On the evening of April 14, 1865, an assassin shot President Abraham Lincoln. He died the next day at 7:22 a.m. While Union soldiers hunted the conspirators, the nation went into mourning. The funeral for the assassinated president took place April 19, 1865 at the White House. The New York Times reported that “thousands wended their way up the capitol steps, into the grand rotunds, by the bier and coffin of the President… their homage was silent and tearful.” On the morning of April 21, a military guard placed Lincoln’s casket in the ninth car of a funeral train which was draped in black. The casket of Lincoln’s son William who had died in 1862 was also aboard for the trip back to the Midwest.
The train, which also carried friends, family, high ranking officials, and a military guard, left Washington D.C. destined for Lincoln’s home town of Springfield, Illinois, on April 21. The War Department directed the procession which declared the tracks along the route to be “military roads.” On April 30 the Lincoln funeral train passed into Indiana where Lincoln spent much of his youth (1816-1830). The War Department directed: “The route from Columbus to Indianapolis is via the Columbus and Indianapolis Railroad, and from Indianapolis to Chicago via Lafayette and Michigan Railroad. In order to guard against accidents, trains will not run faster than twenty miles per hour.”
The train stopped in Richmond first, at 3 a.m., to the sound of tolling bells and a crowd of somewhere between 12,000 and 15,000 people. Here, Governor Oliver P. Morton and almost 100 elected officials paid their respects. The governor and other several other high-ranking officials boarded the train for the trip to the state capital.
At 3:41 a.m. the train arrived in Centreville, home town of congressmen George W. Julian, a steadfast abolitionist and supporter of women’s rights. Next it passed through Germantown and Cambridge City, home of congressman Solomon Meredith. As the train passed through Dublin at 4:27 a.m., almost the entire town was standing on the platform in the rain. Next the train stopped in Lewisville and afterwards it slowed as it passed through the small village of Charlottesville, where reportedly a large number of African Americans gathered in mourning. The train passed through Greenfield at 5:55 a.m. and then paused in Cumberland.
The train reached Indianapolis on April 30 at 7 a.m. in the pouring rain. The city was decorated with arches, evergreens, and flags. The Indianapolis City band played the Lincoln Funeral March while soldiers moved the casket to the hearse. The hearse, which was an ornately decorated carriage drawn by six plumed white horses, delivered the casket from the train to the State House through streets lined with people. The Indianapolis Daily Gazette noted “the archways and mourning festoons across the streets, the public and private buildings draped in the habiliments of grief, the funeral procession, the solemn dirges, and, above all, the patient multitude that stood for hours in the drenching rain waiting an opportunity to look upon the earthly tenement so lately vacated by the spirit…”
The coffin was placed in the interior hall of the State House which was lined in black cloth. The Indianapolis Guard of Honor protected the flower-surrounded coffin. The Indianapolis Daily Gazette estimated that 15,000 troops and 60,000 private citizens passed through the rotunda that day. Rain prevented the elaborate ceremonial procession from the State House back to the train depot which had been planned for that evening. Instead, the casket lay in state until 10 p.m., which was longer than planned, and then the hearse carried the casket directly back to the train depot. Mourning Hoosiers followed the carriage and the train left Indianapolis at midnight.
It passed through Augusta, Zionsville, Whitestown, Lebanon, Hazelrigg, Thorntown, Colfax, and Stockwell, before reaching Lafayette. The New York Semi-Weekly Times reported on the trip through these towns: “These are small places, but it seems the inhabitants are on the roadside. Some of them hold torches in their hands, and the surroundings are solemnly lighted. Men stand with uncovered heads as the train hurries on its way.” At Lebanon the residents “hung over the track, suspended from two uprights, a hundred variegated Chinese lanterns.”
The train reached Lafayette at 3:35 a.m. and the Indianapolis Daily Journal reported that in Lafayette “The houses on each side of the railroad is [sic] illuminated, and; as elsewhere, badges of mourning and draped flags are displayed; bonfires are blazing and bells tolling; mournful strains of music are heard, and the people are assembled at all the stations to view the train.” After leaving Lafayette, the train traveled through Tippecanoe Battle Ground, Brookston, Chalmer, Reynolds, Bradford, Francisville, Medaryville, Kankakee, La Crosse, Wanatha, Westville, and Lacroix.
The train reached Michigan City at 8:25 a.m. The Indianapolis Daily Journal reported that it “stopped under a large and beautiful temporary structure, trimmed with black and white and ornamented with evergreens and choice flowers.” The arches were decorated with black and white fabric, evergreens, and flowers. Over each arch were the words “Abraham Lincoln” and a motto. These included, “Our guiding star has fallen” and “Though dead he yet speaketh.” Young women sang the hymn “Old Hundred.” The Times reported, “Many persons are affected to tears.” The paper concluded its description of the Michigan City stop: “Meantime, guns are fired, and the subduing strains of music are heard. The scene is gilded by an unclouded sun.” The Chicago Tribune reported that the morning was “clear and beautiful.”
Finally, it had stopped raining.
Read about the train’s journey to Chicago and then to Lincoln’s home of Springfield, where the President was laid to rest, here.
The German-American community in Indianapolis, largely a product of mid-nineteenth century immigration, had a strong heritage of freethought (open evaluation of religion based on the use of reason). In particular, Clemens Vonnegut, the patriach of the Vonnegut family and lifelong freethinker, openly displayed his religious dissent through writings and community activism. This, in turn, influenced his family and the literary style of his great-grandson, novelist Kurt Vonnegut, especially the younger man’s ideas concerning God, religion, science, and ethics. The junior Vonnegut’s own midwestern brand of freethought, in the form of what literature scholar Todd F. Davis called a “postmodern humanism,” displayed a deep sense of skepticism about the irrationalism of his time, while simultaneously championing an ethical responsibility to ourselves and each other devoid of supernatural influences. Yet, true to his form as a freethinker, Kurt forged his own humanist identity. [*]
Clemens Vonnegut was born November 20, 1824, in Münster, Westphalia. In his early years, he studied in German public schools and apprenticed as a mercantile clerk. As recorded in the Indianapolis Press, a young Vonnegut came to the United States in the early 1830s, on assignment from his employer, J. L. de Ball and Company, which sold specialty fabrics. His year in New York convinced the young Vonnegut that America would be his permanent home. He then traveled to Indianapolis with his friend Charles Volmer to start a new life.
He founded the Vonnegut Hardware Store in 1852, and was considered by the Indianapolis Star as “one of the city’s most respected citizens….” Like fellow Hoosier freethinker Hermann Lieber, he was a co-founder of the Socialer Turnverein and a forceful voice for public education. Clemens founded the German-English Independent School and served on its board for over 30 years. He also served as the first president of the Freethinker Society from 1870-1875, gave lectures to the society on occasion, and even translated the celebrated agnostic orator Robert Ingersoll’sOpen Letter to the Clergy of Indianapolisinto German for publication. His actions and beliefs heavily impacted the inception and growth of the Freethinker Society of Indianapolis.
After the end of the Freethinker Society in 1890, Clemens Vonnegut continued his activism more than any former member, mostly through writing. A Proposed Guide for Instruction of Morals, published in 1900, enunciated Vonnegut’s philosophy of freethought, both in theory and in practice. This treatise also displayed a rhetorical flourish that Kurt would later cite as an influence in his autobiographical work, Palm Sunday. Echoing Ingersoll and Heinzen before him, Vonnegut declared that, “No religious creed has any real proofs. It rests simply on assertions.”
However, that does not mean that humanity cannot be moral. In fact, Vonnegut argued the opposite:
True virtue is its own reward, which is not enhanced but rather misled by belief. Belief deprives us of the joys of this world by teaching us that we must detest them, and instead of them we must hope for a heaven. Belief forms the germ for persecution of those who differ from us in their religious convictions.
Vonnegut saw morality as the wellspring of the “intrinsic quality of human character which ought to be nourished and cultivated early, continually, and carefully.” In subsequent pages, Vonnegut explained how such “cultivation” is achieved. Public education, family instruction, physical fitness, and social activities presented the means by which individuals perfected a moral life without the supernatural. Like Ingersoll, Vonnegut’s morality was clear, traditional, based in the family, and demonstrated a moral life without the need of God. While Clemens Vonnegut presented his philosophy clearly, the events surrounding his death were anything but.
Clemens Vonnegut’s death in 1906 created somewhat of a mystery for his family, and later his great-grandson. It was said that he died in the snow . . . or so the story goes. Kurt Vonnegut recalls this story in his autobiographical work, Palm Sunday. In the winter of 1906, Clemens Vonnegut supposedly went for a routine stroll. Having lost his way, he wandered the streets of Indianapolis for hours before he was found dead by the side of the road by a search party. This story bewildered Kurt, whose own freethought can be traced to his great-grandfather and his own extended family. However, as with many family stories, this one stretches the truth a little.
Clemens did not die by the side of the road, but was rather found unconscious. The Indianapolis News reported that C. W. Jones, a local construction worker, found the 82-year-old Vonnegut nearly five miles from the city on Crawfordsville Pike. He sustained injuries to his head and right shoulder, but doctors feared that exposure to the elements might be his biggest challenge. After fighting for his life for five days, Clemens Vonnegut succumbed to pneumonia on January 13, 1906. His obituary cited his charity and love for knowledge, his activities within the Socialer Turnverein and the Freethinker Society, and his 27-year service for a local school board. True to his iconoclastic nature, Vonnegut wrote his own eulogy back in the 1870s and asked for its recitation when he died. As recorded in the Indianapolis Star, he railed against the creeds of Christianity:
I do not believe in the atonement to the blood of Christ or in the sin of incredulity. I do not believe in a punishment in a future life. I believe neither in a personal God nor a personal devil, but I honor the ideal which man has created as the tenor of all virtues and perfections, and has named God.
Until the very end, Clemens believed in the power of humanity to throw off the shackles of religion and embrace the values of inquiry and human-based ethics.
Nearly a century later, famed author Kurt Vonnegut (born in 1922 in Indianapolis) wrote in Palm Sunday that his great-grandfather’s freethought was his own “ancestral religion” and that he was “pigheadedly proud” of the heretical nature of his family. Kurt Vonnegut, a future honorary president of the American Humanist Association, carried the torch of freethought for his grandfather, and in some respects, introduced his ideas to a new generation.
In many of his works, Kurt would openly criticize religion, spirituality, and faith, so much so that it even contributed to the end of his first marriage. Nevertheless, echoing his grandfather in a 1980 speech at the First Parish Unitarian Church, Vonnegut declared, “Doesn’t God give dignity to everybody? No—not in my opinion. Giving dignity, the sort of dignity that is of earthly use, anyway, is something that only people do. Or fail to do.”
His most popular novel, Slaughterhouse-Five(1969), displays Kurt’s intense abhorrence of war (influenced by his own WWII POW experience) and a belief in a common humanity. Specifically, “so it goes” is a phrase that Vonnegut peppered throughout the novel, often after horrible events or even banal ones. This phrase conveys that no matter how bad things get, no matter how high one can get, the world (and indeed the universe) goes on. As an example, this passage from the novel, describing the protagonist Billy Pilgrim’s memory of a sculpture of Jesus, is fairly apt:
A military surgeon would have admired the clinical fidelity of the artist’s rendition of all Christ’s wounds—the spear wound, the thorn wounds, the holes that were made by the iron spikes. Billy’s Christ died horribly. He was pitiful.
So it goes.
“So it goes” becomes the novel’s panacea; a way for the narrator to deal with the grim realities of war without the comfort of religious beliefs. In some respects, it can be seen as a mantra for humanism.
Kurt Vonnegut’s humanism continued until the end of his life, as displayed by an address he meant to give on April 27, 2007 for Indianapolis’s “Year of Vonnegut” celebrations (he died on April 11; his son Mark gave the address in his stead). In this address, from the posthumous work Armageddon in Retrospect (2008), Kurt espoused his continued commitment to humanism. He wrote:
Am I religious? I practice a disorganized religion. I belong to an unholy disorder. We call ourselves “Our Lady of Perpetual Consternation.” We are as celibate as fifty percent of the heterosexual Roman Catholic clergy.
Actually—and when I hold up my right hand like this, it means I’m not kidding, that I give my Word of Honor that what I’m about to say is true. So actually, I am honorary President of the American Humanist Society, having succeeded the late, great science fiction writer Isaac Asimov in that utterly functionless capacity. We Humanists behave as well as we can, without any expectation of rewards or punishments in an Afterlife. We serve as best we can the only abstraction with which we have any real familiarity, which is our community.
This emphasis on “community” squares nicely with Clemens’s own commitments to community, both with the Freethinker Society and with his advocacy of public education. Both Vonneguts believed that the values of sociality and comradery are essential to the flourishing of a community, and you can achieve that system without a supernatural element.
Clemens Vonnegut’s humanism carried through many generations of his family and left an indelible mark on Kurt Vonnegut. The two men’s rejection of religion and the supernatural reinforced their love for humanity, their desire for community, and their commitment to the truth, no matter how horrifying it may be. Kurt’s own success as a writer and social critic would have delighted Clemens, who participated in many of the same literary pursuits and civic activities decades before Kurt was born. As such, their two lives, separated by time, nevertheless became entwined by their ideals. Their humanist legacy reinforces the diversity of intellectual and moral philosophies that embody the American Midwest throughout the 19th, 20th, and early-21st centuries.
Both Vonneguts were proud to be from Indianapolis and the city proudly remembers them.
[*] Kurt Vonnegut’s humanism may also be described as “Modern Humanism,” or “Naturalistic Humanism, Scientific Humanism, Ethical Humanism, and Democratic Humanism, [is] defined by one of its leading proponents, Corliss Lamont, as “a naturalistic philosophy that rejects all supernaturalism and relies primarily upon reason and science, democracy and human compassion.” Modern Humanism has a dual origin, both secular and religious, and these constitute its sub-categories” (Fred Edwords, “What is Humanism,” American Humanist Association, last updated 2008, accessed March 19, 2016, americanhumanist.org).
We all know those people, who accomplish more in one hour than we do all week, who redefine “industrious” and excel at everything they try. Indiana native John Shaw Billings was the archetype, a visionary with seemingly infinite energy who revolutionized medical and bibliographical practices that endure into the 21st century. Billings stands among several Hoosiers who are profoundly influential, yet under recognized, including the inventor of the television Philo T. Farnsworth and creator of one of America’s first automobiles Elwood Haynes.
Billings was born April 12, 1838 in Allensville, Indiana; his family moved to the East Coast briefly in 1841 and returned in 1848. Ambitious from a young age, Billings made a deal with his father that, in exchange for forfeiting inherited property, his father would fund his college education. At the age of 14 and after intensive study, he passed the entrance exam for Miami University at Oxford, Ohio, where he incessantly studied philosophy and theology at the college library. After earning his B.A., he entered the Medical College of Ohio at Cincinnati in 1858, where he undertook his thesis “The Surgical Treatment of Epilepsy” that would later inform his monumental bibliographical endeavors.
Shortly after graduation, Billings’s training coincided with the start of the American Civil War, providing him with opportunities to apply his medical knowledge. In 1861, Billings traveled to Washington, D.C. and became a contract-surgeon with the military. Soon thereafter he was appointed assistant surgeon in the U.S. Army, working at the Union Hospital in Georgetown. While there, his “extraordinary manual skill and boldness in dealing with difficult cases attracted the attention of the surgeon-general,” and he was put in charge of Cliffburne Hospital near Georgetown.
As a Civil War surgeon at several prominent battles–including the Battles of Chancellorsville, Gettysburg, Cold Harbor, and Petersburg–Billings was tasked with establishing field hospitals, operating and treating wounded soldiers for hours while under fire, and transporting waves of injured soldiers from battle sites with limited equipment. Billings lamented the trials of his work, writing to his wife about the Battle of Gettysburg:
“I am utterly exhausted, mentally and physically. I have been operating night and day, and am still hard at work. I have been left in charge of 700 wounded, and have got my hands full. Our division lost terribly, over 30 per cent were killed and wounded. I had my left ear just touched with a ball . . . I am covered with blood, and am tired out almost completely, and can only say that I could lie down and sleep for sixteen hours without stopping. I have been operating all day long, and have got the chief part of the work done in a satisfactory manner.”
After the battle, Billings understandably left field work for a brief period due to “nervous tension and physical exhaustion.” In August 1864, Billings helped edit field reports that became the monumental The Medical and Surgical History of the War and eventually transferred to the Surgeon-General’s Office, where he remained until retirement in 1895.
As the war concluded, hospitals submitted surplus operating funds to the Surgeon-General’s Office; these funds were given to Billings to build up the Surgeon-General’s library, which later became the National Library of Medicine. Billings expanded the collection by writing to editors, librarians, physicians, and State Department officials requesting book donations, eventually increasing its holdings from 600 entries in 1865 to 50,000 by 1873. The scope of the collection soon required a guide to help researchers locate desired publications. Billings understood firsthand the difficulty of locating such sources, as his thesis research required intensive time, labor, and travel to libraries in Cincinnati and Philadelphia.
With the assistance of Dr. Robert Fletcher, Billings devised a catalogue for the Surgeon-General library’s holdings, publishing the first volume of the Surgeon General’s Medical Index Catalogue in 1880. He hoped it “would spare medical teachers and writers the drudgery of consulting ten thousand or more different indexes or of turning over the leaves of as many volumes to find the dozen or so references of which they might be in search.” As new medical materials were published, Billings struggled to keep the Catalogue current, so he devised the Index Medicus, a monthly supplement that focused on new and select publications. The Index Medicus was the forerunner to the medical databases MEDLINE and PubMed.
Prior to Billings’s systematic efforts to compile and organize medical literature, researchers and physicians had few methods to effectively locate sources, including medical studies and reports on operations. The Index Catalogue and Medicus served as a nearly comprehensive clearinghouse of medical literature, both current and historical, whose contents could aid in medical education and diagnoses. Dr. Stephen J. Greenberg and Patricia E. Gallagher summarize the magnitude of Billings’s efforts in “The Great Contribution,” contending that “with only ink and index cards, they [Billings and Fletcher] tamed an enormous and complex technical literature in virtually every written language on the planet” and that the indices “paved the way for the great databases that now are the primary underpinnings for the medical research of the future.”
Billings’s efforts at the Surgeon-General’s library served as the beginning of his library work, which would one day lead him to industrialist and philanthropist Andrew Carnegie. For more information on Billings’s Civil War activities and establishment of the Surgeon-General’s library and corresponding Index Catalogue, see the Historical Marker Review.
Check back for Part II: “A New Era of Hospital Construction” about Billings’s involvement in the establishment of Johns Hopkins Hospital and how it revolutionized medical treatment and education.
The history of American letters overflows with stories of eccentric characters, both from the pages and their authors. One particular author whose unique view of the world shaped his writings and his lifestyle was Hoosier Ambrose Bierce. Like Mark Twain, Bierce is usually associated with the San Francisco writing scene of the late-19th century. However, he spent many of his formative years in Indiana, learning about the newspaper business and ultimately enlisting in the Civil War. These early experiences not only shaped his incomparable writing style, but they influenced his distinctive views about life and religion.
Ambrose Gwinnett Bierce was born June 24, 1842 in Horse Cave Creek, Ohio. Bierce’s early life, after he and his family moved to Indiana, remains shrouded in mystery. Some sources indicate that the Bierce family moved to Kosciusko County in 1846, but it is hard to verify. Bierce reportedly lived on the family’s settlement in Walnut Creek until he was 15, when he moved to Warsaw to work as a “printer’s devil” (an apprentice tasked with multiple duties) for the Republican newspaper, the Northern Indianan. Reportedly, Bierce also traveled to Kentucky in 1859-60, learning typography at the Kentucky Military Institute.
After returning from Kentucky, Bierce reportedly lived in Elkhart from 1860-1861. At the outbreak of the Civil War, Bierce enlisted in Company C of the Ninth Indiana Regiment in April 1861 and served as a private for three months. He was promoted to Sergeant in July 1861, when he reenlisted for a three year term. His upgrade in rank came as a result of his valor during the Battle of Laurel Hill on July 10, 1861. He was wounded at Kennesaw Mountain in 1864 and eventually opted not to reenlist, mustering out in January 1865 with the rank of First Lieutenant. Bierce’s intense and often painful experiences during his service in the Civil War inspired much of his literary work, particularly his short fiction and journalism.
Bierce began his journalism career in 1867, writing poems and essays for the Californianand Golden Era, under newspaper editor James T. Watkins. From 1868-1872, Bierce wrote a local column for the San Francisco News Letter called the “Town Crier.” One critic referred to his writing as “humor [that] borders as nearly upon the blasphemous and sacrilegious as that of Swift or Sterne.” Another review considered his early works, “The Haunted Valley” and “Broke,” as offbeat pieces that showed his “capacity, acute observation, and descriptive powers of very unusual simplicity, grace, and effectiveness.”
For the next three years, Bierce lived and worked in England, under the pseudonym “Dod Grile.” The origins of his unorthodox pen name came from an 1872 letter, written by a friend and early employer of Bierce in England named Tom Hood, who addressed Bierce as “Dear God Rile.” Bierce used an anagram of it, “Dod Grile,” as a pen name while in England. As biographer Roy Morris speculates, Bierce may have chosen this simple name as a way to attract readers, same as Samuel Clemens did with “Mark Twain.”
Bierce’s columns appeared in English and American newspapers. Bierce also published three collected humor works while in Great Britain; his most successful was Cobwebs from an Empty Skull, published in 1873. Prominent advertisements and reviews in This Week’s News and Lloyd’s Weekly London Newspaper solidified their modest success.
After his time in England, Bierce returned to California and began work at the Argonautand the Wasp and established his successful column, “Prattle.” This column gave Bierce a platform to express his views on politics, current events, literature, and history, often with a humorous slant. As an example, this short quip about a millionaire’s dining habits appeared in the March 13, 1886 issue of the Wasp:
There is a man in San Francisco—a millionaire who has revived a very ancient custom, I am told. This gentleman is rather fond of dining people at his house—mostly men. Between the courses, now and then during the meal, he introduces various uncouth monsters, whose antics are supposed to amuse and edify the guests. I am told they don’t. A friend of mine has asked me to complain of the infliction—which I willingly do, although it is not the simplest method of relief that my friend could have thought out. If he does not relish monsters with his dinner why does he not dine at home and ask to have the monsters sent over to him afterward, as a separate entertainment?
In 1887, he worked for newspaper magnate William Randolph Hearst at the San Francisco Examiner. Like in Britain, Bierce’s columns were nationally syndicated, in outlets like the Wichita Eagle, The Louisiana Democrat, and the Washington Herald. Even though Hearst gave Bierce nearly complete editorial freedom, a growing antagonism existed between them. This may have been due to Bierce’s disgust with some of Hearst’s other journalists, specifically after 1906. Bierce formally left the employ of Hearst in March of 1909 to focus on compiling his collected works and memoirs.
In 1891, he compiled many of his Civil War tales into Tales of Soldiers and Civilians. The book included “An Occurrence at Owl Creek Bridge,” which Hoosier satirist Kurt Vonnegut called the “greatest American Short Story.” The widely anthologized tale excellently displays Bierce’s style and grasp of the complexities of war. Film maker Robert Enrico adapted the story into an Academy Award winning short film (1963), which Rod Serling subsequently used as a Twilight Zone episode.
In this excerpt from “An Occurrence at Owl Creek Bridge,” Bierce reflects on death in war:
Death is a dignitary who, when he comes announced, is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
Many reviewers praised the Tales of Soldiers and Civilians after its publication. A New York Tribune reviewer noted, Bierce’s stories are “elaborated pictures of what the American soldier actually experienced in the great war [Civil War].” New Orleans’ Daily Picayune called Bierce a “genius” and considered the anthologythe “most noteworthy book of stories by an American writer published in ten years.”
It is somewhat fitting that an author known for his unexpected plot twists would have a surprise coda to his own life. Bierce’s mysterious disappearance in 1914 proved to be as complicated as his early years in Indiana. After his last letters to family and friends in 1913, there is only one primary source (a letter to a friend) that suggests that he went to Mexico. The other indication that he was headed that way is in letters from the fall and winter of 1913, where he repeatedly describes his future trip to Mexico. His final letter to a family member, dated November 6, 1913, notes that “I shall not be here long enough to hear from you, and don’t know where I shall be next. Guess it doesn’t matter much.” However, a letter from December 26, 1913 to friend Blanche Partington places him in Chihuahua, Mexico but the last sentence of the letter leaves it more ambiguous: “As to me, I leave here tomorrow for an unknown destination.”
Based on the evidence of this last letter, Bierce possibly went to Mexico, but as investigator Joe Nickell notes, this supposed last letter attributed to Bierce, and preserved by his daughter, is probable at best. Therefore, it is more likely that he disappeared after 1914 and that the claim that he went to Mexico is plausible but not confirmed, based on his letters from late 1913. Bierce’s “death” was as elusive as the man himself.