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Ben-Hur Races to the Top in Indy

hur poster — 2016 movie poster, courtesy of Imdb.com.

The release of the new Ben-Hur movie this summer reminded us of the story’s Hoosier origins. This latest production from Mark Burnett and Roma Downey is the fifth time that film producers have interpreted Crawfordsville native Lew Wallace’s best-selling novel for the screen. Many are familiar with the 11 Academy Award winning adaptation starring Charlton Heston in 1959 and most film buffs know that there were two earlier versions in 1907 and 1925. The 1907 film prompted a landmark U.S. Supreme Court decision that protected copyrighted works from unauthorized motion picture adaptation. The 1925 film arguably has a better chariot race than the 1959 movie. There was also a forgettable and regrettable Canadian mini-series reboot of Ben-Hur in 2010.

In a world of constant movie reboots, one ponders: if Lew Wallace were alive today and re-wrote Ben-Hur in a contemporary setting, would he have Ben-Hur racing in the Indianapolis 500?

What if we told you that Ben-Hur did, in fact, race at Indianapolis? Of course, the race did not take place at the Indianapolis Motor Speedway; instead it took place in 1902 at English’s Theater during the Ben–Hur stage play’s first visit to Indianapolis.

The stage race as explained and illustrated in pages of Scientific American. Image from General Lew Wallace Study and Museum website.

On November 13, 1902, the Indianapolis News reported “J.J. Brady is here in advance of ‘Ben-Hur,’” and “brings with him a corps of stage carpenters and mechanics, who have practically to reconstruct the stage . . . so that the play may be given properly.” Although English’s stage was new, crews needed to rebuild it in order to accommodate the chariot race. Producing that scene called for eight live horses running at full gallop on treadmills, cycloramic scenery and, other apparatus. All this equipment and animals imposed an estimated weight of over 50 tons on the stage, which required pouring a special cement foundation. The public was anxious to see the spectacle, even if it meant staking out a place in line many hours in advance. The Indianapolis News reporter observed:

“A few individuals sat and shivered all night in the lobby of English’s waiting in patience and with an unwonted supply of cash in their pockets for the box office to open. They were men who had been hired to buy seats for some of the performances of ‘Ben-Hur.’”

Ticket prices ranged from fifty cents to two dollars. Even at that rate, a day after the tickets went on sale, the English Theater reported “over $10,000 was taken in at the box office window” and representatives for the producers of the play (Marc Klaw and Abraham Erlanger) announced that the sales “beat all records for the play in advance sales.” The Supreme Tribe of Ben-Hur, a national benevolent society headquartered in Wallace’s hometown of Crawfordsville, nearly bought out one performance by itself. The Tribe planned to run an excursion via train for its members from Crawfordsville to see the play.

Basill Gill as Messala (Left) and William Farnum as Ben-Hur (Right) in the 1902 Indianapolis production. Courtesy of Hoosier State Chronicles. — Ben-Hur and Messala face off in a promotional picture for the production. Courtesy of Hoosier State Chronicles.

However, a few members of the Hoosier public were dubious about purchasing tickets. In particular, one woman was of the opinion that the play was to take two weeks to complete. When the box office manager informed her that the entire play was presented every night, she remained quite suspicious that anyone “could put all that book into a one-night drama.”

Production managers sought to cast extras from Indianapolis’s denizens, advertising a salary of $4.25/week. That was enough to encourage a crowd of men, women, and children to stand outside in a late Indiana autumn for an hour and a half waiting for their opportunity at show business. An assistant stage director eventually made an appearance and sorted through the crowd. One “gray beard” was turned away because the assistant director believed him not to be “nimble afoot.” The rejected man futilely protested to the assistant director and argued “he could get around faster than two-thirds of the younger fellows that had been accepted.”

With the extras cast, the production opened on Monday, November 25, 1902. After witnessing opening night, an Indianapolis reporter wrote, “There [will] be critics who see nothing good in the American stage or in the works of American dramatist: if the American stage had done absolutely nothing worthy in its long career but this, had its fame to rest solely on this production of ‘Ben-Hur’ it has justified its existence.”

Mabel Bert in costume for theatrical production of Ben-Hur. Courtesy of the Digital Public Library of America. — Mabel Bert in costume as the mother of Ben-Hur. Courtesy of the New York Public Library.

The cast, as it appeared in Indianapolis, included William Farnum as Ben-Hur and Basil Gill as Messala. Farnum’s performance was described as realizing the part to the fullest degree. Among the other actors and actresses in the production, Mabel Bert’s portrayal as the mother of Hur is worth noting because she was the only cast member with a major role to be with the company continuously since the production opened on November 29, 1899 in New York City. Mrs. Bert told a reporter,

“I have always been the mother of Ben-Hur – various Ben-Hurs, however, for Mr. Farnum is the third I have mothered on the stage…It does make me a trifle lonely sometimes to lose my stage children and stage friends that way. But then, too, it affords a certain amount of variety that is interesting and keeps my work from becoming at all monotonous.”

Ellen Mortimer as Esther (Left) and William Farnum as Ben-Hur (Right) in the 1902 production. Courtesy of Hoosier State Chronicles. — Esther and Ben-Hur in a promotional photo for the production. Courtesy of Hoosier State Chronicles.

The public certainly found nothing monotonous about the play. In fact, the production was originally slated to run for two weeks in Indianapolis, but four days after opening night the Indianapolis News reported that the high demand for tickets had prompted producers to extend the play for another week. Box office receipts for the first two weeks alone were estimated in excess of $35,000. That figure broke all box office records for Indianapolis and was the highest figure for all productions of Ben-Hur to that date.

The cover of the Souvenir Album of the 1902 Indianapolis production of Ben-Hur. Courtesy of Indiana Historical Society.

The Indianapolis News attempted to describe the sales phenomenon in Indianapolis:

“‘Ben-Hur’ occupies a unique position on the native stage, since it appeals alike to habitual theater patrons and those who seldom find enjoyment in offerings of the stage. While the elaborate scenic equipment and realistic chariot race command the admiration of the spectators, the rare beauty and force of ‘Ben-Hur’ as a drama give a lasting distinction to this most uplifting, inspiring and soul-stirring play.”

This description of the popularity of Ben-Hur, while no doubt true, neglects that a major reason for the large turnouts was because the author of Ben-Hur was a native Hoosier son. Some Indiana cities, such as Covington, Franklin, and Noblesville, brought large numbers of their population and sold out individual performances. In fact, Covington could not secure as many tickets as they had citizens who wanted to attend; the Indianapolis Sentinel reported that a small riot broke out as a result.

While various Indiana cities were hoping to witness the performance, Crawfordsville was no exception, as it was Ben-Hur’s birthplace. A contingent of Athenians and Montgomery county residents had the theater to themselves for a performance on December 2. Among those in attendance at that performance was James Buchanan Elmore, aka the Bard of Alamo. After witnessing the arrest of the Hur family, Buchanan leaned over to a newspaper reporter and said, “Seems to me if I was bossing that show I would make the actors speak softer and not so rough, it don’t seem like Scripture voices.”

An example of the final scene from the theatrical version of Ben-Hur, which opened at the Grand Opera House, Seattle, on Oct. 9, 1905. Courtesy of the University of Washington.

Although the December 2 performance hosted one Montgomery County literary celebrity, another one was conspicuously absent, that being General Lew Wallace, the author of Ben-Hur. Wallace was recovering from an illness during the Crawfordsville excursion. However, he was sufficiently recovered to attend a matinee with his son, daughter-in-law, and his two grandsons on December 12. Wallace watched most of the play from a private box and tried to remain as inconspicuous as possible, lest he be called upon to deliver a speech. Wallace and his party were invited behind the stage so that they could witness how some of the scenes were produced, especially the chariot race. Wallace took special interest in watching the race and all of the mechanization that was involved. While backstage, Wallace met the starring members of the cast and reportedly chatted for several minutes with the actor incarnating his literary creation. Before returning to his box Wallace remarked to a stage manager that the production had reached a state of perfection. Ben-Hur ended its stay in Indianapolis the day after Wallace’s visit, before moving to Milwaukee for a two-week engagement.

Eleven years later, when Ben-Hur was making another visit to Indianapolis, Hector Fuller aptly noted in the Indianapolis Sunday Star,

“If Indiana had contributed nothing else, save this one play to the American stage it might be counted that the Hoosier state had done its part. For ‘Ben-Hur’ is the dramatic marvel of the age. It has held the stage now for fourteen years, and in that time over 10,000,000 people have seen it.”

Learn more about Lew Wallace, his father David Wallace, his stepmother Zerelda Wallace, and his mother Esther Test Wallace with other IHB historical resources.

exhibit 1

Stop by our exhibit in the Indiana State Library to see memorabilia from productions of Ben-Hur.

The Indelible Ross Lockridges

final jr sr — Ross Lockridge Sr. and Jr. camping, photographed by three-year-old Ernest (son of Sr.) in the summer of 1942, image courtesy of Evansville.edu.

Ross Lockridge Sr. and Jr. left an indelible mark on Indiana history through traditional history publications and fictional depiction. However, the father and son have yet to be cemented in the annals of state history. We hope to contribute to that reversal.

The senior Lockridge was born in Miami County, Indiana in 1877 and went on to graduate from Indiana University in 1900. He married and returned to his north central Hoosier home. He became the principal of Peru High School, and later earned a law degree from IU in 1907. Not long after, he moved to Fort Wayne and worked as employment manager and welfare director at Wayne Knitting Mills. He also served three years as executive secretary of the Citizen League of Indiana, which lobbied for a new state constitution and advocated for women’s suffrage.

mills — Wayne Knitting Mills, 1910, courtesy of History Center Notes & Queries.

While in Fort Wayne, Lockridge Sr. helped organize the Allen County Fort Wayne Historical Society. During this time his reputation grew as a writer of pioneer Indiana history. According to Larry Lockridge, his grandfather, Ross Sr.,” developed his own brand of ‘Historic Site Recital,’ combing public speaking, drama, and local history.” Between 1937 and 1950, Lockridge Sr. served as a director of IU Foundation’s Hoosier Historic Memorial Activities Agency. Some of his published works include: George Rogers Clark (1927), A. Lincoln (1930), LaSalle (1931), The Old Fauntleroy Home (1939), and Labyrinth (1941), Theodore F. Thieme (1942). His The Story of Indiana (1951) was primarily used as a text in Indiana at the junior high school level.

The historian also wrote about Johnny Appleseed, the Underground Railroad, and Indiana’s trails, rivers, and canals. Another extended work, which continues to aid transportation history researchers, is Historic Hoosier Roadside Sites, commissioned in 1938 by the Indiana State Highway Association. He worked tirelessly to mark the state’s landscape with monuments and markers, preserve records, and execute historical pageants. His clear and concise writing style has added to Hoosier’s knowledge of their past.

marekrs paper — The Vidette-Messenger (Valparaiso, IN), March, 23, 1936, courtesy of Newspapers.com.

According to Larry Lockridge, his grandfather “didn’t exactly whitewash history,” but he “certainly edited it. He attempted to bind people to their own local history through heroic narrative.” After the tragic drowning of Ross Sr.’s 5-year-old son, Bruce, in Fort Wayne, his dedication to historical work intensified. Larry contends:

“Preaching history as resurrection of the worthy dead was his idealistic, nonmetaphysical challenge to time and mortality, grounded in the tragedies of his own life and the pettiness of the contemporary scene.”

Ross Jr. assisted his father with historical projects, but according to Larry was “not his father’s puppet at such performances” and “never approached his father’s ease of performance and lack of self-consciousness.”

Ross Jr. was born in Bloomington, Indiana and moved to Fort Wayne. When he was 9-years-old the family returned to Bloomington and his literary dreams took root.

According to an Indiana Public Media article (IPM), Junior attended Indiana University, where he was known as “A+ Lockridge,” graduating with the highest GPA ever awarded by the school (4.33). Scarlet fever precluded his plan to join IU’s English Department, leaving him bedridden for eight months. He was later accepted as at doctoral student at Harvard University, where he began his famed novel.

kasdl;fkl;sdfk — Raintree County cover, courtesy of Goodreads // Ross Lockridge Jr. signing copies of Raintree County in Indiana, courtesy of Altered Book Arts.

According to an Altered Books Arts article, he withdrew from his studies and taught at a nearby college, so he could focus on his literary magnum opus. The IPM article reports that he studied abroad in Europe in 1934, where he “first had the vision of writing a novel that would draw upon the would-be literary heritage of his maternal grandfather, a schoolteacher and poet who had lived in Indiana’s Henry County.” This evolved into the character of John Shawnessy, who after losing his wife went on to fight in the Civil War, attempted to write the Great American Novel, and ended up in the fictional Raintree County.

Photo of a raintree planted in honor of Ross Jr. behind the Lockridge house, image courtesy Larry Lockridge, accessed IPM.

Although Johnny had his successes, the character flashed back in memory wondering about the country’s future. He is influenced by several cultural concepts, one of which is to find the legendary Rain Tree, supposedly planted somewhere in the Raintree County by the celebrated Johnny Appleseed, who is buried in Allen County. The tree Lockridge sought to feature is based on a real Golden Rain Tree, which blooms in the summer with subtle yellow flowers that drop like a raining of yellow pollen dust.

In addition to Allen County, Monroe County is represented in the book. Larry noted, “We have county fairs and patriotic programs and outdoor sex and footraces and weddings and temperance dramas and rough talk . . . all of this he picked up in the culture of Bloomington” (IPM). Ross Jr.’s wife, Vernice, did the final typing of the novel, an 18 month endeavor and, unlike many writers, her husband gave her full credit for her help in constructing the 1060-page novel.

Altered Books Arts summarizes the novel’s themes, stating:

“In the course of its thousand pages philosophy, religion, sex, and history all flow together in a narrative that spans 40 years, recollected in a single day. In some ways it is an Indiana Ulysses, though Lockridge said that whereas Joyce wished to make the simple obscured, he wished to make the obscure simple. When it came out Thomas Wolfe and Walt Whitman were frequently cited for comparison, but it seems closer to in technique and feeling to the panoramic narrative of John Dos Passos’ U.S.A.“

Ross Lockridge Jr. by river, image courtesy of Larry Lockridge, accessed IPM.

Ross Jr.’s labor of love was met with much anticipation from his publisher, Houghton Mifflin. However, in order to win MGM’s high-profile contest for best new literary work, an award of $150,000, he was pressured to revise and cut several sections from his masterpiece. His likely selection as Book of the Month club winner, meant that he had to make many more extensive cuts. He conceded reluctantly and worked tirelessly to trim it for publication. His publisher Dorothy Hillyer wrote “Ross was quite capable of fussing eighteen hours a day over that manuscript. He was in love with it, almost sexually.” (He ended up cutting out a 356-page dream sequence, which is retained at Bloomington’s Lilly Library).

These compromises, the killing of his darlings, so to speak, and the completion of his life’s work plunged him into a deep depression. Despite generally rave reviews about the novel and winning MGM’s literary award, Lockridge’s depression worsened and he returned to Bloomington. His son regarded this as a mistake, “not because of Bloomington’s particular atmosphere but because it felt to him as if he had come full circle. . . . It was the symmetry of fate that he was returning home to die.”

Larry noted that his father began exhibiting bizarre behavior, inspecting knives in the kitchen and opening and closing cupboards, claiming he was “looking for a way out.” Public backlash about the book’s sexuality and irreverence, especially by his Bloomington neighbors, made him doubt the quality of his work and worsened his fragile state. (According to IPM, the publication of his neighbor Alfred Kinsey‘s Sexual Behavior in the Human Male promoted Lockridge to quip “It seems Mr. Kinsey and I have succeeded in making Bloomington the sex center of the universe”).

snake pit — The cover of Mary Jane Ward’s autobiographical novel about her own struggles with mental illness, image courtesy of IPM.

Ross Jr.’s father hoped to combat his son’s malaise with recitation, the memorization of the Declaration of Independence, hearkening back to their old historical endeavors. Ross Jr. reluctantly entertained his mother’s Christian Science ministrations, but remained in a debilitated state. Ross Jr. was not alone in his distress; his cousin Mary Jane Ward suffered from mental illness, which she depicted in her successful autobiographical novel The Snake Pit.

Witnessing her husband’s ongoing suffering, Vernice convinced him to seek treatment at Indianapolis’s Methodist Hospital, where he underwent electroshock convulsive therapy and insulin-induced coma. Further distressed and embarrassed by the procedures, he gave staff the impression he had recovered and was released.

According to Larry, his father tried to write a second novel, a “thinly disguised autobiography, from Fort Wayne days to the present.” He had planned to begin the story with his young brother’s tragic death and,

“the tranquil Avenue of Elms, Creighton Avenue in Fort Wayne, whose backdrop was the Great War. It is in this city that his brother Bruce drowns, that his house catches fire, that there is a great strike at the mill, that he falls in love with Alicia Carpenter, that he decides to become a writer, and that through ‘the brutality of fate’ his personality is set by the age of ten.”

He was never able to finish a second novel. On March 6, 1948, the day after Raintree County was declared a number one best seller, Ross Lockridge, Jr. took his own life at age 33 in Bloomington. Unable to locate her husband, Vernice went out to their garage. There she discovered his limp body in the running car, a vacuum cleaner hose piping exhaust into the car. The death of the new literary star stunned the nation, attracting over 2,000 to his funeral and prompting an obituary on the front page of the New York Times.

In 1957, MGM produced a big screen depiction of Raintree County, featuring Montgomery Clift, Elizabeth Taylor, and Eva Marie Saint.

Weeks after the death, Vernice found a note written by her husband, stating “‘Dearest, Have gone for early morning walk to clear head. Love, Ross.” On the back side he wrote:

“The purpose of Raintree County is to present life in its many-sided variety with idealism triumphant. An irreverent character in a book does not mean an irreverent book. In any event it is an old and good rule that every reader is entitled to his own opinion of a book.”

Surviving the death of a second son, Ross Sr. passed away a few years later in 1952.

marker rain — Henry County plaque, courtesy of IU Press Typepad.

Learn more about the remarkable Lockridges with Larry Lockridge’s 1994 Shade of the Raintree: The Life and Death of Ross Lockridge, Jr., author of Rain Tree County.

The Lost Mrs. Ralston

Photo 1-Jennie C Ralston — Jennie C. Ralston, wife of Governor Samuel Ralston, First Lady of Indiana (1913-1917), image courtesy of Indianapolis Star.

Tracking down a portrait of Jennie C. Ralston, wife of Indiana Governor Samuel Ralston, was our most pressing challenge last week. The problem? It appeared as though no one had actually seen the painting since 1970. When we got a call from Jennie’s great-great granddaughter, who thought the portrait had been donated to the Indiana State Library, we were honored to help track it down.

Though most well-known as wife of Indiana Governor Samuel Ralston, Jennie was a civic leader in Indiana in her own right. Born on November 15, 1861 on a farm near Danville, Indiana, she met Samuel while attending Central Normal College in Danville. She graduated in 1881. The two married in 1889 and lived on a farm near Lebanon, Indiana. Throughout her life, she participated in numerous clubs, often holding leadership roles. A few of her positions included President of the Pioneer Woman’s Memorial Association, in which she helped organize the Parent-Teachers’ Association, Trustee of the Indiana Girls School, and Vice-President of the Indiana Federation of Clubs. She was also a member of the Democratic National Committee from 1934 until she retired on her 91^st birthday in 1953.

Photo 2-Senator Samuel and Jennie — Samuel and Jennie Ralston sitting together on their front porch, c. 1922-1925, image courtesy of Indianapolis News.

The first place we looked for Jennie’s portrait was the Indiana Governors’ Portrait collection, managed by the Indiana State Library and the Indiana State Museum. The collection contains portraits of all of Indiana’s
governors (except for one) since Indiana became a territory. The state museum makes sure every newly elected governor has their portrait painted and added to the collection. Most of the paintings are currently on display in the State House or in government offices.

Photo 3-ralston portrait — Portrait of Indiana Governor Samuel Moffett Ralston by Wayman Adams in the Indiana Governors’ Portrait Collection.

It was possible the collection contained Jennie’s portrait. When he was governor (1913-1917), her husband Samuel significantly expanded the collection. In honor of the state centennial in 1916, he had his own portrait completed by Muncie artist Wayman Adams, and hired T.C. Steele to paint portraits of four famous Indiana governors, William Henry Harrison, Jonathon Jennings, Oliver Perry Morton, and Thomas A Hendricks.

However, no records indicated that Jennie’s portrait came with her husband’s to the Indiana Governors’ Portrait Collection. We contacted nearly every other major archive and museum in Indianapolis and no one seemed to have record Jennie’s portrait in their collection or knew where it currently was.

4 govs — Steele’s portraits commissioned by Gov. Ralston, courtesy of IHB.

Next, we scoured books and digital publications for reprints or references of Jennie’s portrait, with the hope that a citation might lead to a repository that currently owned the painting. After searching through several books from First Ladies of Indiana and the Governors to Portraits and Painters of the Governors of Indiana, there was still no trace of the portrait. Without paperwork, the name of the artist who completed the portrait, or even an image of the painting itself, it seemed difficult to know where else to look. However, there was one source left to check.

Perhaps one of the best places to find information at the Indiana State Library is the trusty clippings files, collected in the 1920s and having grown to nearly 250 linear feet since then. The library maintains a vertical file of clippings from newspaper and magazine articles, pamphlets, and various publications on a number of Indiana topics for public perusal. There are folders dedicated to broad subjects, such as women or health, and others for specific individuals, events, places, and organizations.

Photo 4-jennie c ralston article — Jennie Ralston’s niece, Ruth Cravens (left) presents the portrait of Jennie at IU’s Sycamore Hall girls’ dormitory at. This photo led us to the portrait’s current location in the IU Campus Art Collection. Image courtesy of *Indy Star.*

Luckily, Samuel and Jennie Ralston had a folder dedicated to them in the biography section of the clippings files. Ironically, the first clipping in the folder was a small captioned photo cut from the Indianapolis Star, dated May 22, 1956. The photo showed the portrait of Jennie Ralston presented at the Sycamore Hall girls’ dormitory in Indiana University-Bloomington. Apparently, Jennie’s brother John Cravens, worked at the university as a registrar for many years.

Eventually, we connected with the Campus Art Collection at Indiana University. After sending a scan of the article, Amy Patterson, Campus Art Collection Manager and Registrar at Indiana University told us Jennie’s portrait was indeed in their collection. SUCCESS!

The portrait is currently in storage to undergo restoration and will be rehung next summer. Moral of the story; always check the ISL Clippings Files. You never know what you’ll find in there.

James Overall: Indiana Free Person of Color and the “Natural Rights of Man”

Prior to the Civil War, Indiana experienced a swell in its African American population due to the migration of free persons of color from other states. The arrival of recently emancipated people and freedom seekers also contributed to the growth in Indiana’s black population. As population increased, so did discrimination against African Americans. The Indiana General Assembly passed laws requiring African Americans to register with county authorities and pay a bond as guarantee of good behavior. They were also prohibited from voting, serving in the state militia, testifying in court cases against white persons, and their children were banned from attending public schools.

Certificate of Purchase, image courtesy of the Indiana Archives and Records Administration.

Land ownership offered African Americans the opportunity to circumvent this oppression. James Overall, a free black man, purchased land in Corydon, Indiana as early as 1817 before moving and acquiring land in Indianapolis in 1830. The ownership of land afforded him prominence in his community, as did his work as a trustee for the African Methodist Episcopal church.

Overall was also notable for his efforts to aid escaping slaves. One such slave from Tennessee, Jermain Loguen, was told to seek the help of “Mr. Overrals of Indianapolis.” After escaping slavery, Loguen became a well-known New York Underground Railroad activist. He described Overall as “an educated man, and had a large character and acquaintance among colored people; and was much respected by white ones, for his probity, industry and good sense. He received and befriended the fugitives, as was his custom with all other who came to him.”

Indianapolis in the 1830s was a violent place, as described by early Indianapolis historian Ignatius Brown:

The work on the National road . . . had attracted many men of bad character and habits to this point. These, banded together under a leader of great size and strength, were long known as ‘the chain gang,’ and kept the town in a half subjugated state. Assaults were often committed, citizens threatened and insulted, and petty outrages perpetrated.

The events of the night of March 18, 1836 reflected the tense atmosphere. According to Overall, David Leach and other members of a white gang came to Overall’s door carrying arms and fence rails, trying to break into the home and threatening to kill Overall and his family. Overall defended his property and family by shooting the white gang member. White allies came to Overall’s aid and his testimony was corroborated by prominent white Indianapolis citizen Calvin Fletcher.

legal 2 — Transcription of Surety of Peace document, courtesy of the Indiana Archives and Records Administration.

Despite an 1831 Indiana law that barred black testimony against whites in court, Overall sought legal protection from further attack. His affidavit of the attack put Leach in jail for a short time. He was released on bond, pending a hearing in Marion County Circuit Court. On the first day of the Term, May 2, 1836, Overall declined to proceed with his complaint against Leach. However, public outcry about whether Overall, a black man, could “make an oath against Leach, a white man,” prompted Marion County Circuit Court Judge William W. Wick to write a lengthy statement that was printed May 7, 1836 on the front page of the Indianapolis Journal.

The judge’s opinion affirmed Overall’s “natural rights” to defend his family and property from attack. He wrote:

The sages who formed our constitution did not leave those rights undefined. On the contrary they have declared them in language so clear as to set at defiance the mystification of sophistry, and all perversions, but the blind misapprehensions of visionary philosophy, stupid bigotry, or mistaken violence. The rights thus secured are, 1st. The defence of life and liberty. 2d. The acquisition, possession and protection of property; and 3d. The pursuit and obtention of happiness and safety.

However, Judge Wick’s interpretation of an Indiana law in 1836 did not affect any change in the actual law. African Americans in Indiana continued to be without legal recourse in causes where only black testimony was available against a white party.

*This post is based on research conducted by IHB historian Dani Pfaff for a historical marker commemorating Overall, and can be found here.

William Hayden English: A Man Apart

William Hayden English. Courtesy of Indiana Historical Society.

When I started researching him, William Hayden English seemed like a pretty typical figure for the 19th century: Congressman, businessman, Vice-Presidential candidate. However, I soon realized how complicated his life and his politics really were.

English played a key role in the unrest in Kansas during the antebellum period, yet supported the Union during the Civil War (but was still antagonistic towards Lincoln’s presidency). A deal broker, English often chose the middle of the road. He was a conciliator, a compromiser, and a tactical politician who was a Pro-Union Democrat who held misgivings about both slave-sympathizers in the South and radical Republicans in the North. In more ways than one, he was truly a man apart.

William Hayden English was born on August 27, 1822. Early in his life, English received some formal education. According to a letter by E. D. McMaster from 1839, English received education in the “Preparatory and Scientific departments” of Hanover College. Additionally, he received accreditation to teach multiple subjects at common schools by examiners Samuel Rankin and John Addison. He would eventually leave school and pursue law, where he passed the bar in 1840.

The English family home in Englishton Park, Lexington, Scott County, Indiana, circa 1900. English lived here for many years with his family until his time in the Indiana House brought him to Indianapolis. An IHB marker for English is at this location. Courtesy of Indiana Historical Society.

His major break in politics came with his selection as the principal Secretary of the Indiana Constitutional Convention of 1850. During his time as Secretary, he earned the reputation as being a thoughtful and balanced tactician, someone who was willing to work with others and make things happen.

The first page of the manuscript version of the 1851 Indiana State Constitution. English honed his political skills during his time as principal secretary for the Constitutional Convention. Courtesy of Indiana Historical Society.

Using this newly-earned reputation, English was first elected to the Indiana House of Representatives from Scott County in August of 1851. On March 8, 1852, after the resignation of Speaker John Wesley Davis, English was elected Speaker of the House with an overwhelming majority of the vote. He was only 29 years old, making him the one of the youngest Speakers in Indiana History.

In his election speech, he stated his praise for the new Constitution and called for a full new legal code to be established. He additionally called for a “spirit of concession and compromise” and for his colleagues to “zealously apply himself to the completion of the great work intrusted [sic] to us by a generous constituency.” In effect, the Indiana House of Representatives under Speaker English had consolidated state government and extended its purview to neglected regions of the state.

William English's officialt Congressional Portrait, 1859. Courtesy of the Library of Congress. — William English’s official Congressional Portrait, 1859. Courtesy of the Library of Congress.

After his time in state government, English was called for national service. He won his first election to the United States House of Representatives in 1852, and was reelected in 1854, 1856, and 1858. During his tenure in Congress, English would be remembered for his “wise and patriotic course in Congress,” notably his important role in crafting a controversial bill that gave Kansas the choice of whether to come into the Union as a free or slave state.

English’s time in Congress, much like the rest of his political career, can be seen as pragmatic. While he morally abhorred slavery, he condemned abolitionists and believed in the notion of “popular sovereignty,” which argued that the people of a state or territory should choose for themselves whether to have slavery. He stated his view in a speech in 1854:

Sir, I am a native of a free State [sic], and have no love for the institution of slavery. Aside from the moral question involved, I regard it as an injury to the State where it exists….But sir, I never can forget that we are a confederacy of States, possessing equal rights, under our glorious Constitution. That if the people of Kentucky believe the institution of slavery would be conducive to their happiness, they have the same right to establish and maintain that we of Indiana have to reject it; and this doctrine is just as applicable to States hereafter to be admitted as to those already in the Union.

During this session, Congress was debating a bill named the Kansas-Nebraska Act, which would repeal the Missouri Compromise (also known as the Compromise of 1820) and allow for states and their citizens to decide whether they wanted to be admitted as a slave state or free state. English voted for the bill and it was later signed into law by President Franklin Pierce on May 30, 1854. Almost immediately, violence erupted between pro-slavery and anti-slavery advocates in the state, who could not agree on the direction of the state constitution.

Alexander Stephens, circa 1860s. A congressman from Georgia, Stephens helped English craft the "English Bill" that would later ensure that Kansas as a free state. Today, he is best remembered for being the Vice-President of the Confederacy during the Civil War. Courtesy of the Library of Congress. — Alexander Stephens, circa 1860s. A congressman from Georgia, Stephens helped English craft the “English Bill” that hoped to quell unrest in the territory of Kansas. Ironically, he is best remembered for being Vice-President of the Confederacy during the Civil War. Courtesy of the Library of Congress.

After his reelection in 1856, English, along with congressional colleague Alexander Stephens, went to work on a compromise bill that would potentially quell the violence and political unrest. This compromise, known as the English Bill, allowed the citizens of Kansas to either accept or reject the pro-slavery Lecompton Constitution. However, if the citizens of Kansas chose to be a slave state by referendum, they had to additionally let go of federal land grants within the territory.

The bill passed and the voters of Kansas did not reject the land grants, thus rejecting the Lecompton Constitution. Upon the Bill’s passage, English declared that, “The measure just passed ought to secure peace, and restore harmony among the different sections of the confederacy.” The Kansas issue would be not resolved until its admission to the Union as a free state in 1861. As he did in the Indiana House, English struck a compromise that hoped to quell the violence, using federal land grants as a way to take heat off the slavery issue.

While the English Bill attempted to stave off conflict within Kansas, the harmony among the nation was short lived. The growing tensions among pro-slavery and anti-slavery factions of the country were mounting, and English lamented this development in one of his final speeches to Congress. He chastised both the abolitionists and radical Republicans, who he believed had appealed to the “passions and prejudices of the northern people, for the sake of getting into office and accomplishing mere party ends.” To English, the cause of all this strife was the agitation of the slavery question and the solution would be to elect a Democrat President and ensure that the national discussion be reverted back to other issues of state. This did not happen; in the fall of 1860, voters chose Republican Abraham Lincoln and the first seven southern states seceded from the union.

By 1861, right as English was leaving Congress, the United States became engulfed in Civil War. While many within the national Democratic Party either defected to the Confederacy or took a tenuous position of support in the north, English was unequivocally for the Union. In an August 16, 1864 article in the Indiana Daily State Sentinel, the Committee of the Second Congressional District, under the chairmanship of English, wrote a platform that supported the Union and decried the act of secession. However, it did reserve criticism for President Lincoln, particularly with regards to supposed violations of freedom of speech. English’s pragmatic, even-handed political gesture fell in line with many of his past political actions.

Campaign poster for candidacy of Winfield Scott Hancock and William Hayden English, 1880. Image courtesy of the Library of Congress.

After his time in Congress, he was the President of the First National Bank of Indianapolis for 14 years. He established the bank in 1863, taking advantage of the reestablished national banking system during the Civil War. According to historian Emma Lou Thornbrough, the First National Bank of Indianapolis became “the largest bank of Indianapolis, and one of the largest in the Middle West.” He is also listed as a “banker” in the 1870 Census and as a “capitalist” in the 1880 Census. By the time of his death in 1896, English had become one of the wealthiest men in Indiana.

Even though his time in national politics was years removed, he was nonetheless nominated by the Democratic Party in 1880 for Vice President, with Winfield Scott Hancock as President. Articles in the Indianapolis News and the Atlantic noted that his chances for the Vice-Presidential nomination were quite good, especially if the candidate was presumed front-runner Samuel J. Tilden of New York. Within days of the News piece, when asked if he was interested in the VP nomination, English said, “None whatever, for that or any other office.

A campaign poster for Hanock and English, with a patriotic flair, 1880. Image courtesy of the Library of Congress.

Despite his protestations, English was nominated for the Vice-Presidency by the Democratic Party on June 24, 1880, after Tilden redrew his consideration for the Presidential nomination and General Winfield Scott Hancock was elected in his stead. In his acceptance letter, English wrote that he was “profoundly grateful for the honor conferred” and that his election with Hancock would be a triumph over the dominance of the Republican Party in the presidency. Their chances to win the White House were dashed when they lost to Republicans James Garfield and Chester Arthur in the General Election.

English's Hotel and Opera House, circa 1948. Completed in 1880, it became a mainstay on Monument Circle before its demolition in 1948. Courtesy of Indiana Historical Society. — English’s Hotel and Opera House, circa 1948. Completed in 1880, it became a mainstay on Monument Circle before its demolition in 1948. Courtesy of Indiana Historical Society.

William Eastin English, circa 1880s. The son of William H. English, William E. managed the English Hotel and Opera House. Like his father, he became a successful businessman and U.S. Congressman. Courtesy of Indiana Historical Society.

Actor Lawrence Barrett, circa 1880. When English's Hotel and Opera House opened on September 27, 1880, Barrett played the lead role in its production of Hamlet. Courtesy of Indiana Historical Society. — Actor Lawrence Barrett, circa 1880. When English’s Hotel and Opera House opened on September 27, 1880, Barrett played the lead role in its production of Hamlet. Courtesy of Indiana Historical Society.

While he was running for Vice-President, English’s business empire was also expanding, with his financing and construction of the English Hotel and Opera House. Historians James Fisher and Clifton Phillips noted that English purchased land on the city circle in the 1840s, as a residence for himself and his family. In early 1880, during renovations on the circle, English announced that he would invest in the construction of a new Hotel and Opera House. His son, William E. English, became the proprietor and manager. It officially opened on September 27, 1880, and the first performance was Lawrence Barrett as Hamlet. It would be in continual use until its closure and demolition in 1948.

English served as the President of the Indiana Historical Society, from 1886 until in his death ten years later. During his tenure, English wrote a two-volume history of the Northwest Territory and the life of George Rogers Clark. It was published in 1896, shortly after his death. An 1889 article in the Indianapolis Journal noted his compiling of sources and his emerging methodology; a two-volume general history that would be divided at the 1851 revised State Constitution. By 1895, the project materialized into the history mentioned above, with English using documents from leaders involved, such as Thomas Jefferson and Clark himself. He also conducted interviews with other key figures of the revised Indiana Constitution. English’s historical research became the standard account of the Northwest Territory for those within the Historical Society and the general public for many years.

The English family home on Circle Street, Indianapolis, 1870s. English lived in Indianapolis for most of his adult life, occasionally visiting his home in Scott County. Courtesy of Indiana Historical Society.

William English died on February 7, 1896, as reported by the Indianapolis Journal. On February 9, thousands came to see his body displayed in the Indiana State Capitol before he was buried in Crown Hill Cemetery.

His legacy in Indiana is lesser known, but he does have some monuments. A sculpture in the Indiana Statehouse commemorates his place in history. The town of English, Indiana is also named after the late politician. According to historian H. H. Pleasant and the Crawford County Democrat, the unincorporated town was originally named Hartford. It was changed to English in 1886 after the town was officially incorporated, in honor of election to Congress from the area. He also has an IHB marker at his former home in Lexington, Scott County, Indiana.

The William English Bust in the Indiana State House. Located on the fourth floor, the bust only lists his time as Indiana House Speaker as an accomplishment. Courtesy in.gov.

To many who enter the Statehouse and see his statue on the fourth floor, he might be just another leader of Indiana’s past. However, English’s political career attempted to stave off Civil War (at least temporarily) and reinforced Indiana’s political tradition of measured, temperate leaders who sought a middle ground on most issues. In that regard, English might be one of Indiana’s most emblematic statesmen.

The King’s Final Bow: Elvis’s Last Concert in Indianapolis

Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

Elvis Presley, known around the world as the King of Rock ‘n’ Roll, thrilled audiences for decades with his legendary swagger, good looks, and unique vocal stylings. Among his many concerts over the years, the one that garners much historical attention is the final one, at Indianapolis’s Market Square Arena on June 26, 1977. His final performance, to a crowd of nearly 18,000 people, inspired copious press attention.

Fans lining up to purchase Elvis tickets at Market Square Arena. Courtesy of ElvisPresleyPictures.com.

An article in the Indianapolis News on June 25 listed it as a requisite event for music fans. The Indianapolis Star noted playfully “If you admire Elvis Presley’s back you still can buy $15 seats behind the stage for his concert at the Market Square Arena tomorrow night.” While $15 doesn’t sound like much, that’s the equivalent of nearly $60 today.

Elvis 1977-june-26-ticket- Elvis Presley Music AU — A ticket stub from Elvis’s final concert at Market Square Arena, June 26, 1977. Courtresy of ElvisPresleyPictures.com.

Elvis- 1977-june-26-4- Elvis Presley Music AU — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

The concert began at 8:30 p.m., but Elvis didn’t perform until 10 p.m.; warm-up acts of brass bands, soul singers, and a comedian filled time before the King. Then for about 80 minutes, Elvis sang both his classic tunes like “Jailhouse Rock” and “Hound Dog,” and his more somber numbers, like “Hurt” and a cover of Simon & Garfunkel’s “Bridge over Troubled Water.” He closed the concert with “Can’t Help Falling in Love with You,” one of his most poignant ballads.

He reportedly told the audience “We’ll meet you again, God bless, adios” as he left the stage. Based on filmed footage, the crowd appeared enthusiastic about the performance; the local press, however, was a bit skeptical.

A ticket stub from Elvis's final concert at Market Square Arena, June 26, 1977. Courtresy of ElvisPresleyPictures.com. — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

The Indianapolis press seemed divided on the quality of his performance. Rita Rose’s piece in the Indianapolis Star provided a sympathetic take of the show, even as it criticized his appearance. Rose wrote comically:

The big question was, of course, had he lost weight? His last concert here, nearly 2 years ago, found Elvis overweight, sick and prone to give a lethargic performance. As the lights in the Arena was turned down after intermission, you could feel a silent plea rippling through the audience: Please, Elvis, don’t be fat.

She assuaged readers, writing “At 42, Elvis is still carrying around some excess baggage on his midsection, but it doesn’t stop him from giving a performance in true Presley style.” She noted glowingly how well he sang some songs, including “It’s Now or Never,” and “This Time You Gave Me a Mountain.” Rose’s piece emphasized the better elements of the concert and the excitement of the crowd.

Elvis- 1977-june-26-5- Elvis Presley Music AU — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

Conversely, critic Zach Dunkin’s piece in the Indianapolis News was the consummate bad review:

“Elvis Presley led another crowd of screamers in bananaland last night during his concert at Market Square Area and the question is why,” wrote Dunkin at the start of his piece. He added, “He obviously doesn’t need the money. He apparently doesn’t care about the way his concerts are packaged either.”

The first page of Zach Dunkin's critical piece on Elvis's last concert. Image courtesy of Indiana State Library. — The first page of Zach Dunkin’s critical piece on Elvis’s last concert. Image courtesy of Indiana State Library.

Dunkin went on to call Elvis’s mix of opening acts and his performance a “sideshow,” writing:

“It’s like waiting through the sword-swallower and the fire-eater before seeing the REAL attraction in the back room.” He also heavily criticized the “hawking” of souvenirs by vendors, who he said “came on the P.A. three times and urged the crowd to visit the souvenir stand. He even listed the prices.”

However, Dunkin’s strongest criticism was of the King himself, who he said could “sing when he tries.” His best numbers, in Dunkin’s view, were his renditions of “Hurt” and “Bridge over Troubled Water,” even though Elvis “for some reason had to read the lyrics from a sheet.” Dunkin’s lackluster impression of the King ended with this final take: “It’s time ardent Presley fans quit protecting their idol and start demanding more. They know ‘the King’ can do better.”

Sadly, Presley never got the chance to do better, for his show in Indianapolis was his last. After the concert at Market Square Arena, Elvis took a break from touring and returned home to Graceland. Nearly six weeks after his Indianapolis concert, Elvis died in his home on August 16, 1977 from heart failure, likely caused by years of prescription drug abuse.

Elvis's casket being carried into Forest Hills Cemetery, Memphis, Tennessee, August 19, 1977. Courtesy of ElvisPresleyPhotos.com. — Elvis’s casket being carried into Forest Hills Cemetery, Memphis, Tennessee, August 19, 1977. Courtesy of ElvisPresleyPhotos.com.

For months afterward, Dunkin received scores of angry letters from fans of Elvis for his unfavorable review. In an interview with John Krull, Dunkin talked about the hate mail he received, particularly attacks against his personality and his supposed “envy” of Elvis. Yet, other letters (in his estimation about “20 percent”) were sympathetic, with one letter saying the King “should’ve stayed home.” Dunkin’s review still receives attention from fans of Elvis and students of music history.

A historical marker commemorating Market Sqaure Arena and Elvis's final concert. Market Square Arena was demolished in 2001. Courtesy of Pintrest. — A historical marker commemorating Market Square Arena and Elvis’s final concert. Market Square Arena was demolished in 2001. Courtesy of Pinterest/ElvisCollector.info.

Market Square Arena was demolished in 2001 and it is now a parking lot. A memorial marker for the arena commemorates its history and importance as the venue for Elvis Presley’s final concert.

Elvis Presley’s mark on American music and culture is permanently etched into stone, but his controversial final concert showed the complications and problems associated with his final years. Regardless of the quality of the concert, it will be remembered forever as the place where the King took his final bow.

Judge William Polke: Constitutional Convention Delegate and Conductor of the “Trail of Death”

pole house — William Polke’s house, http://www.jimgrey.net/Roads/MichiganRoad/11_Fulton.htm

William Polke was born on September 19, 1775, in Brooke County, Virginia. As a boy in 1782, he was captured by raiding Native Americans, along with his mother and three sisters. Handed over to the British at Detroit, the family was held as prisoners for a year before being released in 1783 at the end of the American Revolutionary War.

Later the Polke family moved to Knox County, Indiana, and as an adult, William established a military career. He was with Anthony Wayne at the Battle of Fallen Timbers, helped build the original stronghold at Fort Wayne, and was wounded during the Battle of Tippecanoe. In 1814 he served as a Knox County associate circuit court judge and won election to the Territorial Legislature. Polke became one of 43 delegates to the Constitutional Convention responsible for writing Indiana’s first state constitution in 1816.

elm — Constitutional Elm, Corydon, Indiana, circa 1921-1925; Delegates to the 1816 constitutional convention worked under the shade of this tree, image courtesy of Indiana State Library blog.

He served two terms as the state senator of Knox County, but lost his bid for Lieutenant Governor in 1822, apparently ending his quest for elective office. From 1824 to 1825, Polke was a missionary teacher in Michigan among the Ottawa Indians. In 1830, he was appointed by an act of the Indiana General Assembly as one of the three commissioners for the construction of the Michigan Road. Polke served a critical role in the success of that project, which established a road extending from the Ohio River to Lake Michigan.

about removal — Kee-Waw-Nay Potawatomi Village, council between Potawatomi leaders and U.S. government representatives in July 21, 1837 to settle details for the impending removal of the Potawatomi from northern Indiana. Painted by George Winter, image courtesy of Legends of America.

During 1838, Superintendent Emigration of Indians, Able C. Pepper, assigned Polke as a conductor of the Potawatomi peoples’ removal from their northern Indiana homeland on their grueling march to Kansas. Polke was instrumental in the removal of the Potawatmi in Indiana via a forced march of over 800, known as “The Trail of Death.” According to The History Museum, at Sandusky Point, Illinois command of the group of Native Americans was turned over to Polke. Along with “Father Petit, and an escort of fifteen men continued with the broken tribe to their destination on the Osage River in Kansas. The journey required about two months with the cost the lives at one-fifth of the tribe. A few Potawatomies remained in Indiana scattered on small reservations in various parts of the State.”

Paul Wallace Gates noted in The John Tipton Papers that Polke, “was convinced that his prompt action had prevented bloodshed between the two races. That he regretted the haste, the lack of preparation, and the suffering is equally clear. And once they reached Kansas he was certain the tribe would be protected . . . from the encroaching aggression.”

trail map — Map courtesy Fulton County Historical Society, Rochester, Indiana, image courtesy of Legends of America.

In 1841 President William Henry Harrison, in recognition of patriotic services, appointed Polke to serve at Fort Wayne as register of the land office. When Polke died, his April 29, 1843 the Fort Wayne Sentinel obituary ends with these lines: “He was buried with military honors; and a large concourse of citizens followed his remains to their last camping ground.” However, the cemetery name is not mentioned, creating questions about the location of his remains.

In 1860, the interred in Fort Wayne’s Broadway Cemetery (present-day McCulloch Park) were to be removed and re-interred in Fort Wayne’s Lindenwood Cemetery. Today, only one grave from its days as a cemetery is marked in McCulloch Park and that is Indiana’s seventh Governor Samuel Bigger. For years, questions persisted as to whether or not all the burials were found, and surviving family members located for approval to conduct the graves’ transferred. Since there is no record of Polke having been removed to Lindenwood, it was thought he was interred in McCulloch Park.

However, during a research project conducted to identify the burial site of each of the Constitutional Convention delegates, Indiana State Archivist, Jim Corridan led an effort and identified Polke’s long forgotten grave located, “in an early Fort Wayne cemetery.” Through a diligent search of records in Polke’s estate filed at the County Clerk’s office by SuzAnn Runge, Corridan has been able to confirm that William Polke, in fact, is interred in the Old Broadway Cemetery.

Learn how to attend the Indiana Archives and Records Administration’s June 27 event, commemorating William Polke.

Dr. Harvey “Old Borax” Wiley and His Poison Squad

hwwiley-02 — Harvey Washington Wiley, M.D. Image courtesy of U.S. Food and Drug Administration.

For many people, the first thing that comes to mind when thinking of the early Pure Food movement is Upton Sinclair’s 1906 book The Jungle. However, Hoosier Harvey Wiley’s work in the field was already at its apex when Sinclair’s exposé was released. When Dr. Wiley started his career in the mid- to late-19th century, the production of processed foods in the US was on the rise due to the increasing number of urban dwellers unable to produce their own fresh food. With little to no federal regulation in this manufacturing, food adulteration was rampant. Dr. Wiley made it his mission prove the importance of food regulation. With the help of a group of men known as the Poison Squad, he did just that.

Harvey Washington Wiley was born on a small farmstead near Kent, Indiana on October 18, 1844. He attended Hanover College from 1863-1867, with the exception of a few months in 1864 when he served in Company I of 137^th Indiana Volunteers during the Civil War. After graduating in 1867, Wiley moved to Indianapolis and began teaching at Butler University while earning his Ph.D. from the Medical College of Indiana. It was in 1874 that Dr. Wiley began his work as a chemist at Purdue University, where he developed an interest in adulterated food. Wiley argued that mass-produced food, as opposed to food produced locally in small quantities, contained harmful additives and preservatives and misled consumers about what they were actually eating. In the coming decades, Wiley would prove that this theory was correct and serve as one of the public faces of the pure food movement. As a 1917 advertisement in The (New York) Sun put it:

“Dr. Wiley it was who, at Washington, first roused the country to an appreciation of purity and wholesomeness in foods. He has been the one conspicuous figure in food betterment and food conservation in the present generation.”

In 1883, Wiley was appointed Chief Chemist of the Bureau of Chemistry, a division of the United States Department of Agriculture. While serving in this capacity, Wiley made the establishment of federal standards of food, beverages, and medication his priority. To this end, governmental testing of food, beverages, and ingredients began in 1902. The most famous of these tests were the “hygienic table trials,” better known by the name given to them by the media: “The Poison Squad.”

The Poison Squad — The “twelve young clerks, vigorous and voracious,” who made up the Poison Squad, sit six to a table. Image courtesy of U.S. Food and Drug Administration Flickr page.

During these trials, “twelve young clerks, vigorous and voracious” were fed and boarded in the basement of the Agricultural Department building in Washington D.C. Before each meal the men would strip and be weighed, any alteration in their condition being noted. At any one time, six of the group would be fed wholesome, unadulterated food. The other six were fed food laced with commonly used additives such as borax and formaldehyde. Every two weeks, the two groups would be switched. While the position of poison squad member may sound like it would be a hard one to fill, volunteers were lining up to participate in the tests, even writing letters such as the following to Dr. Wiley:

Image courtesy of U.S. Food and Drug Administration Flickr page.

The experiments commenced in November of 1902 and by Christmas, spirits among the Squad members were low. According to a Washington Post article from December 26,

“The borax diet is beginning to show its effect on Dr. Wiley’s government-fed boarders at the Bureau of Chemistry, and last night when the official weights were taken just before the Christmas dinner the six guests who are taking the chemical course showed a slight decrease in avoirdupois . . . To have lost flesh on Christmas Day, when probably everybody else in Washington gained more or less from feasting, was regarded by the boarders themselves as doubly significant.”

A look at the “unprinted and unofficial menu” from the Christmas meal, also printed in the Post, sheds some light on what may have given the boarders pause in their Christmas feasting.

Image courtesy of The Washington Post: Dec 26, 1902; ProQuest Historical Newspapers: The Washington Post pg. 2.

Much of the information reported by the press during this time came from the members of the squad themselves, until “Old Borax” as Wiley came to be known, issued a gag-order in order to preserve the sanctity of the scientific studies happening. Despite the order, public interest had been peaked and tongues and pens wagged around the country. As one Columbia University scholar put it, “Supreme County justices could be heard jesting about the Squad in public, and even minstrel shows got in on the act.” There were even poems and songs written about the trials.

If ever you should visit the Smithsonian Institute,
Look out that Professor Wiley doesn’t make you a recruit.
He’s got a lot of fellows there that tell him how they feel,
They take a batch of poison every time they eat a meal.
For breakfast they get cyanide of liver, coffin shaped,
For dinner, undertaker’s pie, all trimmed with crepe;
For supper, arsenic fritters, fried in appetizing shade,
And late at night they get a prussic acid lemonade.

They may get over it, but they’ll never look the same.
That kind of a bill of fare would drive most men insane.
Next week he’ll give them moth balls,
a LA Newburgh, or else plain.
They may get over it, but they’ll never look the same.

-Lew Dockstade, “They’ll Never Look the Same”

At the close of the Borax trials in 1903, Wiley began cultivating relationships with some journalists, perhaps in hopes of turning the reports from jovial, and sometimes untrue, conjectures to something more closely resembling the serious work being done.

Along with borax and formaldehyde, the effects of salicylic acid, saccharin, sodium benzoate and copper salts were all studied during the Hygienic Table Trials. The reports generated during the Hygienic Table Trials and the media coverage that followed set the stage for the passage of the Pure Food and Drug Act of 1906, the same year in which the trials were concluded. According to the FDA, the Pure Food and Drug Act of 1906, also known as The Wiley Act, serves the purpose of “preventing the manufacture, sale, or transportation of adulterated or misbranded or poisonous or deleterious foods, drugs, medicines, and liquors, and for regulating traffic therein.”

By requiring companies to clearly indicate what their products contained and setting standards for the labeling and packaging of food and drugs, the Act helped consumers make informed decisions about products that could affect their health. While controversies over additives and government regulations continue to this day, Dr. Harvey Wiley and his Poison Squad played a major role in making the food on our tables safe to eat.

Check out our historical marker and corresponding review report to learn
more about Wiley. marker pic Learn about the history of public health in Indiana and Wiley’s contributions with our publication The Indiana Historian.

John Shaw Billings: “The Many Lives he Has Led”

See Part I for biographical information about John Shaw Billings, his experience as a Civil War surgeon, and his innovatory Surgeon-General library’s Index Catalogue.

clearing hospital — Ground being cleared for Johns Hopkins Hospital, 1877, photo courtesy of Flickr’s Johns Hopkins Medical Archive’s photostream.

John Shaw Billings’s hospital designs, which limited the spread of disease, and his education of the public about hygiene are more relevant than ever, considering the CDC’s recent struggle to combat the spread of Ebola and Enterovirus D68. Despite modern technology, educating the public about methods of contagion and effectively quarantining the ill remains an issue. We have, in large part, Billings (of Allensville, Indiana) to thank for many of the basic preventive measures in hospitals, particularly with the establishment of the Johns Hopkins Hospital.

The Civil War revolutionized the American medical system, as it required personnel to treat large numbers of severely wounded soldiers in rapid fashion. In addition to treatment problems, such as preventing infection, personnel struggled with administrative issues like locating and communicating with medical staff and procuring supplies. Adapting to these obstacles informed medical treatment in the post-war public health sphere, as Billings confirmed in an address:

The war of 1861-1865, and the great influx of immigrants . . . taught us how to build and manage hospitals, so as to greatly lessen the evils which has previously been connected with them, and it also made the great mass of the people familiar with the appearance of, and work in, hospitals, as they had never been before.

His own experience as a Civil War surgeon and his “novel approach” to hospital administration appealed to the trustees of the Johns Hopkins’ fund, tasked with establishing a hospital for the “indigent sick.” After inviting five medical professionals to submit plans for the hospital, they selected Billings’s design in 1876. In their article, A. McGehee Harvey and Susan L. Abrams noted that it “was Billings the man, rather than his proposal” that convinced the trustees to appoint him to the task, as he was extremely knowledgeable about medical education, hygiene, and the “philosophical underpinnings” of hospital construction.

Johns Hopkins Hospital, 1889, the year of its opening. Photo courtesy of Flickr’s Johns Hopkins Medical Archive’s photostream.

new — Johns Hopkins Hospital, 2013, courtesy of ABC News.

Billings’s essay to the trustees reflected his revolutionary ideas about medical treatment and education, asserting that a hospital should not only treat patients, but educate medical professionals. In that period, requirements to receive one’s medical degree were low and medical education often failed to adequately prepare students to practice medicine. Billings sought to change this by wedding the hospital to the university, providing students with hands-on experience. He also sought to raise standards of medical education, so that a diploma ensured the physician could “learn to think and investigate for himself.”

Under Billings’s design, the Johns Hopkins Hospital opened in 1889 and included a training school for nurses, a pathological laboratory for experimental research, and connected to a building with a teaching amphitheatre. In an address at the opening of the hospital, Billings stated that with the hospital he hoped to produce “investigators as well as practitioners” by having physicians “issue papers and reports giving accounts of advances in, and of new methods of acquiring knowledge, obtained in its wards and laboratories, and that thus all scientific men and all physicians shall share in the benefits of the work actually down within these walls.”

Johns Hopkins Hospital raised the standards of medical education, treatment and sanitation, and was modeled by other hospitals. By 1894, The (Washington D.C.) Evening Star dubbed Billings the “foremost authority in the country in municipal hygiene and medical literature.” In addition to revolutionizing hospital administration and design, Billings was an early advocate of what is referred to today as “bedside manner.” In his 1895 Suggestions to Hospitals and Asylum Visitors, he asked readers to consider

Is a spirit of kindness and gentleness apparent in the place? . . . Is the charitable work of the hospital performed in a charitable way? Do the physicians and nurses display that enthusiasm and esprit due corps which are essential to good hospital work?

NYPL old — New York Public Library Central Building. Image courtesy of “A Digitized History of the New York Public Library,” NYPL.org.

Billings’s accomplishments were not relegated to hospitals. In 1896 Billings served as the first director of the New York Public Library (serving until his death in 1913), expanding its collections “without parallel.” He publicly recognized NYPL female employees and at a Women’s University Club meeting lamented that “most of the library work is done by women, and done splendidly, and it is a shame that they are not better paid.” Industrialist and philanthropist Andrew Carnegie solicited Billings’s help with the establishment of a system of branch libraries in New York City and referred to Billings on various educational matters. Additionally, Billings convinced Carnegie to donate millions of dollars to public libraries throughout the United States.

Billings’s original sketch of the NYPL, 1897 (above). Preliminary plan of the NYPL (below). Image courtesy of “A Digitized History of the New York Public Library,” NYPL.org.

Billings also worked with the U.S. Census from 1880 to 1910 to develop vital statistics. He sought to record census data on cards using a hole punch system, which would allow the data to be counted mechanically. Herman Hollerith applied Billings’s concept, devising “‘electrical counting and integrating machines’” employed by the U.S. Census.

Billings passed away March 11, 1913 and was buried in the Arlington National Cemetery. At a meeting to honor Billings’s life at the Stuart Gallery of the New York Public Library, Andrew Carnegie contended of Billings “by his faithful administration of the great tasks committed to him he left the world better than he found it. I never knew a man of whom I could more safely say that.” The Evening Mail summarized the sentiments of many, including the author of this post, stating

“One gasps at the many lives he has led, the many appointments he has filled, and his gigantic work among libraries and hospitals.”

For more about Billings’s pioneering work, as well as his many other accomplishments, see the corresponding Historical Marker Review and the National Medical Library’s extensive John Shaw Billings Bibliography.

Interested in historic hospitals and medical advancements? Stay tuned for our forthcoming marker about Central State Hospital, an Indianapolis mental health facility that opened in 1848 and built a groundbreaking pathology lab in 1896.

Whistler’s Mother… Actually, Grandfather

John Whistler came to America as a British soldier in the Revolution, under the command of General John Burgoyne. He was captured, paroled, and sent back to England. His elopement with Anna Bishop, daughter of Sir Edward Bishop, a close friend of his father, brought the young man and woman to America where they made their first home at Hagerstown, Maryland, in 1790.

st c turtle

Major General Arthur St. Clair and Chief Little Turtle, image
courtesy of Army.mil.

The following year, John Whistler joined the army of the United States, which was fighting a confederation of Native American tribes over control of the Northwest Territory. John Whistler traveled west with Governor of the Northwest Territory Major General St. Clair and his army. Opposing St. Clair was the native confederation army led by Chief Little Turtle, comprised of Miami, Shawnees, and Delaware. According to Thomas E. Buffenbarger, U. S. Army Heritage and Education Center, Chief Little Turtle:

led over 1,000 warriors of the native confederacy in attacks on the separate camps. The 270 Soldiers from the militia’s camp fled quickly, giving little resistance to the attack, and leaving the main encampment of the inexperienced regulars of the 2nd Infantry Regiment to fend for themselves. The artillery’s potential firepower was never utilized as artillerymen fell dead around their exposed cannons, cut down by Little Turtle’s warriors. The battalions of infantry formed up and commenced firing to defend against the encircling warriors. . . . As the casualties mounted and the cannons fell silent, the Army’s position became grave. After three hours of fighting, St. Clair ordered a retreat to Fort Jefferson.

Buffenbarger noted that over 900 soldiers and their families, were killed and left behind on both sides of the Wabash. Whistler escaped after suffering severe wounds received at the “Wabash slaughter field” handed to the Americans by Little Turtle’s warriors at Fort Recovery. Back in Cincinnati at Fort Washington, Whistler returned to receive a new assignment and was joined there by his wife.

General St. Clair was replaced by Revolutionary War hero “Mad” Anthony Wayne, to command an Army called the Legion of the United States. When General Wayne’s army arrived, Whistler joined them on the march into northwest Ohio where he participated in the Battle of Fallen Timbers, which “was decisive in ending the Miami Campaign and helped establish the U.S. Army’s proud heritage of victory.”

timber!!!!!!! — The Road to Fallen Timbers, by H. Charles McBarron (U.S. Army Center of Military History), accessed armyhistory.org.

After defeating the Indian confederation under the leadership of the Shawnee brave Blue Jacket, on August 20, 1794, Wayne moved his Legion up the Maumee River to the large American Indian settlement of Kekionga (now the City of Fort Wayne) at the confluence of the Three Rivers.

Wayne ordered a fort to be built in 1794 on the high ground overlooking the confluence of the Saint Mary’s and Saint Joseph rivers and the Miami town of Kekionga. In 1798, Colonel Thomas Hunt began construction of a second American fort at the Three Rivers. This fort, near present-day East Main and Clay streets, was completed in 1800, and served as a replacement for the first hastily built one erected nearby to the south by General Wayne.

fort map — Map by Bert J. Griswold showing the location of Anthony Wayne’s Fort on present-day streets, image courtesy of Architecture & Community Heritage · Fort Wayne, Indiana.

The American forts at the Three Rivers came under attack only once during nearly a quarter-of-a-century while they guarded United States interests in the midst of Native American territory. In 1815, after having withstood a siege three years earlier, this stronghold was replaced, under the direction of now Major John Whistler. By 1816, Whistler (the Fort’s Commandant) was transferred to a new assignment in Saint Louis, Missouri. The fort Whistler had rebuilt during 1815 and 1816 was the last in the Three Rivers region and on April 19, 1819, was abandoned by the U. S. Army.

After the Battle of Fallen Timbers, John Whistler and his wife resided in the garrison at Fort Wayne, and here, in 1800, George Washington Whistler was born, one of fifteen children. George became “Whistler’s Father” the father of James Abbott McNeill Whistler whose renowned oil on canvas, “Arrangement in Grey and Black: Portrait of the Painter’s Mother,” is known to the world as “Whistler’s Mother.”

new whistler — James McNeill Whistler, “Whistler’s Mother,” 1871, image courtesy of National Gallery of Victoria.

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