“Walk a Mile in Their Pumps:” Combating Discrimination within Indy’s Queer Community

Famous Door Kick Line
Performers at The Famous Door, an Indianapolis club known for its drag shows, ca. 1975, accessed The Michael Bohr Collection of the Indy Pride Chris Gonzalez Library and Archives, courtesy of the Indiana Historical Society.

“In our endeavors to attain social justice, we cannot afford the
destructive luxury of discriminating against one another.”

Justice, Inc., an LGBTQ+ rights organization, issued this statement in 1989 after some gay bars in Indianapolis refused to serve cross-dressing and transgender individuals.[1] The city’s queer community had already encountered and protested numerous challenges posed by law enforcement, including police harassment, surveillance of cruising sites, and possible prejudiced police work as homicide rates increased for gay men. Although gay bars afforded a degree of shelter from discrimination, not all were afforded the opportunity to patronize them.

While examining Indiana’s gay newsletter The Works, I came across recurring incidents of discrimination within Indianapolis’s queer population. In 1973, outspoken transgender rights activist Sylvia Rivera drew attention to these incidents on a national level at New York City’s Christopher Street Liberation Day Rally. Rivera had helped found the Gay Liberation Front and, with her friend Marsha P. Johnson, the Street Transvestite Action Revolutionaries (STAR) in NYC, which provided desperately-needed shelter and food for homeless trans youth.

In addition to advocating for people of color and the impoverished, Rivera advocated for white, middle-class men and women jailed because of their sexual orientation and/or gender identity. She also fought for the women’s liberation movement. Despite this, she was shunned for her attempts to include trans individuals in the broader gay rights movement. She famously addressed this ostracism after pushing her way on stage at the Liberation Day Rally. There, she passionately addressed the crowd, stating “I have been beaten. I have had my nose broken. I have been thrown in jail. I have lost my job. I have lost my apartment for gay liberation and you all treat me this way?” Her speech was met with a smattering of jeers and applause.

However, marginalized individuals within the queer community have been increasingly recognized through public artwork, Netflix documentaries, and seminars like The New Republic’s recent “Sex Workers as Queer History”. Cecilia Gentili, founder of Trans Equity Consulting and transgender actress in the Netflix show POSE, recalled in the seminar that gay men had significant power over transwomen and if you “weren’t fabulous enough” then you couldn’t get in the bar. She likened these experiences to the “criminalization of gender.” In this post, I examine similar incidents in Indianapolis, as well as strategies employed by the victims of discrimination to help secure rights for all.


Kerry Gean, dressed as the “woman I am deep inside of my biological male self,” and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served. After Gean’s experience, she asked readers in an editorial for The New Works News “Are we now turning against ourselves? Can we forget what it feels like to be barred from a public place by the owner, or even a bartender, who has some reason to hate us for the hard but true choices we have made?”[2]

Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. He crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. When the officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer.[3] 

Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.” Alyson noted, “There were ‘genetic females’ in the bar on the night I visited it” and asked “Am I somehow more of a ‘threat’ to the bar’s image than a woman born?” Reflecting Gentili’s recollection, Alyson wrote “We, the greater gay community, are seeing a disturbing trend in that ‘gay rights’ seem only to apply to gays and lesbians who ‘fit in.’” Simply put, “Gay rights are human rights, and they apply to all of us!”[4]

Indianapolis police liaison Shirley Purvitis, one of the first to be appointed in the nation, organized a meeting to try to resolve issues between “certain segments of the gay community” and local gay bars. These bars included Our Place, 501 Tavern, and The Varsity. She noted later that “one of the most effective ways to fight discrimination was to ‘shut up and listen to what the other person has to say.’” Bar Owners, members of the Indiana Civil Liberties Union and Justice, Inc., IPD vice officers, and members of the Indiana Crossdresser Society (IXE) attended the meeting, which was, “as expected, confrontational from beginning to end.”[5]

Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

As to claims that individuals were being denied entrance due to discrepancies between their photo I.D. and their physical features, Excise Chief Okey stated that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.” Other bar owners stated blatantly that they refused to admit these patrons, not because they feared breaking excise laws, but because they intended to “‘preserve the established atmosphere of their bars.'”[6] A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Gay TV producer Gregory McDaniel denounced this reasoning, stating, “‘What I’m hearing now is exactly what I heard 20 years ago when attempts were being made to keep blacks out of Riverside Park and other public places.'”[7] Aside from being morally wrong, McDaniel alleged this discrimination halted momentum in the broader fight for gay equality, noting, “The wire services have picked up these stories. This shows the dominate [sic] society that we are not unified and that they are safe in oppressing us.”

David Morse, manager of Our Place, stated at the meeting that he felt “‘very much trapped in the middle.’” He tried to reconcile the needs of both parties, “perhaps naively,” by establishing the dress code and I.D. policy. However, he noted that he “‘learned many lessons'” from the ensuing discussions. [8] Perhaps fear of losing the bars they fought so hard to establish—whether by mistakenly breaking excise laws or drawing unwanted attention to the establishment—owners implemented discriminatory policies. Unfortunately, the meeting to discuss these policies ended without much resolution.

Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

IXE met separately with Justice, Inc. to address the issue and one observer at the meeting speculated that “perhaps one reason that the crossdressers were causing such a stir in the ‘male’ bars” was because they looked:

‘too good and too much like natural, normal women and a far cry from the narrow gay-oriented perception of what “drag queens” look like. Perhaps some of the shakier ‘male’ egos couldn’t handle this unaccustomed image.’ [9]

By September, there seemed to be a bit more acceptance, as Our Place admitted Roberta Alyson, who by then had two pieces of “‘official’ feminine'” identification. The newsletter reported that Tomorrow’s and Jimmy’s had also been more welcoming.[10] McDaniel also commented that the The New Works News‘s extensive coverage of the discrimination showed that the community could be “introspective and self-correcting.”[11]

The New Works News (July 1989): 7, accessed Chris Gonzalez GLBT Archive, IUPUI Library.

Sharon Allan, of IXE, decided to affect change by sitting down with bar employees. She met with Brothers manager Michael David to ask if their policy that identification had to match one’s appearance was implemented uniformly. After he said yes, Allan informed him that she “had been in the bar four times, after work and in a tie and had never been asked for ID.” Allan reported to the New Works News that “Michael immediately saw the lack of universality in their policy and promised to speak with the owner at the next staff meeting.”[12]

Capitalizing on the positive momentum, Justice, Inc. hosted the second “Discrimination Within the Gay Community” workshop in December.[13] While the turnout was low, and bar employees noticeably absent from the meeting, attendees reported that most bars had “reversed” their discriminatory policies. At the meeting, Gary Mercer, of Goshen, quipped “’Before you judge other people in the gay community, you better walk a mile in their pumps.’” Gay Cable Network’s Eric Evans agreed, noting that “‘discrimination is usually the result of ignorance.'” He suggested ongoing education for “both the gay and straight communities.” This, he said, could be accomplished through television programming and by forming a Gay Community Center.[14]

While awareness and dialog did not end prejudice entirely within Indy’s queer community, reported incidents diminished in The New Works News. Genny Beemyn notes in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged, “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”[15] Still, activists fought an uphill battle for inclusion, as the “March on Washington” steering committee voted overwhelmingly to leave them out of the  1993 “Lesbian, Gay, and Bi Equal Rights and Liberation” march, despite support from bisexual allies.[16]

New York dedicates East River State Park to LGBTQ activist Marsha P. Johnson
Rendering of Marsha P. Johnson State Park, courtesy of the New York State Parks, accessed timeout.com.

Discrimination and violence against transgender individuals, especially those of color, endures, although largely waged by those outside of the queer community. However, public recognition of those marginalized within the community has increased, to some extent. In 2019, New York City announced it would honor drag queens and transgender rights activists Sylvia Rivera and Marsha P. Johnson with monuments. Scott W. Stern and Charles O’Malley noted in their 2019 “Remembering Stonewall as It Actually Was—and a Movement as It Really Is” that the decision:

reflects a dawning awareness (among those in positions of power) that the LGBTQ movement was always more diverse, more radical, and more closely connected with other social movements than is commonly believed.

Along with the statues of Rivera and Johnson, New York Governor Andrew Cuomo announced in August 2020 that the Marsha P. Johnson State Park, located along the East River, would be dedicated. This will be the first state park in the US honoring an LGBTQ+ individual, as well as a transgender woman of color. Stern and O’Malley argue that we should examine and commemorate those at the margins of equal rights movements not simply for history’s sake, but because “More accurate renderings of the past inform the way we act in the future; they inform whose lives we prioritize in the present.”[17] That is why we should be aware of Roberta Alyson and Kerry Gean, whose determination to transform humiliating experiences into policy change helped open the door to acceptance for other transgendered and cross-dressing individuals in Indianapolis. They remind us of the importance in engaging in conversations with “the other.”

*The professional study of LGBTQ+ history is relatively new.  We welcome feedback regarding accuracy and terminology, especially given the challenges in locating primary sources and the evolving conception of what comprises the queer community. We are especially interested in documenting lived experiences from a variety of perspectives.

[1] “Justice Investigation Calls for Uniform Bar Policies,” The New Works (October 1989): 8, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[2] “Varsity Drag,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[3] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[4] Roberta Alyson, “Crossdresser’s Visit to Our Place,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[5] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[6] Ibid.

[7] Ibid.

[8] Ibid.

[9] “IXE Meets with Justice,” The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[10] Gregory McDaniel, “Courageous Clear Thinking,” The New Works News (September 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[11] Ibid., 3.

[12] Sharon Allan, “No Discrimination Intended at Brothers,” The New Works News (October 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[13] “Justice Discrimination Workshop,” The New Works News (December 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[14] Ibid.

[15] Genny Beemyn, “Transgender History of the United States,” in Laura Erickson-Schroth, ed., Trans Bodies, Trans Selves (Oxford University Press, 2014), p. 28, accessed umass.edu.

[16] Ibid., 29.

[17] Scott W. Stern and Charles O’Malley, “Remembering Stonewall as It Actually Was—and a Movement as It Really Is,” The New Republic (June 24, 2019), accessed newrepublic.com.

[18] Ibid.

Gloria Frankel & The Seahorse: The South Bend LGBT Club’s Fight for Gay Rights

In 2015, Mayor Pete Buttigieg of South Bend announced in a South Bend Tribune op-ed that he was gay, making him Indiana’s first openly gay mayor. Four decades before Buttigieg’s announcement, the city reportedly outlawed same-sex dancing. In 1974, Gloria Frankel and her gay club, The Seahorse Cabaret, withstood police harassment, challenged regulations against LGBT individuals, and endured a firebombing. In this post, we explore the fight for gay rights in the Michiana area and the intrepid woman who lead the charge.

Gloria Frankel (right) and friend, circa 1950s, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.

According to Ben Wineland’s “Then and Now: The Origins and Development of the Gay Community in South Bend,” Frankel opened South Bend’s first gay club in the early 1970s. Its opening followed the famous Stonewall Riots of 1969, in which members of New York City’s LGBT bar community responded to a police raid with a series of violent protests. The riots immediately forwarded the gay liberation movement and the fight for LGBT rights in America. LGBT individuals in smaller cities capitalized on the momentum by opening bars that fostered gay communities and provided them with a relatively safe space for entertainment, dialogue, and activism.

Frankel filled this role in South Bend with The Seahorse. She hosted shows and events, and distributed fliers for them, an act “which embodied the new kind of confidence and visibility that the Stonewall riots helped to create.” Also like those who frequented the raided Stonewall Inn, patrons of The Seahorse encountered an intimidating police presence, in which officers would “‘walk around and make people nervous. ‘Cause it was a gay bar'” (Wineland, 74). In 2005, Frankel recalled “I always wanted to open a bar where gay people openly socialized with each other. Back when I first opened the bar, people were ashamed of who they were and frightened of the severe consequences if they were found out. And at the time, being caught in a gay bar would land you in jail and lose you your job.” Wineland contended that The Seahorse was considered a threat by law enforcement because it “became more than just a hole in the wall, it looked to the opposition like hope; a hope for visibility, mainstream appeal, and a point of organization for the gay movement.”

Lambda Society of Michiana, newsletter, February 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.

According to oral history interviews with Seahorse patrons-conducted by Katie Madonna Lee, producer of a forthcoming documentary about the club-a city ordinance prohibited same sex dancing until 1974. One interviewee recalled that if men were found dancing or being affectionate they would be arrested, escorted to the police station, and charged with a lewd act. According to these interviews and Frankel’s obituary, Gloria combated this by successfully challenging the City of South Bend to allow same sex dancing. More research should be undertaken regarding her reported legal battle. The Lambda Society* of Michiana was also concerned with laws discriminating against the gay community, urging newsletter readers in 1974 and 1975 to write their legislators.

Lambda Society of Michiana newsletter, p.4, February 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.

In a May 1974 newsletter, the organization noted a desire to evolve from social objectives to those also involving advocacy. It noted that the organization was founded “because gay is more than sexual preference, and because gay can be more than just an alternative life style. Lambda has struggled through nine months offering little more than social functions as an alternative to the bars, baths, and bus station.”

Newsletter articles about the 1974 Indiana Gay Awareness Conference in Bloomington, Indiana give a window into the origins of mobilized political action for Michiana’s LGBT community. One article noted that after discussing issues that gay individuals encountered with their families, police, landlords, and employers, the decision was made to “address the problem, which is not that we are criminals, but how to help others deal with their problems with homosexuality.” There was a panel discussion regarding “Gayness and the Law” and efforts were made to aid attorneys handling related cases. When discussing Indiana laws “hope was expressed that in the re-codification of our criminal code, consenting adult acts will be eliminated.” Notably,

mention was made that Illinois and Ohio have already removed consenting acts by adults from the criminal statues, that legislation is now pending in Michigan, and Kentucky is also considering some similar action, leaving Indiana ‘an island of persecution.’

Cover of TIME.com, September 8, 1975, a year of national conversation about gay acceptance.

The conference also held sessions about topics such as “Telling Your Parents,” “Professionals,” and “Racial Problems.” One newsletter author reflected candidly that “to say that this conference produced any dramatic changes or systems for dramatic changes, would be wrong.” However, it planted the seeds for unified efforts to change perspectives about homosexuals. The newsletter article noted that the conference showed “groups and individuals that there are others in our state willing to meet and try for change. As with all new associations, time and experience with each other and ourselves will cement the relationship into a working coalition for change.” The author concluded by stating “I learned more about others and my own attitutes [sic] towards homosexuals and straights. . . . we all joined hands in a circle, raised them high, singing We Shall Overcome – I was frightened – I was thrilled – I couldn’t have done that 24 hours earlier.” A 1975 newsletter illustrated some community support, printing an invitation from the Michiana Metropolitan Community Church, whose objective was to “better relationships amongst ourselves and within the community around us.”

Sea Horse II, moving announcement, 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.

Frankel too sought to forward the rights, identity, and well-being of the gay community. This may have been the motive behind someone stealing her car and setting it on fire in 1975. That year, a “Concerned Patron” wrote to the South Bend Tribune that the bar had to board its windows due to “rock and bottle throwing incidents” and that patrons only entered through the front door as a safety precaution. Nevertheless, Frankel’s Seahorse hosted Michiana Lambda Society events and successfully grew the local LGBT community, underscored by having to open The Seahorse II to accommodate an increase in patronage. Frankel also served as an unofficial mentor to others in South Bend who established gay bars, such as Jeannie’s Tavern and Vickie’s. She advised her “bar children” and had significant input regarding their businesses.

The Seahorse suffered a blow in 1982, when it was firebombed by an unidentified arsonist at 6:30 a.m. Residents who lived in apartments above the bar fled and one was hospitalized. Although firefighters contained the flames to the front of the building, it suffered approximately $90,000 worth of smoke damage.

The Seahorse after firebombing, 1982, courtesy of The Seahorse Facebook page.

Though devastating, the bombing demonstrated the solidarity of the South Bend’s LGBT community. According to code, the bar would be shut down if it could not get back to standards within ten days. Members of the community rallied to repair and clean it, shocking officials by getting the club back to code and reopening within the allotted time. They celebrated by hosting their annual anniversary party.

In the mid-1980s, the city used code enforcement to stymie Seahorse operations. This included denying the routine renewal of a liquor license and challenging the acquisition of a parking lot for customers. The Seahorse perceived these actions to be discriminatory, while the city insisted they were not.

Frankel continued to serve as a pillar of South Bend’s gay community when she led the local fight against HIV/AIDS in the early 1990s, funding AIDS ministries and making The Seahorse a cite of free HIV testing. Frankel stated “At that time gays were being terribly discriminated against, and many were afraid to go [to] the health department to get tested. So with the help of some friends, we cleaned up the back garage and turned it into a counseling center.”

The Seahorse continued to be foundational to South Bend’s LGBT community until 2007, when Frankel passed away. The club closed shortly thereafter and Jeannie’s Tavern became the home of Seahorse patrons and performers. However, Frankel’s pioneering efforts established South Bend’s enduring LGBT community.

The Seahorse Cabaret stage, courtesy of The Seahorse Facebook page.

*Lambda Legal Non-Profit Organization was founded in 1973 as “the nation’s first legal organization dedicated to achieving full equality for lesbian and gay people.”

Editor’s Note: An earlier version of this blog, citing an oral history, suggested the profession of the arsonists. Also citing the same oral history, the blogger stated that Frankel erected a wall around the bar for protection. Former employees of the bar at the time of the arson have called into question the veracity of the oral history’s claims on these two points. In an effort for us to present an accurate account of the historical events, we have edited the blog accordingly.

Sources:

Conversation with Margaret Fosmoe, a South Bend Tribune reporter who graciously searched the newspaper’s archive for articles for this post.

Conversation with Katie Madonna Lee, producer of a forthcoming documentary about The Seahorse. Lee has conducted interviews and done extensive archival research about South Bend LGBTQ history.

Diane Frederick, “Homosexuality Laws Vary Widely,” Indianapolis News, August 22, 1975, 1, Indiana State Library, Clippings File-Homosexuality.

The South Bend Tribune, September 4, 1975, accessed Newspapers.com.

“The Seahorse,” The South Bend Tribune, September 11, 1975, accessed Newspapers.com.

Kathy Harsh, “Arson Suspected in Tavern Fire,” South Bend Tribune, November 26, 1982, Indiana State Library, microfilm.

St. Joseph County Public Library, Michiana Memory, LGBTQ Collection of the Civil Rights Heritage Center.

“Frankel Reaches 2 Milestones,” The South Bend Tribune, April 28, 2005, accessed Newspapers.com.

Ben Wineland, “Then and Now: The Origins and Development of the Gay Community in South Bend,” Indiana University South Bend Undergraduate Research Journal of History, vol. VI (2016): 69-79, accessed scholarworks.iu.edu.