up reports regarding what was going on around town. Tragedy struck in 1931, when Edwin “Teddy” Harleston passed away at the young age of forty-nine.[8] To honor these men, fifteen-year-old Gussie Harleston changed her first name to Edwina.

As a high school student, Edwina Harleston remained a veteran writer for The Messenger.[9] During the height of the Great Depression, Harleston’s familial wealth offered her the rare opportunity to attend a university. In 1934, she went on to attend Talladega College, an HBCU, where nearly “all of the students came from light-skinned African American families in urban centers.”[10] Historian Joy Ann Williamson-Lott explained that, for many Black Americans at this time, advanced study at Black institutions remained rare. However, these environments provided a rich opportunity for Black scholars to educate themselves. Edwina was a part of an emerging generation of educated Black Americans, dubbed “The New Negro,” which celebrated Black history, life, and culture through educational advancement.[11] She majored in English literature, taking classes in Chaucer and Shakespeare, while becoming president of her sorority Delta Sigma Theta. She maintained an active social life in school, even forming a secret society with other young women called Sacred Order of Ancient Pigs (SOAP), where the members got together on slow school nights to
gossip.[12]

F.B. Ransom Family Portrait, circa 1935. A’Lelia is on the far left, standing next to her father, accessed Indiana Historical Society.

It was through this group that Harleston met A’Lelia Ransom, daughter of Indianapolis lawyer Freeman Briley Ransom (better known as F.B.).[13] Ransom’s father served as legal counsel to Madame C. J. Walker and her company. A’Lelia and Edwina became great friends, making their own secret club called “Ain’t-Got-Nothing Club.” Every week, A’Lelia’s father would send the girls newspaper clippings from Indianapolis, along with a dollar or two, and they would read the news and spend A’Lelia’s allowance.[14] A’Lelia Ransom would later become the last president of Walker Manufacturing in 1953.[15]

Harleston graduated from Talladega in 1939 and upon her mother’s suggestion applied to Northwestern University in Evanston, Illinois. By the fall of 1940, after spending her whole life in the South, she moved to Chicago to attend graduate school, working towards a master’s degree in journalism. Harleston reveals that this was her first time encountering real racism:

In Charleston, I had been sheltered from it, because the white world and the black world were parallel, never touching. Then I got to Northwestern, the so-called great Methodist Institution. Two things happened that surprised me. The star football player, who was black, was meeting the requirements of his major, but he was not allowed to swim in the university pool. . . . There was also the policy of this supposedly religious university that prevented black students from living in the dormitories on campus. . . . Once I was studying for finals with a friend who wasn’t black. I was invited to her dorm room, but at midnight was told by the matron I had to leave because I was colored. I was frightened and furious and had to stumble back across the railroad tracks to my room at the minister’s house.[16]

Northern racism became a constant obstacle and prominent topic of discussion in her work as a female journalist.

While working towards her master’s degree, Harleston worked as a reporter and editor for the Chicago Defender and the Negro Digest. Her experience in writing for newspapers would play a critical role in the next seventeen years of her life. After meeting Henry Oliver Whitlock at Northwestern, the couple married in April of 1945 and Whitlock found herself moving to the booming, deeply segregated City of Gary, Indiana. A year earlier, Henry had taken over operations of his father’s newspaper, the Gary American – one of the largest Black newspapers in Northwest Indiana. By 1947, Edwina Whitlock would appear on the masthead as Lead Editor as the couple oversaw the dissemination of the publication.

The Gary American: Northwest Indiana’s Early Guardian of Northern Equality

Map of Gary, Indiana in 1929, Map Collection, Indiana Division, Indiana State Library, accessed Indiana Memory.

Forty-five minutes from the southside of Chicago and situated next the sandy beaches of Lake Michigan, the United States Steel Company built Gary’s foundations in 1906. Other businesses followed suit. Between 1910 and 1920, Gary’s population jumped from 16,802 to over 55,000.[17] Gary garnered attention, earning the nickname the “Magic City,” as Eastern and Southern Europeans flocked to the area for industrial jobs. However, World War I largely disrupted European migration, and steel companies turned to the Southern portion of the U.S. for labor. The resulting Great Migration drew Black Southerners to Gary’s mills, where they were paid disproportionately low wages.[18]

The influx of Black residents in Gary did not go unnoticed by whites, especially those returning home from World War I to find their jobs had been “taken over” by Black Southerners. In fact, 1920s Indiana was a hotbed for Ku Klux Klan activity, with approximately 300,000 members.[19] Valparaiso, Indiana – only 30 minutes from Gary – became a center for Klan activity in the Northwest region, with the Klan nearly purchasing Valparaiso University (then Valparaiso College). Racism and terror within the region, coupled with the growing Black population, culminated in the creation of the Gary’s own Black newspaper. The publication would disseminate Black news and highlight instances of inequality that did not appear in mainstream publications. In 1927, Arthur B. Whitlock, David E. Taylor, and Chauncey Townsend headed the formation of the Gary American Publishing Company. On November 10, 1927, the Gary Colored American began as a weekly African American paper, publishing its first issue with Townsend as editor and Whitlock as manager.

Postcard Roosevelt High School, Gary, Indiana, circa 1949, accessed the Indiana Album.

In its first year of publication, the Gary Colored American led reports on the 1927 Emerson School walkout, when white students and parents protested the integration of six Black students into the school. As a result, the school board decided to reinforce existing de facto segregation, transferring the children out of Emerson, and agreeing to build Roosevelt High School, an all-Black school in the Midtown neighborhood. Gary’s Black population remained divided on this issue, with some advocating for total desegregation and others celebrating the decision to create a new school. The Gary Colored American advocated for the construction of Roosevelt High School to serve Gary’s African American children, citing it as an achievement for Black excellence. [20]

In 1928, the Gary Colored American changed its name to the Gary American, quickly becoming one the city’s most prominent Black newspapers, paving the way for publications like the Gary Crusader. While initial circulation numbers are unavailable, in 1928, the Gary American claimed a readership of nearly 2,000 readers. In 1929, its masthead asserted that the Gary American was an “independent paper” devoted to Black interests in Northern Indiana.[21] The paper columns reflected the upsurge of white supremacy in the 1920s and 1930s, culminating in Jim Crow terrorism that plagued Black communities across the U.S. In 1934, the front page of the Gary American showcased an extensive article about the NAACP’s report that approximately 28 known lynchings occurred the previous year in the U.S. This marked nearly a 200% increase in white terror from 1932 to 1933.[22] By the end of that year, the Gary American published a message to readers, stating, “the Negroes of Gary can look only to The Gary American, their own and only newspaper, for all the news primarily of interest to them and concerning their activities,” claiming that they were the servant of Gary’s Negroes during this tumultuous time period.[23]

Editor Arthur Whitlock left the company in 1938 and attorney F. Louis Sperling was elected editor and acting manager. His legal influence filtered through the Gary American as a plethora of articles featured race and legal rulings within in the U.S. criminal justice system. The Gary American drew attention to a Richmond Times-dispatch editorial in 1937 about the federal Anti-Lynching Bill of 1937:

Now that the rest of the week is apparently available for debating the anti-lynching bill, is it too much to hope that the Southern senators will discuss this measure on its merits, instead of consuming days in flamboyant and bombastic posturing, in apostrophies to the fair name of Southern womanhood, in hysterical outbursts concerning the future of Southern civilization? [24]

The bill passed in the House of Representatives, but was held up in the Senate during a filibuster, where First Lady Elanor Roosevelt sat in the Senate Gallery to silently protest those participating in the blockade. Ultimately, the Anti-Lynching Bill failed to pass in the Senate, despite the Gallup poll revealing that nearly three in four Americans (72%) supported anti-lynching legislations and called for it to become a federal crime.[25]

Additionally, in 1938, Editor Sperling released an open letter to Indiana Governor M. Clifford Townsend on the front page of the paper to draw his attention to corruption that was happening within the city. Sperling claimed that a public official, who was responsible for distributing “hundreds of thousands of dollars of the taxpayers’ money” to majority Black families receiving government assistance, was withholding funds to coerce them to vote for her candidate for mayor, Dr. Robert Doty, and for her trustee candidate, P. D. Wells. Sperling wrote, “and what is much worse, [she] has entered into a deliberate campaign to intimidate both colored and white voters of this city who are already on relief rolls, telling them that they will have to support her ‘program’ or be they will be cut off relief rolls.”[26]

Champion of Local Activism and the Civil Rights Movement

Henry O. Whitlock and Edwina Whitlock, with their son Henry Whitlock Jr., posing next to the 1949 Christmas Release of the Gary American, found in Edward Ball’s The Sweet Hell Inside, p. 322, accessed Internet Archive.

In the following decade, the Whitlock’s returned to the Gary American. Arthur’s son, Henry O. Whitlock, became manager in 1944 and his wife, Edwina, becoming editor in 1947. She was a mother and teacher at Froebel High School by day and a journalist by night. The family thrived under the post-war conditions that encouraged a growing middle-class, so much so that they hired a live-in nanny for their children and bought a vacation home in South Haven, Michigan.[27] She saw herself a part of the elusive “Black Bourgeoisie,” which highlighted the white American ideals – Black men worked professional jobs, while the women kept the home with the children. Along with running the Gary American, Henry Whitlock worked as an investigator in the Lake County prosecutor’s office.[28] Following in her adoptive father’s footsteps, Edwina exceeded the realities of Black life, promoting the middle-class lifestyle that many Black Americans lacked, because they did not share her fair skin or generational wealth. But the Gary American gave her unlimited access to disseminate her own ideas about family, Black excellence, and how in Gary’s Black community could fight for self-determination.

During the burgeoning Civil Rights Era, the Gary American focused on issues like discriminatory education funding, the creation of Gary’s first Black Taxicab Company, and the local boycott against Kroger Stores for refusing to hire minority employees.[29] Whitlock published her own column, First Person Singular, for many years. Her editorial topics varied, ranging from marriage and childrearing issues to discussions of race and education. One editorial, appearing in October of 1948, discussed her husband’s opinion that “women dress for other women.” She challenged her readers to question their own partners on the matter to determine if purchasing clothing was self-indulgent as society moved away from the wartime economy and the rationing system.[30] Another editorial, appearing in 1946, was simpler and to the point, “No brains, no hearts – is it any wonder that the Ku Kluxers are also stooges? Right now, they’re stooges for a few racketeers who are clipping them for ten spots or so for the privilege of going around with pillowcases on their heads.”[31] She tackled both the complexities of womanhood and race, offering an intersectional lens to the history of the growing Black population in Gary.

Following World War II, more Black Americans moved to the city, and as a result, they were forced into the central, downtown district, but the city’s boarders grew too slowly to keep up with the expanding population. Rents increased as investments in building repairs dropped, and landlords became virtually unresponsive to Black tenants. By 1940, the U.S. Census reported that only thirty percent of Black families lived in one-family homes, and the remainder lived in apartment houses or small homes converted into apartments, with multiple families living under one unit.[32] Additionally, the Gary Housing Authority – despite its role in maintaining segregated neighborhoods – reported that in 1950, 11,582 families were living in substandard homes or slums, approximately 1,000 more than existed ten years prior to the GHA organizing.[33]

In 1949, she gave birth to the first of four children, whom she raised during her editorial career. That summer, Whitlock addressed her concerns about congestion of the Central District and the strains it imposed on families via poor living conditions and warned about the urge to fall into consumerism rather than focusing on the preservation of the natural world. Her solution was simple – Whitlock proposed an eight-day living week and a thirty-hour work week. She suggested supermarkets offer prepared meals so breadwinners could save money on groceries and utilize the funds for the necessities, like owning a home. Whitlock saw the value in equal payment for all laborers, Black or white, and advocated for the spreading of wealth to relieve the crowded living quarters of the Gary’s Central District. These statements were made during the height of the McCarthy-era, in which rampant persecution of left-wing individuals took center stage of the American political scene. Whitlock did not care. “I sound like a Communist, you say? Well, if Communism means subscribing to a theory that every man’s labor is worth as much as every other man’s,” Whitlock wrote, “having the conviction that the color of a man’s skin should be no deterrent in selecting a place to live – then, come on Revolution. H. O., hand me your shotgun.”[34]

Towards the end of the 1950s, white residents fled to suburban areas like Merrillville due to the city’s increased Black population. Middle-class white families moved away from Gary’s downtown metropolitan center, depleting it of a tax base which thrusted Gary into a state of decline. Black residents, however, were barred from following suit. Once again, housing was featured prominently in Whitlock’s editorials. In 1959, Whitlock discusses her opinions on housing, and the refusal of banks to provide loans to Black locals. Edwina wrote:

Chatted a while today with one of the leading mortgage brokers and I suggested that he and his cohorts could clean up this whole mess with one broad sweep. Instead of refusing to lend money to Negroes who seek better accommodations for themselves by moving to late fringe areas, they should refuse to loan money to the whites who try to run away. If a white family has decent housing in a decent community and the broker suspects that they’re trying to run away from their colored neighbors just let the family do their own financing.[35]

As Edwina pointed out, Black residents struggled to secure access to well-built homes and a welcoming community. However, segregated housing projects were not new – the development could be seen in Gary during the 1930s, and the Gary Housing Authority, established in 1939, continued to segregate residents by placing Black families in the central district, and white families outside of the downtown area.

The Gary American also took a vested interest in the desegregation of the city’s parks, particularly Marquette Beach. Federal programs during the Depression years expanded Gary’s Park system and as a result, U.S. Steel provided the city with a lake-front area. The WPA transformed it into a large park, equipped with a beach, picnic area, and a pavilion. Early editorials reveal how Whitlock felt about lack of community beaches, saying: “But to be continually denied even the elementary right to take a dip in Lake Michigan without having to travel 15 miles to do so, strikes me as being a pretty rotten deal.”[36] In the late 1940s and early 1950s, the city took it’s time when it came to the construction of the new de-segregated section of the beachfront, and many Black residents grew frustrated. Whitlock offered another revolutionary solution: staging a sit-in picnic right on the whites-only beaches. “Getting a few heads bashed in would only be a small price to pay,” Whitlock urged, “for providing our youngsters with an example of forthright action on the part of real men and women.”[37]

Even after Marquette Beach came to fruition, white beachgoers used harassment and violence to keep the sand segregated. However, forced integration occurred only after an uproar in the late 1950s.[38] In fact, Marquette Beach had been a center of white terrorism against local Black beachgoers, with the Gary American reporting in 1949 that a peaceful protest for integration, known as “Beachhead for Democracy,” turned violent when “white hoodlums” hurled bricks, bats, and pipes against vehicles of those who were attending the protest. Police arrived twenty minutes later, closing the beach to demonstrators, which caused the white attackers to disperse.[39] However, the Gary American reported that the protest fueled KKK activity for the next three nights – with white residents burning crosses on the shores of Marquette beach, attacking the homes of “ring leaders” with rocks, bricks, and firing holes into windows with guns, even leaving notes telling residents to leave town.[40]

The protests led to the desegregation of Marquette Beach Marquette Beach remained a contentious site. In the summer of 1961, the Gary American produced extensive coverage over the beating of 21-year-old Murray W. Richards. On Memorial Day, Richards and three female friends were enjoying their time at the beach, when fifteen to twenty drunk white men approached the group and demanded that Murray and his friends leave the beach. After refusing, they attacked Richards unprovoked, hitting him in the jaw with a beer bottle, bashing his face with a baseball bat, and striking him with 2×4 plank. One of the young ladies was dragged toward the water under the threat that the gang of men would drown her. Richards explained to the American that “he feared they would carry out their threat to kill him if he were to fall down.” It was revealed that Richards saw one policeman, Officer George Stimple, standing by his squad car, watching the attack, but did nothing to stop it, even after being informed of what was happening by a young white girl.

Richards was left with lacerations on both ears and his scalp, fractures in his jaw and skull, and multiple contusions on his face, arms, chest and back which needed stitches.[41] Only one of his attackers was taken into custody and prosecuted. The beating fueled unrest across Gary, with the paper reporting that more than 500 citizens packed the Council Chambers on June 6, protesting the inaction of Officer Stimple. Charles Ross, First Vice President of the NAACP, stated that the police department had consciously and deliberately refused to provide the minimum protect to Gary’s Black citizens.[42] The protest led to an investigation into Officer Stimple, but on July 7, the Gary American reported that, after a five-hour hearing, Stimple was found innocent by the civil service commission on the charges that he failed to aid Murray Richards. Commission secretary Thomas G. Kennedy claimed, “The evidence presented in support of the charges was inconclusive.”[43] A little over a month later, the Gary American reported on another white attack against Black citizens at Marquette.[44]

Exposing and challenging racism in Northwest Indiana became the goal for Whitlock and her husband. In an interview with Edward Ball, an American author who focuses on history and biography, she recalled just how influential the Gary American was when it came to dismantling segregation in her community:

The American was a local paper, and we fought to get black bus drivers in Gary, when there were none. We fought the electric utility to hire black women because they didn’t have any. Henry’s father, who started the paper, was on the board of the Urban League, and tried to get certain jobs in the steel mills opened to Negroes, because not all of them were. All our circle and all our friends belonged to the NAACP and attended annual meetings.[45]

The Gary American never reached the status of the Chicago Defender, which was in production less than an hour away, but its influence within The Region was wholly felt.

Living History

Henry Whitlock died on May 5, 1960, and the Gary American announced his death on May 13, saying “Henry Oliver Whitlock . . . gave his all to the community. He was for modern, efficient government. He was for the complete integration of Negroes into all facets of American life.”[46] Edwina continued to run the Gary American by herself until February of 1961, when she sold the publication to Edward “Doc” James and James T. Harris, Jr. The Gary American continued to operate until the 1990s, and even expanded its publication beyond Gary into East Chicago/Indiana Harbor.[47]

That same year, Whitlock moved south of Los Angeles with her four children on the edge of Watts, a predominately Black neighborhood that had been isolated from white California. The area faced intense poverty and inequality. Whitlock took on a job in public relations at Watts Savings & Loans. But in August of 1965, Whitlock found her family thrusted into turmoil when the Watts Uprising gripped the neighborhood. Stepbrothers Marquette and Ronald Frye were pulled over right outside their house by a white California Highway Patrol officer while driving their mother’s car, where Marquette was arrested after failing a sobriety test. Back up was called from the Los Angeles Police Department (LAPD), and a crowd of Black locals formed and watched the arrest unfold, causing one officer to pull his gun out. As a result, Frye’s mother, who witnessed the event unfold outside her house, went to defend her son. All three were arrested, enraging the residents of Watts, who took to the streets to protest police profiling and the conditions of their neighborhood.[48]

Getty Image, courtesy of “Looking Back on the Watts Riots, 55 Years Later: In Photos,” WSLS, accessed https://www.wsls.com/features/2020/08/11/looking-back-on-the-watts-riots-55-years-later-in-photos/.

Between August 11 and 16, Black residents engaged in a massive protest, confronting the LAPD and taking items from local stores to acquire the goods they were often unable to afford due to pay disparities. In the end, the United States dispatched in 14,000 National Guard troops to Watts, forcing protesters back into their homes. The movement took thirty-four lives and led to over 4,000 arrests. For Whitlock, however, the uprising only motivated her get back into the community, and she quit her banking job to train as a social worker. She told biographer Edward Ball, “I studied for the ‘War on Poverty,’ which is what the Lyndon Johnson administration called it. I guess I was one of those advanced soldiers in the war . . . they were idealists, and we all believed in what President Johnson promised about finding jobs for Blacks.”[49] After passing the civil service exam, Whitlock became a social worker, traveling throughout the city into both Black and white neighborhoods to help families less privileged than her. Along with her new career, she continued her work in journalism with articles appearing in publications like the California Eagle.[50]

By the end of Whitlock’s life, encountered her long-lost cousin, white author Edward Ball, that she finally got the opportunity to tell the world about her family’s contributions to Black history.[51] After an extensive interview process, combing through letters and photographs and outlining her family lore, Ball and Edwina worked together to publish The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South in 2001. One year later, Edwina passed away Atlanta, Georgia in November of 2002, at the age of eight-six.[52] Edwina Whitlock’s dedication to highlighting issues of inequality illuminates many of the forgotten Black women at the heart of the long Civil Rights Movement. Through her work as a journalist and her continuous involvement in her community, she utilized her own privilege to promote and sustain equality. The Gary American will soon be digitized and incorporated into the Library of Congress’s Chronicling America database and IHB’s own Hoosier State Chronicles, to give historians the chance to uncover Northwest Indiana’s often discounted, but rich Black history and unveil more stories like Edwina Harleston Whitlock’s.

Notes:

[1] Edwina H. Whitlock, “Gary, Ind., Negroes Help Run City Gov’t,” California Eagle, October 19, 1961, accessed Newspapers.com.

[2] William’s and Kate’s son, Edwin G. “Captain” Harleston proved to be an American pioneer, establishing a successful funeral business that allowed his five children to thrive. His son, Edwin A. “Teddy” Harleston, became a successful painter and renowned portraitist. Another son ran an orphanage, whose young Black children became musical prodigies in the group Jenkins Orphanage Band.

[3] Robert Harleston and Edwin A. “Teddy” Harleston were two of Edwin “Captain” Harleston’s seven children. Captain Harleston was Kate Wilson’s fifth child with white plantation owner, William Harleston. In Charleston, Captain ran a profitable funeral business that serviced the Black community.

[4] E. Rudwick, “W.E.B. Du Bois,” Encyclopedia Britannica, accessed Brtannica.com.

[5] Edward Ball, The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South, New York, HarperCollins Publishers, 2002, 297, accessed Internet Archive.

[6] “Booker T. Washington,” Teach Democracy, accessed crf-usa.org; Ball, The Sweet Hell Inside, 297.

[7] Ball, The Sweet Hell Inside, 297- 298.

[8] Teddy’s father, Captain Harleston, died in April of 1931, after catching pneumonia. A few days after his father’s funeral, Teddy caught pneumonia as well. Later in her life, Edwina recounted to Edward Ball that the doctor reported that Teddy had a good chance of recovery. However, the grief of losing his father superseded his will to fight the infection. Teddy Harleston passed one month later, on May 10^th, 1931; [8] Ball, The Sweet Hell Inside, 286-287, accessed Internet Archive

[9] Edwina was also a singer in the Avery glee club and president of her high school class; Ibid, 298.

[10] Ibid, 303.

[11] Joy Ann Williamson-Lott, Jim Crow Campus: Higher Education and the Struggle for a New Southern Social Order (New York: Teachers College Press, 2018), p. 21-22, accessed Google Books.

[12] Ball, The Sweet Hell Inside, 308.

[13] “Freeman Briley Ransom,” Encyclopedia of Indianapolis, accessed indyencyclopedia.org.

[14] Ball, The Sweet Hell Inside, 308-309.

[15] Douglas Martin, “A’Lelia Nelson, 92, President Of a Black Cosmetics Company,” The New York Times, February 14, 2001, accessed The New York Times; “Mrs. Nelson Heads Madam Walker Firm,” The Indianapolis News, February 10, 1951, accessed Newspapers.com.

[16] Ball, The Sweet Hell Inside, 319-320.

[17] “Indiana City/Town Census Counts, 1900 to 2020,” StatsIndiana: Indiana’s Public Data Utility, accessed https://www.stats.indiana.edu/population/PopTotals/historic_counts_cities.asp; Ball, The Sweet Hell Inside, 328.

[18] Neil Bretten and Raymond A. Mohl, “The Evolution of Racism in an Industrial City, 1906-1940: A Case Study of Gary Indiana,” The Journal of Negro History, 59, no. 1 (Jan 1974): 52, accessed https://doi.org/10.2307/2717140.

[19] Ball, The Sweet Hell Inside, 328.

[20] “Lay Foundation For First Unit to Roosevelt School, New Addition Will Be Ready Late in 1930,” The Gary American, July 2, 1929.

[21] The Gary American, April 5, 1929.

[22] “28 People Lynched in 1933, Says NAACP; One Freed by Jury,” The Gary American, January 5, 1934.

[23] “The Gary American Message,” The Gary American, November 30, 1934.

[24] Editorial: “Debating the Lynching Bill,” The Gary American, November 26, 1937.

[25] Justin McCarthy, “Gallup Vault: 72% Support for Anti-Lynching Bill in 1937,” May 11, 2018, accessed Gallup News.

[26] “An Open Letter to Hon. M. Clifford Townsend Governor of Indiana,” The Gary American, April 8, 1938.

[27] Ibid, 331.

[28] “Heart Attack Claims Publisher,” The Times, May 5, 1960, accessed Newspapers.com.

[29] “Pass Up Roosevelt High: Negro School to get No Funds for Facilities,” The Gary American, September 29, 1944; “Negro Taxi-Cab Company in Operation with 3 Cabs, Fleet of Five Cars Expected to be in Service Next Week,” The Gary American, November 23, 1945; “Continue Boycott of Kroger Stores, Attempts to Arbitrate Fail,” The Gary American, October 3, 1958.

[30] Edwina Whitlock, “First Person Singular,” The Gary American, October 8, 1948.

[31] Whitlock, “First Person Singular,” The Gary American, July 26, 1946.

[32] Bretten and Mohl, “The Evolution of Racism,” 59.

[33] Gary Housing Authority, The First Twenty Years: Report of the Gary Housing Authority, 1939-1959, n.d., 14, accessed HathiTrust.

[34] Whitlock, “First Person Singular,” The Gary American, July 1, 1949.

[35] Edwina Whitlock, “First Person Singular,” The Gary American, December 24, 1959.

[36] Whitlock, “First Person Singular,” The Gary American, July 19, 1946.

[37] Ibid.

[38] Gary Housing Authority, The First Twenty Years, 56.

[39] The Gary Post Tribune stated that the demonstration at Marquette Beach seemed “pointless” as there were no legal restrictions against Blacks utilizing the facilities there. This is just one example of the stark differences between white reporting and Black reporting within the city; The Terre Haute Star, August 31, 1949, accessed Newspapers.com.

[40] “Beach Project Leads to Violence: KKK Becomes Active,” The Gary American, September 4, 1949.

[41] “Youth Brutally Beaten at Marquette Beach, Girls Scream for Help as Police Stand By,” The Gary American, June 2, 1961.

[42] “500 Jam-Pack Council; Protest Actions of Police,” The Gary American, June 9, 1961.

[43] “Stimple Found Not Guilty,” The Gary American, July 7, 1961.

[44] “Hoodlums Attack Again At Marquette Park,” The Gary American, August 11, 1961.

[45] Ball, The Sweet Hell Inside, 329-330.

[46] “The Death of Henry Whitlock,” The Gary American, May 13, 1960.

[47] “An Open Letter to 9,000 People,” The Gary American, March 24, 1961.

[48] Casey Nichols, Watts Riot (August 1965), published October, 23, 2007, accessed BlackPast.org.

[49] Ball, The Sweet Hell Inside, 338.

[50] “President John Kennedy, Gov. Pat Brown Electrify 600 Attending Links Inc., Affair,” California Eagle, November 23, 1961, accessed Newspapers.com.

[51] Whitlock’s experience as a journalist spurred a desire to document her rich family history. In 1970, after her daughter Sylvia wrote a term paper on Teddy Harleston, Edwina’s interest in genealogy was re-ignited. She spent years going through the large collection of the Harleston family papers, photographs, and letters. While researching, she attended lectures at institutions like Mann-Simons Cottage to talk about her adoptive mother, Elise Forrest Harleston, one of the first Black female photographers in the US. Whitlock’s goal, however, was to publish her family history.

[52] “Whitlock,” The Atlanta Constitution, November 22, 2002, accessed Newspapers.com.

“Disguised As A Doughboy:” The Front Line War Work of Sarah M. Wilmer

Poster, Charles N. Sarka, “Lend Him A Hand, Buy Liberty Bonds,” 1918, Digital Maryland, accessed Digital Public Library of America.

Upon her arrival at the U.S. Army basecamp, elegant entertainer Sarah Mildred Wilmer changed out of her travelling dress and into the brown wool jacket, breeches, and steel helmet of a doughboy. A talented performer and dramatic reader, she had arrived in Bar-le-Due, France, on September 4, 1918, on behalf of the Y.M.C.A. She was recruited to entertain the troops, but within twenty minutes of landing at the camp, she knew she would serve in a different capacity. She disguised herself as a soldier and headed to the front lines under heavy fire to help nurse the wounded. Wilmer would return from France to her parents in Hobart, Indiana, in a wheelchair and celebrated as a hero.[1]

Evening Crescent (Appleton, WI), July 8, 1907, 1, accessed Newspapers.com.

Sarah Wilmer was born to Benjamin and Ida Wilmer circa 1881 in Buffalo, New York. Her father worked as a printer for a daily newspaper and her parents made sure that she and her sister received an excellent education.[2] She “studied with the best” teachers and was “thoroughly schooled.”[3] Regarded as a beautiful young woman, Wilmer honed her elocution skills. As early as 1904, she began performing on the circuit of Chautauqua assemblies, traveling across the country and regularly stopping in the Midwest.[4] The Richmond Palladium, reported that she was “well-known by Richmond Chautauqua goers.”[5] A Wisconsin newspaper called her “one of the greatest artists on the platform today.”[6] The program for a 1909 Chautauqua at Shades Park near Waveland, Indiana, described her skill and artistry:

Miss Sarah Mildred Wilmer’s work is characterized by determination to present literary masterpieces of true dramatic value. She is not content to please by mere cleverness. There must be an honest effort to do her work artistically and well. This quality has always won warm approval wherever she has appeared . . . She presents a repertoire of exceptional strength, embracing many of the best selections from modern and classic fiction and drama. Certainly no reader of the platform has ever given more perfect and artistic presentation than those given by Miss Wilmer.[7]

Caney News (Kansas), September 27, 1912, 2, accessed Newspapers.com.

While her name may not be familiar today, she was famous, sought-after, and respected in her time. Drawing large crowds, Wilmer received top-billing and rave reviews. For example, in 1912, a Kansas newspaper called her “the greatest reader of the present generation” and reported that ten thousand people attended a recent Chautauqua to see her.[8]

She was also glamorous, dressing in fine clothes and staying in the best hotels. It would have been difficult for her adoring fans to imagine her dressed as a soldier, wading through mud, and dodging shells only a few years later.

Through her elocution work, Wilmer met Edward Van Bond of the Lyceum Bureau of Chicago and they were married in 1912. Unfortunately, her young husband died only a few years later, in 1915. She continued to keep a home base in Chicago near her parents who had moved to nearby Hobart, Indiana, and whom she visited often. She also continued touring and performing. After the U.S. entered WWI, however, she decided to use her talents to help the war effort.[9]

Poster, United War Work Campaign, Inc., “One of the Thousand Y.M.C.A. Girls in France. Y.M.C.A.,” 1918, Princeton Poster Collection, accessed Smithsonian Institution.

In 1918, the Y.M.C.A. asked Wilmer if she would be willing to go to France through a partnership with the American Expeditionary Forces to entertain the troops and raise their spirits. Not only did she cancel six months of Chautauqua appearances—a serious personal financial loss—she accepted the offer and refused payment from the Y.M.C.A. Lyceum Magazine reported:

Having had experience in surgical work she is well qualified to work in the hospitals and she plans on giving her programs in the hospitals during the day time and to the soldiers in the camps at night. She will give her regular play readings and also some special programs which she has prepared for the boys.[10]

It’s not clear when she would have gained “surgical work” experience, as newspapers show she was consistently busy with her Chautauqua performances. Whether or not she arrived in France with medical experience, she would soon be practicing on the battlefield.[11]

Postcard, “Y.M.C.A. and Y.W.C.A. girls on their way to France,” n.d., Cliff Smith YMCA Postcard Collection, Digital Commonwealth, Massachusetts Collections Online, accessed Digital Public Library of America.

Passport photo, “Sarah Mildred Willmer,” June 20, 1918, National Archives and Records Administration (NARA); Washington D.C.; Roll #: 569; Volume #: Roll 0569 – Certificates: 30500-30749, U.S. Passport Applications, accessed AncestryLibrary.com.

Wilmer left for France on August 4, 1918 and arrived September 4 at the Y.M.C.A base. Despite feeling scared, she was determined to be brave. In these later years of WWI, advancements in weapons technology meant that the hospitals and basecamps set up behind front lines were now in the line of fire for long range artillery and airplane bombings. She was right to be afraid.[12]

Wilmer gave different firsthand accounts of what happened next. A true performer, her story changed a bit as she polished and dramatized it for a public audience. Regardless, it is clear that she acted bravely and selflessly to aid the soldiers. She told the Chicago Tribune that upon arrival at the basecamp, the man in charge of the division’s entertainment greeted her and asked if she would “volunteer, then, to go to the front lines” to a camp where she would perform for the troops. He warned her that it would be dangerous, that she would “smell gunpowder and high explosives and gas.” She responded, “That is what I hoped for.” She entertained men during the day. However, at night she snuck to the front with the ambulance corps, intending to aid wounded soldiers. She explained:

Aided by friendly officers – entirely outside regulations and unknown to the “Y” man in charge of the base [entertainment] – I would dress in a soldier’s uniform and go up in total darkness.[13]

“Loading ambulance with wounded. American Red Cross Outpost sign shown in the background. American Red Cross men ministering to the wounded. Argonne Forest, west of Marcq, Ardennes, France, October 11, 1918, American National Red Cross photograph collection, Library of Congress Prints and Photographs Division, accessed https://www.loc.gov/resource/anrc.17955/.

She also gave this description of a brush with death, mentioning the soldier’s uniform only as a passing detail:

I was in an ambulance, disguised as a man and dressed in a uniform, when we ran [the vehicle] into a shell hole, and promptly climbed out of it without stopping, with a driver grimly holding the wheel and never faltering for an instant, although shells were bursting all around us.[14]

A few days after she gave this account, she told the story to the Lake County Times with a few new dramatic flourishes, making the wearing of men’s clothing more central to the story:

How did I get to the front line? Well, I heard a young officer say, “Oh, it’s terrible up there tonight, a lot of the boys have been killed and wounded and there’s not nearly enough men to care for them.”

“Can’t you take me up there?” I asked him.

He told me I was a woman, that it would be breaking the rules.

“Well, get me some man’s clothes and I’ll be a man,” I replied. He hesitated and finally gave me a complete outfit, breeches, blouse, puttees [leg coverings], hobnails [boots] and all. And I went up.[15]

Lucien Jones, “An infantry attack in woods at Argonne front,” print, 1927, Library of Congress Prints and Photographs Division, accessed https://www.loc.gov/resource/pga.03879/.

Wilmer explained that she went to the front nine times. And despite a bit of creative license with the details, she was consistent in her telling of the danger she faced and of the soldiers’ sacrifices. She recalled:

I was scared to death every time I went up to the line and would ask myself: “Why did I come here?” and then I would begin to sniffle and sob. But every time something would happen to show me why I had gone up there.[16]

But Wilmer knew why she had “gone up there” when she was able to help medical staff or comfort injured soldiers. One dark night in October, she had once again arrived at the front dressed in her doughboy uniform in order to provide help to the surgeons and nurses at the “first aid dressing station.” That night, the only breaks in the “uncanny” darkness were the “shells bursting” around them. Soldiers and medical staff carried their comrades into the medical station on stretchers. A doctor or nurse would then shine a flashlight on the injured to determine what care could be provided. The sight was often shocking. “O, it was horrible,” Wilmer said. She continued:

I was frightened, O, so frightened, but I did not dare to let that be known, for I was supposed to be a man. I helped with the boys who were brought in, and saw vividly the horror of it all, the lads dying and suffering, and had to remain quiet.[17]

Poster, “Red Cross Nurse,” circa 1918, Princeton University Posters Collection, Archives Center, National Museum of American History, accessed Smithsonian Institute.

One incident in particular stuck with her. While she needed to dress as a man to help at the front, she was able to provide maternal comfort to a dying man. At one point, a soldier felt her hand and thought it belonged to a female Red Cross nurse. Wilmer denied her gender, telling him in “a gruff man’s voice” that there were no women at the front. But soon, when a man who was clearly dying, identified her as a woman, she conceded. This soldier had been shot in the lungs and was bleeding internally. Wilmer could only sit with him so he wouldn’t die alone. She smoothed his hair and he asked how it could be that a woman was at the front. Wanting to give him some of the comfort of home, she told him that his mother had sent her. He responded, “My mother? O, yes, I understand.” She then read to him from the Bible and he died in her arms.[18]

In late October, Wilmer was badly injured during a battle in the Argonne forest. Once again, she “went in front of the barrage, disguised as a doughboy.” She expounded:

I became sick suddenly. I smelled burning cabbage and bad onions and then I realized it was chlorine. Gas shells were breaking all around me . . . I grew faint and stumbled into a German dugout which had been deserted but a day previously. After five hours I recollected my thoughts and heard some voices. I walked out and found several stretcher bearers with whom I made the rear.[19]

While chlorine gas was not usually fatal, the effects could be long lasting or even permanent.[20] Wilmer suffered greatly as the gas “continued burning in her lungs” for weeks. But, she said, “I didn’t want to give up.”[21] Though she was back at base camp, she continued to entertain the soldiers with her dramatic readings. This was almost certainly uncomfortable in her condition. On November 11, 1918, she was reading to a large group of men when a colonel walked in and interrupted her to make an announcement. Germany had surrendered. The war was over.[22]

U.S. Army in France – doughboys cheering news of Armistice, 1918, Library of Congress Prints and Photographs Division, accessed https://lccn.loc.gov/2016652679.

Wilmer soon sailed for the United States, still suffering from her injuries. By the time she reached New York, it became clear that she would need a nurse to continue her journey home to the Midwest and she hired a Mrs. Jane Redfield Vose to help care for her.[23] Wilmer and Vose went first to Chicago. Wilmer was there to visit Dr. Lena K. Sadler “with whom she had lived for years.” She was still suffering to the extent that she had to be carried from the taxi into the house by two men. Once inside, Sadler’s two young children ran to greet their adopted “Aunt Sarah.” Wilmer then needed “restoratives” to allow her to speak to reporters.[24]

Lake County Times, December 24, 1918, 1, accessed Hoosier State Chronicles.

From Chicago, Wilmer went to her parents’ house in Hobart, which would be her home for some time as she recovered. She arrived in a wheelchair and was advised by doctors not to return to the stage for months. However, she travelled from the Region to Indianapolis as early as March 1919 to attend the “Big Meeting” where she delivered her speech “My Experiences in War.” And we can only imagine how much she had polished her tale during her months of recovery.[25]

Indianapolis Star, March 16, 1919, 3, accessed Newspapers.com

Though she returned to the stage, Wilmer wasn’t finished helping others. In 1928, she moved to Rochester, New York. A local newspaper reported:

Always interested in social service work, Mrs. Wilmer took up reading and soon took over classes in the Rochester schools, teaching lip reading and effective speech.

She also worked for the Rochester Board of Education and the League for the Hard of Hearing. When the U.S. entered World War II and women were again called to service, Wilmer answered. She worked a “line job on the graveyard shift” at the local General Motors factory, which had been converted to war production. She also continued her dramatic performances. She died in 1949, and was remembered in her obituary as a “heroine” who “brightened the lives of many” through her social work and dramatic arts. Though only briefly a Hoosier, she is one to remember.[26]

Notes

[1] “Hobart Girl, Invalided Home, Tells of Experience: Was in Battles in Male Attire,” Lake County Times, December 24, 1918, 1, accessed Hoosier State Chronicles.

[2] Tenth Census of the United States, Buffalo, Erie County, New York, June 7, 1880, District: 116, Ward: 2, Page: 17, Lines: 40-43, accessed AncestryLibrary.com.

[3] Pamphlet, First Annual Assembly of the Pleasant Shades Chautauqua to be Held at “The Shades” Near Waveland, Indiana, 1909, p. 8, Chautauqua Album, Indiana Album, accessed Indiana Memory.

[4] Advertisement, Oshkosh Northwestern (Wisconsin), September 19, 1904, 3, accessed Newspapers.com.

[5] “Chautauqua Performer, Well-Known Here, Returns from Y Work in France,” Richmond Palladium, December 18, 1918, 3, accessed Hoosier State Chronicles.

[6] “In Society,” Sheboygan Press (Wisconsin), February 12, 1913, 8, accessed Newspapers.com.

[7] Pamphlet, First Annual Assembly of the Pleasant Shades Chautauqua to be Held at “The Shades” Near Waveland, Indiana, 1909, Indiana Album, accessed Indiana Memory.

[8] “Would Have Ranked High as an Actress,” Caney News (Kansas), September 27, 1912, 2, accessed Newspapers.com.

[9] “Nephew of President Crossfield Is Dead,” Lexington Herald, August 11, 1915, 2, accessed Newspapers.com.

[10] “Miss Wilmer Goes to France,” Lyceum Magazine (July 1918): 31, accessed Google Books.

[11] Ibid.

[12] Sarah Joyce Wilmer, “War’s Glory and Horror as Seen by Chicago Girl,” Chicago Tribune, December 22, 1918, 4, accessed Newspapers.com; “Women in WWI,” National WWI Museum and Memorial, accessed https://www.theworldwar.org/learn/women. Note that the Chicago Tribune misprinted Wilmer’s middle name.

[13] “War’s Glory and Horror as Seen by Chicago Girl,” 4.

[14] Ibid.

[15] “Hobart Girl, Invalided Home, Tells of Experience,” Lake County Times, December 24, 1918, 1, accessed Hoosier State Chronicles.

[16] Ibid.

[17] “War’s Glory and Horror as Seen by Chicago Girl,” 4.

[18] Ibid.; “Hobart Girl, Invalided Home, Tells of Experience,” 1.

[19] “Hobart Girl, Invalided Home, Tells of Experience,” 1.

[20] “First Usage of Poison Gas,” National WWI Museum and Memorial, accessed https://www.theworldwar.org/learn/about-wwi/spotlight-first-usage-poison-gas.

[21] “War’s Glory and Horror as Seen by Chicago Girl,” 4.

[22] Ibid.; “Armistice,” National WWI Museum and Memorial, accessed https://www.theworldwar.org/learn/about-wwi/armistice.

[23] “Hobart Girl, Invalided Home, Tells of Experience,” 1.

[24]”War’s Glory and Horror as Seen by Chicago Girl,” 4.

[25] “Hobart Girl, Invalided Home, Tells of Experience,” 1; “Woman War Worker Will Address Big Meeting,” Indianapolis Star, March 16, 1919, 3, accessed Newspapers.com.

[26] “Sarah M. Willmer [sic] Dies; Heroine, Social Worker,” Democrat and Chronicle (Rochester, NY), July 14, 1949, 18, accessed Newspapers.com.

Gardening Wisdom from the Historical Indianapolis News: April Edition

Many people are looking for ways to channel the anxiety of our current crisis into something healthy and productive. For those of us with green thumbs, this has meant more time in the garden. And there is no better place for us to get some sage advice than from those Hoosier gardeners who came before us. Luckily, some of them shared their wisdom in an early-twentieth century column in the Indianapolis News titled “Of Interest to Farmer and Gardner.”

Here are some April highlights.

The Pepper King

In 1912, the Indianapolis News columnist raved about the new Ruby King pepper (Capsicum annuum). The writer enthused:

There are a great many varieties on the market today; but there is only one kind of sweet pepper to grow for a large yield, fine appearance and good selling qualities — the Ruby King . . . when a farmer comes in [to market] with a load of Ruby Kings, what a difference there is and how quickly the buyers pick them up!

Ruby King, Seed Savers Exchange, accessed seedsavers.org.

An exciting new find for the writer, we now consider the Ruby King an heirloom variety. According to several companies selling the pepper, it was first introduced in 1902. However, the American Garden: Illustrated Journal of Horticulture described the Ruby King in 1885. The American Garden writer explained that with the introduction of milder yellow peppers, people seemed to have “developed a taste for less pungency in this fiery vegetable.” This critic was not a fan of the yellow pepper, stating emphatically that “it cannot be denied that the correct color in a pepper seems to be red.” The only vegetable that fit the bill as both mild in taste and red in color was “Burpee’s Ruby King, now introduced by W. Atlee Burpee.” The writer called it a “a respectable Pepper . . . mild and pleasant to taste — unequaled, in this respect, by any other variety.”

*American Garden: Illustrated Journal of Horticulture 6:2 (February 1885), 23, accessed GoogleBooks.*

Burpee does not seem to offer the variety any longer, but you can add the Ruby King to your garden by ordering from heirloom sellers like the non-profit Seed Savers Exchange.

An Overlooked Bramble Berry

L. H. Bailey, “The Lucretia Dewberry,” Cornell University Bulletin, reprinted in American Gardening 8:5 (May 1892), 274-75, accessed GoogleBooks.

In the April 29, 1911 edition of the Indianapolis News, our gardening columnist gave some advice on introducing a low-maintenance bramble called a dewberry into the garden. While blackberries and raspberries were (and are) better known brambles, the writer gave several reasons to add dewberry, which is also native to Indiana. The dewberry does just fine in poor soil, doesn’t need fertilizer, and can produce in partial sun or full shade. While raspberries and blackberries need regular pruning, the dewberry doesn’t. It can be trained to a stake or a trellis, but doesn’t require any support. And while it doesn’t produce until its third or fourth year, the writer suggested that the plant benefits from mulch and frequent harvesting once it has berries. The Indianapolis News columnist had one more piece of advice for bramble growers in 1911: plant different varieties together. I was not able to confirm the science behind this, but the writer’s experience shows that dewberries grow better when planted with blackberries or raspberries.

“Dewberry,” Missouri Department of Conservation, accessed nature.mdc.mo.gov.

There are several varieties of dewberry, but one native to Indiana, according to the Ladybird Johnson Wildflower Center, is the Lucretia Dewberry (Rubus roribaccus). Writing for the Cornell University Bulletin in 1892, L. H. Bailey described the ease of growing the Lucretia Dewberry. Interestingly, this gardener-writer also recommended planting dewberry with blackberry and raspberry brambles. The main value of the dewberry was that of the three, it ripened first. Bailey also pointed out that dewberry is hardier than other berry plants, able to survive harsh winters without taking any special precautions. Birdwatchers might also want to plant this lesser known species. According to the Missouri Department of Conservation, dewberry is a favorite of catbirds, waxwings, and finches. I couldn’t find an Indiana farm selling Lucretia dewberry, but you can find them at DeGroot Nursery in Michigan, a family-owned farm in operation since 1957.

The Wolf Flower

“Of Interest to Farmer and Gardener: Perennial and Annual Lupine,” *Indianapolis News*, April 3, 1909, 20.

The April 3, 1909 edition of the Indianapolis News column touted the beauty of lupines, recommending them to Indiana gardeners. The News columnist explained that this flowering plant works both in formal and more natural gardens, easily withstands the cold midwestern winters, and come in an array of colors and varieties, both annual and perennial. Lupine seeds should be direct sown in April after frost and will flower in June, “and if cut frequently so that the plants can not go to seed, their flowering period continued almost up to the first frost.” An added bonus: lupine returns nitrogen to the soil. (You can learn how here). Beyond gardens, Hoosiers can also keep a look out for lupine in the wild, or even by the side of the road.

National Park Service, “Impact of Climate Change on the Karner Blue Butterfly,” 2010, accessed nps.gov.

Beautiful white, blue, and purple wild lupine (Lupinus perennis) thrives in the sandy soil of the Indiana Dunes and the larger Calumet Region. Here they support the life cycles of three different butterflies that only eat lupine. One of these is the endangered Karner Blue butterfly. At the Indiana Dunes National Lakeshore, the National Park Service uses controlled burns that encourage lupine growth, in order to improve the Karner Blue’s habitat. While much has been done to improve the chances of this endangered species, climate change is also proving to be a threat, according to the NPS. In response, scientists are working to create lupine-filled microclimates.

Nathaniel Lord Britton, Illustrated Flora of the Northern United States, Canada and the British Possessions, Vol II (New York: Charles Scribner’s Sons, 1897), 269, accessed GoogleBooks.

Butterflies aren’t the only species that eat lupine. While the flowers are not edible (in fact they are poisonous), the nut-like seeds are edible for humans once soaked to remove the toxic chemicals and historically have been ground into a flour for cooking. According to the Old Farmer’s Almanac, lupine seeds were “a favorite food for traveling troops in ancient Europe.” The historical lore around this flower’s name is also rich. “Lupine” is latin for “wolf.” While we now know that lupines add nitrogen, the opposite was once thought true, that they “wolfed” nitrogen from the soil to get their color. Others have claimed the that the flower got its wolfish name, from the barren habitat in which it thrives. After a prairie, the lupine could be seen thriving among the burnt landscape, like a lone wolf. But it is lupine’s intense color, especially the blue, that has captured the imaginations of poets, artists, and writers through the ages. Let’s close then with an 1851 journal entry by Henry David Thoreau:

June 5. The lupine is now in its glory. It is the more important because it occurs in such extensive patches, even an acre or more together, and of such a pleasing variety of colors, — purple, pink, or lilac, and white, — especially with the sun on it, when the transparency of the flower makes its color changeable. It paints a whole hillside with its blue . . . No other flowers exhibit so much blue. That is the value of the lupine. The earth is blued with them. Yet a third of a mile distant I do not detect their color on the hillside. Perchance because it is the color of the air.

National Park Service, “Riverbank Lupine,” accessed nps.gov.

Sources:
* All newspapers accessed Newspapers.com.

The Pepper King

American Garden: Illustrated Journal of Horticulture 6:2 (February 1885), 23, accessed GoogleBooks.

“Of Interest to Farmer and Gardener: Suggestions for Growing Peppers,” Indianapolis News, April 13, 1912, 17.

An Overlooked Bramble

L. H. Bailey, “The Lucretia Dewberry,” Cornell University Bulletin, reprinted in American Gardening 8:5 (May 1892), 274-75, accessed GoogleBooks.

Lady Bird Johnson Wildflower Center, “Rubis Roribaccus,” University of Texas at Austin, https://www.wildflower.org/plants/www.utexas.edu.

Missouri Department of Conservation, “Dewberry,” Field Guides, https://nature.mdc.mo.gov/discover-nature/field-guide/dewberry.

“Of Interest to Farmer and Gardener: How to Grow Successfully the Bramble Berries in the Small Garden,” Indianapolis News, April 29, 1911, 22.

The Wolf Flower

“Growing Lupines,” Old Farmer’s Almanac, accessed https://www.almanac.com/plant/lupines.

Sarah Fuller, “Wild Lupine,” Indiana Dunes, accessed http://www.indianadunes.com/beaches-and-beyond/blog/wild-lupine/.

Nathaniel Lord Britton, Illustrated Flora of the Northern United States, Canada and the British Possessions, vol. II (New York: Charles Scribner’s Sons, 1897), 269, accessed GoogleBooks.

Kim Mitchell and Cathy Carnes, “Wild Lupine and Karner Blue Butterflies,” Midwest Region Endangered Species, U. S. Fish & Wildlife Service, accessed https://www.fws.gov/midwest/endangered/insects/kbb/lupine.html.

National Park Service, “Impact of Climate Change on the Karner Blue Butterfly,” 2010, accessed nps.gov.

“Of Interest to Farmer and Gardener: Perennial and Annual Lupine,” Indianapolis News, April 3, 1909, 20.

Henry David Thoreau, The Complete Works of Henry David Thoreau, vol. 36 (Hastings, East Sussex, United Kingdom: Delphi Classics, 2017), accessed GoogleBooks.

“Wild Lupine,” Save the Dunes, accessed https://www.indunesguide.com/lupinusperennis.

City Church: Spirituality and Segregation in Gary

City Church, 1929, courtesy of Sometimes Interesting.

On the corner of Sixth Avenue and Washington Street stands a complex forged out of Indiana limestone. Plants creep through shattered windows, “UR MOM” is spray-painted across a balcony, and the scorched roof opens up into the heavens. The remains of Gary’s City Church represent very different things to onlookers. For some, they symbolize the unfulfilled promise of industrial utopia. For others like Olon Dotson, professor of Architecture and Planning at Ball State University and a Ph.D. candidate in Purdue University’s American Studies Program, “The remains of the structure serve as a monument to racism and segregation.” For most, it is simply the backdrop for a scene in Transformers 3. Few would disagree, however, that City Church embodies the rise and fall of Steel City.

The church’s history is as nuanced as the feelings its remains inspire. The First Methodist Episcopal Church of Gary, was established in 1906, the same year the United States Steel Corporation gave birth to the city. The company converted acres of swampland and sand dunes, and soon Gary—named after U.S. Steel founding chairman Elbert Henry Gary—found itself dominated by steel mills. The expanding market for steel shaped the city’s built environment and encouraged population growth there. Between 1906 and 1930, increasing numbers of European immigrants, Black Southerners, Mexicans, and white migrants flocked to the region looking for work in the steel industry.

Bulkhead end Main West sewer coke ovens at channel openings, Gary, Indiana, November 13, 1909, accessed U.S. Steel Gary Works Photograph Collection, 1906-1971.

Historian James B. Lane contended that “Because of U.S. Steel’s limited concept of town planning, two strikingly different Gary’s emerged: one neat and scenic, the other chaotic and squalid.” Businessmen, as well as skilled plant operators and managers, settled North of the Wabash Railroad tracks. They resided in Gary Land Company’s subdivisions among paved streets, quaint homes, and lush rows of trees. Northsiders relaxed in limestone restaurants and club rooms after a long day of work. The cost to live in this area precluded many newcomers, primarily African Americans and immigrants, from settling there. They instead lived on the Southside, often in tarpaper shacks, tents, and barracks that lacked ventilation. Lane noted that because the Gary Land Company largely neglected this area, landlords “took advantage of the housing shortage and absence of health regulations or building codes by charging inflated rents and selling property under fraudulent liens.” This marshy region, deemed the “Patch,” attracted “mosquitos, and the pestilential outhouses, unpaved alleys, damp cellars, and overcrowded dwellings were breeding grounds for typhoid, malaria, and tuberculosis.”

Polish children by settlement houses, Gary, Indiana, ca. 1915, Joan Hostetler Collection, accessed The Indiana Album.

Lane noted that immigrant families on the Southside organized into “shanty” communities, where they “stuck together but adjusted their old-world lifestyles to new circumstances.” Sometimes various ethnic and racial groups socialized, and even learned from one another, as Black residents taught immigrants English and vice versa. Lacking access to the opportunities and amenities of the Northside, rampant crime and vice arose as “laborers entered the omnipresent bars armed and ready to squeeze a few hours of action into their grim lives.” Segregated from its inception, Gary’s social construction ultimately resulted in its implosion.

Reverend William Seaman, accessed Flikr. This image also appears in The Gary Post-Tribune, October 1, 1926, 9.

In the burgeoning metropolis, the aforementioned First Methodist congregation met in local schools, businesses, and an abandoned factory before constructing a church on the corner of Adams Street and Seventh Avenue in 1912. With rapid socioeconomic and demographic change taking place in Gary, the church, under the vision of white pastor William Grant Seaman, initiated plans in 1917 to move into the heart of the city. A native of Wakarusa, Indiana, Seaman earned his B.A. from DePauw University and his Ph.D. from Boston University. After ministering and teaching in various states, the pragmatic pastor relocated to Steel City in 1916 at the request of Chicago Bishop Thomas Nicholson.

Seaman, nicknamed “Sunny Jim” for his disposition, contended that Gary’s Methodist church had an obligation to ease the challenges faced by the:

industrial worker . . . often suffering injustice;

the foreigners within our boundaries . . . They represent some fifty different race and language groups;

our brothers in black, coming from the Southland in a continuous stream;

our own white Americans, who come in large numbers from the village and the farm.

He noted that this ministry was especially important, given that many urban churches had relocated to Gary’s outskirts as the city grew more congested. According to historian James W. Lewis, Reverend Seaman felt “the modern city was plagued by a breakdown of traditional community and social control, resulting in an anonymous, mobile, materialistic, hedonistic population.” He therefore believed that it was the church’s responsibility “to develop programs which would provide some of the support, guidance, and satisfaction characteristic of traditional communities.”

Worker at Tin Mill, American Sheet and Tin Plate Co., January 28, 1921, accessed U.S. Steel Gary Works Photograph Collection, 1906-1971.

Compassionate and industrious, Seaman felt called to meet the “religious and creature-comfort need[s]” of the laborers and their families who poured “in great human streams through the gates of these mills.” However, his beliefs about the city’s newcomers, particularly the African American population, are problematic by today’s standards. He felt that white church leaders were best qualified to uplift the growing Black population, writing in 1920 that “colored people are very ignorant, and to a surprising degree morally undeveloped, and this fact is true of a very large number of their preachers.” Seaman justified the need for white leadership by citing rumors that Black-led denominations “are cultivating in their people a sense of being wronged.” Like Gary’s Stewart Settlement House (on which he served as a board member), Seaman’s intentions seem two-fold: to implement social control in a diversifying city and to provide humanitarian aid.

Lewis noted of Seaman and other white leaders:

Although their perception of the cause was often flawed and their service of it often mixed with other motives, their actions revealed their conviction that the church should be a prominent force for good, even in the modern city.

While Seaman held a paternalistic view of the Black community, his efforts to combat racism drew the ire of the Ku Klux Klan. Seaman opposed showing the film Birth of a Nation, which reinforced stereotypes about the supposed inherent savagery of African Americans. He also tried unsuccessfully to convince the Methodist Hospital to admit Black patients.

Top: Construction of City Methodist Church; (L) ceremony to lay the church cornerstone (R) Bishop Frederick D. Leete speaking at ceremony (Rev. Seaman sits in light hat), 1925, accessed DePauw University Archives.

The ambitious pastor quickly got to work, meeting with leaders of the Centenary of Methodist Missions and the U.S. Steel Corporation to drum up support for a downtown church. His lobbying paid off and both groups donated approximately $350,000 to build an “oasis” that would be open seven days a week. In October 1926, Seaman’s vision was realized when City Church—as the First Methodist Episcopal’s downtown church came to be called—opened to much fanfare. Reporters marveled at the ornate cathedral, which boasted of a social-educational unit, gymnasium, rooftop garden, tennis court, and community hall equipped with a “moving picture outfit” and modern stage. It also contained retail stores and a commercial cafeteria, which generated income for church expenses. This was necessary, Seaman said, because the downtown church ministered to groups having fewer resources with which to support the sanctuary.

Although Sunny Jim sought inclusivity, records indicate that the congregation remained white until the church’s closing. Conspicuously absent from photographs of pews lined with worshippers—hair bobbed and suits pressed—were members of color. While Black residents did not bow their heads in prayer beside white congregants (who likely did not welcome their presence), they did utilize City Church’s amenities. According to Lewis, Seaman was fairly successful in promoting the community hall “‘as a religiously neutral ground for artistic and civic events,’” although “there was little mixing of cultures.”

Gary, City Church — Basketball game at City Church, no date, accessed DePauw University Libraries, Digital Library.

City Church tried to navigate race relations in a polarized city, to some degree, opening its doors to civic, social, and spiritual gatherings. In 1927, the church hosted a race relations service, in which members and pastors of African American churches Trinity M. E. and First Baptist shared in services. Reverend Seaman delivered the principle address, stating “We shall make no progress toward race union . . . until we view each other as God views us, children of the same Father and brothers all.” After toiling in factories, Swedes, Mexicans, and Croatians gathered at City Church to study, worship, and play. Romanian children, “Americanized” at schools like Froebel, congregated in the church gym to socialize and shoot hoops.

Production at City Church, courtesy of DePauw University Archives, accessed Opacity.

When Reverend Seaman left in 1929 under unclear circumstances, the church turned inward and ministered less frequently to Gary’s immigrant and Black populations, especially during the demanding years of the Great Depression and World War II. Unfortunately, Gary’s Negro YMCA closed and African Americans were the first to be let go at the mills, making churches and relief organizations more crucial than ever. Resentment built among Gary residents as they competed for government support, resulting in the voluntary and forced repatriation of Mexican workers on relief rolls. The church did offer programs where weary (likely white) residents could momentarily forget their troubles, hosting Gary Civic Theater plays and an opera by a renowned singer.

Church records from the early Atomic Era denote renewed interest in ministering to the church’s diverse neighbors. The degree to which the church took action is unclear, although advertisements for Race Relations Sunday indicate some walking of the talk.* City Church photographs document an immunization clinic, which served both African American and white children, as well as cooking classes for Spanish girls. It is clear, however, that, despite the efforts of some City Church pastors, members of the white congregation largely did not support, and sometimes opposed, integrated Sunday mornings. With Steel City’s influx of African Americans and immigrants in the 1950s and 1960s, Gary’s white population fled to the suburbs, depleting the urban core of tax revenue. City Church members belonged to this exodus. Tellingly, on a 1964 survey, Rev. Allen D. Byrne appears to have checked, only to erase, a box noting that the church ministered to racial groups.

Immunization Clinic hosted by City Church, no date, courtesy of Calumet Regional Archives.

This changed temporarily with the leadership of Reverend S. Walton Cole, who perhaps came closest to fulfilling Reverend Seaman’s mission, with his 1964 appointment. Cole wrote frequently in City Church’s newsletter, Tower Talk, about confronting one’s personal prejudices and the role of the church in integrating minority groups. Unafraid to confront social issues, Cole argued at a Methodist Federation meeting, “We are not socialists and communists when we talk about moral problems in our nation. Wouldn’t Jesus talk about poverty if he walked among us today?” Under Cole’s pastorship, the church hired Aurora Del Pozo to work with Gary’s Spanish-speaking population. Such efforts, Tower Talk reported, went a long way in understanding their Hispanic neighbors, noting “we were introduced to the viewpoints and attitudes held by these Spanish speaking people that were a surprise to most of us.”

Cole, addressing the trend of church members to “shut their ears and eyes” and move out of the city, noted in 1966:

Hate is the strongest of all. We hate the Negroes, the Puerto Ricans, the Mexicans, the Irish, the English, the Germans, the French. We hate the Jews, the Catholics, the Baptists, the Methodists, the Presbyterians, the Republicans, the Democrats, the Socialists. We hate everybody, including ourselves. This is the way of the world, the secular world.

Reverend S. Elbert Cole, accessed DePauw University Archives.

He countered that the Christian way centered around demonstrating love and hope for all. The NAACP awarded Reverend Cole with the first Roy Wilkins award for his work in civil rights. During his pastorship, the church worked to redevelop the downtown area, striving to “maintain a peaceful and developing community by improving race relations.” But this same year, fugitive James Earl Ray assassinated Martin Luther King Jr. in Memphis, setting off a string of riots across the country. Riots in Gary’s Midtown section, formerly the Patch, that summer resulted in gunfire, looting, and burning. Gary’s first African American mayor, Richard Hatcher, contended “‘slum conditions in the city and inequalities in education and employment have fostered the tenseness'” that led to the riots.

Gary Mayor Richard Hatcher (arms crossed) and Reverend Jesse Jackson (at the podium) at a press conference for the National Black Political Convention, March 11, 1972, AP/Charles Knoblock, accessed Belt Magazine.

Some of Gary’s African American residents got involved in the Black Power Movement, which arose after decades of educational, political, and housing discrimination. The movement espoused racial pride, social equality, and political representation through artistic expression and social (and sometimes violent) protest. In 1972, Gary hosted the National Black Political Convention, which drew over 10,000 Americans of color. State delegates and attendees—comprised of Black Panthers, Socialists, Democrats, Republicans, and Nationalists—hoped to craft a cohesive political strategy to advance Black civil rights. This event highlighted Gary’s polarization along racial lines, which became so profound that City Church reported in the 1970s: “Evening sessions are difficult without police protection. Most folks are afraid to come downtown.” This schism was perhaps inevitable, given that city planners constructed Gary around the color of residents’ skin. As City Church membership sharply declined, church leaders realized they needed to build meaningful relationships with the local community.

It became apparent they had waited too long. The 1973 Pastor’s Report to the Administrative Board noted:

Most residents in the immediate area will already have found a convenient church where they are welcome . . . Furthermore Blacks are not likely to come to a church which they ‘feel’ has excluded them for several years. The neighborhood may have continued to change from one social class group to another, so that there is an almost unbridgeable gap between the white congregation and the persons living in the community.

A survey of urban church leaders cautioned in 1966 that, regardless of resources or mission, a white church in a Black neighborhood could only carry on for so long, that the “ultimate end is the same. THE CHURCH DIES!” City Church leaders considered merging with a local Black church, but when community interviews revealed that minority groups did not trust the church, leaders decided to close in 1975. Die it DID.

City Methodist Church, April 26, 2017, accessed City Savvy Imaging.

After decades of decomposition, philanthropic organizations and city leaders have turned their attention to redeveloping the building. After all, as Professor Dotson warns, Gary is in jeopardy of the “eminent collapse under the weight of its own history.” As of now, the most likely outcome involves stabilizing the building and converting it into a ruins garden. A supporter of the ruins concept, Knight Foundation’s Lilly Weinberg, seemingly invokes Reverend Seaman with her statement that “Creating spaces for Gary’s residents to meet and connect across backgrounds and income levels is essential to community building.” Some in Gary oppose this plan, arguing that if the city receives funding it should be allocated to existing African American churches that need structural support, rather than one that ultimately abandoned the Black community.

Regardless of City Church’s fate, Ball State Professor Olon Dotson argues it is crucial that Gary’s legacy of segregation is incorporated into its story “for the sake of the young children, attending 21st Century Charter School at Gary, who look out their classroom windows, or wait for their parents every day, in front of the abandoned ruins of a church, in the midst of abandoned Fourth World space.” If the ruins embody Gary’s past, what is done with them now could signify Steel City’s future.

For a list of sources used and historical marker text for City Church, click here.

* Without the digitization of Gary newspapers, and given the lack of documentation of Gary’s Black residents during the period, it is difficult to give voice to those City Church attempted to reach. Pastor Floyd Blake noted in 1973 that the church conducted over 100 interviews with Black, white, and Spanish-speaking residents regarding their perception of City Church. Although we have been unable to uncover them, they could provide great insight. Please contact npoletika@library.in.gov if you are aware of their location.

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