“All for Lebanon!”: A Retrospective of the 1917 Indiana High School Basketball Championship Season

In 1917, basketball was only twenty-five years old. Indiana high school basketball was a bit younger than that, and the state tournament was only in its seventh year (its sixth under Indiana High School Athletic Association control). Hoosier Hysteria was quickly taking root, as year after year more high school teams entered sectional tournaments with dreams of hardwood glory. Basketball in Lebanon began a bit later than other communities, but it quickly became a favorite sport of the town’s teenage boys. The school team’s reputation and skill-level improved year after year and culminated in a state title in 1912. Many influential figures in basketball’s development in the state walked the halls of Lebanon High School in the 1910s. The following narrative provides an overview of some of those people, and their accomplishments that culminated in Lebanon winning a second state basketball title in 1917.

Lebanon High School’s coach Ward “Piggy” Lambert was among the best Indiana high school coaches in the nineteen-teens. He came to Lebanon after their first state championship, and started coaching in the fall of 1912. He won 79% of his games in four seasons on the bench. His teams were perennial title contenders. Perhaps the best team that he coached at Lebanon was the 1914 squad, which due to an unfortunate draw in the state tournament played six games in a little over twenty-four hours before succumbing to fatigue and the well-rested, Homer Stonebraker-led, Wingate team, which won the 1914 crown. In 1915, Thorntown’s team surprised Coach Lambert’s squad in the sectional, and went on to win the 1915 title. Lambert and his boys reclaimed the sectional in 1916, but suffered a narrow, and disappointing defeat to Martinsville in the second round of the state tournament.

Lebanon coach Ward “Piggy” Lambert. Photo from Lebanon High School yearbook, The Cedars, 1915. Accessed via Ancestry.com

Lebanon projected to return most of its team the following season, including two impressive underclassmen who were first and third on the team in scoring. Unfortunately, Coach Lambert would not return for a fifth season. In the summer of 1916, he became the head basketball coach at Purdue University where he would go on to a hall-of-fame career, and positively influence generations of players, including John Wooden. Lebanon’s high school administrators hired Wabash College graduate Alva R. Staggs to replace Lambert, and teach English. However, Lambert’s coaching in the years before had honed athletic skills, developed high basketball IQs, and created a winning culture in his high school charges, and set the stage for Staggs’ successful season.

THE REGULAR SEASON 

Due to injuries and eligibility issues, the 1916-17 Lebanon squad did not start the season as anticipated. Three year letterman and team captain Frank “Doc” Little, who played back guard, would miss most of his senior season due to a hip injury. Gerald Gardner, who the Indianapolis News described as “evasive as a mosquito,” had been a third team all-tournament player in ’16 after accounting for 42% of Lebanon’s points. Yet, academic eligibility issues erased most of the forward’s junior season.

Don White, floor guard, led the team in scoring with 11.4 ppg during the regular and post season. His scoring accounted for 30% of the team’s offense. Photo from Lebanon High School yearbook, The Cedars, 1917. Accessed at Ralph W. Stark Heritage Center, Lebanon Public Library.

Even with these personnel losses, the Lebanon coach and players adapted. Staggs cycled through six different starting line-ups in the first ten games of the season. The two constants in the line-up were floor guard Don White and back guard Clyde Grater. White, a junior, was the team’s leading scorer as a sophomore and would retain the honor for the rest of his high school career. Grater, a sophomore, was in his first year on the varsity. At 5’ 8½” in height, he was much shorter than the prototypical back guard who was at this time the tallest and heaviest player on the team. Despite his average stature, Grater played the defensively-obsessed role very well. Other players who started for Lebanon in the early part of the season were George White (Don’s older brother), Charles “Dutch” Frank, Bob Ball, Harry “Peck” DeVol (the Whites’ first cousin), and Fred “Cat” Adam (the second-leading scorer from the previous season).

Lebanon rolled through the first half of the season. They compiled an 9-0 record against Veedersburg, Advance, Rockville, Washington, New Richmond (twice), Thorntown, Lafayette Jefferson, and Martinsville. The squad averaged ten points better than their opponents during this span. The game against defending state champ Lafayette Jeff was such an anticipated early season event that a Jeff physics teacher sent in-game updates via wireless to an amateur radio operator in Lebanon. The Lebanon receiver subsequently relayed updates of the game to local businesses via telephone.

Clyde Grater, defensive ace. Photo from Lebanon High School yearbook, The Cedars, 1918. Accessed at Ralph W. Stark Heritage Center, Lebanon Public Library.

After the triumph over Jeff, a few cracks appeared in the quality of the team’s play. A revenge-hungry New Richmond team played a physically rough game in which Lebanon escaped with a five point lead. In the next game, Lebanon had to go into overtime to defeat Martinsville by a last second field goal.  They returned home to play Advance, and the wheels fell off. The up-start Boone County rival shellacked Lebanon, 28-6. A week later Lebanon lost to another Boone County team in Thorntown, 30-20.

Although on a two-game losing streak, the “Black and Gold” had a 9-2 record and a favorable schedule ahead against Frankfort (twice), Crawfordsville (twice), an away game against Rochester, and home games against Jeff, Washington, Martinsville, and Bedford. Over the final ten games, Coach Staggs settled on a regular line-up of DeVol and Adam at forwards, Ball at center, and White and Grater in the back court. With this line-up, Staggs fielded a trio of his best scorers. White was the team’s most consistent scorer all season with ten points per game. Ball and Adam disappointed over the first ten games with averages of less than three points. However, once inserted into the starting line-up the duo averaged ten points a piece over the final 10 games. With five games left in the season, “Doc” Little and Gerald Gardner returned to the team. Their immediate contributions were minimal, but they bolstered the bench of a booming Lebanon team. Over the final nine games, the Lebanon cagers routed their opponents by over 26 points a game. On the season, the team compiled an 18-2 record, with an offensive average of 33.15 points a game, and a defensive average of 17.9 points against.

THE SECTIONAL TOURNEY

Fred “Cat” Adam, forward/center, averaged 7.5 ppg as a junior in ’17. Photo from Lebanon High School yearbook, The Cedars, 1917. Accessed at Ralph W. Stark Heritage Center, Lebanon Public Library.

The Indiana High School Athletic Association selected Lebanon as a district host for a sectional tournament, which was held on March 9 and 10, 1917. The townsfolk welcomed squads and fans from Boone, Carroll, and Clinton counties, including: Advance, Bringhurst, Burlington, Colfax, Cutler, Delphi, Flora, Frankfort, Jamestown, Kirklin, Thorntown, and Zionsville. Don White and company had little trouble with their first two sectional opponents, Cutler and Delphi, and defeated the Carroll County teams by an average margin of victory of 59 points.

Their next challenger, Thorntown, would present a much tougher match-up. The friendly rivals had split their regular season series. Thorntown also had the advantage of having three players and a coach from their championship season in 1915. The scores were close throughout the sectional game. Thorntown held a 10-9 lead at intermission. This was only the third time all season that Lebanon trailed at half time, and they lost on the previous two occasions. Don White determined to not let it happen again. He came out white hot in the second half with seven unanswered points. His scoring whipped the fans into a frenzy. Thorntown was down seven with a quarter to play. They clawed back, and cut Lebanon’s lead to three, but a series of miscues including two missed free throws sealed the fate of the Sugar Creek Township team.

Prognosticators picked the sectional final between Lebanon and Advance to be another tough contest, especially after Advance’s surprise victory over Lebanon at mid-season. However, Advance lost their star player to injury in the semi-final. To compound matters for Advance, Lebanon’s bench depth allowed Coach Staggs to flex his line-up to rest his regular starters and give “Doc” Little and Gardner some additional playing time. In the final, White’s 17 points almost outscored Advance single-handedly as Lebanon powered past Advance, 37-18.

THE STATE FINALS

On March 16, twenty sectional winners convened at Indiana University to vie for the state title. Lebanon played three uncompetitive contests in the early rounds to advance to the finals. They sank Trafalgar in their first contest, 34-14. In the quarterfinals, the Lebanonites left Kendallville tilting at windmills, 43-8. In the semis, the Boone County boys sent Martinsville packing, 36-12.

The final pitted Lebanon against the speedy Gary Emerson team. The majority of the crowd of 4,000 rallied behind the underdogs from Gary at the start. Yet the crowd grew silent as Lebanon built a 25-15 lead by half time. The Steel City team went on a run in the second half to make it a three point game. With the score at 25-22, Lebanon surged ahead with a 9-4 run to ice the game, 34-26. White and Adam tied for team highs with ten points a piece.

With the win, Lebanon won its second state championship. White was a consensus all-state tournament first team member. Adam, Little, and DeVol appeared on various all-tournament lists either on the first or second teams.

1917 Indiana basketball champion team from Lebanon. Photo from Lebanon High School yearbook, The Cedars, 1917. Accessed at Ralph W. Stark Heritage Center, Lebanon Public Library.

POSTSCRIPT

Coach Staggs left Lebanon after the school year to accept a job at Anderson High School. Little, DeVol, and Frank would join mid-season graduate George White in the ranks of Lebanon alumni. Bob Ball although technically a junior would leave high school and enter DePauw University, depriving the team of its second leading scorer. Yet the core of White, Grater, and Adam would return for the 1917-18 season. Under the tutelage of a new coach, Glenn Curtis, and a younger cast of supporting characters they would win the state tournament again, and join the historical annals with Wingate as back-to-back state champions.

After graduating in 1918, Don White reunited with his old coach, Ward Lambert, and continued his athletic career at Purdue. He was second in the Big Ten in scoring as a sophomore, and led the conference in scoring as a junior while also leading the university to the conference title in 1921. After college, White entered the coaching ranks where he had a thirty-five year career at Washington University (St. Louis), the University of Connecticut, and Rutgers. He even coached Thailand’s Olympic team in 1956.

After high school, Adam and Grater teamed together again at Wabash College where they were multi-sport athletes, and fixtures in the basketball line-up. After graduation they both became high school teachers and coaches.

Learn more about Lebanon High School basketball history with a presentation by IHB Director Chandler Lighty at the Lebanon Public Library. The talk takes place Monday, March 20, 2017 from 6-8 p.m. and includes a special viewing of an LHS 1967 basketball film.

Norman Norell: Dean of American Fashion

Norman Norell with models wearing Traina-Norell designs from his spring/summer 1949 collection. Image courtesy of New School Archives and Special Collections Digital Archives.

During his 50 year career, Norman Norell crafted beautiful costumes, worked under war-time limitations, resisted pressure to substitute quality for quantity, and worked to bring the NYC fashion houses on Seventh Avenue on par with those of Paris. During his time in the industry, Norell managed to escape the pomp and circumstance of New York City and is remembered for leading a simple, “moral” life in the often cutthroat world of high-class fashion design.

Norman Norell was born Norman David Levinson on April 20, 1900 in Noblesville, Indiana. His father, Harry, owned and operated a men’s clothing store in the town and this is undoubtedly where he developed an eye for fashion. Harry soon opened a men’s hat store in Indianapolis, and in 1905 moved the family to the city once the business experienced success.  Norman completed high school in Indianapolis then moved to New York to begin his fashion education at Parsons Institute. At 19, he began studying at the Pratt Institute, where he studied drawing and fashion illustration. It was here that he combined the first syllable of his first name with the “l” sound of the beginning of his last name and adopted the name Norell.

Gloria Swanson in “Zaza.” Norman Norell designed the costumes for Swanson in this 1939 silent film. Photo courtesy of “Glorious Gloria Swanson.”

His early years in the fashion industry were spent designing costumes. He designed for a variety of projects, including silent film, burlesque, vaudeville, and nightclub acts. Norell costumed Rudolph Valentino in The Sainted Devil and Gloria Swanson in Zaza, but soon shifted his focus to women’s apparel. In 1928 he began a 12 year stint working for Hattie Carnegie. While a “fierce perfectionist . . . brilliant in her own way,” her process was considered fairly unoriginal – she bought pieces from Parisian couturiers, pulled them apart in New York, and turned them into more affordable clothes for her American clientele. Original or not, working with Carnegie gave Norell invaluable experience by visiting the Paris fashion houses and allowed him to fully understand the construction of women’s clothing. After a falling out with Carnegie over his designs for the Broadway production Lady in the Dark, Norell left and joined forces with Anthony Triana to form Triana-Norell in 1941.

Although he was a salaried employee of Triana, Norell was the designer of the company and as such was making waves in the fashion world. Bonwit Teller said of the new fashion house in the October 1941 edition of VOGUE, “The House of Traina-Norell comes on the season like an electrical storm. Its designer, young Mr. Norell, creates a collection so alive that everyone’s talking.” Just two months after that article ran, the United States’ entry into World War II changed nearly every industry in America, including fashion.

Cover of January 1942 edition of VOGUE. This, their first issue after US entry into WWII, addressed the changes fashion experienced due to the war. Image: Mason, Meghann, “The impact of World War II on women’s fashion in the United States and Britain” master’s thesis, University of Nevada, Las Vegas, 2011.

Up until this point in the 20th century, women’s clothing styles changed at a faster pace than ever before. Silhouettes changed entirely about every 10 years, much more quickly than in previous eras. War time restrictions stopped this fast progress in its tracks. On March 8, 1942 the War Production Board issued limitation order number 85, or L-85, which set rules for the production of women’s clothing. Manufactures were banned from making blouses with hoods, blouses with more than one pocket, coats with epaulets, coats with sleeve circumference larger than 16 ½ inches, and reversible skirts. All of these measures reduced the use of material used for clothing production. Hems, which for the previous years had been widening from the sleek, narrow skirts of the 1920s, were reduced from 81 inches to 78 inches. These restrictions challenged American fashion designers, one which Norman Norell met.

Norman Norell design “Subway” from the 1942 Traina-Norell collection. This piece is an example of Norell’s war time work, with the simple neck and sleek, waist-less design he helped popularize. Image courtesy of Metropolitan Museum of Art.

Drawing inspiration from his favorite era of fashion, the 1920s, Norell introduced the chemise dress, or shirt dress in 1942. This design featured a simple round neckline, a departure from the “fussy” necklines of the time. The simplicity of this trend worked well within the restrictions imposed by L-85 and chemise dresses, along with a fur-trimmed trench coat, became the staple of the Traina-Norell label.

World War II cut American designers off from their long time inspirational lifeline of the Paris fashion houses. Until this point, American designers took their lead almost exclusively from Paris (recall Hattie Carnegie’s method of deconstructing Parisian pieces previously discussed). In 1942, Coty, Inc. introduced the Coty American Fashion Critic’s Awards to address this issue by promoting original American fashion design during the war. Fashion editor Bernadine Morris later wrote, “What Norman Norell had accomplished in the first collection was to give American fashion – producers and wearers alike – a freedom from dependence on foreign sources of inspiration. The American industry felt it could set its own directions, its own styles.”

Norell never compromised on quality; oftentimes, a single suit jacket would take a week to stitch. This quality came with a price tag, though. One article said, “Women purchasing a Traina-Norell garment were buying, at great cost, an American-made status symbol that would likely remain in their closets for decades.” The prices for a Traina-Norell piece ranged from $500 for a simple jersey dress to upwards of $4,000 for an evening gown.

The Traina-Norell brand continued to set trends throughout it’s nearly twenty year existence. Oftentimes, competitors would copy his designs and sell them for much less. This was so common that the year before he introduced his revolutionary wool culottes suit, he offered the pattern to any manufacturer who wanted it in order to prevent the manufacture of inferior versions of the design. One of his signature evening looks, the “mermaid dress” would not look out-of-place at a gala today. Other signature designs of Norell included the 1961 wide-flaring skirt, impeccably designed coats, the evening jumpsuit, and sweater topped dresses.

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In 1960, Anthony Traina retired and Norell began his solo carter with the Norell fashion house. Although the name of the brand had changed, the reputation for high quality, long-lasting clothing stayed the same. During his career, Norell won the Coty award three times and was inducted into the Coty Hall of Fame. When the Coty Awards were discontinued in 1985, Coty’s parent company said it was because they had achieved their goal of bringing American fashion houses to the same level of those in Paris, and there’s little doubt that Norell played a big role in that.

Former First Lady, Michelle Obama, wearing a Norman Norell dress in 2010.

Norman Norell became known as the dean of American Fashion and was active in the industry up until his death on October 25, 1972, just before a retrospective exhibit of his work was to open at The Metropolitan Museum of Art in New York City was to open. Even today, Norell pieces are highly sought after and sell for high prices in vintage clothing shops. In December 2010, former First Lady Michelle Obama wore a vintage Norell dress at a White House Christmas party, one of the few times a first lady has worn a vintage piece at an official White House event.

View over 200 Traina-Norell and Norell pieces on the Metropolitan Museum of Art’s website.

A Challenge to Integration: The Froebel School Strikes of 1945

Indianapolis Recorder, September 29, 1945, 1. See Hoosier State Chronicles for complete article.

On September 18, 1945, hundreds of white students at Froebel School walked out of their classes to protest African American students at the institution. According to the Gary Post-Tribune, the striking students “urged that Froebel school be reserved for whites only” or that they be transferred to other schools themselves.

While the conflict between segregation and integration was far from new, the student strike in Gary would call into question the very values the United States fought to uphold during World War II, which had formally ended just two weeks before the “hate strike.” The Interdenominational Ministerial Alliance, composed of black ministers, made this point clear when it issued its “appeal to reason” to the citizens of Gary, Indiana:

It is indeed regrettable to note that after the nation has spent approximately 190 billion dollars, the colored citizens of Gary have sent about 4,000 of their sons, brothers, and husbands to battlefields around the world and have supported every war effort that our government has called upon us to support, in a united effort to destroy nazism and to banish from the face of the earth all that Hitler, Mussolini, and Tojo stood for; to find in our midst those who are endeavoring to spread disunity, race-hatred, and Hitlerism in our community.

Gary Post-Tribune, September 20, 1945, 3

Indianapolis Recorder, September 29, 1945, sec. 2, p. 2.

Integration was not a recent development at Froebel when much of the white student body went on strike in the fall of 1945. In fact, Froebel was Gary’s only “integrated” school throughout the first half of the 20th century, though the term warrants further explanation. When the K-12 school opened in 1912, Gary school officials recognized that African American students should not be denied the opportunities available to white students at the new school and established two separate rooms at Froebel for black students. By 1914, a report published by the United States Bureau of Education indicated that there were approximately seventy black students attending the school, but that “the other patrons of the school, most of whom are foreigners, strenuously object to mixing colored children with the others; so they are placed in separate classes in charge of two colored teachers. . .” Thus, despite integration, Froebel remained internally segregated.

Image courtesy of Randolph S. Bourne, The Gary Schools (Boston: Houghton Mifflin Co., 1916), accessed Archive.org.

A 1944 study conducted by the National Urban League showed that Froebel’s black students were “welcomed as athletes, but not as participants in cultural and social affairs.” They could not use the swimming pools on the same days as white students, were barred from the school band, and were discriminated against in many other extracurricular activities.

Conditions at Froebel improved slightly during the 1940s, due in part to Principal Richard Nuzum. He created a biracial Parent-Teachers’ Association, integrated the student council and boys’ swimming pool, and enabled black students to try out for the orchestra. Unfortunately, his efforts towards further integration angered many of Froebel’s white students and their parents, who would later criticize Nuzum of giving preferential treatment to African American students. These feelings, paired with a rising fear among many of Gary’s white, foreign-born inhabitants about increases in the black population in the city, largely contributed to the 1945 school strike.

Table courtesy of the “Report of Technical Advisers to the Special Investigating Committee Appointed by the Gary Board of Education,” October 21, 1945, 7.

Newspapers across the state covered the strike(s) extensively throughout the fall, and the story quickly made national headlines. By September 20, the strike spread to Gary’s Tolleston School, where approximately 200 additional students skipped classes. On September 21, 1945, the Gary Post-Tribune reported that between the two schools, well over 1,000 students had participated in the walkouts up to this point.

Eager to see an end to the strike, to avoid potential violence, and to get students back to school, Superintendent Charles D. Lutz and the board of education issued a formal statement on Friday, September 21, demanding that students return to classes on Monday. The school board threatened to take legal action against parents of students under age sixteen if they continued to strike, while those over age sixteen risked expulsion.

Indianapolis Recorder, September 29, 1945, 1, accessed Hoosier State Chronicles.

The school board was not alone in its hopes of ending the strike. Gary Mayor Joseph E. Finerty, the Gary Council of Churches, and the school PTA all issued appeals hoping to bring an end to the walkouts. Other opponents of the strike included the NAACP and CIO United Steel Workers Union. Many blamed parents of the striking students for the racial tension existent in the school, stating that racial hatred was not inherent, but learned at home. A September 26, 1945 editorial in the Gary Post-Tribune also noted:

Fundamentally this is not a school problem. It has developed out of the changing population in the Froebel area. . . As a result of this influx of Negro families some white property owners feel their homes and churches have depreciated in value.

While students at Tolleston agreed to return to classes by the school board’s stated deadline, those leading the strike at Froebel refused to return until Wednesday, and only on the condition that the school board meet with them beforehand and comply with their demands.

These demands, which the Gary Post-Tribune published on September 21, were three-fold: 1) the removal of all 800 black students from Froebel; 2) the ousting of Principal Richard Nuzum, whom they believed gave preferential treatment to black students; and 3) that school officials stop using Froebel students as “guinea pigs” in race relation experiments (Froebel was the only high school in Gary with a racially mixed attendance at the time).

Horace Manual, Horace Mann High School Yearbook, 1942. Courtesy of Ancestry.com

The Gary school board met with the striking committee on September 25, and when it refused to give in to the students’ demands, the strike continued. Leonard Levenda, spokesman for the striking committee, was quoted in the Gary Post-Tribune on September 26, stating that the walkout was the result of “a long series of episodes provoked by the behavior of Negro students.” Levenda continued by blaming Nuzum for not taking action against African American students after these reported “episodes.” The strike continued until October 1, when students finally returned to classes after the school board agreed to formally investigate the charges against Principal Nuzum.

Walter White to Charles Lutz, letter, September 24, 1945, Papers of the NAACP.

In response to the incidents at Froebel, Mayor Finerty urged the formation of an inter-organization racial unity committee to help improve race relations in the “Steel City.” Finerty, as quoted in the Indianapolis Recorder on October 20, stated “we in Gary must take positive steps in learning to live together in unity in our own city. Now, more than ever, there is need for unity within our city and the nation.”

Another article in the Recorder that day examined the reaction of white leaders in Chicago, who did little to conceal their disgust for the strike and criticism of the strikers:

These racist demonstrations have been an insult to democracy and to the hundreds of thousands of whites and Negroes who deplore this American form of Hitlerism. . .  We further pledge not to walk out on democracy and on this problem which has its roots principally in the attitude and actions of the white man, not the colored.

In early October, the Gary school board appointed a special investigating committee and temporarily relieved Nuzum of his duties as principal. By October 21, the investigation came to a close and a report regarding conditions at Froebel was issued. Nuzum was exonerated and returned as principal and the report called for the school to return to the status it had before the strike. Angered by these results, students staged another walkout on October 29. Levenda and other striking students argued that they were not going on strike, but rather “being forced out by the actions of Mr. Nuzum.”

Chicago Tribune, November 1, 1945, 31, accessed Newspapers.com

Searching for a way to bring a final end to the strike, Anselm Forum, a Gary-based community organization dedicated to social harmony, helped bring Frank Sinatra to the school to perform and talk with the students about racial tension in the city. While many students appeared attentive and understanding of Sinatra’s calls for peace and an end to racial discrimination, the striking committee refused to back down.

Frank Sinatra meets with members of Anselm Youth Forum, Gary ROTC, and Froebel students, 1945. Photo courtesy of Associated Press, via Hoboken Historical Museum Online Collections Database.

It was not until November 12, when State Superintendent of Public Instruction Clement T. Malan agreed to study conditions at Froebel that the striking students returned to classes. Even then, some mothers of the parents’ committee continued to oppose the students’ return.

Racial tension continued even after the strikes ended in November 1945. By the spring of 1946, students at Froebel threatened to go on strike again, but were stopped by the Gary school board and Froebel student council. Newspapers reported that the leaders of the previous strikes, in union with Froebel’s black students, issued an anti-strike statement in March 1946. In this statement, they encouraged the Gary school board to issue a policy to end discrimination in all of Gary’s public schools.

Due in large part to the “hate strikes” at Froebel, the Gary Board of Education adopted a policy on August 27, 1946, to end segregation and discrimination in the city’s public schools. Scheduled to go into full effect by September 1, 1947, the policy read:

Children under the jurisdiction of the Gary public schools shall not be discriminated against in the school districts in which they live, or within the school which they attend, because of race, color or religion.

Courtesy of the Indiana Historical Society

In accordance with the policy, Gary’s public schoolchildren would attend the school nearest them and would be given equal opportunity “in the classroom and in all other school activities.” According to historian Ronald Cohen, the decision made Gary “one of the first northern cities to officially integrate its schools.” In 1949, the Indiana General Assembly passed a law to abolish segregation in the state’s public schools. The law required that schools discontinue enrollment on the basis of race, creed, or color of students.

Despite these measures however, discrimination in the Gary public school system did not disappear. Because of segregated residential patterns, few black students transferred to previously all-white institutions. The 1950s saw a resurgence in de facto segregation in the city as the black population there continued to grow and fill already overcrowded black schools.

Froebel School state historical marker. Installed in Gary in 2014 at 15th Avenue and Madison St.

Is This the Earliest Photo of an Indiana High School Basketball Game?

This may be the earliest photo of an Indiana high school basketball game. Wingate High School vs Kokomo High School, January 16, 1915 at Kokomo Y.M.C.A. Source: Kokomo High School yearbook, The Sargasso, 1915, accessed via Howard County Memory Project (howardcountymemory.net).

For all of basketball’s cultural worth to the state, finding a photo of a basketball game from before the 1920s is a difficult task. Early basketball team photographs are rather plentiful, and frequently appeared in yearbooks, and newspapers.  Action shots are much rarer, likely due to early-20th century Hoosiers having cameras that required long exposure times, which were unable to clearly capture moving subjects.

The introductory photo at the top of this blog post is the earliest that the Indiana Historical Bureau has yet to encounter of Indiana high school basketball players on the court, and about to play a game. The story behind the picture is an interesting one. The photo depicts the teams from Wingate High School and Kokomo High School before a January 16, 1915 game at the Kokomo Y.M.C.A. This moment was photographically commemorated because Wingate was the defending state champion, having won back-to-back titles in 1913 and 1914. Situated in northwestern Montgomery County, Wingate was a small school with only 67 students. Among those enrolled in that student body, however, was one of the best Indiana basketball players of that generation, Homer Stonebraker.  The 6’4″ Stonebraker was a giant among his competitors. In 15 of the 18 box scores that research could uncover from Wingate’s 1913-14 regular season, Stonebraker averaged 24.9 points a game. By comparison, Wingate’s opponents only generated 17.3 points a game. After leading Wingate to consecutive state titles, Stonebraker graduated in 1914, and matriculated at Wabash College where he continued his athletic success and eventually carved out an eleven season career playing with professional clubs and early American Basketball League affiliates like the Fort Wayne Caseys, the Detroit McCarthys, and the Chicago Bruins.

Wingate’s 1914 championship team. Stonebraker is seated in the middle of the first row.             Source: Indiana High School Athletic Association Annual Handbook for 1914, accessed via Indiana Memory.

Wingate was hardly the same team after Stonebraker’s graduation. On the eve of their Kokomo game in 1915 they could not even boast about their 5-6 record. To complicate their season, they cancelled most of their December games as a result of the entire town falling under a small pox quarantine. Despite their struggles, fans and the press continued to hype any contest against Wingate. The Kokomo Tribune announced:

This game Saturday will be the most important home game for the locals this season. Wingate’s team is a real championship contender again this year and a victory for Kokomo would mean that we also have a team of first class ability.

The very calm composure of the players in the photo taken before the game hardly indicated the animosity that developed in the ensuing contest. Kokomo lost the contentious game 31-15. The Indianapolis Star reported that “Wild scenes, which threatened frequently to break up the game, marked the second period of play and may result in . . . breaking off athletic relations.” The hired referee failed to show up for the game. Consequently, the two schools agreed to let a representative of each of the respective teams officiate one half each. Wingate led 13-7 at half time with Kokomo’s ex-player Tyner Spruce officiating. Wingate’s coach Hugh Vandivier refereed the second half and according to the newspaper reports showed favoritism to his own team, which drew the ire of the Kokomo fans. Ultimately, both squads would finish the season with disappointing records [Wingate (11-8) and Kokomo (7-10)], and neither team would advance out of their division tournaments to qualify for the state tournament.

1918 state championship game between Lebanon and Anderson at Indiana University’s “New” Gymnasium. Source: Indiana University yearbook, The Arbutus, 1918.

Attempts at basketball action photography continued to be a novelty throughout most of the 1910s. The 1918 title game between Lebanon and Anderson is one of the earliest-known attempts to photograph an Indiana high school championship game. Even then the visual chronicle leaves much to be desired, as the camera’s exposure time had yet to catch up to the action on the court.  All of the players are out of focus, and several are nothing more than blurs in the image.  Despite this, these pictures can give modern viewers small windows to glimpse the earliest years of Hoosier Hysteria.

For your bonus enjoyment, here’s another photo of a non-high school basketball practice from the 1912 Purdue University yearbook, The Debris. This photo is likely posed, which is why all the players are in focus with the exception of the top right defender’s blurry arms.

Purdue University yearbook, the Debris, 1912. Credit: Archives and Special Collections, Purdue University Libraries.

Do you know of any Indiana basketball action photographs that are earlier or contemporary with these shown here?  If so, let us know at ihb@history.in.gov.

Irene Ray: Alleged “Witch” of Rochester

Irene Ray. Courtesy of the Indiana Album: Joan Hostetler Collection.

In the spring of 1692, a small village in Massachusetts was swept with a hysteria that started after a group of young girls accused several local women of participating in witchcraft and forging pacts with the devil. That hysteria, of course, would lead to the infamous Salem witch trials and in the following months, approximately 150 people would face witchcraft accusations; over 20 of those would be found guilty and put to the gallows.

The Republic, Columbus, Indiana, May 12, 1938, accessed Newspapers.com

Two hundred and forty-six years later, newspapers across the country would once again run headlines including words like “witch”, “hex”, and “spells” and yet another woman’s life would be ruined due to false accusations of witchcraft.

On May 11, 1938, Irene Ray and her husband Charles were driven from the town of Rochester, Indiana due to allegations that Irene was a practitioner of witchcraft and had hexed several town folk. It was alleged that her hexes had caused personal property damage, serious illness, and even death. Irene and Charles had moved to the town six years prior to this unfortunate episode along with their daughter, Iloe, and their cat (a strange fact that many of the newspaper stories were sure to include). What could have happened in the intervening years that would cause the townspeople to call for her removal?

When the Ray family moved to Rochester, they settled in a shack on the outskirts of town. One article in the Logansport Tribune even claims that the couple were forced from the nearby town of Plymouth, Indiana before finding themselves in rather dire circumstances in Rochester. Soon, they applied for and were given “relief” or welfare support. They were placed in a house on Audubon Street, where their neighbors soon came to resent them. They were seen as outsiders who were living off of the tax money of the citizens of Rochester who, although themselves poor, did not apply for relief.

Georgia Conrad, “victim” of Irene Ray, The Tennessean, June 19, 1938, accessed, Newspaper.com.

It may be that Irene herself started the rumors of witchcraft as a way to scare people away from her, relieving the family from taunts and other attacks. No matter how the rumors started, though, soon they spread like wildfire. At first, the townsfolk merely murmured about the witch but after the sudden illness of Georgia Knight Conrad, those murmurs became shouts. Irene had been trying to purchase some antiques from Georgia and had made several visits to her house to pressure the 24-year-old into selling them. On one of these visits, it is said that Irene slipped into Georgia’s bedroom and plucked some hairs from her brush. When leaving, Irene pronounced, “You’ll be sorry soon!” That evening, Georgia fell into a faint and was soon diagnosed as having a “leaking heart valve.” It wasn’t long before the family connected the dots.

Another alleged victim of Mrs. Ray was Chief of Police Clay Sheets. After the chief oversaw the removal of Irene’s granddaughter from her home due to charges against the “morals of the household,” newspapers reported that “dancing with rage, Irene screamed: ‘You are just a tool of that Knight Woman and you will be sorry, too!’” A few days later, Chief Sheets died of what appeared to be a heart attack.

In addition to human hearts, she was accused of hexing one man’s crops. Mrs. Ray made a habit of taking a shortcut through a field owned by Mr. “Friday” Castle, who didn’t appreciate the alleged witch trespassing on his property. When he confronted her she “ran her eyes back and forth over the patch until they had covered every inch of it. Then she . . . said ‘It won’t make a bit of difference now whether anybody walks on it or not.’” According to Castle, no potatoes sprouted that spring.

Other accusations included Mrs. Ray inducing insomnia, nervous indigestion, fires, floods, and more. The alleged methods of hexing ranged from using voodoo dolls to taking hairs of the victim, intertwining them with hairs from her cat, placing them in vinegar and burying them. It was also said that she consulted a more powerful witch from Plymouth when the hex she wanted to perform was above her ability. This consultant would “chew a dime into somewhat the shape of a nail to drive it into a dead tree, by blows of the horny heel of his palm . . . the victim would surely drop dead as soon as the magician had time to say three times: ‘Black Jack of baccarat, hominy domini, corpse.’”

The allegations against Irene Ray mounted and police were increasingly pressured to charge her with witchcraft. Fortunately, unlike Salem Massachusetts in 1692, Indiana had no laws against witchcraft. The state did have vagrancy laws, in essence making it illegal to be homeless. Irene was charged with vagrancy and arrested, only to be released when she promised the new Chief of Police that she and her family would leave town.

Irene Ray press release, May 12, 1938. Courtesy of the Indiana Album: Joan Hostetler Collection.

Although Irene denied the accusations against her, saying “The whole thing is wrong. I can’t do anything like that,” she and her husband Charles moved from the town and settled near Manitou Lake. The story of a “witch” being driven from town spread across the country and appeared in newspaper headlines from California to New York. Most were skeptical of the allegations and cast the whole affair in a grim light. In many of the articles, it is mentioned that Irene was of American Indian descent, although Irene admitted that even she wasn’t sure if this was accurate. The inclusion of this fact, along with that of her alleged consultant was African American, suggests that the incident was as much about race as it was about the financial situation of the family.

Logansport Pharos-Tribune, November 05, 1938, Accessed Newspaper.com.

Just six months later, Irene was hit by a car and died from the injuries. The accusations of witchcraft would outlive the alleged witch. In every article about the accident, her death takes a backseat to the story of her being forced out of Rochester as a witch. Later, when her daughter petitioned to have her stepfather declared of unsound mind (he had sustained a head injury in the accident which killed Irene) the headline focused on the fact that he was the widower of “Rochester’s Noted ‘Witch-Woman.’” It is safe to say now that Irene Ray was no witch, but rather a woman whose neighbors’ dislike and resentment ran so deep that they convinced themselves that she was at the root of their problems.

Flocks that Darken the Heavens: The Passenger Pigeon in Indiana

Julian Pender Hume, cover Extinct Birds, accessed Errol Fuller, The Passenger Pigeon, pg. 74.

One day in rural Monroe County, Indiana during the 1870s, 10-year-old Walter Rader witnessed an astonishing natural phenomenon: passenger pigeons had gathered at his family farm “by the millions.” As the birds descended on the farm, they blocked out “almost the entire visible area of sky.” He remembered that so many pigeons roosted in the trees surrounding the farm at night “that their weight would often break large limbs from the trees.” The crash rang so loudly he could hear it clearly inside his house.

John James Audubon’s painting of the male and female passenger pigeon, accessed Wikimedia. To see a 3D view of a passenger pigeon, visit the Smithsonian’s webpage.

Children in the 1870s became the last generation to witness such unbelievable flights of passenger pigeons. When the Indianapolis Star shared Rader’s memories in 1934, the passenger pigeon had been extinct already for twenty years, though it had reigned as North America’s most abundant bird since the 16th century. Passenger pigeons, once so numerous that they could disrupt natural landscapes, impact the nation’s economy, and shape American social life and cuisine, became a rarity by 1900. At their disappearance, some theorized that all the pigeons had drowned in the Gulf of Mexico, flew across the Pacific to Asia, or succumbed to some mysterious disease. What happened? How could a bird so populous that it darkened the sky be reduced to none in mere decades?

The passenger pigeon had a long history of striking awe in mere humans. Its large flocks astonished early European settlers and visitors. Ralphe Humor described the wild pigeons he saw in Virginia in 1615 as

beyond number or imagination, my selfe have seene three or four hours together flockes in the aire, so thicke that even they have shadowed the skie from us.

Portrait of John James Audubon by John Syme, White House Historical Association, accessed Wikimedia.

Even early ornithologists could not believe the amounts of passenger pigeons they witnessed. John James Audubon, one of the most prominent early North American naturalists, encountered such a large flight of passenger pigeons along the Ohio River in Kentucky that he was “struck with amazement.” He recalled the “air was literally filled with Pigeons; the light of noon-day was obscured as by an eclipse, the dung fell in spots, not unlike melting flakes of snow.” Despite the excrement, he decided to try to count all the pigeons that flew overhead, as any dedicated ornithologist would. He pulled out a pencil and paper and made a dot on the page for every flock that passed by. Audubon gave up after about twenty minutes, as the sky overhead was still inundated with pigeons. He counted 163 dots on the page. He later calculated that he saw well over one billion pigeons that day.

According to historian Joel Greenberg, “Nothing in the human record suggests that there was ever another bird like the passenger pigeon.” Estimations indicate three to five billion passenger pigeons inhabited North America from the 1500s through the early 1800s, constituting 25-40% of the continent’s total bird population. The passenger pigeon often traveled in huge flocks and left undeniable marks on the landscapes they inhabited. They formed roosts (resting sites) and nests for breeding in trees spread across miles. Their collective weight broke branches and sometimes toppled trees. When the pigeons finally left, it sometimes looked like tornado had swept across the land.

Passenger pigeon range, accessed birdwatchingdaily.com

The bird only lived in North America, generally east of the Rocky Mountains, between the Hudson Bay and the Gulf of Mexico. Passenger Pigeons, always on the move in their search for enough food to feed their massive flocks, generally flew north in the spring and south in the fall. Indiana falls smack dab in the middle of the passenger pigeon’s range and migration path. William Hebert wrote one of the earliest extant records of the pigeon in Indiana. In 1823, while he visited Harmony, he saw “astonishing flights of pigeons” and millions congregated in the nearby woods. Since pigeons upon pigeons inhabited each tree, no guns were even necessary to hunt them. Parties of people went into the forest at night, armed with poles, and simply knocked armloads of pigeons off the trees.

During the 18th and 19th century, Americans put their lives on hold when pigeons came to town. The bewildering sight of pigeons upon pigeons as far as the eye could see attracted amazed onlookers. The influx of pigeons became a free, relatively easy source of food that required little skill to capture or kill. Since pigeons often traveled and nested in such high concentrations, it was almost impossible to miss shooting a bird (or two) with a rifle or capture huge numbers with a net. Naturalist Bénédict Henry Révoil witnessed pigeon fever strike Hartford, Kentucky in 1847. He attested that for three days “the population never laid aside their weapons. All—men and children—had a double barreled gun or rifle in their hands,” waiting for the right moment to shoot through the thick cloud of pigeons flying above them. “In the evening the conversation of everybody turned upon pigeons . . . For three days nothing was eaten but boiled, or broiled, or stewed, or baked pigeons.”

Drawing of a passenger pigeon shoot in Northern Louisiana by Smith Bennett, c. 1875, accessed Wikimedia.

Indiana newspapers often updated Hoosiers on the comings and goings of passenger pigeons in the state. In 1850, an enormous pigeon roost formed near Lafayette, Indiana. According to newspaper reports, four men went to the roost to hunt and returned to town with 598 pigeons. The Indiana State Sentinel encouraged others to head to the roost because “the pigeons are unusually fat and most excellent eating.” In 1854, another roost ten miles long by five miles wide near Brookville, Indiana attracted persons “coming many miles to enjoy the sport.” An Indiana Herald journalist reported that:

the roar of their wings on arriving and departing from the roost is tremendous and the flocks, during the flight, darken the heavens. The ground is covered to the depth of several inches with their manure. Thousands [of pigeons] are killed by casualties from breaking limbs of trees.

Yet, the Indiana American assured readers to come to the roost as “There are pigeons enough for all.”

Example of pigeon updates in the Marshall County Republican [Plymouth, Indiana], September 10, 1857, pg. 3, accessed Hoosier State Chronicles.
Pigeon flocks that blocked the sun and toppled trees supported many Americans’ belief that their nation supplied an endless bounty of natural resources. No matter man’s actions, there would always be an inexhaustible amount of pigeons. Though the concept sounds a bit irrational today, historian Jennifer Price notes in her book Flight Maps that 18th- and early 19th-century Americans would probably have to stretch their own imaginations to envision our landscape as it now exists, crisscrossed with highways, dotted with skyscrapers, and cleared for agriculture. Most European settlers came from nations that had been over-hunted for centuries, so the incredible amounts of game they encountered in America seemed impossible for humans to eradicate. Additionally, Price explains that the freedom to hunt (like shooting a pigeon) became a social, political, and ecological act unique to America. In many European nations, only the upper class who controlled most of the lands where game remained could hunt. She observes “To hunt meant so much more than mere utilitarian gain. To go hunting was to tap into the continent’s bounty, to supplement the table, to exercise your skill with a shotgun, perhaps to band together with neighbors after plowing.”

This strong hunting tradition Price describes still plays out in present day Hoosier culture. For example, during the 2016 election Hoosiers voted to include an amendment that protects the right to fish and hunt, subject to state wildlife regulations, in the state constitution. Joel Schumm, a clinical law professor at Indiana University, told the Indianapolis Star this protection reflects the fact that “hunting and fishing is deeply ingrained in our culture and our state.”

During the latter half of the 19th century, revolutionary transportation advancements put the purportedly inexhaustible pigeon population to the test. Roads, canals, and railroads connected the far corners of the country and created a national market. As the railroad expanded into rich game areas in the west, market hunters could capture or kill millions of pigeons at vast nesting sites in the North and ship them east for huge profits, instead of just selling a few at local markets.

Indiana State Sentinel [Indianapolis, Indiana], 8 May 1851, pg. 3, accessed Hoosier State Chronicles.
High class restaurants and trap shooters supplied much of the demand for all these pigeons. In the 1830s, the first fine dining establishments, as opposed to the more common tavern or eating house, appeared. Passenger pigeons became a delicacy wealthy Americans ate in rich sauces or alongside truffles, instead of baking them at home in pies. Trapshooting arrived in the United States from England in the 1830s and became a popular sport in the 1870s. Contestants shot at targets, namely live passenger pigeons, launched into the air from traps. Sportsmen’s associations across the country hosted events that required thousands of birds for contestants to shoot at.

Can you find pigeon or squab (a young pigeon) on the menu? Delmonico’s, New York City, April 18, 1899, accessed New York Public Library.

As trains began to ship thousands of pigeons across the nation daily to supply demand, Révoil predicted that the passenger pigeon was “threatened with destruction . . . if the world endure a century longer, I will wager that the amateur of ornithology will find no pigeons except in select Museums of Natural History” in 1847. The last large flocks of pigeons appeared in the 1870s. Throughout the 1880s, ornithologists and sportsmen reported smaller and smaller flocks, until they began to worry none were left.

At the turn of the 20th century, ornithologists and naturalists called for increased wild game protection. Many sportsmen began advocating for conservation, or wise use, of natural resources and tried to overturn the widespread assumption that America’s natural resources were unlimited. Sportsmen worried that without intervention, hunting as a leisure activity would disappear because no game would be left. In 1900, Congress signed the Lacey Act into law. Championed by sportsmen and naturalists alike, the law protected the preservation of wild birds by making it a federal crime to hunt game with the intent of selling it in another state.

Martha, the last passenger pigeon, accessed Smithsonian Museum of Natural History.

However, it was too late for the passenger pigeon. During the 1910s, some ornithologists offered cash rewards to the individual that could bring them to a flock or nest of passenger pigeons, as a last ditch effort to save the species. All rewards went unfulfilled, since no passenger pigeons could be found. Historian Joel Greenberg recently found new evidence, further examined in his book A Feathered River Across the Sky, that the last verified passenger pigeon in the wild was shot here in Indiana, near Laurel on April 3, 1902. A young boy shot the bird and brought it to local taxidermist Charles K. Muchmore, who recognized it at once, and preserved it until ornithologist Amos Butler verified it was indeed a passenger pigeon. Unfortunately, a leaky roof destroyed the specimen around 1915. No more substantial evidence appeared in front of Butler, or any other ornithologist for that matter, of the passenger pigeon’s existence. Butler concluded in 1912 “The Passenger Pigeon is probably now extinct,” in the wild. The last captive passenger pigeon, Martha, died in the Cincinnati Zoo on September 1, 1914, marking the official extinction of the species.

National Association of Audubon Societies, c. 1920, accessed Errol Fuller, The Passenger Pigeon, pg. 50.

According to Iowa Representative John F. Lacey, creator of the Lacey Act, the extinction of the passenger pigeon spurred necessary support from the public, often from hunters and sportsmen, for broader wildlife protection. Though the passenger pigeon could not be saved, other animals in danger of a similar fate, like the American bison, the egret, and the trumpeter swan, survive to this day.

On April 3, 2017, 115 years after the last verified wild passenger pigeon was shot in Indiana, the Indiana Historical Bureau will unveil a state historic marker dedicated to passenger pigeon extinction. It will be located in Metamora, Indiana, five miles from where the last passenger pigeon was shot.

Check back on our Facebook page and website for more details on the marker dedication ceremony, open to the public.

Before Rosa Parks: Laura Fisher’s 1927 Fight Against “Jim Crowism”

Greyhound Bus, 1929, courtesy of the Indiana Historical Society, W.H. Bass Photo Company Collection.

On November 19, 1927 Laura Fisher boarded a Greyhound Bus at a station in Richmond, Indiana. The African American passenger, destined for her hometown of Cincinnati, Ohio, felt ill and took a seat at the front of the bus where it was warmest. This infuriated the Cincinnati bus driver Glen Branoski, described in the newspapers as “of foreign descent,” who demanded Fisher sit in the back of the bus in the section he had designated as “negro.” After refusing to move, Branoski ejected Fisher from the bus. According to a November 29, 1927 article in the Richmond Item, Fisher re-entered the bus, which prompted Branoski to call police headquarters. The Richmond Palladium [originally the Palladium and Sun-Telegram] noted that he demanded that the police remove her, citing that “Jim Crow rule” was “provided by the [bus] company.” Even though Greyhound was headquartered in Duluth, Minnesota, the growing interstate bus line needed to be mindful of the regional laws regarding segregation.

Jim Crow laws “came to mean any state law passed in the South that established different rules for blacks and whites. Jim Crow laws were based on the theory of white supremacy and were a reaction to [Civil War] Reconstruction.” Historian Richard B. Pierce noted that Indiana “did not have as complete a system of Jim Crow” as southern states, although it “did have its own unique brand of discrimination.” In Fisher’s case, the police station cited that “state laws did not legalize such discrimination and the police department had no authority to help” Branoski enforce the bus line policy.

Palladium and Sun-Telegram (Richmond), November 21, 1927, 1, accessed Newspapers.com.

The Richmond Item reported that following this refusal, Branoski ejected Fisher a second time “with such violence that she was painfully injured” and then he tore up her ticket. The paper noted, “A considerable crowd collected and trouble threatened for a time, Mrs. Fisher becoming almost hysterical from fright.” Had police officers not arrived in a timely manner, the newspaper predicted, there would likely have been a riot. This unlawful attempt to enforce of Jim Crow segregation led to Branoski’s arrest the day following the incident. An Item article reported that on November 21 he plead “not guilty” to assault and battery and was released on bond, ordered to report to city court the following Monday for trial.

“Local Conditions,” Indianapolis Recorder, September 18, 1926, accessed Hoosier State Chronicles.

Several local newspapers noted that this “Jim Crow” trial was the first racial discrimination case Richmond had encountered in many years. However, Fisher’s experience typified increasing segregation in Indiana during the mid and late 1920s. According to Emma Lou Thornbrough’s Indiana Blacks in the Twentieth Century, in 1927 a wave of racial discrimination led to the authorization or opening of segregated Indiana schools, including Indianapolis’s Crispus Attucks High School, Gary’s Roosevelt School, and Evansville’s Lincoln School. Each of these were barred from membership in the Indiana High School Athletic Association, on the grounds that the schools were not “publicly open to all” (the rule also barred parochial schools from IHSAA membership by the same rationale).  The rule was in effect until 1942, and prohibited all-black squads from competing against white teams.

Segregation also extended to recreation, housing, and medical care. According to historian James Madison, nearly every facet of Hoosier life in the post-WWI era was segregated or exclusionary, including “theaters, public parks, cemeteries, restaurants, hotels, beaches, swimming pools, orphans’ homes, hospitals, newspaper society columns, the state militia . . .” A March 15, 1927 article in the Huntington Herald demonstrates the attitudes of those Hoosiers calling for segregation, alleging “the average negro, given an inch will take a mile” and therefore “it is the negro’s mode of living that has resulted in the passage of all Jim Crow laws.”

Accessed via Hoosier State Chronicles.

However, Madison noted that “Indiana blacks did not accept discrimination and segregation without protest,” evinced by Laura Fisher’s case. On November 28, Branoski reported for trial at the city court, where he gave no testimony and plead guilty to assault and battery (Richmond Palladium). He was fined $50, plus costs, and 20 days in county jail. The bus company, which fired Branoski but paid his fines, settled out of court with Fisher and paid her $500 to sign a “release from a damage action which had been threatened.” According to the November 29 Richmond Item article, Fisher took Branoski to court with the purpose of obtaining racial justice, rather than financial settlement. One of her lawyers stated that:

‘Negro residents of the community were not asking for the imposition of any severe penalty upon Branoski, merely a vindication of equal rights of Negro passengers with white passengers on public transportation conveyances. He several times asked Branoski’s jail sentence be reduced to 10 days.’

Greyhound Bus Station in Indianapolis, 1943, courtesy of loc.gov, accessed iupui.edu, Indiana Farm Security Photographs.

In announcing the verdict, Richmond police judge Fred Pickett stated that “The Indiana law on racial discrimination is clear. It does not tolerate discrimination” (Palladium, November 29). He added “Ignoring the fact that one of the principals in this case is a white man and the other a negro woman it must be viewed solely as an aggravated, unprovoked attack by a strong man upon a woman who was both weak and ill. She was both injured and humiliated.” Judge Pickett made his opinion clear, stating “I want it to be a matter of public record that this court regards an attack made by a man upon a woman a serious offense not to be lightly condoned.”

The Richmond Item, November 29, 1927, 1, accessed Newspapers.com.

Although his statements seem to emphasize injustice based on gender, rather than race, the Freeport Journal-Standard of Illinois noted “that Indiana does not recognize a ‘Jim Crow’ rule was emphasized by police judge, Fred Pickett.”

Muncie Evening Press, December 9, 1927, accessed Newspapers.com.

While research efforts to locate articles about the fates of Fisher or Branoski following the trial were unfruitful, the case was referenced in a similar bus incident occurring on November 23, just four days after Fisher’s ordeal. According to a December 17, 1927 article in the Indianapolis Recorder, prominent African American business woman Helen M. Dorsey filed suit against the Blue Goose Bus Line when a driver refused to let her board the bus. Unable to make it to a conference in Kentucky on time, she “arrived too late to take care of the matters.” She therefor sought $500 in damages, the amount offered to “a passenger, Mrs. Laura Fisher, at Richmond, Ind. a few weeks ago.” These 1927 cases highlighted Indiana’s increasing segregation and the daily battles African Americans waged-and sometimes won-to obtain equal privileges.

Check back February 16 to learn about Indianapolis Public Schools, residential segregation, and forced busing in the 1970s.

Beulah Bondi: Jimmy Stewart’s “Mom”

bondi-and-stewart-porter-co-mueum
Jimmy Stewart and Beulah Bondi, courtesy of the Porter County Museum.

Beulah Bondi’s is not a recognizable name today, but her face certainly is. You’ve likely seen it in classics such as It’s a Wonderful Life and Mr. Smith Goes to Washington. The Valparaiso, Indiana native portrayed Jimmy Stewart’s mother four times on film, including Vivacious Lady and Of Human Hearts, in addition to Wonderful Life and Mr. Smith. According to the Chicago Daily Tribune, Stewart affectionately called Bondi “Mom.” By the ripe old age of 39, Bondi was cast to play characters well beyond her age and she became the equivalent of “Hollywood’s mother,” despite herself never marrying or having children.

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Depiction of Bondi’s character in “Track of the Cat” (1954), courtesy of Oscars.org.

“America’s greatest character actress,” according to United Artists, MGM, and Paramount, was born Beulah Bondy in 1888. She got her start at the age of seven as “Little Lord Fauntleroy” at Valparaiso’s Memorial Opera House. After the lead actress fell ill, she had one week to memorize 47 pages worth of lines and became hooked on acting after delivering them on the stage. The young actress was drawn to “dramatics” and the stage throughout her public education, including her time at the Convent of the Holy Name and Valparaiso University.

After graduation from university, she traveled the Midwest with a theatrical touring company. The Valparaiso Vidette Messenger reported that she changed her last name to “Bondi” at the suggestion of an Indianapolis journalist. Bondi noted, laughing, that “‘He said all of the letters in my name should be above the [credit] line.”

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“The Shepherd of the Hills” promotional material, 1941, accessed IMDb.com.

Following her work with an Indianapolis stock theater company, Bondi began her professional acting career in 1919. She was promptly informed by her first director that she “‘had no more talent than on the head of a pin.'” This criticism equipped her to endure even the most difficult directors of stage and film. In 1925, Bondi made her Broadway debut, beginning a prolific Broadway career that would eventually deliver her to Hollywood acclaim. According to the Valparaiso Vidette Messenger, film producer Samuel Goldwyn viewed her Broadway performance as a bigoted neighbor in the three-year run of Elmer Rice’s “Street Scene” and brought her to Hollywood.

From “dowagers to harridans,” Bondi deliberately chose character work, embodying each of the characters she played. In 1929, the Valparaiso Vidette Messenger printed excerpts of colorful New York reviews of Bondi’s portrayals:

“As a catty and scandal mongering neighbor Miss Beulah Bondi never overplays a role that would tease a lesser actress to do so.”

“Beulah Bondi who was so good in ‘Saturday’s Children’ and so amusing in ‘Cock Robin,’ turns out a gossipy busy body with remarkable detail and rare effect.”

In “Street Scene:” “the comedy relief is intrusted [sic] to the greatest character actress in America, Beulah Bondi. Hers was a magnificent performance.”

Bondi reflected in 1976 that “With each part, I ‘meet the woman’ for the first time when I read the script . . . And then I imagine her past life-what made her into the character she is.” She appeared in over 50 major films, appearing with Hollywood greats such as Clark Gable, Greta Garbo, Joan Crawford, Fred MacMurray, Barbara Stanwyk, and of course her “son” Jimmy.

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Beulah Bondi, James Stewart, Guy Kibbee, and Ruth Donnelly in “Mr. Smith Goes to Washington,” courtesy of Getty Images, accessed IMDb.com.

The Vidette Messenger noted that Bondi came to be greatly respected by directors because she:

“was never given ‘The Grand Build-up’ by inspired press agents. She is just one of the ‘old timers’ on the various lots, highly capable and highly dependable. Neither temperamental nor demanding, she is an actress to delight both producers and directors. She choses [sic] her parts with great discrimination, asking always the best, and always giving her best.”

of-human
Montage: The Journal of the Academy of Motion Picture Arts and Sciences, Vol. 1 No. 1, (May 1939), p.22, accessed Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.

Bondi received recognition and accolades for her supporting roles, receiving commendation by the New York Times for her role in the 1939 film On Borrowed Time, in which she played opposite Lionel Barrymore. She was nominated for an Academy Award for Best Supporting Actress in 1936 for The Gorgeous Hussy and 1938 for Of Human Hearts. At the sunset of her career, Bondi received an Emmy award in 1977 for Outstanding Lead Actress for a Single Appearance in a Drama or Comedy Series for her portrayal as Aunt Martha on an episode of The Waltons.

The Vidette Messenger aptly concluded in 1976 that Bondi “deserves a place in the series of local celebrities-and unlike some who have gone off to conspicuous success in the entertainment world-she never belittled the town that was the scene of her childhood. She is a product of Valparaiso-and proud of it.” In her 80s, Bondi quipped to the newspaper that same year “‘I never played an actress my own age . . . I now play girls of 16.'” The acclaimed Hoosier passed away on January 12, 1981 in Hollywood, leaving behind a legacy of compelling silver screen characters.

old-bondi
Jo Mannies, “Beulah’s Debut 47 Pages Long,” Valparaiso Vidette Messenger, April 13, 1976, 1.

Melba Phillips: Leader in Science and Conscience Part Two

Melba Philips, photograph, n.d., University of Chicago News Office, accessed http://www-news.uchicago.edu/releases/04/041116.phillips.shtml
Melba Phillips, photograph, n.d., University of Chicago News Office, accessed University of Chicago News Office.

See Part One to learn about Phillips’s contributions to physics via the Oppenheimer-Phillips effect and her work to prevent the future use of atomic energy for war.

The Second World War, particularly the use of the atomic bomb, gave way to the Cold War. Living in the shadow of the threat of a nuclear war with the Soviet Union induced anxiety among many Americans. While Senator Joseph McCarthy became the public face of fear of homegrown communists, many other paranoid and xenophobic senators participated in the witch hunts. In 1950, Nevada Senator Pat McCarran sponsored the McCarran Internal Security Act, which allowed for investigation of “subversive activities;” made an “emergency” allowance for detaining people suspected of such activity; and even made picketing a courthouse a felony if it “intended” to obstruct proceedings. The act also provided for a five-member committee with the Orwellian title of the Subversive Activities Control Board (SACB), which was headed by McCarran and tasked with rooting out communists, communist-sympathizers, and other “subversives.” The SACB, or the McCarran Committee as it was more commonly called, went to work immediately.

Demonstrators demand repeal of the Smith and McCarran Acts, circa July 19, 1950, Los Angeles, Charlotta Bass / California Eagle Photograph Collection, 1880-1986, Southern California Library for Social Studies and Research, http://digitallibrary.usc.edu/cdm/ref/collection/p15799coll102/id/1320
Demonstrators demand repeal of the Smith and McCarran Acts, circa July 19, 1950, Los Angeles, Charlotta Bass / California Eagle Photograph Collection, 1880-1986, Southern California Library for Social Studies and Research.

In 1952, Melba Phillips was called to testify before the McCarran Committee of New York, the state version of the U.S. congressional committee, on her political activity. She was called because of her involvement with the Teachers Union. According to an October 14, 1952 New York Times article, a witness claiming to be “a former Communist official” testified that “he helped set up secret units of Communist teachers” and that “300 of the 500 dues-paying Communist teachers in this city went into a secret set-up whose top unit consisted of leaders of the Teachers Union.” Several prominent New York teachers refused to confirm or deny communist leanings, while outside of the courthouse students and teachers gathered in protest, chanting “Pat McCarran, hit the sack. We want our professors back!”

According Dr. George Salzman, a University of Massachusetts at Boston professor who was a student of Phillips’s at that time ,

“She let the Committee counsel know that her lineage went back to the Mayflower, and she wasn’t about to take part in the witch hunt.”

Phillips was subsequently fired from her university positions due to a law which required the termination of any New York City employee who invoked the Fifth Amendment. Bonner explained, “McCarran was a specialist at putting people in the position in which they had to invoke the Fifth Amendment. It was a deliberate expression of the McCarthyism of the time.” In a 1977 interview, Phillips briefly discussed the incident (although she was reluctant because she was trying to keep the interviewer focused on her scientific accomplishments). She stated: “I was fired from Brooklyn College for failure to cooperate with the McCarran Committee, and I think that ought to go into the record . . . city colleges were particularly vulnerable, and the administration was particularly McCarthyite.” Phillips stated that she wasn’t particularly political. Her objection to cooperating had been a matter of principle.

New York Times, October 14, 1952, 1, accessed ProQuest Historical Newspapers.
New York Times, October 14, 1952, 1, accessed ProQuest Historical Newspapers.

Phillips did not let her dismissal extinguish her passion for science education. While unemployed, she wrote two textbooks, which became university classroom standards: Classical Electricity and Magnetism (1955) and Principles of Physical Science (1957).

Melab Phillips and Francis T. Bonner, Principles of Physical Science (Reading, MA: Addison-Wesley Publishing Company, Inc., 1957)
Melba Phillips and Francis T. Bonner, Principles of Physical Science (Reading, MA: Addison-Wesley Publishing Company, Inc., 1957).

In 1957, Phillips became the associate director of the Academic Year Institute of Washington University in St. Louis, a teacher-training school.  Her appointment came at the behest of Edward Condon who had also been named as a security risk by the House Un-American Activities Committee in the early 1950s. On Condon’s decision to hire her, Phillips stated, “there was much discrimination against people who had had any trouble of a ‘political’ kind, and it took a lot of courage, It took courage to hire any of the people in trouble during that time.”

Edward Condon, photograph, n.d., accessed National Institute of Standards and Technology, https://www.nist.gov/news-events/events/2016/01/government-science-cold-war-america-edward-condon-and-transformation-nbs
Edward Condon, photograph, n.d., accessed National Institute of Standards and Technology.

At the institute she developed programs instructing high school teachers about how to teach elementary science and physics. She remained at Washington until 1962 when she joined the faculty of the University of Chicago. Among her accomplishments there, she worked to make science accessible to non-science majors. She also made laboratory work an important part of the student experience. She explained that “we worked very hard in our laboratory in Chicago . . . unless the students get ‘hands on,’ it seems they don’t fully understand the material.”

In 1966, she became president of the American Association of Physics Teachers, of which she had been a member since 1943. This respected organization was founded in 1930 as “a professional membership association of scientists dedicated to enhancing the understanding and appreciation of physics through teaching.” Phillips became not only AAPT’s first female president, but one of its most memorable and effective leaders. Phillips was proud of the work of the organization and wrote the official History of the AAPT. She worked to make physics more important to teachers at the high school level in addition to college. She stated,

“The people in the universities whose future depends on their writing more and more research papers have very little patience with the problems of education at a lower level. This has to do in part with why the Association of Physics Teachers ever got started.”

Phillips remained at the University of Chicago until she retired as Professor Emerita in 1972. Even after her retirement from the University of Chicago, she continued to teach at other schools as a visiting professor. She taught at the State University of New York, Stony Brook from 1972 to 1975, and at the Chinese Academy of Science in Beijing in 1980. Phillips was awarded more honors than can be mentioned without compiling an extensive list. Notably, however, in 1981, the AAPT awarded her the first Melba Phillips Award, created in her honor, “for exceptional contributions to physics education.”

book
Image courtesy of alibris.com.

In 1987, Brooklyn College publicly apologized for firing Phillips, and in 1997 created a scholarship in her name. Melba Phillips died on November 8, 2004 in Petersburg, Indiana at the age of 97. The New York Times referred to Phillips in her obituary as “a pioneer in science education” and noted that “at a time when there were few women working as scientists, Dr. Phillips was leader among her peers.” Her accomplishments helped pave the way for other women in the sciences. In a 1977 interview, Phillips addressed the problems women face in aspiring to science careers an a 1977 interview, stating:

We’re not going to solve them, but, as I’ve been saying all the time; if we make enough effort, we’ll make progress; and I think progress has been made. We sometimes slip back, but we never quite slip all the way back; or we never slip back to the same place. There’s a great deal of truth in saying that progress is not steady no matter how inevitable.

Melba Phillips: Leader in Science and Conscience Part One

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Indiana native Melba Newell Phillips pioneered new physics theories, studied under the famous J. Robert Oppenheimer, worked passionately to improve science education, and advocated for women’s place at the forefront of science research. After the U.S. dropped atomic bombs on Japan at the end of World War II, Phillips and other scientists organized to prevent future nuclear wars.  She took a great hit to her career during the Cold War as she stood up for the freedom to dissent in the oppressive atmosphere of McCarthyism. Colleagues and students have noted her “intellectual honesty, self-criticism, and style,” and called her “a role model for principle and perseverance.”

Phillips was born February 1, 1907 in Hazleton, Gibson County. According to Women in Physics, Phillips graduated from high school at 15, earned a B.S. from Oakland City College in Indiana, taught for one year at her former high school, and went on to graduate school. In 1928, she earned a master’s degree in physics from Battle Creek College in Michigan and stayed there to teach for two years. In 1929 she attended summer sessions on quantum mechanics at the University of Michigan under Edward U. Condon.  When she sought Condon’s help on a physics problem, her solution, rather than his, ended up being the correct one. This led to a lifelong friendship and Condon recommended Phillips for further graduate study at the University of California, Berkley. Here she pursued graduate research under Oppenheimer and earned her Ph.D. in 1933. Within a few years she was known throughout the physics world because of her contribution to the field via the Oppenheimer-Phillips effect.

J. Robert Oppenheimer, photograph, in Ray Monk, Inside the Centre: The Life of J. Robert Oppenheimer (2014)
J. Robert Oppenheimer, photograph, in Ray Monk, Inside the Centre: The Life of J. Robert Oppenheimer (2014)

The 1935 Oppenheimer-Phillips Effect explained “what was at the time unexpected behavior of accelerated deuterons (nuclei of deuterium, or ‘heavy hydrogen’ atoms) in reactions with other nuclei,” according to a University of Chicago press release. When Oppenheimer died in 1967, his New York Times obituary noted his and Phillips’s discovery as a “basic contribution to quantum theory.” Manhattan Project scientist and professor emeritus of chemistry at the State University of New York, Stony Brook Francis Bonner explained in the release that normally such an accomplishment, now considered “one of the classics of early nuclear physics, “would have meant a faculty appointment. However, Phillips received no such appointment, perhaps due in part to the Great Depression, but also likely because of her gender.

Oppenheimer-Phillips Effect

Instead, Phillips left Berkley to teach briefly at Bryn Mawr College (PA), the Institute for Advanced Study (NJ), and the Connecticut College for Women. On February 16, 1936, the New York Times reported that she was one of six women to receive research fellowships for the 1936-1937 academic year as announced by the American Association of University Women.  The announcement read: “Melba Phillips, research fellow at Bryn Mawr, received the Margaret E. Maltby fellowship of $1,500 for research on problems of the application of quantum mechanics to nuclear physics.”

New York Times, February 16, 1936, N6, ProQuest Historical New York Times
New York Times, February 16, 1936, N6, ProQuest Historical New York Times

In October of 1937 Phillips served as a delegate to the fall conference of the association at Harvard, where the discussion centered around the prejudices against women scientists that halted not only their careers, but scientific progress more generally. According to a 1937 New York Times article, Dr. Cecelia Gaposchkin, a Harvard astronomer, detailed the “bitter disappointments and discouragements” that faced women professionals in the field of science.  Certainly, Phillips related, as her career moved forward slowly despite her achievements in physics.

Pupin Physics Laboratory, Columbia University, "Short History of Columbia Physics," accessed http://physics.columbia.edu/about-us/short-history-columbia-physics
Pupin Physics Laboratory, Columbia University, “Short History of Columbia Physics,” accessed http://physics.columbia.edu/about-us/short-history-columbia-physics

Finally, in 1938, she received a permanent teaching position at Brooklyn College. In 1944, she also began research at the Columbia University Radiation Laboratory. Phillips was highly regarded as a teacher and Bonner noted she became “a major figure in science education” who “stimulated many students who went on from there to very stellar careers.”

Meanwhile, the U.S. officially entered World War II with the December 7, 1941 bombing of Pearl Harbor. No previous war had been so dependent on the role of science and technology. From coding machines to microwave radar to advances in rocket technology, scientists were in demand by the war effort.

In July 1945, the Manhattan Project scientists successfully detonated an atomic bomb in the desert of Los Alamos, New Mexico.  In August 1945, the U.S. dropped two atomic bombs on Japan, forcing the country to surrender and effectively ending World War II. Over 135,000 people were killed in Hiroshima and 64,000 in Nagasaki.  Many thousands more died from fires, radiation, and illness. While a horrified public debated whether the bomb saved further causalities by ending the war or whether it was fundamentally immoral, scientists also dealt with remorse and responsibility.

atomic-bomb
Leslie Jones, “1st Atomic Bomb Test,” photograph, Boston Public Library

Henry Stimson, Secretary of War in the Truman administration, stated, “this deliberate, premeditated destruction was our least abhorrent choice.” Oppenheimer, however, reflected, “If atomic bombs are to be added as new weapons to the arsenals of a warring world, or to the arsenals of nations preparing for war, then the time will come when mankind will curse the names of Los Alamos and of Hiroshima.” More bluntly, Oppenheimer told Truman, “Mr. President, I feel I have blood on my hands.” Many physicists retreated to academia, but some became politically active, especially in regard to preventing further destruction through scientific invention.

Representing the Association of New York Scientists, Phillips and leading Manhattan Project scientists helped organize the first Federation of American Scientists meeting in Washington, D.C. in 1945. The goal of the Federation was to prevent further nuclear war. That same year Phillips served as an officer in the American Association of Scientific Workers, an organization working to involve scientists in government and politics, to educate the public in the science, and to stand against the misapplication of science by industry and government. On August 16, 1945 the New York Times reported that Phillips and the other officers of the Association signed a letter to President Truman giving “eight recommendations to help prevent the use of atomic bombs in future warfare and to facilitate the application of atomic energy to peacetime uses.”

By the end of the 1940s, Melba Phillips’s accomplishments in physics and science education were well-known throughout the academic physics community. However, by the early 1950s, she was accused of being affiliated with communist subversives and fired from her university positions.  What happened to this Hoosier physics pioneer?

Find out with Part Two, Melba Phillips: Leader in Science and Conscience.