“The Best of the Season:” Mark Twain’s Indiana Lectures

"America's Best Humorist," Mark Twain. Lithograph by Joseph F. Keppler, 1885. Library of Congress.
“America’s Best Humorist,” Mark Twain. Lithograph by Joseph F. Keppler, 1885. Library of Congress.

From James Whitcomb Riley to Kurt Vonnegut, Indiana is well-known for its literary heritage. This heritage developed, in-part, through personal appearances, where authors read from their works and shared new material with audiences. Of the lecturers, one of the most successful during the Gilded Age was Mark Twain. Born in Missouri as Samuel L. Clemens, Mark Twain became one of the late-19th century’s most popular and acclaimed authors. Alongside his successful career as a novelist and cultural critic, Twain crisscrossed the country, regaling packed theaters with stories, readings from new written material, and plain-old good jokes.

Map highlighting Mark Twain's lectures in the Midwest. Mark Twain Project.
Map highlighting Mark Twain’s lectures in the Midwest. Mark Twain Project.

One of his first visits to Indiana as a lecturer was January 4, 1869, when he performed a reading of “The American Vandal Abroad.”  As reported by the Indianapolis Daily Sentinel:

We caution our readers not to forget the treat prepared for them this evening by the Library Association. Mark Twain, one of the real humorists of the day, will deliver his lecture entitled “The American Vandal Abroad,” and his merits entitle him to a large audience. The lecture will be delivered at Metropolitan Hall, and reserved seats may be secured without extra charge at Bonham’s Music Store.

Mark Twain, circa 1860-1880. Indiana Memory,
Mark Twain, circa 1860-1880. Indiana Memory,

While the exact content of his performance from that night was not reported, he had repeatedly given the lecture through 1868-69, and a compiled version was published by literature scholar Paul Fatout, in his book, Mark Twain Speaking. In this lecture, Twain referred to the “American Vandal” as someone who “goes everywhere and is always at home everywhere . . . His is proud and looks proud. His countenance is beaming. He does not fail to let the public know that he is an American.” Twain’s lecture, like his broader work, represents an American voice that spoke to the Midwest, especially places like Indiana.

Indianapolis News, January 1, 1872. From Hoosier State Chronicles.
Indianapolis News, January 1, 1872. From Hoosier State Chronicles.

In 1872, Twain returned to Indiana and gave a lecture sharing snippets from his then-upcoming work, Roughing It. According to the Indianapolis News, Mark Twain gave his lecture at the Y.M.C.A. Association hall on January 1, 1872, at a cost of 50 cents at the door, 75 cents for reserved seats (what a bargain!).  As the News reported:

Mark Twain, the noted humorist and author, lectures here to-night [sic] on “Passages from Roughing It.” Mr. Twain has a national reputation and should appear before a hall of people; besides the Y. M. C. A., under whose auspices he lectures, are in absolute want through lack of means. Let Association Hall be crowded to-night [sic].

This lecture was a marked departure from “Vandal,” both in style and in subject. Twain shared with audiences his experiences out west, from camping in the outskirts of Carson City, Nevada to riding colt horses and getting in duels.

Terre Haute Evening Mail, January 6, 1872. From Hoosier State Chronicles.
Terre Haute Evening Mail, January 6, 1872. From Hoosier State Chronicles.

Twain’s stories were printed in newspapers during his time in Indiana in 1872 as well. For example, the Terre Haute Evening Mail published an article entitled “Mark Twain on His Travels.” Among the witty stories than were shared by the Mail, this one is golden:

When we got to Rochester I called for a bowl of bean soup. I send you the receipt for making it: “Take a lot of water, wash it well, boil it until it is brown on both sides; then very carefully pour one bean into it and let it simmer. When the bean begins to get restless sweeten with salt, then put it in air-tight cans, hitch each can to a brick, and chuck them overboard, and the soup is done.”

The above receipt originated with a man in Iowa, who gets up suppers on odd occasions for Odd Fellows. He has a receipt for oyster soup of the same kind, only using twice as much water to the oyster and leaving out the salt.

However, not everyone was taken with Twain’s sardonic lectures. The Indianapolis People wrote that “It is the decided opinion of all we heard speak of Mark Twain’s lecture that it read better than it was spoken.”

George W. Cable. Library of Congress.
George W. Cable. Library of Congress.

When Twain returned to Indiana in 1885, he came with a traveling lecture partner. George W. Cable, novelist of the southern-creole experience and an influence on William Faulkner, shared selections from his novels while Twain shared early pages from Huckleberry Finn as well as stories like “The Golden Arm.” Twain and Cable couldn’t have been more different. Twain was described by the Indianapolis Sentinel as “awkward and lanky” whereas Cable was more reserved. As Fatout observed, Twain often bristled as Cable’s religiosity and rigorous commitment to formality while Cable scoffed at Twain’s unorthodox and scattered disposition. To get a sense of their differences, review this blurb from the Indianapolis News: “Mr. Cable eats chocolate ice cream at midnight, after his readings, and still lives. His yoke-fellow, Mark Twain, hurls his bootjack at St. John, and uncorks a bottle or so of pale ale.”

Indianapolis Daily Sentinel, January 7, 1885. From Hoosier State Chronicles.
Indianapolis Daily Sentinel, January 7, 1885. From Hoosier State Chronicles.

Nevertheless, their joint appearance at Plymouth Church in Indianapolis, Indiana on January 7, 1885 was greatly lauded. The Indianapolis Sentinel reported that their performances was “the best of the season” and the Indianapolis News wrote that it was “one of the finest audiences that could be gathered.” The Greencastle Times even reported that efforts were underway to bring the two over to Greencastle to perform (alas, it was not to be).

Indianapolis Daily Sentinel, January 8, 1885. From Hoosier State Chronicles.
Indianapolis Daily Sentinel, January 8, 1885. From Hoosier State Chronicles.

That evening, Twain shared with the audience his short story, “Dick Baker’s Cat,” a short tale about a special cat who had a propensity for mining. Here’s a short snippet from the story:

‘Gentlemen, I used to have a cat here, by the name of Tom Quartz, which you’d ‘a’ took an interest in, I reckon—, most anybody would. I had him here eight year—and he was the remarkablest cat I ever see. He was a large grey one of the Tom specie, an’ he had more hard, natchral sense than any man in this camp—’n’ a power of dignity—he wouldn’t let the Gov’ner of Californy be familiar with him. He never ketched a rat in his life—’peared to be above it. He never cared for nothing but mining. He knowed more about mining, that cat did, than any man I ever, ever see. You couldn’t tell him noth’n’ ’bout placer-diggin’s—’n’ as for pocketmining, why he was just born for it.’

The rest of story involves a hilarious scenario where the mining-savvy cat gets stuck in a quartz shaft, which explodes, and he flies out of there all covered in soot and his whiskers burned off. It was exactly the kind of zany, improbable yarn that Twain was so gifted at and the audience at Plymouth Church agreed.

Twain’s and Cable’s appearance would be the last time they would appear together in Indiana and Twain’s last lecture in the state. Over the next 20 years, Twain continued to travel the county and the world, going so far as India and New Zealand, to share his lectures and stories. His last known lecture, according to the Mark Twain Project, was a reading for Mary Allen Hulbert Peck on the Island of Bermuda on March 27, 1908. Mark Twain died on April 24, 1910 at the age of 74 from heart failure, at his home near Redding, Connecticut. An obituary in the Plymouth Tribune complimented Twain’s success as a novelist, humorist, and lecturer. It also cited the loss of much of his family, particularly his daughter, and friends as one of the main reasons for his passing.

Plymouth Tribune, April 28 1910. From Hoosier State Chronicles.
Plymouth Tribune, April 28 1910. From Hoosier State Chronicles.

Reflecting on what was referred to as the “American style” of humor, Mark Twain shared his thoughts to a reporter from the Detroit Post, later reprinted in the Terre Haute Express:

“Is the American taste for humor still growing, in your opinion?”

“Yes, I think so. Humor is always popular, and especially so with Americans. It is born in every American, and he can’t help liking it.”

“Is it true that the American style of humor is becoming very popular in England?”

“Yes, the liking of American humor over there has become immense. It wakens [sic] the people to new life, and is supplanting the dry wit which formerly passes for humor. American humor wins its own way, and does not need to be cultivated. The English come to like it naturally”

In his lectures in Indiana and elsewhere, Twain exhibited the type of natural humor “born in every American” that characterizes the American cultural identity.

Mark Twain, 1907. Library of Congress.
Mark Twain, 1907. Library of Congress.

The Hamilton County School of Illustration

The period between the 1890’s and the 1920’s is known in the art world as the Golden Age of American Illustration.  A surprising number of people from Hamilton County, Indiana, were contributors to this movement.  Until recently, it wasn’t realized how interconnected they were.  However, research has now uncovered material showing the extent of their influence on each other.

George Brehm easel
George Brehm at easel, courtesy of Hamilton East Public Library Collection.

The notion of a common group was first brought up in the Noblesville High School annual in 1904 when they noticed how many alumni were going on to artistic careers.  The group got a name from a February 2, 1913, article in the Indianapolis Star which reported on a book that one member had illustrated and used the phrase “Noblesville School Forges to the Front Again.”  (This is actually a misnomer – some of the artists were from towns like Carmel.  Noblesville was just the largest community in the area.)

The patriarch of the group was Granville Bishop (1831-1902).  Bishop was born in Fayette County and his family moved to Hamilton County in 1836.  He was a self-taught artist who taught penmanship, painted wagons, and did advertising signs on buildings to supplement his income from painting.  He did well enough to support a wife and five children despite being physically handicapped.   Unfortunately, few examples of his work exist today.  There are two paintings at the Indiana State Museum and a painting of the Indian chief Red Cloud somewhere in the Indianapolis area.  According to an interview with George Brehm in the May 1943 issue of the Rainbow, the national magazine for the Delta Tau Delta fraternity, Bishop and an unknown woman watercolorist were credited as the inspirations for some of the next generation of Hamilton County illustrators.

James Whitcomb Riley, illustrated by George Brehm, Bookman magazine (December 1903): 349, accessed Hathitrust.org.

George Brehm (1878-1966) and James Ellsworth “Worth” Brehm (1883-1928) were key members of the group.  After graduating from Noblesville High School in 1898 and 1902 respectively, they went to Indiana University and other schools for training in art.  George achieved his first local fame by doing caricatures of Hoosier authors.  After working at the Indianapolis Star, they moved to New York around 1905 and were soon very successful. George had his first Saturday Evening Post cover in 1906 and Worth had his first cover in 1908.  They established separate careers in 1912 when Worth moved to an artist colony in Connecticut. George and his family had an apartment in New York and a summer home on Martha’s Vineyard.  Much of the brothers’ work was based on scenes from their boyhood in Noblesville.

Worth Brehm Song Cardinal
James Ellsworth Brehm, “The Song of the Cardinal,” Retail Catalog of Standard and Holiday Books (1913-1914): 76, accessed Google Books.

Franklin Booth (1874-1948) and Hanson Booth (1884-1944) were raised in Carmel and followed much the same path as the Brehms.  Hanson went to Noblesville High School and was a classmate of Worth Brehm.  Franklin Booth would return to Carmel from New York on regular occasions and eventually built a studio behind his family’s home.  He is the only one of the four artists who is buried in Hamilton County.  He developed a very unique style based on hundreds of pen strokes that would make the finished drawing look like an engraving.  Three books have been written about Franklin and his style which, among other things, has become an important influence on modern comic book artists.

Hanson Booth Boys Life 1914 Nov
Hanson Booth, Boys’ Life (November 1914), accessed Google Books.

These four artists did illustrations for books, advertisements, and stories in magazines such as Ladies Home Journal, American Magazine, Colliers, and Cosmopolitan.  For a short time, they ran an art school together.  Their work could also be found in the business magazines of the period.  At one point or another, all of them worked with James Whitcomb Riley.  George Brehm did work as varied as Saturday Evening Post covers, women’s magazines, Business Week, and Edgar Rice Burroughs stories.  Worth Brehm was known for his illustrations of children, and became famous for his images of Penrod, Tom Sawyer, Huckleberry Finn, and others.  Franklin Booth did pipe organ advertisements and worked with authors like Theodore Dreiser and Joyce Kilmer.  Hanson did not become as well-known as his brother, but did work for pulp adventure magazines, Popular Science, and Boys’ Life.

twain
Circa 1923, image courtesy of Terapeak.

Thomas Blaine Stanley (1884-1965), a classmate of Worth Brehm and Hanson Booth at Noblesville High School, became known for a different kind of drawing.  He began as an illustrator, but eventually got a degree in English.  He used his degree to teach courses in business English, which eventually developed into the modern profession of Marketing.  He wrote two standard textbooks on the subject, which would have been used by the sort of people who populated the fictional HBO series “Mad Men.”  Along with this, he used his art skills to become a cartoonist, creating a regular business-oriented comic strip in the magazine Advertising and Selling.  It could be considered a “Dilbert” for the 1920’s.

Thomas Stanley (2)
Thomas Stanley, Advertising and Selling (June 26, 1920), accessed Google Books.

Franklin Booth had protégés – Ralph Applegate (1904-1978) and Booth’s nephew Grant Christian (1911-1989).  Applegate was known for creating murals at the 1933 Century of Progress Exposition in Chicago.  Christian was a part of the WPA post office mural project and did murals in Indianapolis and Nappanee.

There were also acquaintances of the group who were recognized locally for their art talent, but went into other careers.  Worthington Hagerman (1878-1967) worked for the State Department and was Consul in Lisbon, Portugal, during WWII.  Buren Mitchell (1886-1955) became a respected college theater teacher in Oregon.

Russell Berg
Russell Berg, accessed Stanton Renner Collection.

There were other area illustrators, but it’s not known how much they interacted with the group.  Russell Berg (1901-1966), did illustration and editorial cartoons, and became known for his Chautauqua performances involving drawing and lecturing.  Floyd Hopper (1909-1984) was known regionally for his watercolors, and known locally for his illustration and mural work.

While Hamilton County is not typically thought of as having an artistic heritage, obviously there was inspiration here.  The tradition is evident in the ever-developing Carmel Arts and Design District, which features various galleries, showrooms, and the Hoosier Salon. Continuing to research and discuss artists of the past will highlight Indiana’s artistic heritage and, hopefully, encourage others to follow.

Learn more about the state’s rich artistic history with IHB’s state historical markers: William Merritt Chase, William Forsyth, and T.C. Steele.