“Bertita Harding Is Satisfied With Movie Based on Her Book,” Indianapolis News, June 5, 1939, accessed Newspapers.com
Before social media instantly familiarized people with new cultures, Bertita Harding endowed Americans, and specifically Hoosiers, in the 1930s and 40s with illuminating accounts of Europe’s and South America’s rich, sometimes volatile past and present. The Hungarian author spoke five languages, interviewed dictators, and witnessed the gleam of royal jewels. Her experiences compelled her to author more than a dozen lucrative books, mostly biographies. Indianapolis firm Bobbs-Merrill published most of her books. Bertita brought a fresh approach to biography, giving depth to royal figures, illuminating their motives, and endowing them with humanity. Her life was as interesting and tragic as the royal figures about which she so aptly wrote.
The “adopted Hoosier” was born in Hungary and moved to Mexico when her father was solicited to work as an engineer in Mexico City. As a child, she grew intrigued with the story of ill-fated Carlotta and Maximilian, Emperor and Empress of Mexico. The story is worthy of a Shakespearean quarto:
Austrian archduke Ferdinand Maximilian Joseph accepted the offer of the Mexican throne in 1863, having been assured that the Mexican people voted for his governance. However, he was installed into power through the collusion of Mexican conservatives and the French emperor, against the wishes of many Mexicans. He and his beloved wife Carlotta traveled to Mexico, where the liberal-minded emperor tried to rule with “paternal benevolence,” working to abolish the peonage system. When French troops pulled out of Mexico, and former Mexican president Benito Juarez returned, Carlotta fled to Europe to fruitlessly plead for support of her husband. Unwilling to abandon the impoverished people he had advocated for, Maximilian refused to abdicate the throne. He was executed near Queretaro, devastating his wife who remained in Europe. She fell into a debilitating depression and never recovered, refusing to acknowledge his death.
Bertita’s house was adjacent to the city’s Chapultepec castle, where the royal couple lived. The Indianapolis Star noted that “Each night as she went to bed she saw from her nursery window a light gleaming on the terrace of the somber castle, and she learned that there the beautiful Empress and her imperial husband had walked on starry nights.”
In 1909, Bertita, along with her mother and two brothers, journeyed to Vienna with a “mysterious black trunk.” Emperor Maximilian’s brother Frans-Joseph received the trunk, revealing to Bertita’s mother the jewels and insignia worn by the tragic royal couple. For returning the goods to the House of Hapsburg, Frans-Joseph bestowed Bertita’s mother with the signum laudis award for service to the crown. Bertita’s brushes with royalty proved to be the inspiration for many of her works.
Bertita traveled to the United States for school, training to be a pianist at the University of Wisconsin, where she met her husband Jack Harding. The couple moved to Indianapolis, where he worked as an executive at Harding Advertising Company. Eventually, the pair applied their literary gifts to writing film scripts in Hollywood. The Indianapolis News recalled in 1957, that Bertita “espoused the role of a young Hoosier wife and blithely entered local activities . . . She had a rare gift for being folksy and fabulous, cozy and continental at the same time.” Here, they participated in the Lambs Club, Athenaeum, and Players Club.
In a 1958 Anderson Herald article, Bertita stated that after her children were killed in an accident her husband encouraged her to write, an endeavor she found more convenient than practicing the piano. She mused “‘I’ve put a cake in the oven and gone over in my desk to write. If the cake burned, the chapter turned out to be a masterpiece. If the chapter was bad, the cake was delicious. And many times both turned out just right.'”
Ill-fated royal couple Empress Carlota and Emperor Maximilian, photographic print on carte de visite mount, created ca. 1864-1880, courtesy of the Library of Congress.
In 1934, Bobbs-Merrill published her literary jewel, Phantom Crown: The Story of Maximilian and Carlotta of Mexico. At a talk for the Women’s Club in Richmond, Indiana in 1934, Harding stated that as a little girl in Mexico City she interrogated former ladies-in-waiting for the royal couple about their fates. The adopted Hoosier added “I could visualize how they felt-transplanted Europeans, somewhat bewildered.” Harding penned the impeccably-researched biography in her Indianapolis apartment, writing methodically from 9 a.m. to 4 p.m. She recalled “As I wrote the book sometimes I would laugh at my own jokes, and sometimes I would cry with sympathy for them, and I loved to think my own book could arouse such sympathy in myself.”
With the success of Phantom Crown, Harding cemented her place in the Hoosier literary canon, residing among a prolific list of Indiana poets, playwrights, novelists, travel writers, and journalists. These included novelist Booth Tarkington, author Gene Stratton-Porter, and poet James Whitcomb Riley. The book she described as “manifest destiny” created a demand for Bertita’s unique perspective. She went on the lecture circuit, speaking to clubs around the country about her experiences. The Muncie Evening Press noted in 1935 that with these lectures she took audiences on a vivid tour through Mexico and Europe, showing them “‘the small out-of-the way, pieces of art and works of beauty to be found in such travel.'” Listeners traveled down the Danube into Hungary and then Vienna, where they experienced picturesque domes and woodcarvings, before arriving at French convents. Of Germany, she remarked it “‘is too far advanced, with far too much intellect as well as sentiment, to provide the obscure forms of art . . . Their great capacity is for work.'”
By 1939, the story of the ill-fated lovers proved so popular that Warner Brothers adapted Harding’s book into a film called “Juarez,” starring Bette Davis. According to the Indianapolis News, Harding threatened to sue the studio for failing to give her screen credit, but the parties came to an agreement and Harding described “Juarez” as a “‘beautiful picture.'” Harding noted that the film’s theme had been adapted to “fit modern conditions” and that, during a time of Hitler-led German aggression, Warner Brothers was advocating for “America and the Constitution right now, so ‘Juarez’ just had to fit in.” Harding contended that “Juarez” was obviously made in the vein of anti-fascist film Confessions of a Nazi Spy.
Harding followed Phantom Crown with additional biographies about theHouse of Hapsburg, such as Golden Fleece: The Story of Franz-Joseph and Elizabeth of Austria and Imperial Twilight: The Story of Karl and Zita of Hungary. The Indianapolis Recorder, an African-American newspaper, praised Harding’s writing, noting “Stiff, regal figures become understandable, human-beings. Royal mazes are unraveled. Motives for strange actions grow lucid.” The newspaper added that “A flawless instinct for drama makes the utmost of every event without the slightest strain.”
Harding’s life and books seemed to place her on the perimeter of political and military upheaval. In October 1940, she traveled to Brazil to gather material for a forthcoming book. By this time, Nazi Germany had captured France, and the Allied Powers feared that Brazil, which had been fairly politically neutral, could be susceptible to Nazi attack. Harding interviewed Brazilian dictator President Getulio Vargas, concluding that although Vargas was a dictator, Brazilians would never permit a European dictatorship. According to the Indianapolis Star, Harding asserted “I am convinced that, for reasons both sentimental and practical, Brazilians would resist any attempt to give either Naziism or Fascism a foothold in their country.'”
Lt. Col. Jack Harding, Indianapolis News, August 10, 1944, accessed Newspapers.com.
By 1944, Bertita and her husband Lieutenant Colonel Jack Harding, an executive officer of public relations, were fully entrenched in the war effort. That year, the Indianapolis News reported on Jack’s work in England, noting that as an intelligence officer he briefed and interrogated combat crews and laid out the operational plan for air force public relations for the D-Day invasion. In a letter published by the Indianapolis News, the lieutenant colonel illuminated for Americans the sacrifices made by soldiers in France on D-Day.
He wrote stirringly “it is still true that aircraft, artillery, warships and other auxiliary arms all radiate from a common center, one little man with one little gun. This day belongs to the infantryman, may God protect him.” Following the pivotal invasion, Jack accompanied war correspondents on a journey through France. They witnessed the fall of Cherbourg, where “Street fighting, snipers, artillery attacks, as well as a ride through crossfire, added up to part of the night’s work.” While her husband wrote about “those kids of ours,” Bertita helped sell war bonds through a literary group.
She continued to do what she did best–write about royal exiles. Harding published Lost Waltz in 1944, centering around Austria’s Leopold Salvator and his family of ten. The Indianapolis News praised her ability to “place for us these Hapsburgs in the broad movement of our own eventful times, her unusual ability to recreate past scenes and make them live again with the verve and sparkle of fiction, though she never deviates from sober fact.” Other books written by Harding after the war include Magic Fire: Scenes around Richard Wagner and The Land Columbus Loved: The Dominican Republic.
After the death of her beloved first husband, she married Count Josef Radetsky in Vienna in 1957, an ancestor of Austrian nobility. The Indianapolis News reported that the Count’s family estates had been “reduced to poverty” when Communists seized Czechoslovakia in 1948 and that he was working as a taxi driver in Vienna when he met Harding. By 1958, Bertita had made such a name for herself that the Orlando Executives Club nominated her to speak, among other nominees such as FBI Director J. Edgar Hoover. In 1958, her life took another somber twist when a Vienna court found Radetsky guilty of trying to defraud her, sentencing him to eighteen months in an Austrian prison.
Adamant that “age cannot wither you,” Bertita began work on a book about German musician Clara Schumann, which Bobbs-Merrill published in 1961. Bertita passed away in Mexico in 1971, having fulfilled her 1935 dictum that “‘Life comes before letters . . . If life results in writing, that is good: but writing without living is worthless.”
Movie poster for “Chicago” (2002), courtesy of Miramax.com.
“Yes, it was me! I shot him and I’m damned glad I did! And I’d do it again-,” cried Roxie Hart, the achingly beautiful murderess conjured up by reporter-turned-playwright Maurine Dallas Watkins. Inspired by crimes she covered for the Chicago Tribune in the 1920s, Watkin’s 1926 play “Chicago” became an instant hit and has been continuously reinterpreted, from Bob Fosse’s 1970s production to the Oscar-winning 2002 Miramax film. The Crawfordsville, Indiana native’s take on women murderers, who employed charm and theatrics to convince sympathetic male jurors of their innocence, earned the praise of critics and theater-goers. The Los Angeles Times noted that year “critics claim that the play is without a counterpart in the history of the American stage.” In an era of instant, often fleeting social media-derived celebrity, Watkins’ fame-obsessed murderesses who kept the press enraptured seem more relevant than ever.
Maurine Watkins, News-Journal (Mansfield, Ohio), December 14, 1928, accessed Newspapers.com.
Born July 27, 1896 in Louisville, Kentucky, Watkins moved with her family to Indiana and attended Crawfordsville High School. According to a 1928 Indianapolis Star article, she started writing dramas from a young age. At 11-years-old, the Ladies’ Aid Society of the Crawfordsville Christian Church presented her “Hearts of Gold,” which generated $45. The St. Louis Star and Times described Watkins in 1928 as “simply dressed, with big, innocent-looking blue eyes and an exceedingly shy manner.”
After studying at Butler University in Indianapolis and Hamilton College in Lexington, Kentucky, she sought experiences about which she could write and contacted the city editor of the Chicago Tribune. The newspaper, convinced by Watkin’s zeal, hired her to write about the city’s crimes from a “woman’s angle.” Her eight month stint as a “sob sister,” or women journalists who wrote about female criminals and were often sympathetic to their crimes (although not in Watkins’ case), inspired her to write “Chicago.” She described the piece as “‘a composite of many different happenings, while Roxy the heroine, was drawn from one of our leading ‘lady murderesses’-the loveliest thing in the world, who looked like a pre-Raphaelite angel, and who shot her lover because he was leaving her'” (Ind.Star).
Beulah Annan in a Chicago jail cell immediately following her arrest for the murder of her lover, courtesy of the Indianapolis Star, April 29, 1928. Watkins covered the 1924 trial for the Chicago Tribune and served as inspired for her play, accessed Newspapers.com.
This murderess was one Mrs. Beulah Annan of Chicago, who confessed to killing her lover Harry Kalstedt. She was pronounced not guilty by a jury, swayed by her innocent persona and “man-taming eyes.” While Annan served as the inspiration for “Chicago,” the name of the play’s protagonist Roxie Hart was likely borrowed from a 1913 murder in Crawfordsville involving the lover of the deceased Walter Runyan. Like Annan, this lover was also praised for her captivating eyes and delicate features.
The St. Louis Star and Times noted that Watkins enjoyed this work for a period of time “because the psychological reactions interested her.” With literary inspiration in hand, she moved to New York and worked as a movie critic for the American Yearbook. She attended Professor George Pierce Baker’s playwriting class “47” at Yale University, drafting “A Brave Little Woman.” According to The Best Plays of 1926-27, upon completing the play Watkins, “being a thorough feminist,” approached play broker Laura Wilck, who “promptly bought it for herself and announced an intention of producing it. But before she got around to this the men interfered.” Well-known producer Sam Harris soon bought and changed the play’s name to “Chicago.” Best Plays attributed the piece’s success to Watkin’s “freshness of viewpoint,” “natural gift for writing,” and “interview with a lady murderess.” The Roaring Twenties provided the perfect canvas for Watkin’s literary skills and, as the Abilene (Texas) Reporter-News noted in 1927, “No period ever left itself wider open to lampooning than this in which the absurd antics of bootlegging, publicitizing, exploitation, crime and all the rest are commonplaces.”
Actor Clark Gable (far left) portraying a reporter in “Chicago,” courtesy of Gable Archives, accessed Clark Gable, in Pictures: Candid Images of the Actor’s Life.
The play achieved immediate stage success. According to a 1997 Chicago Tribune article, it ran for 172 Broadway performances. Its debut generated widespread anticipation and the Los Angeles Times reported in March 1927 that preparations were being made at the city’s Music Box Theater, “with stage and screen stars, literary prominents, civic officials and society leaders in attendance, the opening promises to develop into a social event.” The showing featured an undiscovered Clark Gable (who later married Hoosier actress Carole Lombard), portraying “Jake the reporter.”
Ad, Harrisburg Sunday Courier (Pennsylvania), April 29, 1928, accessed Newspapers.com.
A review published by the Pittsburgh Daily Post noted that “Chicago’s” text was “so packed with knowledge and seasoned irony that any one could picture for himself the kind of toughened old buzzard of a sob-sister who would have knocked about enough to know how to write it.” The Arizona Republic published one of the more colorful and insightful reviews of the play’s impact on the public, noting that Watkins filled her “drama with comedy of terrific realty and, with never a word of preachment . . . and sends the audiences home converted to a skepticism that can hardly fail to have important results when enough people have seen the play.” As the scintillating third act concluded, the “audience staggers home, laughed out, yet somehow sadder and wiser, and realizing with tragic wonder that tomorrow the headlines will brazen forth some new female criminal.”
The Republic suggested that Watkin’s drama could change the public’s perception about these “pretty demons.” It added that her work was a “tremendous denunciation of the sacrilege by which the juryman, who should be the wisest and sanest of our guardians, is easily turned into a blithering come-on.” And, “best of all,” the satire was written by a woman “on the folly of men in their false homage to woman, their silly efforts to protect her while she dupes them.”
Maurine with her father on a return visit to Indiana. She stayed with her parents at their farm in Clermont, Indianapolis Star, January 6, 1928, accessed Newspapers.com.
The IndianapolisStar reported that the reverend’s daughter still considered Indiana home, despite moving to New York following the success of her play. She recalled upon a return visit “‘I love it out in the country-life’s terribly complicated! You count the rings of the telephone to see if it is your number, and you have to go and meet the postman.'” The woman who wrote about a “flashy negligee of blue Georgette with imitation lace,” kept her hair “unbobbed” due to her father’s dislike of short hair.
Following the success of “Chicago,” Watkins continued to write, but never achieved the same level of literary acclaim. She was commissioned to dramatize Samuel Hopkins Adams’ novel Revelry, about the Harding administration’s Ohio Gang, for which she conducted research at the White House. In April 1927, the newspaper hired her to cover the trial of Ruth Snyder, who murdered her husband. The paper noted that Watkins, a sobless sister, would “deal with facts, without tears, in a notable author’s inimitable way, from her place at the trial table in Queens courtroom.” She reportedly moved to Hollywood, writing screenplays and articles for Cosmopolitan magazine. The author later settled in Florida, where she died of lung cancer in 1969. Watkin’s three act play cemented her legacy among the pantheon of accomplished Hoosier writers such as Pulitzer Prize-winner Booth Tarkington, I Love Lucy‘s Madelyn Pugh Davis, and Crawfordsville colleague Lew Wallace.
Map of the 1852 Indiana State Fairgrounds. The first State Fair was held in what is today Military Park in downtown Indianapolis. Photo courtesy of “Indiana’s Best: An Illustrated Celebration of the Indiana State Fairgrounds.”
Indiana is, and always has been, an agricultural state. Nearly 50% of men were listed as farmers on the 1850 census and nearly thirteen million acres of farmland stretched across the Hoosier state. In order to foster the advancement of agricultural techniques, Governor Joseph Wright urged the Indiana General Assembly to establish the State Board of Agriculture, which it did in 1852. “An Act for the Encouragement of Agriculture” was approved on February 17, 1852 and read, in part:
“Be It Enacted by the General Assembly of the State of Indiana…that it shall be the duty [of the societies formed under the provisions of this act] to offer and award premiums for the improvement of soils, tillage, crops, manures, improvements, stock, articles of domestic industry, and such other articles, productions and improvements, as they may deem proper…”
In order to “offer and award premiums,” the board needed to establish somewhere for farmers across the state to gather and display both their skills and the products of their skills. To this end, the first Indiana State Fair was held from October 20 to October 22, 1852. While the fair was established for the advancement of agriculture, many other attractions have graced state fair bulletins in the 165 years since that first state fair. Here, we explore just a few.
Velocipedestrianism
Illustration demonstrating the various forms of velocipedes in the late 19th and early 20th century. Image from Brockhaus’ Conversations-Lexikon: allegemeine deutsche, Volume 16. Accessed google books.
In 1869, one of the attractions found on the fairgrounds was “Velocipedestrianism.” A velocipede is any human-powered vehicle with wheels. Today, we might call them bicycles, though there were velocipedes with anywhere from one to five wheels. Early forms required the rider to propel the vehicle with their feet, but in the 1860s pedals were added, making them faster. There were nine entries in the “Mile Trial” at the 1869 state fair. The winner, W.V. Hoddy of Terre Haute, finished in 8 minutes, 45 seconds and took home a $50 premium for his efforts. There was also a competition for the “Most Artistic Management of [a] Velocipede” which only had three entries. Unfortunately, there is no mention of what made Willie Domm’s management of his velocipede so exceedingly artistic.
Illustration of 1860s Velocipede. The Plymouth Democrat, January 28, 1869, page 4, accessed Newspapers.com.
Mr. McGowan’s High Diving Horses
Advertisement for “World’s Famous” high diving horses. The Indianapolis Journal, June 1, 1901, page 6. Accessed Newspapers.com.
“Mr. E. J. McGowan was present and presented a bill for extra expense in connection with the diving horses contract.” This is the only hint found in the State Board of Agriculture Report of one spectacle which occurred at the 1904 Indiana State Fair: high diving horses. Newspapers give the story a bit more color; local business man Hugh McGowan bought two horses, named King and Queen, who had been trained to dive from a forty-five foot platform into a pool of water.
According to one article, “the method of training the animals was unique. When sucking colts, each was placed on a bluff overlooking a pond, on the other side of which were placed their mothers. At dining times, they were glad enough to make the leap and they have had to keep up the practice ever since.” The horses were a regular attraction at Fairview Park in Indianapolis as early as 1901 and were still doing regular dives as late at 1907.
Example of high diving horses. While this photo was not taken at the State Fair, the set-up was similar to that of the 1904 fair. Photo courtesy of the Daily Mail.
Ruth Law: “Lady Aviator”
Newspapers announced the arrival of Ruth Law, an early American aviator, for the 1915 state fair with headlines like “Ruth Law, Lawless Skimmer of the Sky.” Most articles concentrated on her gender, noting that “she is just an ambitious, darling, feminine little slip . . . ” Unarguably ambitious, Law was one of only two female pilots in 1915 and had earned her flying certificate less than ten years after the Wright brother’s famed first flight. In fact, she bought her first biplane from Orville Wright himself. At the 1915 fair, she put on a grand show, performing “loop-to-loops,” daring dives, and buzzing the audience. She brought with her George Mayland, the “miraculous human fly,” who would accompany her on her flights to jump from the plane at a height of 2,000 feet and float to the ground on a parachute, to the amazement of the crowd. Law went on to break several flying records in her career, challenging gender stereotypes and encouraging a new generation of women to take to the skies.
Newspaper announcement of Ruth Law’s presence at the Indiana State Fair. The Brookville Democrat, August 12, 1915, page 7, accessed Newspapers.com.
“Better” Babies for Indiana
Better Babies Building on the Indiana State Fairgrounds. Today the building houses Hook’s Historic Drug Store and Pharmacy Museum. Photo courtesy of IUPUI.
The state fair of the 1920s facilitated the Better Babies Contest, overseen by the Board of Health and managed by Dr. Ada Schweitzer. These were not the baby contests of today, where babies are judged on their personalities and appearance. Rather, they were meticulously scored based on health and hygiene criteria. In her 2007 article “’We Cannot Make a Silk Purse Out of a Sow’s Ear’ Eugenics in the Heartland,” Alexandra Minna Stern described the contests:
“Before the event, infants were separated into groups based on age (12-24 months or 24-36 months), sex, and place of residence. Those categorized as city babies lived in places with 10,000 inhabitants or more, and those remaining were rural entrants. Once their children were registered, parents-usually mothers-came to the contest building at a designated time. As the mothers entered the building they handed their enrollment form to an attendant, who recorded their names. Then the baby was whisked to the next booth, where its overall health history was taken by a nurse. Mental tests designed for each age group followed, as psychologists observed if infants could stand, walk, speak, how they manipulated blocks and balls, and responded to questions such as “How does the doggie do?” and “Who is the baby in the mirror?” Mental tests completed, the babies were then undressed and their clothes placed in a paper bag and tagged. Identically robed in shaker flannel togas, each toddler was now weighed and measured. From here the baby was examined by an optometrist, a pediatrician, and an otolaryngologist, then weighed and measured a second time, and lastly, presented with a bronze medal on a blue ribbon, courtesy of the Indianapolis News.”
Doctors complete the physical examination of prospective better babies, 1931. Photo courtesy of Indiana Archives.
The scoring was scrupulous; each baby began the process with 1000 points and along the way, points were deducted for “physical defects” such as scaly skin, delayed teething, and abnormal ear size. Awards were given to those babies who scored the highest. Most “best babies” scored over 990. The highest score ever given was to Alma Louise Strohmeyer in 1923; she scored a whopping 999.92813.
Better Baby Contest advertisement, 1930. Courtesy of the Indiana State Library, accessed Indiana Memory.
On the surface, Dr. Schweitzer and the Indiana State Board of Health had admirable goals: to “lower infant and maternal death rates and to convince Indianans of the importance of scientific motherhood and child rearing.” However, underlying implications are less admirable. Through these contests, Dr. Schweitzer hoped to “breed” a new, better generation of Hoosiers. Many of her ideas came directly from the eugenics movement, which was popular across America in the early 20th century. The exclusion of African American and immigrant babies from the contests endorsed the widespread nativist and xenophobic ideas of the time. The assumption that socioeconomic standing was determined by genetics, and not environment, was central to sterilization laws implemented in the state. While Better Baby Contests ended in 1933, the eugenics movement persisted in the state for decades; Indiana’s last compulsory sterilization law was not repealed until 1974.
For more snippets of Indiana State Fair history, check out Episode 6 of Talking Hoosier History, “Stories from the Indiana State Fair.” In it, we explore five fair occurrences: when farmers gathered in 1852 to learn about the latest innovations and compete for prizes; the Victorian moral controversy behind treating people like objects via sideshows; the 1964 Beatles performance; Jessop’s Butterscotch Corn and the young woman who built the business out of the back of a wagon; and Hook’s Drug Store Museum.
The Wiggler. The Pikie. The Darter. The Injured Minnow. These are just a few of the popular lures crafted by the Creek Chub Bait Company during the twentieth century. Established in Garrett, DeKalb County, Indiana in 1916, the Creek Chub Bait Company became one of the country’s leading manufacturers of artificial fishing lures.
Creek Chub Wiggler. Courtesy Fin & Flame Vintage Fishing Tackle.#2009 Creek Chub Darter in Greenback. Courtesy Dr. Harold E. Smith, Collector’s Encyclopedia of Creek Chub Lures & Collectibles, 2002, page 73.
Each lure was a work of art, featuring the finest craftsmanship and attention to detail. From the company’s onset, owners Henry Dills, Carl Heinzerling, and George Schulthess placed an emphasis on quality for their products. Dills wanted the lures to be attractive to fishermen and fish alike, and worked alongside others within the company to ensure that they had a lifelike appearance and motion to help attract fish.
Creek Chub’s famous #700 Pikie, first introduced in 1920. Courtesy Dr. Harold E. Smith, Collector’s Encyclopedia of Creek Chub Lures & Collectibles, 2002, page 65.
As early as December 1915, before the company officially began producing lures, Dills filed an application to patent new improvements in fish baits by adding a metal lip, or mouthpiece, attached to the front of the lure. According to the patent, the addition would help produce ripples, throw spray, wriggle, and dive similar to the way a minnow would, thereby attracting fish. The patent (1,352,054) was approved September 7, 1920.
Dills’ 1915 patent application featuring the addition of a metal lip to fishing lures. Courtesy United States Patent Office via Google Patents.
Creek Chub’s Wiggler, introduced in 1916, was among the first to feature the metal lip. According to Dr. Harold E. Smith in his Collector’s Encyclopedia of Creek Chub Lures & Collectibles, the company’s 1922 catalog advertised the Wiggler as “‘three baits in one.’ With the lip in the standard position, it was a diving, wiggling bait. In the reversed position, it became a water-splashing surface lure. Take the lip off and it was a darting surface lure.” Dixie Carroll also described the added movement to the lure in “Fishing, Tackle and Kits” in 1919, noting: “A small metal plate in the mouth of the chub gives a fine bunch of wiggles and wobbles and by moving the plate and reversing it you have a surface splatter lure . . .”
Dills’ 1918 patent application for the addition of imitation scales to improve the appearance of artificial lures. Courtesy United States Patent Office via Google Patents.
In July 1918, Dills filed another patent application to improve the lures by adding a scale-like appearance on their surface that would imitate a natural minnow. According to the patent (Patent 1,323,458), the lures would feature “a cigar-shaped wooden body, to which various coatings of coloring material are applied.” Employees used a non-lustrous color for the background body of the lure and then proceeded to wrap a cloth netting around it and spray a lustrous coloring material through the netting to form the scale-like pattern.
The scale finish evolved over time and helped revolutionize the industry by resembling natural food for fish. Advertisements in popular publications like Outing praised the lures, noting: “Accurately represents a minnow down to the silvery scales. Wonderful lifelike movements. Convertible.” Fishermen from around the country agreed, often writing to the company to boast of the record-size fish they caught using these lures.
Image: Dr. Harold E. Smith’s Collector’s Encyclopedia of Creek Chub Lures & Collectibles, 2002, page 279. In 1932, George Perry caught the world record largemouth bass in Lake Montgomery, Georgia using Creek Chub’s Perch Scale Wigglefish. The record stood for over seventy-five years. On July 2, 2009, Manabu Kurita caught a largemouth bass in Lake Biwa (Japan) tying Perry’s record of 22 lbs. 4 oz. According to articles in the Indianapolis Star in 2014, the International Game Fish Association took six months to verify the record. It became official on January 8, 2010.Hunter Trader Trapper, June 1922, page 123. Courtesy Google Books.Zoomed in letter from George McWilliams submitted to Hunter Trader Trapper, June 1922, page 123.
By the time a Creek Chub lure was completed and ready to ship to a customer, it often featured as many as fourteen or fifteen coats of primer, paint, and lacquer. Even the wood used early on for the bodies – white cedar – was of the highest quality. Over time, the designs and range of colors expanded greatly. The company also made specialty colors and custom orders upon request. In 1936, the Garrett Clipper noted that the patents for the natural scale finish and the mouthpiece were among the most important patents ever issued in the tackle industry.
Employees apply a scale finish to the lure bodies by spray painting through netting. Courtesy Dr. Harold E. Smith, Collector’s Encyclopedia of Creek Chub Lures & Collectibles, 2002, page 27.
From its earliest years, Creek Chub featured a largely female workforce. Some attributed this to the delicate nature of the lures and the work they entailed, which they believed women were better suited to perform. Dr. Harold E. Smith writes that “women were selected preferentially over men because management felt they were . . . ‘endowed with a better appreciation of color and detail.’”
Wanted ads in the Garrett Clipper frequently promoted jobs for girls and young ladies at the company, and articles often referenced the “girls” employed in the finishing departments, and sanding and dipping rooms.
Painting eyes on Creek Chub lures. Courtesy Dr. Harold E. Smith, Collector’s Encyclopedia of Creek Chub Lures & Collectibles, 2002, page 28.
By the 1920s, Creek Chub was shipping its lures all over the United States and Europe. Between January and July 1925, the Garrett Clipper published several pieces on international sales. For example, on March 19, 1925, it reported that Creek Chub had recently received orders for 180 dozen bait from Stockholm, Sweden, 178 dozen from Finland, and 31 dozen from Toronto, Canada. In April, the paper recorded orders from Waines, Hawaii (Hawaii did not become a U.S. state until 1959) and Bombay, India, and in July, it reported that the company had shipped 24 dozen lures to Reddich, England.
On January 20, 1936, the Garrett Clipper provided a summary of the company and described its continued growth since its founding in 1916:
Since then sales have increased from year to year and are made not only in this country and Canada, but lures are sent to 48 foreign countries, France and Sweden receiving the largest shipments. The sales demand in Canada is so large that a Canadian branch has been established, the work being conducted by Allcock, Laight & Westwood company, Toronto, Ont. Although in its infancy, the plant has been doing a large business and the prospects for its growth are fine.
In 1939, as war clouds gathered over Europe, business at Creek Chub Bait Co. reached a new peak. Production and sales were up and employment remained steady. Despite its success though, the company was already beginning to feel the effects of the conflict abroad. Finland and England had been Creek Chub’s top buyers prior to the war, but both markets quickly closed as each country became engaged in the conflict. The company also purchased many of its treble hooks, which it used on its lures, from Norway and England.
By August 1941, Creek Chub experienced great difficulty acquiring the necessary hooks and other supplies for its famous lures, as materials were reserved for defense industries. Supply markets from Norway were shut off and an embargo on trade between the United States and Japan stopped the shipments of hooks from that country as well. On August 21, 1941, the Clipper warned about the future of Creek Chub, writing:
. . . unless there is some early change in the world situation the business of the company will be greatly restricted, if not entirely stopped.
The outlook for the company became bleaker throughout 1942 following orders from the War Production Board curtailing the manufacture of fishing lures. On May 8, 1942, the Angola Herald reported that Creek Chub would cease production on May 31, in accordance with government orders. In response, Creek Chub petitioned the War Production
Board to allow it to use the metal it had on hand, which it estimated at approximately six months’ supply. By early June, the War Production Board gave the company permission to continue manufacturing lures during the month, and throughout the summer it granted temporary extensions that allowed Creek Chub to continue production, albeit at a much reduced rate. On January 28, 1943, the Garrett Clipper noted that Creek Chub employed thirty people, two to three times less than it had before the war. Employment decreased again slightly the following year, but the company remained open, using the limited materials it had on hand to produce lures.
Popular Mechanics, May 1962, p. 204. Courtesy Google Books.
By January 1945, employment began to increase as more materials became available and in September 1945, Creek Chub received its first shipment of steel hooks from Norway since the beginning of the war. Business was slowly getting back on track. Wanted ads for female employees began populating the local newspaper’s pages once again as the company sought additional employees to meet production goals and fill the backlog of orders that had accumulated during the war. By late December 1946, Creek Chub announced that it had leased a hotel building in nearby Ashley, north of Garrett, and it soon established a branch factory there to expand operations. The added facilities allowed business to double from 1947 to 1948, and within the next two years the company caught up on its backlog of orders.
Courtesy Russell Lewis, Classic Fishing Lures: Identification and Price Guide, 2005, page 38, via Google Books.
Creek Chub continued to look for ways to improve and diversify its product line in the 1950s and 1960s. This included entering the plastic bait field, developing new saltwater lures, and offering new color combinations. The company’s future looked bright, but by the late 1970s declining sales and questions regarding future leadership of the company began to weigh on Creek Chub.
[Muncie] Star Press, April 6, 1979. Courtesy Newspaper.com.On December 24, 1978, the Des Moines [Iowa] Register reported that Lazy Ike Corp. of Des Moines had purchased the Creek Chub Bait Company. Reporter Bob Barnet confirmed the sale in the [Muncie] Star Press in April 1979, writing “. . . Hoosier-owned Creek Chub Bait Co., one of the nation’s oldest and most respected manufacturers of artificial lures, has been sold.” Lazy Ike, which was also in the lure industry, would continue to manufacture and market Creek Chub lures.
[Des Moines] Register, September 16, 1979. Courtesy Newspapers.com.Unfortunately, within just a few months of the purchase, Lazy Ike filed for Chapter 11 bankruptcy. Dura-Pak Corp. of South Sioux City, Nebraska acquired Lazy Ike Corp. and another fishing tackle manufacturer out of Vancouver, Washington in the early 1980s. Today, PRADCO owns the Creek Chub name.
Although the company closed in the late 1970s, Creek Chub lures continue to remain popular among collectors, a testament to their enduring quality.
Courtesy Traces of Indiana and Midwestern History (Summer 2002), page 20.
Edna Stillwell working with comedian husband Red Skelton, The Times (Shreveport, LA), December 16, 1941, 6, accessed Newspapers.com.
Guzzler’s Gin, Dunking Donuts, “I dood it!:” Red Skelton’s iconic characters and quips would not exist without the influence of his first wife Edna Stillwell. In fact, a Rochester, NY newspaper reported that Skelton insisted “he’d be a bum” without her. Through Stillwell’s comedic and management muscle, Skelton went from an unknown circus performer to one of the most lauded comedians in television and film history.
Stillwell was born in Missouri on May 25, 1915. As a teenager she was attracted to show business and the Rochester Democrat and Chronicle reported that she was head usherette at Pantages Theatre in Kansas City, where seventeen-year-old Skelton performed. Skelton recalled that she took an immediate disliking to him. At his next job, he served as master of ceremonies at a walkathon, where Stillwell happened to be working as cashier. He eventually convinced her to go on a date with him. Skelton cemented her affections when he chose her to kiss in a photoshoot. He recalled “‘I grabbed her and kissed her and it made me dizzy. This was it. This was love. I guess we both were dizzy. We got married.'”
Stillwell’s and Skelton’s marriage license, 1932, accessed Ancestry Library.
The entertainer, at the time, was so poor that Stillwell had to pay for their marriage license. After the wedding she assumed the role of business manager, a duty she would continue to fill even after their 1944 divorce. According to the Democrat and Chronicle, the manager of a walkathon in St. Louis wanted to cut Skelton’s salary, prompting Stillwell to approach him and successfully demand more money. Skelton noted, “‘I told her I’d handle my own affairs. Only she shut me up with the news that I’d get $100 a week. She also tossed the boss into doing my dry cleaning.'” She eventually negotiated his walkathon pay up to $500 per week and invested his money in real estate. She also forced Skelton, a high school drop-out, to study and earn his high school degree. He admitted “‘pretty soon I didn’t feel like such a fool when I was in a room full of people talking about something besides burlesque.'”
Stillwell was just as formidable when it came to comedy writing. According to the Indianapolis Star, Skelton’s vaudeville run in Montreal was nearly cancelled after his first performance, so:
Red went back to his own individual style, which had put him over in vaudeville. And his wife in a moment of contempt for the old routines they were doing, said, ‘I could write better stuff than that,’ Red’s answer was “Why don’t you?’ also in sarcasm. But she did, and she has written his material ever since.
In a 1941 article, The Tennessean observed that “from several years of watching what tripe came down the pike on the old Pan circuit, Edna got some pretty definite ideas about what to avoid in a vaudeville skit.”
Edna and Red at their California home, accessed Wikipedia.
A newspaper piece by Ted Gill noted that soon after marrying, Stillwell dreamed up Skelton’s famous “Junior” character. When the couple strolled past stores Red could never “resist the urge to buy things” and if “Edna attempted to talk him out of it, he’d lie down on the sidewalk, kick his heels and make such a scene that he soon had scores of passersby in near-convulsions.” From then on Stillwell considered herself “Mommie” to his “Junior.” According to a 1942 Indianapolis Star article, Stillwell’s “Junior” sketch catapulted Skelton’s career forward and as she “schemed out that screamingly funny little boy burlesque-topped off by those three precious words, ‘I dood it!’-the name of Skelton fairly leaped from the bottom to the top of various radio comedian polls.” The article also mentioned that she helped mastermind Skelton’s “$50,000 doughnut dunking act,” after the couple dined at a Montreal cafe. The article stated that Stillwell and Skelton,
then playing together in small-time vaudeville, watched a diner as he slyly held his hat over his hand while he dunked, furtively looked around and then popped the soaked sinker into his mouth. The Skeltons doped out the outline of the act before they left the restaurant, polished it up in their hotel room that afternoon and presented it the same evening at the theater. It was an instantaneous hit and established Skelton as a top-line variety performer.
Writing material and coaching her husband from theater wings proved to be the steady hand Skelton needed to succeed in his career. Skelton’s biographer Wes Gehring contended that “Stillwell’s mid-1930s donut routine and other reality-based writing helped Skelton segue his skills into vaudeville, the next rung on the entertainment ladder.” He noted that “Working, performing, and traveling together as nomadic vaudevillians in the 1930s, the Skeltons were a team to reckon with.” By the late 1930s, the couple moved to Hollywood, where Skelton earned a notable $2,000 for appearing in the film Having Wonderful Time, alongside Ginger Rogers and Douglas Fairbanks Jr.
Script, courtesy of the Edna and Red Skelton Collection, M1000, Box 2, Folder 16, Indiana Historical Society.
In order to make money between films Skelton returned to the stage. Stillwell demanded he refuse any offer under $1,000, causing them to go without food for days. But staying the course paid off, as the Democrat and Chronicle reported, because Skelton “got a coast-to-coast radio program and soon he was clicking in vaudeville-and at Edna’s price.” Stillwell wrote for and appeared on Skelton’s popular radio show and had performed with him on Rudy Vallee‘s program. His national NBC show (featuring renowned radio and television pair Ozzie and Harriet Nelson), in tandem with his film Whistling in the Dark, catapulted Skelton to national fame in 1941. Gehring concluded that Stillwell also had a hand in his film success, stating that “True to Stillwell’s good instincts for her husband, she was the first to recognize just how effective he would be” in Whistling. The Indianapolis Star informed readers that year that “At his disposal at present are some 500 comedy routines all written by himself or his wife, with which he has been throwing Hollywood audiences, both on and off the screen, into hysterics.”
At the end of 1942, newspapers across the country announced that Stillwell had filed for divorce from her partner in comedy. The Dixon [Illinois] Evening Telegraph noted that she filed suit, “charging cruelty, but plans to continue to write the wit that has made his radio act famous,” which she did after the court finalized the divorce. The former couple even performed their original vaudeville routines at army camp shows in WWII to popular reception. Their professional relationship continued until 1952, one year after Skelton was given his own, groundbreaking television show. Gehring contended that their post-divorce work was “a mixed bag-a rousing success professionally, but a stressful distraction for each of their subsequent marriages.” Skelton married actress Georgia Maureen Davis and Stillwell married Hollywood film director Frank Borzage, who had directed Skelton in films like Flight Command.
Stillwell died in Los Angeles on November 15, 1982. Without “Mommie’s” aptitude and intuition, Skelton likely would never have “dood it!” Learn more about the funny man with our newest historical marker, located in Vincennes.
Spanish Influenza hit Indiana in September of 1918. While the virus killed otherwise healthy soldiers and civilians affected by WWI in other parts of the world since the spring, most Hoosiers assumed they were safe that fall. Still, newspaper headlines made people nervous and health officials suspected that the mysterious flu was on their doorstep.
Howard Chandler Christy, “Fight of Buy Bonds,” poster, 1917, Indianapolis Marion County Public Library, Special Collections, accessed digitalindy.org
In April of 1917, the United States joined the Allied effort. Residents of Indianapolis, like most Hoosiers, largely united around the war effort and organized in its support. In addition to registering for military service, the National Guard, and the Red Cross, they organized Liberty Loan drives to raise funds and knitting circles to make clothing for their soldiers. Farmers, grain dealers, and bankers met to assure adequate production and conservation of food. They improved the roads in order to mobilize goods for the war effort, including a road from Indianapolis to nearby Fort Benjamin Harrison located just nine miles northeast of downtown Indianapolis. This penchant for organization would be extremely valuable throughout the bleak coming months.
The U.S. Army constructed Fort Benjamin Harrison over a decade earlier with the intention of stationing one infantry regiment there. However, with America’s entry into the war, Fort Ben (as it was colloquially known) became an important training site for soldiers and officers. It also served as a mobilization center for both Army and National Guard units. In August 1918, just prior to the flu outbreak, the War Department announced that the majority of the fort would be converted into General Hospital 25. The Army planned for the hospital to receive soldiers native to Indiana, Kentucky, and Illinois who would be returning from the front as wounded, disabled, or suffering from “shell shock.” By September, the newly established hospital was ready to receive a few hundred “wounded soldiers returning from France.” But the soldiers stationed there preparing to receive causalities, began to fall ill themselves.
“Fort Benjamin Harrison Post Hospital,” n.d., in Stephen Bower, A History of Fort Benjamin Harrison, 1903-1982, accessed archive.orgIndianapolis News, September 26, 1918, 1, accessed Hoosier State Chronicles.
On September 26, 1918, the front page of the Indianapolis News announced unidentified cases of illness in training detachments stationed at the Indiana School for the Deaf, the Hotel Metropole, and Fort Benjamin Harrison. The detachment at the deaf school denied that men were infected with the deadly Spanish Influenza that was on the rise as soldiers returned to the U.S. from the front. The medical officers instead claimed “the ailment here is not as serious as that prevailing in the east.”
Despite this reassurance, the high number of cases was alarming. The major in command of the detachment issued a quarantine. The lieutenant from the hotel detachment also claimed that none of the illnesses there were caused by Spanish influenza. He referred to the cases as “stage fright,” as opposed to a full outbreak of the disease. At Fort Benjamin Harrison, sixty men suffered from influenza, but the Indianapolis News reported “none has been diagnosed as Spanish influenza and no case is regarded as serious.” The medical officers there reported, “An epidemic is not feared.”
While the front page reassured the city’s residents that there was nothing to fear and that the military had everything under control, a small article tucked away on page twenty-two hinted at the magnitude of the coming pandemic. Twenty-seven-year-old Walter Hensley of Indianapolis had died of Spanish Influenza at a naval training detachment on the Great Lakes. His body arrived in the city for burial soon after, a funeral that would be the first of many for otherwise healthy young military men. Only a few weeks later, Indianapolis would be infected with over 6,000 cases with Fort Benjamin Harrison caring for over 3,000 patients in a 300 bed facility before the end of the epidemic.
The Motor Corps of St. Louis chapter of the American Red Cross, 1918, Influenza Encyclopedia, University of Michigan Center for the History of Medicine, accessed influenzaarchive.org.
Indianapolis was not alone in its unpreparedness, as little was known about the strange flu. Influenza was certainly not uncommon, but most flu viruses killed the very young, sick, and elderly. The 1918 influenza, on the other hand, killed otherwise healthy young adults ages twenty to forty – precisely the ages of those crowded into military camps around the world. Furthermore, the disease could spread before symptoms appeared. Infected soldiers and other military personnel with no symptoms amassed in barracks and tents, on trains and ships, and in hospitals and trenches. As troops moved across the globe, so did the flu. It took on the name “Spanish influenza,” because unlike France and England, Spain did not censor reports of the outbreak.
“An Early Morning Wash, Fort Harrison,” in Benjamin D. Hitz, ed., A History of Base Hospital 32 (Indianapolis: Indiana Red Cross, 1922), accessed IUPUI Center for Digital Scholarship.
While many modern historians and epidemiologists now believe the pandemic likely began in a crowded army camp in Fort Riley Kansas, Americans in 1918 feared its spread from Europe and took some unlikely precautions. On July 3, 1918, the South Bend News-Times assured its readers that a Spanish passenger liner that had arrived in an Atlantic port “was thoroughly fumigated and those on board subjected to thorough examination by federal and state health officers.” Such measures did little to stop the flu, however, and by September 14 the South Bend newspaper reported on several East Coast deaths from Spanish influenza. On the same day, the Indianapolis News printed a notice from the Surgeon-General Rupert Blue, head of the U.S. Public Health Service, offering advice for preventing infection. These public notices became routine over the following months of the pandemic. Among methods listed for preventing the spread of the disease, Blue recommended “rest in bed, fresh air, abundant food, with Dover’s powders for the relief of pain.” He also warned of the “danger of promiscuous coughing and spitting.”
Hanlon [artist], Halt The Epidemic, 1918, poster, United States Shipping Board Emergency Fleet Corporation, George F. Tyler Poster Collection, Temple University Libraries.Over the next few days, newspapers reported that the nation’s training camps were infected. On September 17, the Richmond Palladium and the Indianapolis News reported “approximately four thousand men are in quarantine today as the result of Spanish influenza breaking out in the aviation camp of the naval training station” on the Great Lakes in Illinois. The following day, the South Bend News-Times reported that “Spanish influenza now has become epidemic in three army camps” with 1,500 cases in Massachusetts, 1,000 in Virginia, and 350 in New York. The military scrambled to meet the needs of the infected, and anxious citizens awaited a response from the government’s health services.
Indianapolis News, September 19, 1918, 1, accessed Hoosier State Chronicles.
On September 19, 1918, Surgeon-General Blue sent a telegraph to the head health officer of each state requesting they immediately conduct a survey to determine the prevalence of influenza. In response, Dr. John Hurty, Indiana’s Secretary of the Board of Health, telephoned the local health officials in each city requesting a report. Hurty warned that the flu was “highly contagious,” but stated that “quarantine is impractical,” according to the Indianapolis News. Instead, he offered Hoosiers this advice:
Avoid crowds . . . until the danger of this thing is past. The germs lurk in crowded street cars, motion picture houses and everywhere there is a crowd. They float on dust, and therefore avoid dust. The best thing to do is to keep your body in a splendid condition and let it do its own fighting after you exercise the proper caution of exposure.
Dr. John Hurty, photograph, n.d., Purdue University Archive, accessed Historic Indianapolis.
One week later, hundreds of men were sick with influenza in Indiana training camps. Again Hurty offered the best advice that he could while advising citizens to remain calm. However, he had to admit: “It has invaded several of our training camps and will doubtless become an epidemic in civil life.” He advised:
If all spitting would immediately cease, and if all coughers and sneezers would hold a cloth or paper handkerchief over their noses and mouths when coughing or sneezing, then influenza and coughs and colds would almost disappear. We also must not forget to tone up our physical health, for even a few and weak microbes may find lodgment in low toned bodies. To gain high physical tone, get plenty of sleep in a well ventilated bedroom. Don’t worry, don’t feast, don’t hurry, don’t fret. Look carefully after elimination. Eat only plain foods. Avoid riotous eating of flesh. Go slow on coffee and tea. Avoid alcohol in every form. Cut out all drugs and dopes . . . Frown on public spitters and those who cough and sneeze in public without taking all precautions.
Indianapolis News, September 27, 1918, 1, accessed Hoosier State Chronicles.
Most notably, in this same September 26 front page article in the Indianapolis News, Hurty stated that Indiana had “only mild cases . . . and not deaths.” This would soon change.
Despite these public reassurances, Hurty and other Indianapolis civic leaders knew they needed to do more to prepare. Since little was known about how the flu spread, these men tried to keep the city safe using their intuition. A clean city seemed like a safer city, so they organized a massive clean up. On September 27, the Indianapolis News reported:
To prevent a Spanish Influenza epidemic in Indianapolis, Mayor Charles W. Jewett today directed Dr. Herman G. Morgan, secretary of the city board of health, to order all public places – hotel lobbies, theaters, railway stations and street cars – placed at once in thorough sanitary condition by fumigation and cleansing.
The article noted that in other cities local officials had been unable to prevent widespread infection and that Indianapolis should learn from their failures and “get busy now with every preventative measures that can be put in operation to make conditions sanitary so that infection will not spread.”
By the end of the month, influenza had reached the civilian population. Officials continued to discourage people from gathering in crowds and encouraged anyone with a cough or cold to stay home. The News reported that Indianapolis movie houses had begun showing films on screens in front of the buildings instead of inside the theaters.
“Bird’s-Eye View of a Portion of the Army Post,” in Stephen Bower, A History of Fort Benjamin Harrison, 1903-1982 (Fort Benjamin Harrison, Indiana: Command History Office, 1984), accessed archive.org.
Meanwhile, the numbers of infected men at Fort Benjamin Harrison rose. By the end of September, officers in charge of the base hospital reported that there were “about 500 cases of respiratory disease” at the camp. Although newspapers still reported that it was unclear whether these illness were indeed Spanish influenza, it was clear that the situation was growing dire. Because so many nurses believed Indiana was safe from the pandemic and volunteered to work out east to fight the virus, the fort’s hospital only had twenty trained nurses to care for the hundreds of sick men. The Indianapolis News reported that enlisted soldiers were “being employed as nurses” and that one battalion of engineers had been completely quarantined. Notices of soldiers dying from influenza and related pneumonia began to fill the pages of Indianapolis newspapers.
Base Hospital 32 [which had trained and mobilized at Fort Benjamin Harrison was sent to France before the outbreak] in Benjamin D. Hitz, ed., A History of Base Hospital 32 (Indianapolis: Indiana Red Cross, 1922), accessed IUPUI Center for Digital Scholarship.By October 1, the number of sick men at Fort Benjamin Harrison rose to 650. The Indianapolis News reported, “No new troops are arriving at the engineer camp,” and “fifty engineers were lent to the base camp hospital yesterday to act as orderlies and clerks and to release medical corps for service as nurses.” The article concluded, “The hospital needs a number of trained nurses.” While the bodies of Hoosier soldiers stationed at camps around the country arrived in the city, Fort Benjamin Harrison had yet to lose one of its own. Less than a week later, that changed.
On Sunday night, October 6, 1918, ten soldiers died in the fort’s hospital bringing the total for the week to forty-one deceased soldiers. Four civilians died from influenza and six more from the ensuing pneumonia. At the fort, officials reported 172 new cases of influenza (bringing the total to 1,653 sick soldiers). Of these, the base hospital was attempting to care for 1,300 men.
In response, Dr. Morgan announced “a sweeping order prohibiting gatherings of five or more persons.” The front page of the News read, “PUBLIC MEETINGS ARE FORBIDDEN,” and noted that all churches, schools, and theaters were closed until further notice. Only gatherings related to the war effort were exempt, such as work at manufacturing plants and Liberty loan committee meetings. The prominent doctor even discouraged people from gathering at the growing numbers of funerals, encouraging only close family to attend. In October of 1918, Indianapolis must have looked like a ghost town.
The sick desperately needed nurses and nowhere more than at Fort Benjamin Harrison. Two front page Indianapolis News headlines for October 7 read, “Ft. Harrison Soldiers in Dire Need of Nurses,” and “Graduate Nurses Are Needed for Soldiers.” The News reported that at Fort Ben “soldier boys are dying for lack of trained help” and that the “few nurses in service are worn to the point of exhaustion.” Officers of the local Red Cross worked to redirect nurses who were awaiting transport overseas to the local effort against influenza, while the women of the motor corps of the Indianapolis Red Cross were busy transporting needed supplies by automobiles.
The rest of the newspaper that day was filled with reports on school closings, cancelled meetings, the numbers of sick in various counties, and funerals. The plague was peaking and Fort Benjamin Harrison suffered the most. While most residents of Indiana stayed far away from the infected camp, the brave women of Lutheran Hospital in Fort Wayne took their nursing skills into the heart of the epidemic. The Fort Wayne Sentinel reported on October 7, the same day the Red Cross called urgently for nurses, “10 Local Nurses Respond.” The paper continued:
Willing to risk their lives in the nation’s service in helping combat the ravages of Spanish influenza, ten Lutheran hospital nurses left the city . . . for Fort Benjamin Harrison, near Indianapolis, Ind., where they will enter service in the military base hospital, which is very urgently in need of qualified nurses to aid in fighting the epidemic.
Fort Wayne Sentinel, October 8, 1918, 1, accessed Newspapers.com.
The following day, the Sentinel published a picture of the brave nurses and the local paper praised their “patriotic devotion to place their training at the disposal of their government even at the risk of their lives.”
The same day, a medical officer from the fort hospital told the Indianapolis Star that several trained nurses had reported for duty “within the last few hours to relieve the situation” and that “everything that can be done for the boys is being done.” The Star reported that the officer was responding to “wild rumors” that the soldiers were not getting adequate care. However, the Indiana Red Cross and Board of Health knew that more nurses were needed. On October 11, the Fort Wayne Sentinel shared Dr. Hurty’s report that “during last night thirty soldiers had succumbed to the ravages of the epidemic at Fort Harrison, some of them expiring before their uniforms could be removed from them.” One of the men was Captain C. C. Turner of the medical reserve who had been sent to the fort from another camp only a few days before to help combat the influenza outbreak. His records had not even arrived yet and his relatives could not be contacted.
The situation at the fort prompted Dr. Morgan and several other leading doctors of the city to issue a statement. The doctors praised the efforts of the hospital staff and volunteers. They stated:
The medical staff of Camp Benjamin Harrison has succeeded in fourteen days in expanding a hospital of about 250 beds to one of 1,700 beds by occupying the well-built brick structures formerly used as barracks. These they were able to equip adequately with the assistance of the American Red Cross which . . . proved itself able to supply every demand made by the army on the same day the request was made.
The doctors reported that the hospital had treated 2,500 patients in the previous two weeks. Despite their heroic efforts, the epidemic persisted.
The city also bolstered its efforts as the number of infected rose to 1,536 civilians. On October 11, the Indianapolis News reported 441 new cases of influenza in a twenty-four hour period. In response, Dr. Morgan announced that the city board of health “enlarged the order against public gatherings of every description” and that the Indianapolis police department would enforce the order. “Dry beer saloons,” which were prohibition era gathering places, were closed. Department stores were prohibited from having sales and would be closed completely if found too crowded. Finally, the board of health directed its officers to post cards reading “Quarantine, Influenza,” on houses containing a sick person. The next twenty-four hours brought the city 250 new cases and the fort 47 new cases of Spanish flu. In that same period, twenty four young men died at Fort Benjamin Harrison. The epidemic was peaking.
Indiana State Board of Health, Influenza: How to Avoid It, circa 1918, broadside, Indiana State Library Broadsides Collection, accessed Indiana State Library Digital Collections.
A week later there was some evidence that the virus began to relax its grip on the fort, if not the city. The Indianapolis News reported that while the previous twenty-four hours had brought twenty-eight deaths to the city, the fort suffered only four. And while the city reported 252 new civilian cases, the fort reported only twelve new cases. Since the fort was struck by influenza before the city, civilians must have seen this decrease at the fort as a good sign. The plague had almost run its course.
On October 30, Dr. Hurty announced that the closing ban would be lifted in Indianapolis. Newspapers reported the lowest number of new cases since the start of the deadly month and Fort Harrison reported that not one person had died in the previous twenty-four hours. Schools could reopen Monday, November 4 and people with no cold symptoms could ride street cars and attend movie theaters. Through the end of 1918 and the beginning of 1919, there were small resurgences of the epidemic. Morgan ordered the wearing of gauze masks in public and discouraged gatherings. However, the worst had passed, and the war had ended.
Indianapolis Star, November 24, 1918, 6, Indiana State Library, microfilm.
As Indianapolis began to return to normal, the damage was assessed. On November 24, 1918, the Indianapolis Star tallied the state’s loss at 3,266 Hoosiers, mostly young men and women. This massive loss of citizens in their prime left 3,020 children orphaned. The War Department also assessed the losses at Fort Benjamin Harrison. The Surgeon General reported that General Hospital 25 at the fort treated a total of 3,116 cases of influenza and 521 cases of related pneumonia. The hard work of the medical staff and brave volunteers transformed a fort designed to care for a few hundred injured men into a giant hospital caring for thousands.
The city also benefited from leadership of the committed men of Indianapolis and the State Board of Health, as well as cooperative citizens. According to the University of Michigan Center for the History of Medicine, “In the end, Indianapolis had an epidemic death rate of 290 per 100,000 people, one of the lowest in the nation.” The center attributes the city’s relative success to “how well Indianapolis as well as state officials worked together to implement community mitigation measures against influenza,” whereas in other cities “squabbling among officials and occasionally business interests hampered effective decision-making.” Indianapolis leaders presented a united front, shop and theater owners complied despite personal loss, and brave men and women volunteered their services at risk to their own lives. Somehow only one of the heroic volunteer nurses stationed at Fort Benjamin Harrison lost her life.
On May 6, 1919, the Indianapolis News replaced columns of text detailing the influenza-related losses with jubilant articles about the city’s preparations for Welcome Home Day. Trains unloaded Hoosier soldiers still carrying their regimental colors. Indianapolis decked herself out in red, white, and blue. On May 7, 1919, 20,000 men and women walked in the welcome parade that stretched for 33 blocks. Many, like the men and women of Hospital No. 32, trained and mobilized at Fort Benjamin Harrison. Many had survived the Spanish Influenza, nursed the sick, or lost a friend to the pandemic. Not a single article mentioned it. The city was ready to move towards peace and healing.
In 2015, Mayor Pete Buttigieg of South Bend announced in a South Bend Tribune op-ed that he was gay, making him Indiana’s first openly gay mayor. Four decades before Buttigieg’s announcement, the city reportedly outlawed same-sex dancing. In 1974, Gloria Frankel and her gay club, The Seahorse Cabaret, withstood police harassment, challenged regulations against LGBT individuals, and endured a firebombing. In this post, we explore the fight for gay rights in the Michiana area and the intrepid woman who lead the charge.
Gloria Frankel (right) and friend, circa 1950s, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.
According to Ben Wineland’s “Then and Now: The Origins and Development of the Gay Community in South Bend,” Frankel opened South Bend’s first gay club in the early 1970s. Its opening followed the famous Stonewall Riots of 1969, in which members of New York City’s LGBT bar community responded to a police raid with a series of violent protests. The riots immediately forwarded the gay liberation movement and the fight for LGBT rights in America. LGBT individuals in smaller cities capitalized on the momentum by opening bars that fostered gay communities and provided them with a relatively safe space for entertainment, dialogue, and activism.
Frankel filled this role in South Bend with The Seahorse. She hosted shows and events, and distributed fliers for them, an act “which embodied the new kind of confidence and visibility that the Stonewall riots helped to create.” Also like those who frequented the raided Stonewall Inn, patrons of The Seahorse encountered an intimidating police presence, in which officers would “‘walk around and make people nervous. ‘Cause it was a gay bar'” (Wineland, 74). In 2005, Frankel recalled “I always wanted to open a bar where gay people openly socialized with each other. Back when I first opened the bar, people were ashamed of who they were and frightened of the severe consequences if they were found out. And at the time, being caught in a gay bar would land you in jail and lose you your job.” Wineland contended that The Seahorse was considered a threat by law enforcement because it “became more than just a hole in the wall, it looked to the opposition like hope; a hope for visibility, mainstream appeal, and a point of organization for the gay movement.”
Lambda Society of Michiana, newsletter, February 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.
According to oral history interviews with Seahorse patrons-conducted by Katie Madonna Lee, producer of a forthcoming documentary about the club-a city ordinance prohibited same sex dancing until 1974. One interviewee recalled that if men were found dancing or being affectionate they would be arrested, escorted to the police station, and charged with a lewd act. According to these interviews and Frankel’s obituary, Gloria combated this by successfully challenging the City of South Bend to allow same sex dancing. More research should be undertaken regarding her reported legal battle. The Lambda Society* of Michiana was also concerned with laws discriminating against the gay community, urging newsletter readers in 1974 and 1975 to write their legislators.
Lambda Society of Michiana newsletter, p.4, February 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.
In a May 1974 newsletter, the organization noted a desire to evolve from social objectives to those also involving advocacy. It noted that the organization was founded “because gay is more than sexual preference, and because gay can be more than just an alternative life style. Lambda has struggled through nine months offering little more than social functions as an alternative to the bars, baths, and bus station.”
Newsletter articles about the 1974 Indiana Gay Awareness Conference in Bloomington, Indiana give a window into the origins of mobilized political action for Michiana’s LGBT community. One article noted that after discussing issues that gay individuals encountered with their families, police, landlords, and employers, the decision was made to “address the problem, which is not that we are criminals, but how to help others deal with their problems with homosexuality.” There was a panel discussion regarding “Gayness and the Law” and efforts were made to aid attorneys handling related cases. When discussing Indiana laws “hope was expressed that in the re-codification of our criminal code, consenting adult acts will be eliminated.” Notably,
mention was made that Illinois and Ohio have already removed consenting acts by adults from the criminal statues, that legislation is now pending in Michigan, and Kentucky is also considering some similar action, leaving Indiana ‘an island of persecution.’
Cover of TIME.com, September 8, 1975, a year of national conversation about gay acceptance.
The conference also held sessions about topics such as “Telling Your Parents,” “Professionals,” and “Racial Problems.” One newsletter author reflected candidly that “to say that this conference produced any dramatic changes or systems for dramatic changes, would be wrong.” However, it planted the seeds for unified efforts to change perspectives about homosexuals. The newsletter article noted that the conference showed “groups and individuals that there are others in our state willing to meet and try for change. As with all new associations, time and experience with each other and ourselves will cement the relationship into a working coalition for change.” The author concluded by stating “I learned more about others and my own attitutes [sic] towards homosexuals and straights. . . . we all joined hands in a circle, raised them high, singing We Shall Overcome – I was frightened – I was thrilled – I couldn’t have done that 24 hours earlier.” A 1975 newsletter illustrated some community support, printing an invitation from the Michiana Metropolitan Community Church, whose objective was to “better relationships amongst ourselves and within the community around us.”
Sea Horse II, moving announcement, 1975, courtesy of LGBTQ Collection, Michiana Memory, St. Joseph County Public Library.
Frankel too sought to forward the rights, identity, and well-being of the gay community. This may have been the motive behind someone stealing her car and setting it on fire in 1975. That year, a “Concerned Patron” wrote to the South Bend Tribune that the bar had to board its windows due to “rock and bottle throwing incidents” and that patrons only entered through the front door as a safety precaution. Nevertheless, Frankel’s Seahorse hosted Michiana Lambda Society events and successfully grew the local LGBT community, underscored by having to open The Seahorse II to accommodate an increase in patronage. Frankel also served as an unofficial mentor to others in South Bend who established gay bars, such as Jeannie’s Tavern and Vickie’s. She advised her “bar children” and had significant input regarding their businesses.
The Seahorse suffered a blow in 1982, when it was firebombed by an unidentified arsonist at 6:30 a.m. Residents who lived in apartments above the bar fled and one was hospitalized. Although firefighters contained the flames to the front of the building, it suffered approximately $90,000 worth of smoke damage.
The Seahorse after firebombing, 1982, courtesy of The Seahorse Facebook page.
Though devastating, the bombing demonstrated the solidarity of the South Bend’s LGBT community. According to code, the bar would be shut down if it could not get back to standards within ten days. Members of the community rallied to repair and clean it, shocking officials by getting the club back to code and reopening within the allotted time. They celebrated by hosting their annual anniversary party.
In the mid-1980s, the city used code enforcement to stymie Seahorse operations. This included denying the routine renewal of a liquor license and challenging the acquisition of a parking lot for customers. The Seahorse perceived these actions to be discriminatory, while the city insisted they were not.
Frankel continued to serve as a pillar of South Bend’s gay community when she led the local fight against HIV/AIDS in the early 1990s, funding AIDS ministries and making The Seahorse a cite of free HIV testing. Frankel stated “At that time gays were being terribly discriminated against, and many were afraid to go [to] the health department to get tested. So with the help of some friends, we cleaned up the back garage and turned it into a counseling center.”
The Seahorse continued to be foundational to South Bend’s LGBT community until 2007, when Frankel passed away. The club closed shortly thereafter and Jeannie’s Tavern became the home of Seahorse patrons and performers. However, Frankel’s pioneering efforts established South Bend’s enduring LGBT community.
The Seahorse Cabaret stage, courtesy of The Seahorse Facebook page.
*Lambda Legal Non-Profit Organization was founded in 1973 as “the nation’s first legal organization dedicated to achieving full equality for lesbian and gay people.”
Editor’s Note: An earlier version of this blog, citing an oral history, suggested the profession of the arsonists. Also citing the same oral history, the blogger stated that Frankel erected a wall around the bar for protection. Former employees of the bar at the time of the arson have called into question the veracity of the oral history’s claims on these two points. In an effort for us to present an accurate account of the historical events, we have edited the blog accordingly.
Sources:
Conversation with Margaret Fosmoe, a South Bend Tribune reporter who graciously searched the newspaper’s archive for articles for this post.
Conversation with Katie Madonna Lee, producer of a forthcoming documentary about The Seahorse. Lee has conducted interviews and done extensive archival research about South Bend LGBTQ history.
Diane Frederick, “Homosexuality Laws Vary Widely,” Indianapolis News, August 22, 1975, 1, Indiana State Library, Clippings File-Homosexuality.
The South Bend Tribune, September 4, 1975, accessed Newspapers.com.
“The Seahorse,” The South Bend Tribune, September 11, 1975, accessed Newspapers.com.
Kathy Harsh, “Arson Suspected in Tavern Fire,” South Bend Tribune, November 26, 1982, Indiana State Library, microfilm.
St. Joseph County Public Library, Michiana Memory, LGBTQ Collection of the Civil Rights Heritage Center.
“Frankel Reaches 2 Milestones,” The South Bend Tribune, April 28, 2005, accessed Newspapers.com.
Ben Wineland, “Then and Now: The Origins and Development of the Gay Community in South Bend,” Indiana University South Bend Undergraduate Research Journal of History, vol. VI (2016): 69-79, accessed scholarworks.iu.edu.
Susan Swain, host of C-SPAN’s special TV series from 2013-2014 on the lives and influence of the nation’s First Ladies, described Caroline Harrison as “one of the more underrated” First Ladies. Caroline Harrison, wife of Hoosier President Benjamin Harrison, served as First Lady from 1889-1892. Previously cast off as simply a tactful housekeeper, historians now recognize that Caroline did more, including using her influence to advocate for the arts, women’s interests, and the preservation of the White House.
On July 4, 1888, Caroline stood next to her husband Benjamin in the parlor of their home on North Delaware Street in Indianapolis surrounded by guests. Caroline had filled the house with patriotic decorations, including red, white, and blue flags and flowers. However, this was not a normal 4th of July celebration: at the party, Benjamin gave a speech, accepting the Republican nomination for president. For the next four months, their home became the center of Benjamin’s political campaign. Parades marched up and down the street in front of the house Benjamin gave more than 80 speeches on their front porch.
Campaign outside the Harrison Home, 1888. According to the Indiana Historical Society, “Harrison replicated a ball used by his Grandfather, William Henry Harrison during his 1840 Presidential campaign. It was used with the slogan “keep the ball rolling” and rolled some 5,000 miles.” Indiana Historical Society Digital Image Collections
On Election Day, the Harrison family waited anxiously for a telegraph operator set up temporarily in a nearby bay window for election results. The next morning, Caroline and Benjamin discovered they had won. The Harrison family was moving to 1600 Pennsylvania Avenue.
Though the Harrisons had lived in Indianapolis since 1854, the couple’s story began in Ohio. Benjamin had been a student of Caroline’s father at the Farmer’s College in Pleasant Hill, Ohio. Benjamin followed Caroline to Oxford, Ohio. She enrolled in the Oxford Female Institute and he attended Miami University. Soon after they earned degrees, the two got married and moved to Indianapolis.
As Benjamin built up his law practice, Caroline became an integral part of Indianapolis’ charity network. Through membership at the Presbyterian Church, Benjamin and Caroline became active in the Indianapolis Benevolent Society, one of the city’s earliest charity organizations. Members were assigned their own district in the city, serving as “donors, fundraisers, friendly visitors and distributors of aid” in their assigned area. During the Civil War, Caroline expanded her efforts, volunteering with various women’s organizations that aided the war effort, like the Ladies Patriotic Association and the Ladies Sanitary Committee. She also started her 30 year long career with the Indianapolis Orphans Asylum, joining the board of managers in 1862. After the war, she became involved with a new charity, the Home for Friendless Women, created to care for an influx of widowed and transient women who flocked to the city after the war. The home operated until 2003, most recently under the name Indianapolis Retirement Home.
Indianapolis Orphans Asylum, ca. 1885, accessed the Indiana Album
Throughout the 1870s, Caroline’s reputation as a capable organizer for charities grew. She sat on the board of many temporary relief funds and charitable events. When Benjamin served as Senator, she added a number of Washington, D.C. charities to her roster, including the Washington City Orphans Asylum and the Ladies Aid Society for Garfield Hospital. An avid painter, she also found time to make pieces to display at early exhibits for the Indianapolis Art Association, which pioneered formal art education in Indiana and influenced the development of fine arts in the state.
When the Harrisons moved to Washington, D.C. for the Presidency, Caroline worked hard to have impact as a First Lady. Though her predecessor, the young and fashionable Frances Cleveland made Harrison look old and dowdy by comparison in the press, Harrison became a more publicly active figure than Cleveland had by advocating for the arts, women’s interests, and the preservation of the White House.
Four generations of Caroline Harrison’s family who lived at the White House, including her father, her daughter, and two grandchildren. Accessed White House Historical Association.
Four generations of relatives moved into the White House when Benjamin took office, which brought the household total up to 12. After the whole family crowded into the White House, Caroline became “concerned over the condition of the house provided for the Chief Executive and his family.” The private spaces for the family amounted to five bedrooms, one bathroom, and a hallway. The rest of the building was reserved for offices and public functions. In addition to the lack of space, the White House had fallen into disrepair. The threadbare carpets, shabby furniture, unwelcome presence of vermin made the White House unsatisfactory to say the least. Caroline reached out to former First Ladies and discovered that previous administrations had struggled with coming up with enough space to entertain and host important foreign leaders and dignitaries. There had been an embarrassing situation during the Buchanan administration where the Prince of Wales and the rest of the royal family could not all be accommodated because of the lack of space.
Some of the Harrison family outside the White House, including Caroline and Benjamin’s son Russell and three grandchildren with their pet goat and dog, ca. 1890. Accessed White House Historical Association.
Caroline began lobbying for congressional funds to refurbish and expand the White House. She gave interviews with journalists and took Senators and Representatives on personal tours of the White House to plead her case. She told reporters,
We are here four years. I do not look beyond that, as many things occur in that time, but I am anxious to see the family of the President provided for properly, and while I am here I hope to get the present building into good condition.
A few Representatives on the Committee on Public Buildings and Grounds had already kicked around the idea of expanding the White House. The building had remained largely unchanged since its completion in 1800 (though it was rebuilt after the War of 1812 after the British set fire to it). These Representatives had voiced a number of plans, including adding another story to the White House or constructing an exact replica of the building across the lawn. Some even wondered if an entirely new mansion for the President should be built. Caroline, however, recognized the historical significance of the mansion and articulated a new plan that would preserve the structure. Architect Frederick D. Owen drew up her ideas, which included adding wings to either side of the White House. The press widely circulated her plans, which Owen even titled “Mrs. Harrison’s Suggestion for the Extension of the Executive Mansion.”
Despite Caroline’s lobbying, her bill to provide funding to expand the White House did not pass. Though it went through the Senate, it failed in the House because President Harrison had ignored the Speaker of the House’s choice for collectorship of Portland, Maine. However, she did receive approximately $60,000 in appropriations to redecorate and renovate the interior and add the first electric lighting. Throughout her First Ladyship, Harrison directed painting, installing additional private bathrooms, renovating the kitchen, replacing all the dirty and moldy floors, rebuilding the old conservatory, adding greenhouses, and redecorating many of the public parlors.
During the renovations, Caroline had the entire contents of the White House inventoried. The Cleveland Leader reported,
Even the old bits stored away in the attic are to be listed, for Mrs. Harrison is anxious that pieces which have historic value or connection with presidential families of the past shall be preserved.
She stopped the old practice of selling off furniture, china, and silver at the end of each president’s administration, not only to save money, but so the historic mansion would maintain pieces from past presidents. Through this process, Harrison laid the foundation for the celebrated White House China Collection. Harrison’s acquaintance, Harriet Foster wrote “she immediately began a valuable collection to be preserved, in cabinets, of the scattered remnants of the china of former Presidents.” She even designed the Harrison china set, which featured corn ears, stocks, and tassels.
Harrison didn’t stop at the White House, but took on additional causes. As First Lady, Harrison advocated the federal government place more emphasis on fine art. She told the Evening Star,
this government has reached that point where it should give more attention to the fine arts—that is, a judicious expenditure for works of merit.
She made sure to include a large gallery of historical paintings in her plans for the White House expansion and supported the addition of paintings to the White House’s fine arts collection, including the first example of a non-portrait piece purchased for the mansion with federal funds. Her plans and actions set precedent for the introduction of a professional curator to care for the White House’s art collection, a position filled during the Kennedy Administration seventy years later. Lastly, in 1892 she became Honorary President of the National Art Association, joining forces with prominent artists like William Merritt Chase and Albert Bierdstadt, to lobby to exempt imported works of art from taxation. The tariff was eventually lifted.
Harrison lent her name to other organizations that promoted women’s interests. She agreed to head a local Washington, D.C. committee of women dedicated to securing women’s admission to the new Johns Hopkins Medical School. Johns Hopkins trustees promised five Baltimore women connected to the institution if they raised $100,000 (later increased to $500,000), the school would accept women on the same terms as male applicants. These women began recruiting prominent women across the nation to raise money in their own locales. According to historian Kathleen Waters Sanders, Caroline’s agreement to help the cause “was important, lending the campaign credibility and national visibility.” Due to women’s work, the medical school opened in 1893 as the first coeducational, graduate-level medical school in the nation.
Announcement for the DAR, The Scranton Republication, October 13, 1890, accessed newspapers.com
Harrison also agreed to become the first President General of a new organization, the Daughters of the American Revolution. The organization formed in 1890 after the Sons of the American Revolution refused to accept female applicants. The DAR’s goals were “the securing and preserving of the historical spots of America and the erection thereon of suitable monuments to perpetuate the memories of the heroic deeds of the men and women who aided the revolution and created constitutional government in America.”
The founders of the organization asked Harrison to lead, hoping her status as First Lady would elevate the DAR, give it credibility, and attract more members. Though she delegated day-to-day operations to other DAR board members, Harrison helped guide the fledgling organization through its early years and helped it become a political force. In 1892, the DAR had grown from a handful to over 1,300 members. Since 1890, the DAR has accepted over 950,000 members and served as an important political lobbying group. It has also restored and maintained numerous historic sites and preserved countless genealogical records and artifacts.
Unfortunately, Caroline’s career as First Lady was cut short. She died in the White House from tuberculosis October 25, 1892. Benjamin lost reelection soon after. However, a new historical marker at the Benjamin Harrison house in downtown Indianapolis will honor Caroline Harrison’s achievements, both in Indiana and as First Lady. Please check our website and Facebook page for more information about the marker dedication ceremony, scheduled to take place in October.
As the United States exited the Gay Nineties and entered the 20th century, an increased concern for better systems of disease control and education swept the nation. As industry boomed, more and more people crowded into cities, both large and small. With crowds came germs and disease. Soon tuberculosis ranked as the leading cause of death in the country.
In Muncie, Indiana anxiety over bacterial diseases loomed just as large as in major cities like New York and Chicago. To combat these and other public health issues of the time, individuals stepped up to the plate and played vital roles in getting new organizations off the ground.
Fruit jar made by Ball Brothers Manufacturing Company, 1910-1920, courtesy of the Minnetrista Heritage Collection.
By the early 1900s the term “Ball jar” had become a household phrase, and Ball Brothers Manufacturing Company distinguished themselves as the largest producer of canning jars in the world. In addition to the successful business bearing their name, the Ball family also left their mark on Muncie through civic work and philanthropy. During the first decades of the 20th century two notable women of the Ball family worked to improve public health in their region, and personally invested time and energy into advancing sanitation, hygiene, and medical access.
Bertha Crosley Ball, around 1900 (left) and Sarah Rogers Ball, around 1890 (right), courtesy of the Minnetrista Heritage Collection
Bertha Crosley Ball was the wife of Edmund Burke Ball – the middle son of the Ball brothers. Born in 1875 in Terre Haute, she was the daughter of a well-known Universalist minister and had familial roots stretching back to the American Revolution. Her advantaged upbringing left her wanting for very little in her youth. After graduating high school she began her collegial studies at Vassar College where she received a degree in Social Work in 1898.
Cincinnati Enquirer, September 2, 1903, courtesy of the Minnetrista Heritage Collection
After completing her studies, Bertha moved with her parents to Indianapolis where her father served as state superintendent of the Universalist Church of Indiana. Shortly after, Bertha made a visit to her friend Bessie Ball in Muncie. There, Bertha was introduced to Bessie’s brother-in-law, Edmund. Despite a twenty year age difference the two hit it off right away and in 1903 the couple married. Edmund’s distinction as the wealthiest man in Indiana, led to many headlines stretching from Indianapolis to Muncie, and even into Cincinnati.
Contrasted with Bertha’s advantaged upbringing is that of her sister-in-law, Sarah Rogers Ball. Nearly twenty years older than Bertha, Sarah married Edmund’s older brother, Dr. Lucius Ball in 1893. Born in upstate New York, Sarah was the daughter of immigrants. With six siblings, Sarah’s childhood home grew crowded and did not come with many opportunities. By the age of 16 she had moved into the home of her older sister and brother-in-law. For Sarah this move opened up doors that had been previously closed. Her brother-in-law, himself the son of immigrants, made a name as a ship captain and built up a very profitable shipping fleet. When Sarah began studies at the Buffalo General Hospital School of Nursing in 1885 her sister and brother-in-law likely paid the tuition.
Dr. Lucius and Sarah Rogers Ball in Japan, 1917, courtesy of the Minnetrista Heritage Collection.
While Bertha and Sarah could not be more different on the surface, their interest in public health and service to their community tied them together. In the 1880s the discovery of natural gas created a boom of industry in the Muncie area. This development led to a period of growth and an expanding population that required social amenities and services, such as health care. Over the next few decades small hospitals came and went until Ball Memorial Hospital opened its modern facility in 1929. In the meantime, it became obvious that the industrial town not only needed reliable hospitals, but also advocates for improving the overall public health of the community.
Formed in 1916, the Visiting Nurses Association existed “for the benefit and assistance of those otherwise unable to secure skilled assistance in times of illness; to promote cleanliness and prevent sickness by the teaching of hygiene, sanitation and the science of domestic management.” To accomplish these feats they provided general nursing, maternity service, child welfare service, nurses training, and a mental hygiene program.
Among those involved with the organization of the association was Sarah. As a former nurse it comes as no surprise that she had an interest in seeing the group established. When living in Buffalo, she had been involved in organizing a local Visiting Nurses Association as well.
Muncie Visiting Nurses Association staff, 1932, courtesy of the Minnetrista Heritage Collection.
While Sarah’s role with the Visiting Nurses was low-profile, Bertha’s involvement was not. At the time of the group’s founding, the organization elected Bertha to serve as second vice president and she continued to actively serve on the board of directors into the mid-1930s; serving as president in the 1920s. Between 1922 and 1932 the association experienced rapid growth. Under Bertha’s leadership nursing staff expanded, the numbers of patients served grew, and community health rapidly improved.
Modern Health Crusade pamphlet. In the mid-1920s, the Delaware County Tuberculosis Association won the state award for the highest percentage of student participants in the program, courtesy of the Minnetrista Heritage Collection
Three years after the founding of the Visiting Nurses, the Delaware County Tuberculosis Association began to develop. With tuberculosis-related deaths on the rise, the group hoped to spread knowledge concerning the disease’s cause and treatment, and to take steps towards preventing its spread. Through lectures, anti-spitting campaigns, advertisements, tuberculin testing of cattle, and instructive visits from nurses, the association tackled its goals head on. Over time their work paid off and by the 1940s tuberculosis-related deaths in the county had almost completely disappeared.
In the association’s first years, Bertha and Sarah again found themselves highly involved. Both women helped incorporate the organization and were also among the first board members. Sarah personally offered up the use of her automobile to the organization, and Bertha regularly gave monetary gifts to the group when they struggled financially.
Bertha Crosley Ball, mid-1930s (left) and Sarah Rogers Ball, around 1917 (right), courtesy of the Minnetrista Heritage Collection.
A scan of both organizations’ records show Bertha and Sarah’s names regularly mentioned in formative years. Through their labor, a strong foundation was established for both organizations, cooperative relationships developed between the boards, and both associations experienced rapid growth. With backgrounds in social work and nursing, Bertha and Sarah each possessed an understanding of society’s larger public needs and desired to improve the well-being of all people. Through their work, public health efforts in the Muncie area improved, leading to an established concern with human and community health that continues today.
When retired University of Evansville professor Mary Ellingson passed away in 1993, people remembered her as a much-beloved teacher, a mother, and a friend. Few knew she had played one other role as an archaeologist working on one of the most important excavations in Greece between the World Wars (Fig. 1). While Ellingson told few people about her adventures abroad she did make a scrapbook filled with nearly 100 photographs, many letters, some news clippings, and other papers all of which documented her time as an archaeologist. After her death, Ellingson’s daughter donated the scrapbook to the Department of Archaeology and Art History at the University of Evansville where I stumbled across it a decade later. I never met Ellingson, but I got to know her through the scrapbook. In that scrapbook I found clues she had left to an even more surprising secret she had kept from everyone.
Ellingson wanted to become a classical archaeologist. According to a biographical statement attached to her dissertation, she was born H. M. Mary Ross and received her BA in classics from the University of Alberta. In 1930 she went to Baltimore to attend graduate school at Johns Hopkins University. What drew her there was David Moore Robinson, a well-known expert in the field. Only two years earlier Robinson had begun a new project, the one that would cement his reputation as one of the great classical archaeologists. According to Nicholas Cahill in his book Household and City Organization at Olynthus, Robinson began excavating houses at the site of Olynthus in northeastern Greece, a revolutionary idea at the time as archaeologists interested in ancient Greece normally sought temples, theaters, and other public architecture (Fig. 2). Over the 24 years he published the results of his excavations, Robinson convinced his colleagues that houses could provide them with important information about daily life among the ancient Greeks. His 14 volume Excavations at Olynthus published between 1928 and 1952 is still considered the cornerstone of ancient Greek domestic studies and as a graduate student and aspiring archaeologist I had to read every volume. Ellingson could not have had a better guide than Robinson to help her enter the field.
Fig. 2 Ellingson (left) standing among house foundations at Olynthus that she helped excavate (courtesy of the University of Evansville Library Archives).
The normal practice at the time was for male graduate students to supervise Greek workmen excavating in the field while female graduate students cleaned and catalogued finds in the dig house, a practice Robinson followed at Olynthus in 1928 according to Raymond Dessy, author of Exile from Olynthus. Ellingson’s letters make it clear that when she went to Olynthus in 1931, Robinson decided to experiment with not dividing these tasks along gendered lines and instead had all of the students both supervise workmen and catalog finds (Fig. 3). Ellingson’s abilities in the field quickly impressed Robinson. In a letter dated March 15, 1939 now housed in the archives at the University of Evansville Robinson states that Ellingson, “…showed remarkable executive ability and was able to superintend the Greek workmen in a very efficient way, a thing that is very unusual for a woman and which quite surprised the Greeks themselves.” He added, “She is an excellent field archaeologist.” (Fig. 4)
Fig. 3 Ellingson (left) on a lunchbreak while excavating at Olynthus in 1931 (courtesy of the University of Evansville Library Archives).Fig. 4 One of Ellingson’s crews of Greek workmen (courtesy of the University of Evansville Library Archives).
Robinson divided the artifacts by category and put one graduate student in charge of cataloguing pottery, another coins, another metal objects, while he assigned Ellingson terracotta figurines (Fig. 5). These artifacts stood 6-12 inches tall and depict deities, animals, and theater masks as well as standing, sitting, and dancing women. Ellingson eventually wrote her master’s thesis and dissertation about these figurines. The big question of the day was how the ancient Greeks used these figurines. It was widely assumed they had only religious significance since excavators found them only in temples and graves. When Robinson published Excavations at Olynthus volume IV on the figurines he had excavated in 1928, other archaeologists were curious to know if he had found them in houses. His records from that season were so poorly kept that he could not explain where he had uncovered each of the figurines he catalogued in the volume. In 1931 respected archaeologists published scathing reviews of Robinson’s work, among them Edith Dohan, publishing in the American Journal of Archaeology, Alan Wace in Classical Review, and Winifred Lamb in the Journal of Hellenic Studies. All pilloried Robinson for poor record-keeping and a missed opportunity to weigh in on a central question.
Fig. 5 Study photo Ellingson took showing some of the terracotta figurines she had excavated at Olynthus (courtesy of the University of Evansville Library Archives).
This is what makes Ellingson’s thesis and dissertation so significant. She not only catalogued the figurines but she offered interpretations of their use. She found some of the figurines on household shrines, indicating a religious function, but others she uncovered had once been suspended from walls or placed on display, suggesting a decorative function. She also excavated figurines made from the same mold in houses and in graves indicating that their use changed over the lifetime of the figurine. Finally, Ellingson realized that when she found animal figurines in graves, those graves belonged only to children. She argued they had no religious or decorative function; they were toys. These were radical and exciting new interpretations for their day.
After her season at Olynthus, Ellingson returned to Johns Hopkins to write her master’s thesis. In her free time she made the scrapbook commemorating her time at the excavation. Johns Hopkins awarded her a PhD in classical archaeology in 1939. According to Ellingson’s daughter Barbara Petersen, a few months later she married Rudolph Ellingson and moved to Evansville where he had found a job. She raised two daughters and once they left for college in the early 1960s the University of Evansville hired Ellingson to teach Latin, Greek, and English courses. She retired in 1974 and upon her death in 1993 her daughter donated the scrapbook to my department where someone put it on a storage shelf and everyone forgot about it. A decade later I rediscovered it. It now resides in the university’s archives.
Along with the scrapbook was a copy of Ellingson’s thesis and dissertation. As soon as I started to read these, I recognized them immediately even though I had never heard of Ellingson. On a hunch I consulted Excavations at Olynthus volumes VII sand XIV. These are the only two volumes other than IV which mention terracotta figurines. I placed her thesis and Olynthus VII side by side and began to read. The texts were identical. The same was true for her dissertation and Olynthus XIV, yet Robinson put his name on the cover page of each as the sole author. He did thank Ellingson in a general way in the introduction to each volume but in no way did he indicate that Ellingson was the actual author. Robinson plagiarized his graduate student Ellingson. We cannot know why he did it, but I suspect it was because what she wrote about terracotta figurines was so much better than what he had written in volume IV. Scholars such as Valentin Müller agreed, praising volume VII in particular in his 1936 review in Classical Philology.
We cannot know how Ellingson reacted to Robinson’s publication of her thesis, no record remains, but among Robinson’s papers now housed in the archive at the University of Mississippi is a letter dated Oct. 6, 1952 which Ellingson sent to him expressing her surprise and discovering her dissertation in print. The archive preserves a copy of his response, sent a week later, in which he states that he “…probably should have given you more credit.” It was the closest thing to an apology Ellingson would ever receive. She only told one of her daughters once about what happened to her, otherwise she shared the story with no one.
The description above is only a very brief summary of Ellingson’s story. To learn more, see For Further Reading below. Nonetheless her story matters because she left behind enough documentation to tell it. Other women in archaeology and the sciences did not receive the credit they deserve for their work, but we may never hear about them as they did not make a scrapbook as evidence of their accomplishments. Mary Ellingson, therefore, must stand as a proxy for other women about whom we will never learn.
For Further Reading:
Kaiser, A. 2015. Archaeology, Sexism, and Scandal. The Long-Suppressed Story of One Woman’s Discoveries and the Man Who Took Credit for Them. Rowman and Littlefield: Lanham, Maryland.
