The Talking Machine World, January 15, 1921, 27, accessed archive.org.
Historians of blues music and folk culture consider Mamie Smith to be the first African American woman to record blues vocals. In 1921, only a year after this historic recording, Smith performed to sold-out crowds in Indiana. Newspapers covered the release of Smith’s records and her Indiana performances extensively. We were interested especially in a spring 1921 performance by this African-American star in Richmond, Indiana, a Ku Klux Klan stronghold at the time.
Before 1920, African American entertainer Mamie Smith, who was born in Cincinnati, worked in Harlem as a chorus girl and cabaret singer. Here she met the black pianist, singer, and composer Perry Bradford who had found success in theater and minstrel circuits in New York. Bradford, who was interested in preserving African-American musical traditions in recordings, convinced Fred Hager, recording director of the obscure label OKeh Records to take a chance on recording Mamie Smith. Bradford convinced Hager that African American music lovers were an untapped market and that “they will buy records if recorded by one of their own, because we are the only folks that can sing and interpret hot jazz songs just off the griddle correctly.”
“A studio headshot portrait of American blues singer Mamie Smith,” photograph, circa, 1923, Frank Driggs Collection/Getty Images accessed “Mamie Smith and the Birth of the Blues Market,” All Things Considered, NPR.
In February 1920, Smith recorded “That Thing Called Love” and “You Can’t Keep a Good Man Down” for OKeh Records. Blues music historians consider this to be the first blues recording by an African American woman. Record producer Hager received boycott threats if he recorded Smith or any other African American singer. In the face of the controversy, Bradford convinced Hager to continue backing Smith, as opposed to the white singer Sophie Tucker, who Hager was alternatively considering. Bradford recalled:
Mr. Hager got a far-off look in his eyes and seemed somewhat worried, because of the many threatening letters he had received from some Northern and Southern pressure groups warning him not to have any truck with colored girls in the recording field. If he did, OKeh Products – phonograph machines and records – would be boycotted. May God bless Mr. Hager, for despite the many threats, it took a man with plenty of nerves and guts to buck those powerful groups and make the historical decision which would echo aroun’ the world. He pried open that old ‘prejudiced door’ for the first colored girl, Mamie Smith, so she could squeeze into the large horn – and shout with her strong contralto voice.
Smith recorded another set of songs penned by Bradford for Okeh in August of 1920. The track “Crazy Blues” became massively popular and in less than a year the record sold over a million copies. According to long-time music writer Jas Obercht, Smith’s “Crazy Blues” “could be heard coming from the open windows of virtually any black neighborhood in America.” Okeh Records called it “a surprise smash hit.” According to New Orleans jazz musician Danny Barker:
There was a great appeal amongst black people and whites who loved this blues business to buy records and buy phonographs. Every family had a phonograph in their house, specifically behind Mamie Smith’s first record.
Indiana newspapers ran ads for Mamie Smith’s records not long after the release of “Crazy Blues.” Often the ads for Smith’s records were also attempts to sell phonographs as Barker mentioned in the above quote. A downtown Indianapolis music store ran this advertisement in the Indianapolis News in November:
The C. W. Copp Music Shop ran an advertisement in the South Bend News-Times in December for the hit “Crazy Blues,” but also let an interested public know that they stocked other Mamie Smith records. Hoosier interest in Smith’s records continued into the new year. In March of 1921, the same South Bend music shop ran several advertisements for five new Smith records and the Hammond Times ran an advertisement for Okeh Records releases, featuring Smith, and to sell listeners the phonograph to play them on:
According to Obrecht, Mamie Smith recorded 22 songs this year and “between sessions, she kept a grueling schedule of concert appearances.” The Talking Machine World magazine reported that Smith and a revue of entertainers were going to perform in all the major U.S. cities. By April 1921, many Hoosier music fans were familiar with Mamie Smith, as we can see from the newspaper ads. So when the news broke that she was booked to play in Indiana, the coverage continued almost daily until the performance.
According to the Talking Machine World she performed in Indianapolis and Evansville on this tour, but a search of Hoosier State Chronicles and our recent work to digitize the Richmond Palladium Sun-Telegram shows that she also performed to sold out crowds in Richmond and South Bend. This is especially interesting considering 1920s Richmond was only about 5% African American, while perhaps as many as 45% of white males belonged at some point to Whitewater Klan #60, an active chapter of the Ku Klux Klan. We wondered, what brought Smith to Richmond and how was she received?
The Richmond Palladium and Sun-Telegram ran a notice of Smith’s Saturday, April 23, 1921 performance at the Coliseum for weeks before the date. Here are some great examples:
On April 21, 1921 alone there were three ads for Smith’s upcoming performance and records, including this extensive listing of popular songs:
Richmond Palladium and Sun Telegram, April 21, 1921. Hoosier State Chronicles.“Famous Colored Star Sings Here Saturday,” Richmond Palladium and Sun-Telegram, April 18, 1921. Hoosier State Chronicles.
Advertisements were not the only coverage of Smith’s upcoming appearance in Richmond. On April 18, 1921 the Richmond Palladium Sun-Telegram reported on the “forthcoming appearance here of Mamie Smith, the popular phonograph star of the colored race, and her All-Star Jazz Revue next Saturday night at the Coliseum,” and called it “the greatest jazz concert that has ever been sent on tour.” The newspaper called Smith “a phonograph star of the first rank” and claimed that she “has done more than any other singer perhaps in America to popularize the genuine ‘blues’ song of the day.” The writer continued to laud Smith for her ability to make songs into “living, potent things charged with a pulsing and individual rhythm.” The paper reported that the popularity of her record had made Richmond residents excited to see her perform live and that they were expecting a “sold-out house when she reaches this city.”
Jazz Revue Seats On Sale Wednesday,” Richmond Palladium and Sun-Telegram, April 18, 1921. Hoosier State Chronicles.
Perhaps the most interesting article in the Palladium was the one that appeared the following day, April 19, and covered not Smith but the revue company traveling with her. Mamie Smith and her Jazz Hounds were the headlining, crowd-drawing act, but her tour included other acts as well: dancers, vaudevillian comedians, and minstrel performers. The appearance of a newly-minted blues and jazz star on the same stage as the historically popular minstrel performers marks and intersection of trends in African American music and performance history. While minstrel performers had both conformed to stereotypes out of employment necessity and defied them through their self-presentation (learn more), Mamie Smith’s rise to stardom ushered in a new era of music divas who presented themselves as upper class, educated, rich, and demanding of respect.
Obrecht writes:
While blues music had been performed in the American South since the very beginning of the twentieth century, no one had made recordings of it before, largely due to racism and the assumption that African-Americans couldn’t – or wouldn’t – buy record players or 78s. “Crazy Blues” changed all that, sparking a mad scramble among record execs to record blues divas. The stars they promoted in this short-lived era of “classic blues” were not the down-home country singers who’d record later in the Roaring Twenties, but the glittering, glamorous, and savvy veterans of tent shows, minstrel troupes, and the vaudeville stage. These mavericks defied stereotypes…
“Colored Star Wears Exprensive Creations,” Richmond Palladium and Sun-Telegram, April 22, 1921. Hoosier State Chronicles.
As if in response to this very idea, on April 22 the Palladium followed the coverage of the revue with an article detailing the glamorous appearance and presentation of Smith. The newspaper stated that through her record royalties “the popular young colored star is enabled to indulge her fancy in the latest creations both from Paris and New York, and in each city in which she has appeared a gasp of astonishment has greeted her every appearance, for her gowns are described as riots of color and beauty.”
In a telling sentence, the article called Smith “one of the most gorgeously dressed stars of the musical comedy world.” This notes both the respect for her appearance and success and a misunderstanding of her role in music history. While African American music fans were connecting to Smith’s sincere and authentic portrayal of the blues music that they grew up with, this white Midwestern newspaper still saw her as part of the vaudeville and perhaps even minstrel genres — understandably perhaps since it was marketed as such. While Smith had come from such a tradition, through her work with the blues and and jazz performers she had transcended her past. Black newspapers understood her importance much earlier than white newspapers. On March 13, 1920, the Chicago Defender wrote:
Well, you’ve all heard the famous stars of the white race chirping their stuff on the different makes of phonograph records . . . but we have never – up to now – been able to hear one of our own ladies deliver the canned goods. Now we have the pleasure of being able to say that at last they have recognized the fact that we are here for their service; the OKeh Phonograph Company has initiated the idea by engaging the handsome, popular and capable vocalist, Mamie Gardner Smith.
Similarly, the African American gospel, jazz, and blues music Thomas A. Dorseyexplained, “Colored singing and playing artists are riding to fame and fortune with the current popular demand for ‘blues’ disk recordings and because of the recognized fact that only a Negro can do justice to the native indigo ditties such artists are in demand.”
There were African American audience members at the Richmond performance, who likely had a better understanding of the significance of Smith’s success. The Richmond PalladiumSun-Telegram reported: “The best seats are selling fast from the plat at Weisbrod Music company as white and colored folk alike are wager to see and hear the ‘Queen of the Blues,’ a capacity house is predicted for Saturday night.”
Unfortunately, there are no extant issues of the historic African American newspaper the Indianapolis Recorder for this period. It would be interesting to explore the differences in the coverage of Smith’s performances between a white and black newspaper and perhaps this could be accomplished using the Chicago Defender, but is outside the scope of this post.
As expected, Mamie Smith and her Jazz Hounds sold-out the Richmond Coliseum, which held 2,500 people, for the April 23, 1921 performance. The next year, the KKK also sold-out the same venue. The Richmond Palladium and Sun-Telegramreported on December 12, 1922 that a crowd awaiting a Klan rally “taxed the space at the Coliseum waiting for the ceremonies quite a long time before the Klansmen finally arrived.” So how was the white population of Richmond able to enjoy an African American musician one year and then attend a Klan rally the next?
While this contradiction may seem surprising, there was (and some argue still is) a tendency for white Americans to de-contextualize African American music from African American culture. That is, the white residents of Richmond were able to appreciate black music while continuing to oppress black people. There has been much written on this topic (two good places to start are Imamu Amiri Baraka‘s The Music: reflections on Jazz and Blues and Perry Hall’s “African American Music: Dynamics of Appropriation and Innovation“) and an extensive analysis of Smith’s career through this lens is outside the scope of this post. However, advertisements continued after her performance, from which we can draw that she was a hit regardless of why. Notice the advertisement claims that there was “a capacity audience.”
While we were unable to find an article reviewing the Richmond performance or the crowd’s reception, it likely went well because she returned to Indiana the next month. On May 31, 1921, she performed to another capacity crowd at the Oliver Theater in South Bend. The South Bend News-Times covered her performance in much the same manner as the Richmond Palladium. The paper noted in various articles, her fame, her genius, and her status as “the first colored girl artist to attain world-wide fame as a singer and phonograph record star.”
Mamie Smith’s importance to music history is hard to overstate, according to a story on NPR’s All Things Considered for which famed activist Angela Davis (now a professor at University of California/Santa Cruz ) was interviewed. Davis summed up Smith’s importance succinctly:
“The recording of ‘Crazy Blues’ led the way for the professionalization of black music, for the black entertainment industry, and indeed for the immense popularity of black music today.”
Newspaper history is full of myths, “viral” stories, and tall tales. Folklore and journalism are often close cousins, especially the colorful “yellow journalism” that sold outright lies to rake in subscriptions. In the annals of Hoosier and American journalism, one persistent, tantalizing tale continues to baffle the sleuths at the Oxford Dictionary of Quotations.
Who wrote the famous slogan “Go west, young man, and grow up with the country”? It’s one of the great catch phrases of Manifest Destiny, an exhortation that echoes deep in the soul of Americans long after the closing of the frontier. But when you try to pin down where it came from, it’s suddenly like holding a fistful of water (slight variation on a Clint Eastwood theme) or uncovering the genesis of an ancient religious text — especially since nobody has ever found the exact phrase in the writings of either of the men who might have authored it.
“Go west, young man” has usually been credited to influential New York Tribune editor Horace Greeley. A New Englander, Greeley was one of the most vocal opponents of slavery. Antebellum Americans’ take on “liberal” and “conservative” politics would probably confuse today’s voters: a radical, Greeley famously opposed divorce, sparring with Hoosier social reformer Robert Dale Owen over the loose divorce laws that made Indiana the Reno of the nineteenth century. A religious man, he also promoted banning liquor — not a cause “liberal” politicians would probably take up today. Greeley helped promote the writings of Margaret Fuller, Ralph Waldo Emerson, and Henry David Thoreau and even took on Karl Marx as a European correspondent in the 1850s. (Imagine Abraham Lincoln the lawyer reading the author of The Communist Manifesto in the Tribune!) In 1872, the famously eccentric New York editor ran for President against Ulysses S. Grant, lost, and died before the electoral vote officially came in. Greeley won just three electoral votes but was a widely admired man.
Greeley around 1860. Daguerreotype by Matthew Brady.
Though Greeley was always interested in Western emigration, he only went out west once, in 1859 during the Colorado Gold Rush. Originally a utopian experimental community, Greeley, Colorado, fifty miles north of Denver, was named after him in 1869. The newspaperman often published advice urging Americans to shout “Westward, ho!” if they couldn’t make it on the East Coast. Yet his own trip through Kansas and over the Rockies to California showed him not just the glories of the West (like Yosemite) but some of the darker side of settlement.
“Fly, scatter through the country — go to the Great West,” he wrote in 1837. Years later, in 1872, he was still editorializing: “I hold that tens of thousands, who are now barely holding on at the East, might thus place themselves on the high road to competence and ultimate independence at the West.”
“At the West” included the Midwest. Before the Civil War, Indiana was a popular destination for Easterners “barely holding on.”
A major cradle of Midwestern settlement was Maine, birthplace of John Soule, Greeley’s competitor for authorship of the mystery slogan. As the logger, writer, and popular historian Stuart Holbrook wrote in his 1950 book Yankee Exodus, Maine’s stony soil and the decline of its shipping trade pushed thousands of Mainers to get out just after it achieved statehood in 1820. The exodus was so bad that many newspaper editors in Maine wrote about the fear that the new state would actually be depopulated by “Illinois Fever” and the rush to lumbering towns along the Great Lakes — and then Oregon.
J.B.L. Soule, courtesy Blackburn College Archives.
One Mainer who headed to the Midwest in the 1840s was John Babson Lane Soule, later editor of The Wabash Express. Born in 1815 in Freeport, Maine — best known today as the home of L.L. Bean — Soule came from a prominent local family. His brother Gideon Lane Soule went on to serve as president of Phillips Exeter Academy, the prestigious prep school in New Hampshire. Though the Soules were Congregationalists, a likely relative of theirs, Gertrude M. Soule, born in nearby Topsham, Maine, in 1894, was one of the last two Shakers in New Hampshire. (She died in 1988.)
J.B.L. Soule — whom an 1890 column in the Chicago Mail claimed was the man who actually coined the phrase “Go west, young man” in 1851 — was educated at Bowdoin College, just down the road from Freeport. Soule became an accomplished master of Latin and Greek and for decades after his move west published poems in New England literary magazines like The Bowdoin Poets and Northern Monthly. A poem of his called “The Wabash” came out in Bowdoin’s poetry journal in August 1840, so it’s safe to assume that Soule had moved to Terre Haute by then. By 1864, he was still writing poems with titles like “The Prairie Grave.”
While Soule’s conventional, classical poetry might be hard to appreciate today, he was hailed as “a writer of no ordinary ability” by the Terre Haute Journal in 1853. Additionally, Soule and his brother Moses helped pioneer education in Terre Haute, helping to establish the Vigo County Seminary and the Indiana Normal School (precursor of Indiana State University) in the 1840s. J.B.L. Soule taught at the Terre Haute Female College, a boarding school for girls. The Soule brothers were also affiliated with the Baldwin Presbyterian Church, Terre Haute’s second house of worship.
John Soule later served as a Presbyterian minister in Plymouth, Indiana; preached at Elkhorn, Wisconsin, during the Civil War; taught ancient languages at Blackburn University in Carlinville, Illinois; then finished his career as a Presbyterian pastor in Highland Park, Chicago. He died in 1891.
He seems like a great candidate to be the author of “Go west, young man,” since he did exactly that. But it’s hard to prove that Soule, not Horace Greeley, coined the famous appeal.
The Wabash Express, under Soule’s leadership, was “Devoted to the Whig Policy, News, Commerce, Literature, and Good Morals.” A piece written in first-person by Horace Greeley on the front page of Soule’s very first issue suggests that the New York Tribune editor might have visited Tippecanoe County in 1853 to see the Indiana State Fair. Courtesy of Chronicling America.
Four decades later, in October 1891, an anonymous writer in the Chicago Mail reported a tale from an equally anonymous “old-timer,” told in an anonymous Chicago bar. The “Dick Thompson” of this story is Richard Wigginton Thompson. Originally from Culpeper, Virginia, Thompson moved out to Bedford, Indiana, to practice law, and settled in Terre Haute in 1843. During the Civil War, Dick Thompson commanded Camp Dick Thompson, a training base in Vigo County. Oddly for a man from almost-landlocked Indiana, he served as Secretary of the Navy under President Rutherford B. Hayes from 1877 to 1880. He died in Terre Haute in 1900.
U.S. Navy Secretary and Terre Hautean Richard W. Thompson around 1880. Courtesy Library of Congress.
“Do you know,” said an old–timer at the Chicago club, “that that epigrammatic bit of advice to young men, ‘Go west,’ so generally attributed to Horace Greeley, was not original with him? No? Well, it wasn’t. It all came about this way: John L.B. Soule was the editor of the Terre Haute Express back in the 50’s, and one day in ’51, if I remember right, he and Dick Thompson were conversing in the former’s sanctum. Thompson had just finished advising Soule to go west and grow up with the country and was praising his talents as a writer.
“‘Why, John,’ he said, ‘you could write an article that would be attributed to Horace Greeley if you tried.’
“‘No, I couldn’t,’ responded Mr. Soule, modestly, ‘I’ll bet I couldn’t.’
“‘I’ll bet a barrel of flour you can if you’ll promise to try your best, the flour to go to some deserving poor person.’
“‘All right. I’ll try,’ responded Soule.
“He did try, writing a column editorial on the subject of discussion—the opportunities offered to young men by the west. He started in by saying that Horace Greeley could never have given a young man better advice than that contained in the words, ‘Go West, young man.’
“Of course, the advice wasn’t quoted from Greeley, merely compared to what he might have said. But in a few weeks the exchanges began coming into the Express office with the epigram reprinted and accredited to Greeley almost universally. So wide a circulation did it obtain that at last the New York Tribune came out editorially, reprinted the Express article, and said in a foot note:
“‘The expression of this sentiment has been attributed to the editor of the Tribune erroneously. But so heartily does he concur in the advice it gives that he endorses most heartily the epigrammatic advice of the Terre Haute Express and joins in saying, ‘Go west, young man, go west.'”
Though the story shook the foundations of the slogan’s attribution to Greeley, even on the surface the Chicago Mail piece is doubtful. What would Dick Thompson — no literary man — have to get J.B.L. Soule (a graduate of Phillips Exeter and Bowdoin College and one of the best writers in Terre Haute) to get over his modesty? The story also makes Thompson out to be a patriarch giving advice to the young. In fact, he was only six years older than Soule. It’s hard to imagine Thompson acting the father figure and “advising Soule to go west and grow up with the country” while they sat in a “sanctum” in Terre Haute — which was the West in 1851. Soule, from Maine, had already come farther than Thompson, from Virginia. And he kept on going.
Greenfield Daily Reporter, October 16, 1939. Newspapers.com.
The bigger problem is that there’s only a few surviving copies of the Terre Haute Express from 1851, and nobody has ever actually found the exact phrase “Go west, young man, and grow up with the country” in its pages or in any of Horace Greeley’s extensive writings. It would be understandable if the “old-timer” of the Chicago Mail or Richard W. Thompson got the date wrong after forty years, but researchers who have scoured all extant copies of the Terre Haute papers and Horace Greeley’s works have never found a single trace of the famous slogan in its exact wording.
The exact phrase probably never got written down at all, but entered popular memory as short-hand for Greeley’s exhortations to migrate. Iowa Congressman Josiah B. Grinnell, a Vermont expatriate, used to be identified as the “young man” whom Greeley urged to get out of New York City and go west in 1853. But Grinnell himself debunked claims that he got that advice from Greeley in a letter. Even the oral advice Greeley gave Grinnell wasn’t the precise phrase we remember him for. Instead, he said “Go West; this is not the place for a young man.”
Wherever the phrase originated, as late as 1871, a year before his death, Greeley was still urging New Englanders and down-and-out men tired of Washington, D.C. to hit the western trails. However, the editor himself mostly stuck close to the Big Apple, venturing only as far as his Chappaqua Farm in Westchester County, New York during the summertime. While only at the big city’s edge, Greeley continued to play the role of western pioneer.
Horace Greeley at Chappaqua Farm in New York, 1869. Wikimedia Commons.
Detroit, Michigan, March 30, 1965. Two men meet at a small press conference before the funeral of a slain civil rights activist. Their meeting seems like an unlikely pairing for us today—one a slick haired, brash, and controversial labor leader and the other a measured, eloquent, and inspirational pastor who had galvanized the civil rights movement. The former was there to present a check for $25,000 for the latter’s work on racial equality. Their stories varied tremendously but, at this moment, they intersected, manifesting all the complicated and contradictory impulses of American life during the middle of the twentieth century. Those two men were Jimmy Hoffa and Dr. Martin Luther King, Jr.
Music: “The Things That Keep Us Here” by Monomyth, “Almost A Year Ago” by John Deley and the 41 Players, “Crate Digger” by Gunnar Olsen, “Crimson Fly” by Huma-Huma, “Dreamer” by Hazy, “Eternity” by Lahar, and “I Am OK” by Vishmak
At just 110 pounds, Sullivan, Indiana-native Will Hays was not exactly the imposing figure you’d expect to be the film industry’s regulator, but he nevertheless left a substantial mark on the movie industry during the first half of the twentieth century.
Edwina Whitlock, circa 1940s, found in Edward Ball’s The Sweet Hell Inside, p. 320, accessed Internet Archive.
Gary American editor Edwina H. Whitlock wrote in the California Eagle in 1961, “I might perhaps be forgiven for posing as a political authority, but those who know Indiana must acknowledge that basketball and politics are monkeys on the backs of every Hoosier.”[1] The life of Edwina Whitlock, the first and only female editor of the Gary American, is a story that evokes critical insights into the most influential periods in Black history and showcases Black women’s dedication to the long Civil Rights Movement. Whitlock illuminated the rise of the “Black bourgeoisie” and their advocacy for equal rights between the 1920s and into the 1980s, herself having grown up among the small community of Black elites in Charleston, South Carolina. She witnessed the vibrancy of the Harlem Renaissance through her adopted father, strove to emulate W.E.B. DuBois’s ideals regarding Black excellence, and utilized her class privilege to advocate for civil rights and equality through journalism and activism.
The Early Life of Edwina (Harleston) Whitlock
The Black side of the Harleston family held deep roots within the American South, which defined early on by issues of race and class. Edwina Harleston Whitlock’s ancestors were enslaved. Her maternal great-grandmother Kate Wilson lived in bondage and bore eight of the plantation owner’s children. Harleston never married, and upon his death in 1835, the mixed-race Harleston children, who were denied their inheritance, were pushed back into Black society, and refused inheritance from white relatives. Despite these circumstances, the Harleston’s blossomed in the Jim Crow South, utilizing their status as “mixed-race” in order to toe the line of segregation to make a name for themselves.[2] Together, the family integrated into the small, middle-class population of Black Elites in Charleston, South Carolina.
Gussie Harleston in 1924, photographed by her adoptive mother Elise Forrest Harleston, found in Edward Ball’s The Sweet Hell Inside, p. 318, accessed Internet Archive.
Originally named Gussie Harleston, Edwina was born in Charleston on September 28, 1916, to Kate Wilson’s grandson, Robert O. Harleston and his wife, Marie Forrest. When she was just two and half years old, Edwina and her sister Slyvia were sent to live with their uncle, Edwin A. “Teddy” Harleston, after their parent’s contracted tuberculosis.[3] However, after the passing of both their parents, the girls were adopted by Teddy and Elise so they could raise them as their own. Teddy Harleston proved to be an inspiring innovator to the girls. As a young boy at the Avery Normal Institute, Teddy developed an interest in painting portraiture and scenes associated with Southern Black culture, which would define his career for the remainder of his life. He went on to attend Atlanta University, where he studied under Black sociologist and activist W.E.B Du Bois.[4] Du Bois and Harleston became life-long friends, and he encouraged Teddy to use his elite social standing to precipitate equality.
Du Bois’s influence permeated the Harleston family. Later in adulthood, Edwina Harleston describes that the family reared their children according to Du Bois’s theory of the “talented tenth,” a concept that emphasized the necessity of higher education to develop the leadership skills among the “most able 10 percent of Black Americans.”[5] They also instilled a work ethic in their children, reflecting Booker T. Washington’s theory that “African-Americans must concentrate on educating themselves, learning useful trades, and investing in their own business.”[6] She contributed her success to these two ideologies, and what ultimately led to Harleston’s academic drive and early involvement in journalism and newspapers.
The Herald Sun, November 4, 2001, accessed Newspapers.com.
As a young girl, Gussie’s uncle, Reverend Daniel J. Jenkins, ensured that she was always working in some capacity at the orphanage that he ran in Charleston with his wife, Eloise “Ella” Harleston. She recalls that she had a choice: work on the orphanage farm and dig sweet potatoes, or work on the orphanage’s newsletter, The Messenger. She wrote local updates, which spearheaded her interest in journalism.[7] Harleston began calling up different people and groups– churches, community leaders, and businessmen – to ask them questions about their daily activities so she could write up reports regarding what was going on around town. Tragedy struck in 1931, when Edwin “Teddy” Harleston passed away at the young age of forty-nine.[8] To honor these men, fifteen-year-old Gussie Harleston changed her first name to Edwina.
As a high school student, Edwina Harleston remained a veteran writer for The Messenger.[9] During the height of the Great Depression, Harleston’s familial wealth offered her the rare opportunity to attend a university. In 1934, she went on to attend Talladega College, an HBCU, where nearly “all of the students came from light-skinned African American families in urban centers.”[10] Historian Joy Ann Williamson-Lott explained that, for many Black Americans at this time, advanced study at Black institutions remained rare. However, these environments provided a rich opportunity for Black scholars to educate themselves. Edwina was a part of an emerging generation of educated Black Americans, dubbed “The New Negro,” which celebrated Black history, life, and culture through educational advancement.[11] She majored in English literature, taking classes in Chaucer and Shakespeare, while becoming president of her sorority Delta Sigma Theta. She maintained an active social life in school, even forming a secret society with other young women called Sacred Order of Ancient Pigs (SOAP), where the members got together on slow school nights to
gossip.[12]
F.B. Ransom Family Portrait, circa 1935. A’Lelia is on the far left, standing next to her father, accessed Indiana Historical Society.
It was through this group that Harleston met A’Lelia Ransom, daughter of Indianapolis lawyer Freeman Briley Ransom (better known as F.B.).[13] Ransom’s father served as legal counsel to Madame C. J. Walker and her company. A’Lelia and Edwina became great friends, making their own secret club called “Ain’t-Got-Nothing Club.” Every week, A’Lelia’s father would send the girls newspaper clippings from Indianapolis, along with a dollar or two, and they would read the news and spend A’Lelia’s allowance.[14] A’Lelia Ransom would later become the last president of Walker Manufacturing in 1953.[15]
Harleston graduated from Talladega in 1939 and upon her mother’s suggestion applied to Northwestern University in Evanston, Illinois. By the fall of 1940, after spending her whole life in the South, she moved to Chicago to attend graduate school, working towards a master’s degree in journalism. Harleston reveals that this was her first time encountering real racism:
In Charleston, I had been sheltered from it, because the white world and the black world were parallel, never touching. Then I got to Northwestern, the so-called great Methodist Institution. Two things happened that surprised me. The star football player, who was black, was meeting the requirements of his major, but he was not allowed to swim in the university pool. . . . There was also the policy of this supposedly religious university that prevented black students from living in the dormitories on campus. . . . Once I was studying for finals with a friend who wasn’t black. I was invited to her dorm room, but at midnight was told by the matron I had to leave because I was colored. I was frightened and furious and had to stumble back across the railroad tracks to my room at the minister’s house.[16]
Northern racism became a constant obstacle and prominent topic of discussion in her work as a female journalist.
While working towards her master’s degree, Harleston worked as a reporter and editor for the Chicago Defender and the Negro Digest. Her experience in writing for newspapers would play a critical role in the next seventeen years of her life. After meeting Henry Oliver Whitlock at Northwestern, the couple married in April of 1945 and Whitlock found herself moving to the booming, deeply segregated City of Gary, Indiana. A year earlier, Henry had taken over operations of his father’s newspaper, the Gary American – one of the largest Black newspapers in Northwest Indiana. By 1947, Edwina Whitlock would appear on the masthead as Lead Editor as the couple oversaw the dissemination of the publication.
The Gary American: Northwest Indiana’s Early Guardian of Northern Equality
Map of Gary, Indiana in 1929, Map Collection, Indiana Division, Indiana State Library, accessed Indiana Memory.
Forty-five minutes from the southside of Chicago and situated next the sandy beaches of Lake Michigan, the United States Steel Company built Gary’s foundations in 1906. Other businesses followed suit. Between 1910 and 1920, Gary’s population jumped from 16,802 to over 55,000.[17] Gary garnered attention, earning the nickname the “Magic City,” as Eastern and Southern Europeans flocked to the area for industrial jobs. However, World War I largely disrupted European migration, and steel companies turned to the Southern portion of the U.S. for labor. The resulting Great Migration drew Black Southerners to Gary’s mills, where they were paid disproportionately low wages.[18]
The influx of Black residents in Gary did not go unnoticed by whites, especially those returning home from World War I to find their jobs had been “taken over” by Black Southerners. In fact, 1920s Indiana was a hotbed for Ku Klux Klan activity, with approximately 300,000 members.[19] Valparaiso, Indiana – only 30 minutes from Gary – became a center for Klan activity in the Northwest region, with the Klan nearly purchasing Valparaiso University (then Valparaiso College). Racism and terror within the region, coupled with the growing Black population, culminated in the creation of the Gary’s own Black newspaper. The publication would disseminate Black news and highlight instances of inequality that did not appear in mainstream publications. In 1927, Arthur B. Whitlock, David E. Taylor, and Chauncey Townsend headed the formation of the Gary American Publishing Company. On November 10, 1927, the Gary Colored American began as a weekly African American paper, publishing its first issue with Townsend as editor and Whitlock as manager.
Postcard Roosevelt High School, Gary, Indiana, circa 1949, accessed the Indiana Album.
In its first year of publication, the Gary Colored American led reports on the 1927 Emerson School walkout, when white students and parents protested the integration of six Black students into the school. As a result, the school board decided to reinforce existing de facto segregation, transferring the children out of Emerson, and agreeing to build Roosevelt High School, an all-Black school in the Midtown neighborhood. Gary’s Black population remained divided on this issue, with some advocating for total desegregation and others celebrating the decision to create a new school. The Gary Colored American advocated for the construction of Roosevelt High School to serve Gary’s African American children, citing it as an achievement for Black excellence. [20]
In 1928, the Gary Colored American changed its name to the Gary American, quickly becoming one the city’s most prominent Black newspapers, paving the way for publications like the Gary Crusader. While initial circulation numbers are unavailable, in 1928, the GaryAmerican claimed a readership of nearly 2,000 readers. In 1929, its masthead asserted that the GaryAmerican was an “independent paper” devoted to Black interests in Northern Indiana.[21] The paper columns reflected the upsurge of white supremacy in the 1920s and 1930s, culminating in Jim Crow terrorism that plagued Black communities across the U.S. In 1934, the front page of the GaryAmerican showcased an extensive article about the NAACP’s report that approximately 28 known lynchings occurred the previous year in the U.S. This marked nearly a 200% increase in white terror from 1932 to 1933.[22] By the end of that year, the Gary American published a message to readers, stating, “the Negroes of Gary can look only to The Gary American, their own and only newspaper, for all the news primarily of interest to them and concerning their activities,” claiming that they were the servant of Gary’s Negroes during this tumultuous time period.[23]
Editor Arthur Whitlock left the company in 1938 and attorney F. Louis Sperling was elected editor and acting manager. His legal influence filtered through the Gary American as a plethora of articles featured race and legal rulings within in the U.S. criminal justice system. The Gary American drew attention to a Richmond Times-dispatch editorial in 1937 about the federal Anti-Lynching Bill of 1937:
Now that the rest of the week is apparently available for debating the anti-lynching bill, is it too much to hope that the Southern senators will discuss this measure on its merits, instead of consuming days in flamboyant and bombastic posturing, in apostrophies to the fair name of Southern womanhood, in hysterical outbursts concerning the future of Southern civilization? [24]
The bill passed in the House of Representatives, but was held up in the Senate during a filibuster, where First Lady Elanor Roosevelt sat in the Senate Gallery to silently protest those participating in the blockade. Ultimately, the Anti-Lynching Bill failed to pass in the Senate, despite the Gallup poll revealing that nearly three in four Americans (72%) supported anti-lynching legislations and called for it to become a federal crime.[25]
Additionally, in 1938, Editor Sperling released an open letter to Indiana Governor M. Clifford Townsend on the front page of the paper to draw his attention to corruption that was happening within the city. Sperling claimed that a public official, who was responsible for distributing “hundreds of thousands of dollars of the taxpayers’ money” to majority Black families receiving government assistance, was withholding funds to coerce them to vote for her candidate for mayor, Dr. Robert Doty, and for her trustee candidate, P. D. Wells. Sperling wrote, “and what is much worse, [she] has entered into a deliberate campaign to intimidate both colored and white voters of this city who are already on relief rolls, telling them that they will have to support her ‘program’ or be they will be cut off relief rolls.”[26]
Champion of Local Activism and the Civil Rights Movement
Henry O. Whitlock and Edwina Whitlock, with their son Henry Whitlock Jr., posing next to the 1949 Christmas Release of the Gary American, found in Edward Ball’s The Sweet Hell Inside, p. 322, accessed Internet Archive.
In the following decade, the Whitlock’s returned to the Gary American. Arthur’s son, Henry O. Whitlock, became manager in 1944 and his wife, Edwina, becoming editor in 1947. She was a mother and teacher at Froebel High School by day and a journalist by night. The family thrived under the post-war conditions that encouraged a growing middle-class, so much so that they hired a live-in nanny for their children and bought a vacation home in South Haven, Michigan.[27] She saw herself a part of the elusive “Black Bourgeoisie,” which highlighted the white American ideals – Black men worked professional jobs, while the women kept the home with the children. Along with running the Gary American, Henry Whitlock worked as an investigator in the Lake County prosecutor’s office.[28] Following in her adoptive father’s footsteps, Edwina exceeded the realities of Black life, promoting the middle-class lifestyle that many Black Americans lacked, because they did not share her fair skin or generational wealth. But the Gary American gave her unlimited access to disseminate her own ideas about family, Black excellence, and how in Gary’s Black community could fight for self-determination.
During the burgeoning Civil Rights Era, the GaryAmerican focused on issues like discriminatory education funding, the creation of Gary’s first Black Taxicab Company, and the local boycott against Kroger Stores for refusing to hire minority employees.[29] Whitlock published her own column, First Person Singular, for many years. Her editorial topics varied, ranging from marriage and childrearing issues to discussions of race and education. One editorial, appearing in October of 1948, discussed her husband’s opinion that “women dress for other women.” She challenged her readers to question their own partners on the matter to determine if purchasing clothing was self-indulgent as society moved away from the wartime economy and the rationing system.[30] Another editorial, appearing in 1946, was simpler and to the point, “No brains, no hearts – is it any wonder that the Ku Kluxers are also stooges? Right now, they’re stooges for a few racketeers who are clipping them for ten spots or so for the privilege of going around with pillowcases on their heads.”[31] She tackled both the complexities of womanhood and race, offering an intersectional lens to the history of the growing Black population in Gary.
Following World War II, more Black Americans moved to the city, and as a result, they were forced into the central, downtown district, but the city’s boarders grew too slowly to keep up with the expanding population. Rents increased as investments in building repairs dropped, and landlords became virtually unresponsive to Black tenants. By 1940, the U.S. Census reported that only thirty percent of Black families lived in one-family homes, and the remainder lived in apartment houses or small homes converted into apartments, with multiple families living under one unit.[32] Additionally, the Gary Housing Authority – despite its role in maintaining segregated neighborhoods – reported that in 1950, 11,582 families were living in substandard homes or slums, approximately 1,000 more than existed ten years prior to the GHA organizing.[33]
In 1949, she gave birth to the first of four children, whom she raised during her editorial career. That summer, Whitlock addressed her concerns about congestion of the Central District and the strains it imposed on families via poor living conditions and warned about the urge to fall into consumerism rather than focusing on the preservation of the natural world. Her solution was simple – Whitlock proposed an eight-day living week and a thirty-hour work week. She suggested supermarkets offer prepared meals so breadwinners could save money on groceries and utilize the funds for the necessities, like owning a home. Whitlock saw the value in equal payment for all laborers, Black or white, and advocated for the spreading of wealth to relieve the crowded living quarters of the Gary’s Central District. These statements were made during the height of the McCarthy-era, in which rampant persecution of left-wing individuals took center stage of the American political scene. Whitlock did not care. “I sound like a Communist, you say? Well, if Communism means subscribing to a theory that every man’s labor is worth as much as every other man’s,” Whitlock wrote, “having the conviction that the color of a man’s skin should be no deterrent in selecting a place to live – then, come on Revolution. H. O., hand me your shotgun.”[34]
Towards the end of the 1950s, white residents fled to suburban areas like Merrillville due to the city’s increased Black population. Middle-class white families moved away from Gary’s downtown metropolitan center, depleting it of a tax base which thrusted Gary into a state of decline. Black residents, however, were barred from following suit. Once again, housing was featured prominently in Whitlock’s editorials. In 1959, Whitlock discusses her opinions on housing, and the refusal of banks to provide loans to Black locals. Edwina wrote:
Chatted a while today with one of the leading mortgage brokers and I suggested that he and his cohorts could clean up this whole mess with one broad sweep. Instead of refusing to lend money to Negroes who seek better accommodations for themselves by moving to late fringe areas, they should refuse to loan money to the whites who try to run away. If a white family has decent housing in a decent community and the broker suspects that they’re trying to run away from their colored neighbors just let the family do their own financing.[35]
As Edwina pointed out, Black residents struggled to secure access to well-built homes and a welcoming community. However, segregated housing projects were not new – the development could be seen in Gary during the 1930s, and the Gary Housing Authority, established in 1939, continued to segregate residents by placing Black families in the central district, and white families outside of the downtown area.
The Gary American also took a vested interest in the desegregation of the city’s parks, particularly Marquette Beach. Federal programs during the Depression years expanded Gary’s Park system and as a result, U.S. Steel provided the city with a lake-front area. The WPA transformed it into a large park, equipped with a beach, picnic area, and a pavilion. Early editorials reveal how Whitlock felt about lack of community beaches, saying: “But to be continually denied even the elementary right to take a dip in Lake Michigan without having to travel 15 miles to do so, strikes me as being a pretty rotten deal.”[36] In the late 1940s and early 1950s, the city took it’s time when it came to the construction of the new de-segregated section of the beachfront, and many Black residents grew frustrated. Whitlock offered another revolutionary solution: staging a sit-in picnic right on the whites-only beaches. “Getting a few heads bashed in would only be a small price to pay,” Whitlock urged, “for providing our youngsters with an example of forthright action on the part of real men and women.”[37]
Even after Marquette Beach came to fruition, white beachgoers used harassment and violence to keep the sand segregated. However, forced integration occurred only after an uproar in the late 1950s.[38] In fact, Marquette Beach had been a center of white terrorism against local Black beachgoers, with the Gary American reporting in 1949 that a peaceful protest for integration, known as “Beachhead for Democracy,” turned violent when “white hoodlums” hurled bricks, bats, and pipes against vehicles of those who were attending the protest. Police arrived twenty minutes later, closing the beach to demonstrators, which caused the white attackers to disperse.[39] However, the Gary American reported that the protest fueled KKK activity for the next three nights – with white residents burning crosses on the shores of Marquette beach, attacking the homes of “ring leaders” with rocks, bricks, and firing holes into windows with guns, even leaving notes telling residents to leave town.[40]
The protests led to the desegregation of Marquette Beach Marquette Beach remained a contentious site. In the summer of 1961, the Gary American produced extensive coverage over the beating of 21-year-old Murray W. Richards. On Memorial Day, Richards and three female friends were enjoying their time at the beach, when fifteen to twenty drunk white men approached the group and demanded that Murray and his friends leave the beach. After refusing, they attacked Richards unprovoked, hitting him in the jaw with a beer bottle, bashing his face with a baseball bat, and striking him with 2×4 plank. One of the young ladies was dragged toward the water under the threat that the gang of men would drown her. Richards explained to the American that “he feared they would carry out their threat to kill him if he were to fall down.” It was revealed that Richards saw one policeman, Officer George Stimple, standing by his squad car, watching the attack, but did nothing to stop it, even after being informed of what was happening by a young white girl.
Richards was left with lacerations on both ears and his scalp, fractures in his jaw and skull, and multiple contusions on his face, arms, chest and back which needed stitches.[41] Only one of his attackers was taken into custody and prosecuted. The beating fueled unrest across Gary, with the paper reporting that more than 500 citizens packed the Council Chambers on June 6, protesting the inaction of Officer Stimple. Charles Ross, First Vice President of the NAACP, stated that the police department had consciously and deliberately refused to provide the minimum protect to Gary’s Black citizens.[42] The protest led to an investigation into Officer Stimple, but on July 7, the Gary American reported that, after a five-hour hearing, Stimple was found innocent by the civil service commission on the charges that he failed to aid Murray Richards. Commission secretary Thomas G. Kennedy claimed, “The evidence presented in support of the charges was inconclusive.”[43] A little over a month later, the Gary American reported on another white attack against Black citizens at Marquette.[44]
Exposing and challenging racism in Northwest Indiana became the goal for Whitlock and her husband. In an interview with Edward Ball, an American author who focuses on history and biography, she recalled just how influential the Gary American was when it came to dismantling segregation in her community:
The American was a local paper, and we fought to get black bus drivers in Gary, when there were none. We fought the electric utility to hire black women because they didn’t have any. Henry’s father, who started the paper, was on the board of the Urban League, and tried to get certain jobs in the steel mills opened to Negroes, because not all of them were. All our circle and all our friends belonged to the NAACP and attended annual meetings.[45]
The Gary American never reached the status of the Chicago Defender, which was in production less than an hour away, but its influence within The Region was wholly felt.
Living History
Henry Whitlock died on May 5, 1960, and the Gary American announced his death on May 13, saying “Henry Oliver Whitlock . . . gave his all to the community. He was for modern, efficient government. He was for the complete integration of Negroes into all facets of American life.”[46] Edwina continued to run the Gary American by herself until February of 1961, when she sold the publication to Edward “Doc” James and James T. Harris, Jr. The Gary American continued to operate until the 1990s, and even expanded its publication beyond Gary into East Chicago/Indiana Harbor.[47]
That same year, Whitlock moved south of Los Angeles with her four children on the edge of Watts, a predominately Black neighborhood that had been isolated from white California. The area faced intense poverty and inequality. Whitlock took on a job in public relations at Watts Savings & Loans. But in August of 1965, Whitlock found her family thrusted into turmoil when the Watts Uprising gripped the neighborhood. Stepbrothers Marquette and Ronald Frye were pulled over right outside their house by a white California Highway Patrol officer while driving their mother’s car, where Marquette was arrested after failing a sobriety test. Back up was called from the Los Angeles Police Department (LAPD), and a crowd of Black locals formed and watched the arrest unfold, causing one officer to pull his gun out. As a result, Frye’s mother, who witnessed the event unfold outside her house, went to defend her son. All three were arrested, enraging the residents of Watts, who took to the streets to protest police profiling and the conditions of their neighborhood.[48]
Getty Image, courtesy of “Looking Back on the Watts Riots, 55 Years Later: In Photos,” WSLS, accessed https://www.wsls.com/features/2020/08/11/looking-back-on-the-watts-riots-55-years-later-in-photos/.
Between August 11 and 16, Black residents engaged in a massive protest, confronting the LAPD and taking items from local stores to acquire the goods they were often unable to afford due to pay disparities. In the end, the United States dispatched in 14,000 National Guard troops to Watts, forcing protesters back into their homes. The movement took thirty-four lives and led to over 4,000 arrests. For Whitlock, however, the uprising only motivated her get back into the community, and she quit her banking job to train as a social worker. She told biographer Edward Ball, “I studied for the ‘War on Poverty,’ which is what the Lyndon Johnson administration called it. I guess I was one of those advanced soldiers in the war . . . they were idealists, and we all believed in what President Johnson promised about finding jobs for Blacks.”[49] After passing the civil service exam, Whitlock became a social worker, traveling throughout the city into both Black and white neighborhoods to help families less privileged than her. Along with her new career, she continued her work in journalism with articles appearing in publications like the California Eagle.[50]
By the end of Whitlock’s life, encountered her long-lost cousin, white author Edward Ball, that she finally got the opportunity to tell the world about her family’s contributions to Black history.[51] After an extensive interview process, combing through letters and photographs and outlining her family lore, Ball and Edwina worked together to publish The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South in 2001. One year later, Edwina passed away Atlanta, Georgia in November of 2002, at the age of eight-six.[52] Edwina Whitlock’s dedication to highlighting issues of inequality illuminates many of the forgotten Black women at the heart of the long Civil Rights Movement. Through her work as a journalist and her continuous involvement in her community, she utilized her own privilege to promote and sustain equality. The Gary American will soon be digitized and incorporated into the Library of Congress’s Chronicling America database and IHB’s own Hoosier State Chronicles, to give historians the chance to uncover Northwest Indiana’s often discounted, but rich Black history and unveil more stories like Edwina Harleston Whitlock’s.
Notes:
[1] Edwina H. Whitlock, “Gary, Ind., Negroes Help Run City Gov’t,” California Eagle, October 19, 1961, accessed Newspapers.com.
[2] William’s and Kate’s son, Edwin G. “Captain” Harleston proved to be an American pioneer, establishing a successful funeral business that allowed his five children to thrive. His son, Edwin A. “Teddy” Harleston, became a successful painter and renowned portraitist. Another son ran an orphanage, whose young Black children became musical prodigies in the group Jenkins Orphanage Band.
[3] Robert Harleston and Edwin A. “Teddy” Harleston were two of Edwin “Captain” Harleston’s seven children. Captain Harleston was Kate Wilson’s fifth child with white plantation owner, William Harleston. In Charleston, Captain ran a profitable funeral business that serviced the Black community.
[4] E. Rudwick, “W.E.B. Du Bois,” Encyclopedia Britannica, accessed Brtannica.com.
[5] Edward Ball, The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South, New York, HarperCollins Publishers, 2002, 297, accessed Internet Archive.
[6] “Booker T. Washington,” Teach Democracy, accessed crf-usa.org; Ball, The Sweet Hell Inside, 297.
[8] Teddy’s father, Captain Harleston, died in April of 1931, after catching pneumonia. A few days after his father’s funeral, Teddy caught pneumonia as well. Later in her life, Edwina recounted to Edward Ball that the doctor reported that Teddy had a good chance of recovery. However, the grief of losing his father superseded his will to fight the infection. Teddy Harleston passed one month later, on May 10th, 1931; [8] Ball, The Sweet Hell Inside, 286-287, accessed Internet Archive
[9] Edwina was also a singer in the Avery glee club and president of her high school class; Ibid, 298.
[11] Joy Ann Williamson-Lott, Jim Crow Campus: Higher Education and the Struggle for a New Southern Social Order (New York: Teachers College Press, 2018), p. 21-22, accessed Google Books.
[15] Douglas Martin, “A’Lelia Nelson, 92, President Of a Black Cosmetics Company,” The New York Times, February 14, 2001, accessed The New York Times; “Mrs. Nelson Heads Madam Walker Firm,” The Indianapolis News, February 10, 1951, accessed Newspapers.com.
[18] Neil Bretten and Raymond A. Mohl, “The Evolution of Racism in an Industrial City, 1906-1940: A Case Study of Gary Indiana,” The Journal of Negro History, 59, no. 1 (Jan 1974): 52, accessed https://doi.org/10.2307/2717140.
[28] “Heart Attack Claims Publisher,” The Times, May 5, 1960, accessed Newspapers.com.
[29] “Pass Up Roosevelt High: Negro School to get No Funds for Facilities,” The Gary American, September 29, 1944; “Negro Taxi-Cab Company in Operation with 3 Cabs, Fleet of Five Cars Expected to be in Service Next Week,” The Gary American, November 23, 1945; “Continue Boycott of Kroger Stores, Attempts to Arbitrate Fail,” The Gary American, October 3, 1958.
[30] Edwina Whitlock, “First Person Singular,” The Gary American, October 8, 1948.
[31] Whitlock, “First Person Singular,” The Gary American, July 26, 1946.
[32] Bretten and Mohl, “The Evolution of Racism,” 59.
[33] Gary Housing Authority, The First Twenty Years: Report of the Gary Housing Authority, 1939-1959, n.d., 14, accessed HathiTrust.
[34] Whitlock, “First Person Singular,” The Gary American, July 1, 1949.
[35] Edwina Whitlock, “First Person Singular,” The Gary American, December 24, 1959.
[36] Whitlock, “First Person Singular,” The Gary American, July 19, 1946.
[38] Gary Housing Authority, The First Twenty Years, 56.
[39] The Gary Post Tribune stated that the demonstration at Marquette Beach seemed “pointless” as there were no legal restrictions against Blacks utilizing the facilities there. This is just one example of the stark differences between white reporting and Black reporting within the city; The Terre Haute Star, August 31, 1949, accessed Newspapers.com.
[40] “Beach Project Leads to Violence: KKK Becomes Active,” The Gary American, September 4, 1949.
[41] “Youth Brutally Beaten at Marquette Beach, Girls Scream for Help as Police Stand By,” The Gary American, June 2, 1961.
[42] “500 Jam-Pack Council; Protest Actions of Police,” The Gary American, June 9, 1961.
[43] “Stimple Found Not Guilty,” The Gary American, July 7, 1961.
[44] “Hoodlums Attack Again At Marquette Park,” The Gary American, August 11, 1961.
[50] “President John Kennedy, Gov. Pat Brown Electrify 600 Attending Links Inc., Affair,” California Eagle, November 23, 1961, accessed Newspapers.com.
[51] Whitlock’s experience as a journalist spurred a desire to document her rich family history. In 1970, after her daughter Sylvia wrote a term paper on Teddy Harleston, Edwina’s interest in genealogy was re-ignited. She spent years going through the large collection of the Harleston family papers, photographs, and letters. While researching, she attended lectures at institutions like Mann-Simons Cottage to talk about her adoptive mother, Elise Forrest Harleston, one of the first Black female photographers in the US. Whitlock’s goal, however, was to publish her family history.
[52] “Whitlock,” The Atlanta Constitution, November 22, 2002, accessed Newspapers.com.
Sometimes when you think back over your old history texts, and remember that the accounts there relate the deeds of men- not women- doesn’t it give you a marvelous feeling to realize that the greatest chapter of history of mankind is being written today, and that you women are going to have your names in the headlines?
-LaVerne Heady, columnist for Republic Aviation News
Reliable, versatile, and fast, the P-47 Thunderbolt is considered one of the most important fighter-bombers in World War II. Manufactured by Republic Aviation Corporation and debuted in 1943, the P-47 served in both the European and Pacific theaters and quickly became the Allied Forces’ main workhorse. By the end of the war, Republic Aviation produced 15,683 Thunderbolts, which performed more than half a million missions, shooting down more Luftwaffe aircrafts than any other Allied fighter. What’s more impressive than its statistics, however, is the pilots’ testimonials on the durability of these planes, which quickly gained a reputation for their ability to deliver a pilot safely home after sustaining otherwise catastrophic amounts of damage.[i] One of the most dramatic examples of the Thunderbolts’ durability occurred in 1945, when the entirety of a P-47s right wing was sheared off during a bombing mission. The pilot returned to base unharmed, and the plane was reportedly repaired and flown for another 50 missions.[ii]
Headshot of Heady, Republic Aviation News, Indiana State Library.
Military history often focuses on aircraft design and the pilots who flew them. However, who built these planes is equally intriguing. Almost half of the manpower behind P-47 production were women. Known as “Raiderettes,” these women served in a wide array of positions at Republic. This piece will examine the lived experiences of the Raiderettes at the Republic plant in Evansville, Indiana and how their hard work, sacrifices, and patriotism contributed to the production of over one-third of the Thunderbolts manufactured during World War II.
ON THE ASSEMBLY LINE: WOMEN’S ROLES AT REPUBLIC AVIATION
Evansville played a major role in the home front effort throughout the war. In total, fifty different Evansville companies received over $580 million in defense contracts. This included Sunbeam, Serval Inc., Chrysler, and the Missouri Valley Bridge & Iron Co. Shipyard, which produced critical defense industry products such as ammunition, tracer rounds, and landing ship tanks. This booming industry nearly tripled Evansville’s manufacturing workforce and revitalized the previously struggling city. [iii] In 1942, Republic and the U.S. War Department announced they would build a second P-47 factory south of the Evansville Regional Airport. The first facility was located in Farmingdale, New Jersey. Construction commenced at a rapid pace and the plant was finished in August of 1943, three months ahead of schedule. However, P-47 construction was already underway before the factory was even finished, with newly hired workers manufacturing parts in garages, rented factory spaces, and other facilities. Evansville’s first P-47 dubbed “The Hoosier Spirit” flew from the plant on September 19, 1942. The Hoosier Spirit marked the first of over 6,000 Thunderbolts manufactured in Evansville during the span of three years.
From the beginning, Republic sought to hire a substantial number of women workers because men were fighting overseas. Republic recruited women through newspaper advertisements and provided free, educational opportunities. Evansville College (now the University of Evansville) partnered with Purdue University and the U.S. Department of Education to offer twenty-two-night classes in engineering, science, mathematics, aircraft drafting, and other industrial skills. Notably, the Evansville Press wrote that, for the night classes, “Women especially are urged to enroll… The War Manpower Commission estimates that at least two million more women must enter war industries this year.”[iv] Soon after night classes began, Evansville College and Purdue began to offer daytime classes as well to fulfill the needs of night shift workers at Republic and other defense companies. E. C. Surat, district manager of the Purdue war training program, told the Evansville Courier and Press that “Women with mathematical training may be placed at once” in factory positions and urged that women seeking a defense industry job “enroll in the qualifying mathematics course.”[v]
The Evansville Mechanic Arts School also recruited women for their industrial classes. Previously, the school designed courses solely for men, but, upon the outbreak of the war, opened to women “without a halt.” The school especially appealed to homemakers and unemployed women to enroll.[vi] In her article, “Diary of a Riveter,” Raiderette Mary Ellen Ward describes the challenges of these types of training courses and adjusting to the “nerve wracking” noise as they learned drilling techniques, how to measure rivets, and built physical strength to rivet for fourteen plus hours a day.[vii] The City of Evansville and the Republic Aviation Corporation recognized early on the integral role women would play in the home front effort and began recruiting them and providing key training and education for them to succeed in manufacturing roles.
Women from the “tri-state” area of Illinois, Kentucky, and Southern Indiana performed a diverse number of roles, including managerial positions, across the Republic plant. Raiderettes could be found working side by side with men in machining parts, welding metal, wiring electrical components, inspecting aircrafts, and transporting supplies. This makes it impossible to describe a singular, definitive experience among the Raiderettes. However, women across the plant embraced their roles, seeing it as a patriotic duty, and exceeded the expectations of the public. The Muncie Evening Press reported that, in some tasks, women workers across the country exceeded men’s production output by 10 percent or more.[viii] Day-to-day life in the plant consisted of 10 to 14-hour shifts across various departments and, for many, included long commutes of up to 80 miles away a day. Beyond production work, women actively participated in work-adjacent roles, leading the charge on key social services for all Republic employees. Given the amount of time spent at both work and Republic-related events, almost all Raiderettes experienced World War II primarily through the lens of their position at the Evansville plant, making it a key experience to analyze in order to better understand the Indiana home front during World War II.
Article showcasing “Who’s Who” among the Raiderettes and their various positions at Republic, January 29, 1943, Republic Aviation News, photo cropped by IHB, accessed via the Indiana State Library.
One Raiderette, Mildred F. Harris, participated in an oral history interview in 2002, providing key insight into the subjective experience of women at Republic. A schoolteacher, Harris entered war work when her husband was drafted in 1943, commuting 55 miles a day, six days a week from her home in Kentucky to work at the Evansville plant. Harris was placed in a supervisory role managing other aircraft inspectors and supervising factory operations. She stated that men respected her and other female inspectors’ position of authority “as long as the inspectors had this army badge on,” and that they recognized the need for women to work in factories as “they couldn’t get enough men to do it.” Despite this, Harris still experienced sexism in the workplace with some of the men calling her nicknames like “Rose,” “Buttercup,” or “Daisy,” despite her position supervising them. Harris largely ignored these nicknames and kept to herself while she performed her job. Like many women, Harris felt a duty to support both her country and male relatives who served in the war, underlining the importance of her position as an aircraft inspector and the pressures of such long days and high stakes. Her experiences also demonstrated that, simply because women now appeared in “male roles,” that sexism and gender roles still pervaded most Raiderettes experiences. [ix]
Harris in 1943, courtesy of Mildred F. Harris, courtesy The Register of the Kentucky Historical Society.
Women also contributed to the company culture at Republic, actively participating in clubs, the company newspaper, and sports leagues for basketball, softball, bowling, golf, and ping pong. Republic’s clubs competed against other manufacturing companies in Evansville. In addition, women led the charge on hosting social functions like skating nights, formal dances, and even a holiday musical production called “Flying High.” A daycare service was provided for working mothers at the reduced price of 50 cents per week.[x] This proved to be critical as women often found themselves to be “two-job” workers, working at Republic for fourteen hours a day while also continuing to maintain the domestic sphere and raise children, often without the support of their spouse who may have been drafted. Women also formed the “war matrons club,” which catered specifically to older Raiderettes whose sons were serving overseas. This club tracked soldier’s birthdays, wrote to them, and provided a support system for mothers separated from their children due to the war.[xi] While easily overlooked, these services provided necessary social outlets during a period of great change and anxiety in the United States and fostered a strong sense of community for all Republic employees. They also provided workers, many of whom had family members serving overseas, with vital social connections and filled a key gap in societal recreation and relaxation.
Members of the War Matrons Club, June 18, 1943, Republic Aviation News, accessed the Indiana State Library.Republic Aviation News. v. 6 n. 3-v. 11 (1944-1945): 3, accessed Evansville Vanderburgh Public Library Digital Archive.
While women were praised for their patriotism and largely welcomed into the plant, gender roles still defined the Raiderettes’ wartime experiences. Often, the work of women was more heavily scrutinized than men’s and feminine traits characterized as a detriment to wartime production. This can be seen in Republic Aviation News through warnings against “super-sensitiveness” in the workplace and constant reminders that a woman must uphold or surpass the standards of the men who worked alongside them.[xii] Additionally, extra emphasis was placed on women’s fashion and social life with an entire column called Strictly Feminine. The column reported on social news, like who danced with whom at the canteen, what women were wearing to social functions, and other, non-work related, news. Women were often expected to meet their position’s expectations and perform social and emotional labor while doing so. Republic Aviation News paints a more nuanced picture than that of the one-dimensional and patriotic “Rosie the Riveter,” who flawlessly steps into a traditionally male position just as a man would. Women’s positions and experiences in home front factories were distinct and laced with gender roles and bias as they were expected to do a “man’s job” but in a traditionally feminine manner.
A major point of friction between women and men in the factory was whether women would continue working after the war concluded or if their jobs ought to be relinquished back to male workers. Inspector Harris, upon reflecting on the closure of the plant, stated “Now, what they [the male factory workers] expected them to do, what they wanted them to do when the war was over, [was] to go back home and wash dishes like they had been doing.”[xiii] This attitude is reflected in the fact that, after the government cancelled their wartime contracts with Republic, women disproportionately lost their jobs compared to male workers.[xiv] While it is debated whether women truly desired to return home or sought to continue working in the factories- likely a mix of both- they unilaterally faced unfair obstacles in remaining in the workforce post-war.
Pictured is restricted radio operator Naomi Johnson, September 3, 1943, Republic Aviation News, accessed the Indiana State Library.
Despite the continued presence of gender bias in the factory, Raiderettes pushed against and broke the glass ceiling in various ways. For example, Naomi Johnson was notable for being the first woman restricted radio operator- a position that allows users to utilize advanced aircraft radios to communicate and direct pilots- in the region. Originally from Marion, Kentucky, Johnson moved to Evansville in 1937 and earned her operator license in 1940 from the Federal Communications Commission. Johnson originally tested police radios in cars but, upon the outbreak of the war, transitioned to Republic Aviation. She began working on electrical equipment but, after nine months, was transferred to a radio control board, where she communicated with pilots flying and landing P-47s at the Evansville Regional Airport. Due to her strong interest in and advanced knowledge of aviation, she was made an honorary member of the Civil Air Patrol. When interviewed by Republic Aviation News, Johnson expressed her strong passion for her work, stating, “The thing I like best about radio work is the fact that it’s something you can never learn enough about. You can just keep studying and studying. But I wouldn’t mind being called a book-worm if I could read about radio.”[xv]
Reclamation agent Eunice Hall, January 7, 1944, Republic Aviation News, accessed the Indiana State Library.
Another woman, Eunice Hall of Newburgh, Indiana, became the first “reclamation agent” at the Evansville plant, a new position that encouraged the conservation of factory materials to reduce waste in the various plant divisions. Working with the Utility Shop division, Hall also served as the division’s Safety Council representative. While Republic Aviation News minimized her position by comparing it to a “housekeeping” role, Hall excelled at leadership by defining this new company role and taking the lead on both shop safety and material conservation, a key aspect of the home front’s defense industry economy.[xvi]
Other women broke into aviation and flew P-47s domestically. The Women Airforce Service Pilots, (WASPs) were elite civilian pilots who supported the war effort by ferrying, testing, and transporting planes. Described as “polished” and having perfect uniforms, the WASPs visited the Evansville plant numerous times to transport Thunderbolts to military bases.[xvii] On October 10, 1943, Theresa James and Betty Gillies landed in Evansville to deliver two Thunderbolts and transport two others. Gillies is notable as the first ever woman to fly a P-47 aircraft.[xviii] In 1944, WASPs regularly began transporting P-47s from the Evansville plant, with Republic Aviation News stating that 85 women would participate and, each month, 16 of them would fly to the Evansville plant to ferry completed planes to military bases.[xix] While the activities of the WASPs generated much interest both in the news and amongst factory workers, it is reported that the WASPs largely stayed separated from the rest of the factory and focused on their positions.[xx]
Raiderettes continue to work after the announcement of V-E Day, Republic Aviation News, accessed Evansville Vanderburgh Public Library Digital Archive.
As evidenced by the previous examples, women held diverse roles within Republic Aviation and navigated their new, public-facing roles in a variety of ways. Some women, like those in the War Matrons club or Eunice Hall, embraced social responsibilities at the plant by serving on committees and clubs and embracing a more “traditionally feminine” role at Republic. Meanwhile, others, such as the WASPs or Harris, were more reserved in their roles and attempted to ignore or minimize gender roles and bias. However, the common thread of all of these women is that they collaborated with both male workers and one another, pushing against traditional gender roles to best serve the United States during World War II. Their sacrifices were largely recognized and praised by the public. However, it was also expected that they would revert to traditional roles upon the end of the war which, generally, is what occurred. Despite this, these women successfully navigated a challenging period in American history to provide a vital service on the home front and ought to be remembered for their work.
Republic Aviation News. v. 6 n. 3-v. 11 (1944-1945): 6, accessed Evansville Vanderburgh Public Library Digital Archive.
On August 21, 1945, Republic Aviation announced they would be ending all production at Evansville and the plant was soon listed for sale. Upon its closure, the plant had produced over one-third of all the P-47 Thunderbolts in the world, hired thousands of employees, and infused millions of dollars into the local economy. In addition, the plant had gained national recognition, earning three Army-Navy E awards for “excellence in production.”[xxi] This prestigious award was granted to 5% of all eligible plants and represented the top echelon of home front production.[xxii] The plant’s production was considered so outstanding, that President Franklin D. Roosevelt even visited the plant on April 27, 1943 as part of a 17-day, 20-state tour of America’s defense industry, presenting awards to multiple employees.[xxiii]
Without the thousands of women who worked at the Republic plant, these national honors would not have been achieved. Similarly, the quality and reliability of the P-47, which is world-renowned and contributed to Allied Forces’ air superiority during WWII, would not have been possible without the dedicated hands that constructed the planes at an unprecedented pace. While the lives and roles of the Raiderettes at the Republic factory did not ascribe to the simplified “Rosie the Riveter” archetype, they were critical to the defense effort nonetheless, and ought to be commemorated as both Indiana and national heroes.
[iv] “College to give Classes in War Work,” Evansville Press, September 12, 1943, accessed Newspapers.com.
[v] “Day War Training Classes Planned,” Evansville Courier, October 15, 1943, accessed Newspapers.com.
[vi] “These Doors Never Close: Mechanic Arts School Has Prominent Part in War Work Training Program,” Evansville Courier and Press, July 2, 1942, accessed Newspapers.com.
[vii] Mary Ellen Ward, “Diary of a Riveter,” Republic Aviation News, February 12, 1943, accessed Indiana State Library.
[viii] “Two-Job War Worker: She Does a Man-Sized Job on Production Line Plus ‘Women’s Work’ of Maintaining a Home,” Muncie Evening Press, November 5, 1942, accessed Newspapers.com.
[ix] James Russell Harris, “Rolling Bandages and Building Thunderbolts: A Woman’s Memories of the Kentucky Home Front, 1941-1945,” The Register of the Kentucky Historical Society, (Spring 2002): 167-194, accessed JSTOR.
[x] “New Plan for Child Care Offered: Play Center Fills Need Before and After School,” Republic Aviation News, November 26, 1943, accessed Indiana State Library.
[xi] “War Mothers Organized at Republic Plant,” Evansville Press, April 29, 1943, accessed Newspapers.com.
[xii] “A Message from Ellen J. Dilger,” Republic Aviation News 100, no. 2, January 29, 1943, accessed Indiana State Library.
[xv] “First Woman Restricted Radio Operator in This Region is Republic’s Naomi Johnson,” Republic Aviation News, September 3, 1943, accessed Indiana State Library.
[xvi] “Utility Shop Girl Becomes First Official Reclamation Agent at Indiana Division,” Republic Aviation News, January 7, 1944, accessed Indiana State Library.
[xviii] “First Woman Ever to Fly a Thunderbolt is One of Two Girls Landing Here in P-47s,” Republic Aviation News, October 15, 1943, accessed Indiana State Library.
[xix] “First Squadron of Girl Pilots Here to Fly P-47’s,” Republic Aviation News, August 1, 1944, accessed Indiana State Library.
[xxiii] “Camera Highlights of the President’s Visit to the Indiana Division on Tuesday, April 27,” Republic Aviation News, May 21, 1943, p. 4-5, accessed Indiana State Library; “Roosevelt visits Evansville; Sees P-47 Dive at 500 M.P.H,” Indianapolis News, April 29, 1943, p. 1, accessed Newspapers.com; “Evansville Aircraft Plant Receives Visit of President,” Muncie Evening Press, April 29, 1943, p. 9, accessed Newspapers.com.
On January 11, 1898, a special meeting occurred of the South Side Turnverein, one of Indianapolis’ premier social clubs for German Americans. It was the sixtieth birthday of the organization’s president, Henry Victor. The group heaped “tokens of esteem” on their beloved leader, according to the Indianapolis Journal, which further wrote, “the occasion had the effect of bringing Mr. Victor to tears.” The esteem afforded to Victor was no faint praise; in many respects, he was the main reason the South Side Turnverein met that night, and many others, at all.
Only a few years earlier, previous leadership had barely gotten the organization off the ground. It wasn’t until Henry Victor took over in 1894 that the South Side Turnverein expanded and flourished, providing its members with athletic activities, social functions, and cultural events. Years later in a glowing article, the Journal noted Victor’s work for the organization, calling him the “‘Father’ of the South Side Turnverein” and writing, “to Henry Victor is due the success the club has attained.”
A German immigrant with a passion of business, Victor epitomized the promise that America held for so many newcomers in the mid-to-late nineteenth century. His successful management of Mozart Hall, one for Indianapolis’s top bars and restaurants, the growth of the South Side Turnverein, and his involvement in numerous civic organizations spoke to his energy and talent for bringing people together to build vibrant communities. As such, the impact he left on the people he served, both at his businesses and with his leadership, provides us with a compelling example of the German American experience in Indiana.
Victor was born on January 11, 1838, in Pommern, Germany, which today sits between Eastern Poland and Western Germany. He lived in Europe for most of his life, becoming “a successful businessman, dealing in silks and dress goods, [and] was also connected with a private bank and was worth considerable money,” noted the Indianapolis News. He likely immigrated to the United States and moved to Indianapolis sometime between 1887 and 1891, as a relatively older man. What would spur a successful businessman in his native land to come to the U.S.? Like a major reversal of fortune. As the News added, “he was stricken with an affliction of the eyes which threatened him with total blindness. He was taken to a hospital, where he remained for several months, during which time losses occurred in his business, and he left Germany practically a broken man.” Like so many who left for the shores of America during that age, he left to restart, and hopefully improve, his life.
Once in Indianapolis, he got involved in the brewery business, working as a collector for the Terre Haute Brewing Company, which led to his entry into the saloon business. It was in this field that he made his name in the Circle City, with his management of Mozart Hall. In 1892, Victor took over as manager of the decades-old Indianapolis bar and restaurant at 37 South Delaware Street. It didn’t take long for the press to sing his praises. The Indianapolis Journal wrote, “Mr. Victor is one of those whole souled persons who makes friends with everyone he meets, and will not lack in entertaining his customers in that inimitable way he was in conferring with his fellow citizens.” Of Mozart Hall, the article further noted that “none will find a more congenial place in the city to spend a few minutes to pass away the idle moments of the day.”
Upon assuming management of Mozart Hall, Victor placed ads in Indianapolis’s premier German-language newspaper, the Indiana Tribüne, which described for his community what patrons could expect.
The ad read, roughly translated:
Mozart Hall!
Henry Victor.
The biggest, prettiest and oldest beer-style eatery in town. The spacious and beautifully furnished hall is available for clubs, lodges and private individuals to hold balls, concerts and meetings under liberal conditions.
As the ad declared, Mozart Hall not only served individual customers, but became a meeting place for many organizations, such as unions and benevolent associations. In today’s language, Mozart Hall would be called a “maker space,” a congenial, well-furnished building for work, philanthropy, and entertainment.
When he wasn’t hosting civil society, Henry Victor actively participated in it. In 1894, he served as the secretary of the Indiana Liquor Dealer’s Association, which met at Mozart Hall. The association advocated policies they believed would “clean up” the liquor business, including regulations on liquor licenses. As the Indianapolis News reported, “a feeling is growing that only decent people should be granted liquor licenses, and that a protest will be entered against granting liquor licenses to ex-convicts, gamblers, violators of the law, and immoral characters.” Additionally, Victor advocated for policies that would make it easier for breweries to start up and provide its product to local businesses, something that clearly benefitted the German immigrant community he was a part of.
However, his involvement in organizations didn’t always go smoothly. In 1895, he very publicly resigned from the Saloon Keeper’s Union, over disagreements about the implementation of a new liquor law, called the “Nicholson Law,” which placed limitations on gambling, saloons, and underage drinking. Before the national experiment of Prohibition, many state and local laws were implemented in the late Nineteenth and early Twentieth centuries, as a way to control the ill effects of the liquor trade. However, fierce debates ensued as to how these laws should be followed. In his resignation letter, Victor argued that he was in favor of following these laws and challenging his critics. He wrote:
Many of you members have seen fit to criticize myself and others who have constantly labored for the interest and elevation of the retail trade; and such criticisms have practically gone in public print, and I do not want to be further annoyed this way as in the past, so I will in the future use what influence I possibly have to elevate and regulate the retail business according to my own way.
Former union colleague William G. Weiss, in the Indianapolis Journal, shot back at Victor, arguing that he withdrew because “Mr. Victor is not in sympathy with the union in regard to obeying the law.” Who was right? In the murky territory of pre-Prohibition liquor law, it was often difficult to effectively determine the letter of the law, which led to fierce debates like Victor’s with the Saloon Union. Nevertheless, Victor successfully ran Mozart Hall for many years, earning a reputation as an honest and friendly businessman.
Henry Victor’s notice of his departure from Mozart Hall, Indianapolis News, May 3, 1900. Hoosier State Chronicles.
As his stature in the community grew, so did his involvement in a variety of organizations, the most important of which was the South Side Turnverein. Turnvereins, or Turner Clubs, were a mainstay of German American life during the late Nineteenth and early Twentieth centuries. Founded on the principle of “sound body and mind,” the Turnverein movement was spearheaded by German educator Friedrich Ludwig Jahn, who believed physical exercise and cultural activities led to a healthy life. The South Side Turnverein in Indianapolis, founded on September 24, 1893, began as an offshoot of another organization when about 200 German Americans left the Socialer Turnverein to form their own gymnastics club on the south side. During its first few months, the South Side Turnverein and its members experienced challenges growing the group. That all changed when the membership elected Henry Victor as President, or “First Speaker,” of the organization in September of 1894. He threw himself into the role, rapidly expanding the club’s memberships and activities.
Mr. Victor took charge of the work in the spring of 1894, when all efforts to complete the organization and make it a success had failed, and at a time when those supporting the society were losing faith in the undertaking. The enthusiasm and the effectiveness with which he assumed control of the work inspired those interested, and at once new life was put into the organization, and in less than a year a membership of had been secured.
Arguably his greatest accomplishment as South Side Turnverein president was overseeing the building of its hall, serving as one of the South Side Turnverein Hall Association’s directors. Leading such a large financial endeavor proved natural to Victor, as his experience with Mozart Hall as well as the German Mutual Insurance Company prepared him for the task. Plans to build the hall started on February 20, 1900, when the South Side Turnverein decided to purchase 150 feet of property on Prospect Street at a cost of $5,000. On March 7, Victor and others filed articles of incorporation for the South Side Turnverein Hall Association, whose charge was to “purchase real estate and to sell the same and particularly to construct and erect for the South Side Turnverein a suitable gymnasium.”
The interior will be arranged with all the appointments of a modern club house. The basement, which will be a full story in hight [sic], will contain the kneipe [bar], bowling alleys, dining-room, women’s parlor, women’s and men’s dressing rooms and shower baths. The main floor will be almost entirely taken up by the large hall, which is also to be used as a gymnasium. This hall will seat, together with gallery, about 700 people. At the east end of the hall there will be a large and well equipped stage. Stretching along the other end of the hall will be a large foyer, with stairways leading to the basement and gallery.
After months of intense work, the South Side Turnverein Hall was completed, and on December 2, the club opened its hall to the public, on the organization’s eight-year anniversary. “In the afternoon the new building was thrown open to the public,” the News reported, “and it was inspected by a large number of visitors.”
South Side Turnverein Hall in the Journal Handbook of Indianapolis by Max Robinson Hyman, 1902. Google Books.
The South Side Turnverein formally dedicated its new hall on January 20, 1901, with 3,000 people in attendance. Victor christened the new building along with Fred Mark, chairman of the building committee, Herman Lieber, president of the North American Turnerbund, and Charles E. Emmerich, superintendent of the Manual Training School, among others. The building and grounds had a cumulative cost of $25,000, raised through its members by the association. A banquet for around 400 people was held the night after the dedication, with the News writing, “Henry Victor, as master of ceremonies, welcomed the representatives of the various German societies at the ‘kommers,’ [or students’ entertainment] with which the South Side Turnverein last night closed the dedicatory services of its new hall. Many women were among the 400 guests and the evening was enjoyable.” In only a a few years, Henry Victor transformed the South Side Turnverein from a small but promising organization into one of Indianapolis’ leading social clubs for the German American community.
The membership of the South Side Turnverein reelected Henry Victor to President many times and he continued to serve with distinction until 1905. However, towards the end of this life, he shifted gears to help organize a singing society. A long-time singer with the Fourth Christian Church with a “good voice,” as described by the Indianapolis News, Victor helped incorporate the “The Suedsite Liedertafel,” or “South Side Singing Society” in 1910. He served as the president and the organization performed regularly at the South Side Turnverein. Boasting over 200 members and nearly fifty active members, the organization maintained a men’s chorus, a women’s chorus, and a children’s chorus. The society served as more than just an outlet for those who loved to sing; it also wanted to preserve German culture. As the News reported, “in addition to the singing, the society endeavors to conserve a correct use of the German language.”
Unfortunately, his work with the South Side Singing Society was tragically cut short when he died on September 24, 1910, after a week in the hospital following a stroke. Many German American societies attended his funeral at the South Side Turnverein Hall, and some sang music in tribute, something he likely would have appreciated. The IndianapolisStar wrote in his obituary that “Mr. Victor was interested in the South Side Turnverein and the flourishing condition of the society is attributed largely to his efforts.” In addition to the South Side Turnverein, he belonged to the Columbia Lodge, the Knights of Pythias, and the German Heritage Society, to name a few. Newspaper accounts noted that he was a “marked personality among Germans of city” and “a man of mystery, and it was not known what were his family relations previous to coming to this city [Indianapolis].” He left behind a $60,000 estate, a testament to his acumen for business.
The life of Henry Victor is but one extraordinary story among the annals of the German American experience in Indiana. A man whose former home left him nearly destitute, he set out for the United States to build a better life, and his decades in Indianapolis served as a prime example of his ability and devotion to the community he called his own. From his successful management of Mozart Hall to his trailblazing leadership of the South Side Turnverein, Victor left a large impression wherever he went in Indianapolis, gaining a reputation for hard work and honest entrepreneurialism. He also dedicated himself to the preservation of German culture through his South Side Singing Society, another fruitful organization he helped found merely months away from his death. In all that he was, Henry Victor personified not only German Americans, but German Hoosiers, an immigrant community that profoundly shaped the history of the State of Indiana.
Tony Valainis, St. Mary’s Catholic Church, 2008, IUPUI Image Collection, accessed Indiana Memory.
St. Mary Catholic Church is an architectural gem. Its gothic towers help define the downtown Indianapolis skyline, while its bells call the faithful to worship. For its congregation certainly, but also for those dining and shopping in the Mass. Ave. Cultural District, the cathedral provides a moment of stately beauty in the urban landscape. But St. Mary’s is more than an elegant building. It is a love story—one set into motion by a kind matchmaking priest.
Hermann Joseph Gaul, n.d., personal collection of Lisa Dillman Wright, accessed AncestryLibrary.com
Herman (also spelled Hermann) J. Gaul was born in Germany in 1869 and immigrated to the United States in the late 1880s.[1] He was a devoted Catholic who loved the architecture of Germany’s churches, especially the Cathedral of Cologne. From an early age, he aimed to bring this gothic vision to the Midwest. In the early 1890s, he began an apprenticeship with the renowned Chicago architect Louis Sullivan.[2] In 1891, Sullivan’s Chicago firm sent Gaul to Indianapolis for several months to supervise the building of a new plant for the Home Brewing Company.[3]
Home Brewing Company Brew-House, 1900-1910, Ray Hinz Collection, courtesy of Indiana Album, accessed Indiana Memory.
The beer company incorporated in the summer of 1891 with $200,000 in stocks from notable residents. Construction, at a cost of $70,000, began soon after. The company was influential enough to garner city permission to construct a switch that would allow shipping via railroad right out of its backyard—not without some objection over this “bow to the brewers” from temperance factions in the city. The Home Brewing Company began operations early in 1892 and was a huge financial success.[4]
For the local business community, this ambitious and visible project made Gaul a young architect to watch. For the ladies of Indianapolis’s German Catholic community, it would have made him a fetching romantic prospect. And luckily for Gaul, the 1890s were actually a great time to fall in love.
Romance Card, 1912, Greeting Car Collection, Vigo County Historical Society, accessed Indiana Memory.
In previous eras, women’s labor was necessary for a couple’s survival and a man seeking a wife looked for someone who would make an economic contribution to the farm or family business—regardless of his personal feelings for her. On the flip side, a young woman’s family would make a similar financially-minded decision, using her to link two families together to build wealth — regardless of the bride’s feelings for her groom. Of course, financial concerns never disappeared from matchmaking, but by the eighteenth century, love became more central to a match, and romantic marriage became more common.
Nineteenth century conventions placed more emphasis on the husband as breadwinner and wife as homemaker. And while this social construct had some serious political and economic disadvantages for women, it did allow for the consideration of romantic love in choosing one’s spouse. [5] Gaul’s luck at being born in this period and his dedication to his faith soon led to his own romantic match.
When he arrived in Indianapolis in 1891, Gaul knew that he wanted to stay in the home of a respectable German Catholic family as opposed to a hotel or boarding house. He was also eager to find a spiritual home. He looked to St. Mary, the heart of the German Catholic community, located at that time on Maryland Street. Indianapolis German Catholics and regional Catholic leadership had organized this church for German-speaking congregants in the 1850s. In addition to serving the community’s spiritual needs, St. Mary was also the cultural hub for the local German immigrant community, hosting concerts, theatrical performances, and festivals featuring traditional German food and entertainment.[6]
Gaul’s first stop in his new city was the home of Father Anthony Scheideler, pastor at St. Mary since 1874. Father Scheideler knew his congregants well. So when Gaul asked him to recommend a nice family who might take him in as a boarder and who lived near the Home Brewing Company construction site, Scheideler immediately had the right fit: the Seiter family. They were also of German origin and described by Scheideler as “one of the best families in my parish.”[7] Christopher Seiter, the patriarch, owned a saloon, while his wife, Cecelia, took care of the home and their children. In his two months with the Seiters, the young architect fell in love with their daughter, Mary, who was about sixteen years old, seven years younger than Gaul. He was smitten but would have to be patient for several more years. With a smile on his face that the pastor remembered decades later, Gaul told Father Scheideler:
I am going back to Chicago, but I shall return soon. I have found the oldest daughter of Mr. Seiter very interesting.[8]
Father Scheideler was pleased with the match. It’s not clear how often Gaul returned to visit Mary or if they stayed in touch mainly by mail, but he kept his promise to return. On April 22, 1896, Father Scheideler officiated the wedding of Herman Gaul and Mary Seiter at St. Mary Catholic Church.[9]
“Personal and Society,” Indianapolis Journal, April 14, 1896, 3, accessed Hoosier State Chronicles.
On his wedding day, Gaul thanked the pastor for connecting him “to such an estimable family” and told him he would never forget his kindness. He vowed:
If you ever build a new church, Father Scheideler, I will be the architect.[10]
It seemed like the kind of lofty promise a young man would make on an emotional day, and the pastor “laughed and thanked the enthusiastic young architect but gave no further thought to his promise.”[11]
R.W.R. Capes, Sacred Heart Church, n.d., architect: Herman J. Gaul, Building a Nation: Indiana Limestone Photograph Collection, Indiana University Bloomington, accessed Indiana Memory.
Gaul and his new wife moved to Chicago. He opened his own architecture firm and grew his career over the following decade, building a half dozen churches as well as schools, orphanages, and hospitals for German institutions around the Midwest. One major commission, St. Nicholas Church in Evanston, Illinois, stood proudly on an elevated site with “romantic ambience.”[12]
Over the following years, Herman and Mary Gaul welcomed seven children. Unsurprisingly, Mary’s name doesn’t appear in newspapers outside of a real estate transfer (along with Herman’s name). She seems to have been busy taking care of her large family with little time to lead a literary or church club that would have landed her coverage in newspapers. But we can assume their marriage was a happy one, since Gaul still felt inspired by it to fulfill the promise he made in Indianapolis.[13]
Turn Verein Eiche, n.d., American Turners Local Societies Collection, IUPUI Digital Collections, accessed Indiana Memory.
Meanwhile in the Circle City, the German immigrant population continued to grow, as did the congregation of St. Mary Catholic Church. Father Scheideler knew he would soon need a bigger building. In 1906, the pastorate purchased land at the intersection of Vermont and New Jersey as a future investment with “no thought of building immediately entertained.”[14] Nonetheless, local newspapers printed news of the transfer.
Sanborn Insurance Maps of Indianapolis, Vol. 1, 1914, Library of Congress, accessed Historical Information Gatherers via Indiana State Library.
Father Scheideler may have “practically forgot Herman Gaul and his promise to draw the plans for a new St. Mary’s,” but Gaul had not forgotten. When the architect read about the new St. Mary property in the newspaper, he quickly left for Indianapolis. Father Sheideler opened his door and there was Gaul, again wearing that memorable smile. The architect said, “I have come to make good my promise to draw plans for a new St. Mary’s.” Father Sheideler told him that unfortunately they did not yet have the funding to build, but Gaul was undeterred. He replied, “Well, I am going to draw the plans anyhow, true to my word.”[15]
James Palik, Cologne Cathedral, Germany, photograph, n.d., UNESCO World Heritage Centre, accessed https://whc.unesco.org/en/list/292/.
The two men spent hours chatting and catching up and soon discovered that they were both born near the Cathedral of Cologne in Germany. Gaul shared that he had dreamed of building a church like it since he was a boy—a building that would “bear the stamp of its beauty.” Father Sheideler doubted that such a feat was possible but the architect said simply, “Well, we shall try.”[16]
Several months later the driver of an express wagon arrived at the pastor’s door bearing a large package: Gaul’s plan for “a miniature cathedral of Cologne” in Indianapolis. Father Scheideler shared the plans with leading St. Mary congregants and “Herman Gaul’s dream for a new St. Mary’s spread through the parish.”[17]
Indianapolis News, September 9, 1912, 11, accessed Newspapers.com.
In spring 1910, clergy and parishioners, assisted by hundreds of Catholic school children, broke ground on a new location for St. Mary’s at Vermont and New Jersey Streets.[18] That fall, the congregation laid the cornerstone.[19] By July 1912, the new building was complete. The Indianapolis News ran a feature on its architecture with the headline: “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge to Plan for the St. Mary’s Parish a Miniature Cathedral of Cologne.”[20]
Indianapolis News, July 6, 1912, accessed Newspapers.com.
While we don’t have a record of Herman’s love for his wife Mary in letters or diaries, we see their love reflected in his tribute to her and to his faith. Recorded for posterity in the architecture of St. Mary is one German immigrant’s joy at finding a partner to share his Catholic faith and German traditions, and with whom he built a family and home in addition to a church. And he owed it all to one savvy matchmaker, Father Scheideler, who just might have known what he was doing from the start.
Notes
[1] Passport Application, September 7, 1893, No. 4331, Roll 410, National Archives and Records Administration, accessed AncestryLibrary.com; Twelfth Census of the United States, June 14, 1900, Chicago Ward 14, Cook County, Illinois, roll 262, page 13, National Archives and Records Administration, accessed AncestryLibrary.com. On his passport application, Gaul declared he immigrated to the U.S. in 1886.
[2] Edward R. Kantowicz, “To Build the Catholic City,” Chicago History 14, No. 3 (Fall 1985): 14, accessed Chicago History Museum.
[3] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge to Plan for the St. Mary’s Parish A Miniature Cathedral of Cologne,” Indianapolis News, July 6, 1912, 13, accessed Newspapers.com.
[4] “Articles of Incorporation,” Indianapolis Journal, June 23, 1891, 8, accessed Hoosier State Chronicles; “Minor City Matters,” Indianapolis Journal, August 26, 1891, 6, accessed Hoosier State Chronicles; “Bow to the Brewers,” Indianapolis Journal, November 3, 1891, 8, accessed Hoosier State Chronicles; “Industrial Notes,” Indianapolis Journal, January 4, 1892, 6, accessed Hoosier State Chronicles.
[5] “The History of Romance,” February 13, 2017, National Women’s History Museum, accessed https://www.womenshistory.org/articles/history-romance.
[6] “Religious Ceremony,” Indianapolis State Sentinel, August 26, 1857, 3, accessed Hoosier State Chronicles; “Laying of the Corner Stone of the German Catholic Church,” Indianapolis Daily Sentinel, September 1, 1857, 3, accessed Hoosier State Chronicles; No title, Indianapolis Daily Sentinel, May 14, 1858, 3, accessed Hoosier State Chronicles; “The German Catholic Church, Maryland,” Daily State Sentinel, August 13, 1858, 3, accessed Hoosier State Chronicles; McEvoy’s Indianapolis City Directory and Business Mirror (Indianapolis: H. N. McEvoy Publisher, 1858), 219, accessed IUPUI Library Digital Collections; “Dedication,” Daily State Sentinel, September 12, 1859, 3, accessed Hoosier State Chronicles.
[7] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.
[8] Ibid.
[9] “Personal and Society,” Indianapolis Journal, April 14, 1896, 3, accessed Hoosier State Chronicles.
[10] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.
[11] Ibid.
[12] Kantowicz, 14.
[13] Conclusion gleaned from searching census records and Chicago newspapers.
[14] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.
[15-17] Ibid.
[18] “Church Ground Broken,” Indianapolis Star, May 2, 1910, 3, accessed Newspapers.com.
[19] “Lays Cornerstone of New St. Mary’s,” Indianapolis Star, October 24, 1910, 12, accessed Newspapers.com.
[20] “After Twenty Years Herman Gaul Makes Good His Wedding Day Pledge,” 13.
Andrew Foster, Crispus Attucks High School, January 1, 1938, Indianapolis-Marion County Public Library, accessed digitalindy.org.
“Someone once suggested that the black man pull himself up by his bootstraps.”
“The black man agreed that it was a good idea, but he wasn’t exactly sure of how to go about it. First of all, he had no boots, and secondly, he considered himself lucky to be wearing shoes.”
Andrew “Bo” Foster perhaps related to the figurative Black man described by Skip Hess in his 1968 Indianapolis News article.[1] Foster’s adolescence was marked by hardship and instability. Despite this, he became a prominent entrepreneur and civic leader in Indianapolis. Not only did he manage to procure “boots,” but went on to ensure that others in the community had a pair. In doing so, he created opportunities for socioeconomic advancement.
According to his grandson, Charles Foster Jolivette, Foster was born along an alley near Riley Towers in 1919.[2] His father, Edward, died when Foster was a young child. For reasons that are unclear, he was not raised primarily by his mother, Eva. When not staying with father figure William W. Hyde, a local Black attorney, he spent his childhood in the Indianapolis Asylum for Friendless Colored Children, which had a history of corporal punishment and unsanitary conditions.[3] Nevertheless, Foster kept up with his education, graduating from Crispus Attucks High School in 1938.[4]
Foster during World War II, courtesy of the Foster family.
The Indianapolis News reported that after graduation he “hauled scrap iron on a tonnage basis.”[5] Shortly before the bombing of Pearl Harbor, Foster was sent to Camp Wolters, an infantry replacement training center in Texas.[6] By 1943, he had graduated as a second lieutenant from officer candidate school at Camp Hood and went on to serve on a tank destroyer unit.
After Foster’s service, he established a lucrative Indianapolis trucking company, enabling him to open and manage several businesses that served Black patrons in the segregated city.[7] His work ethic was second to none, as he worked most holidays, and reportedly said “You must be willing to work 26 hours a day if you want to be in business.”[8] Reflecting on his prolific career in 1983, Foster told the Indianapolis Recorder that he had no formal training, “just high school, the Army and common sense. I came out of the Army and started hauling trash. I saw a need for a black hotel, then added a motel three years later in order to survive.”[9]
Postcard, Evan Finch Collection, accessed Indiana Album.
By 1949, he opened Foster Hotel and the Guest House at North Illinois Street.[10] Both were listed in The Negro Travelers’ Green Book, which published the names of safe, welcoming businesses and accommodations across the country.[11] At a time when Black Americans were turned away from hotels, Foster’s were one of the only in Indianapolis to serve them. In addition to Foster Hotel and Guest House, he opened the Manor House, Motor Lodge, Carrollton Hotel, and private rooming houses.[12] These businesses accommodated tourists, “permanent guests,” and famed customers, such as Muhammad Ali, LaWanda Page, Lionel Hampton, Nat King Cole, and Redd Foxx.[13] Unless these celebrities had friends or family in the city, they all stayed at a Foster establishment.
Patrons praised the facilities for their cleanliness, modern features, and hospitable staff. Foster opted against “frills” because “Negroes travel on a pretty tight budget” and he chose not to build a pool because of the liability insurance fees.[14] The Recorder attributed his “steady rise in the scale of fortune” to his “integrity, foresight, business acumen and high sense of fair play in his dealing with others.”[15] His bachelor pad reflected this burgeoning fortune. According to a 1954 Jet magazine profile, it was outfitted with “walls of black glass, a full-mirrored ceiling, monogrammed glass-enclosed tub and shower, and double lavatories in pink. The floor is pink and black marble and Foster had a lifelike nude painted on one wall.”[16]
Women dancing at Pearl’s Lounge, courtesy of the Foster family.
In addition to financial success, Foster founded his businesses to meet the need for a communal space in which to socialize, politically organize, and host civic and philanthropic events. According to the Recorder, Foster “saw blacks holding meetings at white-owned establishments ‘where they couldn’t always speak their peace’” and sought to provide a venue where they could.[17] Pearl’s Lounge, opened by 1970, did just that. Named for his wife, whom he married in 1962, the cocktail lounge at 118 West McLean Place (adjoining Foster Hotel). Foster later told the Recorder, “‘Many a black group has gotten its start here.”[18]
The Recorder considered the new addition “just about the most beautiful eating and drinking emporium in the Hoosier capital,” praising its “dim lighted lovers’ rooms of oriental design” and “beautiful mahogany bar with electronic stereo component for continuous music.” In a word, Pearl’s was “fantabulous.”[19]
Voting drive outside of Pearl’s, courtesy of the Foster family.
Pearl’s banquet hall and ballroom facilitated numerous events. These included a fashion show, voter registration program, and IU alumni meeting regarding how to best serve Black students. Pearl’s also hosted numerous NAACP events, including a businessmen’s luncheon, at which executive director Roy Wilkins spoke in favor of busing as a means to educational equality.[20] Pearl’s also served as a venue for furthering race relations. For example, the Recorder reported in 1975, “In their first major attempt to acquaint the owners, coaches and players with the black community, the Indiana Pacers will host a reception and a buffet dinner” at the lounge.[21]
Robert Briggs (far left), Huerta Tribble (fourth from left), Richard Lugar (fifth from the left), Andrew Foster (sixth from the left, Indianapolis Recorder Collection, Indiana Historical Society, accessed https://images.indianahistory.org/digital/collection/p0303/id/409/rec/3.
Pearl’s lounge hosted numerous political campaign events and debates—including those of Mayor William Hudnut, Judge Rufus C. Kuykendall, Senator Julia Carson, and Senator Richard Lugar.[22] It accommodated events for groups across the political spectrum, including Indiana Black Republican Council meetings and a Socialist Workers Party rally.[23]
Indianapolis Star, February 17, 1970, 26, accessed Newspapers.com.
Foster not only uplifted the community through his businesses, but also as president of the Indianapolis chapter of the National Business League (NBL) in the 1960s and 70s. Through the NBL—described as the “chamber of commerce of Negro enterprise” and a “type of professional group therapy”—Foster mentored Black business owners.[24] He helped them obtain grants and matched minority-owned businesses with “established corporate buyers.” Under Foster’s leadership, the NBL worked with the Southern Christian Leadership Conference’s Operation Breadbasket to provide entrepreneurs with seminars about topics like accounting trends and business law.
Of this work, Foster said “We’re living in a new day and working with a new Negro who is more professionally and economically mature . . . Negro businessmen today realize that they can not stand a chance individually. They must unite and mobilize their resources for a stronger voice and larger economic base.”[25] He also worked to increase capital for minorities by co-founding the Midwest National Bank in 1972. The bank publicly objected to redlining practices, issued “inner-city” loans, and appointed women to several leadership positions.[26]
Despite cultivating a small empire and a reputation as a civic-minded leader, Foster’s proverbial boots were nearly confiscated. In 1974, he was arrested for allegedly operating an interstate heroin ring.[27] His arrest followed a “‘super secret'” investigation conducted by the FDA and Indianapolis Police Department narcotic squad, which purported that he violated the Indiana Controlled Substances Act. The following year, the Indianapolis Star reported that a Marion County grand jury exonerated Foster, claiming in an eight-page report that his arrest was “‘politically motivated.'”[28] The report concluded that he was arrested because two informants were promised leniency in other cases against them if they would implicate Foster. Jurors opined, “‘We believe Andrew Foster has personally suffered a great deal as a result of these indictments.'”
Foster elaborated on this suffering. He told the Indianapolis Star that his wife was afraid to stay at home, fearing that the allegations would induce individuals in the drug trade to “‘kidnap one of our children or break into our home to rob us.'”[29] Another ramification of the indictment was Foster’s resignation from the board of the Midwest National Bank. He told the Star, “‘I was a successful black businessman and the younger blacks could look up to me and see a model for success,'” but after the arrest and prosecutors’ statements “some of the younger blacks felt I was discredited.'”[30] In his pursuit of accountability, Foster filed suit against Marion County Prosecutor Noble Pearcy and Chief Trial Deputy Leroy New for defamation.[31] Over the course of years and various appeals, the state ruled against Foster, concluding that “‘the prosecutor and his assistant were immune from being sued for anything they said in their official capacity.'”[32] The U.S. Supreme Court sided with the state.
Broadcasters Hall of Famer Amos Brown (right) celebrating “Bo Foster’s Day” with Bo (seated) in 1982, courtesy of the Foster family.
The arrest ultimately failed to tarnish his reputation, which he went to various length to defend, including voluntarily taking a lie detector test.[33] He certainly felt a sense of gratification when hundreds gathered to celebrate “Bo Foster Day” on August 24, 1982.[34] At the event, the Marion County Sherriff’s Department presented him with a plaque, and Joe Slash, the city’s first Black deputy mayor, presented him with a letter from Mayor William Hudnut. Foster was also bestowed with the prestigious Sagamore of the Wabash, which Governor Robert Orr awarded in recognition of his civic contributions.[35] The Indianapolis Recorderprofiled the event and predicted “In the years to come the children and grandchildren of Mr. and Mrs. Foster will remember him as a man who contributed endlessly to the well being of the Hoosier state and of his admiring contemporaries . . . a man who lived the American Dream.”[36]
Foster’s relatives at the 2023 historical marker dedication, former site of Foster Motor Lodge and Pearl’s Lounge, photo taken by author.
Andrew “Bo” Foster passed away in 1987, having increased capital and equity for Indianapolis’s Black community.[37] In the 1990s, Foster Motor Lodge and adjoining Pearl’s Lounge were demolished.[38] Fittingly, the site was replaced with the Hamilton Center, a non-profit mental health organization. This would be the location of a historical marker installed in 2023 to commemorate Foster. His family shares his sense of stewardship. His grandson, Charles, applied for the marker and manages a robust Instagram account documenting Foster’s life to ensure his legacy endures.
The marker dedication was a joyous occasion, one that resembled a family reunion. Relatives flew from across the country to commemorate the patriarch and learn about the Indianapolis of his time. Also in attendance was Joe Slash, who was effusive in his praise of Foster and his enduring impact. He and family members passed around a microphone, sharing memories and anecdotes that affirmed the Recorder‘s prediction.
Notes:
[1] Skip Hess, “No ‘Bootstraps,’ So NBL Evolves,” Indianapolis News, June 27, 1968, 56, accessed Newspapers.com.
[2] Andrew Foster Legacy Inc. Instagram account, managed by Charles Foster Jolivette. The account includes several primary sources, including newspaper clippings and images.
[3] Robert Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, August 26, 1969, 24, accessed Newspapers.com; “Success Hasn’t Spoiled Bo,” Indianapolis Recorder, January 22, 1983, 1, accessed Hoosier State Chronicles.
[4] Photograph, Andrew Foster, January 1, 1938, Crispus Attucks High School Collection, accessed Indianapolis Public Library Digital Collections; Photograph, Crispus Attucks Alumni, December 9, 1983, accessed Indiana Historical Society Digital Image Collections.
[5] Robert Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, August 26, 1969, 24, accessed Newspapers.com.
[6] “Andrew Daniel Foster,” U.S. World War II Draft Cards, Young Men, 1940-1947, Registration Date: October 16, 1940, accessed Ancestry Library; “Service Roll: Inductions and Enlistments into U. S. Forces,” Indianapolis News, October 21, 1941, 8, accessed Newspapers.com; Indianapolis Star, March 2, 1943, 22, accessed Newspapers.com; Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, 24.
[7] The Saint, “The Avenoo,” Indianapolis Recorder, April 27, 1957, 12, accessed Hoosier State Chronicles; Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, 24; “Andrew D. Foster, Owned Motor Lodge,” Indianapolis News, June 25, 1987, 39, accessed Newspapers.com; “The ‘New’ Pearl’s Management is Sponsoring Andrew ‘Bo’ Foster Memorial/Appreciation Day May 28,” Indianapolis Recorder, May 21, 1988, 3, accessed Hoosier State Chronicles.
[8] “Andrew Foster,” 1950 United States Federal Census, accessed Ancestry Library; George Vecsey, “For Many, It was Just Another Weekend,” New York Times, February 15, 1971, 13, accessed timesmachine.nytimes.com; Andrew Foster Legacy Inc. Instagram account.
[9] “Success Hasn’t Spoiled Bo,” Indianapolis Recorder, 1.
[10] Indianapolis Recorder, February 5, 1949, 7, accessed Hoosier State Chronicles; “’House of Strangers’ at Walker Sunday,” Indianapolis Recorder, October 8, 1949, 12, accessed Hoosier State Chronicles.
[11] “Indianapolis,” The Negro Travelers’ Green Book: The Guide to Travel and Vacations (1955 Edition): 20, accessed New York Public Library Digital Collections; “Indianapolis,” Travelers’ Greek Book (New York City: Victor H. Green & Co., 1966-1967): 24, accessed New York Public Library Digital Collections; Alexandria Burris, “How the ‘Great Book’ Helped Black Motorists Travel across Indiana,” IndyStar, February 16, 2022, accessed indystar.com. (Foster Hotel and Guest House were printed in issues from 1955 to 1977).
[12] “Foster Opens Hotel in Downtown Section,” Indianapolis Recorder, January 22, 1955, 2, accessed Newspapers.com; Indianapolis Recorder, August 13, 1955, 7, accessed Hoosier State Chronicles; The Saint, “The Avenoo,” Indianapolis Recorder, April 27, 1957, 12, accessed Hoosier State Chronicles; The Saint, “The Avenoo,” Indianapolis Recorder, June 29, 1963, 12, accessed Hoosier State Chronicles; Ad, Indianapolis Recorder, July 8, 1967, 6, accessed Hoosier State Chronicles.
[13] Ad, “Welcome Permanent Guest,” Indianapolis Recorder, February 6, 1954, 2, accessed Hoosier State Chronicles; The Saint, “The Avenoo,” Indianapolis Recorder, September 24, 1966, 10, accessed Hoosier State Chronicles; Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, 24; “Success Hasn’t Spoiled Bo,” Indianapolis Recorder, January 22, 1983, 1, accessed Hoosier State Chronicles.
[14] Robert Corya, “Dust Nothing New to Andrew Foster,” Indianapolis News, August 26, 1969, 24, accessed Newspapers.com.
[15] “Foster Opens Hotel in Downtown Section,” Indianapolis Recorder, January 22, 1955, 2, accessed Hoosier State Chronicles.
[16] Jet (November 11, 19540): 46, submitted by marker applicant.
[17] “Marriage Licenses,” Indianapolis Star, May 1, 1962, 30, accessed Newspapers.com; Ad, “Pearl’s Cocktail Lounge,” Indianapolis Recorder, May 9, 1970, 11, accessed Hoosier State Chronicles; “Success Hasn’t Spoiled Bo,” Indianapolis Recorder, 1; “The ‘New’ Pearl’s Management is Sponsoring Andrew ‘Bo’ Foster Memorial/Appreciation Day May 28,” Indianapolis Recorder, May 21, 1988, 3, accessed Hoosier State Chronicles.
[18] “Success Hasn’t Spoiled Bo,” Indianapolis Recorder, 1.
[19] Indianapolis Recorder, October 17, 1970, submitted by marker applicant.
[20] Renee Ferguson, “NAACP Leader Denounces Bills Prohibiting Busing,” Indianapolis News, February 23, 1972, 10, accessed Newspapers.com; “Women’s Luncheon Every Monday at Pearl’s Lounge,” Indianapolis Recorder, August 17, 1974, 5, accessed Hoosier State Chronicles; Indianapolis Recorder, October 9, 1976, accessed Hoosier State Chronicles; “Let’s Go: Leisure Time Calendar,” Indianapolis Star, February 27, 1983, 83, accessed Newspapers.com; “Special Notices,” Indianapolis News, October 26, 1984, 33, accessed Newspapers.com.
[21] “Pacers Get-Acquainted Buffet at Pearl’s Nov. 3,” Indianapolis Recorder, October 25, 1975, 4, accessed Hoosier State Chronicles.
[22] “Black Republicans Enjoy Reception,” Indianapolis Recorder, January 2, 1971, 4, accessed Newspapers.com; “One Man in Life,” Indianapolis Recorder, October 6, 1973, 15, accessed Hoosier State Chronicles; “Group Raises $67,075 for Lugar Campaign,” Indianapolis News, March 13, 1974, 20, accessed Newspapers.com; “Hudnut, GOP Mayoral Candidate, Plans Active Recruitment Program for Blacks,” Indianapolis Recorder, October 4, 1975, 1, 17, accessed Hoosier State Chronicles; “Black Republicans Cite Kuykendall, Ms. Holland,” Indianapolis Recorder, February 28, 1976, 2, accessed Hoosier State Chronicles; “C. Delores Tucker Arranges Series of Weekend Talks,” Indianapolis Star, October 10, 1976, 86, accessed Newspapers.com; William J. Sedivy, “Socialist Workers Vice Presidential Candidate in City,” Indianapolis Star, September 15, 1984, 22, accessed Newspapers.com.
[23] “Black Republicans Enjoy Reception,” Indianapolis Recorder, January 2, 1971, 4, accessed Newspapers.com; Sedivy, “Socialist Workers Vice Presidential Candidate in City,” Indianapolis Star, 22, accessed Newspapers.com.
[24] Pat W. Stewart, “Operation Breadbasket Ministers Outline Broad Program for Action in the City,” Indianapolis Recorder, December 30, 1967, 1, 14, accessed Hoosier State Chronicles; John H. Lyst, “Negro Firms to Get Push,” Indianapolis Star, May 2, 1968, 73, accessed Newspapers.com; L. J. Banks, “NBL Ready to Aid Negro Businessmen,” Indianapolis News, December 4, 1968, 78, accessed Newspapers.com; “Opportunity Fair to Aid Minorities,” Indianapolis News, July 29, 1970, 25, accessed Newspapers.com.
[25] Banks, “NBL Ready to Aid Negro Businessmen,” Indianapolis News, 78.
[26] Robert Corya, “80,000 Shares OK’d for Newest City Bank,” Indianapolis News, April 20, 1971, 5, accessed Newspapers.com; “New Midwest National Bank Gets Approval to Sell Common Stock,” Indianapolis Recorder, April 24, 1971, 1, accessed Hoosier State Chronicles; “The Best Kept Secret in Town: Midwest National Bank,” Indianapolis Recorder, November 28, 1981, 22, accessed Hoosier State Chronicles.
[27] “Health Board Member Among 7 Arrested on Drug Indictments,” Indianapolis Star, September 7, 1974, 6, accessed Newspapers.com.
[28] Joseph Gelarden, “Jury Calls Indictment ‘Politics,'” Indianapolis Star, May 24, 1975, 1, accessed Newspapers.com.
[29] Ibid.
[30] Ibid.
[31] “Judge is Ordered to Consider Suit,” The Herald [Jasper, MI], June 21, 1978, 18, accessed Newspapers.com.
[32] “From Libel Suit: Court,” The Times [Munster, IN], April 4, 1979, 9, accessed Newspapers.com; “High Court Denies Hoosier’s Appeal,” Daily Reporter [Greenfield, IN], April 15, 1980, 1, accessed Newspapers.com.
[34] “Bo Foster’s Day,” Indianapolis Recorder, September 4, 1982, 1, 8, accessed Hoosier State Chronicles.
[35] William “Skinny” Alexander, “Time for Talk,” Indianapolis Recorder, September 4, 1982, 2, accessed Hoosier State Chronicles.
[36] “Bo Foster’s Day,” Indianapolis Recorder, 1, 8.
[37] “Andrew Daniel Foster, Sr.,” Indiana State Board of Health Medical Certificate of Death, June 23, 1987, Indiana, U.S., Death Certificates, 1899-2011, accessed Ancestry Library; “Andrew D. Foster, Owned Motor Lodge,” Indianapolis News, June 25, 1987, 39, accessed Newspapers.
[38] Mary Francis, “McLean Place was Truly Foster’s Place, and Now It’s Official,” Indianapolis Star, November 16, 1994, 2, accessed Newspapers.com; Howard M. Smulevitz, “New Mental Health Center will Stand on Site of Historic Lounge and Lodge,” Indianapolis Star, September 7, 1996, 16, accessed Newspapers.com.
United States Public Health Service leaflet, n.d., in Randi Richardson, “A Month in the Year of a Flu Epidemic in Monroe County,” October 7, 2019, accessed Monroe County History Center.
As many Hoosiers begin scheduling their vaccines, one cannot help but consider the similarities between the COVID-19 pandemic and the 1918 influenza outbreak, which spread through the state barely more than 100 years ago. The 1918 pandemic was initially confined to soldiers in Indiana bunking together in close quarters as they received training and prepared for deployment during World War I. The flu quickly spread beyond those confines and, in a turn of events eerily similar to the COVID-19 pandemic, touched almost every aspect of Hoosier lives. At the beginning of both pandemics, what was once thought to be only a minor respiratory infection quickly spiraled out of the control of even the most dedicated public health officials.
U.S. Surgeon General, Rupert Blue, n.d., in Sarah Richardson, “How Surgeon General Rupert Blue Became America’s Heroic Microbe Hunter,” accessed history.net.
On September 19, 1918, Surgeon General Rupert Blue from the United States Public Health Service requested a report on the prevalence of influenza in Indiana.[1] Two weeks later, on October 8, known civilian and military cases within Indianapolis had already exceeded 2,000. The rapid spread of influenza prompted closures of public spaces while factories stayed open to support the war effort. Local pharmaceutical business Eli Lilly & Company also remained open, with approximately 100 employees working tirelessly, if ultimately unsuccessfully, to produce an influenza vaccine to help combat the infection and prevent its spread.[2] To meet the staffing demands needed to continue production, the U.S. Employment Service published various advertisements to recruit women who could assist with the preparation and packaging of the influenza vaccine, as well as other medicinal products produced by the company.[3]
In late 1919, Eli Lilly & Company began production of a saline vaccine that was purported to treat both influenza and pneumonia. This combination vaccine was initially created by Dr. Edward C. Rosenow from the Mayo Foundation in 1918, and he put it to use extensively that year. The formula created by Dr. Rosenow was considered a “mixed, polyvalent” vaccine because it combined various types of pneumococci, streptococci, staphylococci, and influenza bacilli, all of which had been isolated from individuals with cases of influenza as well as associated complications.[4] Drawing from Rosenow’s success in combining various bacterial strains, Eli Lilly produced their vaccine using his same methods and formula. The company hoped to create an unlimited supply for distribution to the public as prophylaxis prior to each successive year’s flu epidemic.[5]
Advertisement from the Women’s Division, U.S. Employment Service calling for women to apply for positions at Eli Lilly & Co. to assist with preparing and packaging of medical supplies, October 20, 1918, accessed Proquest.com.
Unfortunately, the World Health Organization concluded that Dr. Rosenow, researchers at Eli Lilly, and countless others across the United States and Europe were targeting the wrong pathogens. At the time of the pandemic, influenza was believed to result from a bacterial pathogen. It was not until 1933, when researchers at London’s National Institute for Medical Research isolated the influenza virus, that scientists realized why earlier attempts to develop an influenza vaccine had failed.[6] With the identification of the causative virus and U.S. Army soldiers participating in the clinical testing, the first influenza vaccine was developed at the University of Michigan by Thomas Francis and Jonas Salk and was licensed for public use in 1945.[7]
Despite the lack of a vaccine, city-wide closures kept cases within Indianapolis low. Red Cross volunteer nurses were able to be sent elsewhere in the state to assist other communities. When minor surges of influenza recurred, Indianapolis Board of Health Secretary Dr. Herman G. Morgan advocated for masking mandates and for individuals with symptoms of colds or influenza to be barred from public transportation and public spaces. He argued that mask requirements would “permit the business and social activities to continue with as little hindrance as possible.”[8]
Temporary hospital in Terre Haute during the flu outbreak, 1918, in Dawn Mitchell, “Here’s how Indianapolis escaped the 1918 flu with one of the lowest death rates,” last updated January 9, 2019, accessed IndyStar.com.
As with the COVID-19 pandemic, Dr. Morgan was forced to issue a statement explaining that while he understood the masks were restrictive and bothersome, which led to much of the public outcry against them, they allowed the city to maintain as close to normal operations as possible without requiring significant closures as had been ordered months earlier. As cases decreased dramatically following these orders, the mask mandate was rescinded after only a month, and businesses were able to reopen to the public. However, the Board of Health recommended “that every care and precaution should be taken by individuals to protect their health, as the danger of infection is by no means passed.”[9]
Fort Wayne Sentinel, December 7, 1918, 7, in April Ludwig, Jessica Brabble, and E. Thomas Ewing, “Flu Masks in Indiana During the 1918 Epidemic,” accessed Social Science Research Council.
Although the Centers for Disease Control and Prevention reported that approximately 50 million people worldwide and 675,000 people in the United States died due to the 1918 influenza pandemic, Indianapolis reported one of the lowest death rates in the nation, with only 290 per 100,000 people.[10] Indiana reported 3,266 total deaths, primarily among people 20 to 40 years of age, which is unusual compared to modern influenza mortality, with the highest mortality rates among young children and the elderly.[11] It is argued that such success was due to the coordinated efforts of city officials, who presented a united front for controlling the disease and explaining their positions clearly and persuasively to the public, even in the face of challenges from local business owners.
Perhaps the most remarkable aspect of Indianapolis’s fight against the flu pandemic was the relative lack of knowledge regarding appropriate treatments for the condition. While in 2023, vaccines, antivirals against influenza, and antibiotics to treat opportunistic bacterial infections are standard practice, individuals during the 1918 influenza pandemic sought help wherever it could be found, whether from a physician, homeopath, naturopath, practitioners of traditional medicine, or others.[12]
In the early 1900s, there was far less distinction between traditional practices and medical science, and the most significant concern was to prevent or treat the illness by drawing on known characteristics of components used in formulations to treat other conditions. However, these treatments, such as mercury, arsenic, and strychnine, were not always safe or effective and often bordered on dangerous or even fatal. Medical professionals today advise a very different course of action, arguing that simple hydration, supportive care, and staying in quarantine are the best remedies against the infecting influenza virus and preventing its spread to others.
Newspaper article from 1918 reporting shortages of Vick’s VapoRub due to high demand for its reported efficacy in treating influenza, in Scott Woodsmall, “Lessons learned from the Spanish Flu,” accessed republictimes.net.
Although Surgeon General Blue mentioned some successes in other countries regarding the use of “salts of quinine and aspirin” to treat acute attacks, he and Dr. Morgan encouraged individuals to follow “ordinary rules of good health” and cover their noses and mouths when coughing or sneezing rather than making any recommendation in favor of a specific medication or pharmaceutical remedy.[13] He, along with Dr. John Hurty, Secretary of the Indiana State Board of Health, also warned against alleged manufactured or homemade “cures” for the disease, recommending that individuals be aware of potential scams and instead focus efforts on avoiding people exhibiting signs or symptoms of infection.[14]
One “treatment” that gained popularity in Indiana during the 1918 influenza pandemic was Wilson’s Solution or “Anti-Flu,” developed as a preventative treatment for the Spanish Influenza. This product was developed by Robert C. Wilson, a college professor and head of the department of pharmacy at a southern university in Georgia. Consumers were encouraged to use a couple of drops of Wilson’s Solution on a handkerchief, which could then be carried with them and inhaled “when entering crowds or public places.”[15] It was believed that the antiseptic properties of the Solution’s vapors would kill the influenza germs in the nose and throat. Wilson’s Solution was sold by local drug stores in Indiana and distributed by Kiefer-Stewart, a wholesale drug firm in Indiana. Local druggists reported that this drug was difficult to keep on shelves due to high demand. Although the exact components of the Wilson’s Solution are unknown, Wilson’s Solution still in use today as a sinus rinse to treat sinusitis and chronic rhinosinusitis.[16] Regardless of what the product contained, it was marketed only as a preventative therapy and not as a cure for influenza. Consumers who contracted the flu were advised to contact their doctor immediately.
Influenza circular from the Indiana State Board of Health, n.d., in Dawn Mitchell, “Here’s how Indianapolis escaped the 1918 Spanish flu with one of the lowest death rates,” last updated January 9, 2019, accessed IndyStar.com.
One such treatment that has gained attention for its potential role in increasing mortality during the 1918 influenza pandemic is one that many Americans today regularly take for its cardiovascular benefits – the seemingly benign aspirin. As a licensed pharmacist, I was trained in school about the concerns associated with administering aspirin to children for whom there is a suspicion of a viral illness, such as chicken pox or influenza, due to a risk of Reye syndrome. This can initially manifest as personality changes or recurrent vomiting before progressing to coma or death with associated brain swelling and fat accumulation in the liver. For adults, toxicity usually presents as abnormal consciousness and respiratory distress.
Recommendations for limiting dosing and frequency of aspirin were lacking in 1918, which likely contributed to otherwise healthy young adults succumbing to influenza.[17] Given the lack of sophisticated medical knowledge at the time to distinguish drug toxicities from general illness, it is therefore unsurprising that aspirin overdose was not linked to influenza as a contributing factor in the deaths of individuals in Western countries.
Daily Tribune (Terre Haute), October 11, 1918, 7, in April Ludwig, Jessica Brabble, and E. Thomas Ewing, “Flu Masks in Indiana during the 1918 epidemic,” accessed Social Science Research Council.
As medical science advances, new knowledge of diseases and safe and effective treatments emerge. The hope is that medical professionals and the public learn from the past and continue to seek answers to questions that once seemed to have no possible solution. In 2020, Eli Lilly was once again at the forefront of a pandemic, undertaking the “world’s first study of a potential COVID-19 antibody treatment in humans” by early June. The company was also integral in early Covid testing, piloting a drive-through program in Indiana.
While the 1918 flu pandemic will likely never be traced to a definitive cause for why it was one of the deadliest the world had seen until the COVID-19 pandemic, research into factors that contributed to the increased mortality is a promising avenue for building an understanding of how we might approach treatment options in the future.
For a bibliography of sources used in this post, click here.
[11] Housholder, “Flu Pandemic;” Jill Weiss Simins, “War, Plague, and Courage: Spanish Influenza at Fort Benjamin Harrison & Indianapolis,” Untold Indiana, July 11, 2017, accessed https://blog.history.in.gov/tag/spanish-flu/.
[12] Laura Spinney, Pale Rider: The Spanish Flu of 1918 and How It Changed the World (New York: PublicAffairs, 2017).
[13] Celeste H. Jaffe, “The Spanish Influenza Epidemic in Indianapolis in 1918: A Study of Civic and Community Responses,” (Master’s Thesis, Indiana University, 1994), 44.
[16] Ravneet R. Verma and Ravinder Verma, “Sinonasal Irrigation After Endoscopic Sinus Surgery – Past to Present and Future,” Indian Journal of Otolaryngology and Head & Neck Surgery 75, no. 3 (2023): 2694.
