Tag: PTSD

From Strange Fruit to Seeds of Change?: The Aftermath of the Marion Lynching

A crowd at the Marion courthouse looks on following the lynching of Shipp and Smith, courtesy of the Organization of American Historians.

Lawrence Beitler’s photograph of young Black men swinging from a tree as a white crowd looks on in satisfaction lingers in our collective memory. In fact, the local photographer’s snapshot inspired Abel Meeropol’s poem “Strange Fruit,” which continues to resonate with activists, as well as artists like Nina Simone and John Legend. But what happened after the bodies of Tom Shipp and Abe Smith were removed from the tree hours later—when tensions remained so high? And can anything be learned by examining the immediate aftermath of the 1930 Marion lynching?

On August 7, African American teenagers Shipp, Smith, and James Cameron were held in the Marion jail for the murder of Claude Deeter and rape of Mary Ball. Before the young men could stand trial, a mob comprised of white residents tore the young men from their cells, brutally beat and mutilated them before hanging Shipp and Smith from a tree on the courthouse lawn. Cameron narrowly escaped the fate of his friends. The mob intended to send a message to the African American community that they were at the mercy of white residents, despite the courageous efforts of Marion NAACP leader Katherine “Flossie” Bailey to prevent the tragedy. Read more about her efforts here.

Thomas Shipp, school photograph, courtesy of the Cameron family, accessed America’s Black Holocaust Museum.

After the lynching, the crowd lingered to prevent the coroner from removing the bodies, insistent that the message be received. This was the same crowd that had left the jail “ravaged,” with “gaping holes in the walls” and the “twisted remains of broken locks.” The Indianapolis Recorder, an African American newspaper, reported that after Shipp and Smith had been robbed of their lives, the perpetrators drove past the victims’ houses, shouting at their parents, “‘we have lynched your sons, now cry your eyes out.'”[1]

Reportedly by midnight, an “indignation meeting” formed in Johnstown, the Marion neighborhood where African Americans lived. Hundreds of shaken Black residents listened to speeches condemning the sheriff’s unwillingness to order officers to shoot at the mob. Munster newspaper The Times reported on the August 9 gathering, noting that although police dispersed the gatherers, “Negro leaders told officials trouble was brewing and might flare up at any moment.” Out of fear of escalating violence, about 200 Black residents fled Marion for Weaver, a historic Black community in Grant County.

Untitled (Lynching Scene), illustration 17, in the book Wild Pilgrimage by Lynd Kendall Ward (New York: Harrison Smith & Robert Haas, 1932), accessed On the Arts of Africa and African Diaspora Blog.

Amid the maelstrom of fury and fear, Shipp’s and Smith’s bodies were taken to Shaffer Chapel African Methodist Episcopal Church in Muncie because Marion lacked a black mortician. Before the Black community could grieve, reports spread that a white mob was traveling to Muncie to light the victims’ bodies on fire. According to historian Hurley C. Goodall’s A Time of Terror: The Lynching of Two Young Black Men in Marion, Indiana on August 7, 1930, Muncie’s African American community was determined to protect the victims’ bodies from further violence, and “for the first time they armed and organized themselves using Shaffer Chapel A.M.E. Church as their headquarters and command post to ward off any mob.” In an oral history interview for the Black Muncie History Project, Thomas Wesley Hall, an African American resident of Muncie at the time of the lynching, confirmed that Muncie citizens gathered to protect the young men’s bodies from further desecration.

After the mortician embalmed Shipp and Smith, National Guardsmen escorted the bodies back to Marion, where “two grief-stricken mothers . . . bemoaned the unjust fate of their boys.”[2] Friends gathered at the victims’ homes to hear final rites and tried to console their mothers, able only to mumble “‘it’s too bad, it’s too bad.'”[3] A Black resident later described Shipp, an employee at the Malleable foundry, as a “good boy who ‘helped his mother.'”* The Guardsmen “paced back and forth in front of these humble homes to defy with gunfire, if necessary the sworn threat of mob leaders, to burn their bodies.”[4] A “dead line” had been set, around which no white person was to pass. Although they did not attempt to set fire, white people drove past the line to “satisfy their morbid fancies” and revel that a “‘job had been done well.'”[5]

Smith was buried in Weaver, the settlement where African Americans had fled following the lynching. The Recorder marveled poetically, “Strangely enough, Weaver was a station on the ‘underground railroad’ by which slaves, who escaped the South, found a new freedom in the North.”[6] Shipp was buried in a small cemetery in Marion. A combination of the National Guard and Muncie’s Black community allowed Thomas Shipp and Abe Smith to be peacefully laid to rest. In fact, the Recorder reported “Citizens here, both white and Colored are loud in their praise of the splendid conduct of the members of the National Guard which made it unnecessary for anyone to turn his back upon his home.”[7]

Cameron, at about 14, with his school class in Marion, courtesy of the Cameron family, accessed BuzzFeed News.

Once the young men were laid to rest, the Black community was left to cope with unfathomable grief. How did the victims’ friends and family process their trauma and sorrow? For James Cameron, survivor of the lynching, it meant confronting local racism through threat of lawsuits and, later, by educating the nation about racial injustice by founding America’s Black Holocaust Museum in Milwaukee.

According to Syreeta McFadden’s “What Do You Do After Surviving Your Own Lynching?,” when the white crowd stormed the jail Black prisoners tried to defend Cameron, the youngest of the three accused. Cameron recalled that the prisoners “had become too angry to remember their own fear — if they had any. But they were helpless and powerless to offer any kind of resistance to the mob. They stood with me.”[8] But they couldn’t stop Cameron from being dragged outside, where a noose was thrown around his neck. An anonymous bystander shouted that Cameron had not been involved in the crime, causing the throng to fall silent.

James Cameron revisiting the jail cell in Marion, Indiana, from which he was dragged by a mob, Johnson Publishing Co., accessed America’s Black Holocaust Museum.

Cameron described the surreal moment saying, “I looked at the mob round me I thought I was in a room, a large room where a photographer had strips of film negatives hanging from the walls to dry. . . . they were simply mobsters captured on film surrounding me everywhere I looked.” He recalled:

‘Brutally faced with death, I understood, fully, what it meant to be a black person in the United States of America.’[9]

His life improbably spared, Cameron was taken to Anderson and in 1931 sentenced to twenty-one years for accessory before the fact of voluntary manslaughter. Again in a prison cell and surely reliving his trauma, Cameron began penning a book about his experiences entitled A Time of Terror: A Survivor’s Story, which he later took out a second mortgage to self-publish. Upon his 1935 release from prison, he vowed to “‘to pick up the loose threads of [his] life, weave them into something beautiful, worthwhile and God-like.’”[10]

Cameron with his children in Anderson, (L to R) Virgil, Herbert, Dolores, David, and Walter, courtesy of America’s Black Holocaust Museum.

Cameron had to navigate a new life in the midst of the Great Depression. He decided to move to Detroit, where he married a nurse and had children. In order to be closer to relatives, the young family moved to Anderson in the 1940s, where Cameron worked for Delco Remy and opened small businesses. Ironically, while Anderson was segregated, the trauma he endured shielded his family from discrimination. According to McFadden, the family went to a local theater, where a white manager intervened when a colleague tried to force the family into balcony seating, stating “‘Those are the Camerons . . . Leave them alone.'” Despite a degree of deference shown to him, Cameron was determined to stamp out Jim Crowism and challenged the theater’s policies, which integrated rather than face litigation.

In gratitude for his life being spared, Cameron worked to eliminate prejudice against Black Hoosiers. He founded four Indiana NAACP branches and investigated civil rights violations as the state director of civil liberties.[11] This work led to threats from white residents, which he endured before moving to Milwaukee in 1950. A student of history, Cameron poured himself into learning about African Americans’ past, undertaking research trips to the Library of Congress. After a trip to Yad Vashem, a Holocaust remembrance center in Jerusalem, he connected the atrocities of the Holocaust with those perpetrated against African slaves and their ancestors in America. The revelation inspired him to establish a museum that would “‘show what happened to us black folks and the freedom-loving white people who’ve been trying to help us.’”[12]

Cameron opened America’s Black Holocaust Museum (ABHM) in 1988 to “commemorate and reconcile America’s dark history.” As visitors took in an enlarged copy of the photograph of Shipp and Smith, Cameron informed them that a third man was nearly lynched that night. That man would then describe his experience, channeling his trauma into education.

Cameron at his pardon ceremony in Marion, 1993, courtesy of Jet Magazine, Johnson Publishing Company, accessed America’s Black Holocaust Museum.

In 1993, Indiana Governor Evan Bayh formally pardoned Cameron for his conviction. In fact, according to the Indianapolis Recorder, Mary Ball’s relatives stated that Shipp and Smith were not the perpetrators of either crime. Claude Deeter is said to have confirmed this at hospital before he died. Cameron passed away in 2006, leaving behind a trove of published works, several of which McFadden noted “protested many of the same issues being challenged today by the Black Lives Matter movement.” This included his “Police Community Relations Among Blacks in Milwaukee, Wisconsin.”[13] Cameron wrote that law enforcement officials “have been enemies of us black people since in [sic] their organization in the early 19th Century.”

That being said, he added:

They can do nothing to alarm or silence me beyond murdering me. Even at that, they may rest assured that I protest it — even in the grave. I have been initiated since my time of terror at the age of 16. I am 72 years old now and destined, like all other nonwhites, to experience a time of terror to the grave.[14]

Like many modern Black victims of police brutality, McFadden notes, the lives of lynching victims are often overshadowed by their deaths. ABHM strives to restore victims’ agency and give visitors a sense of who they were before their lives were taken from them. The Great Recession forced the museum to shutter its doors in 2008, and it became a virtual museum, which focused on remembrance, resistance, redemption, and reconciliation. An anonymous donation in 2017 allowed the museum to break ground at a new location, which will re-open once the Coronavirus pandemic subsides.

James Cameron in the America’s Black Holocaust Museum, Morry Gash/AP, courtesy of Buzzfeed News.

NAACP leader Flossie Bailey, who had tried desperately to stop the lynching and bring the perpetrators to justice despite threats on her life, resolved to turn her lamentation into legislative change. In 1931, Bailey organized statewide meetings, and convinced African Americans to contact their legislators to support an anti-lynching bill introduced by House Democrats. Her legwork paid off. Governor Leslie signed the bill into law in March, which allowed for the dismissal of sheriffs whose prisoners were lynched. The law also permitted the families of lynching victims to sue for damages.

Of its enactment, the Indianapolis Recorder wrote “Indiana has automatically retrieved its high status as a safe place to live.” It added that without the law, Indiana “would be a hellish state of insecurity to our group, which is on record as the most susceptible victims of mob violence.” Although the newspaper praised Governor Leslie, it credited a “small group which stood by until the bill became a law.” In addition to legislation, the NAACP tried to effect change by placing postcards with the image of the lynching in local drugstores “as a visible example of what the colored people confront.”[20] The postcards disappeared from Terre Haute drugstores after a member of the local Republican committee member bought them up.

Katherine “Flossie” Bailey, courtesy of America’s Black Holocaust Museum.

Using the state’s legislative victory, Bailey and her NAACP colleagues worked to pass a similar bill on a federal level. According to historian James Madison, she tried to change national lynching laws by publishing editorials, wiring President Franklin D. Roosevelt, and distributing educational materials to Kiwanis clubs. Ultimately these efforts were unsuccessful and, as of 2020, a federal anti-lynching bill has yet to be enacted. Despite this legislative defeat, Bailey fought for the rights and safety of African American citizens until her death in 1952, challenging discrimination at IU’s Robert W. Long Hospital, speaking against school segregation, and suing a Marion theater for denying Bailey and her husband admittance based on their race.

It is important to note that trauma manifests differently for everyone and not all victims are capable of transforming grief into activism. In fact, the Violence Policy Center’s “The Relationship Between Community Violence and Trauma,” report concluded:

Individuals who suffer from PTSD may manifest a dangerous combination of hyper-vigilance with an impaired ability to regulate their behavior, resulting in explosive behavior and overreactions to perceived threats. In this way, the cycle of violence becomes clear – acts of violence create behavior in individuals who then beget violent acts.

This was likely the case for James Cameron’s stepfather, Hezekiah Burden. The Indianapolis Recorder noted that in the weeks after the lynching Burden was “said to have been morose and in a threatening mood.”[15] In October 1930, under the influence of alcohol, he opened fire at his wife, Vera, and stepdaughter, Marie. He then shot two police officers, likely because they belonged to law enforcement, which had failed to protect his stepson. The Indianapolis Times reported that the “Efforts of Mrs. Burden, wife of the gunman, to aid her son [James] . . . is said to have cause[d] an argument with her husband,” before he started shooting.[16] A group of armed locals exchanged fire with Burden, ultimately injuring him, which allowed police to take him into custody. The Times noted that he was moved to Pendleton State reformatory to “avoid a possible repetition of the trouble which resulted in the lynching of two Negro youth here.”[17]

Lee Jay Martin, “Cruising Around,” Indianapolis Recorder, August 23, 1930, 4, accessed Hoosier State Chronicles.

Reportedly Burden had stated his intention “to avenge ‘himself on a couple of cops,'” the judicial system having made clear there would be no justice for his stepson’s friends.[18] In December, Burden plead guilty and was sentenced to one to ten years in a state prison on three indictments related to intent to murder.[19] Neither Marion’s Sheriff Campbell nor any members of the lynching mob were sentenced for the murder of Shipp and Smith.

From the Marion lynching, we are reminded that reform stemming from tragedy often emerges slowly and in piecemeal fashion. And, like the newly-proposed police reform bills introduced in the wake of Black Lives Matter protests, it emerges because of passionate individuals who will not let up the pressure for legislative change, despite threats to their own lives. We learn that the judicial system’s refusal to hold certain perpetrators accountable begets further brutality, as in the case of Hezekiah Burden. Conversely, when groups imbued with authority like the National Guard follow through on the promise to protect and serve, tensions often de-escalate. While acts of violence and systemic suppression imprint trauma upon generations, they also awaken the revolutionary spirit. This spirit often furthers the “arc of the moral universe,” which Dr. Martin Luther King Jr. reminded listeners in a 1968 speech, is long, but “bends towards justice.”

* Journalist Cynthia Carr interviewed a Black man, who was a neighbor of Shipp’s at the time of the lynching. According to America’s Black Holocaust Museum, he told Carr “that Tommy had once told him about holding up white people, that this was justified because whites in the South had killed his uncle. The neighbor tried to dissuade Thomas from this course, pointing out that, after all, he had a good job and even a car.”

Sources:

Syreeta McFadden’s “What Do You Do After Surviving Your Own Lyching?”

Dani Pfaff’s and Jill Weiss-Simins’ historical marker review

Nicole Poletika’s “Strange Fruit: The 1930 Marion Lynching and the Woman Who Tried to Prevent It”

Notes:

[1] “State Militia Stands Guard as Funeral Rites for Lynched Marion Youths are Held,” Indianapolis Recorder, August 16, 1930, 1, accessed Hoosier State Chronicles.

[2] Ibid.

[3] Ibid.

[4] Ibid.

[5] Ibid.

[6] Ibid.

[7] Ibid.

[8] Syreeta McFadden, “What Do You Do After Surviving Your Own Lyching?,” BuzzFeed News, June 23, 2016.

[9] Ibid.

[10] Ibid.

[11] Ibid.

[12] Ibid.

[13] Ibid.

[14] Ibid.

[15] “Marion Now Calm After Gun Battle,” Indianapolis Recorder, October 11, 1930, 1, accessed Hoosier State Chronicles.

[16] “Fire of Posse Member Brings Down Gunman,” The Indianapolis Times, October 6, 1930, 9, accessed Hoosier State Chronicles.

[17] Ibid.

[18] “Marion Now Calm After Gun Battle,” Indianapolis Recorder, October 11, 1930, 1, accessed Hoosier State Chronicles.

[19] “Hears Sentence as He Lays Upon Stretcher,” Logansport Pharos-Tribune, December 13, 1930, 8, accessed Newspapers.com.

[20] “Lynching Pictures Taken Off Market,” Indianapolis Recorder, September 27, 1930, 1, accessed Hoosier State Chronicles.

How Indianapolis Surgeon Dr. Joseph Ward Challenged the Jim Crow South

“New Sanitarium,” The Freeman, An Illustrated Colored Newspaper (Indianapolis), July 19, 1909, 3. accessed Google News.

If you scour Scott’s Official History of the American Negro in the World War, On the Trail of the Buffalo Soldier, The Encyclopedia of African American Military History, The African American Encyclopedia, and the Who’s Who of the Colored Race, Dr. Joseph Ward’s name is nowhere to be found. This is a concerning omission, given that his leadership at Tuskegee, Alabama’s Veterans Hospital No. 91. helped prove to some white Jim Crow Southerners, medical practitioners, U.S. military officials, and even President Calvin Coolidge that African Americans were fit to manage large institutions. His significance is two-fold: in an era where African Americans were often excluded from medical treatment, Ward made care accessible to those in Indianapolis and, on a much larger scale, to Southern veterans.

Born in Wilson, North Carolina to Mittie Ward and Napoleon Hagans, Joseph traveled as a young man to Indianapolis in search of better opportunities. In the Circle City, he attended Shortridge High School and worked as the personal driver of white physician George Hasty. According to the African American newspaper The Freeman, Dr. Hasty “‘said there was something unusual in the green looking country boy, and to the delight of Joe as he called him, he offered to send him to school.'”[1] By the 1890s, Ward had earned his degree from Indiana Medical College and practiced medicine in his adopted city. In 1899, The Freeman remarked “The fact that he has risen from the bottom of poverty, th[r]ough honorable poverty, without any assistance, is sufficient evidence to justify our belief in his success in the future.”

Barred from treating Black patients in city hospitals due to institutionalized discrimination, he opened Ward’s Sanitarium and Nurses’ Training School on Indiana Avenue around 1907, which soon garnered the praise of white physicians. He also convinced administrators at the segregated City Hospital to allow Ward’s Black nursing students to attend courses. By enabling them to pass the same state licensing test as white students, he opened professional opportunities to African American women in an era in which they were often relegated to domestic service and manual labor.

Advertisement, Indianapolis Recorder, January 8, 1910, 4, accessed Hoosier State Chronicles.

Dr. Ward became as foundational to Indianapolis’s rich Black history as The Freeman publisher Dr. George Knox and entrepreneur Madam C.J. Walker, for whom Ward helped get her professional start. He gave back to his city by helping found the African American Senate Avenue YMCA. During World War I, Ward temporarily left his practice to serve in the Medical Corps in France with the 92nd Division Medical Corps, where he worked as ward surgeon of Base Hospital No. 49. Again, his diligence propelled him to excellence, and he became one of two African Americans to achieve the rank of Major in World War I.[2] In 1924, Dr. Ward’s name was etched into the annals of history, when he became the first African American commander of the segregated Veterans Hospital No. 91 at Tuskegee, Alabama. Ward’s decision to accept the position was itself an act of bravery, coming on the heels of hostility from white residents, politicians, and the Ku Klux Klan.

Initially, the Veterans Bureau placed the new hospital in control of a white staff, despite promising Black personnel they would manage it. After seemingly talking out of both sides of their mouths, Bureau officials gradually began replacing white staff with Black staff due to the unrelenting protest of African Americans across the country. This decision essentially pulled the pin from a grenade. Vanessa Northington Gamble contended in Making A Place for Ourselves: The Black Hospital Movement, 1920-1945 that “White Tuskegeeans saw the fight over the hospital as a ‘test of the supremacy of the Angle-Saxon race’ and were prepared to win the battle by any means necessary.”[3] When African American bookkeeper John C. Calhoun arrived at the hospital to replace his white predecessor, he was handed a letter that warned[4]:

WE UNDERSTAND YOU ARE REPORTING TO HOSPITAL TO ACCEPT DISBURSING OFFICERS JOB, IF YOU VALUE YOUR WELFARE DO NOT TAKE THIS JOB BUT LEAVE AT ONCE FOR PARTS FROM WHENCE YOU CAME OR SUFFER THE CONSEQUENCES, KKK.

He took heed, and an hour after Calhoun fled, approximately 50,000 Klan members marched on Tuskegee and burned a forty-foot cross, before silently marching near the veterans’ hospital. Although violence was avoided, one “fair-skinned” man reportedly “infiltrated the Klan by passing as white” and learned they planned to kill a Black leader and blow up the Tuskegee Institute. The community at large expressed their disapproval of Black leadership by protesting at the White House. Southern politicians did so by writing pieces for the local papers, like State Senator R. H. Powell, who insisted in The Montgomery Advertiser “We know that a bunch of negro officers, with uniforms and big salaries and the protection of Uncle Sam . . . will quickly turn this little town into a place of riot such as has been experienced in so many places where there has occurred an outbreak between the races.”

But President Calvin Coolidge’s Republican administration stood up to the Klan and continued to replace white staff with Black personnel. In a nod to the Confederacy’s defeat in the Civil War, The Buffalo American wrote that the Klan’s demonstration “proved to be another ‘lost cause’ and Negro workers continued to arrive.”[5] With Dr. Ward’s appointment, the hospital’s staff was composed entirely of Black personnel. The hospital’s pioneering practitioners treated Southern Black veterans, many of whom suffered from PTSD following WWI service. Under Ward’s leadership, the Buffalo American reported, patients “are happy, content and enjoying the best of care at the hands of members of their own race who are inheritently [sic] interested in their welfare.” The Montgomery Advertiser noted in 1935 that No. 91 was among the largest U.S. veterans hospitals in the country, offering 1,136 beds, and experiencing a monthly wait list of about 375 patients. In addition to neuropsychiatric treatment, the hospital’s library hosted a bibliotherapy program and patients could view moving pictures and attend dances. The sprawling complex also provided job opportunities for Black laborers, waiters, stenographers, plumbers, and electricians.

Dr. Joseph Ward, courtesy of VA History Highlights, U.S. Department of Veterans Affairs.

In describing his leadership, Ward’s colleagues recalled that his purpose was firm, demeanor alert, and interactions with subordinates fair. Ward reportedly “amassed an enviable reputation in the Tuskegee community. His legendary inspection tours on horseback and his manly fearlessness in dealing with community groups at a time when there was a fixed subordinate attitude in Negro-white relations are two of the more popular recollections.”[6] He proved so adept as a leader that the War Department promoted him to Lieutenant Colonel. A 1929 editorial for the Journal of the National Medical Association praised Ward for his ability “to win over to your cause the White South.”[7] The author added that Ward “has served as an inspiration to the members of the staff of the hospital. He has stimulated original observation and contributions”[8] and noted “‘Those who led the opposition to the organization of a Negro personnel openly and frankly acknowledge their mistake and their regret for the earlier unfortunate occurrences.'”[9]

President Coolidge affirmed these characterizations in an address to Congress. Howard University conferred an honorary Master of Arts degree upon Ward for honoring his profession “under pioneer conditions of extraordinary difficulty.”[10] The accolades go on. In regards to this praise, Ward was characteristically humble, stating in The Buffalo American on October 30, 1924, “‘My associates have worked as though they realized that not only them personally, but the entire group was on trial and whatever success we have had was due to that spirit.'”

Tuskegee VHA key staff, 1933, Dr. Ward, front row, center, courtesy of VA History Highlights, U.S. Department of Veterans Affairs.

Years after Ward’s appointment, racial tension had not entirely dissipated. In 1936, a federal grand jury charged Ward and thirteen others on the hospital’s staff with “conspiracy to defraud the Government through diversion of hospital supplies.” After more than eleven years of service, the esteemed leader was dismissed “under a cloud,” and he plead guilty to the charges in 1937.[11] Black newspapers provided a different perspective on Ward’s rapid descent from grace. According to The New York Age, Black Republicans viewed the “wholesale indictment of the Negro personnel” at Veterans Hospital No. 91 as an attempt by Southern Democrats to replace Black staff with white, to “rob Negroes of lucrative jobs.”[12] The paper added that these Southern Democrats tried to “take advantage of the administration of their own party in Washington and oust colored executives on charges they would not have dared to file under a Republican regime.” These Black employees, the paper alleged, became the “hapless victims of dirty politics.” Given the previous attempts of the white community to usurp control of the veterans hospital, one is tempted to see truth in this interpretation. After Ward’s dismissal, he quietly returned home to Indianapolis and resumed his private practice, which had moved to Boulevard Place. He practiced there until at least 1949 and in 1956 he died in Indianapolis. 

The struggle for leadership of the new veterans hospital shifted the threat of African American autonomy from theoretical to real for the white Jim Crow South. It exposed the organizational capabilities of the white community in terms of protesting the possibility of this autonomy. It also exposed the capabilities of the Black community in terms of demanding their own governance, efforts Dr. Ward ensured were not made in vain. The young man who journeyed out of the South in search of better opportunities later returned to create them for others. Yet somehow his efforts are virtually absent from the historical record. With the help of doctoral student Leon Bates, IHB is changing that this summer by commemorating Lt. Col. Joseph H. Ward with a historical marker.

 

SOURCES USED:

Dr. Joseph H. Ward historical marker notes.

FOOTNOTES:

[1] “Dr. Joseph H. Ward,” The Freeman: An Illustrated Colored Newspaper (Indianapolis), July 22, 1899, 1, accessed Google News.

[2] “Maj. Ward Back from U.S. Work,” The Indianapolis Star, June 29, 1919, accessed Newspapers.com. “Dr. Joseph H. Ward,” The Freeman: An Illustrated Colored Newspaper (Indianapolis), July 22, 1899, 1, accessed Google News.

[3] Gamble, 90.

[4] Quotation from Gamble, 92.

[5] “Making Good at ‘The Tuskegee’ United States Veterans’ Hospital, No. 91,” The Buffalo (New York) American, 6, accessed Newspapers.com.

[6] Dr. Clifton O. Dummett and Eugene H. Dibble,”Historical Notes on the Tuskegee Veterans Hospital,” Journal of the National Medical Association 54, no. 2 (March 1962), 135.

[7] Editorial, “The U.S. Veterans’ Hospital, Tuskegee, Ala., Colonel Joseph Henry Ward,” Journal of the National Medical Association 21, no. 2 (1929): 65-66.

[8] Ibid., 67.

[9] Ibid., 66.

[10] “Col. Ward,” Baltimore Afro American, June 13, 1931, accessed Newspaper Archive.

[11] “Dr. Dibble Succeeds Col. Ward as Head of Tuskegee Hospital,” The Pittsburgh Courier, accessed Newspapers.com; Colonel Indicted in Food Stealing,” The Montgomery Advertiser, July 10, 1936, accessed Newspapers.com; “Two Plead Guilty in Hospital Case,” The Montgomery Advertiser, March 25, 1936, accessed Newspapers.com.

[12] “Charge Southern Democrats Seek Control of Veterans Hospital at Tuskegee, As 9 Others Are Indicted,” The New York Age, October 3, 1936, accessed Newspapers.com.