Susan Elston Wallace: Forgotten Writer and Early Environmentalist

Susan Wallace, courtesy of the General Lew Wallace Study & Museum.

Along with many of her fellow 19th-Century sisters of the pen, Susan Elston Wallace and her work are little known to us today.  These female authors practiced their craft seriously and sold well, yet were never regarded as important as male writers whose subjects were presumed to be nobler, of higher value.  When fine work by women disappeared and men’s work became classics, an unknown cost fell upon our culture and our vision of ourselves as a nation.

As a writer, Susan Wallace (1830-1907) possessed certain attributes that partially set her apart her from the “female writer” stereotype.   Initially, as a young woman she had more or less lived the stereotype by publishing poetry on domestic subjects. One of those poems was anthologized and widely circulated in a children’s textbook.

Later in life, she was exempted from ordinary critique as a “female writer” because she was the wife of General Lew Wallace, author of Ben-Hur, the best-selling book of the 19th century.  (Only the Bible sold more copies).  Lew was a prolific writer and a man of great personal accomplishment, who, among other distinctions, was a Civil War general, Governor of New Mexico Territory (1878-1881), and an ambassador to Turkey.  Susan, without a doubt, was Lew’s collaborator and co-researcher.  She was fully recognized by him as an intellectual and literary equal.  Given this unusual and little-known partnership, it is no wonder that deep knowledge of the world and of its peoples mark both of their works. Surely both partners strongly influenced the other’s work.  Whether they were living in Crawfordsville, Indiana, or in the New Mexico Territory, or in the Ottoman Empire, both husband and wife engaged in writing projects.

It is the New Mexico piece of Susan’s writing career that I will use to demonstrate Elston Wallace’s talent as a non-fiction writer, whose insights track a line of prescient environmental thinking.  Her writing style is not only alive with ideas, it exhibits a freshness and wit that makes it inviting to contemporary readers.

Courtesy of the General Lew Wallace Study & Museum.

Elston Wallace’s book about her New Mexico sojourn is called The Land of the Pueblos.  It is comprised of twenty-seven essays, first published as “travel pieces” in prestigious national magazines and newspapers like the Atlantic Monthly, the Independent, and the New York Tribune.  Being published in such influential East Coast periodicals speaks of the high regard in which her writing was held at the time. In these essays, Susan did not write a word about the many social duties—the teas, the formal receptions, entertaining visiting dignitaries—she would have performed as the wife of the Governor of New Mexico Territory.  Nor does she write about her husband in his official capacity.  Rather, she applied her excellent educational background and her intellectual curiosity to learning and writing about New Mexican natural history and human history.

Elston Wallace also holds the rare honor of having saved much of New Mexico’s written colonial history, which had been forgotten in an outbuilding adjacent to the Governor’s Palace in Santa Fe.  There, Elston Wallace came upon and then personally helped salvage much of the Territory’s surviving early recorded history, a topic about which she wrote vividly.  These documents tutored her.  They spurred her curiosity and inspired many of her essays.

***

It was New Mexico, though, that made Elston Wallace aware of environmental issues.  She was an astute observer of the natural world, learning names and habits of the plants and animals; she studied landforms and how rivers ran.  Her ability to write about these things gives her work its most notable signature.  Increasingly more knowledgeable about her surroundings and thereby more fully conscious of how human life in New Mexico had been shaped, Elston Wallace soon apprehended how the Spaniards, in particular, had affected the land and its original inhabitants. In her first essay, Elston Wallace makes clear that the “greed of gold and conquest” had despoiled New Mexico.

Image from The Land of the Pueblos (1889), courtesy of Archive.org.

She also proves herself as an able thinker regarding how land and people’s fates are intertwined, such as this example:

Four hundred years ago the Pueblo Indians were freeholders of the vast unmapped domain lying between the Rio Pecos and the Gila, and their separate communities, dense and self-supporting, were dotted over the fertile valleys of Utah and Colorado, and stretch as far south as Chihuahua, Mexico.  Bounded by rigid conservatism as a wall, in all these ages they have undergone slight change by contact with the white race and are yet a peculiar people, distinct from the other aboriginal tribes of this continent as the Jew are from the other races in Christendom.  The story of these least known citizens of the United States takes us back to the days of . . . the . . . great Elizabeth.

Note how in this passage Elston Wallace identifies the “vast unmapped domain” of the Pueblos and identifies their communities as “separate,” “dense,” and “self-supporting.”  She identifies the land as fertile and the Pueblos as having a distinct culture, comparing them favorably to Jews among Christians.  She calls the Pueblos “citizens.”

Image from The Land of the Pueblos (1889), courtesy of Archive.org.

Elston Wallace’s use of the term “conservative” in this passage may be accurately rendered as “stable.”  So, the nature of the Pueblo peoples, she says, have “undergone [only] slight change by contact with the white race.”  By using this terminology, she points toward stabilizing forces that were afoot in 19th-Century America, when colonies promoting shared, stable agrarian living were being intentionally created.  The Shakers, New Harmony, and the Amanas were and are communities so notable that their names and accomplishments come down to us today.  In the previous passage, Elston Wallace describes the Pueblo communities, their governance, and their farming practices with phrases admired by her own culture and era.  New Mexico’s native peoples were freeholders; they were self-supporting; they formed communities; they were citizens.  Few other historians of the period write about the Pueblos at all, let alone view them as central to the history of the land they inhabit, and as admirable people.

It can be argued, of course, that Elston Wallace’s progressive fellow citizens of the period had a habit of idealizing Native Peoples and had a strong aversion (call it prejudice) against Catholic Spain.  That being said, Elston Wallace’s analysis and her rich empathy supported by historical knowledge and argumentation make her work stand apart.  Her brave voice stands in strong contrast to typical histories of her day and those written through the middle of the 20th century. A pertinent example is Paul Horgan’s The Centuries of Santa Fe (1956), which presents the conquest version of New Mexico’s history as thoroughly Eurocentric.  In this version, the Mexicans succeeded the Spanish and the Americans succeeded the Mexicans until the New Mexican piece of America’s Manifest Destiny fell into place in 1846.

Given this widely accepted version of conquest history that Horgan and other historians espouse, it is no wonder that he not only displaces the Pueblos, he displaces Elston Wallace as a New Mexican historian who understands and chronicles their worth and richness.  Ironically, Horgan  credits Governor Lew Wallace, not his wife, as saving “what he could of the collection of [New Mexican historical] documents already scattered, lost, or sold.”

Horgan’s “authoritative” reporting, so common among mainline historians of the 20th century, renders the Pueblo peoples, their land, and the intelligent woman who told their stories in the l880s invisible.  No matter how accurate and astute Elston Wallace’s argument was, it had no efficacy since it was not “remembered” in mainstream histories of New Mexico and the West.  Such an argument, had it been heard and then acted upon, might have reshaped our history.

John Gast/George A. Crofutt, “American Progress,” circa 1873, courtesy of the Library of Congress.

In an era of unstoppable exploration and exploitation of the West and its mineral resources, Susan Elston Wallace saw, understood, and wrote about a broader, deeper story, one which speaks of how we as people can best live on the land. She vividly chronicles what happens when natural patterns are disrupted.  In our century, we would regard Elston Wallace’s vision as a strongly environmental one, central to our 21st-Century understanding of essential sustainability.

So, while Elston Wallace certainly did entertain the intellectual readers of the East Coast and Midwest with tales of Montezuma and adventures of travel in the Wild West, in The Land of The Pueblos, she also boldly introduced her readers to what happens when “a native self-sustaining people, independent of the Government, the only aborigines among us not a curse to the soil” are abused along with their land through the claims of colonialism.

During the late 19th century, it was widely assumed that men make history. Elston Wallace challenges that point of view and deserves a place in our history as an excellent non-fiction essayist.  She also deserves a place as a dissenter to colonial history’s single, obliterating story of man as controller of nature.  Susan Wallace was an early environmentalist:  she gave voice to New Mexico’s landscape and to its original peoples.  Researchers have exciting work to undertake in the Susan Elston Wallace archives.

Edwin Way Teale: “Traveler in Little Realms”

"Teale Working Outside," photograph, 1960, Edwin Way Teale Papers,University of Connecticut Digital Collections, http://hdl.handle.net/11134/20002:199714571
Edwin Way Teale, “Teale Working Outside,” photograph, 1960, Edwin Way Teale Papers, University of Connecticut Digital Collections, accessed http://hdl.handle.net/11134/20002:199714571

[This post is adapted from a footnoted research paper created to support the text of the Edwin Way Teale state historical marker.]

American naturalists have been cited for combining philosophy and writing in ways that affect how concerned citizens value and care for their environment. Edwin Way Teale is considered one of the twentieth century’s most influential naturalists, stemming from his ability to combine the artistic, philosophical, and scientific in his writing. According to the extensive Biographical Dictionary of American and Canadian Naturalists and Environmentalists, “Through his popular books [Teale] convinced Americans they had a personal stake in the preservation of ecological zones [and] convinced them to support national parks and conservation movements.” Teale credited his renowned career to his rich childhood spent in the Indiana Dunes, where he developed a love for nature, an eye for photography, and an accessible writing style.

He immortalized his boyhood adventures in Dune Boy and later works, including Wandering through Winter, for which he became the first naturalist to win a Pulitzer Prize. Teale is included in the “heyday of dunes art and literature begun and perpetuated” by a group of artists of the “Chicago Renaissance” movement, according to J. Ronald Engel’s Sacred Sands: The Struggle for Community in the Indiana Dunes. Naturalists, conservationists, writers, and critics have ranked Teale among the renowned American naturalists, including John Muir, John Burroughs, and Henry David Thoreau.

Born Edwin AlfredTeale on June 2, 1899 in Joliet, Illinois. He later wrote of his disdain for the dismal industrial landscape of his parents’ home. Instead, Teale favored the holidays and summers he spent with “Gram and Gramp” exploring their Lone Oak farm in the Indiana Dunes. In Dune Boy (1943), Teale wrote that “to a boy alive to the natural harvest of birds and animals and insects, [Lone Oak] offered boundless returns.”

As he grew up, Teale’s interest in nature grew as well. At the age of seven or eight Teale looked through his first microscope, and at nine he declared himself a naturalist. By the age of ten he finished his twenty-five chapter “Tails [sic] of Lone Oak,” and at twelve he changed his name to “the more distinguished” Edwin Way Teale.

"Indiana Dunes National Lakeshore," photograph, National Parks Foundation, http://www.nationalparks.org/explore-parks/indiana-dunes-national-lakeshore
“Indiana Dunes National Lakeshore,” photograph, National Parks Foundation, http://www.nationalparks.org/explore-parks/indiana-dunes-national-lakeshore
Earlham Hall, postcard, 1916, Morrison-Reeves Library, Digital Collection, accessed Indiana Memory.
Earlham Hall, postcard, 1916, Morrison-Reeves Library, Digital Collection, accessed Indiana Memory.

In 1918, Teale enrolled at Earlham College in Richmond, Indiana; he graduated with a bachelor’s degree in English literature in 1922. On August 1, 1923, Teale married his college sweetheart Nellie Imogene Donovan, who would become his “partner naturalist.”

Teale Home (undergoing roof repair), photograph, 2013, Indiana Historical Bureau file.
Teale Home (undergoing roof repair), photograph, 2013, Indiana Historical Bureau file.

The Teales moved to New York City in 1924, where Edwin attended Columbia University, and continued writing. After a period of rejection, he obtained regular work assisting Frank Crane, a popular religious writer, with his daily editorial column. The Teales’ only child, David, was born in 1925. In 1926, Teale received his M.A. from Columbia in English literature. In July of that year, he also took possession of his grandparents’ property in the Indiana Dunes, where he and his family built a brick cottage. They maintained the property until selling it in 1937.

Edwin Way and David Teale, photograph, (date cited inaccurate), University of Connecticut Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A199724976
Edwin Way and David Teale, photograph, (date cited inaccurate), University of Connecticut Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A199724976
Popular Science, October 1928, Popular Science Archive, accessed http://www.popsci.com/archives
Popular Science, October 1928, Popular Science Archive, accessed http://www.popsci.com/archives

In 1928, Popular Science hired Teale as a staff writer. Over the next thirteen years, he perfected his photography skills at the magazine, which led his pioneering technique for photographing insects and launched his career. Teale used an icebox to immobilize his insect subjects, placed them in a natural surrounding, set up a camera with magnifying lens, and waited for the subject to reanimate. Using this technique, he represented insects in a novel way – up close and larger than life. After successfully exhibiting his photos around New York City, they were published in nature magazines. His first critically acclaimed book, Grassroot Jungles, displayed a collection of over one hundred of these photos.

Edwin Way Teale, Grassroot Jungles (Dodd, Mead and Company,) 19) accessed the Ecotone Exchange, http://theecotoneexchange.com/category/edwin-way-teale/
Edwin Way Teale, Grassroot Jungles (Dodd, Mead & Company,) 1937) cover photograph accessed the Ecotone Exchange, http://theecotoneexchange.com/category/edwin-way-teale/

In January 1941, Teale’s The Golden Throng was published, receiving praise for the photographs of bees. On October 15 of that year, Teale left his job at Popular Science to become a freelance writer and photographer. He called that day his “own personal Independence Day.”

Teale’s decision to undertake freelance writing and photography also gave him time to work in his insect garden. For several years, Teale paid ten dollars a year for “insect rights” for a plot of land near his Long Island home. He planted “sunflowers, hollyhocks, spice bush and milkweed,” as well as “troughs offering honey and syrup to bees and butterflies (and) hidden pie pans with putrid meat to attract carrion beetles” to his garden. Teale’s biographer and publisher, Edward H. Dodd, wrote that “this small plot of land, undesirable for real-estate purposes, even in Long Island became his outdoor laboratory, his photography studio, his wilderness to explore.”

Edwin Way Teale (studying insects), photograph, 1935, Teale Papers University of Connecticut, Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A860118213
Edwin Way Teale (studying insects), photograph, 1935, Teale Papers University of Connecticut, Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A860118213

In October 1942, Dodd, Mead & Company published the result of these photography experiments, Near Horizons: The Story of an Insect Garden. Prominent publications praised the book, including the New York Times, Scientific Monthly, and The Scientific American, which proclaimed Teale one of few scientists “heavily gifted with literary charm.”  In this latest book, Teale described himself as “an explorer who stayed at home, a traveler in little realms, a voyager within the near horizons of a hillside.”

https://archive.org/details/duneboytheearlyy011553mbp
Edwin Way Teale, Dune Boy (Dodd, Mead & Company, 1943, reprint 1957) https://archive.org/details/duneboytheearlyy011553mbp

In October 1943, Teale published Dune Boy: The Early Years of a Naturalist.   In this work, Teale recollected the years he spent among the natural wonders of the Indiana Dunes, surveying his surroundings from the roof of the farm house, the shores of Lake Michigan, and the floor of the surrounding woods. In the book, he credits his grandparents for giving him freedom to develop his interest in nature. “At Lone Oak there was room to explore and time for adventure. A new world opened up around me. During my formative years, from earliest childhood to the age of fifteen, I spent my most memorable months here, on the borderland of the dunes.”

Anita Moffett, “A Boy Grows Up Beside Lake Michigan,” New York Times, November 7, 1943, BR10, accessed http://timesmachine.nytimes.com
Anita Moffett, “A Boy Grows Up Beside Lake Michigan,” New York Times, November 7, 1943, BR10, accessed http://timesmachine.nytimes.com

Dune Boy received a long and glowing review in the New York Times. The reviewer alluded to the book and Teale’s childhood, as representative of something inherently American. The reviewer stated that “Dune Boy is not only the record of a naturalist’s beginnings but one of our many-sided American way of life.”

Edwin Way Teale, Dune Boy, Armed Services Edition (Council on Books in Wartime, 1944), accessed amazon.com
Edwin Way Teale, Dune Boy, Armed Services Edition (Council on Books in Wartime, 1944), accessed amazon.com

Indicative of the book’s popularity, the army distributed more than 100,000 copies of Dune Boy during World War II. These “armed service editions” were printed by the Council on Books in Wartime.”  Their slogan was “books are weapons in the war on ideas.”Teale commented that “he heard from many who had read it while engaged in battle for freedom in all parts of the world” and some scholars have suggested that the book presents “a timeless model of the democratic common life, for many . . . an image of their real American homeland.” The Teales’ son, David, served as part of an assault team under General George Patton during the war. After a period of considering him missing in action, in March 1945 the Teales’ received word that their nineteen-year-old son had been killed. The Teales claimed that only their love of nature got them through this difficult time.

Despite the personal tragedy, Teale’s career flourished. On November 19, 1945, The Lost Woods: Adventures of a Naturalist was published with critical acclaim and, beginning in January 1946, newspapers across the country began running Teale’s Nature in Action column.  That November, Dodd, Mead & Company released a version of Henry David Thoreau’s Walden, “lovingly prepared” by Teale, who wrote an introduction and provided 142 of his own photographs.

Edwin Way Teale, photograph, 1935, Teale Papers, University of Connecticut Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A860118193
Edwin Way Teale, photograph, 1935, Teale Papers, University of Connecticut Archives and Special Collections, accessed http://digitalcollections.uconn.edu/islandora/object/20002%3A860118193
Edwin Way Teale, North with the Spring (Dodd, Mead & Company, ), photograph of cover Audubon Society Florida Newsletter, March 22, 2012 accessed http://audubonoffloridanews.org/?p=11137
Edwin Way Teale, North with the Spring (Dodd, Mead & Company, 1951), photograph of cover Audubon Society Florida Newsletter, March 22, 2012 accessed http://audubonoffloridanews.org/?p=11137

In November 1951, Dodd, Mead & Company released North with the Spring, the account of the Teales’ 17,000-mile, four month long pursuit of spring across America. According to one New York Times reviewer, the book was “packed with solid learning” about the plants, animals, and weather they encountered, but it was also a “warm and moving” story of husband and wife naturalists. Contemporary environmentalists, such as Rachel Carson, embraced North with the Spring‘s environmentally conscious message.

 

 

Edwin Way Teale, “Skyscrapers, Scaup, Skimmers and Skunks,” New York Times, December 16, 1951, 189, accessed http://query.nytimes.com via subscription.
Edwin Way Teale, “Skyscrapers, Scaup, Skimmers and Skunks,” New York Times, December 16, 1951, 189, accessed http://query.nytimes.com via subscription.

On December 16, 1951, Teale began writing for the New York Times, producing the first of many nature articles and book reviews. In his first article, Teale wrote of the efforts to protect the wildlife areas and lamented the increasing urbanization and encroaching suburbs. Teale also wrote about the importance of contact with nature “to restore mental tone and health,” a common concern among conservationists during this time period.

Over the next few years, Teale produced compilations of selected nature writing, including Green Treasury: A Journey through the World’s Great Nature Writing (1952) and The Wilderness World of John Muir (1954), which made the New York Times “outstanding books of the year” list. [Buy it at the IHB Book Shop.] Reviewers called Teale “one of our most sensitive and observant naturalists” and among the “best of Americans writing about nature,” comparing him to Thoreau and Burroughs. Teale attended conservation fundraisers and entomological meetings. As his popularity grew, his earlier books were reprinted and adapted into children’s versions.

Edwin Way Teale, Autumn Across America (
Edwin Way Teale, Autumn Across America (W. Clement Stone, 1956), cover image accessed amazon.com.

In August 1956, Teale published Autumn Across America, the second book in the American Seasons series. This time, the Teales followed fall through twenty-six states from Cape Cod to California over three months. Autumn Across America received even greater acclaim than North with the Spring. It was presented to the White House Library and described as a “revelation of the seasonal wonders that lie around us and the reflections they caused in the searching mind and genial soul of the author.”

In 1959, the Teales left their Long Island home, due to increased population and suburbanization, and moved to a 130-acre estate in Hampton, Connecticut, which they named Trail Wood.

Richard Telford, "Edwin Way Teale’s writing cabin at Trail Wood," photograph, 2014, accessed Connecticut Audubon Society, http://www.ctaudubon.org/2014/01/trail-woods-artistwriter-in-residence-program/#sthash.4EEwoBKM.dpbs
Richard Telford, “Edwin Way Teale’s writing cabin at Trail Wood,” photograph, 2014, Connecticut Audubon Society, accessed http://www.ctaudubon.org/2014/01/trail-woods-artistwriter-in-residence-program/#sthash.4EEwoBKM.dpbs
Edwin Way Teale, Wandering Through Winter (Dodd, ) cover image accessed Amazon.com.
Edwin Way Teale, Wandering Through Winter (Dodd, ) cover image accessed Amazon.com.

In fall 1965, Teale published Wandering through Winter, the most celebrated of all his works. Teale covered a wide range of topics from beetles to whales to sunsets. The New York Times ran a laudatory review of Wandering through Winter, praising Teale’s work as without fault and his writing as combining the best of Thoreau, Hudson, and Muir. In May 1966, Teale became the first naturalist to win a Pulitzer Prize (for general nonfiction) for Wandering through Winter.

Although he continued to contribute introductions and chapters to colleagues’ books, and have his own books reprinted and adapted as children’s stories, his publishing slowed somewhat over the next decade. On October 10, 1970, Indiana University presented Teale with an honorary degree. In 1978, Teale produced his last work, A Walk through the Year. The book summarized a year with his wife Nellie at Trail Wood, highlighting the memorable experiences they shared.

Edwin Way Teale (at desk), photograph, 1970, Teale Papers, University of Connecticut Archives and Special Collections, accessed http://archives.lib.uconn.edu/islandora/object/20002%3A199714567
Edwin Way Teale (at desk), photograph, 1970, Teale Papers, University of Connecticut Archives and Special Collections, accessed http://archives.lib.uconn.edu/islandora/object/20002%3A199714567

On October 18, 1980, Teale died at the age of 81. On May 17, 1981, the Connecticut Audubon Society dedicated Trail Wood as the Edwin Way Teale Memorial Sanctuary, and it became steward of the property. Nellie remained at the farm until her death in 1993. In 1998, the University of Connecticut initiated the Edwin Way Teale Lecture Series. Visitors come to hike the grounds to see Teale’s landscape of “woods, open fields, swamps, two good-sized brooks and a waterfall.” Teale’s works continue to be reprinted, including a reissue of Dune Boy in 2002.

In 2009, the Indiana Historical Bureau, with the support of the Musette Lewry Trust, installed a state historical marker at the “Lone Oak” site where the brick cottage built by Teale still stands.

Edwin Way Teale State Historical Marker Dedication, May 30, 2009, photograph, Indiana Historical Bureau, accessed http://www.in.gov/history/EWTealeDed.htm
Edwin Way Teale State Historical Marker Dedication, May 30, 2009, photograph, Indiana Historical Bureau, accessed http://www.in.gov/history/EWTealeDed.htm