History – Page 2 – The Indiana History Blog

“Underrated” First Lady Caroline Scott Harrison: Advocate for the Arts, Women’s Interests, and Preservation of the White House

Caroline Lavinia Scott Harrison, accessed First Ladies National Library

Susan Swain, host of C-SPAN’s special TV series from 2013-2014 on the lives and influence of the nation’s First Ladies, described Caroline Harrison as “one of the more underrated” First Ladies. Caroline Harrison, wife of Hoosier President Benjamin Harrison, served as First Lady from 1889-1892. Previously cast off as simply a tactful housekeeper, historians now recognize that Caroline did more, including using her influence to advocate for the arts, women’s interests, and the preservation of the White House.

Harrison home in Indianapolis, 1888, accessed Indiana Historical Society Digital Image Collections

On July 4, 1888, Caroline stood next to her husband Benjamin in the parlor of their home on North Delaware Street in Indianapolis surrounded by guests. Caroline had filled the house with patriotic decorations, including red, white, and blue flags and flowers. However, this was not a normal 4^th of July celebration: at the party, Benjamin gave a speech, accepting the Republican nomination for president. For the next four months, their home became the center of Benjamin’s political campaign. Parades marched up and down the street in front of the house Benjamin gave more than 80 speeches on their front porch.

Campaign outside the Harrison Home, 1888. According to the Indiana Historical Society, “Harrison replicated a ball used by his Grandfather, William Henry Harrison during his 1840 Presidential campaign. It was used with the slogan “keep the ball rolling” and rolled some 5,000 miles.” Indiana Historical Society Digital Image Collections

On Election Day, the Harrison family waited anxiously for a telegraph operator set up temporarily in a nearby bay window for election results. The next morning, Caroline and Benjamin discovered they had won. The Harrison family was moving to 1600 Pennsylvania Avenue.

Caroline and Benjamin Harrison, Accessed Indiana Historical Society Digital Image Collection, WH Bass Photo Company Collection

Though the Harrisons had lived in Indianapolis since 1854, the couple’s story began in Ohio. Benjamin had been a student of Caroline’s father at the Farmer’s College in Pleasant Hill, Ohio. Benjamin followed Caroline to Oxford, Ohio. She enrolled in the Oxford Female Institute and he attended Miami University. Soon after they earned degrees, the two got married and moved to Indianapolis.

A young Caroline Harrison, 1860s, accessed Benjamin Harrison Presidential Site

As Benjamin built up his law practice, Caroline became an integral part of Indianapolis’ charity network. Through membership at the Presbyterian Church, Benjamin and Caroline became active in the Indianapolis Benevolent Society, one of the city’s earliest charity organizations. Members were assigned their own district in the city, serving as “donors, fundraisers, friendly visitors and distributors of aid” in their assigned area. During the Civil War, Caroline expanded her efforts, volunteering with various women’s organizations that aided the war effort, like the Ladies Patriotic Association and the Ladies Sanitary Committee. She also started her 30 year long career with the Indianapolis Orphans Asylum, joining the board of managers in 1862. After the war, she became involved with a new charity, the Home for Friendless Women, created to care for an influx of widowed and transient women who flocked to the city after the war. The home operated until 2003, most recently under the name Indianapolis Retirement Home.

Indianapolis Orphans Asylum, ca. 1885, accessed the Indiana Album

Throughout the 1870s, Caroline’s reputation as a capable organizer for charities grew. She sat on the board of many temporary relief funds and charitable events. When Benjamin served as Senator, she added a number of Washington, D.C. charities to her roster, including the Washington City Orphans Asylum and the Ladies Aid Society for Garfield Hospital. An avid painter, she also found time to make pieces to display at early exhibits for the Indianapolis Art Association, which pioneered formal art education in Indiana and influenced the development of fine arts in the state.

Caroline Harrison in her inauguration dress, 1889, accessed Benjamin Harrison Presidential Site

When the Harrisons moved to Washington, D.C. for the Presidency, Caroline worked hard to have impact as a First Lady. Though her predecessor, the young and fashionable Frances Cleveland made Harrison look old and dowdy by comparison in the press, Harrison became a more publicly active figure than Cleveland had by advocating for the arts, women’s interests, and the preservation of the White House.

Four generations of Caroline Harrison’s family who lived at the White House, including her father, her daughter, and two grandchildren. Accessed White House Historical Association.

Four generations of relatives moved into the White House when Benjamin took office, which brought the household total up to 12. After the whole family crowded into the White House, Caroline became “concerned over the condition of the house provided for the Chief Executive and his family.” The private spaces for the family amounted to five bedrooms, one bathroom, and a hallway. The rest of the building was reserved for offices and public functions. In addition to the lack of space, the White House had fallen into disrepair. The threadbare carpets, shabby furniture, unwelcome presence of vermin made the White House unsatisfactory to say the least. Caroline reached out to former First Ladies and discovered that previous administrations had struggled with coming up with enough space to entertain and host important foreign leaders and dignitaries. There had been an embarrassing situation during the Buchanan administration where the Prince of Wales and the rest of the royal family could not all be accommodated because of the lack of space.

Some of the Harrison family outside the White House, including Caroline and Benjamin’s son Russell and three grandchildren with their pet goat and dog, ca. 1890. Accessed White House Historical Association.

Caroline began lobbying for congressional funds to refurbish and expand the White House. She gave interviews with journalists and took Senators and Representatives on personal tours of the White House to plead her case. She told reporters,

We are here four years. I do not look beyond that, as many things occur in that time, but I am anxious to see the family of the President provided for properly, and while I am here I hope to get the present building into good condition.

A few Representatives on the Committee on Public Buildings and Grounds had already kicked around the idea of expanding the White House. The building had remained largely unchanged since its completion in 1800 (though it was rebuilt after the War of 1812 after the British set fire to it). These Representatives had voiced a number of plans, including adding another story to the White House or constructing an exact replica of the building across the lawn. Some even wondered if an entirely new mansion for the President should be built. Caroline, however, recognized the historical significance of the mansion and articulated a new plan that would preserve the structure. Architect Frederick D. Owen drew up her ideas, which included adding wings to either side of the White House. The press widely circulated her plans, which Owen even titled “Mrs. Harrison’s Suggestion for the Extension of the Executive Mansion.”

Aerial view of Caroline Harrison’s plans to expand the White House, accessed National Archives and Records Administration

Photo of the White House kitchen, a few years after the renovation in 1893. Accessed White House Historical Association.

Despite Caroline’s lobbying, her bill to provide funding to expand the White House did not pass. Though it went through the Senate, it failed in the House because President Harrison had ignored the Speaker of the House’s choice for collectorship of Portland, Maine. However, she did receive approximately $60,000 in appropriations to redecorate and renovate the interior and add the first electric lighting. Throughout her First Ladyship, Harrison directed painting, installing additional private bathrooms, renovating the kitchen, replacing all the dirty and moldy floors, rebuilding the old conservatory, adding greenhouses, and redecorating many of the public parlors.

During the renovations, Caroline had the entire contents of the White House inventoried. The Cleveland Leader reported,

Even the old bits stored away in the attic are to be listed, for Mrs. Harrison is anxious that pieces which have historic value or connection with presidential families of the past shall be preserved.

Three pieces from the Harrison china set, accessed White House Historical Association

She stopped the old practice of selling off furniture, china, and silver at the end of each president’s administration, not only to save money, but so the historic mansion would maintain pieces from past presidents. Through this process, Harrison laid the foundation for the celebrated White House China Collection. Harrison’s acquaintance, Harriet Foster wrote “she immediately began a valuable collection to be preserved, in cabinets, of the scattered remnants of the china of former Presidents.” She even designed the Harrison china set, which featured corn ears, stocks, and tassels.

Harrison didn’t stop at the White House, but took on additional causes. As First Lady, Harrison advocated the federal government place more emphasis on fine art. She told the Evening Star,

this government has reached that point where it should give more attention to the fine arts—that is, a judicious expenditure for works of merit.

National Art Association Catalogue. Accessed Smithsonian Libraries.

She made sure to include a large gallery of historical paintings in her plans for the White House expansion and supported the addition of paintings to the White House’s fine arts collection, including the first example of a non-portrait piece purchased for the mansion with federal funds. Her plans and actions set precedent for the introduction of a professional curator to care for the White House’s art collection, a position filled during the Kennedy Administration seventy years later. Lastly, in 1892 she became Honorary President of the National Art Association, joining forces with prominent artists like William Merritt Chase and Albert Bierdstadt, to lobby to exempt imported works of art from taxation. The tariff was eventually lifted.

Harrison lent her name to other organizations that promoted women’s interests. She agreed to head a local Washington, D.C. committee of women dedicated to securing women’s admission to the new Johns Hopkins Medical School. Johns Hopkins trustees promised five Baltimore women connected to the institution if they raised $100,000 (later increased to $500,000), the school would accept women on the same terms as male applicants. These women began recruiting prominent women across the nation to raise money in their own locales. According to historian Kathleen Waters Sanders, Caroline’s agreement to help the cause “was important, lending the campaign credibility and national visibility.” Due to women’s work, the medical school opened in 1893 as the first coeducational, graduate-level medical school in the nation.

Announcement for the DAR, The Scranton Republication, October 13, 1890, accessed newspapers.com

Harrison also agreed to become the first President General of a new organization, the Daughters of the American Revolution. The organization formed in 1890 after the Sons of the American Revolution refused to accept female applicants. The DAR’s goals were “the securing and preserving of the historical spots of America and the erection thereon of suitable monuments to perpetuate the memories of the heroic deeds of the men and women who aided the revolution and created constitutional government in America.”

The founders of the organization asked Harrison to lead, hoping her status as First Lady would elevate the DAR, give it credibility, and attract more members. Though she delegated day-to-day operations to other DAR board members, Harrison helped guide the fledgling organization through its early years and helped it become a political force. In 1892, the DAR had grown from a handful to over 1,300 members. Since 1890, the DAR has accepted over 950,000 members and served as an important political lobbying group. It has also restored and maintained numerous historic sites and preserved countless genealogical records and artifacts.

Portrait of Caroline Scott Harrison, Accessed White House Historical Association

Unfortunately, Caroline’s career as First Lady was cut short. She died in the White House from tuberculosis October 25, 1892. Benjamin lost reelection soon after. However, a new historical marker at the Benjamin Harrison house in downtown Indianapolis will honor Caroline Harrison’s achievements, both in Indiana and as First Lady. Please check our website and Facebook page for more information about the marker dedication ceremony, scheduled to take place in October.

National Aspirations, Financial Chicanery and the Ultimate Destiny of the Bee Line Railroad

Leander M. Hubby (Biographical Cyclopedia and Portrait Gallery of the State of Ohio, Vol. 4. Cincinnati: Western Biographical Publishing Company, 1887); First Annual Report Cover, Cleveland, Columbus, Cincinnati and Indianapolis Railway, books.google.com.

On December 5^th 1868, a home gas stove explosion nearly killed and “terribly burned” longtime Cleveland, Columbus and Cincinnati Railroad (CC&C) president, Leander M. Hubby. For more than a decade Hubby had led this regional powerhouse as it solidified its financial grip on the Bee Line component railroads. Along the way, he earned an almost patriarchal reputation among officers and men of the road’s operating corps.

Routes of the Cleveland, Columbus and Cincinnati Railroad , Cleveland, Columbus, Cincinnati and Indianapolis Railway — Routes of the Cleveland, Columbus and Cincinnati Railroad (green; Bee Line), Bellefontaine Railway (red) and Cleveland, Columbus, Cincinnati and Indianapolis Railway (green and red), courtesy of Erin Greb Cartography.

In May 1868 Hubby had assumed the presidency of the successor railroad that, for the first time, combined the Bee Line components roads into a single legal entity: the Cleveland, Columbus, Cincinnati and Indianapolis Railway (CCC&I). Unfortunately, his near-death experience effectively sidelined Hubby until he officially resigned his role in September 1870.

Oscar Townsend (Crisfield Johnson, History of Cuyahoga County, Ohio. D.W. Ensign & Co., 1879.); Hinman B. Hurlbut (J. Fletcher Brennan, ed., Biographical Cyclopedia and Portrait Gallery of the State of Ohio, Vol. 1. Cincinnati: John C. Yorston & Co., 1880.)

Into this leadership vacuum stepped a new duo of recently ensconced Bee Line board members. Oscar Townsend’s board appointment in September 1868 closely followed Hinman B. Hurlbut’s similar election at the formation of the CCC&I that May. Then, following Hubby’s unfortunate accident and subsequent resignation in 1870, the Townsend/Hurlbut duo formally assumed their heretofore-tacit responsibilities as president and vice president. They could not have written a more perfect script.

Hurlbut had joined the Bellefontaine Railway’s board and finance committee at its formation in 1864. His Cleveland-centric banking business included numerous Cleveland Clique clients. Soon he was part of the group. Hurlbut had purchased the charter of Cleveland’s Bank of Commerce in the 1850s and reorganized it as the Second National Bank.

Oscar Townsend began his career with the CC&C as a laborer in 1848. Between 1856 and 1862 he advanced through the ranks of its Cleveland freight office. Townsend shifted to Hurlbut’s Second National Bank in 1862, learning his banking skills at Hurlbut’s knee.

The CC&C’s longstanding general ticket agent S. F. Pierson reported, in an exposé on the demise of the railroad, that Hurlbut had tapped the bank of its financial strength by the time he left it in 1865. While one flattering biographer characterized Hurlbut’s exit as due to “the arduous labors and close application necessitated by these and other financial tasks he had undertaken,” Pierson had a different take.

Samuel F. Pierson (The Biographical Directory of The Railway Officials of America for 1887. Chicago: The Railway Age Publishing Company, 1887: 252)

From Pierson’s perspective, Hurlbut “retired, consequent upon the destruction of more than its [the Second National Bank’s] entire surplus, and some of the securities and private deposits of the Bank. These…had been abstracted, and the money lost in speculation. The cashier had ended his own life in a painfully tragic manner, and Mr. Hurlbut was permitted to retire.”

It was about this time that Oscar Townsend also left the bank and segued to a superintendent’s role overseeing the Western Department of the Empire Transportation Company. Such businesses were immensely profitable and important extensions of the railroads they served in the post-Civil War era. Responsible for developing relationships with key shippers, businesses such as the Empire Line “fast freight” often decided which railroads would transport the huge amounts of freight under their control.

Empire Line “fast freight” boxcar (The Official Railway Equipment Register, Vol 23, No 9, February, 1908. New York: The Railway Equipment and Publication Company, 1908: 50.)

At the same time, nearly all railroad presidents quizzed by an 1867 Ohio Special Legislative Committee confessed they had been offered fast freight line stock “on favorable terms, or as a gratuity.” Enticed railroad directors began to work in concert with the “fast freights” to direct high-value freight traffic over their favored “fast freight”. This left only bulkier and less profitable local freight for the railroads themselves.

Inasmuch as the CCC&I started life in 1868 as a “financiers” railroad, Townsend and Hurlbut fit right in. By the time of Hubby’s retirement in 1870, they took control.

David Kilgore, author’s personal collection.

In the Bee Line’s new form, an old and wily politician to handle the Hoosier “good old boy” network was no longer needed. The long railroad career of David Kilgore came to an end in February 1870. And with his departure went the last vestige of the Hoosier Partisans.

Routes of the Atlantic and Great Western Railway, Erie Railway, Cleveland, Columbus, Cincinnati and Indianapolis Railway, Cincinnati, Hamilton and Dayton Railroad — Routes of the Atlantic and Great Western Railway (blue), Erie Railway (orange; partial), Cleveland, Columbus, Cincinnati and Indianapolis Railway (green; Bee Line), and Cincinnati, Hamilton and Dayton Railroad (purple). Courtesy of Erin Greb Cartography.

Only one significant transregional railroad would be constructed during the Civil War. The amalgam of railroads that became known as The Atlantic and Great Western Railway Company (A&GW) would stand by itself. With huge capital infusions from London and Continental investors, the road opened for business in August 1865 along its entire 388 mile route from Salamanca in Upstate New York to Dayton Ohio.

The first Atlantic and Great Western train arrives in Kent, Ohio, 1863. Courtesy of Kent (Ohio) Historical Society.

Nefarious London rail broker-cum-financier James McHenry had cajoled voracious English and European investors to fund the improbable A&GW project. Exploiting his role as proxy for these complacent capitalists, McHenry seized control of the road Ohioan Marvin Kent had brought to life in the 1850s. And by the early 1870s, he also commandeered the board of the Eastern trunk line intersecting with the A&GW at Salamanca: The Erie Railway. Now, he needed an outlet to St. Louis to complete his domination of railroads extending from New York City to the West.

(L to R): Marvin Kent, courtesy of Allegheny University, Pelletier Library Special Collections, Reynolds Collection; James McHenry, Courtesy of Pelletier Library (Reynolds Collection), Allegheny College, Meadville, PA.; Peter H. Watson (Edward Harold Mott, Between the Ocean and the Lakes: The Story of Erie. New York: John S. Collins, 1901.)

James McHenry’s financial flimflam with A&GW’s European investors always left free cash with which to subsidize his own schemes. He had used some of those funds to insert Peter H. Watson as president of the Erie Railway in 1872. Watson became McHenry’s conduit to Hinman B. Hurlbut and the Bee Line. McHenry would sprinkle a substantial amount of cash on Hurlbut, and their subterfuge to assume control of the CCC&I.

Within weeks of Watson’s elevation to Erie’s presidency, he penned a letter to McHenry:

I opened negotiations with the parties controlling this road [CCC&I], and my success was greater and more rapid than I could have hoped. The result is embraced in the conditional agreement made by you with Mr. Hurlbut.

Hurlbut convinced members of the Cleveland Clique to sell their shares before word of an impending takeover became public. He then conveyed the acquired shares, and others from the Bee Line treasury, to McHenry. As S. F. Pierson noted:

…several members [of the CCC&I board] were …retired from active pursuits, and not disposed to take much trouble in the matter; and of the balance, one portion used the Vice-President [Hurlbut] to further some scheme of their own, and the other hoped he might want to use them.

When the A&GW’s plans for the CCC&I became public in early 1873, members of the Cleveland business establishment and other New York investors were completely flummoxed. After all, the A&GW showed assets of less than $40 million while reporting liabilities of more than $120 million. By comparison, the CCC&I was of robust but declining financial health. S. F. Pierson was stunned, noting, “Vice President [Hurlbut] has unbolted our doors from within.”

John H. Devereux (J. Fletcher Brennan ed., Biographical Cyclopedia and Portrait Gallery of the State of Ohio, Vol. 1. Cincinnati: John C. Yorston & Co., 1880.)

John H. Devereux, soon to become a key player in the final destiny of the Bee Line, painted a more colorful picture. He characterized the possibility as “an attempt to chain a living man to a dead corpse.” Before long, as orchestrated by James McHenry, Devereux would become President of both the Bee Line and the A&GW, and vice president at the Erie – all at the same time!!

McHenry had arranged for Devereux’s CCC&I presidential appointment as soon as the A&GW assumed financial and board control of it in April 1873. Devereux’s installation quelled some of the Bee Line stockholders’ angst, given his upstanding reputation as a railroad executive. But when Ohio’s legislature blocked McHenry’s plan to lease the CCC&I to the anemic A&GW, the Bee Line shareholders’ attitude shifted.

Still seeking to run the A&GW and CCC&I as a single entity in spite of his failed leasing scheme, McHenry orchestrated Devereux’s appointment as general manager at the A&GW. By January 1874 he was bumped up a notch to president – while still heading the rival Bee Line!

The Bee Line shareholders had had enough. In an effort to oust McHenry’s A&GW and Erie board proxies, they orchestrated a massive CCC&I shareholder turnout for the March 1874 annual meeting. The opposition candidate slate included several former Cleveland Clique members, New York investors, and one Hoosier: David Kilgore.

And in an interesting twist, deposed CCC&I president Oscar Townsend headed the opposition – until Hinman Hurlbut brought to light Townsend’s involvement in a freight payola ring. The revelation tipped the balance. The opposition suffered a narrow defeat. There would be no Hoosier Partisan revival.

Longer term, James McHenry’s self-induced financial problems would only mount. His tenuous grip on the A&GW and CCC&I slipped away at the hands of Peter Watson’s 1874 Erie Railway successor: Hugh H. Jewett. Jewett would extricate the Erie from McHenry’s grasp, and push him to near-bankruptcy.

(L): Hugh J. Jewett (Edward Harold Mott, Between the Ocean and the Lakes: The Story of Erie. New York: John S. Collins, 1901.) (R): William H. Vanderbilt (Harper’s Weekly 29, no. 1513 [December 19, 1885].)

John Devereux remained president of both the Bee Line and A&GW (exiting bankruptcy as the New York, Pennsylvania and Ohio Railroad [NYPA&O; Nypano]) until 1881. At that time William H. Vanderbilt, of New York Central Railroad fame, sought control of the Bee Line to assure an entry into Cincinnati and St. Louis. Devereux had taken control of the linchpin to Cincinnati: the Cincinnati, Hamilton and Dayton Railroad. He soon yielded to Vanderbilt’s advances.

By 1889 the Bee Line and the Indianapolis and St. Louis Railroad it controlled (between Indianapolis and St. Louis) would be folded into another Vanderbilt-controlled railroad and emerge as the Big Four route.

Route Map of the Big Four Route (the Cleveland, Cincinnati, Chicago and St. Louis Railway), c1900. Courtesy of the New York Central System Historical Society.

In making this decision Devereux, in his role as president of the NYPA&O, effectively parted ways with a livid Hugh Jewett and the Erie. A week later Devereux resigned. Soon, the Erie would subsume the NYPA&O.

Route Map of the Erie Railroad 1930 — Route Map of the Erie Railroad, c1930.

The die was now cast for the future of the Bee Line as well. Its destiny would lie with Vanderbilt’s New York Central.

It had been a long journey since 1848, when Oliver H. Smith challenged the citizens of east central Indiana to avoid being bypassed by the technological marvel of the age. They would heed his warning by their investment in the Indianapolis and Bellefontaine Railroad – the Bee Line’s Indiana segment.

Smith’s prescient vision proved to be uncannily accurate. It was if he had penned Indiana’s state motto: “the Crossroads of America.” But for the Bee Line, it might never have come to pass.

Interested in the Bee Line?

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Visiting Nurses, Tuberculosis Assailants, and their Ball Family Champions

As the United States exited the Gay Nineties and entered the 20th century, an increased concern for better systems of disease control and education swept the nation. As industry boomed, more and more people crowded into cities, both large and small. With crowds came germs and disease. Soon tuberculosis ranked as the leading cause of death in the country.

In Muncie, Indiana anxiety over bacterial diseases loomed just as large as in major cities like New York and Chicago. To combat these and other public health issues of the time, individuals stepped up to the plate and played vital roles in getting new organizations off the ground.

Fruit jar made by Ball Brothers Manufacturing Company, 1910-1920, courtesy of the Minnetrista Heritage Collection.

By the early 1900s the term “Ball jar” had become a household phrase, and Ball Brothers Manufacturing Company distinguished themselves as the largest producer of canning jars in the world. In addition to the successful business bearing their name, the Ball family also left their mark on Muncie through civic work and philanthropy. During the first decades of the 20^th century two notable women of the Ball family worked to improve public health in their region, and personally invested time and energy into advancing sanitation, hygiene, and medical access.

Bertha Crosley Ball, around 1900 and Sarah Rogers Ball, around 1890 — Bertha Crosley Ball, around 1900 (left) and Sarah Rogers Ball, around 1890 (right), courtesy of the Minnetrista Heritage Collection

Bertha Crosley Ball was the wife of Edmund Burke Ball – the middle son of the Ball brothers. Born in 1875 in Terre Haute, she was the daughter of a well-known Universalist minister and had familial roots stretching back to the American Revolution. Her advantaged upbringing left her wanting for very little in her youth. After graduating high school she began her collegial studies at Vassar College where she received a degree in Social Work in 1898.

Cincinnati Enquirer, September 2, 1903, courtesy of the Minnetrista Heritage Collection

After completing her studies, Bertha moved with her parents to Indianapolis where her father served as state superintendent of the Universalist Church of Indiana. Shortly after, Bertha made a visit to her friend Bessie Ball in Muncie. There, Bertha was introduced to Bessie’s brother-in-law, Edmund. Despite a twenty year age difference the two hit it off right away and in 1903 the couple married. Edmund’s distinction as the wealthiest man in Indiana, led to many headlines stretching from Indianapolis to Muncie, and even into Cincinnati.

Contrasted with Bertha’s advantaged upbringing is that of her sister-in-law, Sarah Rogers Ball. Nearly twenty years older than Bertha, Sarah married Edmund’s older brother, Dr. Lucius Ball in 1893. Born in upstate New York, Sarah was the daughter of immigrants. With six siblings, Sarah’s childhood home grew crowded and did not come with many opportunities. By the age of 16 she had moved into the home of her older sister and brother-in-law. For Sarah this move opened up doors that had been previously closed. Her brother-in-law, himself the son of immigrants, made a name as a ship captain and built up a very profitable shipping fleet. When Sarah began studies at the Buffalo General Hospital School of Nursing in 1885 her sister and brother-in-law likely paid the tuition.

Dr. Lucius and Sarah Rogers Ball in Japan, 1917, courtesy of the Minnetrista Heritage Collection.

While Bertha and Sarah could not be more different on the surface, their interest in public health and service to their community tied them together. In the 1880s the discovery of natural gas created a boom of industry in the Muncie area. This development led to a period of growth and an expanding population that required social amenities and services, such as health care. Over the next few decades small hospitals came and went until Ball Memorial Hospital opened its modern facility in 1929. In the meantime, it became obvious that the industrial town not only needed reliable hospitals, but also advocates for improving the overall public health of the community.

Two such promoters came in the form of Muncie’s Visiting Nurses Association and the Delaware County Tuberculosis Association. Both organizations tackled issues of public health, and felt the influence of Bertha and Sarah Ball.

Formed in 1916, the Visiting Nurses Association existed “for the benefit and assistance of those otherwise unable to secure skilled assistance in times of illness; to promote cleanliness and prevent sickness by the teaching of hygiene, sanitation and the science of domestic management.” To accomplish these feats they provided general nursing, maternity service, child welfare service, nurses training, and a mental hygiene program.

Among those involved with the organization of the association was Sarah. As a former nurse it comes as no surprise that she had an interest in seeing the group established. When living in Buffalo, she had been involved in organizing a local Visiting Nurses Association as well.

Muncie Visiting Nurses Association staff, 1932, courtesy of the Minnetrista Heritage Collection.

While Sarah’s role with the Visiting Nurses was low-profile, Bertha’s involvement was not. At the time of the group’s founding, the organization elected Bertha to serve as second vice president and she continued to actively serve on the board of directors into the mid-1930s; serving as president in the 1920s. Between 1922 and 1932 the association experienced rapid growth. Under Bertha’s leadership nursing staff expanded, the numbers of patients served grew, and community health rapidly improved.

Modern Health Crusade pamphlet. In the mid-1920s, the Delaware County Tuberculosis Association won the state award for the highest percentage of student participants in the program, courtesy of the Minnetrista Heritage Collection

Three years after the founding of the Visiting Nurses, the Delaware County Tuberculosis Association began to develop. With tuberculosis-related deaths on the rise, the group hoped to spread knowledge concerning the disease’s cause and treatment, and to take steps towards preventing its spread. Through lectures, anti-spitting campaigns, advertisements, tuberculin testing of cattle, and instructive visits from nurses, the association tackled its goals head on. Over time their work paid off and by the 1940s tuberculosis-related deaths in the county had almost completely disappeared.

In the association’s first years, Bertha and Sarah again found themselves highly involved. Both women helped incorporate the organization and were also among the first board members. Sarah personally offered up the use of her automobile to the organization, and Bertha regularly gave monetary gifts to the group when they struggled financially.

Bertha Crosley Ball, mid-1930s and Sarah Rogers Ball, around 1917 — Bertha Crosley Ball, mid-1930s (left) and Sarah Rogers Ball, around 1917 (right), courtesy of the Minnetrista Heritage Collection.

A scan of both organizations’ records show Bertha and Sarah’s names regularly mentioned in formative years. Through their labor, a strong foundation was established for both organizations, cooperative relationships developed between the boards, and both associations experienced rapid growth. With backgrounds in social work and nursing, Bertha and Sarah each possessed an understanding of society’s larger public needs and desired to improve the well-being of all people. Through their work, public health efforts in the Muncie area improved, leading to an established concern with human and community health that continues today.

The Long-Suppressed Story of One Woman’s Discoveries & the Man Who Stole Credit for Them

When retired University of Evansville professor Mary Ellingson passed away in 1993, people remembered her as a much-beloved teacher, a mother, and a friend. Few knew she had played one other role as an archaeologist working on one of the most important excavations in Greece between the World Wars (Fig. 1). While Ellingson told few people about her adventures abroad she did make a scrapbook filled with nearly 100 photographs, many letters, some news clippings, and other papers all of which documented her time as an archaeologist. After her death, Ellingson’s daughter donated the scrapbook to the Department of Archaeology and Art History at the University of Evansville where I stumbled across it a decade later. I never met Ellingson, but I got to know her through the scrapbook. In that scrapbook I found clues she had left to an even more surprising secret she had kept from everyone.

Fig. 1 Mary Ellingson in Athens, 1931 (courtesy of the University of Evansville Library Archives).

Ellingson wanted to become a classical archaeologist. According to a biographical statement attached to her dissertation, she was born H. M. Mary Ross and received her BA in classics from the University of Alberta. In 1930 she went to Baltimore to attend graduate school at Johns Hopkins University. What drew her there was David Moore Robinson, a well-known expert in the field. Only two years earlier Robinson had begun a new project, the one that would cement his reputation as one of the great classical archaeologists. According to Nicholas Cahill in his book Household and City Organization at Olynthus, Robinson began excavating houses at the site of Olynthus in northeastern Greece, a revolutionary idea at the time as archaeologists interested in ancient Greece normally sought temples, theaters, and other public architecture (Fig. 2). Over the 24 years he published the results of his excavations, Robinson convinced his colleagues that houses could provide them with important information about daily life among the ancient Greeks. His 14 volume Excavations at Olynthus published between 1928 and 1952 is still considered the cornerstone of ancient Greek domestic studies and as a graduate student and aspiring archaeologist I had to read every volume. Ellingson could not have had a better guide than Robinson to help her enter the field.

Fig. 2 Ellingson (left) standing among house foundations at Olynthus that she helped excavate (courtesy of the University of Evansville Library Archives).

The normal practice at the time was for male graduate students to supervise Greek workmen excavating in the field while female graduate students cleaned and catalogued finds in the dig house, a practice Robinson followed at Olynthus in 1928 according to Raymond Dessy, author of Exile from Olynthus. Ellingson’s letters make it clear that when she went to Olynthus in 1931, Robinson decided to experiment with not dividing these tasks along gendered lines and instead had all of the students both supervise workmen and catalog finds (Fig. 3). Ellingson’s abilities in the field quickly impressed Robinson. In a letter dated March 15, 1939 now housed in the archives at the University of Evansville Robinson states that Ellingson, “…showed remarkable executive ability and was able to superintend the Greek workmen in a very efficient way, a thing that is very unusual for a woman and which quite surprised the Greeks themselves.” He added, “She is an excellent field archaeologist.” (Fig. 4)

Fig. 3 Ellingson (left) on a lunchbreak while excavating at Olynthus in 1931 (courtesy of the University of Evansville Library Archives).

Fig. 4 One of Ellingson’s crews of Greek workmen (courtesy of the University of Evansville Library Archives).

Robinson divided the artifacts by category and put one graduate student in charge of cataloguing pottery, another coins, another metal objects, while he assigned Ellingson terracotta figurines (Fig. 5). These artifacts stood 6-12 inches tall and depict deities, animals, and theater masks as well as standing, sitting, and dancing women. Ellingson eventually wrote her master’s thesis and dissertation about these figurines. The big question of the day was how the ancient Greeks used these figurines. It was widely assumed they had only religious significance since excavators found them only in temples and graves. When Robinson published Excavations at Olynthus volume IV on the figurines he had excavated in 1928, other archaeologists were curious to know if he had found them in houses. His records from that season were so poorly kept that he could not explain where he had uncovered each of the figurines he catalogued in the volume. In 1931 respected archaeologists published scathing reviews of Robinson’s work, among them Edith Dohan, publishing in the American Journal of Archaeology, Alan Wace in Classical Review, and Winifred Lamb in the Journal of Hellenic Studies. All pilloried Robinson for poor record-keeping and a missed opportunity to weigh in on a central question.

Fig. 5 Study photo Ellingson took showing some of the terracotta figurines she had excavated at Olynthus (courtesy of the University of Evansville Library Archives).

This is what makes Ellingson’s thesis and dissertation so significant. She not only catalogued the figurines but she offered interpretations of their use. She found some of the figurines on household shrines, indicating a religious function, but others she uncovered had once been suspended from walls or placed on display, suggesting a decorative function. She also excavated figurines made from the same mold in houses and in graves indicating that their use changed over the lifetime of the figurine. Finally, Ellingson realized that when she found animal figurines in graves, those graves belonged only to children. She argued they had no religious or decorative function; they were toys. These were radical and exciting new interpretations for their day.

After her season at Olynthus, Ellingson returned to Johns Hopkins to write her master’s thesis. In her free time she made the scrapbook commemorating her time at the excavation. Johns Hopkins awarded her a PhD in classical archaeology in 1939. According to Ellingson’s daughter Barbara Petersen, a few months later she married Rudolph Ellingson and moved to Evansville where he had found a job. She raised two daughters and once they left for college in the early 1960s the University of Evansville hired Ellingson to teach Latin, Greek, and English courses. She retired in 1974 and upon her death in 1993 her daughter donated the scrapbook to my department where someone put it on a storage shelf and everyone forgot about it. A decade later I rediscovered it. It now resides in the university’s archives.

Along with the scrapbook was a copy of Ellingson’s thesis and dissertation. As soon as I started to read these, I recognized them immediately even though I had never heard of Ellingson. On a hunch I consulted Excavations at Olynthus volumes VII sand XIV. These are the only two volumes other than IV which mention terracotta figurines. I placed her thesis and Olynthus VII side by side and began to read. The texts were identical. The same was true for her dissertation and Olynthus XIV, yet Robinson put his name on the cover page of each as the sole author. He did thank Ellingson in a general way in the introduction to each volume but in no way did he indicate that Ellingson was the actual author. Robinson plagiarized his graduate student Ellingson. We cannot know why he did it, but I suspect it was because what she wrote about terracotta figurines was so much better than what he had written in volume IV. Scholars such as Valentin Müller agreed, praising volume VII in particular in his 1936 review in Classical Philology.

We cannot know how Ellingson reacted to Robinson’s publication of her thesis, no record remains, but among Robinson’s papers now housed in the archive at the University of Mississippi is a letter dated Oct. 6, 1952 which Ellingson sent to him expressing her surprise and discovering her dissertation in print. The archive preserves a copy of his response, sent a week later, in which he states that he “…probably should have given you more credit.” It was the closest thing to an apology Ellingson would ever receive. She only told one of her daughters once about what happened to her, otherwise she shared the story with no one.

The description above is only a very brief summary of Ellingson’s story. To learn more, see For Further Reading below. Nonetheless her story matters because she left behind enough documentation to tell it. Other women in archaeology and the sciences did not receive the credit they deserve for their work, but we may never hear about them as they did not make a scrapbook as evidence of their accomplishments. Mary Ellingson, therefore, must stand as a proxy for other women about whom we will never learn.

For Further Reading:

Kaiser, A. 2015. Archaeology, Sexism, and Scandal. The Long-Suppressed Story of One Woman’s Discoveries and the Man Who Took Credit for Them. Rowman and Littlefield: Lanham, Maryland.

Inequality Remade: Residential Segregation, Indianapolis Public Schools, and Forced Busing

In 1971, the Indianapolis Public Schools (IPS) system was brought to court and found guilty of practicing de jure segregation or racial separation enforced by law. This lesser-known story of desegregation in Indianapolis’s schools reveals a community deeply divided over race and offers one local response to an important national conversation.

Indianapolis had been racially segregated long before the 1970s. In particular, residential segregation coupled with a practice called redlining reinforced boundaries between the city’s white and African American populations. Redlining is denying services to people based on race: in this case, financial services. In response to the Great Depression, between 1934 and 1968 the Federal Housing Administration (FHA) and the Home Owners’ Loan Corporation (HOLC) used the National Housing Act to make housing more affordable. In practice, the Act only made home ownership easily accessible to white people by guaranteeing their loans. It explicitly denied to back loans for black people or even residents of majority black neighborhoods.

Aerial View of Indianapolis, 1938, courtesy of the Indiana Historical Society.

Appraisers ranked residential areas on a grading scale from A (green) to D (red). These color-coded maps, created by lenders, developers, and real estate appraisers for the FHA and HOLC, dictated how easy or difficult mortgage companies would make it for residents to secure loans in different areas. The appraisal process proved damning to areas where African Americans lived. An A-grade area, as one appraiser said, would not include “a single foreigner or Negro.” The lowest D-grade, red areas included “detrimental influences in a pronounced degree” with “undesirable population or infiltration of it.” Since the appraisers purposefully graded areas where African Americans lived poorly, redlining made it impossible for African Americans to benefit from residential mobility and reinforced racial segregation in the city.

In Indianapolis, A-grade areas were mainly located in the suburbs while C- and D-grade neighborhoods were located in the inner-city – where 98 percent of the African American population lived. One Indianapolis neighborhood on the Old Northwest Central side of the city, where African Americans made up 90 percent of the population, was catalogued as D-25. The appraiser who surveyed the area in 1937 gave it a D-grade for being “blighted” and “almost solid negro.” Even areas described as having “better class” African Americans were still classified as D-grade. In contrast, desirable Grade-A locations, like A-1 near Butler University, boasted “[n]ative white; executive and other white-collar type” residents with “nominal” foreign-born and no black residents.

Courtesy of Mapping Inequality, Richmond.edu.

Explore the redlining map of Indianapolis.

These residential patterns made it easy for IPS to uphold segregation in the school system as the School Board would zone, or divide, different residential areas to feed into different schools. As such, racially segregated housing generated racially segregated schools. A deeply divided school system had been in place in the city since 1927 when the Ku Klux Klan pressured the Board of School Commissioners to build what became Crispus Attucks High School for African American students. IHB’s historical marker observes the school’s history.

Although school segregation was outlawed in Indiana in 1949, Indianapolis Public Schools (IPS) reestablished the elementary school boundaries in 1953 to ensure that the school system remained racially divided. The boundaries were so clearly racially-motivated that “[i]n some instances the lines drawn . . . ignored natural boundaries, requiring students to cross a canal, railroad track” or busy street “to get to their assigned school where no impediment stood between the student and an adjoining school.” An African American child tragically died after being struck by a train in 1952 because of these boundaries.

Courtesy of the Indiana Historical Society.

In 1968, a group of African American parents of children who attended IPS schools requested that the US Justice Department file a suit in the federal district court to charge IPS with unconstitutional segregation. The case, United States v. Board of School Commissioners, was tried in Indianapolis in July of 1971. The verdict, given on August 18, 1971, found “a purposeful pattern of racial discrimination based on the aggregate of many decisions of the Board and its agents.” IPS was guilty of de jure segregation, including racist “gerrymandering of school attendance zones, the segregation of faculty, the use of optional attendance zones among the schools, and the pattern of school construction and placement.” The court believed that “complete desegregation within IPS boundaries would encourage ‘white flight’ and lead to rapid resegregation” of IPS. To address this, the State of Indiana was added to the suit so that the township schools within Marion County would have to racially integrate with IPS.

In 1973, IPS having taken no significant steps towards desegregation, the district court asserted jurisdiction over the issue. Judge Dillin of the United States District Court for the Southern District of Indiana ordered a one-way busing system to force IPS and the township schools to integrate.

Many Indianapolis parents, both black and white, were nervous for this transition the preceding summer of the 1973 school year. Meridian-Kessler, located on the north side of the downtown, had only recently become multi-racial at the time, and the neighborhood’s August/September newsletter carried a somewhat anxious tone. The front page read:

Uppermost in the minds of most Indy residents this fall is the unsettled school situation . . . There are three grade schools within our boundaries, and our children attend two nearby high schools. All of these schools will be involved in the desegregation plan eventually due to the changing racial balance in this area.

The city had reason to be nervous. Forced busing schemes in other cities like Detroit and Boston made headlines for the violence they incited. Indianapolis residents associated with the Ku Klux Klan became a common presence at anti-busing protest events. On the morning of September 27, 1971, Sgt. J. Adamson of the Indianapolis Police Department (IPD), was assigned to cover an anti-busing demonstration at the Indiana Statehouse. He identified “[a] group of approximately twenty (20) mixed men, women and male teenagers…under the name of ‘Americans for America’,” noting, “[t]his organization has strong Klan affiliation.” Three days later, September 30, 1971, the IPD deployed their Special Investigation unit to cover another meeting: The Citizens Against Busing at the Indianapolis Baptist Temple. Again, many involved were members of the KKK-affiliated group “Americans for America.” Meetings like these were not uncommon.

“Blacks Hurt in Boston Busing Protest,” Pittsburgh Post-Gazette, September 13, 1974, front page, accessed Newspapers.com.

In Indianapolis, the first buses of black students began commuting to white schools in 1973. Not all schools responded to the desegregation order immediately. Some townships, including Perry, Decatur, Franklin, and Lawrence only began accepting IPS students bused to their schools in 1981. That year, when her bus, coming from Indianapolis’s east side, pulled into Perry Meridian High School, LaTonya Kirkland was terrified. She “remembers a dozen of her white classmates approaching the bus, their hands slapping against the yellow metal side panels . . . the bus started to rock as the white students slammed against the bus” before throwing an egg at the window. Police had to escort her and her fellow black classmates into the school.

Perry Meridian High School was the site for many violent racial altercations. The burden of reversing segregation, a problem instigated by the white population, fell heavily on the shoulders of black teenagers. The letters “KKK” were found painted on the school building, and there were rumors of black students coming to school with weapons to protect themselves. Only one African American girl was actually caught with such a weapon. She was concealing a meat cleaver. The situation at Perry Meridian High School had escalated so much that in 1981 the FBI came to investigate.

The interconnected stories of redlining and the desegregation of IPS reveal a city deeply divided, struggling with issues of race and equality. In the end, busing briefly achieved what it was meant to do. The court order created schools which appeared racially balanced and integrated on paper, but were often still segregated and hostile. Indianapolis began to phase out forced busing in 1998, ending the court-ordered desegregation era with LaTonya Kirkland’s daughter LaShawn’s graduating class in the 2015-2016 school year.

Ben-Hur Races to the Top in Indy

hur poster — 2016 movie poster, courtesy of Imdb.com.

The release of the new Ben-Hur movie this summer reminded us of the story’s Hoosier origins. This latest production from Mark Burnett and Roma Downey is the fifth time that film producers have interpreted Crawfordsville native Lew Wallace’s best-selling novel for the screen. Many are familiar with the 11 Academy Award winning adaptation starring Charlton Heston in 1959 and most film buffs know that there were two earlier versions in 1907 and 1925. The 1907 film prompted a landmark U.S. Supreme Court decision that protected copyrighted works from unauthorized motion picture adaptation. The 1925 film arguably has a better chariot race than the 1959 movie. There was also a forgettable and regrettable Canadian mini-series reboot of Ben-Hur in 2010.

In a world of constant movie reboots, one ponders: if Lew Wallace were alive today and re-wrote Ben-Hur in a contemporary setting, would he have Ben-Hur racing in the Indianapolis 500?

What if we told you that Ben-Hur did, in fact, race at Indianapolis? Of course, the race did not take place at the Indianapolis Motor Speedway; instead it took place in 1902 at English’s Theater during the Ben–Hur stage play’s first visit to Indianapolis.

The stage race as explained and illustrated in pages of Scientific American. Image from General Lew Wallace Study and Museum website.

On November 13, 1902, the Indianapolis News reported “J.J. Brady is here in advance of ‘Ben-Hur,’” and “brings with him a corps of stage carpenters and mechanics, who have practically to reconstruct the stage . . . so that the play may be given properly.” Although English’s stage was new, crews needed to rebuild it in order to accommodate the chariot race. Producing that scene called for eight live horses running at full gallop on treadmills, cycloramic scenery and, other apparatus. All this equipment and animals imposed an estimated weight of over 50 tons on the stage, which required pouring a special cement foundation. The public was anxious to see the spectacle, even if it meant staking out a place in line many hours in advance. The Indianapolis News reporter observed:

“A few individuals sat and shivered all night in the lobby of English’s waiting in patience and with an unwonted supply of cash in their pockets for the box office to open. They were men who had been hired to buy seats for some of the performances of ‘Ben-Hur.’”

Ticket prices ranged from fifty cents to two dollars. Even at that rate, a day after the tickets went on sale, the English Theater reported “over $10,000 was taken in at the box office window” and representatives for the producers of the play (Marc Klaw and Abraham Erlanger) announced that the sales “beat all records for the play in advance sales.” The Supreme Tribe of Ben-Hur, a national benevolent society headquartered in Wallace’s hometown of Crawfordsville, nearly bought out one performance by itself. The Tribe planned to run an excursion via train for its members from Crawfordsville to see the play.

Basill Gill as Messala (Left) and William Farnum as Ben-Hur (Right) in the 1902 Indianapolis production. Courtesy of Hoosier State Chronicles. — Ben-Hur and Messala face off in a promotional picture for the production. Courtesy of Hoosier State Chronicles.

However, a few members of the Hoosier public were dubious about purchasing tickets. In particular, one woman was of the opinion that the play was to take two weeks to complete. When the box office manager informed her that the entire play was presented every night, she remained quite suspicious that anyone “could put all that book into a one-night drama.”

Production managers sought to cast extras from Indianapolis’s denizens, advertising a salary of $4.25/week. That was enough to encourage a crowd of men, women, and children to stand outside in a late Indiana autumn for an hour and a half waiting for their opportunity at show business. An assistant stage director eventually made an appearance and sorted through the crowd. One “gray beard” was turned away because the assistant director believed him not to be “nimble afoot.” The rejected man futilely protested to the assistant director and argued “he could get around faster than two-thirds of the younger fellows that had been accepted.”

With the extras cast, the production opened on Monday, November 25, 1902. After witnessing opening night, an Indianapolis reporter wrote, “There [will] be critics who see nothing good in the American stage or in the works of American dramatist: if the American stage had done absolutely nothing worthy in its long career but this, had its fame to rest solely on this production of ‘Ben-Hur’ it has justified its existence.”

Mabel Bert in costume for theatrical production of Ben-Hur. Courtesy of the Digital Public Library of America. — Mabel Bert in costume as the mother of Ben-Hur. Courtesy of the New York Public Library.

The cast, as it appeared in Indianapolis, included William Farnum as Ben-Hur and Basil Gill as Messala. Farnum’s performance was described as realizing the part to the fullest degree. Among the other actors and actresses in the production, Mabel Bert’s portrayal as the mother of Hur is worth noting because she was the only cast member with a major role to be with the company continuously since the production opened on November 29, 1899 in New York City. Mrs. Bert told a reporter,

“I have always been the mother of Ben-Hur – various Ben-Hurs, however, for Mr. Farnum is the third I have mothered on the stage…It does make me a trifle lonely sometimes to lose my stage children and stage friends that way. But then, too, it affords a certain amount of variety that is interesting and keeps my work from becoming at all monotonous.”

Ellen Mortimer as Esther (Left) and William Farnum as Ben-Hur (Right) in the 1902 production. Courtesy of Hoosier State Chronicles. — Esther and Ben-Hur in a promotional photo for the production. Courtesy of Hoosier State Chronicles.

The public certainly found nothing monotonous about the play. In fact, the production was originally slated to run for two weeks in Indianapolis, but four days after opening night the Indianapolis News reported that the high demand for tickets had prompted producers to extend the play for another week. Box office receipts for the first two weeks alone were estimated in excess of $35,000. That figure broke all box office records for Indianapolis and was the highest figure for all productions of Ben-Hur to that date.

The cover of the Souvenir Album of the 1902 Indianapolis production of Ben-Hur. Courtesy of Indiana Historical Society.

The Indianapolis News attempted to describe the sales phenomenon in Indianapolis:

“‘Ben-Hur’ occupies a unique position on the native stage, since it appeals alike to habitual theater patrons and those who seldom find enjoyment in offerings of the stage. While the elaborate scenic equipment and realistic chariot race command the admiration of the spectators, the rare beauty and force of ‘Ben-Hur’ as a drama give a lasting distinction to this most uplifting, inspiring and soul-stirring play.”

This description of the popularity of Ben-Hur, while no doubt true, neglects that a major reason for the large turnouts was because the author of Ben-Hur was a native Hoosier son. Some Indiana cities, such as Covington, Franklin, and Noblesville, brought large numbers of their population and sold out individual performances. In fact, Covington could not secure as many tickets as they had citizens who wanted to attend; the Indianapolis Sentinel reported that a small riot broke out as a result.

While various Indiana cities were hoping to witness the performance, Crawfordsville was no exception, as it was Ben-Hur’s birthplace. A contingent of Athenians and Montgomery county residents had the theater to themselves for a performance on December 2. Among those in attendance at that performance was James Buchanan Elmore, aka the Bard of Alamo. After witnessing the arrest of the Hur family, Buchanan leaned over to a newspaper reporter and said, “Seems to me if I was bossing that show I would make the actors speak softer and not so rough, it don’t seem like Scripture voices.”

An example of the final scene from the theatrical version of Ben-Hur, which opened at the Grand Opera House, Seattle, on Oct. 9, 1905. Courtesy of the University of Washington.

Although the December 2 performance hosted one Montgomery County literary celebrity, another one was conspicuously absent, that being General Lew Wallace, the author of Ben-Hur. Wallace was recovering from an illness during the Crawfordsville excursion. However, he was sufficiently recovered to attend a matinee with his son, daughter-in-law, and his two grandsons on December 12. Wallace watched most of the play from a private box and tried to remain as inconspicuous as possible, lest he be called upon to deliver a speech. Wallace and his party were invited behind the stage so that they could witness how some of the scenes were produced, especially the chariot race. Wallace took special interest in watching the race and all of the mechanization that was involved. While backstage, Wallace met the starring members of the cast and reportedly chatted for several minutes with the actor incarnating his literary creation. Before returning to his box Wallace remarked to a stage manager that the production had reached a state of perfection. Ben-Hur ended its stay in Indianapolis the day after Wallace’s visit, before moving to Milwaukee for a two-week engagement.

Eleven years later, when Ben-Hur was making another visit to Indianapolis, Hector Fuller aptly noted in the Indianapolis Sunday Star,

“If Indiana had contributed nothing else, save this one play to the American stage it might be counted that the Hoosier state had done its part. For ‘Ben-Hur’ is the dramatic marvel of the age. It has held the stage now for fourteen years, and in that time over 10,000,000 people have seen it.”

Learn more about Lew Wallace, his father David Wallace, his stepmother Zerelda Wallace, and his mother Esther Test Wallace with other IHB historical resources.

exhibit 1

Stop by our exhibit in the Indiana State Library to see memorabilia from productions of Ben-Hur.

The Indelible Ross Lockridges

final jr sr — Ross Lockridge Sr. and Jr. camping, photographed by three-year-old Ernest (son of Sr.) in the summer of 1942, image courtesy of Evansville.edu.

Ross Lockridge Sr. and Jr. left an indelible mark on Indiana history through traditional history publications and fictional depiction. However, the father and son have yet to be cemented in the annals of state history. We hope to contribute to that reversal.

The senior Lockridge was born in Miami County, Indiana in 1877 and went on to graduate from Indiana University in 1900. He married and returned to his north central Hoosier home. He became the principal of Peru High School, and later earned a law degree from IU in 1907. Not long after, he moved to Fort Wayne and worked as employment manager and welfare director at Wayne Knitting Mills. He also served three years as executive secretary of the Citizen League of Indiana, which lobbied for a new state constitution and advocated for women’s suffrage.

mills — Wayne Knitting Mills, 1910, courtesy of History Center Notes & Queries.

While in Fort Wayne, Lockridge Sr. helped organize the Allen County Fort Wayne Historical Society. During this time his reputation grew as a writer of pioneer Indiana history. According to Larry Lockridge, his grandfather, Ross Sr.,” developed his own brand of ‘Historic Site Recital,’ combing public speaking, drama, and local history.” Between 1937 and 1950, Lockridge Sr. served as a director of IU Foundation’s Hoosier Historic Memorial Activities Agency. Some of his published works include: George Rogers Clark (1927), A. Lincoln (1930), LaSalle (1931), The Old Fauntleroy Home (1939), and Labyrinth (1941), Theodore F. Thieme (1942). His The Story of Indiana (1951) was primarily used as a text in Indiana at the junior high school level.

The historian also wrote about Johnny Appleseed, the Underground Railroad, and Indiana’s trails, rivers, and canals. Another extended work, which continues to aid transportation history researchers, is Historic Hoosier Roadside Sites, commissioned in 1938 by the Indiana State Highway Association. He worked tirelessly to mark the state’s landscape with monuments and markers, preserve records, and execute historical pageants. His clear and concise writing style has added to Hoosier’s knowledge of their past.

marekrs paper — The Vidette-Messenger (Valparaiso, IN), March, 23, 1936, courtesy of Newspapers.com.

According to Larry Lockridge, his grandfather “didn’t exactly whitewash history,” but he “certainly edited it. He attempted to bind people to their own local history through heroic narrative.” After the tragic drowning of Ross Sr.’s 5-year-old son, Bruce, in Fort Wayne, his dedication to historical work intensified. Larry contends:

“Preaching history as resurrection of the worthy dead was his idealistic, nonmetaphysical challenge to time and mortality, grounded in the tragedies of his own life and the pettiness of the contemporary scene.”

Ross Jr. assisted his father with historical projects, but according to Larry was “not his father’s puppet at such performances” and “never approached his father’s ease of performance and lack of self-consciousness.”

Ross Jr. was born in Bloomington, Indiana and moved to Fort Wayne. When he was 9-years-old the family returned to Bloomington and his literary dreams took root.

According to an Indiana Public Media article (IPM), Junior attended Indiana University, where he was known as “A+ Lockridge,” graduating with the highest GPA ever awarded by the school (4.33). Scarlet fever precluded his plan to join IU’s English Department, leaving him bedridden for eight months. He was later accepted as at doctoral student at Harvard University, where he began his famed novel.

kasdl;fkl;sdfk — Raintree County cover, courtesy of Goodreads // Ross Lockridge Jr. signing copies of Raintree County in Indiana, courtesy of Altered Book Arts.

According to an Altered Books Arts article, he withdrew from his studies and taught at a nearby college, so he could focus on his literary magnum opus. The IPM article reports that he studied abroad in Europe in 1934, where he “first had the vision of writing a novel that would draw upon the would-be literary heritage of his maternal grandfather, a schoolteacher and poet who had lived in Indiana’s Henry County.” This evolved into the character of John Shawnessy, who after losing his wife went on to fight in the Civil War, attempted to write the Great American Novel, and ended up in the fictional Raintree County.

Photo of a raintree planted in honor of Ross Jr. behind the Lockridge house, image courtesy Larry Lockridge, accessed IPM.

Although Johnny had his successes, the character flashed back in memory wondering about the country’s future. He is influenced by several cultural concepts, one of which is to find the legendary Rain Tree, supposedly planted somewhere in the Raintree County by the celebrated Johnny Appleseed, who is buried in Allen County. The tree Lockridge sought to feature is based on a real Golden Rain Tree, which blooms in the summer with subtle yellow flowers that drop like a raining of yellow pollen dust.

In addition to Allen County, Monroe County is represented in the book. Larry noted, “We have county fairs and patriotic programs and outdoor sex and footraces and weddings and temperance dramas and rough talk . . . all of this he picked up in the culture of Bloomington” (IPM). Ross Jr.’s wife, Vernice, did the final typing of the novel, an 18 month endeavor and, unlike many writers, her husband gave her full credit for her help in constructing the 1060-page novel.

Altered Books Arts summarizes the novel’s themes, stating:

“In the course of its thousand pages philosophy, religion, sex, and history all flow together in a narrative that spans 40 years, recollected in a single day. In some ways it is an Indiana Ulysses, though Lockridge said that whereas Joyce wished to make the simple obscured, he wished to make the obscure simple. When it came out Thomas Wolfe and Walt Whitman were frequently cited for comparison, but it seems closer to in technique and feeling to the panoramic narrative of John Dos Passos’ U.S.A.“

Ross Lockridge Jr. by river, image courtesy of Larry Lockridge, accessed IPM.

Ross Jr.’s labor of love was met with much anticipation from his publisher, Houghton Mifflin. However, in order to win MGM’s high-profile contest for best new literary work, an award of $150,000, he was pressured to revise and cut several sections from his masterpiece. His likely selection as Book of the Month club winner, meant that he had to make many more extensive cuts. He conceded reluctantly and worked tirelessly to trim it for publication. His publisher Dorothy Hillyer wrote “Ross was quite capable of fussing eighteen hours a day over that manuscript. He was in love with it, almost sexually.” (He ended up cutting out a 356-page dream sequence, which is retained at Bloomington’s Lilly Library).

These compromises, the killing of his darlings, so to speak, and the completion of his life’s work plunged him into a deep depression. Despite generally rave reviews about the novel and winning MGM’s literary award, Lockridge’s depression worsened and he returned to Bloomington. His son regarded this as a mistake, “not because of Bloomington’s particular atmosphere but because it felt to him as if he had come full circle. . . . It was the symmetry of fate that he was returning home to die.”

Larry noted that his father began exhibiting bizarre behavior, inspecting knives in the kitchen and opening and closing cupboards, claiming he was “looking for a way out.” Public backlash about the book’s sexuality and irreverence, especially by his Bloomington neighbors, made him doubt the quality of his work and worsened his fragile state. (According to IPM, the publication of his neighbor Alfred Kinsey‘s Sexual Behavior in the Human Male promoted Lockridge to quip “It seems Mr. Kinsey and I have succeeded in making Bloomington the sex center of the universe”).

snake pit — The cover of Mary Jane Ward’s autobiographical novel about her own struggles with mental illness, image courtesy of IPM.

Ross Jr.’s father hoped to combat his son’s malaise with recitation, the memorization of the Declaration of Independence, hearkening back to their old historical endeavors. Ross Jr. reluctantly entertained his mother’s Christian Science ministrations, but remained in a debilitated state. Ross Jr. was not alone in his distress; his cousin Mary Jane Ward suffered from mental illness, which she depicted in her successful autobiographical novel The Snake Pit.

Witnessing her husband’s ongoing suffering, Vernice convinced him to seek treatment at Indianapolis’s Methodist Hospital, where he underwent electroshock convulsive therapy and insulin-induced coma. Further distressed and embarrassed by the procedures, he gave staff the impression he had recovered and was released.

According to Larry, his father tried to write a second novel, a “thinly disguised autobiography, from Fort Wayne days to the present.” He had planned to begin the story with his young brother’s tragic death and,

“the tranquil Avenue of Elms, Creighton Avenue in Fort Wayne, whose backdrop was the Great War. It is in this city that his brother Bruce drowns, that his house catches fire, that there is a great strike at the mill, that he falls in love with Alicia Carpenter, that he decides to become a writer, and that through ‘the brutality of fate’ his personality is set by the age of ten.”

He was never able to finish a second novel. On March 6, 1948, the day after Raintree County was declared a number one best seller, Ross Lockridge, Jr. took his own life at age 33 in Bloomington. Unable to locate her husband, Vernice went out to their garage. There she discovered his limp body in the running car, a vacuum cleaner hose piping exhaust into the car. The death of the new literary star stunned the nation, attracting over 2,000 to his funeral and prompting an obituary on the front page of the New York Times.

In 1957, MGM produced a big screen depiction of Raintree County, featuring Montgomery Clift, Elizabeth Taylor, and Eva Marie Saint.

Weeks after the death, Vernice found a note written by her husband, stating “‘Dearest, Have gone for early morning walk to clear head. Love, Ross.” On the back side he wrote:

“The purpose of Raintree County is to present life in its many-sided variety with idealism triumphant. An irreverent character in a book does not mean an irreverent book. In any event it is an old and good rule that every reader is entitled to his own opinion of a book.”

Surviving the death of a second son, Ross Sr. passed away a few years later in 1952.

marker rain — Henry County plaque, courtesy of IU Press Typepad.

Learn more about the remarkable Lockridges with Larry Lockridge’s 1994 Shade of the Raintree: The Life and Death of Ross Lockridge, Jr., author of Rain Tree County.

The King’s Final Bow: Elvis’s Last Concert in Indianapolis

Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

Elvis Presley, known around the world as the King of Rock ‘n’ Roll, thrilled audiences for decades with his legendary swagger, good looks, and unique vocal stylings. Among his many concerts over the years, the one that garners much historical attention is the final one, at Indianapolis’s Market Square Arena on June 26, 1977. His final performance, to a crowd of nearly 18,000 people, inspired copious press attention.

Fans lining up to purchase Elvis tickets at Market Square Arena. Courtesy of ElvisPresleyPictures.com.

An article in the Indianapolis News on June 25 listed it as a requisite event for music fans. The Indianapolis Star noted playfully “If you admire Elvis Presley’s back you still can buy $15 seats behind the stage for his concert at the Market Square Arena tomorrow night.” While $15 doesn’t sound like much, that’s the equivalent of nearly $60 today.

Elvis 1977-june-26-ticket- Elvis Presley Music AU — A ticket stub from Elvis’s final concert at Market Square Arena, June 26, 1977. Courtresy of ElvisPresleyPictures.com.

Elvis- 1977-june-26-4- Elvis Presley Music AU — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

The concert began at 8:30 p.m., but Elvis didn’t perform until 10 p.m.; warm-up acts of brass bands, soul singers, and a comedian filled time before the King. Then for about 80 minutes, Elvis sang both his classic tunes like “Jailhouse Rock” and “Hound Dog,” and his more somber numbers, like “Hurt” and a cover of Simon & Garfunkel’s “Bridge over Troubled Water.” He closed the concert with “Can’t Help Falling in Love with You,” one of his most poignant ballads.

He reportedly told the audience “We’ll meet you again, God bless, adios” as he left the stage. Based on filmed footage, the crowd appeared enthusiastic about the performance; the local press, however, was a bit skeptical.

A ticket stub from Elvis's final concert at Market Square Arena, June 26, 1977. Courtresy of ElvisPresleyPictures.com. — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

The Indianapolis press seemed divided on the quality of his performance. Rita Rose’s piece in the Indianapolis Star provided a sympathetic take of the show, even as it criticized his appearance. Rose wrote comically:

The big question was, of course, had he lost weight? His last concert here, nearly 2 years ago, found Elvis overweight, sick and prone to give a lethargic performance. As the lights in the Arena was turned down after intermission, you could feel a silent plea rippling through the audience: Please, Elvis, don’t be fat.

She assuaged readers, writing “At 42, Elvis is still carrying around some excess baggage on his midsection, but it doesn’t stop him from giving a performance in true Presley style.” She noted glowingly how well he sang some songs, including “It’s Now or Never,” and “This Time You Gave Me a Mountain.” Rose’s piece emphasized the better elements of the concert and the excitement of the crowd.

Elvis- 1977-june-26-5- Elvis Presley Music AU — Elvis Presley performing at Market Square Area, Indianapolis, June 26, 1977. Courtesy of ElvisPresleyPhotos.com.

Conversely, critic Zach Dunkin’s piece in the Indianapolis News was the consummate bad review:

“Elvis Presley led another crowd of screamers in bananaland last night during his concert at Market Square Area and the question is why,” wrote Dunkin at the start of his piece. He added, “He obviously doesn’t need the money. He apparently doesn’t care about the way his concerts are packaged either.”

The first page of Zach Dunkin's critical piece on Elvis's last concert. Image courtesy of Indiana State Library. — The first page of Zach Dunkin’s critical piece on Elvis’s last concert. Image courtesy of Indiana State Library.

Dunkin went on to call Elvis’s mix of opening acts and his performance a “sideshow,” writing:

“It’s like waiting through the sword-swallower and the fire-eater before seeing the REAL attraction in the back room.” He also heavily criticized the “hawking” of souvenirs by vendors, who he said “came on the P.A. three times and urged the crowd to visit the souvenir stand. He even listed the prices.”

However, Dunkin’s strongest criticism was of the King himself, who he said could “sing when he tries.” His best numbers, in Dunkin’s view, were his renditions of “Hurt” and “Bridge over Troubled Water,” even though Elvis “for some reason had to read the lyrics from a sheet.” Dunkin’s lackluster impression of the King ended with this final take: “It’s time ardent Presley fans quit protecting their idol and start demanding more. They know ‘the King’ can do better.”

Sadly, Presley never got the chance to do better, for his show in Indianapolis was his last. After the concert at Market Square Arena, Elvis took a break from touring and returned home to Graceland. Nearly six weeks after his Indianapolis concert, Elvis died in his home on August 16, 1977 from heart failure, likely caused by years of prescription drug abuse.

Elvis's casket being carried into Forest Hills Cemetery, Memphis, Tennessee, August 19, 1977. Courtesy of ElvisPresleyPhotos.com. — Elvis’s casket being carried into Forest Hills Cemetery, Memphis, Tennessee, August 19, 1977. Courtesy of ElvisPresleyPhotos.com.

For months afterward, Dunkin received scores of angry letters from fans of Elvis for his unfavorable review. In an interview with John Krull, Dunkin talked about the hate mail he received, particularly attacks against his personality and his supposed “envy” of Elvis. Yet, other letters (in his estimation about “20 percent”) were sympathetic, with one letter saying the King “should’ve stayed home.” Dunkin’s review still receives attention from fans of Elvis and students of music history.

A historical marker commemorating Market Sqaure Arena and Elvis's final concert. Market Square Arena was demolished in 2001. Courtesy of Pintrest. — A historical marker commemorating Market Square Arena and Elvis’s final concert. Market Square Arena was demolished in 2001. Courtesy of Pinterest/ElvisCollector.info.

Market Square Arena was demolished in 2001 and it is now a parking lot. A memorial marker for the arena commemorates its history and importance as the venue for Elvis Presley’s final concert.

Elvis Presley’s mark on American music and culture is permanently etched into stone, but his controversial final concert showed the complications and problems associated with his final years. Regardless of the quality of the concert, it will be remembered forever as the place where the King took his final bow.

The Trouble with Firsts

Digest this: In 1975, Kodak invented the first digital camera. Unwilling to prioritize this technology over existing film products and unable to adapt to the market, Kodak notoriously claimed bankruptcy in 2013. The inability to capitalize on “firsts” brings into question the importance of priority—of ideas, inventions and even actions. At the Indiana Historical Bureau, we frequently review markers commemorating “firsts,” ranging from the first electrically-lighted city to the first county physician. Hoosier “firsts” inspire controversial discussion, local commemoration and even a stage play by Aaron Sorkin.

As one can imagine, these firsts are difficult, and sometimes impossible, to substantiate, given conflicting sources or lack thereof. Rather than wrestle with claims that may never be confirmed, we decided to focus on what makes these novel ideas, inventions and actions significant to Indiana and U.S. history.

Elwood_Haynes_and — Elwood Haynes with his Pioneer, courtesy of the W.H. Bass Photo Company Collection, Indiana Historical Society.

The case of Indiana inventor and metallurgist Elwood Haynes illustrates not only the obstacles to proving a “first,” but why being “first” isn’t always ideal. Kokomo resident Haynes claimed to have constructed America’s first automobile in 1894, dubbed the “Pioneer.” Using a Sintz 2-cycle gasoline engine, Haynes built the automobile’s foundation in his kitchen and hired brothers Elmer and Edgar Apperson to construct the carriage based on his designs. Haynes debuted the vehicle at Kokomo’s 1894 Fourth of July celebration at the Pumpkinvine Pike and shortly thereafter established the Haynes Automobile Company with Elmer Apperson.

The company thrived, and historian Ralph Gray contends that “industrial activity connected with the automobile greatly augmented Kokomo’s importance as a manufacturing center.” Experiencing success, Haynes ignored public demand for small, mass marketed cars and instead focused on medium sized luxury cars intended for affluent customers. Eventually Haynes could not compete with Ford’s mass production and marketing and declared bankruptcy October 1924. He lamented that being a pioneer in the automobile industry

“meant a selling loss on the Haynes car, whereas to have waited until others had made the trial and experiment, and then to have followed in the easy path of their success probably would have saved us thousands of dollars.”

Journalist Rick Johnson contended that “instead of becoming one of the giants of American invention and enterprise, Haynes became merely the man whose discoveries helped spark a new era for others.”

philly — Farnsworth with his Image Dissector, ca. 1920s, courtesy of the digitized Philo T. Farnsworth Collection at the J. Willard Marriot Library, University of Utah.

Much like Haynes’, the battle to establish scientist and Fort Wayne business owner Philo T. Farnsworth as the inventor of the electronic television was arduous and public. In Farnsworth’s case, the U.S. Patent Office ultimately awarded Farnsworth priority of invention, providing historians with irrefutable proof via patents that he indeed earned the title of “first.” Tragically, neither visionary possessed the business acumen to capitalize on their inventions, failing to permanently establish their products on the consumer market. Yet, both were fiercely protective of their inventions, and historians suggest in both cases their deaths and the closing of their companies were more than coincidental.

We want to hear from you. Do firsts matter? Certainly, they will evoke strong opinions for decades to come.

The Shared Humanism of Clemens and Kurt Vonnegut

Clemens (Left) was the Vonnegut family patriarch and lifelong freethinker. Kurt, Jr. (Right) was the great-grandson who carried his humanist heritage into his writing. Images courtesy of IUPUI University Library, Special Archives and Collections/citelighter.com.

The German-American community in Indianapolis, largely a product of mid-nineteenth century immigration, had a strong heritage of freethought (open evaluation of religion based on the use of reason). In particular, Clemens Vonnegut, the patriach of the Vonnegut family and lifelong freethinker, openly displayed his religious dissent through writings and community activism. This, in turn, influenced his family and the literary style of his great-grandson, novelist Kurt Vonnegut, especially the younger man’s ideas concerning God, religion, science, and ethics. The junior Vonnegut’s own midwestern brand of freethought, in the form of what literature scholar Todd F. Davis called a “postmodern humanism,” displayed a deep sense of skepticism about the irrationalism of his time, while simultaneously championing an ethical responsibility to ourselves and each other devoid of supernatural influences. Yet, true to his form as a freethinker, Kurt forged his own humanist identity. [*]

The Vonnegut Hardware Store, circa 1878. Founded by Clemens Vonnegut, the store would be an Indianapolis stable for well over a century. Courtesy of Indiana Historical Society. — The Vonnegut Hardware Company on Washington Street, circa 1878. Founded by Clemens Vonnegut, the store would be an Indianapolis stable for well over a century. Courtesy of Indiana Historical Society.

Clemens Vonnegut was born November 20, 1824, in Münster, Westphalia. In his early years, he studied in German public schools and apprenticed as a mercantile clerk. As recorded in the Indianapolis Press, a young Vonnegut came to the United States in the early 1830s, on assignment from his employer, J. L. de Ball and Company, which sold specialty fabrics. His year in New York convinced the young Vonnegut that America would be his permanent home. He then traveled to Indianapolis with his friend Charles Volmer to start a new life.

The Socialer Turnverein, a social club co-founded by Vonnegut, was the home of the Freethinker Society of Indianapolis. Image Courtesy of IUPUI University Library, Special Collections and Archives. — The Socialer Turnverein, a social club co-founded by Vonnegut, was the home of the Freethinker Society of Indianapolis. Image Courtesy of IUPUI University Library, Special Archives and Collections.

He founded the Vonnegut Hardware Store in 1852, and was considered by the Indianapolis Star as “one of the city’s most respected citizens….” Like fellow Hoosier freethinker Hermann Lieber, he was a co-founder of the Socialer Turnverein and a forceful voice for public education. Clemens founded the German-English Independent School and served on its board for over 30 years. He also served as the first president of the Freethinker Society from 1870-1875, gave lectures to the society on occasion, and even translated the celebrated agnostic orator Robert Ingersoll’s Open Letter to the Clergy of Indianapolis into German for publication. His actions and beliefs heavily impacted the inception and growth of the Freethinker Society of Indianapolis.

The German-English Indepdendent School, also co-founded by Vonnegut. He would work on multiple school boards for over thirty years. — The German-English Independent School, also co-founded by Vonnegut. He would work on multiple school boards for over thirty years. Image courtesy of IUPUI University Library, Special Archives and Collections.

After the end of the Freethinker Society in 1890, Clemens Vonnegut continued his activism more than any former member, mostly through writing. A Proposed Guide for Instruction of Morals, published in 1900, enunciated Vonnegut’s philosophy of freethought, both in theory and in practice. This treatise also displayed a rhetorical flourish that Kurt would later cite as an influence in his autobiographical work, Palm Sunday. Echoing Ingersoll and Heinzen before him, Vonnegut declared that, “No religious creed has any real proofs. It rests simply on assertions.”

However, that does not mean that humanity cannot be moral. In fact, Vonnegut argued the opposite:

True virtue is its own reward, which is not enhanced but rather misled by belief. Belief deprives us of the joys of this world by teaching us that we must detest them, and instead of them we must hope for a heaven. Belief forms the germ for persecution of those who differ from us in their religious convictions.

A Proposed Guide for Instruction of Morals, 1900. Published in both German and English, this pamplet by Clemens Vonnegut argued for a moral and just society without the need of superstition or religious beliefs. Courtesy of IUPUI University Library, Special Collections and Archives.

Vonnegut saw morality as the wellspring of the “intrinsic quality of human character which ought to be nourished and cultivated early, continually, and carefully.” In subsequent pages, Vonnegut explained how such “cultivation” is achieved. Public education, family instruction, physical fitness, and social activities presented the means by which individuals perfected a moral life without the supernatural. Like Ingersoll, Vonnegut’s morality was clear, traditional, based in the family, and demonstrated a moral life without the need of God. While Clemens Vonnegut presented his philosophy clearly, the events surrounding his death were anything but.

Clemens Vonnegut’s death in 1906 created somewhat of a mystery for his family, and later his great-grandson. It was said that he died in the snow . . . or so the story goes. Kurt Vonnegut recalls this story in his autobiographical work, Palm Sunday. In the winter of 1906, Clemens Vonnegut supposedly went for a routine stroll. Having lost his way, he wandered the streets of Indianapolis for hours before he was found dead by the side of the road by a search party. This story bewildered Kurt, whose own freethought can be traced to his great-grandfather and his own extended family. However, as with many family stories, this one stretches the truth a little.

Clemens did not die by the side of the road, but was rather found unconscious. The Indianapolis News reported that C. W. Jones, a local construction worker, found the 82-year-old Vonnegut nearly five miles from the city on Crawfordsville Pike. He sustained injuries to his head and right shoulder, but doctors feared that exposure to the elements might be his biggest challenge. After fighting for his life for five days, Clemens Vonnegut succumbed to pneumonia on January 13, 1906. His obituary cited his charity and love for knowledge, his activities within the Socialer Turnverein and the Freethinker Society, and his 27-year service for a local school board. True to his iconoclastic nature, Vonnegut wrote his own eulogy back in the 1870s and asked for its recitation when he died. As recorded in the Indianapolis Star, he railed against the creeds of Christianity:

I do not believe in the atonement to the blood of Christ or in the sin of incredulity. I do not believe in a punishment in a future life. I believe neither in a personal God nor a personal devil, but I honor the ideal which man has created as the tenor of all virtues and perfections, and has named God.

Until the very end, Clemens believed in the power of humanity to throw off the shackles of religion and embrace the values of inquiry and human-based ethics.

Kurt Vonnegut, Jr. in New York City, 1979. Photo by Marty Reichenthal. Courtesy of slopemedia.org.

Nearly a century later, famed author Kurt Vonnegut (born in 1922 in Indianapolis) wrote in Palm Sunday that his great-grandfather’s freethought was his own “ancestral religion” and that he was “pigheadedly proud” of the heretical nature of his family. Kurt Vonnegut, a future honorary president of the American Humanist Association, carried the torch of freethought for his grandfather, and in some respects, introduced his ideas to a new generation.

In many of his works, Kurt would openly criticize religion, spirituality, and faith, so much so that it even contributed to the end of his first marriage. Nevertheless, echoing his grandfather in a 1980 speech at the First Parish Unitarian Church, Vonnegut declared, “Doesn’t God give dignity to everybody? No—not in my opinion. Giving dignity, the sort of dignity that is of earthly use, anyway, is something that only people do. Or fail to do.”

Slaughterhouse-Five (1969) would become Vonnegut's most well known novel. Its open understanding of the barbarity of war, coupled with many humanist themes, continues to enthrall readers. Courtesy of In These Times. — Slaughterhouse-Five (1969) would become Vonnegut’s most well known novel. Its open understanding of the barbarity of war, coupled with many humanist themes, continues to enthrall readers. Courtesy of In These Times.

His most popular novel, Slaughterhouse-Five (1969), displays Kurt’s intense abhorrence of war (influenced by his own WWII POW experience) and a belief in a common humanity. Specifically, “so it goes” is a phrase that Vonnegut peppered throughout the novel, often after horrible events or even banal ones. This phrase conveys that no matter how bad things get, no matter how high one can get, the world (and indeed the universe) goes on. As an example, this passage from the novel, describing the protagonist Billy Pilgrim’s memory of a sculpture of Jesus, is fairly apt:

A military surgeon would have admired the clinical fidelity of the artist’s rendition of all Christ’s wounds—the spear wound, the thorn wounds, the holes that were made by the iron spikes. Billy’s Christ died horribly. He was pitiful.

So it goes.

“So it goes” becomes the novel’s panacea; a way for the narrator to deal with the grim realities of war without the comfort of religious beliefs. In some respects, it can be seen as a mantra for humanism.

Kurt's son Mark reading his late father's remarks of Clowes Memorial Hall in April, 2007. This event capped Indianapolis's "Year of Vonnegut" ceremonies. The author had died just weeks before he was to deliver this address. Courtesy of USA Today. — Kurt’s son Mark reading his late father’s remarks at Clowes Memorial Hall in April, 2007. This event capped Indianapolis’s “Year of Vonnegut” ceremonies. The author had died just weeks before he was to deliver this address. Courtesy of USA Today.

Kurt Vonnegut’s humanism continued until the end of his life, as displayed by an address he meant to give on April 27, 2007 for Indianapolis’s “Year of Vonnegut” celebrations (he died on April 11; his son Mark gave the address in his stead). In this address, from the posthumous work Armageddon in Retrospect (2008), Kurt espoused his continued commitment to humanism. He wrote:

Am I religious? I practice a disorganized religion. I belong to an unholy disorder. We call ourselves “Our Lady of Perpetual Consternation.” We are as celibate as fifty percent of the heterosexual Roman Catholic clergy.

Actually—and when I hold up my right hand like this, it means I’m not kidding, that I give my Word of Honor that what I’m about to say is true. So actually, I am honorary President of the American Humanist Society, having succeeded the late, great science fiction writer Isaac Asimov in that utterly functionless capacity. We Humanists behave as well as we can, without any expectation of rewards or punishments in an Afterlife. We serve as best we can the only abstraction with which we have any real familiarity, which is our community.

This emphasis on “community” squares nicely with Clemens’s own commitments to community, both with the Freethinker Society and with his advocacy of public education. Both Vonneguts believed that the values of sociality and comradery are essential to the flourishing of a community, and you can achieve that system without a supernatural element.

Clemens Vonnegut’s humanism carried through many generations of his family and left an indelible mark on Kurt Vonnegut. The two men’s rejection of religion and the supernatural reinforced their love for humanity, their desire for community, and their commitment to the truth, no matter how horrifying it may be. Kurt’s own success as a writer and social critic would have delighted Clemens, who participated in many of the same literary pursuits and civic activities decades before Kurt was born. As such, their two lives, separated by time, nevertheless became entwined by their ideals. Their humanist legacy reinforces the diversity of intellectual and moral philosophies that embody the American Midwest throughout the 19th, 20th, and early-21st centuries.

Both Vonneguts were proud to be from Indianapolis and the city proudly remembers them.

[*] Kurt Vonnegut’s humanism may also be described as “Modern Humanism,” or “Naturalistic Humanism, Scientific Humanism, Ethical Humanism, and Democratic Humanism, [is] defined by one of its leading proponents, Corliss Lamont, as “a naturalistic philosophy that rejects all supernaturalism and relies primarily upon reason and science, democracy and human compassion.” Modern Humanism has a dual origin, both secular and religious, and these constitute its sub-categories” (Fred Edwords, “What is Humanism,” American Humanist Association, last updated 2008, accessed March 19, 2016, americanhumanist.org).

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