Tag: discrimination

“I’m Lonely! Please Write:” The Search for Solidarity and the Indiana Crossdresser Society (IXE)

Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

A note on terminology: This post examines gender non-conforming or gender-questioning individuals. This includes those who identified as “cross-dressers [CDs],” male/female “impersonators,” “transvestites [TVs],” “transsexuals [TSs],” and, in modern terminology, “transgender.” When unsure about how individuals identified or what pronouns they preferred, they will be referred to as the name that appears in relevant publications.

For gender non-conforming Hoosiers, the pursuit of kinship and shared identity was often fruitless, if not outright dangerous. Before the connectivity of the internet and the advocacy of organizations like Indiana Youth Group and GenderNexus, many were bereft of social opportunities and emotional support. Beginning in 1987, the Indiana Crossdresser Society (IXE) served these Hoosiers by providing social forums and offering resources to individuals struggling with gender identity. The group also challenged instances of discrimination within and outside of the LGBTQ community.

The Works newsletter provides a bit of insight into early Hoosier female impersonators (at least in predominantly-white areas of Indianapolis), who performed at bars along Virginia Avenue from the early 1900s until World War II. Articles in 1982 remarked on the resurgence in popularity of impersonators, noting that the Alley Cat Lounge and Disco had begun hosting weekly shows. By the mid-1980s, however, The Works reported that the queer community had been gatekeeping gender non-conforming or gender-questioning individuals, approximately 20,000 of whom lived in Indianapolis. In a 1984 Works article, Jim Chaffin—a gay, cisgender man—chastised the “drag queen” mentality among Indiana’s LGBTQ community. He implied that because society considered gay individuals too effeminate “more ‘normal’ acting gays” needed to come out. Couching his criticism in masculine rhetoric, Chaffin alleged of those who kept their identities private: “you guys don’t have the b*lls to just go ahead and say what you are.”

In the following issue, Roy Pershing, also known as LaNora Takie, fired back at Chaffin’s narrow view of queerness and Chaffin’s insistence that masculine gay men live publicly. The author noted that while Chaffin likely had good intentions, it is the “individuals’ business and no one else’s,” that:

‘We are told that we are wrong everyday by straights and others; so is it necessary for this kind of behavior to go on within the community?’ Furthermore, ‘Could you please tell me what your idea of a normal acting gay person is? Is it an overweight, big mouth who runs a male wh*re house or is it someone who dresses in leather from head to toe? . . . To me, a normal acting gay person is a person who is himself and doesn’t run around forcing him or her lifestyle’ on others.’

The author also felt that Chaffin’s use of “drag queen” was derogatory, and that Pershing/Takie considered themself to be an “entertainer” and “impersonator.”

Facing alienation in the Indianapolis area, some Hoosiers like Betty and Lori attended meetings in Cincinnati hosted by Cross-Port, a group that provided support and social opportunities for gender non-conforming people. According to Cross-Port’s newsletter InnerView, Lori was one of the first Hoosiers to attend these meetings, where she “stood close to seven foot in those spike heels, and spent much time ducking the beams in Heather’s basement.” By early 1987, Betty and Lori helped form a similar group in Indianapolis, called Iota Chi Sigma, better known as the Indiana Crossdresser Society (IXE). About thirteen people attended this first meeting, presided over by Chairperson Laura, who “received special recognition for wearing a dress.” In a Q&A published in InnerView, IXE described itself as a “gender group interested in helping gender conflicted persons in the context of a social meeting.” This included a broad range of individuals, who could “be anybody from the transvestite who just wants to wear womans [sic] panties to the transexual person who believes themselves to be of the opposite sex.” Cross-Talk, the “gender community’s news and information monthly,” remarked that IXE members, feeling that the “gender community was always too hard on itself,” sought to “show a ‘happier’ side.”

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, 1989, H1, accessed Newspapers.com.

After their first gathering, IXE met the first Thursday of every month at the 21 Club, and within a year, attendance outgrew that of Cross-Port. InnerView noted that Cross-Port members sometimes traveled from Cincinnati to Indianapolis to attend IXE meetings and Christmas parties. While in town, visitors shopped at Glendale Mall and Stuart’s Shoes, and participated in fashion shows at the downtown Hyatt Regency. One self-conscious visitor reported that they were treated courteously at these shops.

By 1989, IXE had over 100 members residing in the tri-state area—which included Kentucky—helping forge a social network of support for the marginalized community. According to an Indianapolis Star piece entitled “Cross-dressers Seek Society’s Acceptance,” most members were heterosexual men experiencing “gender conflict,” and came from a variety of professions, including carpentry, business, and law enforcement. The paper noted that once a month, about thirty members socialized at a Westside apartment clubhouse, many bringing their spouses. At one meeting, cosmologists gave members make up tips. At another, police officers advised them on how to avoid a “scene” in public.

The Star piece profiled IXE member Sharon Allan, who spent about 30% of his life dressing as a woman, undergoing “painful electrolysis” to achieve smooth skin, perming his hair, and piercing his ears. Sharon married his high school sweetheart, Ann, who knew about his cross-dressing from the beginning of their relationship. On their first date, she removed the choker from her neck and placed it around his. Ultimately, the couple divorced because Ann felt that although Sharon “is a wonderful person . . . his cross-dressing left no room for me as a woman in the marriage.'” Despite this blow, Sharon chose to be transparent about his identity with his young son in order to facilitate trust, stating, “‘I came to decide there was nothing wrong with what I was doing. There was nothing wrong with feeling feminine, inside or out.'”

Adam, a middle-aged health care professional, did not share Sharon’s perspective. According to the Star article, he began wearing women’s clothes as a teenager, but reported, “It’s not something I want to do. I got tired of feeling bad about myself. There were times I couldn’t control it.” Despite undergoing aversion therapy, Adam continued to dress in feminine clothing. His wife divorced him when she found out, and Adam noted, “It felt degrading to her and me as well. The discovery certainly was unpleasant. And it didn’t feel good to me. It was shaming.” Rita could empathize with Adam’s despair, having experienced two painful divorces. The northern Indiana police officer considered ending his life. Unlike Adam, Rita ultimately concluded that, despite having to keep the crossdressing aspect of his life private, “I wouldn’t give it up. If there was a magic pill, I wouldn’t take it.” The Star profile noted that Rita had begun wearing feminine clothing in elementary school. While in the Marines, he was able to shave his arms and legs “without attracting undue attention from his fellow leathernecks.”

Despite their personal struggles with shame and acceptance, gay bars afforded gender non-conforming Hoosiers a degree of shelter from harassment and discrimination. The Star noted that the venues were particularly important to this minority group because they provided a “place where men won’t try to pick them up.” However, these spaces dwindled when the 21 Club and G.G.’s closed, which according to the New Works News, prompted an influx of gender non-conforming patrons to other local gay bars. As demographics changed, some bar owners implemented exclusionary policies, perhaps reflecting the assertion of transgender activist Evan Greer in her 2018 piece for The Washington Post, that historically “the predominantly white, cis, gay, male leadership saw trans people as a threat to their slowly but surely growing social and economic political power.” Perhaps these discriminatory measures were an attempt to safeguard this hard-fought increase in social “legitimacy.”

In 1989, the New Works News reported on the fallout of the bar closings. Articles reported instances in which bar owners refused to serve cross-dressing and transgender individuals like Roberta Alyson and Kerry Gean. Dressed as the “woman I am deep inside of my biological male self,” Gean and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served.

Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. The officer crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. The officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer. Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.”

Alyson received assistance from IXE, of which she was a member. That year, IXE had “joined Justice, Inc., a statewide umbrella organization for support and activist groups working in and with the gay/lesbian community. Justice has a full time lobbyist at the state capital.” Forging such partnerships would prove critical in challenging discrimination. With Justice’s help, IXE initiated a series of meetings with bar owners, excise police, and allies like the Indiana Civil Liberties Union. These gatherings provided a forum to exchange perspectives and to gain a better understanding of excise laws.

The groups initially gathered in July for a meeting facilitated by police officer and community liaison Shirley Purvitis. Remarking on the conflict within the queer community, she noted in the Star profile that crossdressers are “‘professional people with good jobs. They’re taxpayers. A lot of them have families. It’s time we started learning about them.'” As expected, the meeting was tense. Some owners claimed that they implemented policies, like denying entrance to those whose photo I.D.s did not reflect their apparent gender, because they feared breaking excise laws and making their businesses vulnerable to legal issues. Responding to these concerns, Excise Chief Okey reassured that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.”

Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

Other bar owners stated blatantly that they refused to admit these patrons because they intended to “‘preserve the established atmosphere of their bars.’” A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Our Place owner David Morse sympathized with the 501 Tavern representative. He complained at a later meeting that new patrons had filled his bar with “boisterous, outrageous drag queens in double Dolly Parton wigs and that their presence was very disruptive” to the bar’s masculine ethos.

Works writer E. Rumbarger came away from this first meeting with a greater understanding of those who had been excluded from gay bars. Prior to attending, he had mused, “Did they eat their young? . . . Did they have two heads?” However, he was “very surprised and pleased to find that they were simply a group of very relaxed and congenial people who were ‘doing their own thing. . . . These men quite simply looked and acted like women or to be more precise—ladies.” He added that he could not fathom how any establishment would “object to their presence” and urged that “Greater knowledge and understanding is needed (and quickly) in the gay community regarding the wide diversity of groups that make up the community.” Similarly, Stan Berg, Works publisher and owner of the Body Works bath house, addressed Dee Gordon’s editorial, which criticized the push for greater inclusion. Berg opined that Gordon had articulated the:

feelings and actions of another owner of a gay business who, at one time, and for many years, kept out drags. Now, whether old age, an increasing tolerance for gays of all persuasions, or just the realization that bigotry was wrong, actually changed this business owner’s mind, I can’t tell you. But, that business owner is me. The bottom line is that your arguments are bigoted bullsh*t. My own reasons for keeping drags out of THE WORKS for seven years were also bigoted bullsh*t.

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, 1989, H1, accessed Newspapers.com.

While the initial meeting spurred greater understanding among certain individuals, it failed to resolve turmoil within the broader community or result in specific policy reform. Upon IXE’s request, Justice, Inc. conducted a survey of those parties involved in the conflict and hosted a subsequent workshop in September. This workshop provided an opportunity to discuss injustices experienced by various groups within the community. Many voiced their anguish about discrimination within the lesbian community, against persons with AIDS, and along racial lines. At the center of the meeting, however, remained the exclusion of gender non-conforming individuals. IXE vice president Sharon Allan detailed the trials faced by crossdressers and drag queens, noting that they “are currently experiencing problems which the gay community faced years ago.”

However contentious, these meetings led to the reversal of policies at some bars and helped open the door to acceptance for other gender non-conforming individuals in Indianapolis. IXE members reported in September that they encountered less hostility at local establishments. Although bars like The Varsity maintained stringent policies, Tomorrow’s was much more welcoming. And while Jimmy’s did not reverse its I.D. policy, employees were more lenient about its enforcement. Roberta Alyson patronized the bar with a friend, who was also dressed in “female attire.” When the server approached, this friend instinctively searched their purse for identification, to which their server said “’Don’t worry about that, honey, we don’t do that kind of discriminating here.’” The Works noted that this action “on the part of Jimmy’s shows that people can change their mind” and should be commended for doing so.

Booth at Pride Week Picnic, New Works News, August 1989, 13, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

As the 1980s came to a close, the queer community seemed more tolerant—and perhaps welcoming—of gender non-conforming individuals. The Works announced in January 1990 that the owner of the 21 Club was opening 3535 West, which would “cater to all segments of the gay community.” The piece added, “Now that Indianapolis will finally have a gay meeting place where everyone is welcome, perhaps our gay visitors from out of town who have avoided coming here in recent months because of all the discriminatory nonsense taking place in some of the local bars, will once again return to Indy for a renewal of good times shared in the past.”

In 1990, at the first large outdoor Pride celebration, which took place on Monument Circle, people who staffed IXE’s booth reported that they were generally accepted, if not entirely understood. An unidentified member mused in the Works:

‘We all had lots of fun watching and talking. More often than not people would come up to our table and say hello and then look at what was on display and read the titles of the magazines and books, see the word ‘crossdressing’ and then look up at us and then down at the book and then back at us as a look of surprise and realization passed across their faces. . . . One girl was talking with Emily for five minutes before she looked down and saw the title ‘Understanding the Crossdresser’ and said with utter surprise, ‘Oh, I get it! You’re a guy! That’s cool. You know, I never understood why I can wear anything I want and guys can’t wear skirts.’

Similarly, public acceptance of crossdressers increased slightly following media profiles like that published by the Indianapolis Star about IXE. The feature’s author marveled that not only did she not receive vitriolic phone calls from readers after its publication, but got calls asking for more information about IXE. Indeed, Genny Beemyn contended in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged. Beemyn noted that this movement was “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”

Dan Riley, courtesy of Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129, accessed Digital Transgender Archive.

Reflecting this movement, the Louisville Gender Society was formed in 1992, serving people living in southern Indiana and Illinois, as well as Kentucky. At the same time, IXE’s membership notably increased, as gender non-conforming Hoosiers searched for solidarity. In a 1991 Tapestry issue, Gloria C., a 33 year-old “transvestite” who lived in a small town, pleaded “I’m lonely! Please Write.” The auto racing and fishing fan hoped to meet “TV/TS” friends. IXE drew members like Michelle Michaels, a 40-year-old self-described transvestite who struggled with addiction resulting from the “guilt, shame, & confusion” of crossdressing. After getting sober, Michaels—who had three children and a supportive wife—joined IXE because of an ongoing struggle with “acceptance, self-esteem and balance.” Member Vickie Mansfield, “a young 47,” was involved in the Catholic Church, enjoyed “fine wines,” and was only “recently out of the closet.” Dan Riley, a 40-year-old “female-to-male” crossdresser, who enjoyed hiking and t’ai chi, joined the organization, in part, because Dan liked “helping others ‘coming out.’” Indianapolis funeral service supplier Yvonne Cook was not only a lifetime member IXE, but a leader and board member of the International Foundation for Gender Education.

IXE served such members until at least 2005. Although, no longer an organization as of 2023, IXE provided solidarity to so many Hoosiers in distress or suffering from loneliness. Additionally, its members’ activism and willingness to facilitate discussion helped change public perceptions about gender non-conforming individuals and contributed to greater inclusivity within the LGBTQ community. The struggle to obtain societal acceptance and secure civil rights in Indiana endures, as evidenced by recent debates about gender-affirming medical practices. Like the Indiana Crossdresser Society, groups like Trans Solutions Resources and Research, continue to fight, in the words of Sharon Allan, for “‘Life, liberty and the pursuit of happiness. It’s a fundamental right.'”

 

Sources:

Genny Beemyn, “Transgender History in the United States,” in ed. Laura Erickson-Schroth, Trans Bodies, Trans Selves, p. 28, accessed UMass Amherst.

Cross-Port InnerView (March 1987, June 1987, July 1987, August 1987, December 1987, July 1988, November 1988, January 1991, August 1991, September 1991, December 1992, June 1995, June 1996), Digital Transgender Archive.

Cross-Talk: The Transgendered Community’s Newsletter (September 1991, July 1992), Digital Transgender Archive.

Editorial, Jim Chaffin, “‘Hoosier Gay Boy, Come on Down!,'” The Works (October 1984): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

“Indiana,” Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 78 (Winter 1996): D38, accessed Digital Transgender Archive.

“National Gender News,” Renaissance News 3, no. 1 (January 1989): 9, accessed Digital Transgender Archive.

Kyle Niederpruem, “Cross-dressers Seek Society’s Acceptance,” Indianapolis Star, November 26, 1989, 115, accessed Newspapers.com.

“North American Support Groups,” Lady Like (Winter 2005): 44, accessed Internet Archive.

Editorial, Roy Pershing/LaNora Takie, “Darts from a ‘Drag,'” The Works (November 1984): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

JoAnn Roberts, “The Iconoclast,” Renaissance News 6, no. 9 (September 1992): 7, accessed Digital Transgender Archive.

Tapestry: The Journal for All Persons Interested in Crossdressing and Transsexualism 58 (1991): 129-130, accessed Digital Transgender Archive.

Nicole Poletika, “’Walk a Mile in Their Pumps:’ Combating Discrimination within Indy’s Queer Community,” October 7, 2020, accessed Untold Indiana.

Draft, Nicole Poletika, “’Walk a Mile in their Pumps:’ Combating Discrimination within Indianapolis’s Queer Community,” 2022 Queer History Conference paper, accessible here.

When Harry Refused to Serve Harry: Belafonte’s Visit to Purdue

Clipping, Debris (Purdue University’s yearbook), 1957, p. 27, accessed Purdue University Libraries, Archives and Special Collections.

In 1956, Black activist Harry Belafonte was one of the top performers in the United States and his album, Belafonte, reached #2 on the Billboard Chart. When he performed two shows of “Sing, Man, Sing” at the Purdue University Hall of Music on May 5, it was a major hit. Before the first performance,  Belafonte visited Purdue’s famous drinking establishment, Harry’s Chocolate Shop. However, proprietor Harry J. Marlack refused to serve him due to the color of his skin.

Born in Harlem to Jamaican parents, Belafonte experienced discrimination throughout his life. In 1944, while serving in the U.S. Navy, Belafonte was denied entry to New York’s famous Copa Cabana because he was Black. When Belafonte achieved stardom in the 1950s, the Copa Cabana offered him a lucrative contract to perform there. He infuriated the owner by spurning the offer, citing the discrimination he faced at their door years earlier in his decision.

In Spring 1956, Belafonte met Martin Luther King, Jr. for the first time in the basement of the Abyssinian Baptist Church in Harlem. Belafonte committed to “help [King] in any way I could. And for the next twelve years, that’s what I did.”[i] When he concluded the first show at Purdue, Belafonte kept his promise to King and addressed the audience about the discriminatory act and what he thought of it. His words angered Purdue officials and the campus buzzed. While Purdue students and staff talked about the incident at Harry’s Chocolate Shop and Belafonte’s speech for weeks afterward[ii], nothing was written about the incident. This prompted a Ph.D. student, David Caplan, to write a letter to the editor of The Exponent, Purdue’s student newspaper. Caplan wrote:

Many Purdue students and staff members have been talking about a recent incident that took place in ‘Harry’s Chocolate Shop’ when Harry Belafonte and his troupe were in town. Why has no mention been made of this in the Exponent? Certainly an incident of such scope deserves at least a news item, if not an editorial. Burying one’s head in the sand does not change the facts that have occurred. Why has this story not been reported?

The Exponent editor responded to Caplan by writing, “the Exponent has followed and will continue to follow the accepted journalistic practice of not publishing ‘cold’ news or facts that have been distorted by personal opinion or hearsay. The Exponent staff refuses to yield to ‘rabble-rousers’ or free-publicity seekers.”[iii]

Behind the scenes, Purdue University officials had zero tolerance for Belafonte’s civil rights message. In a 1977 interview with the Lafayette Journal & Courier, former director of Purdue Musical Organizations, Al Stewart, talked about many famous people he had met during his long career. Of Belafonte, Stewart opined:

He finished a 7 p.m. show with an angry jab at racial discrimination at a local drinking place. I warned him never to do that again or he’d never get another booking anywhere in the U.S. Second show, Dr. Hovde (Purdue President Frederick L. Hovde) and I sat in the front row and tape-recorded the whole thing as evidence if we needed it. It was a beautiful show.

Stewart’s comments demonstrated stunning hubris. Belafonte was on top of the entertainment world in 1956. He had the #2 album in the United States. In June, he released a second album, Calypso, that spent a record ninety-nine weeks on the Billboard Chart. He headlined Broadway shows and top-tier venues across the country. He played the Cocoanut Grove in Los Angeles and the Palmer House in Chicago. He broke Lena Horne’s attendance record at the Venetian Room in San Francisco, and broke the color barrier and Frank Sinatra’s attendance record at Waldorf’s Empire Room in New York City. Furthermore, it’s impossible to imagine Stewart belittling Sinatra or Elvis Presley—Belafonte’s peers at the time.

By the time Stewart made his remarks in 1977, the Civil Rights Act had become law thirteen years earlier. Belafonte had recorded a campaign ad for John Kennedy, mediated between Attorney General Robert Kennedy and Martin Luther King, Jr., helped organize the 1963 March on Washington, appeared on the Ed Sullivan Show ten times, hosted the Tonight Show for a full week, had four gold records, starred in movies, and was a world-renowned civil rights leader. For Stewart to think he could have curtailed this superstar’s career is laughable, had it not been so bigoted. In response to racism, university officials told a Black man “Shut up and sing.”

Belafonte (right) at the National Black Political Convention, cover of William Greaves’s Nationtime film.

Harry Belafonte would refuse to “shut up and sing.” Rather, upon his return visits to Indiana, he used his voice to advance racial justice. He donated significant funds to Gary candidate Richard Hatcher’s mayoral campaign and vocalized his support for the unlikely candidate in national media outlets. Belafonte’s efforts helped make Richard Hatcher one of the first Black mayors of a major American city. In 1972, Belafonte returned to Gary to perform at the unprecedented National Black Political Convention, taking the opportunity to implore the massive audience to engage in political reform.

In January 2017, Belafonte returned to Purdue University, serving as keynote speaker for the university’s Dr. Martin Luther King, Jr.’s celebration, themed “The Fierce Urgency of Now: Where Do We Go From Here?” At age 89, he knew his life’s work was unfinished and he delivered a rousing speech on justice, civic engagement, and meaningful art. Audience member Sandra Sydnor told the Journal & Courier “’I was overwhelmed by his presence. . . . We were just staying rooted in spot, not wanting to leave after he left because of his persona, because of his spirit.’” Belafonte passed away April 25, 2023, but this spirit would endure, along with his legacy of racial justice and equal rights activism.

* This piece will be featured in the author’s upcoming book, Dispatches from a Northern Hoosier.

 

Notes:

[i] Harry Belafonte and Michael Shnayerson, My Song: A Memoir  (New York: Penguin Random House, 2011), 150.

[ii] Conversation between the author and All-American football player Bernie Flowers, 1995.

[iii] The Purdue Exponent, May 23, 1956.

[iv] Lafayette Journal & Courier, November 13, 1977.
Stewart’s judgment is questionable. Belafonte referred to Sing, Man, Sing as “my one indisputable career bomb.” My Song: A Memoir, 142.

Fort Wayne’s Charles Allen: Theatrical Ingenue & “Unsung Gay Hero”

Courtesy of the Fort Wayne News-Sentinel, caption: Pianist Charles Allen, left, and singer Steve Black were part of the entertainment scene in the late ’60s, when bars replaced coffeehouses as the centers of musical activity.

Legendary choreographer and “unsung gay hero” Charles Allen sat with a tape recorder in his Fort Wayne house, a veritable art museum awaiting curation. Sipping gin and orange juice from an empty peanut butter jar, he began to document his life. Notorious for self-mythologizing—once claiming to have killed a man using “voodoo and black magic”—some of the anecdotes he fed the tape no doubt were embellished.[1] These would prove unnecessary, however, as his legacy speaks for itself. Not only did Allen give “birth to generations of dancers and . . . change the way people looked at the world around him,” but he inspired and empowered LGBTQ+ Hoosiers, perhaps unintentionally. Upon Allen’s 1980 death, Jerry Jokay wrote in TROIS, Fort Wayne’s gay newsletter, that “Although he probably wouldn’t have seen it this way, one of his greatest contributions was that he was a gay hero. And he is a gay hero simply because his gayness was a trivial issue in his life even in spite of the oppression it caused him.”[2] Allen, on the other hand, would probably consider his greatest contributions to be advancing performing arts and instilling a love of storytelling and self-expression in Hoosiers.

Gene Stratton Porter, courtesy of the Indiana State Museum, courtesy of KPC News.

Born in 1912, Allen was likely raised by his aunt and uncle in Mongo, Indiana. Depictions of Allen’s childhood are characteristically colorful and include a traipse through Tamarack Swamp with famed author and naturalist Gene Stratton Porter in search of insects and plant specimens.[3] Allen “recalled dyeing his hair pinkish-brown as a child, catching blue racer snakes, putting them around his neck, and startling passersby on highway 20 near his home. A barefoot, innocent, wild-haired child of the swamp.”[4]  The spirited child attended school in Kendallville and spent free time in LaGrange, where he learned to play piano at Wigdon Theater. Fully enamored with artistic expression, he devoured performances delivered by a travelling company. The News-Sentinel reported “there was a troupe of four or five men, who did a two-reel silent movie, and set up an impromptu stage with an indian scene. There was singing, and two of the men did female impersonations. When he left the show, his life had changed. . . . He’d fallen in love.”

The production continued to call to him, long after the caravans departed. He left school, took a train to northern Michigan, where the travelling company had migrated, and became its new pianist. As despair deepened during the Great Depression, the public increasingly took solace in travelling shows. These provided Allen with opportunities to try his theatrical hand and hone his skills as a performer. The News-Sentinel noted, “People were doing almost anything for money. He fell in with a freak show,” dubbed the Palace of Wonders, for which he mesmerized crowds as the Human Pin Cushion. During this period, Allen learned how to perform the “half-man, half-woman” act, styling his feminine half after screen siren Marlene Dietrich. When he returned to Fort Wayne, he would perform this routine at local tavern, Henry’s, and played piano at bars like This Old House, Trolly Bar, and the Caboose.[5] Allen insisted that friends stay at his house once the bars closed down for the night, hating solitude.[6]

The eclectic career he had forged for himself was abruptly derailed by the conformist ethos of the 1940s. At a time of global upheaval, Americans held evermore sacrosanct heteronormativity. The News-Sentinel reported that during this “less enlightened age,” a judge sentenced Allen to six years in a Michigan City Prison after “an affair with a soldier led to a charge of sodomy.”[7] Allen recalled in the Fort Wayne Free Press that the judge declared ironically “we’re going to send you where you’ll be happy; locked up with a lot of men!”[8] This prediction proved correct, as he spent time with paramours in a makeshift room fashioned out of old pianos and curtains. On weekends, he played piano for the men waiting in line to watch a movie. While it played, a band mate would take his place at the piano, so that he could go hold hands with his companion. During his few years in prison, Allen made friends, assembled a band—for which he played the sousaphone—and learned how to dance.[9]

A sketch of Etheridge Knight in prison by Terrance Hayes, accessed theparisreview.org.

The News-Sentinel noted that in prison Allen “kept following his insatible [sic] desire to learn. Where he could find no one else to teach him, he taught himself. The creativity could never let him rest. It would be that way to the end of his life.”[10] This cultivation of self-expression paralleled the journey of African American poet, Etheridge Knight. While serving eight years at the Indiana State Prison in the 1960s, he discovered the restorative power of writing, culminating in his revolutionary Poems from Prison. Knight later stated that “Poetry and a few people in there trying to stay human saved me . . . I knew that I couldn’t just deaden all my feeling the way some people did.”[11]

So, too, did music and dance sustain Allen during his incarceration. Upon release, he returned to Fort Wayne, opening the Charles Allen Dance Studio.[12] According to the Journal-Gazette, he was the city’s only choreographer and, through his trips to New York and Chicago, “single-handedly” invigorated the city’s theater scene. Something of a cultural conduit, Allen traveled to Vera Cruz, Mexico to research indigenous dances. He studied dance at the University of Guatemala and the Palace of Fine Arts in Mexico, imbuing midwestern students with unique material and perspectives.[13]

In life and work, Allen gravitated towards those on the fringes, perhaps identifying with their struggles or the stigmatization they endured. He reportedly taught exotic dancers how to improve their performances and played piano at “houses of ill repute.”[14]  In his TROIS article, Springer wrote that Allen played piano and felt a “kinship” with Black Americans because “like him, they were among the outsiders of society.”[15] Though he was exacting and sometimes cruel, the News Sentinel reported that “he would work with beginners no one else had time for, work tirelessly because he felt a love of what he was doing.”[16] Janice Dyson recalled this experience, after her mom “scrimped grocery money to help pay” for lessons for her and her sister, Bernice. She recalled that Allen “was a real taskmaster. . . . Bernice was intimidated by him and quit after about a year. I wasn’t afraid of him, but I learned pretty quickly that when he said practice or else, he meant it.”[17] Perhaps he hoped to provoke the same grit he’d developed through surmounting the many hardships imposed by society.

While he worked with Fort Wayne performers, Allen reportedly knew the jazz greats, like Billie Holiday and Louis Armstrong, and one friend noted that “a lot of famous people used to come here and have him fix their acts. Polish the acts. Reblock them or rechoreograph them.'”[18] Legend has it that one winter Allen sold his horse to pay the train fare to see Holiday perform in New York City. Due to a snow storm, he was the only person to show up at the theater. The usher relayed his presence to Holiday, who performed only for him, after which they went out for a drink. She reportedly drove him to the train station and ran alongside the cars, waving as the train departed. Allen was so moved by the experience that he wept while watching the train station scene in “The Lady Sings the Blues.”[19]

Family Theatre Festival (1975-1976), OnStage On Campus Collection, mDON: mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

Purdue University Fort Wayne (PUFW) recognized the ingenue’s talent, hiring Allen to teach courses like Stage Movement.[20] He felt immense pride about being self-taught. A man who embodied resistance towards oppression and convention, his influence intersected fortuitously with the cultural revolution of the late 1960s and 1970s. Friends and colleagues seem to agree that he was not an activist in the traditional sense, but he always answered when called to provide insight about homosexuality or the burgeoning “homophile” movement. He recognized that, as one of few men in the area living openly, if he did not engage in public discourse that no one one would. When asked by WANE-TV to serve as one of five panelists about homosexuality Allen agreed, saying “‘I’m all right here, I don’t have any problems because I’m not scared. But a lot of people are scared; they’re scared they’ll get arrested.”[21] He appealed to dozens of people to serve as panelists, but only two agreed. Those who declined feared that their parents would disown them or that they would lose their job, as had one of Allen’s friends who served in World War II. Others claimed the panel was unnecessary or worried that it would upset the “status quo,” which had provided a modicum of safety. To this reasoning, Allen said, “‘I thought if everything is so fine, why can’t they get on the air and say it’s fine. It’s because it isn’t fine.”[22]

Allen spoke about homosexuality at PUFW campus teach-ins and college classes, and wrote editorials for the student paper, The Fort Wayne Free Press, under the pseudonym “Claude Hawk.”[23] He wanted audiences to understand that sexuality was not a choice, noting that “My own doctor tells me that one gene or chromosome determines sexual preference—not butchness, effeminancy, athleticism, not militancy, but whom you want to go to bed with.”[24] He added that this knowledge, while “comforting,” doesn’t help if you get fired or the “bartender breaks your glass after each drink, etc., etc.” His efforts shifted the perspectives of students like Linda Lamirand and Katharine Stout, who attended a teach-in with the “brave man” who “sat up there and told it like it is.”[25] The authors were enlightened by Allen’s revelations that he knew he was gay at the age of four and that scientific studies suggested that biology dictated sexual preference.

Courtesy of The Fort Wayne Free Press, 3, iss. 16 (July 27, 1972): 9, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

In one Free Press editorial, Allen addressed those who had come to terms with their sexuality, but faced the question “where do you go?” to meet someone. Of the dilemma, he wrote:

You can’t find someone at an office party or at a neighborhood bar because someone would ‘find out’. So you experiment. You drink too much or get so horny that, without experience, you get your teeth bashed in saying something dumb to to the wrong person; or the right-wrong person who relieves you of your watch, wallet, and rings. Or sometimes you are picked up by a nicelooking, intelligent, young man with long hair and bare feet, who turns out to be fuzz and you are entrapped, fined, and-or jailed.[26]

He advised readers to find a “gentle, gay” friend, who can help navigate the covert social world, or a relatively tolerant restaurant or bar. A “third salvation,” Allen noted, was to “know an art or theater crowd who don’t give a damn. Not about you, but about it.” The theater provided a world in which he did not have to explain himself or act as a local spokesperson for homosexuality. He wrote that the “freedom, acceptance, and love” afforded by the theater community created “a place to breathe in this pollution of brotherhood. Since one doesn’t have to hide, or lose his job in these fields, these are the more obvious” ones in which to work.[27] In fact, Allen noted that living as a gay man paralleled life in the performing arts, writing:

“You are forced to think and live like a male and play the game so well that you are never uncovered. And this becomes an art, gives you a facility for understanding objectively what’s going on. It’s like a play, and while others are doing it naturally you’re listening for clues, and if well rehearsed, arrive at a happy ending.”[28] 

The Fort Wayne Free Press 4, iss. 3 (January 25, 1973): 6, accessed mDON: mastadon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

While TROIS writer Jerry Jokay considered Allen “Fort Wayne’s unsung gay hero,” he noted that “his fortitude laid in the fact that he didn’t dwell upon his difference . . . Allen was preoccupied with being so much more, as his best friends attest.”[29] Preoccupied, he was. Allen informed Free Press readers about his life, writing in 1971 that “I ran my own school, taught at Purdue, played piano in bars, was connected with Ft. Wayne Civic Theater, Kenosha Little Theater, Theater Alanta, had choreographed a Broadway show, was a Japanese paper folder, an Arabian knot tier.”[30] He had traveled the globe in search of inspiration and imbued new generations of performers with it. The News-Sentinel wrote that “he became unique, in a world of his own creation. His art became his life, his life his art.”[31]

His life, his art. Perhaps it was his cancer diagnosis that inspired him to detail them on tape, stories that writer Dan Luzadder suggested “may have been plucked from the intensity of his nether world.”[32] We don’t know what stories he told, as he ran out of time to complete the recordings,* but perhaps he described the demands of caring for his pet python or recited original sonnets, haikus, and Limericks, “both clean and questionable.”[33] We can be certain that his life and art profoundly influenced those around him. This is evidenced by the obituaries written upon his death in 1980 at the age of 68. Luzadder wrote in the Fort Wayne News-Sentinel:

There was loneliness and insecurity. There were things that drove him. And there was tremendous courage to live through the times of his life, to aspire to art, to survive with nothing more than intelligence and faith in himself, to go hungry, to be alone, to see the world in its intolerance and still love it.[34]

Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

On March 21, hundreds of people from all walks of life—including actors, dancers, bartenders, city officials, and editors—stood shoulder-to-shoulder at the Performing Arts Center to pay their respects to the man “whose life had taught them the meaning of art.”[35] His memorial served as a final standing ovation, with Civic Director Richard Casey reading from “Hamlet,” poets performing spoken word, and dancers delivering a finale performance of “Mr. Bojangles.”[36]

Allen provides us with a window into the experiences of those who lived openly in Indiana prior to the liberating events of the 1980s and 1990s. Before a sense of community was fostered by the formation of groups like Fort Wayne Gay and Lesbian Organization (GLO), Pride Week celebrations, and the publication of gay newsletters, Allen drew upon a deep reservoir of self-assurance and creative impulse to fashion a fulfilling life.[37] In his 1980 tribute, Steve Springer described Allen as “an individualist. Society had its standards of behavior and Allen had his own.” And although he had suffered because of these standards, Springer insisted that “Long after Anita Bryant and her hordes of intolerants are forgotten, the legend of Charles Allen will live on.”[38]

* The author has been unable to locate these recordings. If you know of their location please contact npoletika @library.in.gov.

Sources:

All issues of The Fort Wayne Free Press were accessed via mDON Mastodon Digital Object Network, Helmke Library, Purdue University Fort Wayne.

[1] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, Indiana State Library (ISL) microfilm.

[2] Jerry Jokay, “Who Was Charles Allen?,” TROIS (Three Rivers’ One in Six) (March 1983), Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[3] “Arts Center Site for Allen Service,” (Fort Wayne) News-Sentinel, March 20, 1980, ISL microfilm.

[4] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[5] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[6] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[7] Ibid.

[8] Claude Hawk, “Boys Will Be Girls!,” The Fort Wayne Free Press 2, iss. 1 (January 1, 1971): 3.

[9] Ibid.

[10] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[11] Nicole Poletika, “Etheridge Knight: ‘can there anything good come out of prison,'” May 3, 2017, accessed Untold Indiana.

[12] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[13] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[14] Ibid.; Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[15] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[16] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[17] Janice Dyson, “Studio Marks 65 Years of Dancing,” KPC News, December 28, 2017, accessed kpcnews.com.

[18] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[19] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[20] “Family Festival Slated,” Fort Wayne Journal-Gazette, April 28, 1976, 6C.

[21] “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).

[22] Ibid.

[23] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.; Claude Hawk, “Out of the Closet,” The Fort Wayne Free Press 1, iss. 11 (November 2-18, 1970): 3, 6.; “It Isn’t Fine,” The Fort Wayne Free Press 2, no. 17 (September 9-23, 1971).

[24] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.

[25] Linda Lamirand and Katharine Stout, “Dear Freep,” The Fort Wayne Free Press 2, iss. 7 (April 22-May 6, 1971): 10.

[26] Claude Hawk, “Wherever You Are!,” The Fort Wayne Free Press 1, iss. 10 (October 7-21, 1970): 4.

[27] Ibid.

[28] Claude Hawk, “God Love Us All,” The Fort Wayne Free Press 2, iss. 8 (May 6, 1971): 9.

[29] Jerry Jokay, “Who Was Charles Allen?,” TROIS (Three Rivers’ One in Six) (March 1983), Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[30] Bob Ihrie and Charles Allen, “Holiday on Ice,” The Fort Wayne Free Press 2, iss. 2 (January 18-February 2, 1971): 3.

[31] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[32] Ibid.

[33] Dell Ford, “Artists’ Artist Charles Allen Dies,” Fort Wayne Journal-Gazette, March 20, 1980, 1C, 2C, ISL microfilm.

[34] Dan Luzadder, “Charles Allen: His Life and His Art Were his Epitaph,” (Fort Wayne) News-Sentinel, March 21, 1980, 7A, ISL microfilm.

[35] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.; Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

[36] Dell Ford, “Funeral Celebrates Dance, Poetry, Drama, Music,” Fort Wayne Journal Gazette, March 22, 1980, C1, ISL microfilm.

[37] Nicole Poletika, “From ‘Gay Knights’ to Celebration on the Circle: A History of Pride in Indianapolis,” October 5, 2021, accessed Untold Indiana.

[38] Steve Springer, “Chas. Allen,” The Communicator, March 27, 1980, reprinted in TROIS (Three Rivers’ One in Six) (May 1980): 5, 7, Northeast Indiana Diversity Library Collection, accessed Indiana Memory.

What Pearl Bassett’s Memory Reveals About Discrimination in Marion

Image of Pearl Bassett courtesy of WRTV

*This post was written by IUPUI Public History graduate student Molly Hollcraft. 

Often, stories and memories play an important part in understanding history. They offer a human element that helps connect people to one another. W. Todd Groce wrote in an article for History News that “Memory is deeply emotional,” and when people remember something they do so because they have a connection to it. According to historian David Thelen, memory “can illuminate how individuals, ethnic groups, political parties, and cultures shape and reshape their identities.” In 2009, at the age of 98, Black activist Pearl Cannon Bassett gave an interview to a student at the University of Southern Indiana. In the interview, she recounted events related to civil rights and desegregation that she witnessed while living in Marion, Indiana. Bassett’s memories of the discrimination and Civil Rights Movement in Grant County illuminate how Black citizens in Marion shaped their identity.

Pearl Bassett and Civil Rights

Pearl Elizabeth Cannon Bassett was born April 28, 1911, in Marion, Indiana. Aside from the years she spent in Dayton and Cincinnati, Ohio and Chicago, Illinois, Pearl Bassett, also known to many as “Ms. Pearl,” spent her life in Marion. In her oral history interview, Bassett briefly talked about her early education and her family. She recalled how her teacher lowered her grade because it was “too high.” While she was not living in Marion at the time, she recalled the impact the 1930 Marion lynching had on the local Black community. As a 19-year-old, she would have been about the same age as victims Tom Shipp and Abe Smith. In August, the young men had been jailed for the murder of Claude Deeter and rape of Mary Ball. A white mob ripped Shipp and Smith from their cells, brutally beat them, and lynched them near the Marion courthouse. Fearing for her safety, Bassett’s family told her that she should not return home yet. When the National Guard was called into action in Marion not long after the lynching, some of the soldiers were standing in her family’s yard. In remembering the lynching, she said “that was terrible because we had a lot of discrimination.” Shortly after the tragedy, she became a member of the National Association for the Advancement of Colored People (NAACP).

Through organizations like the NAACP, Bassett became an active member in the Marion community and helped fight discrimination and segregation. Her name appeared frequently in the African American newspaper The Indianapolis Recorder for these efforts. Her work included how helping the Red Cross reach its quota for war relief, serving as chairman for the war service commission, and serving as a board member for the Carver Community Center. In her interview, Bassett talked about how she helped organize the NAACP Auxiliary, Women in NAACP, and the Urban Gild, all of which would play a role in desegregation efforts throughout the city.

Matter Park, ca. 1925, courtesy of Indiana Album.

She also described the discrimination that Black citizens in Marion faced because of segregated of swimming pools, such as Matter Park. Before its 1954 integration, African Americans had to travel to Anderson to swim. When they did get to swim in the Marion pools they would be drained and refilled afterwards. While it is unclear how directly Bassett was involved in these efforts, it is certainly possible as she was a member of the Marion Urban League, one of the two civil rights organizations that worked to desegregate the swimming pool.

We do know that she participated in anti-discrimination efforts through civil disobedience, as she stated: “When we could not go into the restaurant and eat. . . we formed a committee, and we just read the civil rights law, which has always been right. . . . And if they didn’t open up the place, when they were charged $100 a person in their restaurant. So they opened it up the day we walked in there.”

Photo of Pearl Bassett with a plaque that says “Marion’s First Minority Champion.” Photo courtesy of Rawls Mortuary

She also joined an NAACP march in 1969, recalling “We first had the walk from 26th Street to the courthouse for discrimination and equal opportunities for people and jobs. And it was a wonderful thing.” The Ku Klux Klan tried unsuccessfully to confront them at the courthouse, but were told by the city that “they would need a permit and that they [the KKK] would have to take their hoods off.” This was not the only experience that Pearl Bassett had with the Klan. While president of one of the many organizations she was involved in, she received a call from the Klan members. She said, “Many a time they told me they were coming out and burn up my house.”

While in the NAACP, The Indianapolis Recorder reported in the 1960s that Bassett was elected secretary and chaplain for the Marion branch. Bassett was also the President of Women and “wore her tiara as the state queen of the NAACP” during a visit to Kokomo in 1982. She was also the first Black secretary of the Democratic Committee in Grant County. Pearl Bassett also received numerous awards from the NAACP and The Fort Wayne Frost Illustrated reported in 2004 that she received the Region Three Rosa Parks Women of the Year award for her work in civil rights. The Mayor of Marion made a Proclamation for Pearl Bassett Day and gave her a key to the city. In June 2021, Pearl Bassett passed away at the age of 110. Her first-hand accounts help humanize tragic events and shape the identity of Black citizens in Grant County. Her documented memories are invaluable because traditional media often mischaracterized or neglected to record minority history.

State Rep. Kevin Mahan (R-Hartford City) (left, podium) honoring Marion native Pearl Bassett (center), April 8, 2019, at the Indiana Statehouse, courtesy of the Indiana House of Representatives Republican Caucus.

Sources:

*Newspapers accessed through Hoosier State Chronicles and Newspapers.com.

W. Todd Groce, “The Value of History: When History and Memory Collide,” History News (2006): 5-6, accessed JSTOR.

David Thelen, “Memory and American History,” The Journal of American History (1989): 1117 1129, accessed JSTOR.

“Pearl Bassett,” Indiana Commission for Women: Writing her Story, 2019, accessed in.gov.

“Pearl Bassett Oral History Interview,” University of Southern Indiana, November 7, 2009, University Archives and Special Collections, David L. Rice Library, University of Southern Indiana.

Nicole Poletika, “Strange Fruit: The 1930 Marion Lynching and the Woman Who Tried to Prevent It,” Untold Indiana, May 15, 2018, accessed Untold Indiana.

How South Bend Attorneys Elizabeth and J. Chester Allen Lifted the “Heel of Oppression”

Elizabeth and J. Chester Allen, courtesy of Indianapolis Recorder, July 25, 1942, accessed Hoosier State Chronicles and South Bend Tribune, February 10, 2014, accessed SouthBendTribune.com.

*This is Part One in a series about the Allens.

Marriage is complicated enough. Add in opposing political views, routinely confronting systemic racism and sexism, and coping with the hardships of the Great Depression and World War II, and it’s even more challenging. African American attorneys Elizabeth and J. Chester Allen experienced these struggles and, while theirs was not a perfect marriage, through compromise, mutual respect, shared obstacles and goals, and love, they enjoyed 55 years together as man and wife. The South Bend couple dedicated themselves to each other and to uplifting the Black community by crafting legislation, organizing social programs, creating jobs, and demanding educational equality. The opportunities the Allens created for marginalized Hoosiers long outlived them.

On his way to Indianapolis in the late 1920s, J. Chester’s car broke down in South Bend and, after staying with a family on Linden Street, liked the city so much he decided to make it his home. Or so the story goes. Elizabeth Fletcher Allen, whom he met at Boston University and married in 1928, was likely working towards her law degree back in Massachusetts when J. Chester made that fateful trip. She would eventually join her husband in Indiana, but in the meantime J. Chester quickly got to work serving South Bend’s Black community. In 1930, J. Chester was admitted to the bar and the following year was appointed County Poor Attorney for St. Joseph County.

His arrival was perhaps serendipitous, as the Great Depression had begun rendering African Americans, who were already disenfranchised, destitute. J. Chester served as management committee chairman of the Hering House, which he described as “‘the clearing house of most of the social activities of the colored people as well as the point of contact between the white and colored groups of South Bend. . . . Its activities in the three fields of spiritual, mental and physical training make it indeed a character building institution.'” Through the organization, J. Chester helped provide 4,678 meals to unemployed African Americans, along with clothes, lodging, and medical aid to others in the Black community in 1931.

In addition to providing basic necessities during those lean years, J. Chester took on various anti-discrimination lawsuits in South Bend. In 1935, he helped prosecute a case against a white restaurant owner, who refused to serve Charles H. Wills, Justice of the Peace, in a section designated only for white patrons. That same year, J. Chester served as attorney for the Citizens Committee, formed in protest to the “unwarranted shooting” of Arthur Owens, a Black 18 year-old man, by white police officer Fred Miller. The Indianapolis Recorder, an African American newspaper, noted that eleven eyewitnesses recounted that “the youth was shot by Officer Miller as he stepped from a car with hands raised, after having been commanded by the officer and his companion, Samuel Koco Zrowski, to halt.” The officers had been pursuing the car with the belief it had been stolen.

“Public Angered at Whitewash,’” Indianapolis Recorder, June 1, 1935, 1, accessed Hoosier State Chronicles.

Elizabeth Allen-likely back in town temporarily-and other Black leaders organized a mass meeting to protest the “wanton, brutal and unwarranted” shooting. Despite boycotts, a benefit ball to raise prosecutorial funds, and protests by the Black community and white communists, a grand jury did not return an indictment against Officer Miller for voluntary and involuntary manslaughter. This, J. Chester said, was due to “blind prejudice on the part of the prosecutor.”

Despite a disheartening outcome, J. Chester continued to lend his legal expertise to combating local discrimination. The following year, he and a team of lawyers challenged Engman Public Natatorium’s ban on African Americans from using the facilities. The team presented a petition, likely prepared by Elizabeth, to the state board of tax commission demanding Engman remove all restrictions. Allen and other NAACP representatives had tried this in 1931, arguing that the natatorium was “supported in whole or in part by taxes paid by residents of the city,” including African Americans. Without access to the pool, they would be relegated to unsafe swimming holes, one of which led to the death of a Black youth the previous summer. While they had no luck in 1931, the 1936 appeal convinced commissioners to provide African American residents access to the pool, but only on the first Monday of every month and on a segregated basis. This was just one victory in the decades-long fight to fully desegregate the natatorium.

Image caption: Photograph of Leroy Cobb and two unidentified men sitting along Pinhook Park. In the era of segregation in South Bend, with city pools like the Engman Public Natatorium barring African Americans from entry, Pinhook Park became a popular location for public swimming, ca. 1947, St. Joseph County Public Library, accessed Michiana Memory Digital Collections.

While it appears that Elizabeth lent her aid to certain events in South Bend, like protesting the shooting of Owen, it is tough to discern Elizabeth’s activities at this time. This is perhaps due to scant documentation for African Americans, particularly women, during this period. Likely, she was working towards her law degree at Boston University, despite being told by an admissions officer “there was not need to come and advised she get married.” Proving the officer wrong, Elizabeth not only got married, but gave birth to two children while pursuing her law degree. She attributed this tenacity to the confidence her father instilled in her during childhood and later said “’To be a woman lawyer you have to have the hide of a rhinoceros.’”

Her persistence paid off and after joining J. Chester in South Bend, she was admitted to the bar in 1938. Perhaps her presence inspired in him a sense of security and conviction, resulting in a run for the Indiana General Assembly. That year, voters elected J. Chester (D) the first African American to represent St. Joseph County. Rep. Allen introduced and supported bills that would eliminate racial discrimination in sports, the judicial system, and public spaces. The new lawmaker also endorsed bills that would require Indianapolis’s City Hospital to employ Black personnel and that would mandate appointing at least one African American to the State Board of Public Instruction, telling his colleagues “the legislature should see to it that these children had a spokesman of their own racial group to assure their obtaining a measure of equal accommodation and facilities in the segregated public school system” (Indianapolis Recorder, March 11, 1939). Writer L.J. Martin praised Allen’s unwavering commitment to serving Black Hoosiers while in public office, noting in the Indianapolis Recorder,

Hon. J. Chester Allen said he had stayed up late at night reading bills for such ‘racial traps.’ He found them, he eliminated them, one hotel sponsored bill in particular would have been a slap at the race. Mr. Allen astonishes me, in the forcible argument for racial progress.

J. Chester Allen (center), South Bend Tribune, November 6, 1940, 17, accessed Newspapers.com.

While J. Chester walked the halls of the statehouse, championing bills that furthered racial equality, Elizabeth was able to make a difference as a lawyer. The couple opened “Allen and Allen” in 1939—the same year she gave birth to their third child. One of the first Black female lawyers in the city, and likely state, Elizabeth quickly forged a reputation as an articulate and ambitious woman. She did not hesitate to express her convictions, not even to First Lady Eleanor Roosevelt. Elizabeth sent her a letter expressing the need to integrate housing and provide African Americans with the same government-funded housing white Americans received. Elizabeth’s son, Dr. Irving Allen, told an interviewer that Roosevelt’s response resulted in his mother’s “angry departure” from the Democratic Party. Allegedly, Roosevelt “sent back this long-winded pretentious letter rationalizing the situation . . . that the races couldn’t live together.” Both idealistic, Dr. Allen recalled that his parents’ political discourse over the dinner table “could blow up at any time.”

Elizabeth’s editorial for the South Bend Tribune, entitled “Negro and 1940,” also provides insight into her views. She lauded the “new Negro,” who:

is fearless and motivated by confidence in his belief that he owes to his race the duty of guiding those members whose minds have not been trained to clear thinking, his knowledge that the able members of his race have always from the beginning of this country contributed to the civic upbuilding and a conviction that it is up to him to keep the gains which have been made.

Membership Card, 1944, J. Chester and Elizabeth Fletcher Allen Collection of the Civil Rights Heritage Center, Indiana University South Bend Archives, accessed Michiana Memory Digital Collection.

By this definition, Elizabeth exemplified the “new Negro,” dedicating her life to uplifting South Bend’s Black community through her work with the NAACP’s Legal Redress Committee and by organizing drives to improve housing for minorities. According to her son, Dr. Irving Allen, Elizabeth embodied the Black empowerment she wrote about, challenging oppression and advocating for those “being cheated out of a decent life.” Dr. Allen suspected that his mother also wanted to effect change as a legislator, but sacrificed her political aspirations to support her husband’s career.

Elizabeth Allen, courtesy The History Museum Collection, accessed Roberta Heinman, “Suffragists and Activists are Among 10 Influential Women in Indiana,” South Bend Tribune, August 16, 2020.

Although Elizabeth felt she had to shelve her political aspirations, she complemented her husband’s legislative work, particularly regarding World War II defense employment. The outbreak of war in Europe in 1939 created an immediate need for the manufacture of ordnance. While U.S. government war contracts lifted many Americans out of the poverty wrought by the Depression, many manufacturers refused to hire African Americans. This further disenfranchised them as, according to W. Chester Hibbitt, Chairman of the Citizens’ Defense Council, an estimated 54% of African Americans living in Indiana were on relief by 1941.

And while the federal government complained of a labor shortage, J. Chester contended that “Negro workers, skilled and semi-skilled, by the thousands are walking the streets or working on W. P. A. projects, because they happen to have been endowed with a dark skin by the Creator of all men'” (“The Story of House Bill No. 445, p.15). He argued that it was the responsibility of lawmakers to prohibit employment discrimination, not only to eliminate poverty, but to safeguard democracy. Echoing the Double V campaign, Rep. Allen stated that “our first line of defense should be the preservation of the belief in the hearts of all men, black and white alike, that Democracy exists for all of us; that we are all entitled to a home, a job and the expectancy of better things to come for our children.” The continued denial of American minorities’ rights undermined the fight for freedom abroad.

Elected to a second term in 1940, J. Chester led the call for anti-discrimination legislation. Months before President Roosevelt issued Executive Order 8802, Rep. Allen and Rep. Evans introduced House Bill No. 445. If enacted, it would make it illegal for Indiana companies benefiting from federal defense contracts “to discriminate against employing any person on account of race, color or creed.” So popular was the bill that after the Indiana Senate passed it, delegations of African Americans and their children filled statehouse corridors and galleries, carrying “placards advocating passage of the bill, describing the measure as the only thing necessary to provide Negroes with jobs” (“The Story of House Bill No. 445”, p.7).

The Indiana State Chamber of Commerce, “The Story of House Bill No. 445 . . . A Bill That Failed to Pass,” (Indianapolis, 1941?), Indiana State Library pamphlet.

Despite the bill’s promising fate, on the last day of session the House kicked it over to the Committee on Military Affairs, where it essentially died. In an article for the Indianapolis Recorder, J. Chester noted that although the bill was defeated,

such state-wide attention had been drawn to the sad economic plight of the Negro workers of Indiana and its attendant dangers that people of both races agreed that the alleviation of the Negro unemployment problem was the number one job of the preparations for war of Indiana and proceeded in for right home-rule manner to do something about it.

On June 1, 1941, Governor Schricker answered the call to “do something about it,” appointing J. Chester the Coordinator of Negro Affairs to the Indiana State Council of Defense. As part of the Indiana Plan of Bi-Racial Cooperation, Allen traveled throughout the state, appealing to groups like the A.F.L., C.I.O., and the Indiana State Medical, Dental and Pharmaceutical Association, which all formally pledged to employ African Americans. Through intensive groundwork, Allen established bi-racial committees in at least twenty Indiana cities.

Based on the “mutual cooperation between the employer, labor and the Negro,” the Recorder reported that these local committees would “go into action whenever and wherever Negro industrial employment presents a problem.” Although his persuasive skills often convinced employers to hire Black employees, historian Emma Lou Thornbrough noted that “Allen sometimes invoked Order 8802 and threats of federal investigation to persuade management to employ and upgrade black workers.”

The Indiana State Defense Council and The Indiana State Chamber of Commerce, “’Job Opportunities for Negroes:’ The Goal of Indiana’s Bi-Racial Cooperation Plan,” Pamphlet No. 4 (January 1943), accessed Hathitrust.

Allen and the bi-racial committees also served as a sort of “middlemen” for white employers who wanted to hire African Americans, but were unsure how to recruit those best-suited for the job. Allen and the committees distributed “mimieographed questionnaires,” which provided” more valuable information with respect to Negro labor supplies, skills, etc. This information was then used with great effect in the mobilization and cataloguing of types of dependable Negro workers for local defense industries.”

Under Allen’s leadership, the Indiana Plan proved incredibly successful, providing employment to those, in Allen’s words, “whose record of loyalty and services dates in an unbroken chain back to the year 1620” (“The Indiana Plan of Bi-Racial Cooperation,” p.5). According to the “Job Opportunities for Negroes” pamphlet, between July 1, 1941 and July 1, 1942, there “was a net increase of 82% Negro employment, most of which was in manufacturing. . . . working conditions also improved” (p.2). (It should be noted that employers continued to deny African Americans jobs in “skilled capacities.”) In fact, Indiana was awarded the “Citation of Merit” by the National Director of Civilian Defense for “outstanding work in the field of race relations.” So efficiently organized and implemented, other states used the plan as a model to bring African Americans into the workforce.

Indiana State Defense Council, The Indiana State Chamber of Commerce, and Governor Schricker’s Negro Employment Committee, “What is the Truth About Job Opportunities for Negroes in Indiana?,” (August 1942), Indiana State Library pamphlet.

The Bi-Racial Cooperation Plan’s significance endured long after World War II ended. White employers could no longer claim that Black Hoosiers lacked the skills or competence required of the workplace or that it was “unnatural” for white and Black employees to work alongside each other. Reflecting on the program, Allen wrote in 1945, “Time was when a Negro interested in securing better employment opportunities for his people could not even obtain an audience with those able to grant such favors.” But the Bi-Racial Cooperation plan “has accomplished more for the Negro’s permanent economic improvement than had been done in the preceding history of the state.”

While African Americans were often the first to be let go from defense jobs with the conclusion of war, Allen’s work permanently wedged the door open to employment for Black Hoosiers. Allen, perhaps at the encouragement of Elizabeth, emphasized the importance of creating job opportunities for Black women and in his 1945 article noted that thousands of female laborers “have been upgraded from traditional domestic jobs, to which all colored women had previously been assigned irrespective of training or ability, to defense plants as receptionists, power-sewing machine operators, line operators and other better paying positions where their training can be utilized.”

Elizabeth Allen front left, J. Chester Allen back of the table, Ca. 1944, J. Chester and Elizabeth Fletcher Allen Collection of the Civil Rights Heritage Center, Indiana University South Bend Archives, accessed Michiana Memory Digital Collection.

Like her husband, Elizabeth refused to accept that Black Hoosiers would be excluded from the economic boon created by defense jobs. In the early 1940s, she established a nurse’s aid training and placement program for Black women in St. Joseph County. Of her WWII work, Elizabeth’s son said that she opened professional doors for Black women and that she saw herself as helping people who were oppressed. Like J. Chester, Elizabeth helped select local men for placement in defense jobs and, according to an October 11, 1941 Indianapolis Recorder article

used the utmost care in selecting the men to go into the factory realizing that future opportunities were dependent upon the foundation which these pioneers laid both in building good will among the fellow employes, and proving to the management that colored are reliable, trustworthy, hard-working and capable of advancing.

While J. Chester traveled the state, Elizabeth tended to the needs of the local community, chairing a drive in 1942 at Hering House for “community betterment in housing[,] social and industrial fields.” In the 1940s, Elizabeth organized various meetings to improve local housing for the Black community, emphasizing the link between substandard residences and crime rates, delinquency, and health. Deeply committed to ensuring quality education for African American children, Elizabeth founded Educational Service, Inc. in 1943, which encouraged youth to pursue social and economic advancement, provided financial aid to “worthy” students, offered individual counseling, and fostered good citizens. All of this while caring for three young children and likely manning the couple’s law office, as J. Chester fulfilled his duties with the Indiana State Council of Defense. Fortunately, Elizabeth later told the South Bend Tribune, “I want to keep busy constantly. I have to be about something all the time.”

When the war clouds cleared, the Allens achieved many of their professional and philanthropic goals. But they also experienced immense personal loss that appeared to test their marriage. Their post-war journey is explored in Part II.

 

Sources:

The majority of this post is based on state historical marker notes, in addition to the following:

“11,605 Helped by Hering House,” South Bend Tribune, April 22, 1931, 5, accessed Newspapers.com.

“11 Witnesses Charge Police Shot too Soon,” South Bend Tribune, April 10, 1935, 1, accessed Newspapers.com.

“Seek to Avenge Youth’s Death,” Indianapolis Recorder, May 25, 1935, 1, 2, accessed Hoosier State Chronicles.

“Public Angered at Whitewash,’” Indianapolis Recorder, June 1, 1935, 1, accessed Hoosier State Chronicles.

Elizabeth F. Allen, “Negro and 1940,” South Bend Tribune, October 1, 1939, 5, accessed Newspapers.com.

The Indiana State Chamber of Commerce, “The Story of House Bill No. 445 . . . A Bill That Failed to Pass,” (Indianapolis, 1941?), Indiana State Library pamphlet.

The Indiana State Defense Council and The Indiana State Chamber of Commerce, “The Indiana Plan of Bi-Racial Cooperation,” Pamphlet No. 3, (April 1942), Indiana State Library pamphlet.

Mary Butler, “Mrs. Elizabeth Allen Lays Down Law to Family,” South Bend Tribune, July 30, 1950, 39, accessed Newspapers.com.

“Adult Award Winner,” South Bend Urban League and Hering House, Annual Report, 1960, p. 5, accessed Michiana Memory.

“Area Women Lawyers Tell It ‘Like It Is,’” South Bend Tribune, March 9, 1975, 69, accessed Newspapers.com.

Marilyn Klimek, “Couple Led in Area Racial Integration,” South Bend Tribune, November 30, 1997, 15, accessed Newspapers.com.

Emma Lou Thornbrough, Indiana Blacks in the Twentieth Century (Bloomington: Indiana University Press, 2000), p. 207.

Oral History Interview with Dr. Irving Allen, conducted by Dr. Les Lamon, IU South Bend Professor Emeritus, David Healey, and John Charles Bryant, Part 1 and Part 2, August 11, 2004, Civil Rights Heritage Center, courtesy of St. Joseph County Public Library, accessed Michiana Memory Digital Collection.

Unlearning Ingrained Racism: Journalist Esther Griffin White’s Work to Become an Antiracist

Esther Griffin White, ca. 1915, Esther Griffin White Collection, Earlham College Archives, accessed George T. Blakey, “Esther Griffin White: An Awakener of Hoosier Potential,” Indiana Magazine of History 86, no. 3 (September 1990): 294-299, accessed scholarworks.iu.edu.

Esther Griffin White was a woman before her time—outspoken, rebellious, and willing to stake her reputation on the things that she believed in during an era when women were considered second-class citizens. Her Quaker upbringing imparted the importance of racial and gender equality, causes that she ultimately championed throughout her life. Her staunch political activism and dedication to gender equality throughout her life are, arguably, what she is most known for today. However, she also used her power, privilege, and platform as a white, middle-class, female journalist to speak out against racial injustice. Here, as we examine White’s writing, we clearly see someone trying to make sense of her own ingrained racism while at the same time standing up and speaking out against it.

Born in 1869 in Richmond, Indiana, White was a journalist, political activist, suffragist, and life-long Indiana resident. She began her writing career for the Richmond Palladium as an arts and culture critic and published her own paper (though infrequently) called The Little Paper, which she owned and operated out of her home at 110 South 9th Street. From the 1890s to 1944, she freelanced for many Richmond papers, often transferring from publication to publication as editors worried that her blunt and adversarial writing style could offend readers—likely a concern born partially out of sexism.

Clipping, Indianapolis Sun, 1913, Friends Collection and Earlham College Archives, If Chorus Girls Asked Men For Suffrage, They’d Get it, Box 5, Folder 4, Esther Griffin White Collection, Richmond, Indiana, accessed https://exhibits.earlham.edu/.

White joined the Indiana Woman’s Franchise League in the early 1900s and was elected chairman of the Publicity Committee in 1916. While in the League, she began actively working towards the cause she wrote so much about; for example, she organized a suffrage street rally for several suffrage speakers in June 1916 in Richmond. This event was heralded as “one of the largest street meetings ever held in Richmond and the first suffrage meeting of its character held in eastern Indiana.”[1]

White was also a politician, running for mayor of Richmond in 1921, 1925, and again in 1938. She also ran for a Republican congressional seat in 1926, making her the first Indiana woman to seek U.S. congressional office. White ran for a seat in the U.S. Congress again in 1928, but to no avail. According to historian George T. Blakey, White was the first Hoosier woman to have her name on an official election ballot, before women even had the right to vote, when she ran for a delegate’s seat at the 1920 Republican State Convention.[2] Though White never held elected office, her ambition sent a strong message—that women could and should be recognized as political actors and that, as far as White was concerned, would no longer accept anything less.

Clipping, Friends Collection and Earlham College Archives, Name of Item, Box #, Folder #, Esther Griffin White Collection, Richmond, Indiana, accessed https://exhibits.earlham.edu/.

While she is probably best known for her work to advance women’s rights, she was also a proponent of racial equality and used her journalistic platform to speak about racial issues in the town of Richmond, Indiana throughout the first half of the 1900s. An active member of the National Association for the Advancement of Colored People (NAACP), White’s opinions on and support of African Americans garnered plenty of scorn and judgment in her small, rural town—especially because she was a single white woman.[3] Never one to care about others’ opinions of her, White used her talent, privilege, and position as a white female journalist to speak out against racial discrimination. Through her editorials and opinion pieces in both The Richmond Palladium and her self-published newspaper, The Little Paper, between 1910 and 1920, White condemned white supremacy and racial discrimination. Though she often wrote antiracist sentiment, on occasion her choice of words and arguments were in themselves racist—as she often touted common assimilationist and segregationist points of view. Through her published articles, we see the ways in which White grappled with her own ingrained and unconscious racism as she worked to be (what we call today) an antiracist in 20th-Century Richmond, Indiana.

Professor of history and founding director of the Antiracist Research and Policy Center at American University, Dr. Ibram X. Kendi, explains the relationship between antiracist, assimilationist, and segregationist beliefs:

the history of the racialized world is a three-way fight between assimilationists, segregationists, and antiracists. Antiracists ideas are based in the truth that racial groups are equals in all the ways that they are different, assimilationist ideas are rooted in the notion that certain racial groups are culturally or behaviorally superior, and segregationist ideas spring from a belief in genetic racial distinction and fixed hierarchy.[4]

We find representations of each of these ideals, often within the same article, throughout White’s analysis of race. Though we understand that racial inferiority or superiority does not exist—all races are the same and race itself is a construct—we too understand that many people across time, and still today, have used pieces of assimilationist and segregationist ideas in their defense of equal treatment of the races. These racist ideas are so deeply ingrained in our societies that, although plenty of racist people have used them intentionally, plenty of others, like White, who believed in equality between the races, also sometimes unknowingly peddled racist beliefs.[5]

White was, as were some of her well-known contemporaries, engaging in the work to become an antiracist and to communicate antiracist ideas, while also at times touting assimilationist and segregationist ideas, which were prevalent views in terms of race in nineteenth and twentieth century America, and even today. However, highlighting White’s racist tendencies is not to discredit any of the antiracist beliefs she so clearly held—it is simply to be completely transparent about the reality of this type of work and the people engaged in it. She was not a perfect antiracist, but she was trying—she was standing up for what she believed in and, through her journalism, speaking on ideas of racial equality when it was not only unpopular to do so, especially for a woman, but potentially dangerous.

The last years of the nineteenth century and beginning of the twentieth century in America saw a rise in violence against African Americans by white supremacists looking to quell any power or rights the group received in the years after the Civil War.[6] The violence emerged, most horrifically, in the form of mob violence and lynchings, many of which were not hidden events done in the dark of the night, but rather public spectacles that often doubled as picnics for families and town folk.[7] Though the majority of lynchings occurred in the South, this barbaric act transcended regional lines and can be found nationwide. Mobs throughout the Hoosier state alone murdered at least sixty-six people between 1858 and 1930, eighteen of whom were African Americans.[8] Black men were not the only targets of lynchings, as Native American, Hispanic, Asian, white people, and women and children too were lynched across the United States.

Esther’s Quaker family (L to R): Winifred White Emory (sister), Mary Caroline Cotton White (mother), Esther Griffin White, undated, Friends Collection and Earlham College Archives, Letter From Raymond White, box 6, folder 1, Esther Griffin White Collection, Richmond, Indiana, accessed https://exhibits.earlham.edu/.

There were no recorded lynchings in Richmond, perhaps because of its large Quaker community and the anti-slavery beliefs they held.[9] The closest recorded lynching to Richmond occurred in Blountsville, about thirty miles northwest of the city, in February of 1890.[10] However, the possibility of such violence constantly lingered in the minds of Black Americans. These conditions at the turn of the twentieth century prompted Esther Griffin White, as a white, female journalist to speak out against the unjust treatment of African Americans.

In one of her most notable articles pertaining to race, written in her self-published The Little Paper, White expressed disdain for the depiction of African Americans in the blockbuster hit of the early twentieth century, The Birth of a Nation. This controversial film released on February 8, 1915 by D.W. Griffith claimed to represent the Civil War and Reconstruction in America. However, it depicted the Ku Klux Klan as the valiant saviors of the ravaged, post-war South by freed, barbaric Black people. The film was a commercial hit and helped to rekindle the once regional Ku Klux Klan founded in 1865. It depicted freed Black Americans as “uncouth, intellectually inferior and predators of white women.”[11] The Birth of a Nation prompted protests by the NAACP, but they had little impact as the films’ popularity was so wide. In fact, President Woodrow Wilson showed it at the White House, heralding it as “writing history with lightning.”[12]

"The Birth of a Nation" by Esther Griffin White
Clipping from “African American Relations” exhibit, accessed https://exhibits.earlham.edu/.

While she found the musical score and the general cinematography of the film noteworthy, Esther Griffin White did not share the same fervor over the film as President Wilson and so many other white Americans. In her newspaper review of the film, titled “’The Birth of a Nation’ Insidious Appeal to Race Prejudice, An Insult to Negro Citizens,” White writes that “colored people are justified, without any shadow of doubt, in their protest against the second part of ‘The Birth of a Nation.’” She continued, “the play is merely a dramatization of a novel by a well-known fire-eating Southern writer, who has done more to rake up old scores, to intensify class hatred, to accentuate race antagonism by his lurid pictures of conditions long since passed away than any other one medium in the United States.”[13] Here, we see White expressing contempt for the bestial, racist depiction of Black Americans in the film. She also adds:

The second part of ‘The Birth of a Nation,’ if it were looked upon as picture commentary on a phase of the country’s history, might be interesting. But the presentation is not made for this reason. On the other hand neither is it made for the glorification of a lost cause. Its raison d’etre is not philanthropic nor moral nor historic. But commercial…[it] is a business proposition. To make money for its producers.[14]

White seems to clarify here that she does not believe the film to be historically accurate or looking to start a conversation about the country’s past, but rather inflammatory and insulting to African American citizens: “the Negro citizen of this country was sacrificed to  make a moving picture holiday, so to speak. The glaringness of the sop thrown to them by the scenes at the end . . . is laughable if it were not sardonic.”[15] This review of The Birth of the Nation was certainly not the first, nor the last, public condemnation White would make regarding the treatment of African American citizens in the twentieth century.

In one of her earliest political articles from December 1911 in the Richmond Palladium, White writes about the idea of brotherhood and humanity among all people, and the exclusion of African Americans from those ideals. In her article “Negroes Pay Taxes on Millions,” White writes, “take our colored friends, in instance. ‘Live and let live,’ does not apply to our [white Americans’] attitude toward them. We push them clear outside of the limits and then denounce them if they resent total excommunication.”[16] While it seems here that White is arguing for the indiscriminatory inclusion of African Americans within American society and against segregation, further on in the article she begins arguing for more Black organizations to be formed in Richmond for Black residents, like a “colored” Y.M.C.A. for the “well behaved, educated and ambitious young colored men in this city.”[17] Rather than arguing for inclusion and accessibility, it seems White instead argued for the racist separate but equal doctrine we see come to a head in the 1890s with the Plessy v. Ferguson (1896) case in response to African American’s push for equal treatment and opportunity under the law.

Clipping, Richmond Palladium, December 6, 1911, 7, accessed Hoosier State Chronicles.

She continued, “they [Black Americans] are just as much a part of the social, economic and political life of the community as their paler-hued brothers and unless given some consideration will develop into a complicated and puzzling problem. . . . They are citizens of this country just as are the whites.”[18] This perfectly illustrates White’s struggle with the idea of dueling consciousness as it relates to assimilationist and antiracist ideas. At the end of the article, White argues that “there is no use retiring into the fastness of race prejudice and lumping all of the colored people together. There are as many grades and distinctions as there are among the white people.” This comment, as well as many of the other antiracist sentiments White expressed throughout this article, demonstrate her ability to understand and express the antiracist notion that all races are the same—it is individual distinctions that make humans different—distinctions that have nothing to do with the color of their skin. This article, as a whole, demonstrates her own dueling consciousness as a white woman trying to pursue an antiracist mindset and advocating for antiracist policies while also struggling to unlearn deeply rooted racist ideals in the early twentieth century.

The very next month, in January of 1912, White was much more explicit about her views of racism. In her article, while arguing generally for universal gender and racial equality as it pertains to voting and citizenship, White laments:

Why, in instance, “call names.” Why say “niggers,” “dagoes,” “shenies.” Why arrogate yourself a certain superiority because you have a white skin. Who made the “earth and the fullness thereof”? How do you know who got here first? Who are you, anyway? In a few years you will be turned over to the worms who make no distinction between black or white, man or woman, good or bad, educated or uneducated, yellow or red, brown or copper. Neither God nor the worms care what your color may be, your race or your previous condition of servitude. There is nothing so immoral as thinking you are better than anyone else.[19]

In this article, perhaps her most antiracist, White does not allude to any racist or assimilationist ideals. As can be noted in the excerpt above, she completely disdains any ideology that espouses the belief that one’s skin color makes them any different.

Esther Griffin White, undated, Friends Collection and Earlham College Archives, Esther Griffin White, Box 6, Folder 1, Esther Griffin White Collection, Richmond, Indiana, accessed https://exhibits.earlham.edu/.

Just a few months after the above article, White wrote another piece for the Richmond Palladium titled “It Is True You Can’t Always Tell.” In this article, White builds on her antiracist views and highlights an experience she had a few weeks prior while attending a concert in Richmond. She noted how wonderful the musical act performed by a group of male musicians was and that “they were, indeed, one of the best ‘attractions’ the vaudeville theatre has ever had.” [20] She continued that many of the spectators thought them Italian, as they sang many of their songs in Italian, or perhaps Spanish, because they were dressed as troubadours, but that they were in fact African American. This, White argued, proved that “race prejudice is frequently only a matter of thinking” and that “people were delighted with [the musicians]—not because they were Italians or Spaniards, white Americans or of the Negro race, but because they were superior musicians.”[21]

Here, White is arguing that race prejudice and racism are not logical —they are both only a matter of warped thinking. The musicians were not loved and celebrated because of their prescribed race, but simply because they were talented. White continued, “it is one of life’s famed tragedies that these people should have to masquerade, after a fashion, in order to have their talents appreciated for what they really were.”[22]

Looking back at Esther Griffin White’s life reveals many things about her as a person, which can generally be boiled down to one sentiment: she was unapologetically her own person and used her power, privilege, and platform as a white, middle-class, female journalist to speak out against injustices. Through White’s articles, we clearly see someone trying to process her own ingrained racism while at the same time speaking out against it. That is essentially what happens when engaging in antiracist work. White did not always say or do the right things when it came to her antiracism work, but one can trust in her intentions and hope that she learned from her mistakes. Ultimately, her fearless condemnation of injustice in early-twentieth century Richmond should inspire us all, perhaps now more than ever, to stand up and speak out for what is right, even if it is unpopular.

Notes:

[1] “Suffrage Street Talks Draw Large Audience, Women State Their Purpose,” Richmond Palladium, June 27, 1916, 1, 11, accessed Hoosier State Chronicles.

[2] George T. Blakey, “Esther Griffin White: An Awakener of Hoosier Potential,” Indiana Magazine of History 86, no. 3 (September 1990): 294-299, accessed scholarworks.iu.edu.

[3] Blakey, 286.

[4] Ibram X. Kendi, How to Be an Antiracist (New York: Penguin Random House, 2018), 31.

[5] So common was the dance between antiracist and assimilationist ideas for people that well-known Black author and activist W.E.B. Du Bois wrestled with them. In The Souls of Black Folk, Du Bois’ 1903 essay, he expressed the dueling consciousness that demonstrates the fight between assimilationist and antiracist ideas, specifically for Black folk: “One never feels his twoness…an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”[5] Although Du Bois, as a Black man, had disproportionately different experiences than White did as a white woman, we see a similar push and pull between assimilationist and antiracist ideas in his defense of African American’s racial equality that we do in White’s writings.

[6] Michael J. Pfeiffer, Lynching Beyond Dixie: American Mob Violence Outside of the South (Urbana: University of Illinois Press, 2013), 1.

[7] Pfeiffer, 4. The more secretive, hidden lynchings would occur in the latter half of the twentieth century, often carried out by secretive groups like the KKK and often shrouded as “hate crimes” rather than what they were. It was middle-class southerners’ embarrassment at the newfound spotlight anti-lynching activists like Ida B. Wells were putting on the barbaric practice that drove it underground in the mid-twentieth century. In some areas, like the Midwest and West, public lynchings would continue into the mid-twentieth century.

[8] Pfeiffer, 9.

[9] “Early Black Settlements by County,” Research Materials, Indiana Historical Society, accessed indianahistory.org.

[10] Ibid., 1.

[11] Alexis Clark, “How ‘The Birth of a Nation’ Revived the Ku Klux Klan,” History Channel, accessed history.com.

[12] Ibid.

[13] Esther Griffin White, “‘The Birth of a Nation’ Insidious Appeal to Race Prejudice, An Insult to Negro Citizens,” The Little Paper, February 19, 1920, 1, accessed Earlham.edu.

[14] Ibid., 1.

[15] Ibid., 1.

[16] Esther Griffin White, “Negroes Pay Taxes on Millions,” Richmond Palladium, December 6, 1911, 7, accessed Hoosier State Chronicles.

[17] Ibid., 7.

[18] Ibid., 7.

[19] Esther Griffin White, “It Don’t Take Long When You’re a King,” Richmond Palladium, January 24, 1912, 6, accessed Hoosier State Chronicles.

[20] Esther Griffin White, “It Is True You Can’t Always Tell,” Richmond Palladium, February 21, 1912, 6, accessed Hoosier State Chronicles.

[21] Ibid., 6.

[22] Ibid., 6.

“Walk a Mile in Their Pumps:” Combating Discrimination within Indy’s Queer Community

Famous Door Kick Line
Performers at The Famous Door, an Indianapolis club known for its drag shows, ca. 1975, accessed The Michael Bohr Collection of the Indy Pride Chris Gonzalez Library and Archives, courtesy of the Indiana Historical Society.

“In our endeavors to attain social justice, we cannot afford the
destructive luxury of discriminating against one another.”

Justice, Inc., an LGBTQ+ rights organization, issued this statement in 1989 after some gay bars in Indianapolis refused to serve cross-dressing and transgender individuals.[1] The city’s queer community had already encountered and protested numerous challenges posed by law enforcement, including police harassment, surveillance of cruising sites, and possible prejudiced police work as homicide rates increased for gay men. Although gay bars afforded a degree of shelter from discrimination, not all were afforded the opportunity to patronize them.

While examining Indiana’s gay newsletter The Works, I came across recurring incidents of discrimination within Indianapolis’s queer population. In 1973, outspoken transgender rights activist Sylvia Rivera drew attention to these incidents on a national level at New York City’s Christopher Street Liberation Day Rally. Rivera had helped found the Gay Liberation Front and, with her friend Marsha P. Johnson, the Street Transvestite Action Revolutionaries (STAR) in NYC, which provided desperately-needed shelter and food for homeless trans youth.

In addition to advocating for people of color and the impoverished, Rivera advocated for white, middle-class men and women jailed because of their sexual orientation and/or gender identity. She also fought for the women’s liberation movement. Despite this, she was shunned for her attempts to include trans individuals in the broader gay rights movement. She famously addressed this ostracism after pushing her way on stage at the Liberation Day Rally. There, she passionately addressed the crowd, stating “I have been beaten. I have had my nose broken. I have been thrown in jail. I have lost my job. I have lost my apartment for gay liberation and you all treat me this way?” Her speech was met with a smattering of jeers and applause.

However, marginalized individuals within the queer community have been increasingly recognized through public artwork, Netflix documentaries, and seminars like The New Republic’s recent “Sex Workers as Queer History”. Cecilia Gentili, founder of Trans Equity Consulting and transgender actress in the Netflix show POSE, recalled in the seminar that gay men had significant power over transwomen and if you “weren’t fabulous enough” then you couldn’t get in the bar. She likened these experiences to the “criminalization of gender.” In this post, I examine similar incidents in Indianapolis, as well as strategies employed by the victims of discrimination to help secure rights for all.

Kerry Gean, dressed as the “woman I am deep inside of my biological male self,” and friends went to the Varsity Lounge in February 1989. After they were seated, their server singled out Gean with a request for identification. The server then informed her that she was breaking the law because the photo on her I.D. did not identically match her face. Humiliated and hurt, she returned home, changed into “male” clothes, and upon return was immediately served. After Gean’s experience, she asked readers in an editorial for The New Works News “Are we now turning against ourselves? Can we forget what it feels like to be barred from a public place by the owner, or even a bartender, who has some reason to hate us for the hard but true choices we have made?”[2]

Roberta Alyson, courtesy of The New Works News (August 1989): 1, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

By June, things were no better for Roberta Alyson, described by The Works as a “pre-operative transsexual.” Alyson was denied entrance to the gay bar Our Place on the grounds of not meeting dress code and identification not matching Alyson’s face, despite having a doctor’s note confirming the necessity of dressing as a woman. Bar officials got an off-duty officer who worked security to check the 31-year-old’s ID. He crumpled up the doctor’s note and Alyson “regrettably began to panic,” walking away from the parking lot. When the officer pursued and arrested Alyson, who later said one of the back-up officers was abusive and tried to lift Alyson’s skirt. Alyson was charged with and fined for fleeing an officer.[3] 

Alyson addressed the implications of such discrimination in a letter to the editor of The New Works News, noting Our Place’s dress code “flies in the face of the Stonewall Riots and sends a terrifyingly repressive message to the ‘straight’ community.” Alyson noted, “There were ‘genetic females’ in the bar on the night I visited it” and asked “Am I somehow more of a ‘threat’ to the bar’s image than a woman born?” Reflecting Gentili’s recollection, Alyson wrote “We, the greater gay community, are seeing a disturbing trend in that ‘gay rights’ seem only to apply to gays and lesbians who ‘fit in.’” Simply put, “Gay rights are human rights, and they apply to all of us!”[4]

Indianapolis police liaison Shirley Purvitis, one of the first to be appointed in the nation, organized a meeting to try to resolve issues between “certain segments of the gay community” and local gay bars. These bars included Our Place, 501 Tavern, and The Varsity. She noted later that “one of the most effective ways to fight discrimination was to ‘shut up and listen to what the other person has to say.’” Bar Owners, members of the Indiana Civil Liberties Union and Justice, Inc., IPD vice officers, and members of the Indiana Crossdresser Society (IXE) attended the meeting, which was, “as expected, confrontational from beginning to end.”[5]

Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

As to claims that individuals were being denied entrance due to discrepancies between their photo I.D. and their physical features, Excise Chief Okey stated that “the only requirement that excise has for a person being served alcohol is that they be 21 years of age or older. . . . crossdressing, either male or female, is not grounds for refusal of service.” Other bar owners stated blatantly that they refused to admit these patrons, not because they feared breaking excise laws, but because they intended to “‘preserve the established atmosphere of their bars.'”[6] A 501 Tavern spokesperson stated that these individuals “‘were not wanted there,’ and if they had been admitted violence might have resulted. The bar owners also voiced the fear that if they admitted people in drag their regular patrons might leave.” Gay TV producer Gregory McDaniel denounced this reasoning, stating, “‘What I’m hearing now is exactly what I heard 20 years ago when attempts were being made to keep blacks out of Riverside Park and other public places.'”[7] Aside from being morally wrong, McDaniel alleged this discrimination halted momentum in the broader fight for gay equality, noting, “The wire services have picked up these stories. This shows the dominate [sic] society that we are not unified and that they are safe in oppressing us.”

David Morse, manager of Our Place, stated at the meeting that he felt “‘very much trapped in the middle.’” He tried to reconcile the needs of both parties, “perhaps naively,” by establishing the dress code and I.D. policy. However, he noted that he “‘learned many lessons'” from the ensuing discussions. [8] Perhaps fear of losing the bars they fought so hard to establish—whether by mistakenly breaking excise laws or drawing unwanted attention to the establishment—owners implemented discriminatory policies. Unfortunately, the meeting to discuss these policies ended without much resolution.

Members of IXE, Courtesy of The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

IXE met separately with Justice, Inc. to address the issue and one observer at the meeting speculated that “perhaps one reason that the crossdressers were causing such a stir in the ‘male’ bars” was because they looked:

‘too good and too much like natural, normal women and a far cry from the narrow gay-oriented perception of what “drag queens” look like. Perhaps some of the shakier ‘male’ egos couldn’t handle this unaccustomed image.’ [9]

By September, there seemed to be a bit more acceptance, as Our Place admitted Roberta Alyson, who by then had two pieces of “‘official’ feminine'” identification. The newsletter reported that Tomorrow’s and Jimmy’s had also been more welcoming.[10] McDaniel also commented that the The New Works News‘s extensive coverage of the discrimination showed that the community could be “introspective and self-correcting.”[11]

The New Works News (July 1989): 7, accessed Chris Gonzalez GLBT Archive, IUPUI Library.

Sharon Allan, of IXE, decided to affect change by sitting down with bar employees. She met with Brothers manager Michael David to ask if their policy that identification had to match one’s appearance was implemented uniformly. After he said yes, Allan informed him that she “had been in the bar four times, after work and in a tie and had never been asked for ID.” Allan reported to the New Works News that “Michael immediately saw the lack of universality in their policy and promised to speak with the owner at the next staff meeting.”[12]

Capitalizing on the positive momentum, Justice, Inc. hosted the second “Discrimination Within the Gay Community” workshop in December.[13] While the turnout was low, and bar employees noticeably absent from the meeting, attendees reported that most bars had “reversed” their discriminatory policies. At the meeting, Gary Mercer, of Goshen, quipped “’Before you judge other people in the gay community, you better walk a mile in their pumps.’” Gay Cable Network’s Eric Evans agreed, noting that “‘discrimination is usually the result of ignorance.'” He suggested ongoing education for “both the gay and straight communities.” This, he said, could be accomplished through television programming and by forming a Gay Community Center.[14]

While awareness and dialog did not end prejudice entirely within Indy’s queer community, reported incidents diminished in The New Works News. Genny Beemyn notes in “Transgender History of the United States,” that in the early 1990s a “larger rights movement” emerged, “facilitated by the increasing use of the term ‘transgender’ to encompass all individuals whose gender identity or expression differs from the social norms of the gender assigned to them at birth.”[15] Still, activists fought an uphill battle for inclusion, as the “March on Washington” steering committee voted overwhelmingly to leave them out of the  1993 “Lesbian, Gay, and Bi Equal Rights and Liberation” march, despite support from bisexual allies.[16]

New York dedicates East River State Park to LGBTQ activist Marsha P. Johnson
Rendering of Marsha P. Johnson State Park, courtesy of the New York State Parks, accessed timeout.com.

Discrimination and violence against transgender individuals, especially those of color, endures, although largely waged by those outside of the queer community. However, public recognition of those marginalized within the community has increased, to some extent. In 2019, New York City announced it would honor drag queens and transgender rights activists Sylvia Rivera and Marsha P. Johnson with monuments. Scott W. Stern and Charles O’Malley noted in their 2019 “Remembering Stonewall as It Actually Was—and a Movement as It Really Is” that the decision:

reflects a dawning awareness (among those in positions of power) that the LGBTQ movement was always more diverse, more radical, and more closely connected with other social movements than is commonly believed.

Along with the statues of Rivera and Johnson, New York Governor Andrew Cuomo announced in August 2020 that the Marsha P. Johnson State Park, located along the East River, would be dedicated. This will be the first state park in the US honoring an LGBTQ+ individual, as well as a transgender woman of color. Stern and O’Malley argue that we should examine and commemorate those at the margins of equal rights movements not simply for history’s sake, but because “More accurate renderings of the past inform the way we act in the future; they inform whose lives we prioritize in the present.”[17] That is why we should be aware of Roberta Alyson and Kerry Gean, whose determination to transform humiliating experiences into policy change helped open the door to acceptance for other transgendered and cross-dressing individuals in Indianapolis. They remind us of the importance in engaging in conversations with “the other.”

*The professional study of LGBTQ+ history is relatively new.  We welcome feedback regarding accuracy and terminology, especially given the challenges in locating primary sources and the evolving conception of what comprises the queer community. We are especially interested in documenting lived experiences from a variety of perspectives.

[1] “Justice Investigation Calls for Uniform Bar Policies,” The New Works (October 1989): 8, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[2] “Varsity Drag,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[3] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[4] Roberta Alyson, “Crossdresser’s Visit to Our Place,” The New Works News (July 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[5] “O.P.’s Dress Code Causes Arrest of TS: Transsexual Arrested Trying to Gain Admittance,” The New Works News (August 1989): 1, 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[6] Ibid.

[7] Ibid.

[8] Ibid.

[9] “IXE Meets with Justice,” The New Works News (August 1989): 7, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[10] Gregory McDaniel, “Courageous Clear Thinking,” The New Works News (September 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[11] Ibid., 3.

[12] Sharon Allan, “No Discrimination Intended at Brothers,” The New Works News (October 1989): 3, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[13] “Justice Discrimination Workshop,” The New Works News (December 1989): 6, accessed Chris Gonzalez GLBT Archives, IUPUI Library.

[14] Ibid.

[15] Genny Beemyn, “Transgender History of the United States,” in Laura Erickson-Schroth, ed., Trans Bodies, Trans Selves (Oxford University Press, 2014), p. 28, accessed umass.edu.

[16] Ibid., 29.

[17] Scott W. Stern and Charles O’Malley, “Remembering Stonewall as It Actually Was—and a Movement as It Really Is,” The New Republic (June 24, 2019), accessed newrepublic.com.

[18] Ibid.

How Indianapolis Surgeon Dr. Joseph Ward Challenged the Jim Crow South

“New Sanitarium,” The Freeman, An Illustrated Colored Newspaper (Indianapolis), July 19, 1909, 3. accessed Google News.

If you scour Scott’s Official History of the American Negro in the World War, On the Trail of the Buffalo Soldier, The Encyclopedia of African American Military History, The African American Encyclopedia, and the Who’s Who of the Colored Race, Dr. Joseph Ward’s name is nowhere to be found. This is a concerning omission, given that his leadership at Tuskegee, Alabama’s Veterans Hospital No. 91. helped prove to some white Jim Crow Southerners, medical practitioners, U.S. military officials, and even President Calvin Coolidge that African Americans were fit to manage large institutions. His significance is two-fold: in an era where African Americans were often excluded from medical treatment, Ward made care accessible to those in Indianapolis and, on a much larger scale, to Southern veterans.

Born in Wilson, North Carolina to Mittie Ward and Napoleon Hagans, Joseph traveled as a young man to Indianapolis in search of better opportunities. In the Circle City, he attended Shortridge High School and worked as the personal driver of white physician George Hasty. According to the African American newspaper The Freeman, Dr. Hasty “‘said there was something unusual in the green looking country boy, and to the delight of Joe as he called him, he offered to send him to school.'”[1] By the 1890s, Ward had earned his degree from Indiana Medical College and practiced medicine in his adopted city. In 1899, The Freeman remarked “The fact that he has risen from the bottom of poverty, th[r]ough honorable poverty, without any assistance, is sufficient evidence to justify our belief in his success in the future.”

Barred from treating Black patients in city hospitals due to institutionalized discrimination, he opened Ward’s Sanitarium and Nurses’ Training School on Indiana Avenue around 1907, which soon garnered the praise of white physicians. He also convinced administrators at the segregated City Hospital to allow Ward’s Black nursing students to attend courses. By enabling them to pass the same state licensing test as white students, he opened professional opportunities to African American women in an era in which they were often relegated to domestic service and manual labor.

Advertisement, Indianapolis Recorder, January 8, 1910, 4, accessed Hoosier State Chronicles.

Dr. Ward became as foundational to Indianapolis’s rich Black history as The Freeman publisher Dr. George Knox and entrepreneur Madam C.J. Walker, for whom Ward helped get her professional start. He gave back to his city by helping found the African American Senate Avenue YMCA. During World War I, Ward temporarily left his practice to serve in the Medical Corps in France with the 92nd Division Medical Corps, where he worked as ward surgeon of Base Hospital No. 49. Again, his diligence propelled him to excellence, and he became one of two African Americans to achieve the rank of Major in World War I.[2] In 1924, Dr. Ward’s name was etched into the annals of history, when he became the first African American commander of the segregated Veterans Hospital No. 91 at Tuskegee, Alabama. Ward’s decision to accept the position was itself an act of bravery, coming on the heels of hostility from white residents, politicians, and the Ku Klux Klan.

Initially, the Veterans Bureau placed the new hospital in control of a white staff, despite promising Black personnel they would manage it. After seemingly talking out of both sides of their mouths, Bureau officials gradually began replacing white staff with Black staff due to the unrelenting protest of African Americans across the country. This decision essentially pulled the pin from a grenade. Vanessa Northington Gamble contended in Making A Place for Ourselves: The Black Hospital Movement, 1920-1945 that “White Tuskegeeans saw the fight over the hospital as a ‘test of the supremacy of the Angle-Saxon race’ and were prepared to win the battle by any means necessary.”[3] When African American bookkeeper John C. Calhoun arrived at the hospital to replace his white predecessor, he was handed a letter that warned[4]:

WE UNDERSTAND YOU ARE REPORTING TO HOSPITAL TO ACCEPT DISBURSING OFFICERS JOB, IF YOU VALUE YOUR WELFARE DO NOT TAKE THIS JOB BUT LEAVE AT ONCE FOR PARTS FROM WHENCE YOU CAME OR SUFFER THE CONSEQUENCES, KKK.

He took heed, and an hour after Calhoun fled, approximately 50,000 Klan members marched on Tuskegee and burned a forty-foot cross, before silently marching near the veterans’ hospital. Although violence was avoided, one “fair-skinned” man reportedly “infiltrated the Klan by passing as white” and learned they planned to kill a Black leader and blow up the Tuskegee Institute. The community at large expressed their disapproval of Black leadership by protesting at the White House. Southern politicians did so by writing pieces for the local papers, like State Senator R. H. Powell, who insisted in The Montgomery Advertiser “We know that a bunch of negro officers, with uniforms and big salaries and the protection of Uncle Sam . . . will quickly turn this little town into a place of riot such as has been experienced in so many places where there has occurred an outbreak between the races.”

But President Calvin Coolidge’s Republican administration stood up to the Klan and continued to replace white staff with Black personnel. In a nod to the Confederacy’s defeat in the Civil War, The Buffalo American wrote that the Klan’s demonstration “proved to be another ‘lost cause’ and Negro workers continued to arrive.”[5] With Dr. Ward’s appointment, the hospital’s staff was composed entirely of Black personnel. The hospital’s pioneering practitioners treated Southern Black veterans, many of whom suffered from PTSD following WWI service. Under Ward’s leadership, the Buffalo American reported, patients “are happy, content and enjoying the best of care at the hands of members of their own race who are inheritently [sic] interested in their welfare.” The Montgomery Advertiser noted in 1935 that No. 91 was among the largest U.S. veterans hospitals in the country, offering 1,136 beds, and experiencing a monthly wait list of about 375 patients. In addition to neuropsychiatric treatment, the hospital’s library hosted a bibliotherapy program and patients could view moving pictures and attend dances. The sprawling complex also provided job opportunities for Black laborers, waiters, stenographers, plumbers, and electricians.

Dr. Joseph Ward, courtesy of VA History Highlights, U.S. Department of Veterans Affairs.

In describing his leadership, Ward’s colleagues recalled that his purpose was firm, demeanor alert, and interactions with subordinates fair. Ward reportedly “amassed an enviable reputation in the Tuskegee community. His legendary inspection tours on horseback and his manly fearlessness in dealing with community groups at a time when there was a fixed subordinate attitude in Negro-white relations are two of the more popular recollections.”[6] He proved so adept as a leader that the War Department promoted him to Lieutenant Colonel. A 1929 editorial for the Journal of the National Medical Association praised Ward for his ability “to win over to your cause the White South.”[7] The author added that Ward “has served as an inspiration to the members of the staff of the hospital. He has stimulated original observation and contributions”[8] and noted “‘Those who led the opposition to the organization of a Negro personnel openly and frankly acknowledge their mistake and their regret for the earlier unfortunate occurrences.'”[9]

President Coolidge affirmed these characterizations in an address to Congress. Howard University conferred an honorary Master of Arts degree upon Ward for honoring his profession “under pioneer conditions of extraordinary difficulty.”[10] The accolades go on. In regards to this praise, Ward was characteristically humble, stating in The Buffalo American on October 30, 1924, “‘My associates have worked as though they realized that not only them personally, but the entire group was on trial and whatever success we have had was due to that spirit.'”

Tuskegee VHA key staff, 1933, Dr. Ward, front row, center, courtesy of VA History Highlights, U.S. Department of Veterans Affairs.

Years after Ward’s appointment, racial tension had not entirely dissipated. In 1936, a federal grand jury charged Ward and thirteen others on the hospital’s staff with “conspiracy to defraud the Government through diversion of hospital supplies.” After more than eleven years of service, the esteemed leader was dismissed “under a cloud,” and he plead guilty to the charges in 1937.[11] Black newspapers provided a different perspective on Ward’s rapid descent from grace. According to The New York Age, Black Republicans viewed the “wholesale indictment of the Negro personnel” at Veterans Hospital No. 91 as an attempt by Southern Democrats to replace Black staff with white, to “rob Negroes of lucrative jobs.”[12] The paper added that these Southern Democrats tried to “take advantage of the administration of their own party in Washington and oust colored executives on charges they would not have dared to file under a Republican regime.” These Black employees, the paper alleged, became the “hapless victims of dirty politics.” Given the previous attempts of the white community to usurp control of the veterans hospital, one is tempted to see truth in this interpretation. After Ward’s dismissal, he quietly returned home to Indianapolis and resumed his private practice, which had moved to Boulevard Place. He practiced there until at least 1949 and in 1956 he died in Indianapolis. 

The struggle for leadership of the new veterans hospital shifted the threat of African American autonomy from theoretical to real for the white Jim Crow South. It exposed the organizational capabilities of the white community in terms of protesting the possibility of this autonomy. It also exposed the capabilities of the Black community in terms of demanding their own governance, efforts Dr. Ward ensured were not made in vain. The young man who journeyed out of the South in search of better opportunities later returned to create them for others. Yet somehow his efforts are virtually absent from the historical record. With the help of doctoral student Leon Bates, IHB is changing that this summer by commemorating Lt. Col. Joseph H. Ward with a historical marker.

 

SOURCES USED:

Dr. Joseph H. Ward historical marker notes.

FOOTNOTES:

[1] “Dr. Joseph H. Ward,” The Freeman: An Illustrated Colored Newspaper (Indianapolis), July 22, 1899, 1, accessed Google News.

[2] “Maj. Ward Back from U.S. Work,” The Indianapolis Star, June 29, 1919, accessed Newspapers.com. “Dr. Joseph H. Ward,” The Freeman: An Illustrated Colored Newspaper (Indianapolis), July 22, 1899, 1, accessed Google News.

[3] Gamble, 90.

[4] Quotation from Gamble, 92.

[5] “Making Good at ‘The Tuskegee’ United States Veterans’ Hospital, No. 91,” The Buffalo (New York) American, 6, accessed Newspapers.com.

[6] Dr. Clifton O. Dummett and Eugene H. Dibble,”Historical Notes on the Tuskegee Veterans Hospital,” Journal of the National Medical Association 54, no. 2 (March 1962), 135.

[7] Editorial, “The U.S. Veterans’ Hospital, Tuskegee, Ala., Colonel Joseph Henry Ward,” Journal of the National Medical Association 21, no. 2 (1929): 65-66.

[8] Ibid., 67.

[9] Ibid., 66.

[10] “Col. Ward,” Baltimore Afro American, June 13, 1931, accessed Newspaper Archive.

[11] “Dr. Dibble Succeeds Col. Ward as Head of Tuskegee Hospital,” The Pittsburgh Courier, accessed Newspapers.com; Colonel Indicted in Food Stealing,” The Montgomery Advertiser, July 10, 1936, accessed Newspapers.com; “Two Plead Guilty in Hospital Case,” The Montgomery Advertiser, March 25, 1936, accessed Newspapers.com.

[12] “Charge Southern Democrats Seek Control of Veterans Hospital at Tuskegee, As 9 Others Are Indicted,” The New York Age, October 3, 1936, accessed Newspapers.com.

Dr. Helene Knabe: A Vanguard

Graduation Portrait, Medical College of Indiana, 1904, courtesy of the Indiana University School of Medicine Ruth Lilly Special Collections.

The black snake undulated between the two women, winding back and forth, circling overhead. A lascivious leer seemed to be affixed to the snake’s mouth as it weaved, moving the women closer, but then winding between and pulling them apart. Augusta Knabe could not bear to see this horrible apparition between them. She reached for her cousin.

Augusta lost her grip on Helene and sat up in bed, struggling to catch her breath. She pushed her sweat-drenched hair back and collected herself. What a horrible dream! Augusta felt guilty she had not accepted her cousin’s offer of tea the past afternoon. She was sure the dream was her penance for wanting to avoid late afternoon traffic and enjoy the comfort of her home after shopping. Augusta promised herself she would stop by Helene’s flat after school and take her to tea the very next afternoon. Despite this promise, Augusta passed the rest of the night fitfully.

Augusta’s cousin, Helene Elise Hermine Knabe, yearned to be a doctor. In Germany women were not allowed in medical school until 1900 and it would not be allowed for women in the German state of Prussia, where she lived, until 1908. Her father, Otto Windschild, left her mother when Knabe was an infant and she was raised by her uncle after her mother died. Given her humble upbringing, becoming a doctor became more of a dream and less a reality with each passing year.

Augusta Knabe (R), cousin, and Katherine McPherson (L), an office assistant, courtesy of “State’s Most Important Witnesses in Knabe Case,” Indianapolis News, December 6, 1913.

When Augusta informed Helene that women were allowed to attend medical school in America, Helene’s life changed forever and she moved to Indianapolis in 1896.  The motto she heard most often growing up was “You cannot be a master in anything unless you know every detail of the work.” No one applied this maxim more than Knabe.  To prepare for school she worked for four years in domestic and seamstress work in order to learn English from the upper class. She attended Butler University for a term to supplement her self-learning and to prepare her for the rigors of medical school.

In 1900, Knabe entered the co-educational Medical College of Indiana (MCI). She was required to attend classes, dissect every body part of cadavers, maintain a 75% grade in all classes, refrain from drinking, and work fourteen hour days. During this time, she continued as a seamstress to supplement her income. Knabe also used her drawing skills by providing medical textbook illustrations to several books, including detailed sketches for anatomy, surgery, and pathology slides.

Dr. Knabe’s illustration of a neck wound. This would prove foretelling of the doctor’s fate.

Knabe proved a trailblazer with her medical school accomplishments. Dr. Frank B. Wynn, the Director of Pathology at MCI, appointed her curator of the pathology museum. She was consequently placed in charge of the pathology labs at the school.  Much to the chagrin of many of her male peers, Dr. Wynn chose her to be his only preceptee for the year. She began teaching underclassmen, an unheard of honor for a student. On April 22, 1904, Knabe became one of two women to graduate from MCI. She threw herself wholeheartedly into her profession, burning the candle at both ends to gain a foothold in practice, networking, and skills.

Dr. Knabe stayed on in her positions as lab curator and clinical professor—for which she was not paid. Appointed a deputy state health officer in 1905 by Dr. J. N. Hurty, the Secretary of the Indiana State Board of Health (ISBH), Dr. Knabe became the first woman to hold this office in Indiana. Part of her duties involved investigating suspected epidemics, such as typhoid and diphtheria, and making recommendations to reverse unsanitary conditions. Dr. Knabe routinely traveled the state to work with the public and doctors, and processed hundreds of pathological samples.

Despite Dr. Knabe’s expertise, Dr. Hurty did not hire her as superintendent of the lab. Instead, he chose Dr. T. V. Keene, regardless of the fact that he did not apply for the job. As the laboratory grew, Dr. Knabe became Assistant Bacteriologist and was expected to work longer hours and spend more time in the field. During her work at the ISBH, Dr. Knabe presented papers and worked with the public in diagnosis and education. Local papers interviewed her for her thoughts on how to make Indianapolis a more beautiful and clean city.

Indianapolis Star, October 25, 1911, 4.

Dr. Knabe also kept current on new methods, most notably studying with Dr. Anna Wessel Williams of the New York Research Laboratory. Dr. Williams was brilliant in her own right as the originator of the rapid diagnosis of rabies, which was based on research from Negril and the co-developer of the diphtheria antitoxin. Dr. Knabe proved the widespread existence of rabies in Indiana. From this work, she implemented ways to prevent the spread of rabies by educating the public about the disease and its consequences.

Widely accepted as the state expert on rabies, Dr. Knabe was promoted to acting superintendent and paid $1,400 annually. Dr. Hurty promised her the superintendent position and an increase to $1,800 or $2,000. Over a year later Dr. Hurty told Dr. Knabe that there was no money for her salary increase and that because she was a woman she could not command the amount of money the position should pay anyway. Dr. Knabe contacted the newspaper and tendered her resignation, citing discrimination and broken promises.

Dr. Hurty had searched for what he considered “a real capable man” by actively recruiting Dr. Simmonds as the new superintendent. Additionally, although Dr. Hurty told Dr. Knabe the state had no money for her raise, he informed Dr. Simmonds he would pay $2,000 the first year and $3,000 in the second. That was a 47% increase from Dr. Knabe’s salary. The final slap in the face came from Dr. Simmonds himself in the first 1909 Indiana State Board of Health bulletin. He published Dr. Knabe’s findings about rabies in Indiana and elsewhere without crediting her.

Dr. Knabe’s illustration, courtesy of “A Parting Word to the Class of I.M.C 1907,” The Medical Student. (1907) vol. 5, no. 8 (19. 21-25).

Leaving the oppressiveness of state employ could not have been better for Dr. Knabe. Her dedication to medicine was rejuvenated. She opened her own private practice and continued her rabies research at $75 or more per case. While many female physicians shied away from accepting male patients because they may not be taken seriously or feared being attacked by male patients, Dr. Knabe insisted on having a phone installed in her apartment in case a patient needed her. She would always answer a knock or a call, regardless of the hour. Quite often she would treat people for free or accept payments via the barter system. This is how she acquired a piano and the lessons to go with it.

One of her biggest achievements was when she became the first elected female faculty for the Indiana Veterinary College (IVC), where she was the Chair of the Parasitology and Hematology. Dr. Knabe’s tenure at the IVC predates any recognized woman department chair at any veterinary college in the United States prior to 1920.

Demonstrating her willingness to be a social feminist, Dr. Knabe bucked trends at every turn by her work in sex education. She served as the medical director and Associate Professor of Physiology and Hygiene, known today as sex education, at the Normal College of the North American Gymnastics Union in Indianapolis. She also networked with women’s clubs and the Flanner House to create and teach hygiene and sanitation practices to all ethnic groups across the State of Indiana, especially African American communities.

The same night that Augusta dreamt about the black snake, a person entered Dr. Knabe’s rooms at the Delaware Flats and brutally cut her throat from ear to ear. The killer was skilled enough to cut her on one side first, missing her carotid artery and cutting deep enough to cause her to choke on her blood. The second cut just nicked the carotid artery and cut into the spine. See Part II to learn how Dr. Knabe’s non-conformist lifestyle and work as a female physician would be used against her in the bungled pursuit of her killer.

* To learn more about the extraordinary life of Dr. Knabe, see She Sleeps Well: The Extraordinary Life and Murder of Dr. Helene Elise Hermine Knabe.

 

Strange Fruit: The 1930 Marion Lynching and the Woman Who Tried to Prevent It

The National Memorial for Peace and Justice, image accessed NPR.org.

After investigating over 4,000 incidents of “racial terrorism” that took place in the United States between 1877 and 1950 in the form of lynchings, the Equal Justice Initiative realized the trauma left in their wake had never been properly confronted by the nation. The EJI sought to remedy this and opened the Memorial for Peace and Justice in Montgomery, Alabama on April 26, 2018. Memorial visitors first encounter sculptures of chained slaves before experiencing memorial square, an exhibition of 800 6-foot monuments that represent lynchings in each of the counties where they took place. The memorial concludes with a bronze sculpture that examines “contemporary issues of police violence and racially biased criminal justice.”

Woven into the fabric of racially-motivated violence in America is a summer night in Marion, Indiana in 1930. On August 7, black teenagers Tom Shipp, Abe Smith, and James Cameron were held in the Marion jail for the murder of Claude Deeter and rape of Mary Ball. Before they could stand trial, a mob comprised of white residents tore the young men from their cells and brutally beat them, mutilating and hanging Shipp and Smith from a tree on the courthouse lawn. They intended to send a message to other African American residents, one which Marion NAACP leader Katherine “Flossie” Bailey scrambled to prevent.

A crowd at the Marion courthouse looks on following the lynching of Shipp and Smith, courtesy of the Organization of American Historians.

Local photographer Lawrence Beitler took a photograph of the swinging bodies, capturing a white crowd that looked on in a mixture of satisfaction, hostility, amusement, and bewilderment. This photo was reproduced on postcards and circulated by the thousands. NPR noted that in the late 1930s white poet, activist, and Bronx school teacher Abel Meeropol remained haunted by the image of “strange fruit hanging from the poplar trees” and penned a poem about the lynching, published by the teacher’s union. Inspired by Meeropol’s words, artists like Billie Holiday, Diana Ross, Sting, Kanye West, and Nina Simone have performed their own versions of “Strange Fruit.”

Historian Dr. James Madison contends that the Marion lynching continues to command attention because it took place outside of the Deep South and occurred after the Ku Klux Klan-prompted lynchings of the 1920s. The East Tennessee News noted weeks after the lynching that the “deplorable affair” confirmed the notion that “mob law” can break “forth in all its furry [sic] in North as readily as in the south.” The paper added that only the enactment of a federal law would “serve to discourage the tendency of irresponsible hoodlums who are inclined to take the law into their own hands.” Prior to August 7, 1930, it is believed that the last lynching in Indiana took place in 1902 in Sullivan County and the resurgence sent shockwaves through Indiana and around the nation.

Katherine “Flossie” Bailey, courtesy of America’s Black Holocaust Museum.

As white residents gathered on the afternoon of the 7th, formidable NAACP state president Flossie Bailey mobilized. Born in Kokomo, Bailey was described as a “hotrod,” “born leader,” and “superb organizer” for her tireless work with the NAACP. She established the Marion branch in 1918 and built it up, despite encountering apathy created by Great Depression conditions. She became head of the Indiana NAACP and offered her house as headquarters when Marion’s Spencer Hotel refused to accommodate black guests.

As the restless crowd hoisted Claude Deeter’s blood-stained shirt from the window of the Marion City building, Bailey called Sheriff Jacob Campbell to alert him to the mob’s plan to lynch the prisoners. According to NAACP acting secretary Walter White, upon Bailey’s phone call, Sherriff Campbell checked the jail’s garage and found that gasoline had been removed from the cars and the tires flattened, preventing transportation of the endangered prisoners. He made no attempt to procure working cars, despite three hours passing until the lynching. Bailey also called on Governor Harry G. Leslie’s secretary, operating in his absence, to dispatch troops to the restless city. He abruptly hung up on her.

Mary Ball, courtesy of the Wisconsin State Journal, August 11, 1930, accessed Newspapers.com.

As Bailey tried to intervene, Mary Ball’s father, Hoot Ball, entered the jail to speak with Sheriff Campbell and, upon failing, the crowd broke into violence and stormed the jail. The Muncie Evening Press estimated that of the thousands gathered around the jail “only about 75 men actually took part in the rioting,” encouraged by the shouts of onlookers. The mob penetrated the front and side of the jail using crowbars and hammers. Officials inside tried to stop rioters with tear bombs, one of which was lobbed back into the jail and exploded among nearly fifty prisoners.

Thomas Shipp, school photograph, courtesy of the Cameron Family, accessed America’s Black Holocaust Museum.

Walter White declared the lynching of Shipp and Smith to be the “most horrible and brutal in the whole history of lynching.” He stated that Smith was taken first and lynched from the jail bars and “When first pulled up he held on to the rope, preventing strangulation.” Shipp “fought furiously for his life, burying his teeth in the arm of one of the lynchers. In order to make him loosen his teeth his skull was crushed in with a crow-bar and a knife plunged into his heart.”

The rancorous mass took Smith’s life by dragging him to the courthouse square and hung him from a tree before a crowd that included children, an act witnessed and recounted by Muncie podiatrist Dr. E. Frank Turner. He saw the “ghastly spectacle” around 8 p.m. and, hearing that water would be used to disperse the crowd, “felt that everything would be alright, and went away.” When he returned around 10 o’clock, he saw the mob drag Shipp and Smith to the courthouse lawn. Lynchers utilized shadows created by tree branches to obscure their identities. Dr. Turner recalled that:

The body went up, dangling on the rope, and a demoniacal yell surged from the crowd. It was hideous! That mob sounded like wild wolves, the yells were more like vicious snarls. Some even clapped their hands. 

Not all observers cheered, he recalled. Some wept and others condemned the crowd.

Grant County jail where white residents mobbed Shipp and Smith, courtesy of the Wisconsin State Journal, August 11, 1930. The Journal noted that the arrow indicated the “window from which one body was suspended.”

Cameron, the youngest of the three accused men, was ripped from his cell and nearly hanged before someone in the crowd shouted that he was not involved in the crime. Muncie policeman Earl Doolittle noted that when Indianapolis officers finally arrived in their “big touring car” they were “greeted with boos and catcalls” from the crowd, lingering to prevent the coroner from removing the bodies. This was the same crowd that had left the jail “ravaged,” with “gaping holes in the walls” and the “twisted remains of broken locks.” Reportedly by midnight, an “indignation meeting” formed in Johnstown, the Marion neighborhood where African Americans lived. Hundreds of black residents listened to speeches about the sheriff’s unwillingness to order officers to shoot at the mob. Officers broke up the meeting, which prevented further violence. An Illinois newspaper reported that about 200 black residents fled Marion for Weaver, a historic black community in Grant County, out of fear of escalating violence.

At the time of the lynching, the state militia was training in Kentucky and, therefore, the “lawless element” controlled the scene of the lynching for over half a day. After Sheriff Campbell removed the bodies the following day, the crowd used penknives to cut buttons and shreds of fabric from the victims’ clothes as “souvenirs.” Shipp’s and Smith’s bodies were then taken to Shaffer Chapel African Methodist Episcopal Church in Muncie because Marion lacked a black mortician.

Echoing editor George Dale‘s 1920s skewering of the Ku Klux Klan via the Muncie Post-Democrat, the Muncie Evening Press condemned the act, stating “Not alone Marion but the state of Indiana stands today disgraced in the eyes of the world as a result of the lynching of two Negroes in that city last night. As for Marion herself she will be regarded abroad as a city of barbarians.” The paper believed that Marion could be partially redeemed only by indicting rioters on murder charges. The article noted “This ought not to be difficult.”

NAACP acting secretary Walter White, courtesy of the New Georgia Encyclopedia.

Flossie Bailey knew otherwise. According to James Madison, after the crime Bailey convinced Walter White to investigate the lynching. Fearing her phone calls were being monitored, she traveled back to Kokomo to communicate with NAACP leaders in Indianapolis and Marion. She received threatening phone calls, Madison noted, and drivers “deliberately backfired their cars as they cruised past her house.” Despite these threats, Bailey worked diligently to hold the perpetrators accountable. She joined a delegation of ten African American citizens from Marion and Indianapolis that met with Governor Leslie, including prominent pastors and Walker Manufacturing Company attorney Robert L. Brokenburr. In a formal resolution presented by Bailey, the group demanded that Governor Leslie ask for Sheriff Campbell’s resignation and promise protection for those who would testify about the identity of the lynchers. According to The Kokomo Tribune, Governor Leslie responded by claiming that “rumors had come to him that negroes in Marion were equipped with dynamite and were threatening to blow up the county jail.”

Bailey countered this rumor directly in a letter-to-the-editor for the Pittsburgh Courier, one of the leading African American newspapers in the country. The Courier previously printed a story about plans for retaliation by Marion’s black residents. Bailey noted that this was a “LIE,” one absolutely not perpetuated by the city’s black pastors, as the Courier had claimed. She stated that because of the rumors she and her husband “are daily receiving anonymous letters of a threatening nature” and alleged that “The Negroes who start rumors of this sort are the ones who will not help in anything constructive.” She concluded her letter “A few of us refused to be intimidated and do all we can in the name of the Association [NAACP] to bring law and justice again to Marion.”

The county grand jury began its investigation into the lynching in September. Bailey testified that she warned Sheriff Campbell of the formation of the mob just before 5 p.m., countering Campbell’s statement that it was made after 7 p.m. When questioned about his lack of action, he stated he feared hitting a woman or child with a stray bullet. Ultimately, the jury decided that Sheriff Campbell handled the mob in a “prudent manner” and exonerated him of any responsibility for the deaths of Shipp and Smith. 

Flossie Baily and husband Dr. Walter Thomas Bailey, courtesy of Find-A-Grave.

Unable to extricate Campbell from office, Bailey and her husband focused their efforts on prosecuting the lynchers. Historian Emma Lou Thornbrough noted that they led the effort to gather names from witnesses at “considerable personal risk.” White sent a list of twenty-seven alleged participants, along with evidence of their involvement, to Governor Leslie and Indiana Attorney General James M. Ogden. According to Thornbrough, only seven men were arrested, two tried, and both acquitted. She noted that at the trial of the second man, antagonism “against the blacks who attended it was described by a representative of the national NAACP as ‘appalling.’ Most of the whites who packed the courtroom were jubilant when the accused man was acquitted.” The New York Age noted of Bailey that “A high tribute is paid her courage and energy in working to restore order in Marion and to bring the lynchers to justice.” The NAACP awarded Bailey with the Madam C.J. Walker Medal for her refusal to be intimidated in her quest to bring the perpetrators to justice.

While Bailey’s efforts were ultimately unfruitful, she used the Marion lynchings as a springboard to enact anti-lynching legislation in Indiana. House Democrats introduced a bill in February 1931, for which Bailey organized statewide meetings, and convinced African Americans to contact their legislators. Her legwork paid off. Governor Leslie signed the bill into law in March, which allowed for the dismissal of sheriffs whose prisoners were lynched. The law also permitted the families of lynching victims to sue for damages. The Indianapolis Recorder, one of state’s preeminent African American newspapers, praised the law. The paper stated, “Indiana has automatically retrieved its high status as a safe place to live.” It added that without the law, Indiana “would be a hellish state of insecurity to our group, which is on record as the most susceptible victims of mob violence.” Although the newspaper praised Governor Leslie, it credited a “small group which stood by until the bill became a law.”

Using this momentum, Bailey and her NAACP colleagues worked to pass a similar bill on a federal level. Madison noted that she tried to change national lynching laws by publishing editorials, wiring President Franklin D. Roosevelt, and distributing educational materials to Kiwanis clubs. Although these efforts were unsuccessful, Bailey fought for the rights and safety of African American citizens until her death in 1952, challenging discrimination at IU’s Robert W. Long Hospital, speaking against school segregation, and suing a Marion theater for denying Bailey and her husband admittance based on their race.

Memorial for Peace and Justice, courtesy of the Equal Justice Initiative.

The Memorial for Peace and Justice has made tangible the tragic events of August 7, 1930. Perhaps one day the American landscape will represent Flossie Bailey and other individuals who tried to prevent racial terrorism at considerable personal risk. Learn how to apply for a state historical marker via the Indiana Historical Bureau.

 

SOURCES USED:

“Marion and Indiana Are Disgraced,” “Negro Killers Hanged in Courthouse Yard After Big Mob Storms Jail; Trio Accused of Attacking White Girl,” “Muncie Man is Lynching Witness,” and “Police Tell of Scenes at Marion,” Muncie Evening Press, August 8, 1930, accessed Newspapers.com.

“Negroes Leave City,” Journal Gazette (Mattoon, Illinois), August 9, 1930, accessed Newspapers.com.

“Gross Failure of Officials Is Exposed by Investigators” and “Lynching, North and South,” Indianapolis Recorder, August 30, 1930, accessed Hoosier State Chronicles.

Mrs. F.R. Bailey, Letter to the Editor, The Pittsburgh Courier, August 30, 1930, accessed Newspapers.com.

“Marion, Indianapolis Negroes Call upon Governor for Action,” The Kokomo Tribune, August 21, 1930, accessed Newspapers.com.

“Five Heard in Lynching Quiz,” Muncie Evening Press, September 3, 1930, accessed Newspapers.com.

“Sheriff Was Negligent,” The New York Age, September 6, 1930, accessed Newspapers.com.

“The Anti-Lynching Law” and “Cruising Around,” Indianapolis Recorder, March 14, 1931, accessed Hoosier State Chronicles.

James H. Madison, “A Lynching in the Heartland: Marion, Indiana, August 7, 1930,” Journal of American History (June 2011), accessed Organization of American Historians.

James H. Madison, “Flossie Bailey,” Traces of Indiana and Midwestern History (Winter 2000): 22-27.

Emma Lou Thornbrough, Indiana Blacks in the Twentieth Century (Bloomington: Indiana University Press, 2002), 67-69.